Which is typical for the early creativity of the Kurp. Essay "Features of creativity a

The work of Alexander Ivanovich Kurpric was formed during the revolutionary lifting years. He all his life was close to the topic of the simplicity of a common Russian man who eagerly sought the truth of life. All his creativity Kubrin and dedicated to the development of this complex psychological theme. His art, according to the expression of contemporaries, was inherent in a particular dust of the vision of the world, concreteness, a constant desire for knowledge. The cognitive pathos of Kuprinsky creativity was combined with passionate personal interest in the victory of good over all evil. Therefore, most of its works are inherent in dynamics, dramaticness, emotion.

The biography of Kupper is similar to the novel of adventure. According to the abundance of meetings with people, life observations, she resembled Gorky's biography. Kubrin wandered a lot, performed a variety of work: he served at the factory, worked as a loader, played on stage, sang in church choir.

At the early stage of creativity, Kuprin experienced a strong influence of Dostoevsky. It manifested itself in the stories "Fogging", "Lunar Night", "Madness". He writes about the fatal moments, the role of an occasion in a person's life, analyzes the psychology of human passions. In some stories of that period, it is said that the human will is helpless in front of a spontaneous chance that the mind cannot know the mysterious laws that manage the person. A decisive role in overcoming literary stamps coming from Dostoevsky, played a direct acquaintance with the life of people, with real Russian reality.

He begins to write essays. Their feature is that the writer usually led a leisurely conversation with the reader. They had clearly visible clear plot lines, a simple and detailed image of reality. G. Uspensky was the greatest influence on the shop-sketch.

The first creative quest Cookin ended the largest thing, which reflected reality. It was the story "Moloch". In it, the writer shows the contradictions between the capital and the subanely labor of man. He managed to catch the social features of the newest forms of capitalist production. The angry protest against the monstrous violence over the person, which is based in the world of "Molo" industrial flourishing, satirical show of new owners of life, the exposure of unseasonable predation in the country of alien capital - all this was dominated by the theory of bourgeois progress. After essays and stories, the story was an important stage in the work of the writer.

In search of moral and spiritual ideals of life that the writer contrasted the deformity of modern human relations, Kubrin appeals to the life of the vaga, beggars, spoken artists, starving unrecognized artists, children of the poor urban population. This is the world of unnamed people who form a lot of society. Among them, he tried to find the pit of his positive heroes. He writes the stories "Lidchka", "Lokon", "kindergarten", "in the circus" - in these works heroes Kurris are free from the influence of bourgeois civilization.

In 1898, Kuprin writes the story "Olesya". The story of the story is traditional: an intellectual, an ordinary man and urban, in the deaf angle of Polesia meets a girl who has grown out of society and civilization. Olesya is distinguished by the immediacy, solidity of nature, mental wealth. Phaeling life unlimited by modern social cultural framework. Kubrin sought to show the obvious advantages of a "natural person" in which he saw spiritual qualities lost in a civilized society.

In 1901, Kubrin arrives in Petersburg, where it clings to many writers. During this period, his story "Night shift" appears, where the main character is a simple soldier. The hero is not a suspended person, not Forest Olesya, but a completely real person. From the image of this soldier stretch the thread to other heroes. It was at this time that a new genre appears in his work: Novella.

In 1902, Kubrin wonders the story "duel". In this work, he loosened one of the main managers of the autocracy - military cast, in terms of decomposition and moral decline of which he showed signs of expansion of the entire social system. In the story there was a reflection of the progressive aspects of Cookick's creativity. The basis of the plot is the fate of an honest Russian officer, whom the conditions of the army barrage caused to feel the misunderstanding of the social relations of people. Again, Kurpur says not about an outstanding personality, but about a simple Russian officer Romashov. The regimental atmosphere of Tomit him, he does not want to be in the army garrison. He was disappointed in the army service. He begins to fight for himself and his love. And the death of Romashov is a protest against social and moral inhumanity of the environment.

With the onset of the reaction and the exacerbation of public life in society, the creative concepts of Kuprin are changing. During these years, his interest in the world of ancient legends, to history, antiquity increases. In the work, an interesting alloy of poetry and prose, real and legendary, valid and romantics of feelings occurs. Kubrin is to exotic, develops fantastic plots. He returns to the themes of its early novels. The motives of inevitability in the fate of a person sound again.

In 1909, from under the pen, Kuprin comes out the story of "pit." Here the Kuprin gives tribute to Naturulism. It shows the inhabitants of a public house. The whole story consists of scenes, portraits and clearly disintegrates on separate details of life.

However, in a number of stories written in the same years, Kubrin tried to point out the real signs of high spiritual and moral values \u200b\u200bin reality. "Pomegranate bracelet" - a story about love. So the Paustovsky responded about him: this is one of the most "discerned" love stories.

In 1919, Kuprin emigrates. In the emigration he writes Roman "Jaets". This is a work about the tragic loneliness of a person who has lost his homeland. This is a story about the touching attachment of the old professor, which was in emigration, to a small Paris girl - the daughter of a street newspaper.

The emigrant period of Kuprin is characterized by leaving. The major autobiographical work of that period is the novel "Junker".

In the emigration, the writer Kuprin did not lose faith in the future of his homeland. At the end of life, he still returns to Russia. And his work on the right belongs to Russian art, the Russian people.

Military Career

Born in the family of a small official who deceased when the son was held for the second year. Mother from the Tatar princely kind, after the death of her husband looted and was forced to give his son to the orphan school for youngsters (1876), then a military gymnasium, later converted to the Cadet Corps, which graduated from 1888. In 1890 he graduated from the Alexander Military School. Then he served in the 46th Infantry Dnieper Regiment, preparation for military career. Without accepted at the Academy of the General Staff (a scandal associated with the buoy was prevented by this, especially in Khmel, the Junker, who dropped a police officer in the water), resigned in 1894.

Life style

The Kubrin figure was extremely colorful. Greedy to impressions, he led a robust lifestyle, trying to different professions - from the loader to the dentist. The autobiographical life material will form the basis of many of its works.

There were legends about his stormy life. Possessing the non-Ravy physical strength and explosive temperament, Kuprin was greedily rushed towards any new life experience: descended into the water in a diving suit, flew at the airflow (this flight ended the catastrophe, almost worthwhile the back of life), organized an athletic society ... during the First World War Wars in his Gatchina house was arranged to him and his wife privately lipped.

The writer was interested in people of various professions: engineers, detergents, fishermen, cardschura, beggars, monks, merchants, spins ... to be relied in to learn interested in his person, feel the air that he breathes, he was ready, without sparing herself, The most inconspicuous adventure. For life, he, according to the testimony of contemporaries, was suitable as a real researcher, seeking as fully and detailed knowledge as possible.

