Artistic heritage The masters are not exhausted only by book graphics. A. F. Pakhomov is the author of monumental paintings, picturesque canvases, machine graphics: drawings, watercolors, numerous etams, among which the exciting lists of the Leningrad series in the days of the blockade. However, it happened that in the literature about the artist there was an inaccurate idea of \u200b\u200bthe genuine scale and time of his activity. Sometimes the lighting of his work began only from the works of the mid-30s, and sometimes later - with a series of lithographs of the military years. Such a limited approach was not only narrowing and dreamed of an idea of \u200b\u200bthe original and bright heritage of A. F. Pakhomov, who created for half a century, but also impoverished Soviet art as a whole.

The need for a study of creativity A. F. Pakhomov has long been abandoned. The first monograph appeared in the mid-30s. Naturally, only part of the works was considered in it. Despite this, and on some limitations in the understanding of traditions, peculiar to that time, the work of the first biographer V. P. Anikayeva retained the value from the factual side, as well as (with the necessary adjustments) conceptually. In the essays that came out in the 50s about the artist, the coverage of the material of the 20s - 30s turned out to be narrower, and the coverage of the consequent periods was more selective. Today, the descriptive and appraisal side of the works about A. F. Pakhomov, distant from us by two decades, seems largely lost persuasiveness.

In the 60s, A. F. Pakhomov wrote the original book "About his work." The book clearly showed the fallacy of a number of existing ideas about his work. The artist's thoughts made in this work on time and art, as well as the extensive material of records of conversations with Alexey Fedorovich Pakhomov, made by the author of these lines, helped creating the proposed monograph readers.

A. F. Pakhomov belongs to an extremely large number of paintings and graphics. Without claiming their exhaustive lighting, the author of the monograph considered its task to give an idea of \u200b\u200bthe main parties creative activity Masters, about her wealth and originality, about teachers and colleagues who contributed to the formation of art A. F. Pakhomov. Citizenship, deep vitality, realism peculiar to the works of the artist, allowed to show the development of his work in a permanent and close connection with the life of the Soviet people.

Being one of the biggest masters soviet art, A. F. Pakhomov carried on all his duty of the life and creative way of hot love of the Motherland, to her people. High humanism, truthfulness, richness and make it works by such spiritual, sincere, full of warmth and optimism.

In the Vologda region near the city of Kadnikov on the banks of the river, the village of Varlamov was spread. There, on September 19 (October 2), 1900, the peasant of Efimi Petrovna Pakhomoy was born a boy, who was called Alexei. His father, Fedor Dmitrievich, took place from the "specific" landpashers who did not know the horrors of serfdom. This circumstance played not the last role in the lifeguard and prevailing characteristics of the character, the ability to stay simply, calmly, with dignity. They also rooted the features of special optimistic, the latitude of views, mental directness, responsiveness. Alexey was brought up in an employment situation. Lived not burning. As in the whole village, there was not enough bread to spring, it was necessary to buy it. Required additional incomewho were engaged in adult family members. One of the brothers was Kamenotes. Many fellow villagers were cargo. Nevertheless, the early hours of life remembered young Alexey as the most joyful. After biennial training in a christmas school, and then two more years - in the Zemstvo School in the neighboring village, he was sent "to a stateless account and on the government charachi" in the Higher Primary School in the city of Kadnikov. The time of classes there remained in the memory of A. F. Pakhomova as very heavy and hungry. "Since my careless childhood in from the house, "He said," it was forever to seem to me the happiest and poetry time, and this poetization of childhood later became the main motive in my work. " Artistic abilities Alexei manifested itself early, although where he lived, there was no conditions for their development. But even in the absence of teachers, the boy achieved certain results. The neighboring landowner V. Zubov drew attention to his talent and presented the alea pencils, paper and reproduction from paintings by Russian artists. Early Pakhomov drawings, preserved to the present day, find what subsequently, being enriched by professional skill, will be characteristic of his work. A little artist fascinated a man's image and primarily a child. He draws brothers, sister, neighbor children. Interestingly, the rhythm of the lines of these frequency pencil portraits Ensharge with the drawings of its mature pore.

In 1915, by the end of the school of the city of Kadnikov, on the suggestion of the county leader of the nobility of Yu. Zubov, local art lovers declared a subscription and the money collected sent Pakhomov to Petrograd to the school A. L. Stiglitsa. With the revolution, the changes and to the life of Alexey Pakhomov. Under the influence of new teachers who appeared in the school, N. A. Tyrsov, M. V. Dobuzhinsky, S. V. Chekhonin, V. I. Shujaeva - He seeks to deeper to understand the tasks of art. Short-term learning under the guidance big Masters Figure Shujaeva gave him a lot of valuable. These classes laid the foundations of the structure human body. He sought to a deep study of anatomy. Pakhomov was convinced of the need to not copy the surrounding, but in meaningful to portray him. Drawing, he got used to not depend on black-free conditions, but no matter how to "illuminate" nature with its own eye, leaving bright close parts of the volume and the prettier one that are more distant. "True," the artist noticed at the same time, "I didn't become a faithful Shukhaev, that is, I did not draw Sangina, sinking it with a rubber band so that the human body looked spectacular." We were useful, as Pakhomov recognized, the lessons of the visible artists of the book - Dobuzhinsky and Chekhonin. He especially remembered the last advice: to seek the ability to write fonts on the book cover at once with a brush, without a preparatory mark with a pencil, "as an address on the envelope." According to the artist, such a development of the desired chammerator helped subsequently in the sketches from nature, where he could, starting with some detail, place all depicted on the sheet.

