What is the wilderness of the wild briefly manifest. Samodorism is bad or very bad? Sports in literature

05.05.2021

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1. Realism of the drama "Thunderstorm".
2. Portrait of Saveel Prokofievich Wild.
3. Kabaniha - Chapter "Dark Kingdom".
4. Completion of the authorities of Samodor and ignorance in Drama A. N. Ostrovsky "Thunderstorm"

Katerina.

Interest is the fact that the Ostrovsky has completed his work about a month before Klyovki was drowned in the Volga, without preparing the mockery of his relatives. This circumstance is certainly indicating that the author is very bright and realistically showed in the drama "Thunderstorm" a hard conflict occurring between different generations in one merchant family.
Samodor and ignorance in Drama A. N. Ostrovsky "Thunderstorm" are shown by the author with the help of two very bright images - Saveel Prokofievich Wild and Martha Ignatievna Kabanova ("Kabanii"), mother-in-law of the main character.
Wild is one of the typical representatives of the provincial rich merchants. This is a person who has certain rights in the city and considering that he is permitted if not all, then much. This circumstance shows the following statement:
Kuligin. For what, sir, Savel Prokofievich, an honest person to offend?
Wild Report, what, I will give you! I and I do not give you anything to anyone ...
Next, Ostrovsky points out that Samodorum, unworthy behavior of wild - not at all vicious quality, but the natural property of his "hot-willed heart." The trouble Saveel Prokofievich is that he does not attend any attempts to curb his indomitable temper, and therefore he does not recognize everything that he wants.
The surrounding people perceive Savel Prokofievich ambiguously. For example, Kuligin claims that the wilderness should be given to everyone, so as not to run into rudeness, but Kudryash is quite reasonably object to him: "... Who cares him if he has all his life on curses? And most of all because of money; Not a single calculation without breaking ... ".
But no capital, no funds can consolidate the enrichment of the spiritual life of wild. Despite unshakable conviction in his own right, he quickly presses the tail, facing the will of the case with a more significant person. At the same time, he is not alien to self-criticism at all: for example, screeching during the great post on nothing in anything that he brought firewood, he publicly apologized to offended, so as not to take a soul.

But this "kind" deed is only another fad of a rich self-made, and not sincere repentance.
The life of Savel Prokofievich was built around the money, capital - in his opinion, you can buy everything good, and it is necessary to give money "just so" only in exceptional cases. He himself speaks directly about it: "I will give I will give, and wrap."
Unlike Wild Marf, Ignatievna Kabanova, which surrounding the "Kabani", adheres to the established norms of the old morality, more precisely, its worst side. Observing the rules and laws of "Domostroja", she scrupulously selects only those who are beneficial to it, not paying attention to the rest. Unfortunately, it does not comply with the most important, key law - it is impossible to condemn the people who accidentally sinned, one must first of all think about their own sorts and take care of it.

Kabanija finds the negative sides in everything - even at the time of farewell to Katerina with her husband, leaving for business at the bottom of the week, unreleased mother-in-law finds a reason for echidial exquisition: "What are you hanging on the neck, shamelessness! 11e with a lover forgive! He is your husband, chapter! Al Order Do you know?

Bow to legs! " At the same time, to the son of Marf Ignatievna treats too severely, imposing his m. Great, without giving him to live independently.
Perhaps such despotism, the desire for endless power over households and were not the main feature of the character of Kabanova. She tried to maintain strict order in the house with all their forces, lead not only by the economy, but also by human relationships. Unfortunately, by virtue of his ignorance, it is not able to delicately resolve emerging conflicts, its dictatorship even more exacerbating the inclined setting.

I do not know how to learn how to study it in your own mistakes.
The tragic diversion of the drama "Thunderstorm" is the suicide of Katerina, tired of the permanent mother-in-law of mother-in-law, emotional tension, constant excuses because of the fictional limits and "wrong" actions. This is not just a departure from the puffy life, but first of all, an unconscious challenge to the power of Samorams and ignorance, which rules the world around the world, protest against the imposed fake "morality". And even a scored, depressed Mother of Katerina's husband - Tikhon - understands it.

Being bending over the body of a skewer spouse, he says: "Good to you, Katya! And I - why stayed to live in the world and to suffer! " He begins to understand the viciousness and insincerity of the relationship reigning in his family, but his soft, blessing nature does not allow him to decide a serious act, to overdue psychological pressure.
Tikhon's words give us to understand that life in the "dark kingdom", where Samodor and ignorance rule, worse than death. Otherwise, maybe live people to envy those who have left, the more suicides (because according to the laws of the Orthodox Church, the voluntary "escape" from life is one of the greatest sins)? And the very existence of this vicious circle is nearing completion.