Headly was engaged in the Kuprin and journalism, publishing articles and reports in different newspapers, he drove a lot, living in Moscow, then in Ryazan, then in Balaclava, then in Gatchina.

Writer and revolution

Dissatisfaction with the existing social order attracted the writer to the revolution, so the Kuprin, like many other writers, his contemporaries, gave tribute to revolutionary sentiments. However, the Bolshevik coup and the Bolsheviks reacted sharply negatively. At first, he still tried to cooperate with the Bolshevik authority and was even going to publish the "Earth" peasant newspaper, for which he met with Lenin.

But soon he unexpectedly moved to the side of the White Movement, and after his defeat he leaves first in Finland, and then to France, where justifies in Paris (until 1937). There he actively participated in the Anti-Bolshevik press, continued on literary activities (the "Wheel of Time", 1929; "Junker", 1928-32; Zhanet, 1932-33; articles and stories). But living in emigration, the writer was terribly disagreeed, suffering from both unclaimed and cut-off from his native soil, and shortly before death, believing Soviet propaganda, in May 1937 returned with his wife to Russia. By this time, he was already seriously sick.

Sympathy for a simple person

Almost all the creativity of the jurisdiction is penetrated by Paphos traditional for Russian literature to sympathize with a "small" person, doomed to hold a miserable fate in the oblique, wretched environment. Churpos, this sympathy was expressed not only in the image of the Society (Roman about the life of the prostitutes "Yama", 1909-15, etc.), but also in the images of his intelligent, suffering from heroes. Kuprin was inclined precisely to such reflecting, nervous to hysterium, not devoid of sentimentality characters. Engineer Bobrov (Tale "Moloch", 1896), endowed with a thrift, responsive to someone else's pain soul, is experiencing for the sheltering of his life in the unbearable factory labor workers, while rich will be fed to unmanifest money. Even the characters from the military environment like Romashova or Nazansky (the tale "of the fight", 1905) have a very high pain threshold and a small reserve of mental strength to withstand the vulgarity and cynicism of their environment. Romashova torment the dullness of military service, debauchered officers, a slaughter of soldiers. Perhaps, none of the writers threw such a passionate accusation of the army environment as Kuprin. True, in the image of ordinary people, Kurrun was distinguished from the people who were prone to people's orientation literators (although he received the approval of the masted critics-populist N. Mikhailovsky). His democratism was not reduced only to a tearful demonstration of their "humiliation and insulsion". A simple man from Kupper was not only weak, but also able to stand up for himself with enviable inner fortress. The folk life appeared in his works in his free, spontaneous, natural course, with his circle of ordinary worries - not only the sorrows, but also joys and consolations ("Litripeds", 1908-11).

At the same time, the writer has seen not only its bright parties and healthy principles, but also splashing aggressiveness, cruelty, easily directed by dark instincts (the famous description of the Jewish pogrom in the story "Gambrinus", 1907).

The joy of being in many works of Kurris is clearly noticeable by the presence of the perfect, romantic start: it is in his thrust to heroic plots, and in his desire to see the highest manifestations of the human spirit - in love, creativity, kindness ... Not by chance heroes, he often chose dropping out Sold out of the habitual track of life seeking truth and plenty of some other, more complete and lives, freedom, beauty, grace ... Alo who in the literature of that time, so poetically, like Cupper, wrote about love, tried to return her humanity and romance. "Pomegranate bracelet" (1911) has become for many readers exactly in this product, where pure, disinterested, perfect feeling.

The brilliant image of the morals of various seats of society, the Kubrin relief, with particularly reliability, described Wednesday, life (for which he has not been delivered from criticism). A naturalistic trend was also present in his work.

At the same time, the writer as no one skilled from the inside to feel the course of natural, natural life - his stories "Barbos and Zhulka" (1897), "Emerald" (1907) entered the Golden Fund of Animal Works. The ideal of natural life (Tale "Olesya", 1898) for Kupper is very important as a kind of desired norm, he often highlights them a modern life, finding sad deviations from this ideal.

For many critics, it is such a natural, organic perception of the life of Kurrov, the healthy joy of being was the main distinguishing quality of its prose with its harmonious alloy of lyrics and romance, plot-composite proportionality, drama of action and accuracy in descriptions.

The literary skill of Kurprin is an excellent master of not only the literary landscape and everything that is connected with the external, visual and olfactory perception of life (Bunin and Kuprin competed, who will definitely determine the smell of one or another phenomenon), but also a literary nature: portrait, psychology, speech - Everything is worked out to the smallest nuances. Even animals that love to write Kuprin are discovered from his complexity and depth.

The narration in the shopping works, as a rule, is very spectacular and often facing - unobtrusively and without false speculation - it is precisely to existential problems. He reflects on love, hatred, will to life, despair, strength and weakness of a person, recreates a complex spiritual world of man on a break of epochs.

Russian writer Alexander Ivanovich Kubrin (1870-1938) was born in the city of Varovat the Penza province. A man of difficult fate, a personnel military, then a journalist, an emigrant and "returned" Kubrin is known as the author of works included in the Golden Collection of Russian Literature.

Stages of life and creativity

Kubrin was born in a poor noble family on August 26, 1870. His father worked as secretary in the regional court, the mother originated from the notable kind of Tatar princes of Kulunchakov. In addition to Alexander, two daughters grew in the family.

The family's life has changed dramatically, when a family of the family died in a year after the birth of the son from cholera. Mother, a radical Muscovite, began to look for the opportunity to return to the capital and somehow arrange the life of the family. She managed to find a place with a guesthouse in Kudrinsky Widow House in Moscow. Here were three years of life of Little Alexander, after which at the age of six, he was given to the orphan board. The atmosphere of a widow house reports the story of "Holy False" (1914), written by a mature writer.

The boy was accepted for studying in the Razumovsky orphan boarding room, then after his end, continued his studies in the second Moscow Cadet Corps. Fate seems to have ordered him to be a military. And in the early work of Kuprick the theme of the army weekly, relations among the military rises in two stories: "Army's ensign" (1897), "on a fracture (cadets)" (1900). At the peak of his literary talent, KUPER writes the story "Fight" (1905). The image of her hero, the porquet of Romashov, according to the writer, is written off from him. The lead to the light of the story caused a large discussion in society. In the army environment, the work was perceived negatively. The story shows the aimlessness, the mesh and the limitations of the life of a military estate. A peculiar conclusion of the Dilogy of the Cadets and the "Fight" was the autobiographical story of the "Junker", written by Cupper already in emigration, in 1928-32.

