Karl Maria von Weber is the founder of German romantic opera. Karl maria von weber

Karl Maria von Weber is the founder of German romantic opera.  Karl maria von weber
Karl Maria von Weber is the founder of German romantic opera. Karl maria von weber

Carl Maria von Weber

In February 1815, Count Karl von Brühl, director of the Berlin Royal Theater, introducing Karl Maria von Weber to the Prussian Chancellor Karl Augustus Prince Gardenburg as conductor of the Berlin Opera, gave him the following recommendation: this man stands out not only as a brilliant “passionate composer, he has full of extensive knowledge in the field of art, poetry and literature, and this differs from most musicians. " Weber's numerous talents cannot be better described.

Karl Maria Friedrich Ernst von Weber was born on November 18, 1786 in Eutin. He was the ninth child of ten children from his father's two marriages. Father - Franz Anton von Weber, no doubt, had musical talent. He began his career as a lieutenant, but even on the battlefield carried a violin with him.

WITH early years Karl was getting used to a constant nomadic life. From childhood he grew up as a sickly, weak boy. He began to walk only at the age of four. Due to physical disabilities, he was more thoughtful and withdrawn than his peers. He learned, in his words, "to live in his own world, in a fantasy world, and to find employment and happiness in it."

His father had long cherished the dream of making at least one of his children an outstanding musician. Mozart's example haunted him.

Thus, from an early age, Karl began to study music with his father and with his stepbrother Fridolin. The irony of fate, but once Fridolin exclaimed in despair: "Karl, it seems you can become anyone, but you will never become a musician."

Karl Maria was apprenticed to the young conductor and composer Johann Peter Geishkel. Since then, training has progressed rapidly. A year later, the family went to Salzburg, and Karl became a student of Michael Haydn. Then he composed his first work, which was published by his father, and received positive feedback in one of the newspapers.

In 1798 his mother died. Carl's sister, Adelaide, took care of Charles. From Austria, the Weber moved to Munich. Here the young man began to take singing lessons from Johann Evangelist Wallishauzez and study composition with local organist Johann Nepomuk Kalher.

Here in Munich Karl wrote his first comic opera The Power of Love and Wine. Unfortunately, she was later lost.

However, the restless nature of his father did not allow the Weber family to stay in one place for a long time. In 1799 they come to the Saxon city of Freiburg. A year later, in November, the premiere of the first youth opera "The Forest Girl" took place here. In November 1801, father and son arrived in Salzburg. Karl again began to study with Michael Haydn. Soon, Weber wrote his third opera, Peter Schmoll and His Neighbors. However, the premiere of the opera in Augsburg did not take place, and Karl Maria went on a concert tour with his father. Even then, thanks to his thin and long fingers, the young man achieved such a technique that at that time was available to only a few.

An attempt to send Karl to study with Joseph Haydn nevertheless failed due to the refusal of the maestro. Therefore, the young man continued his studies with Georg Joseph Vogler. Abbot Vogler supported in young talent interest in folk song and music, first of all to the oriental motives popular at that time, which was reflected later in the work of Weber "Abu Hasan".

However, training in conducting was more important. This allowed Karl to lead the orchestra in the theater in Breslau in 1804. Having not yet reached the age of eighteen, the conductor seated the orchestra members in a new way, intervened in performances, introduced separate rehearsals of the ensemble, as well as dress rehearsals for learning new parts. Weber's reforms were met with controversy, even by the public.

Here Karl had many romances in the theater, among other things, with the prima donna Dietzel. Beautiful life demanded more and more funds, and the young man went into debt.

The son's debts prompted his father to start looking for a source of food, and he began to try himself in copper engraving. Unfortunately, this has become a source of unhappiness. One evening, chilled, Karl took a sip from a wine bottle, not suspecting that his father was keeping nitric acid there. He was rescued by his friend Wilhelm Berner, who urgently called a doctor. Fatal outcome managed to escape, but the young man forever lost his beautiful voice.