A normal person cannot exist in the atmosphere of the oppression, offended, ignorance and fake morality, which means that the liberation from the power of the Kabani and her like.

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Sports chiefs are quite common. They want to cry and hide somewhere away. Our happiness, if you can change the job.

When Samodor lives in the family, then it is much worse here. Not to hide from him, do not run away and do nothing. Although, having understood what samotor is based on, it is possible to solve the problem of the behavior of such a person.

Who is SelfDore?

The most unrestrained of us will answer short and clear. Samodor - the patient on the whole head comrade.

Only such an answer is wrong. Samodor is a person who has power over other people. Performs your whims, not believing with the desires of others. Savior gives pleasure to humiliate others. It rises over others, humiliating them.

Recall Ostrovsky

More precisely, his work called "Thunderstorm". There is a certain Sawl Prokofievich Wild. The surname is speaking, and the temper is just like it.

This wild was the most real Samodor. A promotional merchant, having so much money as on the leaf trees. With this man seriously considered. And this fact impressed Savlu. Wildly decided that the money decide everything. Partly so it was. Few people could familiarly pat in the shoulder. And Savlu Prokofievich was not difficult.

The merchant was cruel to his subordinate. Slap delayed, sometimes paid a very penny. Workers tried to indignant, but Wildly began to thwart. It shouted that they are worms, wants and destroy all the prosecution.

The home was even worse from the rich. Samodogrya is a terrible trait of the character from which all the environment is suffering. So I had to suffer wild family. How many times they ran out of the house or sit down in the attic, when the dear husband and father of Rayanil.

Why was Sawl Prokofievich was Samodur? Yes, because he had money in his hands. And he believed that he had the right to everything. In the depths of the soul, the wild - a cowardly person who is drummed when he will resist him. True, no one risked this, except for Kabani.

Who is such a kabanikha?

Miscellaneous and kabani samotorism. If he is a rich coward, then she is an antiquarian protector. Marfa Ignatievna Kabanova is a bright image of ignorance, a chandeliness and obscurantism. It would seem that this woman is a believer. In her speech slip such words as "heavy sin", for example. But nothing to do with the true faith of her concept about life do not have. And the words are used in one goal: to make the interlocutor submit.

Kabanova completely refuses to accept any innovations. She lives in an old manner, and others teaches the same. Her Samodorism is the imposition of his homemade worldview. Tikhon's son drove to such an extent that he was afraid to call. Slightly, Kabaniha shouted at him, reproached, disgusting. The daughter-in-law of Katerina subsided. And when she died, she did not feel his fault of Kabaniha.

If the wild - coward and a fool, then Cabanova, with all his ignorance, the cunning and intelligent. She is an excellent manipulator who knows how to suppress the will of other people. Marfa Ignatievna is afraid of Wildlife himself. She is able to give him back. Nobody risks with her, everyone fears.

Despotism and self-use are the main features of the character of the Kabanih. An evil and tricky living with its own way, who does not want to change anything, it is a sample of a dark fanatic, for which there are no points of view, except for its own.

Troekurov

And now consider the Samoramic Trocery. This is the hero of the novel "Dubrovsky". Who wrote it, you should not remind.

Kirill Petrovich Troekurov - Typical Samodor. He and wild - two steam boots. Both greedy to money and believe that the capital decides everything. Passion for money and to limitless power, this is the main features of both characters.

But if the wild was a cowardly, then Troceurov is a rather decisive person. It is distinguished by its excellent cruelty. And the one who is poorer, nothingness in the eyes of Cyril Petrovich.

Because of his cruelty, he deprived the life of Andrei Gavrilovich Dubrovsky. But once they were comrades. Troekurov did not like that Dubrovsky does not make up before him. He was too proud and self-sufficient. It cracked Kirill Petrovich. And he took away from Andrei Gavrilovich the estate.

From such permissiveness Dubrovsky run. Yes, never recovered from the disease. But Troekhurov was not enough. He instructed the life of his daughter Masha. Samodorism is a disgusting trait that rich was possessed. Having learned that the daughter was in love with Vladimir Dubrovsky - the son of the former comrade Troekharov, Father-Samodor forcibly issues her marriage. Thus, the fate of Masha and Vladimir is broken.

If near Selford

Literature is good. But what to do in real life when you have to deal with mymgue?

If this is the boss, which considers everything is based on money, do not be afraid to fight him. To put such a person in place is difficult, but maybe. Give him to understand that you will not endure the Khamsky attitude towards yourself. When it becomes very tight - dismissed. It is better to lose work than nerves and health.

If Samodorption is a typical trait of someone from loved ones, do not give in pressure. You are trying to inspire which you are bad: offend a relative, do not listen to him, consider yourself smarter. Recognize - Yes, I'm bad. Do not let your sense of guilt in you. Savior only it is necessary. Boldly defend your interests and defend the life position.