In 1918, when it was impossible to live in a cold and hungry petrograd without permanent earnings, Pakhomov went home, enrolling the teacher of drawing to school in Kadnikov. These months brought tremendous benefits to replenish his education. After lessons in the classroom and the second stage, he greedily read, while the light allowed and the eyes were not tired. "All the time was in an excited state, I was covered by the fever of knowledge. In front of me, the whole world was revealed, which I, it turns out, almost did not know, - recalled the steven steams. - I took the February and October revolutions with joy, like most people, surrounding me, but only now, reading books on sociology, political economy, historical materialism, history, I began to truly understand the essence of the events that happened. "

Before the young men, the treasures of science and literature were opened; It was quite natural that his intention to continue in Petrograd interrupted training. In a familiar building in Salo Lane, he began to engage in N. A. Tyrsa, who was then the Commissioner of the former School of Stiglitz. "We, students of Nikolai Andreevich, was very surprised by his costume," Pakhomov told. - The commissioners of those years wore leather caps and jackets with a flaw and Nagan in Cobur, and Tyrsa walked with a cane and in the bowler. But his conversations about art listened to his breath. " The head of the workshop witnessed the obsolete views on painting, introduced students with the achievements of impressionists, with the experience of postpressionism, unbelievably attracted attention to the search, which are visible in the works of Van Gogh and especially Cezanne. The clear program of the future art of Tyrs did not advance, from those engaged in his workshop, he demanded immediacy: Write the way you feel. In 1919, Pakhomov called on the Red Army. He closely learned unfamiliar to this military environment, I understood genuinely people's character The army of the country of the Councils, which later affected the interpretation of this topic in his work. In the spring of next year, demobilized after the disease of Pakhomov, arriving in Petrograd, moved from the workshop of N. A. Tyrsi to V. V. Lebedev, deciding to obtain an idea of \u200b\u200bthe principles of cubism, which was reflected in a number of works of Lebedev and his students. From the works of Pakhomov, completed at this time, a little preserved. Such, for example, "still life" (1921), distinguished by a subtle sense of texture. In it, hesitates the desire to seek instructing from Lebedev, to seek not a superficial completion, but a constructive pictorial organization of the canvas, not forgetting about the plastic qualities of the depicted.

Just new great work Pakhomov - Pictures "Senokos" - originated in the native village of Varlamov. There was a material to her. The artist depicted an ordinary household scene on the back, and the help of young peasants with his neighbors. Although the transition to the collective, collective farm work was then the case of the future, but the event itself, showing the burdens of youth and the passion for the work, was already akin to new trends. Etudes and sketches of kostov figures, fragments of the landscape: herbs, bushes, stubs indicate an amazing sequence and seriousness artistic designwhere bold textured searches are combined with the solution of plastic problems. The ability of Pakhomov to catch the rhythm of movements contributed to the dynamicity of the composition. To this picture, the artist walked for several years and fulfilled many preparatory works. In a number of them, he developed close or related main themes of the plots.

The figure "beat off spit" (1924) shows two young peasants at work. They were drawn by Pakhomov from nature. Then he passed this leaf with a brush, summarizing the shown already without monitoring his models. Good plastic qualities that combine with the transfer of a strong movement and the overall painting of the use of carcasses are visible in the earlier work of 1923 "Two Kosza". With deep truthfulness, and you can say, and the severity of the drawing, the artist here was interested in the alternation of the plane and volume. In the sheet skillfully used batter. The landscaped environment is given a hint. Feeling the texture of beveled and standing grass, which contributes a rhythmic diversity.

Among the considerable number of development in the color of the scene "Senokos" should be called the Watercolor "Kosar in the pink shirt". In addition, in addition to picturesque blur, it was applied to a wet colorful layer, which attached a special sharpness of the image and was introduced in another technique (in painting by oil) in the picture. Colorite large sheet "Senokos" written by watercolor. In it the scene as if seen with high Point vision. This made it possible to show all the figures going to a row of kostov and achieve a special dynamics of transmission of their movements, which contributes to the location of the figures diagonally. Evaluating this technique, the artist built and the picture, and then did not forget him in the future. Pakhomov reached the painting of the common range and gave the impression of the morning haze, permeated sunlight. The same theme was solved otherwise in an oil-written picture "On the back of" depicting working kossti and aside grazing near the cart. Landscape here is another than in other sketches, options and in the picture itself. Instead of field - shore fast riverWhat is emphasized by streams and a boat with a row. Expressive flavoring landscape, built on various cold green tones, only in the foreground is introduced warmer shades. A certain decorativeness is found in combination of figures with a surroundings, intensifying the total color sound.

