Salvador Dali: Personal culture or solid provocation? Salvador's biography Dali, interesting facts and quotes of friends Dali Salvador Dali: Grotesque personality.
Salvador Dali
- " Surrealism is not a party, not a label, but a one-of-a-kind state of the Spirit, which is neither slogans or morality. Surrealism is complete freedom of the human being and the right to dream. I am not a surrealist, I am surrealism. "
Full name Salvador Domenek Felip Zhasyn Dali and Domainek, Marquis de Pubol
No one is born immediately adults, but some appear in the light of geniuses. This was probably Salvador Dali - a genius of the genius from not quite ordinary childhood. The first years of life of El Salvador were filled with all-consuming parental love,
Without allowing young parents to see that their son is not quite happy and completely unusual.
Almost a year before the birth of Salvador, Felipe Hasinto was given in the family of a respected Figueras notary Salvador Dali-Senior and his wife Feliy had a tragedy - without surviving up to two years, their firstborn Salvador Gal Anselm died. Taking care of conscience and fear of losing and the second son, Chet Dali tried to give Salvador-younger, everything that loving parents could give. By entering the number of richest inhabitants of Figueras, they did not refuse to fulfill the most unusual wishes of the boy to fulfill the little Salvador. At the same time, the father wanted to see his child ordinary and considered his creative hobbies of Blazhly, and the devout mother regularly drove his son to the grave of his brother.
In 5 years, after another visit with the Mother of the cemetery, Salvador shaped his own opinion on parental love, deciding that it was not intended to him, but a deceased brother. To justify your right to be your favorite son, Salvador called himself a reincarnation of his brother and began to master the techniques of manipulating parents.
Thus, it can be assumed that a certain mental conflict, provoked by the development of such an unusual worldview, arose at Salvador, was given even in early childhood. After all, he was confident that the attention of his parents was not a manifestation of love for him, but only attempts to agree with their conscience.
In 1921, Felipa Domek Dali died from cancer. Salvador was 17, and he was hard to experienced losses. By the time the future surrealist has already been fully formed as an artist, but remained absolutely unsuitable for everyday life.
The Father of the artist, at first, believed that nothing would come out of his son's hobby. He wanted to sibling a good "normal" education and was very distressed by the fact that the Son is not interested in general educational sciences
Shortly after the death of Felipi Salvador Dali Kuzzi married her sister Catalina. This event was another brick laid in the wall of the alienation between the artist and his father. A young painter chose an independent creative way, left home and did not seek rapprochement with his family.
In 1933, Salvador Dali wrote one of his most scandalous paintings - "Riddle Wilhelm Tell".
The plot, Dali himself explained attempted to portray the fear of his father.
The main character according to Dali himself is Lenin in a cap with a huge visor.
In the "Diary of Geniya" Dali writes that the baby is he himself, wearing "he wants to eat me!". Here there are also crutches - the indispensable attribute of creativity was given, which retained their relevance throughout the life of the artist. By these two crutches, the artist supports the visor and one of the pilots of the leader. In the picture, the father can eat either a cutlet, or a child, which means that they were given and could not overcome the feeling of the danger emanating from the Father.
Anna Mary entered the life of Salvador Dali in 1908, when the boy was fulfilled only 4 years. In Spain, where exceeded the family values, and the word of the man is the law, adoration and admiration that Got sister to her brother was natural and ... intended. A relatively small difference between the ages closerly brought them closer
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| Anna Maria 1924. |
"Self-portrait with Rafaelev Sheay" - written in 1921, when his mother died, which, according to the artist, was one of the most severe experiences of his life. This is one of the first works of Salvador. Implemented in impressionist style.
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| Device and hand (1927) |
Experiments with geometric shapes continue. This mystical desert is already felt, the manner of writing a landscape, peculiar to the "surrealistic" period
Also called "invisible", the picture shows the metamorphosis, hidden meanings and contours of objects. Dali often returned to this reception, making it one of the main features of his painting.
This picture reveals obsessive ideas and children's fears gave.
The "Great Masturbator" is of great importance for the study of the personality of the artist, since inspired by his subconscious. The picture displays the contradictory attitude was given to sex. In his childhood, his father was given a book with photographs of genitalia, amazed by sexual diseases, which led to the association of sex with rotting and dismissed the young one was given by sexual relations.