Conclusion

The main features of the self-confidence is unlimited cruelty in relation to others, suppressing someone else's will and manipulation by people. Savior - most often rich people. They believe that money gives them power over others.

If possible, try to avoid such people. And if you have to come across, put in place. Let them know that money is not a reason to humiliate the neighbors.

Savior and Samodorism in Drama A. Ostrovsky "Thunderstorm"

The drama "Thunderstorm" (1859) was a significant event in the country's social life in the 60s of the XIX century. The island has a play about the thunderstorm, bringing an update to the world of nature and into the world of the human soul, about the thunderstorm, the destructive foundations of the "Dark Kingdom" throughout Russia. The goal of creating samotur merchants in the play was to condemn their wild arbitrariness, despotism, cruel violence that was dominant in modern Ostrovsky Russia. And the fictional city of Kalinov, as in the mirror, reflected these "cruel morals".

Immediately after opening the curtain, the viewer's highland is the highland of Volga, the city garden and the walking inhabitants of the small town Kalinov. The beauty of the landscape at first closes the real life of the city from extraneous eyes.

It turns out that in a wonderful town on the Volga, everything is not so beautiful, as it seems at first glance. The only educated person in the city, self-taught kuligin mechanic, calls the morals of the city of Kalinov cruel. The main thing is that it causes his indignation is social inequality, challenging the poor rich, the power of money and thirst for profit, but there is no harmony and in economic relations between merchants. They write "malicious blusses" each other, seek to undermine trade.

There is no guide on rich merchants. No one is decree. Even the head of the city cannot make a remark to the wilderness. Money gives them the right to rule over the inhabitants of Kalinov. And therefore no one can object to the rich merchants.

Family relations are built on the cruelty and despotism of self-mass. The word "Samodor" became a synonymal of gross self-confidence, rudeness, arbitrariness and impunity. Everyone knows that wild - influential merchant city. It can humiliate and turn a person for anything. He will delete, as confident in his own impunity. He knows that nowhere will never meet resistance, wildly freely manages the fate of his nephew Boris, who materially depends on him. Wildly with his rudeness, rudeness, ignorance and greed personifies the main features of the self-robes of the city of Kalinov. He does not know how to speak quietly, rushes for people as a chain dog, he is constantly dissatisfied with everything. But however, his evil is increasing when he needs to part with money. That is why he scolds and oppresses Boris, whose legacy he must give him in the will. Also, in the same way, if it occurs with something inaccessible to his understanding. The scene is indicative when it is attacked by Kulin, trying to tell him about the threshold.

Being a wild and ignorant person, he, like all Kalinovtsy, is convinced that the thunderstorm is not electricity, but God's Kara, sent to people in punishment for sins. Superstition and fear of unknown define wild consciousness.

Even more prone to fanatical religiosity, the rich Kupovka Marfa Ignatievna Kabanova. At first glance, she also seems pious: he hosts the strangers, goes to church, honored the commandments of God. Unlike wild, it does not increase voices, does not yell and does not swear. But no matter how covered with Kabaniha pious phrases, the inhabitants of the city know the truth about her. So, for example, Kuligin speaks of her hypocrisy Boris: "The beggars will dwell, and the home leisure lies at all." True, it must be said that her homing is limited by the framework of his own family, but here it gives him will. Kabaniha disreamed of his son. Under her influence, he turned into a pitiful, clogged, a haired man who does not decide anything himself and all the time is forced to justify the mother for some non-existent sins. Tikhon is free from the power of the Mother only during business trips. And when he is at home, then seeks to drink to forget.

Of course, Kabaniha is not so smart, you can adapt to it. Therefore, her daughter of Varbara is a brave and tricky girl - without difficulty finds a way out. She prefers to live according to the principle of "do what you want, only Shito-covers were."

Cruel and despotic Kabaniha, using a piety of piety, turned into hell, not only his own children, but also the life of daughter-in-law. Catherine and Tikhon could not be happy, because the mother interferes in their business. Tikhon cannot show any independence even in a relationship with his wife. This mother dictates him what to tell him how to behave with Katerina. She and the scene of Tikhon's wires arranges in its understanding, reducing the son and daughter-in-law the execution of the roles appointed by it. Tikhon, stamping, pronounces teaching under the dictation of the mother. And Katerina, by order of mother-in-law, is obliged to swell on the porch after leaving her husband. Yes, here, really, wild morals in the city of Kalinov.

