"Eternal sunlight in music - the name of you Mozart! "Sunny composer.

We present a list of 10 composers you need to know. You can say about each of them with confidence that he is the greatest composer who ever was, although it is not really impossible, and it is impossible to compare the music written over several centuries. However, all these composers stand out among their contemporaries as composers who composed the music of the highest level and sought to push the boundaries of classical music to the new limit. The list does not contain any order, such as significance or personal preferences. Just 10 great composers you need to know.

Each composer accompanies decent citation fact of his life, remembering which you will be similar to the expert. And by clicking on the link on the surname, learn his full biography. And of course, you can listen to one of the significant works of each wizard.

The most important figure of world classical music. One of the most executable and respected composers in the world. He worked in all the genres existing ones in his time, including opera, ballet, music for dramatic performances, choral essays. The most significant in his heritage is considered tool works: piano, violin and cellular sonatas, concerts for piano, for violin, quartets, overtures, symphonies. The founder of the romantic period in classical music.

Interesting fact.

His third symphony (1804) Beethoven first wanted to devote to Napoleon, the composer was passionate about the personality of this man who had a real hero at the beginning of his reign. But when Napoleon proclaimed himself with the emperor, Beethoven crossed his dedication on the title page and wrote only one word - "heroic".

"Moonlight Sonata" L. Bethoven, Listen to:

2. (1685-1750)

German composer and organist, representative of the Baroque era. One of the greatest composers in the history of music. For his life, Bach wrote more than 1000 works. In his work, all significant genres of that time besides the opera; He summarized the achievements of the musical art of the baroque period. The twin is the most famous musical dynasty.

Interesting fact.

During the lifetime, Bach was so underestimated that less than a dozen of his works was printed.

Toccata and Fugue Re Minor I.S. Bach, Listen to:

3. (1756-1791)

The Great Austrian composer, instrumentalist and conductor, a representative of the Vienna classical school, a virtuoso violinist, a cloudist, organist, conductor, he possessed a phenomenal musical hearing, memory and ability to improvisation. As a composer who succeeded in any genre, he is rightfully considered one of the greatest composers in the history of classical music.

Interesting fact.

While as a child, Mozart remembered and recorded Miserere (Cat. Chanting on the text of the 50th Psalm David) Italian Grigorio Allegri, listening to it only once.

"Little Night Serenade" V.A. Motsarta, Listen:

4. (1813-1883)

German composer, conductor, playwright, philosopher. I had a significant impact on the European Culture of the 19th-XX centuries, especially modernism. Wagner's operas are shocked by their ambitious scales and eternal human values.

Interesting fact.

Wagner took part in a failed revolution of 1848-1849 in Germany and was forced to hide from the arrest of Ferinets Sheet.

"Flight Walquer" from the opera R. Vagner "Valkyrie",listen

5. (1840-1893)

Italian composer, central figure of the Italian opera school. Verdi has a sense of scene, temperament and impeccable skill. He did not deny the opera traditions (unlike Wagner), and on the contrary, they developed them (the traditions of the Italian opera), he transformed the Italian opera, filled it with realism, gave her the unity of the whole.

Interesting fact.

Verdi was an Italian nationalist and was elected in the first Italian parliament in 1860, after the independence of Italy from Austria.

Overture to opera D.verdi "Traviata", Listen to:

7. Igor Fedorovich Stravinsky (1882-1971)

Russian (American - after emigration) composer, conductor, pianist. One of the most significant composers of the twentieth century. The work of Stravinsky is one throughout his career, although in different periods the style of his works was different, but remained the rod and Russian roots, which were manifested in all his works, they are among the leading innovators of the twentieth century. Its innovative use of rhythm and harmony inspired and inspires many musicians, and not only in classical music.

Interesting fact.

During World War I, the Roman customs officers confiscated a portrait of Stravinsky, created by Pablo Picasso, when the composer was leaving from Italy. The portrait was written in a futuristic manner and customs officers took these mugs and lines for some encrypted secret materials.

Suite from Ballet I.F. Sadvinsky "Fire Bird", Listen to:

8. Johann Strauss (1825-1899)

Austrian composer of light music, conductor and violinist. "King Waltz", he worked in the genre of dance music and operetta. In his musical heritage of more than 500 waltz, poles, cadry and other types of dance music, as well as several operetta and ballets. Thanks to him, Waltz became unusually popular in Vienna in the 19th century.