His absence was taken advantage of by opponents who quickly liquidated all of his reforms. Without money, pursued by creditors, the young pianist went on tour. Here he was lucky. The maid of honor Brelonde, a lady-in-waiting of the Duchess of Württemberg, was instrumental in introducing him to Eugene Friedrich von Württemberg-Els. Karl Maria took over as music director at Karlsruhe Castle, built in the forests of Upper Silesia. Now he has a lot of time to write. The twenty-year-old composer wrote a concertina for trumpet and two symphonies during the fall of 1806 and the winter of 1807.

But the offensive of the Napoleonic army confused all the cards. Soon Karl was to take the place of the private secretary of Duke Ludwig, one of the three sons of Eugene. This service from the very beginning turned out to be difficult for Weber. The financially struggling duke made Charles the scapegoat more than once.

Three years of riotous life, when Karl Maria often took part in the feasts of his master, ended quite unexpectedly. In 1810 Karl's father came to Stuttgart and brought with him new and considerable debts. It all ended with the fact that, trying to get out of both his own and his father's debts, the composer ended up in jail, however, only for sixteen days. On February 26, 1810, Karl, along with his father, was expelled from Württemberg, but they made him promise to repay the debts.

This event was of great importance to Karl. In his diary, he will write: "Born again."

Per a short time Weber traveled first to Mannheim, then Heidelberg, and finally moved to Darmdstadt. Here Karl got carried away writing... His greatest achievement was the novel Life of a Musician, in which he described the spiritual life of the composer in a cheerful and brilliant manner while composing music. The book was largely autobiographical.

On September 16, 1810, his opera Sylvanas premiered in Frankfurt. The composer's triumph was prevented by a sensational flight to hot-air balloon Madame Blanchard over Frankfurt, eclipsing all other events. The title role in the opera was sung by the young singer Carolina Brandt, who later became his wife. Inspired by success and recognition, Carl Maria started the composition “Abu Hasan” in late autumn. He completed the largest of his instrumental piece S-Dig opus 11.

In February 1811, the composer went on a concert tour. It ended on March 14 in Munich. Karl lingered there, cultural environment Bavarian city he liked. Already on April 5, Heinrich Josef Berman performed a hastily composed clarinet concerto specially for him. “The whole orchestra is crazy and wants concerts from me,” Weber wrote. Even the King of Bavaria Max Joseph ordered two concertos for clarinet and a concert.

Alas, it did not come to other works, because other hobbies occupied Weber, and mainly love.

In January 1812, while in the city of Gotha, Karl Maria felt severe chest pains. From that time on, Weber began to struggle with a fatal disease.

In April, in Berlin, Weber overtook the sad news - at the age of 78, his father died. Now he was left all alone. However, his stay in Berlin did him good. Along with studying with male choirs, correcting and reworking the opera "Sylvanas", he also wrote clavier music. With the big sonata S-Dig, he set foot on new ground. Was born new way virtuoso playing, which influenced the musical art of the entire 19th century. The same applies to his second clavier concerto.

Going on a new tour at the beginning of the next year, Karl longingly recalled: "Everything seems to me a dream: that I left Berlin and left everything that became dear and close to me."

But Weber's tour was suddenly cut short as soon as it began. Karl had just arrived in Prague when he was overwhelmed by the offer to head the local theater. After some hesitation, Weber agreed. He had a rare opportunity to realize his musical ideas, since from the theater director Liebig he received unlimited powers to compose the orchestra. On the other hand, he had real chance get rid of your debts.

Unfortunately, Karl soon fell seriously ill, so much so that he did not leave the apartment for a long time. After recovering a little, he plunged into work. His working day lasted from six in the morning until midnight.

But the Prague crisis was not limited to illness and hard work. The composer could not resist the attempts of rapprochement of flirty theatrical ladies. “It is my misfortune that an eternally young heart beats in my chest,” he sometimes complained.

After new attacks of illness, Weber left for spa treatment and from Bad Liebwerdn often wrote to Caroline Brandt, who became his guardian angel. After numerous quarrels, the lovers finally found mutual agreement.

The liberation of Berlin after Napoleon's Leipzig defeat unexpectedly awakened patriotic feelings in the composer. He composes music for "Luttsov's Wild Hunt" and "Song of the Sword" from Theodor Kerner's collection of poems "Lear and the Sword".