Grazing the power of wild and kabanum, but, it can be seen, and it comes to an end. With bitterness, it is forced to recognize Kabanch that the old man is displayed: "I don't want to go to another house. And you will go up, so they stick it out more soon. What will be how old people will die, as will be the light stand, I do not know. "

Despite its limitless power in the family, Kabaniha feels internal alarm. She feels that everything goes not as she wants. Even his bad son, she cannot inspire that the family should hold onto the fear, and not feelings. That is why she in the stage of repentance of Katerina speaks Tikhon's triumphantly, trying to convince him of her right: "What, son! That's where the will leads! ".

Supports were shaken on which self-director holds in Kalinov. Katerina prefers the death of bitter life in captivity and throws an open challenge "Dark Kigar". Barbara and runs at all from home. And even timid Tikhon dared to blame the mother in the death of his wife: "Mama, you took it up."

"Thunderstorm" is, no doubt, the most resolute work of Ostrovsky, "wrote Dobrolyubov. The need for changes in the country's social life is the main idea of \u200b\u200bthe play. Under the nominity, the Revolutionary Democrat Dobrolyubov understood not only family despotism, but also the entire system of social relations in the royal Russia, brought to extremes. The Piece of the Ostrovsky "Thunderstorm" and was supposed to renew the world to the world of human relations, to make sure of people from cruelty, despotism, rudeness and hypocrisy.

The role of Ostrovsky in the history of Rus-Literature is extremely important. The plays have a cognitive value for us. Ostrovsky was not a calm, impassive life of Russian life. It was a public tribune, Democrat. We get acquainted with his plays with a heavy, gloomy life of the "Dark Kingdom", with sympathy, follow the struggle of the free, winsnoy-howl personality with the dead stuffs of the past, learn to know the wealth of the spiritual forces of a person and hate that oppression that interfered in the past free development Personality. In a number of those nominated by life, there was one that required urgent lighting. These are tyranny self-employment, money and old-fashioned authority in a coupe everyday life, tyranny, under the oppression of which torn not only members of merchant families, especially women, but also the workers of the poor. The task of induction of the economic and spiritual tyranny of the "Dark Kingdom" and set the Ostrovsky in the drama "Thunderstorm".

The action of the drama "Thunderstorm" occurs in the provincial city of Kalinov, located on the banks of the Volga. Ignorance and full mental stasis are characteristic of the life of the city of Kalinov. For the external tranquility of life, harsh, gloomy morals. "Brutal NRA-you, sir, in our city, cruel!" - Says poor Kuligin, self-taught mechanic, who has experienced all the futility of attempts to mitigate the morals of his city and to scream people. Two groups of the inhabitants of the city of Kalinov are played in the play. Some personify the oppressive power of the "Dark Kingdom" (Wild, Kabaniha), and others - the victims of the "Dark Kingdom" (Katerina, Kuligin, Tikhon, Boris, Kudryash, Varvara). They equally felt the gross power of the "Dark Kingdom", but in different ways express their protest against this force.

Despotism, unbridled arbitrariness, ignorance, rudeness - these are those traits that characterize the image of a self-directed, typical representative of the "Dark Kingdom". The meaning of life for the wild - to acquire, uve-dull wealth, and for this all the means are good. He is the richest and noble man in the city. Capital once knits his hands, makes it possible to unhindered to cut around the poor and materially dependent by him. Here's what they say about the wild heroes of the play. Shapkin: "There is a crucian, as we have Savel Prokofich, look yet! For nothing man will cut around. "; Kudryash: "... His whole life is based on curses ... and most of all because of money; None of the calculation without breaking without BRAY ... And the trouble, like his in the morning someone angry. All day to all quit. " Rough and unceremonious Di-Koi back in front of the nephew Boris, in front of up-Maschni. Boris notices: "Aunt every morning all with tears begins:" Batyushki, do not get angry! Darling, do not hear! "; "But the trouble is when he offends such a person whom he does not dare to wrap; There is a domestic home! " Fitness and disadvantage - this is not a purely individual qualities of wild. These are typical traits of patriarchal merchants.

The image of the harsh and domineering Marph of Ignatievna Caba new allows us to get acquainted with one different and impact of representatives of the "Dark Kingdom", the same typical as wild, but even more ominous and gloomy. Kabaniha loves unquestionable obedience, in her re-chah permanent pops, complaints about disadvantage. In the house of Kabani, the atmosphere of cruelty, humiliation. She cites her loved ones, "Eat Eat", "sharpening as RJ iron"; "Khunzha, sir! The beggars will dwell, and the pre-Maschnya leaned at all. " Kabaniha is considered to be accepted, which requires order, the traditions of the tradition, rituals who have developed in its estate. According to her deepest convincing, the wife must subjugate her husband, to live in fear of resting, as "requires order." She instructs Ti-Hon, who does not understand why Katerina should boas: "How do you follow? Yes, you crushed, or what? You will not be afraid of, and I am suppressed. What kind of order in the house will be? " Kabanova is tightly kept for the order for compliance with the form. Especially clearly it was manifested in the farewell scene with Tikhon. Mother demands that the son for order gave wife's wife: not to tear the mother-in-law, do not sit without a case, so that they did not look at the men. The wife is obliged for a long time and loudly sweep through her husband. Kabaniha does not just observe Domostroevsky standards, she fights for them. At the sight it is piety and dive. But religion for her is only a means to keep in obedience to surrounding ("The whole house ... on deception keeps").