Interesting fact.

The father of Johann Strauss is also Johann and also a famous musician, so the King Waltz is called the younger or son, his brothers Joseph and Eduard were also famous composers.

Waltz I.Shtraus "On Beautiful Blue Danube", Listen:

9. Sergei Vasilyevich Rahmaninov (1873-1943)

Austrian composer, one of the prominent representatives of the Vienna Classical Music School and one of the founders of romanticism in music. For its short life, Schubert made a significant contribution to orchestral, chamber and piano music, which influenced the whole generation of composers. However, his brightest contribution was to the development of German romances, which he created more than 600.

Interesting fact.

Schubert friends and colleagues Musicians gathered together and performed the music of Schubert. These meetings were called "Schubertiads" (Schubertiads). Some first fan club!

"Ave Maria" F.P. Shubert, Listen:

Continuing the topic of great composers you need to know the new material.

"Eternal sunlight in music - the name of you Mozart!"

1. Acquaintance with the work of V. A. Mozart.
2. Determining the most important style features of the composer's creativity (the predominance of bright, joyful moods, lively melodies) on the example of a "little night serenade".

Music material:

1. V. A. Mozart. Little night serenade. IV part. Fragment (hearing);
2. V. A. Mozart, Russian Text A. Leukina. "Magic bells". Choir's fragment "Listen to how the sounds crystally clean" from the Opera "Magic Flute" (singing, game on children's musical instruments)

Feature activities:

1. Connect the connection between the character of the melody and the nature of the content of the musical work.
2. Compare the characters of the melodies in the musical works of different composers.
3. Play for children's musical instruments

Wolfgang Amadeus Mozart was born and lived in Austria, but his music knows and loves the whole world. This music is full of light, joy and beauty. Probably, therefore, the Russian composer Anton Rubinstein called Mozarthe Helios - the God of the Sun.

The fate of Mozart was amazing. Many of you probably heard the expression "talented, like Mozart." So they say when they want to say about a person an unusually gifted and outstanding. Mozart lived only 36 years. But he managed to create a lot of musical works - 50 symphonies, 19 operas, sonata, songs and other works of various genres.

In those days, when there was no electricity, neither radio, no television, no computers, people went on horseback or in caters, wore white powdered wigs, men went to camolars and lace pantals, and women in beautiful long dresses, precisely In those distant times lived and worked Wolfgang Amadeus Mozart.

Wolfgang's father, Leopold Mozart, was a court musician of the city of Salzburg, gave music lessons.

The unusual talent of the boy manifested itself very early. Already at 3 years, he found an amazing and stubborn interest in music: barely hearing the sounds, Wolfgang threw all the fun and rushed towards them.

The baby could listen for hours, how does Nannerl's sister engaged in the clussea sister. It was difficult to tear off the tool: pressing the keys, the child for a long time, carefully listened, noisily rejoicing when he found his consonance to him, then he began to pick up the motives of his songs to him, entire excerpts from the heard plays.

Once a three-year-old Wolfe approached the tool and hit the keys with both palms. I heard a sharp shrill sound! The baby in horror closed her ears and ... lost consciousness. After this incident, he referred to a tool with great caution as a living essence, which has magical properties. He spoke to him, stroked him, he listened to every sound for a long time and was noisily rejoiced when there was harmonious consonance.

Making sure that the baby's son would go to the music, his father decided to slowly start classes with him.

When Wolfgang was six years old, the whole family of Mozart went to Munich. Kurfürste Munich listened to the performance of Wolfgang and his sisters Nannerl and praised them. After that, returning home, young virtuosos began to make music even more prigitive, and in the fall of 1862 children performed in Vienna in front of the imperial courtyard.

The Mozartov family visited all the largest cities of Europe - Paris, London, Geneva, Amsterdam. The trip lasted four years and turned into a triumphal march.

So began the difficult creative path of the Great Composer. Already the child Mozart worked a lot.

A small virtuoso performer in a white wig with a pigtail and in a heavy semitting golden camsole, a presented boy at the imperial courtyard, looked a funny doll. Still would!

A child who masterfully owns the tool! Hurry to see! Hurry to hear! Little musician will play on the clusses on notes! And in memory! With closed eyes! And with a closed scarf keyboard! Two hands! One hand! And one finger! Give any note, called from the public ... will play any unfamiliar works from the leaf ... And his musical improvisation on any topics are simply unique ... Hurry up! Hurry up ...