Dali kept this picture in his own collection in the theater-museum Dali in Figueres until death
In 25 years, El Salvador was still a virgin and not only in no hurry to know women, but they were afraid of them, trying to avoid physical proximity. What should have happened to be a cardinal change then in his personal life? Needed an explosion, fireworks, holiday ... Umpoligative gala view.
And it happened. This festive show began to last for more than 50 years, in 1929, when in Cadaques, the French poet of Paul Elur with his daughter and Russian wife, who called herself gala, came to visit the young eccentric artist. It is believed that from this moment the star duet Gala began its existence - Salvador Dali. In fact, in August 1929, a love triangle Gala had arose - Paul - Salvador, who became a duet only in 1952, after the death of Eloara.
It is difficult to say how the life of El Salvador would have given, if it had evolved according to the script of Anna Mary. Early paintings by the artist, no doubt, are sensual, talented, but devoid of the madness, which sprinkles from the works of the surrealist "Gala Epoch". Anyway, in the 29th Dali made his choice
Did you hate the sex of his more happy opponent? Did you have given a remorse of conscience because "wore a wife" to his comrade? Doubted the gala in what makes the right choice, leaving Elolar to Salvador? No no and one more time no.
As for Dali, he was stunned by surpassed feelings so much that he did not think about the fact that Gala came to him not alone, and with them there are her husband and child.
In that memorable visit, Salvador Dali wrote a portrait of an eloara field. After throwing on the web all of their doubts and passions, tearing all participants in the events, he explained it like this: "I felt that I was entrusted with a duty to capture the Poet face, with the Olymp of which I kidnapped one of the music."
Since 1930, Gala began to live with Dali, leaving Paris. The story of their love, although known to almost the whole world, still remains a mystery. And Paul Eloir went on his journey, and in 1930 he met a new love, Maria Benz, a dancer who served under the scenic pseudonym Nush (NUSCH). Recognized beauty, Nush was endowed with many talents: she danced, sang, was an acrobat, wrote poems and even engaged in painting. Her beauty inspired many artists of the beginning of the 20th century: Pablo Picasso
invited Nush as a model for its paintings
But, despite a completely happy personal life, almost until the death of Paul Elur wrote love letters Gala and believed that one day she would return. And that, in turn, from respect for a former husband was not crowned with Dali until Paul was alive.
Dali and gala settled in Paris. The artist began a period of a huge creative lift, he wrote pictures, not resting, but not feeling a special physical or nervous fatigue. He wrote easily - as breathing. And the paintings were fascinated, changed ideas about the world. He signed up her paintings like that - "Gala Salvador Dali". And this is true - she was the source from which he screamed his strength. "Soon you will be as I want to see you, my boy", - So he told him Gala. And he agreed with this.
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| My wife is 1945. |
The entire central part of the canvase occupies a strange design of human hands and legs, with its shape resembling the outline of Spain. The construction seems to hang over the traditional for giving a low horizon. Down on Earth, boiled beans were scattered. The combination of these items creates an absurd, painful-fantastic combination, the transmitting impression was given from the events that took place in those years in Spain
Sofa of candy-pink color is drawn in the form of a lip of the American actress May West. The hair is made in the form of a curtain, framing in the room, eyes in the form of paintings, and the nose is a fireplace on which there is a clock. The lips shade became very popular at one time, acquired the "scandalous" fame
The idea in the form of an illusion room implemented in the theater-museum Dali in the city of Figueras Oscar Tascets under the leadership of Dali himself. The exposition was opened on September 28, 1974.
The head of roses is rather tribute to Archimboldo, an artist, hotly beloved surrealists. Archimismo long before the appearance of an avant-garde as such wrote portraits of court husbands using vegetables and fruits for their compilation (nose-eggplant, wheat hair and the like). He (like Bosch) was something like a surrealist to surrealism.