Evil, Head and Liesel - these are the features of the moral Oblik of the "Dark Kingdom".

And how are the other characters of the play relate to the morals of wild and kabani? Kuligin condemns merchants for cruelty, dreams of "total benefits, about universal blaznomination", but these are only dreams. In relationship with self-directions, he considers best to endure and please. Barbara's vital philosophy - "Do what you want, if only all Shito, it was." Kudryash gets around with wild, applies to the setting and finds the opportunity to eat fun and in Wild Environment. Tikhon, the person is addicted, but blessing, under the pressure of the mother lost all the ability to think and live independently.

And only Katerina was able to protest the world of gesture and despotism. Catherine protest, of course, STI-Khiyn. But he in his own way reflected discontent with the general and family inequality, the tyranny of immauls. Dobrolyubov called Katerina "Light Light in the Dark Tsar-Stem." Its suicide, as it were, the unfortunate darkness of the "Dark Kingdom" illuminated on the moment.

A. N. Ostrovsky in the play "Thunderstorm", written by him in 1859, showed the life and morals of the Russian provincial society of that time. He revealed the problems of morality and the disadvantages of this society, which we will try to consider, showing the main features of the self-smuggling of some characters of the play. In this case, it makes sense to take two brightest representatives of society of the Ostrovsky - Wild and Kabani. Considering these characters individually and comparing them, we will be able to identify the main features of the nominities and also some vices and disadvantages.

Very often, the character of the hero can clearly affect the reaction of the surrounding behavior and in replicas relating to it. So happened in this case. Residents of Kalinov talk about wild and bubbanis very often, and it makes it possible to get rich material about them. In a conversation with Kudryash, Shapkin calls a wild "crouther", Kudryash calls him (wild) "piercing man." Kabaniha calls wild "warrior". All this talks about the grims and nervousness of his character, because Shapkin and Kudryash scold him between themselves, not just like that, seeing the wilderness of Boris. Reviews of the boat are also not too flattering. Kuligin calls her "Hangehog" and says that she will wrestle, but at all the home and home. " It characterizes the checkout from a bad side. Further, in my opinion, the idea of \u200b\u200ba person can give it a speech, that is, the usual and specific expressions inherent in this hero. We can see how wild, as if nothing had happened, just can offend a person. He says Boris: "You got! I'm with you and I don't want to speak, with Yezuita. " From this phrase, we see that he is unlimited (he says "with Yezuitis" instead of "with Jesuit"), so he also accompanies his speech by a spit that finally shows him blessing. In general, throughout the platform, we see Him shifting their speech by Branju ("You're still here! What else is the line of water!"), Which shows him extremely rude and unspansy. Take at least an example when he somehow came to the boa in the evening and shouted on her ... Kabaniha in his speech is trying to pretend to be kind and affectionate, although sometimes it discovers the negative traits of her character, such as passion for money. Sometimes the checkout becomes in the pose: "Well, you are not very throat, then dissolve!" - refers to the wilderness.

Acts The same characterizing wild and kabani self-smugness are of particular interest. Wild rich and straightline in his aggressiveness, he performs actions, sometimes causing bewilderment and surprise among others. He is able to offend and beat the man, without giving the money, and then in front of everyone to stand in front of him in the mud, asking for forgiveness. He Buyan, and in the violence it is capable of throwing thunder and lightning on his home, in fear of hiding from him.

Kabaniha, until the absurdity, is blindly predicted with his old traditions, forcing everyone home to dance under her dull. She forces Tikhon to say goodbye to his wife in ancient times, causing laughter and a sense of regret by others.

It remains to notice that both wild and kabaniy are very depressive and religious. Wild, for example, in the thunderstorm sees retribution.

So, we reviewed the main features of the samotors of the heroes. It remains to find out the question: who is wary of them in their life concept and principles? On the one hand, it seems that the wild tearing "E, is stronger and, therefore, worse. But, looking closer, we see that wildly can only shout and buoy. But the terrible and despotic essence of the Kabani are opened before us. She managed to subordinate to themselves , keeps everything under control, it even tries to manage the relationship between people, which leads Katerina to death. Kabaniha Crytra and intelligent, unlike wild, and it makes her more terrible.