Mozart children's concerts continued for 4-5 hours and caused a storm of surprise and admiration. Especially struck by the Wolfgang program. Little virtuoso played on the clasesis, violin and organ. He improvised the musical works on a given topic, strangers played with the go. You will not say anything - real welderkind, i.e. gifted child.

Little Wolfgang Amadeus Mozart was a sunny boy. He almost always smiled, like a gentle spring sun. Because music lived in it ... Heavenly, sunny, joyful music! The music filled all his being. The music was his breathing. The music was his vision. The music was his hearing.

Listen to one of the most adorable opera passages - choir from the fairy-tale opera "Magic Flute". It is called "Listen, how sounds crystally clean," you will immediately feel ease, the naturalness of the melody. Probably, therefore such music is easily remembered and adults and children.

Do you know which music created by composer V. A. Mozart? We are all familiar with Mozart's music, without even suspecting it.

Listen to the lullaby "Sleep, my joy, a mustache" (sings):

Sleep, my joy, alloy.
The house went out lights.
Birds calmed down in the garden.
Fish fell asleep in the pond.

Monk in the sky glitters
A month in the window looks.
Eyes rather Somni,
Sleep, my joy, alloy!

In the house all subsided for a long time,
In the cellar, in the kitchen dark.
The door none will creak
The mouse is sleeping behind.

Someone sighed behind the wall,
What is your detention?
Eyes rather Somni,
Sleep, my joy, alloy!

Sweet my chick lives.
There is no alarms or hassle.
Widow toys, Slavs,
Widow of cheerful clauses.

All, get hurry,
If only I did not cry the baby.
That would be so there were all days!
Sleep, my joy, alloy.

At one time, this song was the musical screensaver of the television transmission "Good night, kids!". But Mozart wrote her music. But it is not all. Do you know such a children's song (sings):

He lived, her grandmother is a sulfur goat,
That's how, that's how, a sulfur goat,
That's how, that's how, a sulfur goat.

Grandma Kozlika loved very much
Grandma Kozlika loved very much
That's how, that's how, I loved,
That's how, that's how, very loved.

The goat was swollen in the forest to walk,
That's how, that's how, in the forest, walk,
That's how, that's how to walk in the forest.

Attacked goat gray wolves,
That's how, here, like gray wolves,
That's how, here, like gray wolves.

Remained from the goat horns and legs,
That's how, like, horns and legs,
That's how, like, horns and legs.

This song is also music of Mozart. It turns out that Mozart, who lived more than 200 years ago, wrote music to the songs, which in their popularity and longevity broke all the existing world musical records. It turns out that each of us knew them from infancy.

In an extraordinarily musical city, Vienna and at night could be heard that wonderful singing, the game on the violin. Listen to the "Little Night Serenad" Mozart, and you will understand what kind of music is. Even the simplest music was unusually beautiful. After all, I wrote Mozart!

Serenade. Silence, left day heat, is a clear warm evening.
"Serena ... so called warm evening weather. Here at such an evening, "Serenads" - the evening songs of the wounded cavaliers, which they brought under the windows with their beloved. Performed serenades outdoors in small orchestras.

1. Did you like the music of V. A. Mozarta?
2. What kind of music of Mozart did you listen today?
3. Is it possible to distinguish the music of V. A. Mozart from the music of other composers?
4. What does his music characterize? (Joyful beginning, majority, melodiousness, grace.)
5. Recall the names of songs V. A. Mozart.
6. What was the character of music?

The time will pass, but the name of Mozart will still be on the lips of grateful listeners. He is the author of unforgettable musical works. Mozart was sincerely convinced that the music should deliver to people enjoyment, and always followed this to his rule, writing the melodies to which our hearts are opposed to warmth and delight.

Presentation

Included:
1. Presentation, PPSX;
2. Music sounds:
There was a grandmother of a gray kozlik (Pestechka), mp3;
Mozart. Magic bells, mp3;
Mozart. Little night serenade, mp3;
Mozart. Sleep, my joy, alloy , mp3;
3. Accompanying article, DOCX.

