Ballerina Nadezhda Pavlova: biography, repertoire, personal life. Anna Pavlova - biography, personal life, photo of the Great Ballerina: Life on Punts

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Name: Anna Pavlova (Anna Pavlova)

Age: 49 years old

Place of Birth: d. Ligovo, Russia

Place of death: Hague, Netherlands

Activity: great Russian ballerina

Family status: was married

Anna Pavlova Ballerina - Biography

February 1906, Mariinsky Theater. The scene carried a huge basket of colors from unknown fan And they put to the legs of the rejoicing ... So the dizzying romance of the ballerina Anna Pavlova and Baron Dandre began, which had a lot of sensitors and woven.

Anna tried to find a card among chrysanthemum at least with the initials of the fan, but in vain. From this day, similar nameless gifts, a young woman began to receive after every performance. It intrigued and instilled hope that a mysterious stranger It has serious intentions.

The personal life of the star of the imperial scene did not take shall because it was surrounded by men who were looking for easy relationships. She regularly sent to the basket of notes from annoying workers with an invitation to a date, and then her heart fluttered. Yes, and everything went out, that the donor - a man is notable and wealthy. For the illegitimate daughter, the maid was also important.

Anna Pavlova: "I will only ballerina!"

The greatest Russian ballerina Anna Pavlova was born on February 12, 1881 in St. Petersburg. Her mother, Lyubov Fedorovna Pavlov, served in the house of Banker Lazar Polyakova. According to one version, he became Ani's father. However, there is another assumption. Lyuba Pavlova wore the banker's underwear in the laundry room, which was owned by Handsome-Karabi Matvey Shamash.

He seduced a girl. Karaim blood, allegedly flowing in the cores of the ballerina, it was so easy to explain the sophisticated appearance of Anna and her craving for the eastern melodies and dances. However, when the girl has grown and stated Mother that he dreams to dance on stage, with a request to pay for her daughter's studies in the ballet school, Lyubov Fedorovna did not go to Shamash, but to Polyakov. And he did not refuse.

By the way, that she will only be ballerina and anyone else, Anna stated in early, childhood, looking at Mariinsky "Sleeping Beauty" ballet. And on the stage of this theater Anna Pavlova for the first time in his dance biography, as ballerina - was released in 1899 being a student.

After graduating from a ballet school, a small parties danced, while in 1903 she did not entrust Giselle. Then the young ballerina struck all the depth of the interpretation of the image and the beauty of the performance. Then she was waiting for the main female parties In the "Nayae and Fisherman", "Corsaire", "Don Quixote" ... But only in 1906, Pavlova assigned the title of ballerina of the Imperial Scene, awarded only to the leading dancers. Fate was pleased to and main Roman In the biography of her personal life began in this year.

The curtain of the mystery is open ...

More than strange courtship lasted for almost four years. In 1910. russian star Returned to Petersburg from London, where she was on tour. Metropolitan audience, exhausted by his favorite, the hall filled the hall Mariinsky Theater. Gave the "Sleep Beauty", Pavlova danced Aurora. After the final chords and the first applause for the feet of Anna, they put such a large basket of scarlet roses that the public subsided.

This time, a passionate fan left a business card on which gold letters were written: "Viktor Dandre". A note is attached to the business card - with the same banal invitation for a date! - And the case in which there was a luxurious pearl fermoire with diamonds. For the first time, the note was not Anna crumpled and thrown out ...

Optial beloved ballerina

Baron Viktor Dandre, Stat Counselor, Chairman of the Audit Commission of the St. Petersburg City Duma, the descendant of the ancient French family, who was settled in Russia, was 35 years old. He was beautiful, rich and talented. True, his talent had no relation to art. Baron was a doller. But - with a gentle heart. Roman Pavlova and Dundra discussed no less than in their time the connection and Cesarevich Niki, the future of Emperor Nicholas II. They even rumored that the lovers were married.

In fact, the Dundra aristocrat was not going to marry. He did not bother for gifts, took the chic apartments for Pavlova, but it intended to limit himself. When Anna understood it, she moved from a removable apartment and broke the relationship with Victor. He suffered at night cried in a pillow. In order to quickly forget Dudre, again went abroad. She was invited by Sergey Dyagilev, who decided that the best partner for the premiere of his troupe, brilliant Vaclav Nizhinsky, not found. Pavlova and Nizhinsky, indeed, became the stars of the legendary "Russian seasons" in Paris.