The famous of the fudges gave. Boxes have always been depicted by them open. They denoted the search, produced unintentionally. Here, gave a clearly some kind of sustainable memory, whose roots remained unknown. Dali outlined, where there should be boxes, and Marseille Dushan, to whom Dali treated with tremendous respect, made a form for casting. From the same form in 1964 a series of new castings was made. Now Venus is located in the Salvador Museum Dali in Florida. Salvador Dali Museum is the only museum in the United States dedicated to one artist.
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| Phone-Languist , 1936 |
The work was presented at the First London Exhibition of Surrealistic Art in 1936. During the advertising campaign, the exhibition was given a lecture on the influence of the subconscious, putting on a diving suit.
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| Metamorphosis Narcissa , 1937 |
He himself was given about Hitler responded in different ways. He wrote that his soft, chubby spin of the Fuhrera was attracted. His mania did not cause special enthusias among surrealists who fed sympathy to the left. On the other hand, Dali later spoke of Hitler as a complete Masochist, who started the war with one goal - to lose it. According to the artist, somehow he was asked for an autograph for Hitler and he put the straight cross - "the full opposite of the broken fascist swastika."
Dali described his work on this picture as an attempt to force abnormal to look normal, but normal - abnormal.
Gala is often posing to her husband - she is present in his paintings and in the allegory of sleep, and in the image of Mother or Elena beautiful. Periodically, the interest in the surrealistic picture of Dali begins to fluff, and the gala makes new ways to make the rich to surpage. So Dali began to create original things, and it brought him a serious success. Now the artist was confident that she knew exactly what surrealism was actually.
Salvador and Gala did not know the needs, they could afford to inform the public with strange antics. It provoked rumors that were taken out of themselves people who have a different warehouse of character. So, about Dali said that he was a pervert, schizophrenia sick. And indeed, his long mustache, whipped eyes involuntarily pushed the idea that the genius and madness go hand in hand. But these rumors only amused lovers.
Amanda Lir - "Angel" Salvador Dali
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One of the first "opened" Amanda Salvador Dali. She was 19, she was charming and seemed to him an angel. Then she was known as Beki d'Sloe. Some researchers believe that Amanda Lire's name is the game of words in French, L "Amant Dalí, that in translation means" Lover Dali ".
Dali, with any madness inherent in the briefness, presented his "Angel" a spouse. They often walked, dinner and visited tricks in three or in the company of the next young Favorite Gala.
Amanda became the frequent guest of the "yard of miracles" - evenings in Lux No. 108 of the Meris Hotel, which took place daily from 17:00 to 20:00. She came here with Dali, who was the center and ideological inspirer "Sowing". Amanda with a proper understanding perceived piquant and often obscene jokes gave to their address and willingly participated in many of his insane adventures.
The herself is not prone to loyalty, the gala, nevertheless, was not ready to put up with the presence of another woman in her life in the life of her Salvador.
Soon, Gala realized how well Salvador in Amanda's society (and in this, it seems that the real genius of this woman) and changed the anger to mercy: helped financially and instructed to take care of Dali. Gala took the promise from Amanda that she marries El Salvador after her death.
In July 1982, Gala died, but this promise of Amanda did not fulfill - she was not at all before. In the passport, by that time, the stamp was already stamped about the marriage with Alain Philippe Malanai, the receiving son of Peterfitt (French Homosexual French Writer).
On the slope of the years, Gala was somewhat distant from Dali. He bought her medieval castle - a poubol, where she enjoyed the last joyful days with their young men. But when she broke the neck of the thigh, Alphonsee, of course, threw her Mrs, and she remained alone. Gala died in the clinic in 1982.
With the departure of the street, the artist began to appear even stronger. He left the canvas forever and the brushes and could not eat anything for all day. If he was tried to persuade, entertain a conversation, Dali became aggressive, said to nurses, sometimes even rushed to them. But he did not beat women - only scratched her face with nails. It seemed that he lost the gift of a self-parting speech - no one could understand the artist. Now everyone was already confident that madness was completely overlooking the consciousness of genius.
Dali gave Amanda, perhaps the most valuable thing that he had - Amulet Gala, who always wore with her: a small piece of wood, which she believed, brought good luck. Exactly the same amulet has always been and Dali.
Accepted Amanda the artist in the dark, asking not to include the light: the great surrealist felt that he would lose his strength, and did not want the beauty to remember him a weak old man.