One of the paintings of Pakhomova on the topics of sports in the 20s - "boys on skates". The artist built a composition in the image of the longest moment of movement and therefore the most fruitful, giving an idea of \u200b\u200bwhat has passed and what will happen. The other figure is contrastingly shown, which makes a rhythmic diversity and the final composite thought. In this picture, along with interest in sport, the appeal of Pakhomov to the most important for his work is the subject - the life of children. Previously, this tendency has affected the artist's schedule. Starting from the mid-20s, deep understanding and the creation of images of children of the country of councils was an outstanding contribution of Pakhomov to art. Studying large picturesque and plastic problems, the artist solved them and in works on this new important topic. At the 1927 exhibition, the fabric "peasant girl" was shown, which, although he had echoed by his task with portraits discussed above, was also also independent interest. The artist's attention focused on the image of the head and hand of the girl written with a large plastic feeling. The type of young person is originally seized. Close to this canvase on the immediacy of the feeling is the "girl for hairstyle", exposed for the first time in 1929. From the graceful image of 1927, it was distinguished by a new, more unfolded composition, including almost the entire figure in growth, transmitted in a more complex movement. The artist showed a relaxed pose of a girl, correcting the hairstyle and losing in a small mirror lying on his knee. The sonorous combinations of a golden face and hands, a blue dress and a red bench, the scarlet of sweatshirts and oath-greenish logs of horses contribute to the emotionality of the image. Pakhomov thinly captured an incentive expression of a kindergarten, pointing poses. Bright, unusual images stopped spectators. Both works were part of foreign exhibitions of Soviet art.

Throughout its half a century creative activity, A. F. Pakhomov was closely with the life of the Soviet country, and this was saturated with his works by inspired by the conviction and strength of vitality. His artistic individuality has developed early. Acquaintance with his work shows that already in the 20s it was distinguished by the depth and foundation, enriched with the experience of studying world culture. In the formation of it is obvious the role of the art of Jotto and Pratamentansans, but no less deep was the impact of the ancient Russian painting. A. F. Pakhomov belonged to the number of masters, innovatives approaching a rich classic heritage. Its works are inherent in the modern sense in solving both pictorial and graphic tasks.

The development of the Pakhomov new themes in the canvases "1905 in the village", "Riders", "Spartak", in the cycle of paintings about children is important for the formation of Soviet art. The artist played a prominent role in creating the image of a contemporary, his series of portraits is a visual testimony. For the first time he introduced so bright and life images Young citizens of the country of the Soviets. This side of his diving is extremely valuable. His works enriched and expand ideas about the history of domestic painting. Already from the 20s the largest museums Countries acquired Pakhomov's canvas. His works received international fame at large exhibitions in Europe, America, Asia.

A. F. Pakhomov inspired socialist reality. Attention it was attracted to the test of turbines, the work of weaving factories and a new in life agriculture. Themes associated with collectivization are revealed in its works, and with the introduction of equipment to the fields, and using combines, and with the work of tractors at night, and with the life of the army and fleet. We emphasize the special value of these achievements of Pakhomov, because all this was displayed as an artist in the 20th and early 1930s. His picture "Pioneers at the solebl", a series of commune "Sewer" and portraits from the "beautiful swords" belong to the number of the deepest works of our artists about change in the village, about collectivization.

Work A. F. Pakhomova is distinguished by the monumentality of solutions. In the early Soviet wallsopi, the artist's work belongs to the most striking and interesting. In the Krasnaya oath cards, paintings and sketches of the "dance of children of all nations", pictures about the jaciest, as in general in the best creations of Pakhryov's painting, will feel the relationship with the great traditions of the ancient national heritage, which is in the treasury of world art. Deeply original coloristic, shaped side of his paintings, paintings, portraits, as well as machine and book graphics. The brilliant successes of the plenary painting demonstrates the series "In the Sun" - a kind of anthem youth of the country of the Soviets. Here in the image of a naked body, the artist performed as one of the large masters who contributed to the development of this genre in soviet painting. Color searches of Pakhomov were combined with the solution of serious plastic problems.

It must be said that in the face of A. F. Pakhomova, art had one of the largest drawers of modernity. Master masterly owned various materials. Work in mascara and watercolor, pen and brush adjacent to the brilliant drawings graphite pencil. His achievements go beyond domestic art and become in a number of outstanding creations of world graphics. Examples are not difficult to find in a series of drawings made at home in the 20s, and among the sheets made in the next decade on travel around the country, and in cycles about the pioneer camps.

The contribution of A. F. Pakhomov in graphics is huge. His machines I. booksDedicated to children relate to outstanding successes in this area. One of the founders of Soviet illustrated literature, he introduced a deep and individualized image of a child. His drawings were fascinated by readers with vitality and expressiveness. Without a teaching, alone, the artist brought thoughts to the children, awakened their feelings. And important topics of education and school Life! Nick from the artists were not solved so deeply and truthfully as Pakhomov. For the first time, it is so figurative and realistic, he illustrated the verses of V. V. Mayakovsky. Feature discovery His drawings became for the works of L. N. Tolstoy for children. The considered graphic material clearly showed that the creativity of Pakhomov, Illustrator of modern and classical literature, illegally limit only the area of \u200b\u200bthe children's book. Excellent artist drawings to the writings of Pushkin, Nekrasov, Zoshchenko testify to the great successes of Russian graphics of the 30s. His works contributed to the approval of the method of socialist realism.

Art A. F. Pakhomov is distinguished by citizenship, modernity, relevance. During the hardest tests of the Leningrad blockade, the artist did not interrupt its activities. Together with the masters of the art of the city on the Neva, he, as once in his youth in a civil war, worked on the tasks of the front. A series of lithographs Pakhomova "Leningrad in the days of blockade", one of the most significant creatures of the art of war years, reveals unparalleled valor and courage of Soviet people.