Army life prone to the rebellion, the army life was completely alien. The resignation from military service was accomplished in 1894. By this time, the first stories of the writer began to appear in magazines, while not yet noticed by the general public. After leaving military service, walnia began in search of earnings and life impressions. Kubrin tried to find himself in many professions, but it is useful for the start of classes by professional literary work, the experience gained in Kiev has become useful. The next five years are marked by the appearance of the best works of the author: Stories "Kuste Lilac" (1894), "Picture" (1895), "Overnight" (1895), "Barbos and Zhulka" (1897), "Wonderful Doctor" (1897), " Breget "(1897), Tale" Olesya "(1898).

Capitalism, which enters into Russia, insulating the working person. Anxiety in the face of this process leads to a wave of workers reels that support the intelligentsia. In 1896, Kubrin writes the story "Moloch" - the work of a large artistic force. In the story of the poor-minded power of the car associated with an ancient deity, which requires and receives human lives as a victim.

"Moloch" is written by Cuppeted by returning to Moscow. Here, after wandering, the writer acquires a house, enters the writer's circle, gets acquainted and closely converges with Bunin, Chekhov, Gorky. Kuprin marries and in 1901 moves with his family to St. Petersburg. In journals, its stories "Boloto" (1902), "White Poodle" (1903), "Konokrad" (1903). At this time, the writer is actively engaged in public life, he is a candidate for deputies of the State Duma of the 1st convocation. Since 1911, together with his family lives in Gatchina.

Creativity Kuprin between the two revolutions is marked by the creation of the Love Love "Sulauf." (1908) and the "Pomegrante Bracelet" (1911), which are characterized by their bright mood from the literature of those years of other authors.

During the period of two revolutions and civil war, Kurin is looking for an opportunity to be a useful society, cooperates, then with the Bolsheviks, then with Esrami. 1918 became a turning point in the life of a writer. He emigrates with his family, lives in France and continues to actively work. Here, besides the novel, "Junker", the story "Yu-Yu" (1927) was written, the Tale of the "Blue Star" (1927), the story of Olga Sur (1929), only more than twenty works.

In 1937, after the permission for the entry approved by Stalin, the writer is already a very ill writer returns to Russia and settles in Moscow, where a year after returning from emigration, Alexander Ivanovich dies. Kuprin is buried in Leningrad on the Volkovsky cemetery.

The word about the work of A. I. Kurin.

Question 36. Basic topics and prose ideas A. I. Kookin.

A. I. Kubrin

2. Basic topics and we go creativity:

a)''molokh'''''a - the image of the bourgeois society;

b) the image of the army ('''no-shift'''''''lokhod''''''loading'''''''''pong

c) conflict of the romantic hero with an ordinary reality (''swei''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''

d) the theme of the harmony of nature, the beauty of man ('''isumod'''''bely Poodle'''''sobachey happiness''''Sulamif'''');

e) the theme of love (''Granite bracelet''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''

3. The spiritual atmosphere of the era.

1. Creativity A. I. Kurin is peculiar and interesting, it amazes the author's observation and the amazing truth-like, with whom he describes the lives of people. As a realist writer, Kurrun carefully peers into life and highlights the main, essential parties in it.

2. a) It gave Cuprechina the opportunity to create in 1896 a large work of''Molokh'''', dedicated to the most important topic of the capitalist development of Russia. Truthfully and without sticks, the writer depicted a genuine appearance of bourgeois civilization. In this work, he refuses hypocritical morality, sales and false relationships between people in the capitalist society.

Kurin shows a large factory, where workers are subjected to fierce operation. The main character, the engineer of beavers, honest, humane man, shocked and outraged by this terrible picture. At the same time, the author draws workers as a bad crowd, impossible to take any active actions. In''Molokh'''' 'outlined motifs characteristic of the subsequent creativity of the Kuprin. The images of the humanists - the eradicator, and will be held a long string in many of its works. These heroes tick the beauty of life, rejecting the modern ugly bourgeois reality.

b) Pages performed by a huge revelation force devoted a description of the description of the royal army. The army was the stronghold of the autocracy, against which the progressive forces of the Russian society were raised in those years. That is why the works of the Kuprin''Nochny change''''''Khod''''''''''Khod''''''''''''''''''''i had a big public sound. The royal army, with its mediocre, morally detected command, appears on the pages''Pedinka'' 'in the whole of its unsightly appearance. We have a whole gallery of stupuses and geeks, devoid of all sorts of glimpses of humanity. They confront the protagonist of Romashov's main character. He all souls protests against this nightmare, but it is not able to find ways to overcome it. From here and implies the name of the story -'' at the end. The topic of the story is the drama''maleny man'''', his duel with a ignorant environment that ends with the death of the hero.

c) But not in the entire works of his works, the Kuprin adheres to the framework of a strictly realistic direction. There are romantic trends in his signs. It places romantic heroes in a domestic life, in a real situation, next to ordinary people. And very often in connection with this main conflict in his works, the conflict of the romantic hero with commonplace, grayness, vulgarity becomes.

In a wonderful story,''le''', imbued with genuine humanism, the Kuprin chants people living among nature, not touching the joint and burglary bourgeois civilization. Against the background of wild, majestic, beautiful nature live strong, distinctive people -''derty Nature'''''''''. Such is Olesya, which is also simple and beautiful, as nature itself. The author clearly romantizes the image of the'Dochese of forests'''''''d. But its behavior, psychologically finely motivated, allows you to see the real prospects of life. Miscelred by unprecedented power of the soul makes harmony in obviously controversial relations of people. Such a rare gift is expressed in love for Ivan Timofeevich. Olesya, as it were, returns the naturalness of the experiences of experiencing. ᴀᴋᴎᴍᴀᴋᴎᴍ ᴏϭᴩᴀᴈᴏᴍ, the story describes the love of a man-realist and romantic heroine. Ivan Timofeevich falls into the romantic world of the heroine, and she is in his reality.

d) the theme of nature and man worries Kuprin throughout his life. The power and beauty of nature, animals as an integral part of nature, a person who has not lost a connection with it, living in its laws, is the verge of this topic. Kupper admires the beauty of the horse (''isumud''''), loyalty to the dog (''bely poodle'''''sobachenya happiness''''''''sobacheu (''Sulamif''''). Kubrin chas the beautiful, harmonious, living world of nature.

e) only where a person lives in Lada with nature, love is beautiful and natural. In the artificial life of people, love, genuine love, which happens once a hundred years, is unrecognized, incomprehensible and persimple. In the''Ggranty bracelet''''s gift made a poor official of yolks. Great love becomes meaning and content of his life. Heroine - Princess Vera Shein - not only does not respond to his feeling, but also perceives his letters, a gift is a grenade bracelet - as something unnecessary, breaking her peace, the usual way of life. Only after the death of Zhestkova, she realizes that she went past, about which every woman dreams. Mutual, perfect love did not take place, but this is a high and poetic feeling, albeit focused in the same soul, opens the way to an excellent rebirth of another. Here the author shows love as a phenomenon of life, as an unexpected gift - the poetic, illuminating life among the ordinaryness, sober reality and sustainable life.