However, he soon fell into depression, caused not only by new attacks of the disease, but also by serious disagreements with Brandt. Weber is inclined to leave Prague, and only a serious illness of the theater director Liebig detained him in the Czech Republic.

On November 19, 181b, a big event took place in the composer's life - he announced his engagement to Caroline Brandt. Inspired, he wrote in a short time two piano sonatas, a large concert duet for claret and piano and several songs.

At the end of 1817, Weber took over as Musical Director of the German Opera in Dresden. Finally, he settled down and not only began to lead a sedentary lifestyle, but also put an end to his increasingly exhausting love affairs forever. On November 4, 1817, he married Caroline Brandt.

In Dresden, Weber wrote his best work, the opera Free Shooter. He first mentioned this opera in a letter to his then fiancée Caroline: "The plot is appropriate, eerie and interesting." However, 1818 was already coming to an end, and work on "Free Shooter" almost did not begin, which is not surprising, because he had 19 orders from his employer - the king.

Carolina was expecting a baby and was not entirely healthy in the last month of pregnancy. After much torment, she gave birth to a girl, and Karl barely had time to fulfill orders. He had barely finished the Mass for the day of the celebration of the royal couple, when a new commission came in - an opera on the theme of the fairy tales "A Thousand and One Nights."

In mid-March, Weber fell ill, and a month later his daughter died. Caroline tried to hide her misfortune from her husband.

Soon she herself became seriously ill. Nevertheless, Carolina recovered much faster than her husband, who fell into such deep depression that he could not write music. Surprisingly, the summer turned out to be productive. Weber wrote extensively in July and August. Only now the work on "Free Shooter" did not advance in any way. The new year, 1820, began again with misfortune - Carolina had a miscarriage. Thanks to his friends, the composer was able to overcome the crisis and on February 22 he began to complete the "Free Shooter". On May 3, Weber was able to proudly declare: “The Hunter's Bride Overture is complete, and with it the whole opera. Honor and praise to the Lord. "

The premiere of the opera took place on June 18, 1821 in Berlin. A triumphant success awaited her. Beethoven said with admiration about the composer: “In general, a gentle person, I never expected this from him! Now Weber has to write operas, only operas, one after the other. "

Meanwhile, Weber's health deteriorated. For the first time, his throat began to bleed.

In 1823, the composer completed work on new opera"Evrianta". He was worried about the low level of the libretto. The premiere of the opera, however, was generally successful. The audience enthusiastically received new job Weber. But the success of the "Free Shooter" could not be repeated.

The disease is progressing rapidly. The composer is haunted by an incessant debilitating cough. In unbearable conditions, he finds strength to work on the opera "Oberon".

On April 1, Oberon premiered at Covent Garden in London. It was an unparalleled triumph for Karl Maria von Weber. The audience even forced him to go on stage - an event that had not happened in the English capital until then.

He died in London on June 5, 1826. The death mask accurately conveys Weber's facial features in some unearthly enlightenment, as if he saw heaven with his last breath.

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Carl Maria Friedrich August (Ernst) von Weber (German Carl Maria von Weber; November 18 or 19, 1786, Eutin - June 5, 1826, London) - German composer, conductor, pianist, music writer, founder of the German romantic opera. Baron Weber was born into the family of a musician and theater entrepreneur, always immersed in various projects. Childhood and adolescence were spent wandering through the cities of Germany together with a small theater troupe of his father, which is why it cannot be said that in his youth he went through a systematic and strict music school... Almost the first piano teacher with whom Weber studied more or less long time, was Johann Peter Heuschkel, then in theory - Michael Haydn, lessons were taken from G. Vogler. 1798 - Weber's first works appeared - small fugues. Then Weber was a student of the organist Kalcher in Munich. Weber later went through the theory of composition more thoroughly with the Abbot Vogler, having companions in the studies of Meyerbeer and Gottfried Weber; at the same time he studied the piano with Franz Lauski. Weber's first stage experience was the opera Die Macht der Liebe und des Weins. Although he wrote a lot in his early youth, his first success fell on his opera Das Waldmädchen (1800). The opera by the 14-year-old composer was performed on many stages in Europe and even in St. Petersburg. Subsequently, Weber reworked this opera, which, under the title "Sylvanas", remained for a long time on many German opera stages.