And soon in St. Petersburg broke out loud scandal, in the center of which Victor was. He was accused of major scams and receiving bribes. Gossips poured there and Pavlov: they say, she left abroad to: Do \u200b\u200bnot answer for Deliche secret man, or lover. Dundra was devoted to the court, after which a fine paid 30 thousand rubles (huge money at the time) and gave a subscription of the unseason. But after a few weeks later, he was in the lobby of the London hotel in his pocket in his pocket, where Pavlova stopped ...

Family Project Pavlova and Dundra

Paris did not cure Anna from Love. Ballerina understood that a frivolous Baron - single manwith which she can be happy. Therefore, having learned about his troubles, I decided to act.

By the time Victor appeared in London, Anna had already left Dyagilev and, signing a contract with the Bradfle agency, performed in the British capital. There is information that she accepted the heavy conditions of the British - to give a few concerts a week, dance on any sites for the sake of fantastic fees. The money was needed to pay for the services of a lawyer Dudre, to make a fine for him, and then help secretly leave Russia.

The path to his homeland Baron was ordered, he did not have capital. That's where his talent of the entrepreneur was useful. When the contract with "Braff" has expired, the penny became impresario ballet troupe! He organized his wife.

For the sake of his beloved Anna refused to return to Petersburg. Last time She briefly arrived in Russia in 1914 - of course, alone, without an extra dandre. But the ballerina always thought about his homeland. Worried about learning about the October Revolution. Sending B. Soviet Russia Monetary donations for starving Volga, Smenvorovanov. Pretty artists ...

Last Guastrol Ballerinas Anna Pavlova

With his dancers and musicians, the spouses were protected the whole world. Anne Pavlova applauded in Europe, South and North America, Japan, in the Philippines ... In India, at the end of the performance, the audience stood on his knees and raised up their hands, worshiping the ballerina as the deity.

In short breaks between the trips, Pavlov and Dundra were returned home - in the estate of the Ivi House on the outskirts of London, with a large garden and a pond, in which Swan Jack was swimming, Anna's favorite. A week of rest - and again.

Ballerina died during the next trip. In January 1931, she was cold and fell ill with the hardest pleuris, but did not abolish tour in Holland. Anna Pavlova left this world in the Hague at one in the morning on January 23, a little bit of survivors to his 50th anniversary.

It was a terrible blow to all who knew her and loved. At the funeral, people were sobbed, some lost consciousness. It is difficult to imagine what feelings was experienced by Victor, Vivid a white marble urn with the ashes of his wife in London. In this city, loved her, and found last refinery Great Russian ballerina.

The husband did everything so that the troupe does not fall apart. He organized new tour in South Africa. Singapore and Australia, carrying the glory of Anna Pavlova in these remote corners. Victor Dundra bequeathed to bury himself next to his wife, as Bisho was fulfilled in 1944.

, Hague, Netherlands) - Russian ballet artist, one of the greatest ballerinas of the 20th century. After the beginning of the First World War, settled in the UK, constantly toured with his troupe around the world, first introducing the art of ballet in many countries for the first time.

Biography

Anna Pavlova was born in the country village of Ligovo near St. Petersburg. Shortly before the birth of her daughter, her mother, Lyubov Fedorovna Pavlova, married a retired soldier of the Preobrazhensky regiment by Matvey Pavlov; This marriage soon collapsed. Who was the real father of the ballerina, it is not known for sure. According to the allegations of several contemporaries, including the two of its only one-country brothers, Anna Pavlova's father was one of the largest Moscow bankers, the landselner of Lazar Polyakov. Ballerina hid his origin before the death.

In childhood lived with his mother in own home On Nikolaev Street.

The name Pavlova was still legendary during the life of the ballerina.

Death

According to her legend, her last words were: "Prepare my swan costume!". In 2009, these words were made in the headline of the Russian film. [the significance of the fact?] .