From April 22 to April 24, in Moscow and St. Petersburg, under the leadership of Valery, Valery Gergiev, a musical marathon was held, dedicated to the 125th anniversary of the great Russian and Soviet composer Sergey Prokofiev. More precisely, the marathon will last all year and spread over three continents. Khudruki Mariinsky told TASS, as he discovered the music of Prokofiev, why calls him a sunny composer, as well as plans to create a cultural center named after Prokofiev in Nikolina Mountain, where he lived for the last few years.

– Watching you in recent years, I can say that for your own birthdays you, Valery Abisalovich, treat without proper respect, celebrate without Caucasian scope.

- It is not possible to forget to forget, be sure to resemble the approach of the next anniversary, but you are right, I do not see the grounds to arrange noisy walks in your honor on May 2. I understand: this is not the most noticeable event in the history of classical music.

– But memorable dates associated with the life of outstanding Russian composers do not miss. The 175th anniversary of the birth of Tchaikovsky, you celebrated the concert of the Marinki Symphony Orchestra on May 7 last year in the wedge, in the House-Museum of Peter Ilyich.

- And before that, visited Votkinsk, on the Motherland of the Great Tchaikovsky. Within the framework of the Easter festival, three dozen cities drove and everywhere performed the immortal works of the classic. Including on May 7 in the wedge. The concert began at eight in the evening, ended closer to midnight, but I asked permission to go to the house in which Peter Ilyich spent the last years of life. I even allowed to sit at the Piano Tchaikovsky, touch the tool keys. You know, at that moment I felt something special. I try to avoid loud, pathetic phrases, but there definitely there is a certain aura, the bustle of the world does not destroy it, it does not penetrate the walls ...

– This year you decided to hold a musical marathon in honor of Sergey Prokofiev.

- Sports terminology, but I do not know how otherwise it is to call a series of concerts that we started playing not yesterday and finish not tomorrow. The most concentrated segment came on April 22-24, capturing and the birthday of Sergei Sergeevich. For three days we performed all seven symphonies of this sunny composer and many other works. Previously, no one did this, including the Marinki team. But for the sake of Prokofiev, I am ready to become a marathon ...

By the way, for the first time the music of Sergey Sergeyevich sounded in our theater smooth eyelid. In 1916, the premiere of "Scythian Suite" was held, and the author was behind the conductor console.

– Do you call Prokofiev with a sun composer due to the fact that he was born in the village of Santa in the Donbas? But he has so many minor notes ...

- No, not because of geographic coincidences. It seems to me that Sergey Sergeevich heard music through the spectrum of light, bright rays. He is not twilight and not gloomy, though, you are right, there are many night scenes in his operations and ballet. Nevertheless, the incredible energy charge of Prokofiev gives the Sun in it, and not darkness.

– When did you discover it for yourself?

- Very early. I was ten years old, I just started learning to play the piano, and my first teacher Zarema Llalaeva gave me a task to descend a short pre-minor etude Sergey Sergeevich. Of course, I had no idea who he was. I generally understood little, but that etude played with a special feeling and mood. Before that, I was taken for the Sonatas of Mozart, Bach Invention, but the emotions were completely different. And the music of Prokofiev is a bold, tart! He suddenly woke in me inner excitement, hooked and still he does not let go.

It so happened that I was debuted in January 1978 as a conductor in Kirovsky at the same time with Opera Sergei Sergeevich "War and Peace".

By 1991, when the century was celebrated from the birth of Prokofiev, I was already elected the chief conductor of the theater. It must be remembered what it was during: we started a year in one country, and ended in another. The Soviet Union ordered a long time to live, the old world collapsed, the new one was born. The hardest historical strip! Nevertheless, in the 91st, we played the premieres of the three operas of Sergei Sergeevich, two of which - the "player" and the "Fire Angel" - went on our scene for the first time, and the "love for three oranges" was not shown in Leningrad since 1926.

The fact that the Council of Anniversary Prokofiev fell on the epoch layer seems to be symbolic. Sergey Sergeevich was rolling, seeking man. He early, at the age of 13, he entered the St. Petersburg conservatory, soon after the revolution of 1917 he left Russia, successfully worked in the West, he acted as a pianist, wrote music to the ballet masses of Sergei Dyagilev, had brilliant prospects, nevertheless in the mid-30s, On the eve of Big Terror, he decided to return home, where he composed of works in the glory of Stalin and even died with him on the same day - March 5, 1953 ...

– As a result, the country was sobbed by Tyran, and the death of the genius remained in the shadows. Those who accompanied him in Novodevichi carried flowers in pots, others left, everyone disassembled the wreaths of the leader.