Having written the opera Peter Schmoll und seine Nachbarn (1802), symphonies, piano sonatas, the cantata "Der erste Ton", the opera "Abu Ghassan" (1811), he conducted the orchestra in different cities and gave concerts.

1804 - worked as a conductor of opera houses (Breslau, Bad Karlsruhe, Stuttgart, Mannheim, Darmstadt, Frankfurt, Munich, Berlin).

1805 - wrote the opera "Rubezal" based on the tale of I. Museus.

1810 - the opera "Sylvanas".

1811 - opera "Abu-Gassan".

1813 - headed Opera theatre in Prague.

1814 - becomes popular after composing warlike songs on the verses of Theodor Kerner: "Lützows wilde Jagd", "Schwertlied" and cantata "Kampf und Sieg" ("Battle and Victory") (1815) on the text of Wollbrook on the occasion of the Battle of Waterloo. The jubilee overture, masses in es and g, and cantatas, which were then written in Dresden, were much less successful.

1817 - headed and until the end of his life directed the German musical theater in Dresden.

1819 - as early as 1810, Weber drew attention to the plot of Freischütz (Free Shooter); but it was only this year that he began to write an opera based on this subject, processed by Johann Friedrich Kind. Freischütz, staged in Berlin in 1821 under the direction of the author, caused a positive sensation, and Weber's fame reached its climax. “Our shooter hit right on target,” Weber wrote to librettist Kindu. Beethoven, surprised by Weber's work, said that he did not expect this from such a gentle person and that Weber should write one opera after another.

Before Freischütz in the same year, Wolf's Preziosa, with music by Weber, was staged.

In 1821 he gave lessons in composition theory to Julius Benedict, to whom Queen Victoria, for his talent, would later grant a title of nobility.

1822 - at the suggestion of the Vienna Opera, the composer wrote Euryante (at 18 months old). But the success of the opera was no longer as brilliant as that of Freischütz.

Weber's last work was Oberon, for which he traveled to London and died at the home of conductor George Smart shortly after the premiere.

Weber is justly considered a purely Germanic composer who deeply understood the warehouse national music and brought the German melody to high artistic perfection. Throughout his career, he remained faithful to the national direction, and in his operas lies the foundation on which Wagner built Tannhäuser and Lohengrin. Especially in "Evriante" it is precisely that musical atmosphere, which he feels in the works of Wagner of the middle period. Weber is a brilliant representative of the romantic operatic movement, which in the twenties 19th century was in such power, and which at a later time found a follower in Wagner.

Weber's talent is in full swing in his last three operas: The Magic Arrow, Euryante and Oberone. It is extremely varied. Dramatic moments, loving, subtle features of musical expression, a fantastic element - everything was accessible to the composer's wide talent. The most varied images are outlined by this music poet with great sensitivity, rare expression, with great melody. A patriot at heart, he not only developed folk melodies, but also created his own in a purely folk spirit. Occasionally, his vocal melody at a fast pace suffers from some instrumentality: it is as if it was written not for the voice, but for an instrument for which technical difficulties are more accessible. As a symphonist, Weber mastered the orchestral palette to perfection. His orchestral painting is full of imagination and distinctive flavor. Weber is primarily an opera composer; symphonic works, written by him for the concert stage, are far inferior to his opera overtures. In the field of song and instrumental chamber music, namely, piano compositions, this composer left remarkable samples.

Weber also owns the unfinished opera Three Pintos (1821, completed by G. Mahler in 1888).

1861 - A monument was erected to Weber in Dresden, by Ernst Ritschel.

Max Weber, his son, wrote a biography of his famous father.

Emil Maximilian Weber(Max Weber is German. Max weber; (April 21, 1864 - June 14, 1920) - German sociologist, historian and economist. Elder brother of Alfred Weber.