Confession

During the Australian tour, Anna Pavlova issued such an impression on the public that her name was called a very popular cake, which to this day is served for dessert at the restaurants of Australia and New Zealand.
In honor of Anna Pavlova, a group of guptophyte algae pavlovophyceae is named
Anna Pavlova named with one of the MD-11 aircraft (PH-KCH registration number) of the Netherlands National Airlines KLM Royal Dutch Airlines
In her honor, called the Crown Pavlova on Venus.
The Music Episode "Dying Swan" appeared in the monospectacle of Andrei Dennikov "Confession of Hooligan" (theater named after the Oblastov, 2002-2011), symbolizing both the image of Anna Pavlova herself and the fate of post-revolutionary Russian emigration.
In London Palace Theater still have two places, tickets for which they do not sell: they are intended for the ghosts of Anna Pavlova and Avora Novello.

Addresses in St. Petersburg

Memory

On the wall of the house number 5 on the Italian street of St. Petersburg in 2002, a memorial plaque was established (Sculptor V. I. Trojanovsky, Architect T. N. Miloradovich) with erroneous dates in the text: "Anna Pavlova Great Russian Ballerina lived in this house in 1909. "
In 2009, Anna Pavlova Street appeared in Lomonosov (St. Petersburg).

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Notes

Literature

Krasovskaya V. M. Anna Pavlova: Pages of the life of the Russian dancer. - L.: M.: Art, 1964. - 220 s. - (Coriferation of the Russian scene). - 70,000 copies.
N. Arkina. . - M.: Knowledge, 1981. - 56 p.
Victor Dandre. Anna Pavlova. Life and legend. - M.: Vita Nova, 2003. - 592 p. - ISBN 5-93898-043-7.
Algeranov H. Anna Pavlova: Ten years from the life of the star of the Russian ballet M.: Centerpolygraph, 2006