- You know, we do not need to worry hard on such reasons. History of history should not become a major emphasis in a conversation about the Giant Figure of Prokofiev's scale. The life of the Great Composer was not interrupted on March 5, his physical care had nothing to do with the effect of the lower curtain.

– Nevertheless, the period of oblivion was. Are you trying to rehabilitate Prokofiev today?

- It seems to me that Sergey Sergeyevich does not need voluntary lawyers and assistants. What we do now are done not only for the sake of it. This is a huge, important part of my life and, more importantly, the entire team of the Mariinsky Theater.

– April 23, on the birthday of Prokofiev, in the concert hall of the Mariinsky, you performed Cantatat "to the twentieth anniversary of October." Not a strange choice?

- Absolutely no! This is a grand work. Revolutionary, bold! It is not inferior to the best symphony and ballet men Sergei Sergeevich, but it sounds extremely rare.

– Still would! Cantata is built on quotations from Marx, Engels, Lenin and Stalin.

- All begins with Feyerbach, and then - yes, the classics of Marxism-Leninism goes in full, even an extended composition ... I will say Kramol thought: I'm interested in Prokofiev in this company. Interested in so much that for the sake of him is ready to re-read the works of all four.

– Including Joseph Vissarionovich?

- If you need to understand Made by Sergey Sergeyevich.

– He also wrote a "toast" to the 60th anniversary of Stalin. Want to like it?

- It was not a conjuncture or desire to please. Cantata is very bright, talented, fully demonstrating the composer gift, equipment and art craftsmanship. This time we did not fulfill her, but at one time played in New York with Cantata "to the twentieth anniversary of October." This caused a rapid reaction of the overseas critics, I got tight from them to nuts. The New York Times devoted to the analysis of our speech a whole newspaper page.

– Was it when it was?

- In 1996. Americans carelessly entrusted me the opening of a new musical festival in Lincoln Center. The organizers wanted to hear anything interesting, original. I thought not at all for a long time ...

– How do you think Prokofiev regretted that he returned to the USSR in 1936?

- Hard to say. He chose a sophisticated fate, as a result, a lot and lost, and acquired. Stupid now, after decades, trying to evaluate the pros and cons. I do not think that someone knows the truth and can speak from someone else's name. Even the younger son of Prokofiev and my friend Oleg Sergeevich, unfortunately, untimely departed in 1997, did not take anything to say. For the past years, half of his life, we talked tightly, and I cautiously, but I strongly raised the topic: did Prokofiev, deciding to return? Oleg Sergeevich could not give an unequivocal answer. In their lives, it was so much tragic ...

It is enough to remember that the first wife of Sergei Sergeyevich Lina, the mother of Oleg and Svyatoslav, in 1948 they referred to the Mordovian camps.

– Spaniard, who arrived after her husband in someone else's country and left them here for another woman, spent eight years in the gulag ...

- Yes, a terrible story. The sons everyone knew and understood, it would certainly put a fingerprint on their attitude to the father. Of course, returning to Russia, Prokofiev could not foresee a family drama, nor that a few years will begin the war, and he will have to go to evacuation. To reinforce Liphethet in some prosperous Switzerland, it would be calmer, but, apparently, something prompted Sergey Sergeevich: in Moscow and Leningrad he has more opportunities to be realized than in New York or Paris.

– Maybe he was tired of coming with Stravinsky and Rakhmaninov, who were better accepted in Europe and America?

- You know, everything is relative. The same Dyagilev first sympathized by Prokofiev, then turned in the direction of Stravinsky ... He could consciously plunge peppers, which would be a competitive spirit between the two talented composers. Not everyone agrees with me, but I am convinced that it is at the end of the 30s, during the war and after the victory of Prokofiev wrote hardly the best essays. Not sure that in the West he would create the 5th and 6th Symphony or the 7th and 8th Sonatata.

Before finally return to the USSR, Sergey Sergeevich came here with large tours. Take it fantastic. "Love for Three Oranges" in the Kirov Theater was so that it could not be not assipted by the author's heart. He survived shock, authentic triumph. I think it has become for Prokofiev a weighty argument, positive emotion in favor of return. I do not insist, but this is my version.