3. Reflecting on the individuality of the hero, his place among others, about the fate of Russia in the crisis time, at the turn of the two centuries, Kubrin studied the spiritual atmosphere of the era, depicted the'''li paintings''''s.

The word about the work of A. I. Kurin. - Concept and species. Classification and features of the category "Word about creativity A. I. Kompan." 2017, 2018.

The formation of a circus as a type of art and its influence on the work of the writer

(On the example of the story "Allez!")

RESEARCH

Student A.V. Patlasov

Manager A.A. Abrosimova

Introduction

Among the outstanding Russian writers of the beginning of the 20th century, one of the most prominent and peculiar places belongs to Alexander Ivanovich Kuprina. Starting literary activities at the very end of the 80s of the last century, the Kubrin for its almost fifty-year-old creative life created a lot of significant works that endured the test of time. It belongs to those writers who know how to interest the reader's story story, to hit an unexpected junction. But sometimes he has attention to a small man turns on sentimentality, and the dynamism of the narrative is external inuration.

Nowadays, such a well-deserved writer does not receive due attention. When it comes to the work of Kurpra, then first of all remember the story "Pomegranate bracelet", "Olesya". But after all, in his work there are many other things worthwhile and important for understanding the era in which he lived, works. The formation of a circus as a type of art at the end of the XIX beginning of the 20th century, a close acquaintance of Currician with circus artists, romantic relationships with several beautiful artists - the whole flavor of the era and personal experiences of the writer found reflections in the magnificent work A.I. Cook "Allez!" The circus is shown to us from the inside. The mastery of the writer makes us live not one day together with the heroes of the work, feel the gravity of their lives. After all, we do not particularly pay attention to what actually experience artists in the arena, it is important to us only the show, the spectacle. The author introduces us to the opposite side of the circus life.

Such a plan is the wonderful complete humanity of the miniature "Allez!", Which in his time admired Lion Tolstoy. The story also reveals the theme of circus art, which occupies an important place in the work of the writer. The text of this work served as material for our research.

The purpose of the study is to study, describing and analyzing in the story of A.I. Cook "Allez!" The various linguistic units through which the author transfers his vision and understanding of the life of the circus artist.

The purpose of the work determined the specific objectives of the study:

1. Examine the history of the formation of circus art.

2. To get acquainted with the works of A.I. Cook in which the circus theme is revealed.

3. Staying on the story "Allez!", To identify all linguistic units through which the author paints us a picture of the circus artist's life.

4. Group on topics.

5. Analyze the resulting thematic groups.

Research methods:

1. Interpretative analysis, which makes it possible to resort to the interpretation of the material, draw conclusions based on your own conclusions using knowledge from adjacent areas with linguistics areas.

2. Contextual analysis, which allows us to determine the relationship of the lexical units under consideration with other units, gives an idea of \u200b\u200bassociations that may arise in a specific context.

The relevance of our study is declared at the very beginning of work: appeal to the work of the undeservedly forgotten great writer A.I. Kompanov, whose name once stood along with M. Gorky, I.A. Bunin. The literary heritage of Kurris is significantly and in size, and in content.

The novelty of the study consists in an attempt to independently understand the stated problem, addressing a small amount of work to achieve the goal.

1 from the "Kazyny boy" to the "singer sublime love"

General characteristics of creativity A.I. Kuprika

This is the wisdom of loyal strength,

In the Burea itself - silence.

You are native and loved to all of us,

We all love Kuprin.

Konstantin Balmont.

The work of Alexander Ivanovich Kurpric was formed during the revolutionary lifting years. He all his life was close to the topic of the simplicity of a common Russian man who eagerly sought the truth of life. His art, according to the expression of contemporaries, was inherent in a particular dust of the vision of the world, concreteness, a constant desire for knowledge. The cognitive pathos of Kuprinsky creativity was combined with passionate personal interest in the victory of good over all evil. Therefore, most of its works are inherent dramatic, emotion.

The biography of Kupper is similar to the novel of adventure. In the autobiography of the writer, a truly awesome list of those classes, which he tried, swaying with the military uniforms. Missor, feverish throwing, a change of "specialties" and posts, frequent cores around the country, an abundance of new meetings - all this gave the carpentine inexhaustible wealth of impressions, - was required to artistically summarize them.

In the prose of Kupper, the second half of the 90s "Moloch" stands out as a direct charge of capitalism. It was already in many ways the real "Kubrinskaya" prose from her, according to Bunin, "Max and without excess generous language." So begins the rapid creative flourishing of Kurris. Following the "molk", works that put forward a writer in the first ranks of Russian literature appear. "Army's ensign", "Olesya" and then, already at the beginning of the 20th century, - "in the circus", "Konokrad", "White Poodle" and the story "Fight".

In 1901, Kubrin arrives in St. Petersburg. In 1897, he met I. A. Bunin, somewhat later - with A. P. Chekhov, and in November 1902 - with M. Gorky. Leading M. Gorky Democratic Publishing House "Knowledge" produces in 1903 the first volume of Kompania stories positively encountered criticism. Also, Kurin comes closer to the heads of the magazine "Mir God" - F. D. Batyushkov and A. A. Davydova. For some time, he actively cooperates in the "World of God" and as a editor, and also prints there a number of its works: "In the circus", "Boloto", "Cor", "from the street", but to a purely editorial work that preserves his work, Soon she holds.

In the work of Kupper at this time, the accusatory notes sound louder. A new democratic rise in the country causes him a tide of the creative forces, the strongest intention to fulfill the long-conceived plan - "to suffice" in the royal army, this foolishness, inhumanism, idle existence. So on the eve of the first revolution there is the largest work of the writer - the story "Fight", over which he began to work in the spring of 1902. Confidence in yourself, in their own powers, a man is extremely consistent and unbalanced, found in friendly support for M. Gorky.

In Ochakovo, Kubrin writes the stories "Staff-captain of Rybnikov", "Dreams", "Toast", starts work on the essays "Litriped."

During the first decade of the 900s, the talent of Kurpur reaches the highest heyday. In 1990, the writer received for three volumes of artistic prose Academic Pushkin Prize. In the counterweight, the firmly ferocredness was stronger, the talent of Kupper remains and at this time of realistic, highly "earthly" artistic gift.