Excerpt characterizing Pavlova, Anna Pavlovna

Long Rostov did not have news of Nichochka; Only in the middle of winter, the Count was transferred to the letter, at the address of which he learned the hand of his son. Having received a letter, the count is frightened and hastily, trying not to be seen, on tiptoe, ran into his office, locked and began to read. Anna Mikhailovna, having learned (as she knew everything, what was done in the house) about receiving a letter, a quiet step entered the count and found him with a letter in his hands with a shy and laughing together. Anna Mikhailovna, despite the corrected affairs, continued to live in growth.
- MON BON AMI? - Anna Mikhailovna said in question, and readily said any participation.
Count buried even more. "Nichoshka ... Letter ... wounded ... ... Was ... Ma Chered ... wounded ... My darling ... Shtynushka ... In the officers produced ... Thank God ... Shtynushka how to say? ..."
Anna Mikhailovna hooked to him, his tears with his eye with his eye, from writing, and her tears, read the letter, reassured the count and decided that she would prepare countess before dinner, and after tea I will announce everything, if God She will help her.
All the time Dinner Anna Mikhailovna spoke about rumors of war, about Nichochka; asked twice when it was obtained last letter From him, although he knew it before, and noticed that it was very easy, maybe now the letter will turn out. Whenever with these hints, the Countess began to worry and alarmingly look at the graph, then Anna Mikhailovna, Anna Mikhailovna, has reduced the conversation to minor items. Natasha, from the entire family of more than one and the ability to feel the shades of intonations, views and expressions of individuals, since the beginning of lunch alerted ears and knew that something was between her father and Anna Mikhailovna and something relating to his brother, and that Anna Mikhailovna prepares. Despite all his courage (Natasha knew how her mother was sensitive to everything that it concerned about the news of Nichochka), she did not decide to make a question for lunch and did not eat anything on the dinner and drove out on a chair, not listening to the comments of his governess. After lunch, she strive to catch up with Anna Mikhailovna and in a sofa rushed to her neck.
- Auntka, Golubushka, tell me what?
- Nothing, my friend.
- No, dumb, darling, cute, peach, I'm not detached, I know what you know.
Anna Mikhailovna shook her head.
- Voua Etes Une Fine Mouche, Mon Enfant, [You are Vostushka, my child.] - she said.
- From Nicholenka letter? Probably! Natasha screamed, reading the affirmative response in the face of Anna Mikhailovna.
"But for God's sake, be careful: you know how it can hit your Maman."
- I will, I will, but tell. Do not tell? Well, so I'll go now I will say.
Anna Mikhailovna in short words told Natasha the content of the letter with the condition not to say anyone.
Honest, noble word, - Pricing, Natasha spoke, - I won't tell anyone, - and immediately ran to Sona.
"Nicholya ..." wounded ... Letter ... "She said solemnly and joyfully.
- Nicolas! - just said Sonya, instantly palena.
Natasha, having seen the impression made at Sonya News of Brother's Wound, for the first time I felt the whole sad side of this news.
She rushed to Sona, hugged her and sharpened. - a little wounded, but produced in officers; He is now healthy, he himself writes, "she said through tears.
- Here is clear that all of you, women, - Plaks, "Petya said, taking a decisive big steps by taking a room. "I'm so very happy and, right, very glad that my brother distinguished himself." All you nurses! do not understand anything. - Natasha smiled through tears.
- You did not read letters? - Sonya asked.
- I did not read, but she said that everything went, and that he was already an officer ...
"Thank God," Sonya said, hiding. "But maybe she deceived you." Let's go to Maman.
Petya silently walked around the room.
- I was in the place of Nichushka, I would kill even more of these French, "he said," they are frozen! " I would beat them so much that I would have done a bunch of them, "Peter continued.
- Silent, Petya, what a fool you are! ...
"I'm not a fool, and the fools are those who cry from trifles," Petya said.
- Do you remember him? - After a minute silence suddenly asked Natasha. Sonya smiled: "I remember Nicolas?"
- No, Sonya, do you remember him so much to remember to remember everything, "Natasha said with a diligent gesture, apparently, wanting to give his words the most serious meaning. "And I remember Nicholya, I remember," she said. - And Boris do not remember. I do not remember at all ...
- How? Do not remember Boris? Sonya asked with surprise.
"Not I don't remember," I know what he he, but not so I remember how Nikolyku. " His, I'll close my eyes and remember, but Boris is not (she closed her eyes), so, no - nothing!
"Ah, Natasha," Sonya said, enthusiastically and seriously looking at his girlfriend, as if she considered her unworthy to hear what she intended to say, and as if she had said this to someone else, who could not be joking. - I loved your brother once, and no matter what happens to him, with me, I will never stop loving him for life.
Natasha is surprised, looked at Sonya curious eyes and was silent. She felt that something that Sonya said was true that there was such love about which Sonya said; But Natasha had nothing like that yet. She believed that it could be, but did not understand.
- Will you write him? She asked.
Sonya wondered. The question of how to write to Nicolas and whether to write and how to write, there was a question that tormented it. Now, when he was already an officer and a wounded hero, whether it was well to remind him of himself and as if he had about the obligation he took over her.
- I do not know; I think, if he writes, - and I will write, - red, she said.
- And you will not be ashamed to write him?
Sonya smiled.
- Not.
- And I am ashamed to write Boris, I will not write.
- Why is it ashamed? Yes, I do not know. Awkward, shame.
- And I know why she will be ashamed of her, "Petya said, offended by the first remark of Natasha, - because she was in love with this thick with glasses (so called Petya his namesake, a new champion of Lyuhoye); Now in love with the singer of this (Petya spoke about the Italian, Natasha Peña teacher): Here it is ashamed.
"Petya, you are stupid," Natasha said.
"Do not stupid you, Mother," said nine-year-old Peter, just as if he was an old brigadier.
The Countess was cooked with hints of Anna Mikhailovna during lunch. Having leaving her, she sitting on the chair, did not descend the eyes from a miniature portrait of a son, made in Tabakcoque, and the tears screwed toward her eyes. Anna Mikhailovna with a tiptoe letter came to the Countess Room and stopped.
"Don't enter," she said to the old Count, who was walking behind her, "after," and gave me the door.
The count attached his ear to the castle and began to listen.
At first he heard the sounds of indifferent speeches, then one sound of the voice of Anna Mikhailovna, who told a long speech, then a short, then silence, then again both voices talked together with joyful intonations, and then steps, and Anna Mikhailovna took him the door. On the face of Anna Mikhailovna there was a proud expression of an operator who graduated from a difficult amputation and introducing the public in order to estimate its art.
- C "EST FAIT! [Case done!] - She said in a graph, a solemn gesture pointing to the countess, who kept a tobacker with a portrait with a portrait, to another - a letter and pressed her lips, then to the other.
Seeing the graph, she stretched his arms to him, hugged his bald head and looked at the letter again and again and again to press them to her lips, slightly pushed the bald head. Faith, Natasha, Sonya and Peter entered the room, and reading began. The letter was briefly described a campaign and two battles in which Nichushka participated, production in officers and it was said that he kisses Maman and Papa, asking them to blessings, and kisses faith, Natasha, Petya. In addition, it is bowed to M R Sling, and M M M M Sos and Nyan, and, moreover, asks to kiss the expensive Sonya, which he still loves and about which everything remembers the same. Hearing it, Sonya blushed so that the tears came to her eyes. And, unable to withstand the views turned on her, she ran into the hall, fused, spinning and, blowing his dress with a balloon, put her painted and smiling, sat on the floor. Countess cried.
- What are you crying, Maman? - said Vera. "Everywhere he writes, we must rejoice, and not cry."
It was completely fair, but also the graph, and the Countess, and Natasha - everyone looked at her with reprocess. "And in whom she came out!" thought the Countess.
The letter of Nikuliushki was read hundreds of times, and those who were considered worthy of listening to him should have come to the Countess that did not let him out of her hands. Gooverners, nanny, Mitenka came, some acquaintances, and the countess reread the letter every time with the new pleasure and once again discovered new virtues in their Nichochka. As strange, it was unusually joyful that her son was that son, who was a little marked with tiny members moved in her the very 20 years ago, that son, for whom she quarreled with the Balovnik Graph, that son who learned to speak before: " Pear ", and then" Baba ", that this son is now there, in someone else's land, in someone else's environment, a courageous warrior, one, without help and leadership, does some kind of male business there. The entire World Century Experience, indicating that the children are imperceptible from the cradle are made by men, did not exist for the Countess. Mattering her son in every situation was as extremely unusually, as it were, there were never millions of millions of people, just as insusted. As I did not believe 20 years ago, that the little creature, which lived somewhere in her heart, would shout and began to suck the chest and it would say that it could not believe it that the same creature could be the stronger Brave man, a sample of sons and people he was now, judging by this letter.
- What a calm, how he describes cute! She said, reading the descriptive part of the letter. - And what shower! About yourself anything ... Nothing! About some Denisov, and himself, right, the brave of them all. Nothing writes about his sufferings. What a heart! How I recognize him! And how I remembered everyone! Nobody forgot. I always always said, even when he was, I always said ...