The author of hundreds of lithographs, A. F. Pakhomov must be named among those enthusiast artists who contributed to the development and dissemination of this type of printed graphics. The possibility of appealing to a wide range of spectators, the mass of the address of the circulation estampa attracted his attention.

His works are characterized by classical clarity and laconicism fine remedies. The image of a person is its main goal. The extremely important side of the artist's creativity belonging to his classical traditions is the desire for plastic expressiveness, which is clearly visible in his painting, drawings, illustrations, tops up to its most recent works. He spent it constantly and consistently.

A. F. Pakhomov - "Deeply original, large Russian artist, fully immersed in the mapping of life of his people, but at the same time the absorbent achievement of world art. Creativity A. F. Pakhomov, painter and graphics, is a significant contribution to the development of Soviet artistic culture. /V.S. Matafones /

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Vladimir Vasilyevich Lebedev

14 (26) .05.1891, St. Petersburg - 11/21/1967, Leningrad

Popular artist RSFSR. Corresponding Member of the Academy of Arts of the USSR

He worked in St. Petersburg in the workshop F. A. RouBo and visited the school of drawing, painting and sculptures M. D. Bernstein and L. V. Sherwood (1910-1914), studied in St. Petersburg at the Academy of Arts (1912-1914). Member of society "Four Arts". Collaborated in Satirikon magazines, "New Satirikon". One of the organizers "Growth winds "in Petrograd.

1.3 Famous Illustrators Artists

The illustration is not just adding to the text, and work of fiction His time. Children's book illustration serves many purposes. She embodies fantasy, revives memories, helps to participate in adventures, develops the mind, heart and soul of a child. Big responsibility in this noble deed Locals on the shoulders of an artist-illustrator. I would like to recall the famous domestic and foreign artists-illustrators who have made a significant contribution to the art of children's book illustration.

Illustrator of the Russian fairy tale was wonderful artist Ivan Yakovlevich Bilibin (1876-1942). He gained fame as one of the most peculiar and original graphics masters, the creator of a special type of illustrated book. This is a large format a thin notebook, equipped with large color drawings. The artist here was not only the author of the drawings, but also all the decorative elements of the book - covers, initials, a special type of font and ornamental decorations. In 1901-1903, Bilibin creates illustrations for the fairy tales "Tsarevna-Frog", "Vasilisa-beautiful", "Mary Morrevna", "White Duck" and others are known for his work to fairy tales A. S. Pushkin "Tale of Tsar Saltan" , "Tale of the Golden Cockerel", "Fairy Tale of Fisherman and Fish." One of the features of billibin illustrations is humor and that merciless and acute irony, which is so characteristic of Russian folk fairy tales. Bilibine is enthusiastically working on sketches to the first formulation of the Golden Cockerel of the Roman Corsakov. Fabulous characters are kind and evil, beautiful and ugly - worried us since childhood, taught to love good and beauty, hate evil, cowardice, injustice.

Viktor Mikhailovich Vasnetsov (1848-1926) - one of the first Russian artists who spread the framework of the usual genres and showed fabulous world, illuminated by the poetic fantasy of the people. Vasnetsov One of the first Russian artists turned to the recreating the images of folk fairy tales and epic in painting. His fate was as if he was designed to be a singer of a Russian fairy tale in advance. His childhood passed in the harsh picturesque Vyatka region. A word of strank, telling the children of fairy tales, the narrative of the stray people who have had a lot of people who who who who who who had been in their age, according to the recognition of the artist himself, "forced themselves to love the past and the present of my people, largely determined my way." Already at the beginning of his work, he created a number of illustrations for the skate-Gorbunka and "Fire Bird". In addition to fairy tales, he has works dedicated to the heroic images of the epic. "Vitya at the crossroads", "three heroes". The famous canvas "Ivan Tsarevich on a gray wolf" is written on the plot of one of the most famous and common fairy tales reproducible in the 18th century chest editions.

Yuri Alekseevich Vasnetsov (1900-1973) - illustrated and decorated Russian folk tales, songs, functions, as well as books of famous children's authors: V. Bianki, K. Chukovsky, S. Marshak, and others. It is rightly called the artist of the Russian fairy tale. "Three Bear", "Konk-Gorbok", "Teremok" and many others. Fantastic, fabulous landscapes are based on impressions from the real Russian nature. Birds and animals by the artist acquire the habits marked by him in real reality. In addition to domestic masters, there are wonderful foreign artists who created many amazing and beautiful illustrations of fairy tales.

Moritz von Schwitz (1804-1871) The famous German painter and illustrator. He created the so-called "monumental illustrations" based on fairy tales. These are large artistic canvases that can be seen in the halls of the Munich Old Pinakotek. Eleven Watercolors Schwitz are widely known, these are Cinderella cycles, "seven ravens and a faithful sister", "Beautiful Meluzin". He created the famous, repeatedly reproduced graphic sheets for the fairy tales "seven shvabs", "Cat in boots", to the collection "Vintage and new children's songs, riddles and fables", "fables" of Lafontena. An unusually emotionally expressed his illustration for the fairy tale "Juniper", the legend of the Ryubecale and the good-natured-patriarchal "History of the Beautiful Mermaid" E. Mörik.