In 1892-1894, assistant professor, and then extraordinary professor in Berlin, in 1894-1896, professor of national economy at Freiburg, from 1896 at Heidelberg, from 1919 at the University of Munich. One of the founders of "German sociological society"(1909). Since 1918 Professor of National Economy in Vienna. In 1919 - advisor to the German delegation at the Versailles negotiations.

Weber made significant contributions to such areas of social knowledge as general sociology, methodology of social cognition, political sociology, sociology of law, sociology of religion, economic sociology, and the theory of capitalism. Weber called his concept "understanding sociology." Sociology analyzes social action and tries to explain its cause. Understanding means cognition of social action through its subjectively implied meaning, i.e. the meaning that the subject himself puts into the given action. Therefore, all the variety of ideas and worldviews that regulate human activity are reflected in sociology, i.e. all the diversity of human culture.

Unlike his contemporaries, Weber did not strive to build sociology on the model of the natural sciences, referring it to the humanities, in its terms, to the sciences of culture, which, both by methodology and by subject, constitute an autonomous field of knowledge. The main categories of understanding sociology are behavior, action, and social action. Behavior is the most general category of activity, which becomes an action if the actor connects with a subjective meaning. Social action can be said when the action is correlated with the actions of other people and is oriented towards them. Combinations of social actions form "semantic connections", on the basis of which social relations and institutions are formed. The result of understanding according to Weber is a hypothesis high degree probability, which must then be confirmed by objective scientific methods.

Weber identifies four types of social action:

    goal-rational- when objects or people are treated as means to achieve their own rational goals;

    value-rational- the value of a certain action is determined by a conscious faith, regardless of its success;

    affective- determined by emotions;

    traditional- determined by tradition or habit

Social attitude according to Weber is a system of social actions, social relations include such concepts as struggle, love, friendship, competition, exchange, etc. Social attitude, perceived by an individual as obligatory, acquires the status of a lawful social order. In accordance with the types of social actions, four types of legal (legitimate) order are distinguished: traditional, affective, value-rational and legal.

Weber's method of sociology is determined, in addition to the concept of understanding, by the teaching of the offensive type, as well as by the postulate of freedom of value judgments. The ideal type according to Weber captures the "cultural meaning" of a particular phenomenon, and the ideal type becomes a heuristic hypothesis capable of ordering the diversity of historical material without reference to some predetermined scheme.

Regarding the principle of freedom of value judgments, Weber distinguishes two problems: the problem of freedom of value judgments in a strict sense and the problem of the relationship between knowledge and value. In the first case, one should strictly distinguish between established facts and their assessment of the researcher's worldview positions. Secondly, we are talking about the theoretical problem of analyzing the connectivity of any cognition by the scenarios of the knower, i.e. the problem of the interdependence of science and the cultural context.

Weber puts forward the concept “ cognitive interest", Which determines the choice and method of studying the empirical object in each specific case, and the concept of" value idea ", which is determined by a specific way of seeing the world in the given cultural context... In the "sciences of occulture" this problem is of particular importance, since in this case, values ​​act as necessary condition the possibility of the existence of such sciences: we, existing in a certain culture, cannot study the world, underestimating it and giving it meaning. In this case, therefore, we are talking about the non-subjective predilections of one or another scientist, but first of all about the “spirit of the times” of a particular culture: it is he who plays a key role in the formation of “value ideas”.

These theoretical postulates allow Weber to interpret the sociology of economics in a "cultural" way. Weber distinguishes two ideally typical organizations of economic behavior: traditional and rational. The first exists from antiquity, the second develops in the New Time. Overcoming traditionalism is associated with the development of modern rational capitalist economy which assumes the presence certain types social relations and certain forms of social order.