One thing was born the greatest actresses Ballet Anna Pavlova in 1881 in St. Petersburg. There are two versions regarding who was her father. The first of them says about a carial soldier named Matvey Pavlov (real name Shabetai Shamash). Indirectly confirms this fact and the birthplace of Anna - the hospital of the Life Guard of the Preobrazhensky Regiment, where he served Matvey. The second version narrates about a certain banker jewish origin, in the house of which the mother of Anna - Lyubov Fedorovna - served as a governess. I supposedly it is he who has a father's father. Documentary confirmations this fact No, therefore, this information is used rather as a legend.

The origin of huge love

For the first time to visit the ballet presentation of a small ane, aged eight years. Then on the stage of the Mariinsky Theater, who in many years will be native to her, was the idea of \u200b\u200b"Sleeping Beauty." Anna has understood from the first minutes, - to be a ballerina - her vocation. From the same time in the house only there was conversations that about dancing, choreography and lungs, like empty, ballerinas. Mother, seeing a huge desire of his daughter, took her to a ballet school. At the age of 10, Anna became a student of the prestigious imperial theatrical School. The girl demonstrated good progress, and still as a student, repeatedly went on the stage of "Mariins." In 1899, Pavlova successfully passed final exams And was enrolled in the corpuses of the Mariinsky Theater.

Initially, of course, Anna got small and "inexpressive" roles - a beginner actress, what to say. But every year the craftsmanship of the young beauty was hipged, and in 1903 she was entrusted main role - She played Giselle in the stage of the same name. She managed to hit all not only the grace and beauty of the performance of each movement, but also the depth of understanding the image of her heroine. Taking advantage of the role, Pavlova literally did not leave the studio, and her tagged mentor became Marius Petipa, to which she turned to tips for a more detailed study of the image.

Next were the main roles in many productions, among which Don Quixote, Corsair and others. In 1906, at the age of 25, Pavlova was awarded the title of ballerina of the Imperial Scene, which he said that he was now - the leading dancer.

One of the most fruitful creative Unions Pavlova can be allocated to work with Mikhail Fokin, who studied for the course of older. From other ballersters, it was distinguished by an unconventional look at the ballet, he at one time did not separate the dance from the pantomime, and his goal was to introduce into improvisation. Improvisation, in his opinion, could well become the basis of ballet art, having delivering the viewer from the need to observe the execution of ready-made forms, ligaments and combinations.