Graphic manner of a famous French artist and sculptor Gustava Dore (1833-1883), combining the ease of the stroke with a stressed line, the ability to enrich the essence of the illustrated product countlessly original findings found an enthusiastic response from the French public. Dore is one of the most famous and prolific illustrators of the second half of the 19th century. Genuine glory brought book illustrations to him literary works: "Illustrated Rabl" (1854), "Don Quixote" Servants (1862), " The Divine Comedy"Dante (1861-1868), as well as illustrations to Balzak, Milton. Classic is considered illustrations of expensive to the tales of Charles Perro.

Jon Bauer (1882-1917) has gained wide fame due to its illustrations for the book "among the dwarves and trolls" (Swedt. "Bland Tomtar Och Troll"), annually published in Sweden for Christmas. It he created a tradition in the image of a fabulous forest and inhabiting him magic characters. Bauer specialized in graphics to Scandinavian legends.

Whole gallery fabulous images Animals created Granville (his real name is Gerard Jean-Inyas Isidore) (1803-1847) - french artist, schedule, cartoonist and illustrator. He had a great influence on the formation of style of children's books. Illustrated Basni Lafontaine (1837), "Adventures Gullivier" J. Swift (1839-1843).

At the turn of the centuries, new talented authors appeared in the UK. At the beginning of the twentieth century, some of best books Speakers previously f.x. Bernett, E. Nesbit and R. Kipling. An outstanding poet and Prose Joseph Reddard Kipling stands a mansion in the English literature of this period. It is a combination of deeply conservative worldview and bright original talent. In his fairy tales for children, good humor and rich fantasy triumph. To some fairy tales, Kipling did illustration as an artist.

Kate Greenway (1846-1901) is an English artist, famous for his books for children, including fairy tales. The first book Greenway "under the window" had big success. One of the most famous work Artists have become an illustration for "Tales of Mother Goose" and legend about Gamelnsky rats.

A significant trace in the history of children's illustration was left by Disney, Ionaithis, Kittelsen, Tuwi Janson (illustrated their own fairy tales about Mummi trolls), O. Balovintseva, who acquired broad fame due to its wonderful illustrations to arabic fairy tales.

Chapter II. Computer graphics in book illustration

He wrote Goethe. These problems have only indirect attitude towards our work. However, here you can trace some connection. The purpose of our work is the automation and testing of psychodiagnostic techniques in the vocational guidance work with senior schoolchildren. In the literal translation, the word ecology means the science studying the house, the dwelling. In other words, a certain habitat. In our case, consideration ...

An experimental site was chosen 9 and the class. In this class, 29 people: 17 boys and 12 girls. The purpose of the experiment: identification of the psychological and pedagogical conditions of the professional self-determination of students in the process of biology training; As well as the formation of a sustainable positive motivation to the study of the biology course and the development of professional self-determination of students when studying the course "General ...

When you see these drawings, I want to take and get inside - like Alice in the castorgal. Artists who illustrated their favorite books of our childhood were the most real wizards. Here we argue - you will not only see in bright colors The room in which your bed was stood, but also hear mom's voice reading a fairy tale at night!

Vladimir Suteev

Vladimir Suteev himself was the author of a multitude of fairy tales (for example, "who said" meow "?", Famous for a wonderful cartoon). But most of all, we love him for all these inimitable hedgehogs, bears and bunnies - books with a Sheyeevsky beast inspired literally to the holes!

Leonid Vladimirsky

Leonid Vladimirsky is the most cute in the world ruined the wise, iron lumberjack and a cowardly lion, as well as the rest of the company that tasted in an emerald city along the road paved with yellow bricks. And no less pretty Pinocchio!

Viktor Chizhikov

Without the drawings, Viktor Chizhikov did not do any number "Murzilki" and " Merry pictures" He painted the world of Dragunsky and Uspensky - and once took and painted the Immortal Olympic Bear.

Aminadav Kanevsky

Actually, the artist with Murzilka himself unusual name Aminadav Kanevsky. In addition to Murzilki, it owns the mass of recognizable illustrations of Marshak, Chukovsky, Agnia Barto.

Ivan Semenov

Pencil from "Merry pictures", as well as many drawn stories for this magazine drew Ivan Semenov. In addition to our first comics, he also created a lot of excellent drawings to the stories of Nosov about Kola and Mishke and the story about "Barbosa visiting Barbos."

Vladimir Zarubin

The most cool postcards are drawn by Vladimir Zarubin. He illustrated books, but these umous New Year's squirrels and Eight Martovsky will now ring collectors separately collect. And correctly do.

Elena Afanasyev

Very characteristic (and such correct!) Soviet kids were obtained by the artist Elena Afanasyeva. Without nostalgia is impossible to look.

Evgeny Charushin

When the words "Mimmish" have not yet been, the most mimic artist was already: this is Evgeny Charushin, chief specialist in animal life. It is impossible fluffy kittens, shaggy bearish and laid sparrows - so I wanted to strangle them all ... well, in the arms.

Anatoly Savchenko

And the most fun and Skodny in the light of the beings were obtained from Anatoly Savchenko: the prodigal parrot of the Kesha, the lazy Vovka in the trident kingdom - and the same Carlson! Other carlsons are just wrong, that's all.

Valery Dmitryuk

Another King of Zador and Hooliganism - Dunno Valeria Dmitryuk. And this artist equally successfully decorated with adult "crocodiles".

Heinrich Valka

Another famous "crocodile" - Heinrich Valka - wonderfully knew how to grab the characters of boys and girls, as well as their parents. It is in his performance that we represent the "minor of the moon", "Vitu Maleeva at school and at home", "Hottabach" and Heroes Mikhalkov.