Analyzing these forms, Weber comes to two conclusions: the ideal type of capitalism is described as the triumph of rationality in all spheres of economic life, and such a development cannot be explained solely by economic reasons. In the latter case, Weber argues with Marxism. In his work "Protestant ethics and the spirit of capitalism" Weber tries to explain the genesis of modern capitalism, linking this problem with the sociology of religion, in particular Protestantism. He sees the connection between the code of ethics of Protestant religions and the spirit of the capitalist economy based on the ideal entrepreneur-rationalist. In Protestantism, in contrast to Catholicism, the emphasis is on non-study of dogma, non-moral practice, expressed in the worldly service of a person, in the fulfillment of his worldly duty. This is what Weber called "worldly asceticism." The parallels between the Protestant emphasis on Namir service and the ideal of capitalist rationality allowed Weber to link the Reformation and the rise of capitalism: Protestantism stimulated the emergence of capitalist-specific forms of behavior in the household of their economic life. Minimization of dogmatics and ritual, rationalization of life in Protestantism according to Weber became part of the process of "disenchanting the world", begun by the Hebrew prophets and ancient Greek scientists and leading to the culmination of the modern capitalist world. This process is associated with the liberation of a person from magical superstitions, the autonomy of the individual, faith in scientific progress and rational cognition.

In the sociology of power, Weber also follows his own method. Accordingly, three types of legitimation of power (domination) are distinguished: 1) rational, based on the legitimacy of the existing order and the legal right to give orders; 2) traditional, based on faith in the sanctity of traditions and the right to rule those who received power in accordance with this tradition; 3) charismatic, based on a belief in supernatural holiness, heroism or some other dignity of the ruler and his power. In this context, Weber's theory of a rational bureaucracy associated with the first type of power is formulated. In his analysis of democracy, Weber formulates the presence of two types of this type of government: "plebiscite leader democracy" and various forms of "democracy without a leader", the purpose of which is to reduce to a minimum direct forms of human domination by developing rational forms of representation, collegiality and separation of powers.

according to Wikipedia - the free Encyclopedia

The founder of romantic opera, an outstanding German composer, pianist and conductor, Karl Maria von Weber was born on November 19, 1786 in the small town of Eutin, in the family of an experienced musician, violinist and theater company director. The childhood of the future composer, as the biography of Karl Maria von Weber says, passed in the atmosphere of a theater, with which the large family constantly moved around the cities of Germany. Moving from place to place, parents everywhere hired new teachers for their children, providing their offspring with a decent education. The ninth son of the Weberians, Karl Maria, was a very weak and sickly child, which left its mark on the formation of his psychological portrait, the boy was thoughtful, withdrawn and detached from the world around him.

Stopping in Salzburg, the father gave his son, under whose patronage the boy composed a trial musical composition, by the way, approved by one of the local newspapers. After the death of his mother in 1798, the family moved to Munich, and already in 1804, the young man wrote his first opera, The Power of Love and Wine, the premiere of which had considerable audience success. As evidenced by the biography of Weber, very young, but extremely talented musician immediately got a place as a conductor in the theater orchestra of the city of Breslau, having subjected him to a cardinal reformation in his vision. Weber's independent life was filled not only with the delight of the audience, but also with success with women, novels with whom followed one after another. Stormy love romance demanded large expenses, which, with a heavy burden of debt, fell on the shoulders of the young rake's father.

Carl Maria, pursued by creditors, urgently went on tour as a pianist. A chance meeting with a new patroness, a certain lady of the court and a duchess, determined the future fate of the composer. Weber was promoted to music director in one of the castle orchestras in Upper Silesia, where during the autumn-winter 1806-07 he wrote two wonderful symphonies and concertina for trumpet. During Napoleon's advance, Karl Maria became the private secretary of the duke's eldest son, actively participating in the latter's riotous life. True, already in 1810 the composer was arrested for debts and, after sixteen days of imprisonment, expelled from Württemberg. All his misadventures, falls and ups, Karl Maria described in the fascinating book "The Life of a Musician", which commemorated writing Weber.

In 1811, the composer went on another musical tour, staying for a long time in Munich, where he not only worked fruitfully, but also again mired in love interests. After the death of his father in 1812, Weber went to Prague, where he headed the local theater. The young talented musician received unlimited powers to compose the orchestra and a real opportunity to finally get rid of the burden of debt. Unfortunately, it was at this time that the composer showed the first symptoms of a serious pulmonary disease, which, however, did not prevent him from working hard and starting fleeting romances with theatrical coquettes. Only in 1817, Weber settled down, married his longtime passion Caroline Brandt and headed German opera in Dresden. True, the composer was not lucky with the heirs: the first daughter lived only a few months, and a year later, his wife had a miscarriage.