So, all of the above, in my opinion, not only shows the main features of the Sami Kabani and Wild, but in general can reflect the problems and disadvantages of Russian society of the time

And ps Mochalova. A great influence on the formation of the worldview of young Ostrovsky was the article VG Belinsky and A.I. Herzen. Already in his first works, Ostrovsky showed himself a follower of the Gogol direction in Russian literature, a supporter of a school of critical realism. His commitment to ideological realistic art, the desire to follow the covenants V.G. Belinsky ...

Nests "," War and Peace "," Cherry Garden ". It is important that the main character of the novel, as it were, opens a whole gallery of" unnecessary people "in Russian literature: Pechorin, Rudin, Oblomov. Analyzing Roman" Eugene Onegin ", Belinsky pointed That at the beginning of the XIX century, the educated nobility was the estate, "in which the progress of Russian society almost exclusively expressed", and that in "Onegin" Pushkin "decided ...

The meaning of the life of the heroine. Katerina enters the conflict not only with the surrounding Feda, but also by itself. In this tragedy of the position of the heroine. If the stage of repentance was completed by drama, it would be shown by the invincibility of the "Dark Kingdom". But the drama is completed by the moral victory of Katerina and above the forces that made her freedom, and the fact that she was thrown by her will and mind. Katerina is solved for suicide. ...

Heroine life. Katerina enters the conflict not only with the environment, but also itself. In this tragedy of the position of the heroine. If the stage of repentance was completed by drama, it would be shown by the invincibility of the "Dark Kingdom". But the drama ends the moral victory of Katerina and above the forces that made her freedom, and over the dark representatives who made her will and mind. Katerina is solved on ...

There is such a crossover like us

Savel Prokofich, look back yet! ..

Good too and kabaniha.

A. Ostrovsky. Storm

In his drama "Thunderstorm", A. N. Ostrovsky brightly and vividly depicted the "Dark Kingdom" of the Russian province, the overwhelming best human feelings and aspirations. The author not only introduced the word "Samodor" into the literature, but also developed a phenomenon itself in artistic form, when people who have power act on arbitrariness, in their whims, not believing with others.

In the drama "Thunderstorm" the phenomenon of the Samodogdom described on the example of the images of "significant persons" of the city of Kalinov - Wild and Kabani.

For a wild main goal in life, the only law is money. Rough, greedy, ignorant, wild boil over every penny. He is the richest man in the city, but he is still not enough, as he is confident that money is power. And this installation allows him to severely exploit people and put himself at the same time above all: "So you know that you are a worm. I want to give me, I will want to give up. " In the accumulation of money, Wildly does not choose funds: the inheritance of nephews is assigned to themselves, mocking themselves over them, shamelessly identifies the poor men working at him: "None of the way will not be different." It acts according to the principle: "I have a lot of people in my years ... I do not surcharge on some kind of a penny for a person, and I have from this thousand are drawn up, so it's good!" Wildly used to think only about himself.

It is not for nothing about this merchant: "He has a whole life on curses." Humanly wildly talking simply: shouting, swears, does not give life to her home. Rough and unceremonious, he is aware of his impunity and therefore often insults the poor and dyeing: "They have to submit me ..." However, before those who are able to disgrace him, in front of strong personalities or in front of people who have more money, wild leaves, retreats . Darkness, blessing, the limitations of the mental horizon - the features that characterize the merchant far from the best side. Kabanich is an agreed protector of the old basics of the life and customs of the "Dark Kingdom". Conservatism of views and hatred to the whole of the new one are its distinctive features: "So that's the old one and is displayed. In another house and we do not want to go. And you will wear something, so they stick, yes won soon. What will be how old people will die, as will be the light stand, I do not know. "

Strong, domineering, despotic character of the Kabani, in combination with the most serious attitude towards Domostroevsky orders makes the life of home in her family unbearable. She raised her son in someacter, weak, deprived of independence, slave submissive maternal will. But Kabaniha wants to make it a "master" in his family, whom the wife not only obscures unquestioned, but also afraid. Therefore, it not only suppresses the will of the Son, but also tortured, quit, constantly reproaches the daughter-in-law.

Kabaniha strictly adheres to customs and rituals, many of which are outdated and became ridiculous; For her, the main thing is to comply with the form, despite the fact that living people suffer from her cosupiness and ignorance.

Celebration and hypocrisy are typical features of the Kabani character. She knows how to cover their actions of the mask of humility of God's will: "Hange, sir. The beggars will dwell, and the domestic subsidiary subsided. " However, the religiosity of the Kabani is an external, tribute to tradition.

Unlimited power of wild and ribs stimulates the city, about the life of which Dobrolyubov wrote: "The absence of any law, all logic is the law and the logic of this life."