Konstantin Rotov

Karicaturist Konstantin Rotov portrayed the most fun and bright (despite the fact that black and white) "Adventures of Captain Lunned".

Ivan Bilibin

Ivan Tsarevichi and Gray Wolves, Fire-Birds and Tseign Frogs, Golden Cockerels and Golden Fish ... In general, all the folk tales and fairy tales of Pushkin are forever Ivan Bilibin. Every detail of this slapper and sorcerer sorcerer can be considered infinitely long.

Yuri Vasnetsov

And even before Pushkin, we were entertained by riddles, sweatshirts, Soroki-Beloboki, "Koshkin House" and "Teremok". And all this sparkling carousel was overflowing by the paints of Yuri Vasnetsov.

Boris Dehteraev

When we growled to the "Thumbeller", "Cat in Boots" and Perro with Andersen, we were transferred to their countries Boris Dehtehers - with the help of several magic sticks: colored pencils and watercolor brushes.

Eduard Nazarov

The most chic Winnie Pooh is at all at Shepard (although he is also good, which is there), but still, Edward Nazarova! He illustrated a book, and worked on our favorite cartoons. By the way about cartoons - it was Nazarov who drew the funny heroes of the fairy tale "Traveling Agrus" and "lived - was the dog."

Vyacheslav Nazaruk

Smiling baby raccoon, Friendly cat Leopold and a cunning couple of mice, as well as sad mammoth, who was looking for a mother - all this is the work of the artist Vyacheslav Nazaruk.

Nikolai Radlov

The serious artist Nikolai Radlov successfully illustrated children's books: Barto, Marshak, Mikhalkov, Volkova - Yes, I also illustrated that they were reissued a hundred times. His own book "Stories in Pictures" was especially famous.

Gennady Kalinovsky

Gennady Kalinovsky is the author of very bizarre and unusual graphic drawings. His manner draw perfectly harmonized with mood english fairy tales - "Mary Poppins" and "Alice in Wonderland" were exactly what "Strant and Strant"! No less original - brother rabbit, brother Lys and other funny lads from the "Fairy Tales of the Uncle Rimus."

G.A.V. Traugot

Mysterious "G.A.V. Tragoth "sounded as a name of some magic hero Andersen. In fact, it was a whole family in a row of artists: the father of Georgy and his sons Alexander and Valery. And the heroes of the same Andersen they had such lungs, slightly negligently - about it is about to take off and melting!

Evgeny Migunov

Our adorable Alice Kira Bulychev is also Alice Evgeny Migunov: this artist illustrated well, literally all books of the Great Fantasty.

Natalia Orlova

However, another Alice was in our life - from the world cartoon "Mystery of the Third Planet". She was created by Natalia Orlov. Moreover the main heroine The artist drawn from his own daughter, and the pessimist of the green - from her husband!

What is the sense in the book, "thought Alice- if there are no pictures, no conversations in it? "The Adventures of Alice in Wonderland" is amazing, but the children's illustration of Russia (USSR) has accurate year Birth - 1925. In the year of literature of children's illustration marks 90- years. This year, the Department of Children's Literature was created in the Leningrad State Publishing (Giza). Before that, the books with illustrations were not made specifically for children. Who are they - the authors of the most favorite, beautiful illustrations that remained in memory since childhood and like our children? Learn, remember, share your opinion. The article is written using the stories of parents of the current kids and reviews for books on the websites of book online stores.

Vladimir Grigorievich Suteev (1903-1993, Moscow) - Children's Writer, Illustrator Artist and Director-Multiplier. His good, funny pictures are like frames from a cartoon. A lot of fairy tales of Steeva drawings turned into masterpieces. So, for example, not all parents, they consider the works of the Knower Chukovsky the necessary classics, and most of them do not consider his works by talented. But Chukovsky's fairy tales illustrated by Vladimir Suteyev, I want to keep in your hands and read to children.

Boris Aleksandrovich Dehterev (1908-1993, Kaluga, Moscow) - People's Artist, Soviet schedule (It is believed that the "School of Dehtereva" determined the development of the country's book graphics), an illustrator. Worked mainly in the technique pencil drawing And watercolors. Old good illustrations of Dehtereva is a whole epoch in the history of children's illustration, many illustrators call Boris Alexandrovich their teacher. Dehterev illustrated children's fairy tales of Alexander Sergeevich Pushkin, Vasily Zhukovsky, Charles Perro, Hans Christian Andersen. As well as the works of other Russian writers and world classics, for example, Mikhail Lermontov, Ivan Turgenev, William Shakespeare.

Nikolai Aleksandrovich Ustinov (1937g.r., Moscow), his teacher was dehterev, and many modern illustrators' artists are already Ustinova considered their teacher. Nikolai Ustinov is a folk artist, an illustrator. Fairy tales with his illustrations were published not only in Russia (USSR), but also in Japan, Germany, Korea and other countries. Almost three hundred works illustrated famous artist For publishers: "Children's literature", "Kid", "Artist RSFSR", publishing houses Tula, Voronezh, St. Petersburg and others. Worked in Murzilka magazine. The most beloved for children remains illustrations of Ustinov to Russian folk tales: Three Bear, Masha and Bear, chanterelle sister, Tsarevna-Frog, Gus-Swans and many others.