Without his Muse, Dali lived for another seven years. But is it possible to call these years? To be too big was the bill that presented the artist fate for his brilliant insights.
When the attacks did not torment the artist, he just sat by the window with closed shutters and looked into the emptiness clock.
Dali buried in the theater-museum in Figuene. The artist bequeathed its condition and work.
Inborn genius advertising
Frequently, Salvador Dali advertised himself. Glory, fame, and with them and money literally "lips" to him, wherever he appeared, whatever the direction of creativity has developed. The ability to attract attention - dignity, especially valued by representatives of the film industry. That is why, being in America, Dali, naturally, turned out to be in Hollywood, becoming one of the most visible figures for a while.
Dali became close to the Hollywood celebrity - Walt Disney. On January 14, 1946, Disney Studio signed a contract with the artist to create a Destino cartoon film. The project for which Dali managed to draw 135 sketches, soon closed due to financial problems. Only in 2003, the artists of the Disney Studio managed to complete the work on the cartoon, having implemented the main ideas of the master and using a short fragment, drawn personally given.
Today, the sensual jacket is put on dinner!
Sensual jacket, also known as Aphrodisiac Dinner Jacket, Salvador Dali invented in 1936. 83 cups with mint liqueur were suspended with a tuxedo on thin straws.
To make this jacket even more surreal, in each glass Dali put dead flies. The bra instead of a manica emphasizes the sexuality of the selected image.
Himself was given later "Schiegolal" in a jacket, reminiscent of the sample of 1936: numbered crystal glasses came to replace the cups with a liqueur. It is in such a strange outfit that a maestro is captured in the picture taken during one of the techniques. Today, this photo is stored in the BBC archive among other black and white frames called the symbols of the XX century.
Wine labels
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| Wine label Chateau Mouton Rothschild |
The most famous work of the maestro - a flower from the Lollipus Logo "Chupa-Chups", which lived to us since 1969, has undergone only small changes. Enrique Bernat (the founder of the Spanish company Chupa Chups) turned to the famous Surrealist artist, and he suggested posting the name with a chamomile flower.
The participation of the Great Surrealist could not not affect the results of the competition: that year, the winners were as many as 4 countries, including the native to give Spain.
Maestro was not limited to the "creative" and managed to personally play in several commercials. Crawling from the delight of the mustache was given in chocolate advertising and a surrealistic image of the action against the hangover Alka-Seltzer - the most famous videos with the participation of this great Spanish artist.
At the beginning of the 20th century, surrealistic ideas Vitaly in the air, penetrating the minds of extraordinary personalities, like the virus. Salvador Dali, the most famous of the carriers of this virus, never refused to be the pleasure of cooperation with representatives of other areas of art that shared his surrealistic views on the world.
Acquaintance Dali with Jean Koktokarelli, which occurred in the 20s of the last century, was predetermined: Elsa did not miss the case to shock the public, implementing the principles of surrealism in the design of clothing, and Salvador and Jean fascinated the idea of \u200b\u200bcreating art masterpieces in dresses and costumes.
The idea of \u200b\u200bshoe hats appeared y Dali back in 1933, when, photographing the gala, he put her head on his head. In 1937, the idea was implemented and replenished Skiaparelli hat.
It is in this collection for the first time a hat-tablet appeared. Yes, it is this headdress in the form of a tablet Fashionable at that time aspirin became the prototype of the same hat, which "just" 30 years later became part of the style of Jacqueline Kennedy.
Together with Dali Skiaparelli, another amazing and crazy dress came up with: the ribs, ridges and pelvic bones were drawn on a tightly fitting body. They gave the idea of \u200b\u200bmany mysterious accessories made by Elsa Skiaparelli. Among them, apples bags, gloves with false nails and much more.
Surrealism is in its pure form - this is the exit of familiar things beyond the limits of everydayness, their journey through mystical worlds and return to reality in a new fantastic-great form.
Such magic was owned by Salvador Dali, who, taking the usual subject, could turn it into mystical beauty.
Perhaps the brightest and most famous suchthing - Sofa in the shape of lips.