Yes, in Soviet Russia, Sergey Sergeyevich had no former peace of mind, because of the different deryazg, his health was shaken, but he won in creative relationship. It was here that he had excellent performers - Sustrakh, Gilels, Richter, Rostropovich, who perfectly felt what I wanted to express with the help of Prokofiev's notes ...

A mansion is music for the films "Alexander Nevsky" and "Ivan Grozny". The composer connected sincere friendship with Eisenstein. Their meeting was a big luck, a real gift for both. Anyway, as if Rachmaninov did not meet Shalyapin. Bed would happen! And the nuggets found each other ...

– Let's go back to the Prokofievsky marathon. You have already mentioned that he began for you not last weekend ...

- All 2016 we have under the sign of Prokofiev. Already this year we performed his works in a variety of countries - in Cuba, in Chile, Mexico, USA, England, Germany, on trips to the cities of Russia - from Vladivostok and Tomsk to Kemerovo and Ulan-Ude ... Ahead - Easter Festival The music of Sergei Sergeyevich's music, touring China, Switzerland, France, Belgium, Holland, will sound again, will sound again.

All do not list!

– It is clear that you are not waiting for thanks, but if you suggest that Sergey Sergeevich saw your efforts, as you think, would he be a little happier from this?

"It seems to me that he would have thought that he could, and correctly did, returning to Russia, since he was still so appreciated here.

– A year ago, you said that friends bought and gave you a birthday in the launch of Prokofiev in Nikolina Mount. Realtors were going to break the old composer's house and sell the land. This, fortunately, did not happen. Plans to create a cultural center where Prokofiev has lived for the last few years, you have not changed?

- Of course not. I gave the gift of my own charitable foundation. The point is not the one who is formally owned. It is important to preserve the historical and cultural monument. The Foundation had a number of successful projects, his staff had the necessary experience ... so far it did not reach the reconstruction, it is necessary to comply with certain bureaucratic formalities, but, as they say, the process is coming. The house will not be abandoned, that's for sure. Only time is necessary.

– A little knowing you, I can assume that, by completing this marathon race, you will go to the next distance. What?

- I think, the abundance of the music of Prokofiev sounding in Mariyinka does not offend the memory of Tchaikovsky, Glinka, Mussorgsky, Stravinsky, Rakhmaninov, Roman Corsakov ... by September 25 of this year, in other words, to the 110th anniversary of Dmitry Shostakovich, along with his son Maxim, we will prepare Cycle programs. Dmitry Dmitrievich created not so much operas and ballets, in this sense the theater is limited in the choice, but in the symphony he is ahead of the rest of the planet than the Marinka with great pleasure and "enjoys". They played and will play Shostakovich around the world.

So we do not stand still, we continue to move forward.

Conversation Andrei Vendenko

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History

"Kolomna's ether sounds - Kolomna Radio" Fortune. " You can listen to us at a frequency of 102.3 FM and online broadcasting on our website. "

Could we think that the idea of \u200b\u200bcreating a Kolomensky radio can grow into a real project that is entirely obliged by the Site "Radio for Himself." We did not even hope that someday we would go through this shaky stairs "Media" and once suddenly see several types of "licenses" in their hands. Therefore, - sincere thanks to Sergey Komarov, the Director-General of Rash-West Technologies LLC, is its amazing optimism: "Do it - and it will turn out," we inspired us.

Valentina Tereshkova is the first woman-astronaut in the world, we supported us. Evgeny Velikhov, President of the Russian Scientific Center "Kurchatov Institute", Vasily Simakhin, Alexey Pavlinov, Roman Falaleyev, Igor Shahanov - helped create a technical base. Jeaming Ksenia, Prisons of Holy Trinity Novo-Golutvin Monastery, Lyudmila Shvetsov, Elena Kamburova, Gregory Gladkov, Larisa Belogurov, Valery Shalavin, Sergey Stepanov, Vladislav Druzhinin-Director, Leonid Kutsar-actor, Stanislav Fedosov-Actor voiced and voiced by many of our programs . To all of you who participated and participate in the creation of radio "Fortune" our love and gratitude.

Poet Konstantin Balmont somehow called Sergey Prokofiev "Sunny Bogach." Indeed, "Sunshine Prokofiev is diverse, his music is bright, like the sun, warm, like the sun, and the globe covered it, as covered by its sun rays."
The cycle of short piano plays - mumbety - written under the impression of poems Konstantin Balmont. Two lines from his poem were chosen to Prokofiev as an epigraph.