Yuri Alekseevich Vasnetsov (1900-1973, Vyatka, Leningrad) - Popular artist and illustrator. His pictures for folklore songs, sweeps and booms like all the kids (ladies, rainbow arc). He illustrated folk fairy tales, a fairy tale of Lion Tolstoy, Peter Yershova, Samuel Marshak, Vitaly Bianki and other classics of Russian literature. Buying children's books with Yuri Vasnetsov illustrations, pay attention to the drawings to be clear and to measure bright. Taking advantage of the name famous artist, in lately Often publish books with fuzzy scanners of drawings or with increased unnatural brightness and contrast, and this is not very good for children's eyes.

Leonid Viktorovich Vladimirsky (born in 1920, Moscow) - Russian schedule and the most popular illustrator of books about Pyratino A. N. Tolstoy and about the Emerald City of A. M. Volkov, thanks to which he received wide fame in Russia and the countries of the former USSR. Drew watercolor. It is the illustrations of Vladimirsky, many recognize classical for the works of Volkova. Well, Buratino, in the form in which he knows and loves already several generations of children, is undoubtedly his merit.

Viktor Aleksandrovich Chizhikov (1935, Moscow) - People's Artist of Russia, author of the image of a bear bear, Talisman Summer Olympic Games in 1980 in Moscow. Illustrator of the magazine "Crocodile", "Cheerful pictures", "Murzilka", has drawn for many years for the magazine "Around the World". Chizhikov illustrated the works of Sergey Mikhalkov, Nikolai Nosov (Vitya Maleev at school and at home), Irina Tokmakova (Ala, Kleaxich and the letter "A"), Alexander Volkova (Magician of the Emerald City), the verses of Andrei Usacheva, Kornea Chukovsky and Agnia Barto and other books . Justice It is worth noting that the illustrations of Chizhikov are pretty specific and cartoon. Therefore, not all parents prefer to buy books with his illustrations, if there is an alternative. For example, the books "The Wizard of the Emerald City" many prefer with the illustrations of Leonid Vladimirsky.

Nikolai Ernestovich Radlov (1889-1942, St. Petersburg) - Russian artist, art historian, teacher. Illustrator of children's books: Agnia Barto, Samuel Marshak, Sergey Mikhalkov, Alexander Volkova. Radlov with a big hunt drew for kids. The most famous book - Comics for kids "Stories in pictures". This is a book album with merry stories about animals and birds. Years passed, but the collection is still very popular. Stories in pictures were repeatedly reprinted not only in Russia, but also in other countries. On the international Competition Children's books in America In 1938, the book received the second prize.

Ivan Yakovlevich Bilibin (1876-1942, Leningrad) - Russian artist, book illustrator and theater designer. Bilibin illustrated a large number of Fairy tales, including Alexander Sergeevich Pushkin. Developed his style - "Bilibinsky" - a graphical representation, taking into account the traditions of the Old Russian and folk art, thoroughly drawn and detailed patterned contour drawingLoose watercolor. The style of Bilibina became popular and he began to imitate. Tales, epics, images ancient Russia For many, it has long been inextricably linked with Bilibin illustrations.

Anatoly Mikhailovich Savchenko (1924-2011, Novocherkassk, Moscow) - multiplier and artist illustrator of children's books. Anatoly Savchenko was the artist-director of cartoons "Kid and Carlson" and "Carlson returned" and the author of the illustrations to the books of Lindgren Astrid. The most famous multi-work with his direct participation: Mojdodyr, the adventures of Murzilki, Peter and the Red Cap, Vovka in the trident kingdom, the Nutcracker, the Muha-Costoch, Parrot Kesha and others. Children are familiar with the illustrations of Savchenko on the books: "Khryushka is offended by Vladimir Orlova," Kuzya Domunok "Tatyana Aleksandova," Tales for the smallest "Gennady Tsyferova," Little Baba Yaga "Prosisler Otfrid, as well as books with similar cartoons with works.

Oleg Vladimirovich Vasilyev (born in 1931, Moscow). His works are in meetings of many museums of the arts of Russia and the USA, incl. In the State Tretyakov Gallery in Moscow. Since the 60s, more than thirty years has been designing children's books in the Commonwealth with Eric Vladimirovich Bulatov (born 1933, Sverdlovsk, Moscow). The most famous illustration of the artists to the fairy tales of Charles Perro and Hans Andersen, the poems of Valentina Berestov and the fairy tales of Gennady Tsyferov.

Publications of the Museums section

Pictures from childhood

Ronodniki into the world of children's literature, thanks to which lines, still incomprehensible to a small reader, acquire bright and magical images. Illustrators of children's books, choosing this path, as a rule, remain true for him throughout the creative life. And their readers, growing, retain the attachment to the pictures from the continued childhood. Natalia Lednikov remembered the work of outstanding domestic illustrators.

Ivan Bilibin

Ivan Bilibin. "Firebird". Illustration to "Fairy Tale about Ivan-Tsarevich, Fire-Bird and Gray Wolf". 1899

Boris Kustodiev. Portrait of Ivan Bilibina. 1901. Private Assembly

Ivan Bilibin. "Dead Ivan Tsarevich and Gray Wolf." Illustration to "Fairy Tale about Ivan-Tsarevich, Fire-Bird and Gray Wolf." 1899

Theatrical designer, teacher of the Academy of Arts, Bilibin created a unique author's style, which later called "Bilibinsky". The artist's work distinguished the abundance of ornaments and patterns, the fabulousness of the images with the exact entry of the historical appearance of the Russian costume and items of life. The first illustration of Bilibin painted back in 1899 to the "fairy tale about Ivan Tsarevich, a fire-bird and a gray wolf." For forty years, the artist addressed Russian folk fairy tales and epics. His drawings lived on the pages of children's books, and on theatrical sites of St. Petersburg, Prague, Paris.