Often we and today we meet with self-directions in life. They can be distinguished by the fact that "Samodor is all aiming to prove that no one is decree and that he wants, he will do." I think that the only remedy for the fight against Samodoria is the development of the internal qualities of each person, the revival of true culture in his own heart.

The premiere of "thunderstorms" took place on December 2, 1859 in the Alexandrinsky Theater in St. Petersburg. Present on the performance of A.A. Grigoriev recalled: "This is what the people say! .. I thought, leaving the lodges in the corridor after the third action" Thunderstorm "ending the explosion ...

The action of the drama "Thunderstorm" occurs in the provincial city of Kalinov, located on the banks of the Volga. Residents of Kalinov live like that closed and alien public interests, which characterized the lifesty of deaf provincial towns in the old, pre-reform ...

The name of the drama of the island "thunderstorm" plays a big role in the understanding of this play. The image of the thunderstorm in the island drama is unusually complicated and multivarid. On the one hand, the thunderstorm is a direct participant of the play, on the other hand, the symbol of the idea of \u200b\u200bthis work ....

A. N. Ostrovsky is rightfully considered a singer of a merchant environment, the father of the Russian household drama, the Russian theater. Its Peru belongs to about 60 pieces, of which are the most famous, such as "Dusty", "Late Love", "Forest", "on every sage is pretty ...

Such a crossover, as we have Savel Prokofich, look yet! .. Good too and kabaniha. A. Ostrovsky. Thunderstorm in his drama "Thunderstorm" A. N. Ostrovsky brightly and vividly depicted the "Dark Kingdom" of the Russian province, the overwhelming best human feelings and aspirations. The author not only introduced the word "Samodor" into the literature, but also developed a phenomenon itself in artistic form, when people who have power act on arbitrariness, in their whims, not believing with others. In the drama "Thunderstorm" the phenomenon of the Samodogdom described on the example of the images of "significant persons" of the city of Kalinov - Wild and Kabani. For a wild main goal in life, the only law is money. Rough, greedy, ignorant, wild boil over every penny. He is the richest man in the city, but he is still not enough, as he is confident that money is power. And this installation allows him to severely exploit people and put himself at the same time above all: "So you know that you are a worm. I want to give me, I will want to give up. " In the accumulation of money, Wildly does not choose funds: the inheritance of nephews is assigned to themselves, mocking themselves over them, shamelessly identifies the poor men working at him: "None of the way will not be different." It acts according to the principle: "I have a lot of people in my years ... I do not surcharge on some kind of a penny for a person, and I have from this thousand are drawn up, so it's good!" Wildly used to think only about himself. It is not for nothing about this merchant: "He has a whole life on curses." Humanly wildly talking simply: shouting, swears, does not give life to her home. Rough and unceremonious, he is aware of his impunity and therefore often insults the poor and dyeing: "They have to submit me ..." However, before those who are able to disgrace him, in front of strong personalities or in front of people who have more money, wild leaves, retreats . Darkness, blessing, limited mental horizon - features, characterizing the merchant far from the best side. Kabanya is the same as an agreed protector of the old basics of life and the customs of the "Dark Kingdom". Conservatism of views and hatred to the whole of the new one are its distinctive features: "So that's the old one and is displayed. In another house and we do not want to go. And you will wear something, so they stick, yes won soon. What will be how old people will die, as will be the light stand, I do not know. " Strong, domineering, despotic character of the Kabani, in combination with the most serious attitude towards Domostroevsky orders makes the life of home in her family unbearable. She raised her son in someacter, weak, deprived of independence, slave submissive maternal will. But Kabaniha wants to make it a "master" in his family, whom the wife not only obscures unquestioned, but also afraid. Therefore, it not only suppresses the will of the Son, but also tortured, quit, constantly reproaches the daughter-in-law. Kabaniha strictly adheres to customs and rituals, many of which are outdated and became ridiculous; For her, the main thing is to comply with the form, despite the fact that living people suffer from her cosupiness and ignorance. Celebration and hypocrisy are typical features of the Kabani character. She knows how to cover their actions of the mask of humility of God's will: "Hange, sir. The beggars will dwell, and the domestic subsidiary subsided. " However, the religiosity of the Kabani is an external, tribute to tradition. Unlimited power of wild and ribs stimulates the city, about the life of which Dobrolyubov wrote: "The absence of any law, all logic is the law and the logic of this life." Often we and today we meet with self-directions in life. They can be distinguished by the fact that "Samodor is all aiming to prove that no one is decree and that he wants, he will do." I think that the only remedy for the fight against Samodoria is the development of the internal qualities of each person, the revival of true culture in his own heart.