"In every humility I see the worlds.
Full changeable rainbow game. "

"Furiousness"
Visions Fugitives, Op. 22.

"Fragments" of major intentions of the composer, and sometimes simply lyrical retreats from capital work are the twenty-piano miniatures - "Peter's", OR. 22 (1915-1917).
"The first was first described No. 5, the last - No. 19," says Prokofiev, "the order in the collection was established from artistic considerations, and not from chronological.

In the piano creativity of Prokofiev, the cycle of the "Mimicheship", but does not take place, "fleeting" position. Here it is extremely compressed and condensedly embodied the main structure of the composer's musical images in their specifically Prokofiev pianistic expression.

N. Ya. Meakovsky immediately felt the importance of these features:
"Peter's" is a number of small in size, but large on the inner content of the play .., "he wrote. - It's like instant records of minute sentiment, capricious outbreaks of fantasy, moments of sudden spiritual concentration or impressive lyricism; This is a light joke, as if a ray of smiles, then sharp, unexpectedly broken aphorism, then an excited-indulgent gust, then, finally, some kind of restless immersion in otherworldly. The moods are prevailing soft, dreamy, smithered, exquisitely simple, but, thanks to the episodes embodied among them, the whole does not receive the nature of monophony and monotony. ... in "Mimoles" is clearly felt some kind of organic deepening, enrichment of the author's soul; It is felt that the composer has already passed the strip of the rapid - breaking his head - running and begins to suspend, look around, notice that the Universe shows itself not only in stunning vortices, but what is peculiar to it, with constant movement, and the moments of deeply dissolving peace and silence ... ".

The cycle of "Mimoles" can be divided into the nature of the images and sentiments of them in several groups. First of all, - tender, dreamy, sometimes fabulous and invariably truly lyrical. Such are Nos. 1, 2, 8, 16, 17, 18, 20. This is the most nationally pronounced, intonational Russian group of plays.
The lyric orientation of the named "fleece" leads Prokofiev in the future to the "fairy tales of the old grandmother" and other masterpieces of his lyrical gift. Undoubtedly, the lyrical group of plays is the most important part of the cycle in its general value in the work of the composer.

The second group is the skier's plays, perky, sometimes joking humorous. These are Nos. 3, 5, 10, 11. They are saturated with youthful cheerfulness. The world of this kind of images worried the composer always.

And finally, the third group - the plays are sharply expressive, unbridled dynamic, and sometimes dramatic. This is No. 4, 14, 15, 19. They are generated not only by emotions of anxiety, anxiety, conflict. They are very strong and purely visual, and theatrical and effective moments, that is, the fact that in the future will receive its bright development in the dramatic collisions of its opera and ballet scenes.

The remaining cycle numbers are a mansion, allowing the most different shaped and linguistic tasks (for example, "Petering" No. 7, as if imitating the harp).

Looking around the whole look around the whole cycle of plays, you are amazed by their natural truthfulness, ease of statement, the absolute alienity of all the manners, the playing of "deposit" of any sharp and in general "interesting" places. "New simplicity" of this kind of lyrics is felt even in relatively complex, harmonically and rhythm, buildings. It obliges both a peculiar simplicity of interpretation - to restraint and rigor, to avoid even the slightest hint of "obsection", "openness" of emotional impact, performing rhetoric or "pose".

Yes, the cycle of "fleece", without having a common plot and psychological canvas, a certain tonal principle of communication or intonational community, is still a holistic phenomenon. The plays unites not so much of their type and genre, often even quite different, how many single copyright attitude, creative method.
V. Disson
source-http: //www.belcanto.ru/prokofiev_visions.html

In August 1917, Balmont entered the album Sergey Prokofiev "What do you think about the sun" your sonnet:

The child of the gods, Prokofiev

You are the sunny rich. You drink like honey, sunset.
Your wine is dawn. Your consonant, in the choir,
Hurry to take in a hurrying conversation
Colors littered singeling fragrance.
Suddenly in the Golden Stream you wrap the night is glad.
There somewhere far crumbly dawns
Like a thread of pearls, and in the light of their dispute
The darkening grows in the threat of the Garden.
And you, forgetting yourself, but preserved the light
Steppe pick-up, powered in spring
In the flickers of the dream, everything is new, everything is different
With Trestinka, played questions and answers,
And into the sound of your own, taking singing signs,
In the night you play the ball with a silver moon.