In one of the first productions of Fokina - "Vine" - he danced Pa-de de with Anna. And setting as a whole, and the work of dancers, caused the most positive emotions and reviews, and were also noted outstanding figures, including Marius Petipa. Pavlova also participated in the subsequent productions of Fokin, such as "Evnika", "Shopenian", "Pavilion Armid" and others. Special attention attracted by Fokin specifically for Pavlian miniature "Swan". Executed at a charitable evening in the Mariinsky Theater, she struck many to the depths of the soul and had already quite soon became one of the symbols of the Russian ballet of the 20th century.

Tour

For the first time, to be abroad, Pavlova was fortunate enough in 1097 as part of a small troupe. They chase in European cities, the first of which turned out to be Stockholm. In 1909, Anna Pavlova took part in the "Russian seasons" Sergey Dyagilev in Paris, and after some time it was shone at the premieres of "Sylphide" and "Cleopatra". In the same 1909, for the first time Pavlova composed his own lyrical miniature, continuing to do this in the future. The time spent in foreign business trips contributed to the formation of Pavlova as an independent balletmaster, in the future its genre will be named Yuri Belyaev as "choreographic melodiclamation". With his dancers and musicians, Pavlova traveled the whole world: India, North and South America, Philippines and Europe - her applauded standing everywhere, brings to her talent.

Personal life

At the talented and attractive Anna from the very beginning of its activities great amount fans. Returning from the scene in the dressing room, every day she found dozens of gorgeous bouquets, and in each of them, on the note, with a proposal to spend together the evening. Proud and dismissed, Anna one after another sent them to the trash. And only before one bouquet, she could not resist - these were flowers from Viktor Dandre.

Dandre was an aristocrat - a leaving from noble rhodation, intellectual, who knew several languages \u200b\u200band superbly versed in art. Young ballerina was fighting. Then the young man took the patronage of the ballerina that at that time it was very fashionable among the representatives of Bohemia. Only if Anna has already represented further joint Life With Victor, day after day in love with him all stronger, he was not in a hurry to call her under the crown. He removed the apartments for the ballerina, provided the best contracts and gave incredible gifts, but it was not about the marriage of speech. And then she just gone - gathering all the will in his fist, Anna left the apartment withdrawn to her as a convection. She started working with a double force - he trained, put the ideas, toured. But even it did not save her - even being in Paris, she still continued to think about him.

At the same time, in St. Petersburg, Dundra was expected greater trouble - he was accused of financial fraud, bribes and scams, not forgetting to mention and Anna, who allegedly left the abroad, in order to not be involved in the Dark Deliches of the patron. Soon, Victor appeared on the threshold of the London hotel, in which the troupe Anna stopped. And she could not resist - Dundra was forgiven, the lovers were together again.

At that time, Pavlova had already committed to Dyagilev and signed a contract with the BRFFL agency. At the end of the contract with the London Agency, Anna was engaged in the organization of his own group, in what her beloved helped her beloved - Viktor's entrepreneurial grip came in handy anne as never. For the sake of Victor, who was forever ordered entry to his homeland, Anna refused to live in so hotly beloved Peter - the couple settled in London. last visit great ballerina I was sent to my homeland for 1914 - then she, together with his group, performed towards tourists in Moscow and St. Petersburg.

Anna Pavlova Yankavarian Day 1931 - the actress died due to the suffered pneumonia in the Hague (Netherlands), and without having been more in his homeland.

Among the numerous fans, Anna Pavlova was Charlie Chaplin himself. Once he told the ballerina "we look like you, Anna! I am a tramp, you are Sylphide. Who do we need? Here and drive us ... ".
Anna Vel Active charitable activities. At the time of the First World War, wherever she would come with touring, in any city she gave a presentation in favor of the Red Cross. At the end of the war, the ballerina, a part of the money taken from the ideas was sent to their homeland - for the resumption of educational institutions.
Anna madly loved animals, and even more birds. In her estate even lived a real swan, whose name is Jacques. Many mistakenly think that it was he who inspired the actress on such a sensual performance of the "dying swan", but this is not the case - Jacques appeared much later than the world famous speech.