Thanks to the moral support of close friends, the musician managed to overcome depression and finish writing his wonderful opera "Free Shooter", which was highly appreciated by the public, music critics and such a venerable composer as. The further creative path of Karl Maria von Weber, despite the maestro's debilitating illness, was replenished with new masterpieces classical music, among which an honorable place is occupied by the opera "Oberon", which was staged with triumph on the stage of the famous London "Covent Garden". The remarkable composer died on June 5, 1826.

Maximilian Karl Emil Weber (1864-1920) - German scientist, philosopher, political economist, sociologist, historian. He is the founder of sociological science and one of the founders of the liberal German Democratic Party.

Parents

Maximilian was born on April 21, 1864 in the German city of Erfurt (Thuringia). The family in which the first child was born was rich and bourgeois. In total, the Weber had seven children.

The paternal grandfather was engaged in large-scale industry, amassed a fortune in the textile trade. The father of the family, Max Weber Sr., was a cheerful and very active person, worked on public service, was a member of the National Liberal Party. He had great respect for chauvinism and was an ardent admirer of Bismarck. Several times from the national liberals he was elected to the post of deputy of the Prussian Landtag. And later he was elected to the imperial parliament - the Reichstag, where he led the liberal faction.

The maternal grandfather was a wealthy merchant with Anglo-German roots. His wife came from a French Huguenot family. In their family, the mother of the future philosopher Helena Fallenstein was born; she was a deeply religious and very strict woman. Her famous ancestor Generalissimo Albrecht von Fallenstein fiercely defended catholic faith... Elena, unlike him, led an ascetic lifestyle and was a supporter of Calvinism, never in her life did she retreat from her moral principles.

The Weber and Fallenstein families, together with their kindred clans Iolle, Beneke and Suchet, played a rather significant role in the German economy. Thanks to such a family and relatives, Max Weber Jr.from childhood became acquainted with the intellectual elite of Germany at that time. Family discussions often took place in their house, friends and acquaintances of the father gathered - prominent public figures and scientists.

As a young boy, Maximilian got to know the politician and historian Heinrich von Siebel, the historian of Ancient Rome Theodor Mommsen, the historian Heinrich Treitschke, the founder of "understanding psychology" and the philosopher Wilhelm Dilthey. All of them in their political views, like Max Weber Sr., adhered to the side of Bismarck, who advocated the unification of Germany around Prussia.

V early age the younger Max Weber also learned about political differences. The mother's best acquaintances were the historians of the liberal movement - Georg Gervinus and Friedrich Schlosser.

On the contrary, they were haters of the warlike Prussian spirit, for them Germany is, first of all, the homeland of Goethe and Schiller, an exemplary country Western European culture... Schlosser at one time, when Helene was still a very young girl, settled in the house of the Fallenstein. At first he tried to become a spiritual mentor for her, but then he was inflamed with such passion that he tortured poor Helene with his courtship. The girl moved to Berlin to to my sister, where she met her future husband Max Weber Sr.

So the atmosphere in which Maximilian was to grow up was full not only of intellectual disputes and discussions, but also of confused personal relationships. All this undoubtedly had an impact on his future worldview and creativity.

Childhood

Max was born a year after his parents got married. After him, eight more children were born in the family, of which two girls died in infancy, and four brothers and two sisters reached adulthood. Brother Alfred also became a famous philosopher, economist and sociologist.

Mom gave birth to Maximilian very hard, as a result of which she developed a fever, and she could not breastfeed her first child. The newborn boy was nursed by another woman - the wife of a carpenter, a social democrat.

From an early age, the child grew up surprisingly self-satisfied and immersed in his games. It seemed that he did not need anyone. He always played alone, and the adults, watching him, were amazed how a child of two and a half years old builds a station out of wood blocks, puts a train with passengers and small carriages in it, imitates steam with paper strips. So he could play for hours and at the same time chat something non-stop.