Boris Dehteraev

Boris Dehtererev. Illustration for the product "Cat in boots". 1949 Photo: kids-pix.blogspot.ru

Boris Dehtererev. Year is unknown. Photo: artpanorama.su.

Boris Dehtererev. Illustration for the product "Red Hood". 1949 Photo: Fairyroom.ru

Watercolor portraits with a mild brush Boris Dehteherov got a Cinderella and a red hat, a cat in boots and a c-finger boy, the heroes of Alexander Pushkin's fairy tales. The famous illustrator artist created the "strict and noble appearance of a children's book." Thirty years of his creative life, Professor MGHHI "Surikova, not only student learning: Boris Dehtehers was the main artist in the publishing house" Children's literature "and opened the door to the world of fairy tales for many generations of small readers.

Vladimir Suteev

Vladimir Suteev. Illustration for the work "Who told Meow". 1962 Photo: WordPress.com

Vladimir Suteev. Year is unknown. Photo: Subscribe.ru.

Vladimir Suteev. Illustration for the work of a "apple bag". 1974 Photo: LLIBRE.RU

Illustrations, similar to those frozen on book pages of cartoons, created Vladimir Suteev, one of the first Soviet multiplodizer directors. Suteev came up with not only picturesque images to the classics - the fairy tales of Chukovsky, Samuel Marshak, Sergey Mikhalkov, but also own stories. Working in the children's publishing house, Sheyeev wrote about forty instructive and witty fairy tales: "Who told meow?", "Bag of apples", "chop-corrupt". These were loved by many generations of kids books, in which, as you like in childhood, pictures were more than text.

Viktor Chizhikov

Victor Chizhikov. Illustration for the work of "Dr. Aibolit". 1976 Photo: Fairyroom.ru

Victor Chizhikov. Year is unknown. Photo: Dic.academic.ru.

Victor Chizhikov. Illustration for the work of the "Adventures of Chippolino". 1982 Photo: Planetaskazok.ru

Only the Master Create touching images For children's books, a whole stadium could be touched to tears. So it happened to Viktor Chizhikov, who painted the Olympic Bear in 1980, and was also the author of the illustrations for hundred children's books: Viktor Dragunsky, Mikhail Danzkovsky, Boris Nodoka, Hans Christian Andersen, Nikolai Nosov, Edward Uspensky. For the first time in the history of domestic children's literature, collections of books with artist's illustrations were published, including the twenty-grade "Visiting V. Chizhikov". "For me, there was always happiness to draw a children's book", "said the artist himself.

Evgeny Charushin

Evgeny Charushin. Illustrations for the work of "Volchishko". 1931 Photo: Weebly.com

Evgeny Charushin. 1936 Photo: lib.ru

Evgeny Charushin. Illustrations for the work of "Baby in a cage". 1935 Photo: Wordpress.com

Books about animals Charushin read from childhood, and his beloved was the "life of animals" Alfred Borma. The future artist reread it many times, and at the old major age went to the stuffed workshop near the house to draw from nature. Thus was born an animal artist, who, after graduating from the Academy of Arts, was devoted to the work of children's story about animals. Outstanding illustrations of Charushin for the book Vitaly Bianki even acquired the Tretyakov Gallery. And while working with Samuel Marshak over the book "Baby in a cage", at the insistence of a writer, Charushin tried to write. So, his stories "Toka", "Volchishko" and others appeared.

Ivan Semenov

Ivan Semenov. Illustrations for the work of "fantasies". 1960 Photo: Planetaskazok.ru

Ivan Semenov. Year is unknown. Photo: Colory.ru.

Ivan Semenov. Illustration for the product "Live Hat". 1962 Photo: Planetaskazok.ru

The creator of the famous pencil and the whole children's magazine "Cheerful Pictures" began with caricatures. For the sake of his beloved business, he had to throw a medical institute, as it was simply once because of his study. The first children's recognition by the artist brought illustrations to the funny stories of Nikolai Nosov "Fantashers" and "Living Hat", and the circulation of the book "Bobik visiting Barbosa" with the illustrations of Semenov exceeded three million copies. In 1962, Ivan Semenov, together with Agnia, Barto drove with the exhibition of Soviet children's books throughout England. By that time the artist headed the editorial office of "funny pictures" and knew literally all about the children's literature and life of Soviet children.

Leonid Vladimirsky

Alexander Volkova

"In fairy tales, animals are like different people: on good or evil, smart or stupid, on mischievous, funny, funny ", - told about his work on children's books about animals Siberian artist Evgeny Rachev. He received the first impressions of the animal world in a taiga, where he made sketches from nature. His magic children's impressions came to life in graphics to uncomfortable stories: "Teremok", "Kolobok", "Cockerel - Golden Grab", "Wolf and Kozdy". Fairy tales for the smallest thanks to the fantasy Racheva became amazing fabulous countryWhere if you meet the wolf in the caftan - you will not be surprised.