Satinovo-Alla sofa, outlines repeating the shape of the lips of the scandalous and unusually sexy star Broadway, the actress May West appeared in 1937,
Dali himself considered Mei West an erotic monument of the era.
Lips - one of the favorite symbols gave, the personification of sexuality, secrets and temptation. Decades later, in 1974, El Salvador Dali returned to the idea of \u200b\u200bcreating a sofa in the shape of lips and together with the Spanish designer Oscar Tassem Blanca created a leather bright red sofa
The surrealistic sculpture was given to the fetishist and perfectly useless, created exclusively in order to give out to their insane fantasies. Fantasy at the main surrealist of the 20th century was quite a few, no less and madness.
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| Retrospective bust of women |
In 1933, Dali created a mystical and inconceivable sculptural collage from elements of completely different nature, objects of his fetish and the symbols of their own fear - "Retrospective Bust Women."
The combination of bread and corn cobs with a gentle face of a woman and its exciting breasts create an image of fertility. However, crawling ants and baguette form symbolize a woman as an object of consumption and represent a hint of carefully hidden depression.
Initially, the bust was made using this Baton and during the first exposition, in 1933 in the Pierre Gallery, Salvador's dog was given away a piece of baguette.
Surreal "Cadillac" - "rainy taxi"
For the first time, the "rainy taxi" appeared at the surreal exhibition in Paris, in 1938. Dali promised to organizers that it would be the most amazing and exciting exhibition of the first half of the XX century.
Maestro conceived to create a car, inside which it rains, Paul User Ivy, and on a mannequin, sitting in the back seat, crawl snails. Dali was worth a considerable work to convince the leadership of the exhibition in the need to implement their idea, because the arguments that seek the Surrealist himself convincingly, did not convince anyone except Him himself. However, the fascinating mystivity of the object was so obvious that "good" on the installation was given with the only limitation - the object should be not in the building.
After approval of the name before entering the exhibition, the "rainy taxi" began to build a car with a reinforced under the roof perforated water capacity and a special water supply system that ensures continuous supply of water. Dali left only to issue a moss interior and wait for the scenery of the roots. Searing the mannequins, the surrealist "decorated" them with two hundreds of Burgundy snails.
For his long life, most of which Salvador Dali spent "with a brush in hand", a brilliant surreal created a huge number of masterpieces and took part in many unusual projects: from drawing cartoons before writing books.
Work on your own version of the Tarot deck can be considered one of the most unusual projects Dali: the artist was far from occultism and magic, considering himself the only creator of his own life. But his beloved Gala was delighted with the ability of mysterious maps to open the secrets of the past, present and the future. Maybe it was for Gala who decided to draw his tarot the Great Salvador.
It is difficult to say whether the deck has a special predictive force, but the fact that the underlying of its creation of engraving of Salvador Dali - works of art - undoubtedly.
| Dali could not deny himself the pleasure of perpetuating their image. And the card picked up very appropriate: the king of pentacles fully reflects the commercial success of the undertakings of Salvador. You will also find Dali on the older Arkan - Mage, and his beloved Gala - on the map of Empress. |
The symbols have always been the main elements of Salvador's creativity Dali. Living in his own world, the surrealist saw around himself many hints, symbols and promises. Of course, it is impossible not to take into account the symbolic fact that the future genius was born shortly after the release of the first passenger car, in 1904.
No, Dali did not become a car fan, and it was left indifferent technical achievements and innovations of the automotive industry. However, the surrealist inspired the forms of "automatic carriage" and the power hidden in them: cars became "central figures" of some of his paintings and "heroes" of plots of several literary works. In 1938, the "rainy taxi" was the central figure of the exhibition in Paris.
In 1941, Dali acquired his first car - "Cadillac".
"Cadillac", bought Dali, was part of the five special "Caddy" equipped with an automatic transmission. General Motors has released a limited circulation of unique cars, which have acquired the most famous, influential or shocking identities of that time. One belonged to President of the USA Roosevelt, the second - Clark Gablo, the third was Al Kapone, who came to freedom, the fourth became the property of the couple of Gala and Salvador Dali. The name of the owner of the fifth car is unknown so far.