Today's story about the greatest Russian ballerina, not just a star, but the treasure of the world ballet scene, Anna Pavlov. This is a dancer who turned the world of Russian ballet - it started with her new era Sensuality and refinement in ballet. All the artificial, intake, the soul became above the race for skill. Before Anna Pavlova appeared, the Epoch of Italian dancers dominated Russian ballet, who were engaged abroad. Their dance was as pompous, how virtuoso. Anna Pavlova He broke this tradition not only flawless choreography, but also an endless sincerity of his dance.
Anna Pavlova's personal life is known a little - she published a book of memories, but we will almost know anything about the life of the dancer from this story: it is entirely devoted to the art. Pavlova was born in February 1881 in the family of a simple Bundochka Lyubov Fedorovna Pavlova, but it is assumed that frequent daughter Pretty rich merchant Lazar Polyakova. This is how it is possible to explain the fact that the mother was able to pay her studies in the imperial ballet school, where Anechka could not easily arrived - she did not want to take it because of weak health. The girl was born with a seven, suffered by anemia, frequent colds and excessive stones. However, the famous Marius Petipa is already then seen young talent and was not mistaken.

Anna gave his studies all of herself, she was not afraid of not difficult conditions for learning, nor the many hours of training, nor numerous prohibitions, nor separation from their relatives - she was born for ballet and dreaming only to them. The legend's self-denial of Pavlovoy go - she went on stage with temperature, patient, exhausted, with stretched ligaments, and in America even performed with a broken foot.

After graduating from the school, Anna was adopted in the troupe of the Mariinsky Theater, and in 1906 he became the leading ballerina troupe. Anna had an idol - Maria Taloni, the Italian dancer, who was equal to Pavlov and who inspired her for creativity and hard work. Did Anya knew how much she would surpass their inspirational?

His most famous batch - choreographic miniature Dying swanFokin, she first performed in 1907 for the first time. Later, this setting will become an unconditional symbol of Russian ballet.

In 1910, Pavlova leaves Mariins and creates his own troupe, which was successful and toured a lot abroad. After 1914, Anna moves to live in England and is no longer returning to Russia. She connects his fate with the scandalous Russian lawyer Viktor Dandra. Their relationship is mysterious and hidden by wahwood secrets. Some sources believe that Victor suffered from the tricks and whims of the famous dancer, but humbly endured them, being infinitely in love. Others argue that he was an incredible dictator, did not regret the health and forces of the ballerina, and being not only a satellite of life, but also impresario Pavlova, arranged the incredible tour of the tour - it happened that the concerts followed one one every day without weekends for months! What happened in fact, who was the culprit of such a exhaustive touring schedule: Ballerina herself or her merciless satellite, we seem to not know.

Anna Pavlova died in Holland, during tour tour, January 23, 1931, from acute pleurrites: On the way from France, she was very cold and also got significant injury. chest. Doctors recommended an immediate operation, however, for some reason, the operation was postponed, and on January 19, Anna Pavlova gave his last concert in the Hague, being very weak. Who was the initiator of the cancellation of the operation - the ballerina itself or her satellite Victor and remained unknown.

"She does not dance, but flies through the air," said the Petersburg newspaper "Word" about the greatest ballerina of the last century Anna Pavlova. It became the legend during his lifetime, she made an unusually much so that the fame of Russian ballet flashed around the world.

Pavlova rethought the rolled roles, retained the charm with romanticism. Her manner of execution gave new stage in the history of Russian ballet. Classic ballet, almost the deceased, acquires modernity, because eternal value. Its other than other dancers interpretation of Giselle, Nikia, Odettes are adopted by subsequent generations. Therefore, it was in the Russian scene that the frequent, eternal, which was inherent in Anne Pavlovna Pavlova. On her birthday we suggest to consider some unusual facts From the biography of the Great Ballerina.

Charm ballet

It seems that Anna Pavlova danced always. She was born, already fascinated by ballet. But true love The ballet came only after seen at the nine-year-old age of the morning representation of the "Sleeping Beauty". Interestingly, it was the premiere of the play posed by the Petipa. Ballet made such a strong impression on Pavlov, which, from nature shy and soft, she first expressed her solid will to choose a career of a ballet dancer. You can imagine how many girls who also came to the presentation said: "When I grow up, I will dance as Princess Aurora!" And only one will hold down the word.

The shoes of Anna Pavlova

Anne Pavlovna was difficult to choose ordinary shoes. Therefore, she always drove with them a suitcase for 36 pairs, which was periodically replenished with new ones. The old shoes were distributed.