However, the reaction years did not pass without a trace for the writer. The Kubrin places his new works not in the issues of "knowledge", but in the "fashionable" almanachah - "life", "Rosehovnik", "Earth". If we talk about the fame of Kuprin - a writer, then it all continues to grow in these years, reaching its highest point. Soon after the brutal suppression of the revolution of 1905-1907, he creates the Utopia "Royal Park". Following the full-blooded - the realistic cycle of sketches "Litriped", a fantastic story "Liquid Sun" appears, somewhat unusual for the carrome on the exotic material.

The contradiction of the Creativity of the Cook in the 1910s reflected the confusion of the writer, his uncertainty and misunderstanding of what is happening. And when the Russian-German war began, he was among those writers who perceived it as "domestic" and "liberation". In the few of these works of these years, familiar themes still lose social severity.

So in the pre-revolutionary time, in the situation of the creative crisis, the main period of writing the writer, when the most significant works were created.

In the extensive literary heritage of Kurin, the original, Kuprinsky, which brought a writer with him, lies on the surface. Through all the work of Kupper passes the anthem nature, "genuine" beauty and naturalness. Hence his thrust to whole, simple and strong agents. At the same time, the cult of external, physical beauty becomes for the writer to the means of indemnifying the unworthy reality, in which this beauty dies.

And yet, despite the abundance of dramatic situations, in the works of Krutrice, the vital juices beat the key, bright, optimistic tones prevail. In the same healthy voyage, as in creativity, it also appears in his personal life, a strong, squat man with a narrow dormant gray-blue eyes on the Tatar person, which seems not so round because of a small brown beard. The impression of L. N. Tolstoy from acquaintance with Cookina: "Muscular, pleasant ... strong". And in fact, with what passion will be given to the journal of everything, which is associated with the test of the fortress of its own muscles, will, which is conjugate with the excitement and risk. He seems to strive to waste the margin of the vitality of life who are not spent at the time of his poor childhood. Organizes athletic society in Kiev. Together with the famous athlete, Sergey Clarikin rises in a balloon. Sleeping in a diving suit on the seabed. Flies with Ivan Zaicina on the Plamin. Forty three years suddenly seriously begins to study stylish swimming at the world record holder L. Romanenko. Passionate horses amateur, Circus prefers opera. In all these hobbies, something gambling. His friends: Wrestlers Ivan Poddubny and Zaicin, athlete Chikkin, the famous trainer Anatoly Durov, Clown Zacomino, Fisherman Kolya Kostandi. Living from year to year in Balaclava, the Kuprin immediately "Fisted with some fishing" Atamans ", which were famous for their courage, successfulness and courage.

But there is something feverish, tense in the hasty change of all these hobbies. As if two people lived in Krekina, there are few each other, and contemporaries, which responds, the impression of one, the most obvious side of his personality, left for him an incomplete truth. Only the closest to the writer people, like F. D. Batyushkov, managed to see this duality.

The February Revolution, which Kubrin met enthusiastically, found him in Helsingfors. He immediately travels to Petrograd, where, together with the critic P. Pilsk, I edit the Special Rysly Russia newspaper for some time. In his artistic works of this pore (the stories "Brave fugitives", "Sasha and Yashka", "Caterpillar", "Star Solomon") there are no direct responses to the stormy events experienced by the country. Kubrin cooperates, however, in the bourgeois newspapers "ERA", "Petrogradsky Listok", "Echo", "Evening Word", where performs with political articles "Prophecy", "Sensation", "At the grave" (the memory of the prominent Bolshevik M. M. . Volodarsky, killed by Eser), "Monuments", etc. In these articles, the contradiction of the writer's position affects.

The intention of random circumstances leads Kuprin in 1919 into the Emigration Stan. In the emigration, he writes the novel "Jaets". This period of Kupper is characterized by care. The major autobiographical work of that period is the novel "Junker".

In the emigration, the writer Kuprin did not lose faith in the future of his homeland. At the end of life, he still returns to Russia. And his work on the right belongs to Russian art, the Russian people.

Introduction

Realistic in the story of A.I. Kuprin "Litriped" and the story "Duel"

Romantic in the story "Sullaify" and the story "Olesya"

The theory and methods of a holistic analysis of the story "Pomegranate bracelet" in class 11

Conclusion

List of used literature

Introduction

The name of A. I. Kurin is undoubtedly connected with the realistic direction in the Russian literature of the early 20th century. This artist honestly and directly spoke about the urgent problems of his time, touched upon many moral and ethical and social issues that worried the pre-revolutionary Russian society.

Indeed, he always depicted life in his works as it can be seen every day, it is only worth walking through the streets, looking at everything closely. Although now there are more and less people, people like the Kadrun heroes, previously they were a phenomenon quite ordinary. Moreover, Kuprin could write only when he lived and felt. He did not invent his story and stories at the desk, and endured them from life. Therefore, probably, all his books are such bright and impressive.

K. Chukovsky wrote about Kuprina that "His requirements for themselves, as a realist writer, a model of morals, literally did not have borders, (...) What the jockey, he knew how to talk like jockey, with a cook - like a cook, with Sailor - like an old sailor. He fastened this in the boyish woman, sought it in front of other writers (before Veresaev, Leonid Andreyev), for that he was ambition: to know for certain, not from books, not on rumors, those things and the facts that he says In their books ... "

The Kubrin was looking for the power everywhere, which could exalt a person, help him gain internal perfection and happiness.

Such a force could be love for a person. It is this feeling that the stories and stories of Kurpan are permeated. Hummingly people can be called the main theme of such works as "Olesya" and "Anathema", "Wonderful Doctor" and "Litriped". Straight, in the open, Kurprov speaks of love for a person is not so often. But by his own story he calls for humanity.

"And to implement your humanistic idea, the writer uses romantic artistic agents. Kuprin often idealizes his heroes (Olesya from the same story) or gives them almost unearthly feelings (yolks from Pomegranate bracelet. ). Very often romantic are the finals of the works of Kupper. " So, for example, Olesya is expelled from the society again, but this time she is forced to leave, that is, to leave the world alien to her. Romashov from the "fight" leaves reality, completely plunging into his inner world. Then in the fight with life he dies, without making a painful forgusion. Yolks in the story "Pomegranate bracelet" is shooting when he loses the meaning of life. He runs away from his love, blessing his beloved: "Yes, your name will be hid!".

In the romantic tone painted by Kuprick the theme of love. He speaks a reverent about her. About his "pomegranate bracelet" the writer said that he had not yet written anything more chascred. This wonderful story about love, expressing the words of Kuprin himself, "the great blessing of everything: land, waters, trees, flowers, heavens, smells, people, beasts and eternal goodness and eternal beauty enclosed in a woman." Despite the fact that the basis of the "pomegranate bracelet" is the real life facts and his heroes have their own prototypes, it is the brightest pattern of a romantic tradition.