1. Realism of the drama "Thunderstorm".

2. Portrait of Saveel Prokofievich Wild.

3. Kabaniha - the head of the "Dark Kingdom".

4. Completion of power Samoram and ignorance in Drama A. N. Ostrovsky "Thunderstorm"

The idea of \u200b\u200bcreating the drama "Thunderstorm" appeared at Alexander Nikolayevich Ostrovsky in 1859 after a long journey through Volzhsky cities. It is considered that the prototype of the main character of this play - Katerina Kabanova - became a real woman, Alexander Klykov. The history of her life was very similar to the fate of Katerina. Interest is the fact that the Ostrovsky has completed his work about a month before Klyovki was drowned in the Volga, without preparing the mockery of his relatives. This circumstance is definitely indicating that the author is very bright and realistically showed a strict conflict in the drama "thunderstorm", which occurs between different generations in one merchant family.

Samodor and ignorance in Drama A. N. Ostrovsky "Thunderstorm" Showing the author with the help of two very bright images - Saveel Prokofievich Wild and Marfa Ignatievna Kabanova ("Kabanihi"), the mother-in-law of the main heroine.

Wild is one of the typical representatives of the provincial rich merchants. This is a person who has certain rights in the city and considering that he is permitted if not all, then much. This circumstance shows the following statement:

Kuligin. For what, sir, Savel Prokofievich, an honest person to offend?

Wild Report, what, I will give you! I and I do not give you anything to anyone ...

Next, Ostrovsky points out that Samodorum, unworthy behavior of wild - not at all vicious quality, but the natural property of his "hot-willed heart." The trouble Saveel Prokofievich is that he does not attend any attempts to curb his indomitable temper, and therefore he does not recognize everything that he wants.

The surrounding people perceive Savel Prokofievich ambiguously. For example, Kuligin claims that the wildlife should be in all, so as not to run into rudeness, but Kudryash is quite reasonably objects to him: "... Who cares him if he has a whole life on the crown? And most of all because of money; Not a single calculation without breaking ... ".

But no capital, no funds can consolidate the enrichment of the spiritual life of wild. Despite unshakable conviction in his own right, he quickly presses the tail, facing the will of the case with a more significant person. At the same time, he is not alien to self-criticism at all: for example, screeching during the great post on nothing in anything that he brought firewood, he publicly apologized to offended, so as not to take a soul. But this "kind" deed is only another fad of a rich self-director, and not sincere repentance.

The life of Savel Prokofievich was built around money, capital - in his opinion, everything is good can be bought, and the money "just so" should be given only in exceptional cases. He himself speaks directly about it: "I will give I will give, and wrap."

Unlike Wild Marf, Ignatievna Kabanova, which surrounding the "Kabani", adheres to the established norms of the old morality, more precisely, its worst side. Observing the rules and laws of "Domostroja", it sewers only those who are beneficial to it, not paying attention to the rest. Unfortunately, it does not comply with the most important, key law - it is impossible to condemn the people who accidentally sinned, one must first of all think about their own sorts and take care of it. Kabanikha also finds negative sides in everything - even at the time of farewell to Katerina with her husband, leaving for business at the bottom of the week, unreleased mother-in-law finds a reason for the sophisticated look: "What are you hanging on the neck, shamelessness! 11e with a lover forgive! He is your husband, chapter! Al Order Do you know? On the legs bow! " At the same time, to the son of Marf Ignatievna treats too severely, imposing his m. Great, without giving him to live independently.

Perhaps such despotism, the desire for endless power over households and were not the main feature of the character of Kabanova. She tried to maintain a strict in the house with all their might, not only the economy, but also by human relationships. Unfortunately, by virtue of his ignorance, it is not able to delicately resolve emerging conflicts, its dictatorship even more exacerbating the inclined setting. I do not know how to learn how to study it in your own mistakes.

The tragic diversion of the drama "Thunderstorm" is the suicide of Katerina, tired of the permanent beckarism, emotional stress, constant excuses due to fictional limits and "incorrect" actions. This is not just a departure from the puffy life, but above all the unconscious challenge of that force Samoram and ignorancewhich rules the world around the world, protest against the imposed fake "morality". And even a scored, depressed Mother of Katerina's husband - Tikhon - understands it. Being bending over the body of a skewer spouse, he says: "Good to you, Katya! And I - why remained living in the world and to suffer! " He begins to understand the viciousness and insincerity of the relationship reigning in his family, but his soft, blessing nature does not allow him to decide a serious act, to overdue psychological pressure.

Tikhon's words give us to understand that life in the "Dark Kingdom", where Samodor and ignorance rule, worse than death. Otherwise, can living people envy the left, especially suicides (after all, according to the laws of the Orthodox Church, the voluntary "escape" from life is one of the greatest sins)? And the very existence of this vicious circle is nearing completion. A normal person cannot exist in the atmosphere of the oppression, offended, ignorance and fake morality, which means that the liberation from the power of the Kabani and her like.

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