The same problem was with ballet shoes. Anna Pavlova preferred to order her at the famous italian master Romeo Nikolini. Ballerina treated very carefully to ballet shoes, because from her quality and convenience, it was dependent on how one or another Pirouette would succeed. Therefore, shoes often had to redo. Once, Nicolini even said: "Yes, it is a great honor that Anna Pavlova is my customer. But if I had two Pavlov, I would die. "

It's amazing, but at the time of Anna Pavlova Poant as such did not exist. This was explained by the fact that the dance technique was somewhat easier than now. Therefore, the shape of the dance shoes was closer to the ball, but, of course, without a heel. They were softer than modern shoes, fine work, differed in grace. But this does not mean that the ballerina was previously dancing on tiptoe. They learned how to hang and maintain a balance at the tips of the fingers. To do this, sometimes the sock of ballet shoes could be flashed for greater ballerina stability.

Pavlova and Dyagilev

Many are confident that it was Dyagilev who opened Pavlov to the world. But it is not. Anna Pavlova has already danced in Sweden, Denmark and Germany for another year before the emergence of the "Russian seasons". Moreover, it was Pavlova who suggested that Dyagilev to include in the Opera season and ballet (the first "Russian seasons" were exclusively operas). Dyagilev initially did not believe that Europeans, and even more so Parisians like the Russian ballet. Dyagilev did not agree for a long time, but after the approval of a certain committee, he still decided to try to turn on the ballet in the Seasons. It is worth noting that the condition of the show of the Russian ballet in Paris was the arrival of Anna Pavlova as part of the Dyagilev troupe.

Pavlova and Chaplin

Charlie Chaplin was a big fan of Anna Pavlova. "We look like you, Anna! - Somehow said Chaplin. - I am a tramp, you are Sylphide. Who do we need? Here and drive us ... ".

For the first time they met on a banquet arranged in honor of Anna Pavlova. Chaplin, turning to the dancer, said that english It cannot convey those feelings that he is experiencing to her and express the greatness, which is Pavlov. Therefore, he intends to speak Chinese. With these words, Chaplin, imitating Chinese speech by entering the rage, kissed Pavlova's hand. So they started their friendship. Later, Charlie Chaplin performed as a consultant Anna Pavlova when writing her numbers to a film.

Charity Anna Pavlova

During World War I, where, where Anna Pavlova came, performances were organized in favor of the Red Cross. At the end of the war, she gave concerts in the "Metropolitan-Opera" and for the entire revenue sent parcels with products to the St. Petersburg and Moscow School. Later, she began to send money to Russia to distribute more needy artists of the St. Petersburg and Moscow troupe.

In Paris, Anna Pavlova decided to arrange a shelter for Russian children remaining orphans. As a result, she organized a female shelter to Saint-Cl. Now most of Money spilled from performances went to the shelter needs. Anna Pavlova was concerned not only so that the girls had shelter, but also gained education, practical training for life, and at the exit of the shelter - work. All girls studied or in Russian gymnasium, or in French colleges. Each Pavlova provided freedom to choose a specialty.

Portrait of Anna Pavlova

Many mistakenly think that Anna Pavlova in his famous room "Dying Swan" was inspired by the grace of her swan. This is not the case, because the number was put long before her pet appears. And initially the dance was called simply "Swan", and only a few years later the epithet "dying" appeared.

Unusual desert scene. No corps, scenery. No orchestra. No chords of the introductory variation. Flames mercilessly sharp, concert light. The dancer stands in the far corner of the scene, dropping his head, dropping crossed hands. After one tact of the entry harp, with the first sound of the cello, it rises to the fingers and quietly and sadly floats through the scene.

Fokin was inserted into the number of lyrical rest the topic. The dance itself was music. It was a monologue. And let the swan still died at the end, but his death was peaceful.

But the appearance of the swan is changing with the arrival of war and revolutions. Anna Pavlova, penetrating his dance in the soul, as if they absorbed their response. Gradually, the lyricism of the swan was painted by tragedy. The meaning of movements changed. The foot of the legs became more tense, sharply referred to the turns of the head and body. Hands-wings rose, fell and suddenly joking to the chest, where now in the White Leeping Blood Flaming Ruby. The face was leaning on the chest.

Ksenia Timoshkin