This tells us about the skill of Kuprika to see in reality poetically sublime, and in man - the best and clean. Therefore, we can call this writer and realist and romantic at the same time.

Realistic in the story of A.I. Kuprin "Litriped" and the story "Duel"

A daily person who has repeatedly chased in Russia, changed many professions, easily converged with the most different people, Kuprin has accumulated a huge stock of impressions and shared them generously, enthusiastically. In his stories, beautiful pages are devoted to love - painful or triumphant, but always fascinating. Critically depicting the life of "as it is", Kuprin gave to feel that life that should be. He believed that the person who "came to the world for immense freedom, creativity and happiness will be happy and free."

However, his ideal was Skalic, rodging, full of motion adventures and randomness of life. And his sympathy is always on the side of people who, for one reason or another, outside the framework of a measured and prosperous existence. kurpur story realistic

Singer of patriarchal naturalness, Kuprin did not accidentally attracted the forms of labor associated with nature. This is not a painful service of the machine or in a stuffy mine, but the work "with the sun in the blood", under the fresh wind on the endless water expanses. Calling his heroes "Listrigons" by the name of fabulous fishermen pirates from Odyssey, Kubrin emphasized the invariance, the stability of this Mirka, who had preserved his customs almost from Homeric times, and idealized this ancient, as if untouched by the Type of Catcher, Hunter, Son of Nature . But under the ancient masks, living faces of modern Kupruina Balaklava Greeks were guessed, their current concerns and joy were felt. The episodes of friendly communication of the writer with Crimean fishermen reflected in Lystrigons; All cycle heroes are real people, Kubrin has not changed even their names. So from the alloy of prose and poetry, truth and legends there was one of the best samples of the Russian lyrical essay.

During the years of the renovation of the first Russian revolution, Kurin is given to work on its largest work - the Lame of "Fight". The action of the story, published in 1905, occurs in the 90s. However, everything in it was drawn by modernity. The work gave a deep explanation for the reasons for the defeat of the royal army in the inglorious war with Japan. Moreover, the pioneering of the Army environment generated by the desire of the jurisdiction, the "duel" was a stagnant blow on all the orders of Tsarist Russia.

"Regiment, officers and soldiers" are written in a close-up in organic interaction with the main character. In the "duel" we see realistic paintings that create a large cloth, in which the "minor" characters can be as important for artistic as the main images.

The story is stronger, first of all, the accusatory pathos. Kuprin, as is well known, knew the wild morals of army life, where the highest army ranks were treated with soldiers, as with livestock. An officer Archakovsky, for example, to such an extent beaten by his tweer that "blood turned out to be not only on the walls, but also on the ceiling." The officers were especially angry during a senseless soldier Mushtra, when the preparation for the front view was made, from which their official career depended.

The plot of the works is tragic: the porquet of Romashov dies as a result of a duel with a lieutenant Nikolaev. Romashov, the urban intellectual in the mundair of the podernoye regiment, suffers from the vulgarity and nonsense of life, "monotonous, like a fence, and gray, like a soldier cloth." The overall atmosphere of cruelty, violence, impunity, who reigned in an officer environment, creates prerequisites for the inevitable emergence of the conflict. Romashov is experiencing Khlebnikov "Tide of warm, self-challenging, infinite compassion". The author does not idealize Young Romashov, does not make it a fighter against the text of army life. Romashov is capable only for a timid disagreement, at unsure attempts to convince that cultural, decent people should not attack with a checker on unarmed: "To beat the soldier is dishonest. That's shameful". The situation of the contemptuous alienation is ordered by Romashov. By the end of the story, he detects hardness and human strength. The fight becomes inevitable, and the love of him to a married woman, Nikolaeva, who was not ashamed to conclude a cynical deal with a person in love with her, the bid in which his life began, accelerated the junction.

"Fight" brought Kuprina European glory. The advanced public enthusiastically met the story, for, as the contemporary wrote, the Kurpan story "fell out, loosened, struck to death to the military cast." Today's readers are important as a description of the fight and evil, violence and humanism, cynicism and purity.

Romantic in the story "Sullaify" and the story "Olesya"

Despite the entire realism of the works of Kupper, in any of them you can find elements of romanticism. Moreover, sometimes it is manifested so much that it is even impossible to call some pages realistic.

In story Olesia It all starts pretty prosaic, even a bit boring. Forest. Winter. Dark, illiterate Polessian peasants. It seems that the author just wanted to describe the life of the peasants and does it, she does not embellish anything, depicting gray, silently life with gray. Although, of course, the conditions in which the main character of the story falls are far from being familiar to most of us, but still these are real living conditions in Polesie.

And suddenly, among all this sad monotony, Olesya appears, the image is undoubtedly romantic. Olesya does not know what civilization is, the time in the polesia chances as it were. The girl sincerely believes in legends and conspiracies, believes that her family is connected with the devil. Accepted in society the norms of behavior is absolutely alien to her, it is natural and romantic. But not only the exotic image of the heroine and the situation described in the story attract the attention of the writer. The work becomes an attempt to analyze that eternal, which should underlie the basis of any high feeling. Kubrin draws attention to the hands of the girl, although he drove away from work, but small, aristocratic, on her manor there is, to speak. Where did the girl appear in this environment, like Oles? Obviously, the image of a young sorcerer is already not a vital, but idealized, the imagination of the author was prevented over him.

After the story appears Olesya, romanticism is already inseparable adjacent to realism. Spring comes, nature rejoices with lovers. A new, romantic world, where everything is fine. This is the world of love Olesi and Ivan Timofeevich. As soon as they meet, this world suddenly arises from nowhere, when they break up - disappears, but persists in their souls. And lovers, being in an ordinary world, strive to their, fabulous, not available to anyone else. This "Dwellemiria" is also a clear sign of romanticism.

Usually a romantic hero commits an "act". Not exception and Olesya. She went to church, obeying the strength of her love.

Thus, the story describes the love of a real person and a romantic heroine. Ivan Timofeevich enters the romantic world of Olesya, and she is in his reality. It becomes clear why the works trace the features of both one and other directions.

One of the most important phenomena of love for Kuprin is that even the premonition of happiness is always overshadowed by fear of losing it. On the way to happiness, the heroes are the difference in their social status and education, the weakness of the hero and the tragic prediction of Oleas. Thirst for the harmonic union is generated by deep experiences.

Olesy's love becomes the greatest gift that can give life to the hero of the story. In this love there are dedication and courage, on the one hand, and contradiction, on the other. Olesya initially understands the tragity of the outcome of their relationship, but is ready to give himself a beloved. Even leaving the native places, beaten and edged, Olesya does not curse the one who ruined her, but blesses those short minutes of happiness that she experienced.