Soon the child was in danger: he had had unilateral meningitis. His life hung in the balance, the baby was threatened with dropsy of the brain, dementia or death. The mother did not leave the boy a single step, sacrificing other children. The illness led to the fact that Max began to lead an even more reclusive lifestyle due to constant convulsions, nervous fears and rush of blood. When little Weber was five years old, the family went to the sea to Borkum. The mother wanted to improve the health of her son, tried to bring him into the water in her arms. At the same time, the child raised such a heartbreaking cry that the holidaymakers demanded that this procedure be stopped immediately.

In 1869, the Weber family moved to Berlin, where their father was invited to the position of a paid member of the city council. Here he began his stormy parliamentary activities, endless meetings, trips, travels.

Education

In Berlin, the family settled in a beautiful small and cozy villa on the outskirts of the city with a huge garden in which well-groomed fruit trees and vegetables grew, chickens and cats were running. Children felt great in this garden away from big city, rejoiced in freedom and the sun. But these joys were beyond the reach of Maximilian. Compelled most spending time alone, and not playing with other children, he became passionately interested in reading and literary experiences, which developed in him an extraordinary contemplation.

At first the boy received home education... But the visiting teachers turned out to be boring for him and did not make any impression on the child, because by that time he had already independently read forty volumes of Goethe.

At the age of six, Max began his studies at private school, then continued at the Berlin classical grammar school. V educational institutions relations with teachers and students at Weber were normal, but this did not make him more sociable. Sometimes he took part in carousing, but most of the time he devoted to his studies, he still read a lot of Schopenhauer, Luther, Kant, Machiavelli.

In 1882, Max graduated from high school and became a law student at the most prestigious university in the country, Heidelberg. In addition to jurisprudence, Weber was attracted by theology and history, in his heart he still hesitated and could not decide whether to connect his future with politics or with a career as a scientist.

After a long retreat as a child, Max's student years as if overtaking lost communication. His life was stormy and eventful with fights and parties, he enjoyed drinking beer and practicing fencing.

After studying for a year, Max went to serve in the army, he was first a soldier, then an officer in one of the military units in Strasbourg. After leaving the reserve, he continued his studies at the University of Berlin, while he never missed military training, he attended them with constant enthusiasm. Military career seemed tempting to him, but still Weber chose the path of a scientist.

In 1886, Max passed the exams in jurisprudence, moved to the University of Göttingen, where three years later he defended his dissertation, which attracted special attention of the scientific community.

Scientific activity

To study science, but at the same time not to depend financially on his parents, Weber got a job as an assistant lawyer. And already in 1894 he entered the German Bar Association. He continued to hesitate about science or politics, tried to keep both options for himself, and even joined, like his father, the National Liberal Party.

Since 1891, at the University of Berlin, Maximilian took the position of assistant professor and began cooperation with the Union social policy, whose main task was to soften the contrast of capitalist society. The young scientist conducted numerous studies (in particular, surveys of agricultural workers), which later had quite applied value. For example, measures were taken to alleviate the situation of farm laborers.

After thirty years, Weber had all the prerequisites for an ideal career as a scientist, but it was during this period that he had a personal drama and illness, to scientific activities he returned only in 1901. One of his most famous works, "Protestant Ethics and the Spirit of Capitalism", was published.

Weber's events aroused great interest Russian revolution 1904-1905, on the basis of which he wrote two articles and a book:

  • "Towards the position of bourgeois democracy in Russia";
  • "Russia's transition to sham constitutionalism";
  • "Historical sketch liberation movement in Russia and the position of bourgeois democracy ”.

In 1908, Weber left the Union for Social Policy and took up editorial work (edited multivolume essays on social economics).

During the First World War, Maximilian ran an army hospital in Heidelberg, after which he returned to teaching. At the University of Vienna he was offered a professor position, he led seminars in sociology and gave a course of lectures on the topic "Economy and Society."

The woman was also engaged in science, after the death of her husband, she published his works and published a biographical book about Maximilian. Their marriage was childless.