The genuine meaning of love writer sees in the desire to dissensefully give his chosen one full of feelings that a loving person is capable of. The person is imperfect, but the power of love can, even for a while, to return to him the severity of sensations and the naturalness, which other people like others have retained in themselves. The power of the soul of the heroine is capable of making harmony even in such contradictory relationships as those described in the story. Love is contempt for suffering and even death. It is a pity, but only the favorites are capable of such a feeling.

But sometimes Kuprin does not invent anything perfect. IN Duel , I think there is not a single impeccable image. If Shurochka first seems beautiful (she is so smart, beautiful, although it is surrounded by vulgar, cruel people), then it is soon the impression disappears. Shrokhochka is not capable of true love, like Olesya or Yolknik, she prefers her an external glitter of the highest society. And immediately, as soon as you understand, and her beauty, and the mind, and feelings appear in a different light.

Lyubov Romashova, of course, was cleaner and sincere. And even though it is not at all idealized by the author, it can be considered a romantic hero. He is all very sharply experiencing and feels. In addition, Kubrin holds Romashov through life suffering: loneliness, humiliation, betrayal, death. Against the background of the realistic image of the orders of the royal army, vulgarity, cruelty, the rudeness is allocated yet - Nazansky. This is a real romantic hero. Just in his speeches, you can find all the main ideas of romanticism about the imperfection of this world, the existence of another, beautiful, about the eternal struggle and eternal suffering.

As can be seen, in his works, Kuprin did not adhere to the framework of the realistic direction only. There are romantic trends in his signs. It places romantic heroes in everyday life, in a real environment, next to ordinary people. And very often, therefore, the main conflict in his works is the conflict of the romantic hero with commonplace, grayness, vulgarity.

Kuprin possessed the ability to combine in his books reality with romantic fiction. Probably, this is the very wonderful ability to see in life a beautiful, decent admiration, which is deprived of many people. But if you can see the best parties in life, then, in the end, a new, wonderful world can be born from the most boring and gray everyday life.

Perception and understanding of the work of art as integrity in our time has become particularly significant. The attitude of a modern person to the world as integrity has a value value, life sense.

Art from its very beginning was directed to the emotional feeling and reproduction of life integrity. Therefore, "... It is in the work that a universal principle of art is clearly implemented: reconstructing the integrity of the world of human livelihoods as an infinite and unfinished" social organism "in the final and completed aesthetic unity of the artistic whole."

Literature in its development, temporary movement, i.e., the literary process, reflected the progressive course of the artistic consciousness seeking to reflect the mastery of people's integrity and concomitant the destruction of the integrity of peace and humans.

In order to more or less exhaustively know the artwork, it is necessary to go through all three steps of his scientific consideration, nothing in them is missing. This means that it is necessary to realize the work as a whole at the level of primary perception, then conduct a scrupulous analysis of it by elements and, finally, to complete the consideration by systemic-holistic synthesis.

Ideally, the method of analysis must be yours for each work, it must dictate his ideological and artistic features. So that the selective analysis is not random and fragmentary, it must simultaneously be a holistic analysis. It would seem that the contradiction, but in fact it is not. Only with a holistic look at the system, it is possible to determine which sides, elements and connections in it are more significant, and which are auxiliary. First of all, it is necessary to know the "whole law", the principle of his organization, and then it will tell you what exactly to pay attention to. Therefore, the consideration of the artistic work must begin not from the analysis, but from the synthesis. First of all, it is necessary to realize your holistic first impression and, checking it mainly by rereading, formulate on the conceptual level. At this stage, it is already possible to conduct a key operation for further intellectual analysis - to determine the content and stylistic dominants of the work. This is the key that opens the integrity of the structure of artistic creation and determines the paths and directions of further analysis. So, if the dominant of the content lies in the area of \u200b\u200bthe problems, then the theme of the work is quite possible not to analyze, focusing on the relationship of issues and ideas; If in the field of pathos - then the analysis of the subjects is necessary because the objective and subjective moments are naturally connected in pathos, the problems in this case turns out to be not so important. A more specific definition of the dominant prompts more specific ways to analyze: so, ideological and moral problems requires close attention to the individual "philosophy" of the hero, to the dynamics of his views and beliefs, while its connection with the social sphere turns out to be secondary. The same sociocultural issues, on the contrary, dictates increased attention to the statics, to the constant features of the external and internal appearance of the characters, to the hero's links with the medium that thorms it. The allocation of stylistic dominant also indicates that in the work it should be done first. So, analyze the elements of the plot does not make sense, if we observe the descriptions or psychologism as a stylist dominant; trails and syntactic figures are analyzed if the style of dominant is rhetoric; A complex composition sends attention to the analysis of extra-wing elements, narrative forms, subject items, etc. As a result, the task is achieved: the saving time and effort is combined with the comprehension of the individual ideological and artistic peculiarity of the work, selective analysis is simultaneously holistic.

"Pomegranate bracelet" has an unusual creative history. Work on the story was in the fall of 1910 in Odessa. At this time, Kuprin was often in the family of the Odessa doctor L. Ya. Maysels and listened to the second Sonatu Beethoven performed by his wife. The musical work was so captured by Alexander Ivanovich that the work on the story began with the fact that he recorded the epigraph. L. Van Beethoven. 2 SON. (Op. 2, No. 2). Largo APPASSIONATO. . Sonata Beethoven Appassionate ", one of the most tense, volatile, passionate creatures of human genius in music awakened Kurpric to literary creativity. Sonatas sounds connected in his imagination with the history of light love he witnessed.

From the correspondence of Kupper and Memoirov, the prototypes of the characters of the story are known: yolks - a small telegraph official P.P. Zheltikov, Prince Vasily Shein - Member of the State Council D.N. Lyubimov, Princess Vera Shein - His wife Lyudmila Ivanovna, nee Tugan - Baranovskaya, her sister Anna Nikolaevna Frides - Sister's beloved, Elena Ivanovna Nitte, Brother Prinyagini Sheina - Official of the State Chancellery Nikolai Ivanovich Tugan - Baranovsky.

The story ended up a number of publications in French, German, English, Swedish, Polish, Bulgarian, Finnish. Foreign critic, noting the subtle psychologist of the story, welcomed it as a "gust of fresh wind."

For a holistic analysis of the artwork, students need to ask the following questions:

What is the work of A. I. Kurin? Why is it so called?

(In the story, the "Pomegranate Bracelet" is challenging the feeling of a "little man", Telegraph Zheltkova, to the princess of faith Nikolaevna Sheina. The story is called the main events associated with this decoration.)

How did the artistically transformed the carpet of the real story hearded by him? (Kubrin embodied in his creation the ideal of an excellent, almighty, but not mutual love, showed that small man Capable to a large, comprehensive feeling. He graduated from the story of the Kuprin's death of the hero, which forced faith Nikolaevna to think about love, about feeling, made her worry, sympathize that she did not do earlier).

How do we learn about the love of yellowkova? Who tells about her? (We learn about the love of Zhestkova for the first time from the stories of Prince Shein. The Prince of Pravda is intertwined with fiction. For him, this is a funny story. The image of Yolkopkova in the prince's stories undergoes changes: the telegraphist - disgusts in the pipeline - becomes a dishwasher - turns into a monk - tragically dying, leaving After the death of the testament).

Read the description of the autumn garden. Why does it follow a description of the feelings of faith to her husband? Is it happy?

(The author shows that her manners are distinguished by cold courtesy, royal tranquility. "The former passionate love has long gone," maybe faith does not like her husband, because he does not know love, so applies to her husband with a "feeling of strong, faithful, true friendship" . She is finely feeling, selfless and delicate person: it tries to imperceptibly help her husband "to reduce ends with the ends.")

Highlight the important key episodes of the story and relate the plot elements with them.

(1. Name Day of Faith and Gift Yellow-Zavka 2. The conversation of Nikolai Nikolayevich and Vasily Lvovich with Yolkovoy - Culmination. 3.Smertystkova and a farewell to him - omission.)

How is the cape yolks and his love portray?

Why does he "makes" faith to listen to the second Sonatu Beethoven?

(Looking at his face, faith recalls the same peaceful expression on masks of the great sufferers - Pushkin and Napoleon. Yolks are great for his suffering, with his love. Symbolized Detail of a rose, meaning love, death (poem I. Matlev "Roses", I. S. Turgenev "How good as fresh roses"), perfection of the universe. In the story of roses, two are honored by two: General Aloshov and Yolkov. The last letter is fine, like poems, convinces the reader in the sincerity and strength of his feelings. For Yellowkova, love faith even without reciprocity - "Hasive happiness." Saying goodbye to her, he writes: "Leaving, I am delighted with:" Yes, your name is hired. "Yolksy loves truly, love is a passionate, disinterested. He is grateful to the one that caused a wonderful feeling in his heart. Death is not afraid of him. The pomegranate bracelet, not accepted by faith, the hero asks to hang on the icon. This deigns his love and puts faith in one row with saints. Yolks are talented in their love, like Pushkin and Napoleon. Talent is unthinkable without realizer AI, but the hero remained incomprehensible.

Posthilly yolks will make faith to listen to Sonatu Beethoven, majestic thinking about the gift of life and love. The greatness experienced by a simple person is fastening under the sounds of music, as if he had a shock, pain, happiness, and suddenly displaces all the siene, petty, hesitates the response to the ending suffering.)

What is the yolks in a suicide letter? (Yolks recognize that uncomfortable wedge crashed To the life of faith and infinitely grateful to her only for exist. His love is not a disease, not a manic idea, but a reward sent by God. His tragedy is hopeless, he is a dead man).

What mood will the final of the story imbued? (The final will penetrate the feeling of light sadness, not the tragedy. Dies yolks, but awakens to the life of Faith, she opened that the most "big love that repeats once in a thousand years.")

Is there ideal love?

Love and be loved - is this one and the same? What's better?

What is the fate of the pomegranate bracelet? (Unhappy lovely asked to hang the bracelet - Symbol of Holy Love - on the icon)

Does unearthly love meet? (Yes, it is found. But very rarely. It is such love and described A. Kookin in his work)

How to attract love? (Little love is not enough, you should learn to love yourself, feel like a particle of the world)

Why does love manages man, and not the opposite? (Love is an eternal thread. A person reacts to the waves of love. Love is eternal, she was, there will be. And the person comes and goes out)

What sees A.I.Kuprin True Love? (True love is the basis of everything earthly. It should not be isolated, undivided, it should be based on high sincere feelings, strive for ideal. Love is stronger than death, it elevates a person)

What is love? (Love is a passion, these are strong and real feelings, towering a person who awaken his best qualities, is truthfulness and honesty in relationships).

Love for the writer is the basis of all existing: "Love must be a tragedy, the greatest secret in the world. And no vital inconvenience, calculations and compromises should not touch it. "

His heroes are people with an open soul and a pure heart, rising against humiliation of a person trying to defend human dignity.

The writer chants the sublime love, opposing her hatred, enmity, distrust, antipathy, indifference. The mouth of General Anosov he says that this feeling should not be neither frivolous, nor primitive, neither, especially, to be based on the benefit and caress: "Love must be a tragedy. The greatest secret in the world! No life facilities, calculations and compromises should not be touch". Love, on Cooker, should be based on elevated feelings, on mutual respect, honesty and truthfulness. She should strive for the ideal.

Conclusion

Today, the works of A. Kookin are of great interest. They attract the reader with their simplicity, humanity, democraticness in the most noble sense of the word. The world of Heroes A.Kuprina Pepor and crowded. He himself has lived a bright, filled with diverse impressions of life - visited the military, and the railway, and the Amermer, and the actor of the ramped circus troupe. A. Kuprin said many times that he does not understand writers who do not find anything more interesting in nature and people. The writer is very interesting human destred, while the heroes of his works are most often not lucky, people who are satisfied with themselves and life, but rather, on the contrary. Kubrin fought with an emigrant destiny, he did not want to submit her. He tried to live intensive creative life and continue serving literature. It is impossible not to pay tribute to a talented writer - he and in these heavier years managed to make a significant contribution to Russian literature.

Creativity Alexander Ivanovich Kuprina highly appreciated Anton Pavlovich Chekhov, Alexey Maksimovich Gorky, Lev Nikolayevich Tolstoy. Konstantin Paustovsky wrote about him: "The Kuprin cannot die in the memory of Russians, nor in the memory of many people - representatives of mankind, how can the angry power of his" fight ", the bitter charm of the" pomegranate bracelet ", the amazing painting of his" Litriped ", As his passionate, intelligent and immediate love for man and their land can die.

Moral energy, and artistic, creative magic Kurin comes from one root, from the fact that it can be boldly called the most healthy, most cheerful and vitality in the circle of Russian writers of the 20th century. Kookin books must certainly read, live in adolescence, for they are a kind of encyclopedia of healthy, morally immaculate human desires and feelings.

List of used literature

Korma B.O. On the integrity of the artistic work. News of the USSR Academy of Sciences. Ser. Literature and language. 1977, № 6

Kubrin A. I.Granitic Bracelet.- M., 1994. - P. 123.

Powesty K. Stream of life // COLC. cit. In 9 volumes. - M., 1983. T.7.-416 p.

Chukovsky K. Contemporaries: portraits and etudes (from Ill.): Ed. Central Committee of VLKSM "Young Guard", M., 1962 - 453 p.