When General Motors Guide, wanting to improve the brand "Cadillac", planned the release of an even more luxurious and complex car than the first models of the series, the sketch was asked to make Salvador Dali. The first thing that suggested Dali was the name of the new car - Cadillac de Gala. According to his wife's obsessed with his wife, only this name could fully reflect the impressiveness of the model.
The idea was given to an interesting and completely new, but ... technically impracticable in mass production. The surrealist sent his sketch in General Motors and did not receive a response. And after one or two years, the American automaker released ... "Cadillac de Gala"! True, only the name was given from ideas.
After consulting with his lawyers, the artist presented the company to $ 10,000 (this is the minimum unit of measurement in the financial calculus system). Already the next morning by registered mail, he received a check on the requested amount. And no explanation.
Philip Khalsman and Salvador Dali
Halsman met Salvador Dali in 1941. They supported creative and friendly relations for 30 years.
Philip Khalsman removed almost all celebrities in the twentieth century - politicians and millionaires, intellectuals and pop div, eccentric artists and poets. The Creative Cooperation of Salvador Dali and Philip Khalsman continued for 30 years.
surrealism in the photo.
The most famous photo of El Salvador Dali, made by Philip Khalsman - "Dali Atomukus". Surrealistic photo was created without installation and tricks - only a carefully thoughtful production, painstaking preparation, many attempts and incredible patience of all participants in the shooting.
Philip Khalsman and Salvador Dali
As an amazingly processed diamond, the talent of Salvador Dali has many faces, each of which sparkles with a special brilliance and changes the shade depending on the angle of view. He was not just geniant in everything, whether it is painting, sculpture, graphics or literature. The uniqueness of the genius of Salvador Dali consists also in the fact that it was commercially successful.
Any project, which was taken by an expressive Spaniard, sooner or later wrapped in economic benefits. Dali successfully earned a comfortable life, his own ears of hobbies and expensive gifts for their music gala. Does maestro loved money? Unknown. But the fact that the money was loved was given - no doubt.
Hello, dear site readers Sprint answer. Today, June 3, 2017, a regular telephone took place "Who wants to become a millionaire?" With the leading Dmitry Dibrov. In this article, you can see a brief overview of the game, find out the right answers in the game "Who wants to become a millionaire?" for 3.06.2017 . The correct answers in the list of options are highlighted in blue. In the first two, participation accepted: singer Alexander Serov And Queen of Beauty Miss Russia-2013 Elmira Abdrazakov . By the way, the transfer was filmed on May 18, 2017, you can learn about it from joyful post In Instagram Elmira Abdrazakova. Site Sprint-answer starts a report from today's transmission "Who wants to become a millionaire?", Which ether has already passed in the eastern regions of the country. Behind the playing table in the studio participants of the first couple of players.
Elmira and Alexander stopped on a non-governmental amount of 200,000 rubles, Elmira was modest when choosing a non-governmental amount, more precisely realistic. Alexander initially wanted to stay in the amount of 400,000 rubles. As a result, they came to the consensus, the non-governmental amount was determined in 200,000 rubles.
1. What, figuratively speaking, does conscience with a person who repents in the deed?
- swallows
- gtee
- buses
2. What is the name of Mayakov's poem?
- "Okay!"
- "Cool!"
- "Cool!"
- "Fool!"
3. Through what, if you believe folk wisdom, is the path to the heart of a man?
- through its kidneys
- through his lungs
- through his stomach
- through his liver
4. Where does Kalina bloom in a popular Soviet song?
- in the forest
- in the garden
- in Steppe
- in field
5. What word translated from French means a "long chair"?
- chaise lounge
- ottmanka
- canape
- stool
6. What is the name of the indoor plant, and a cold snack from zabachkov and eggplant?
- "Dyashino ear"
- "Techin language"
- "Tychina Kosa"
- "Dyankin Tail"
7. The daughter of which participant of the "Beatles" ensemble became a designer?
- Ringo Starr.
- George Harrison
- John Lennon
- Paul McCartney
8. What day is the first day of the week in Israel?
- monday
- friday
- saturday
- sunday
When answering the eighth question, the participants took a prompt "Call to Friend".
9. What lines Alexander Vasilyevich Suvorov compared the service and friendship?
- with crossed
- with parallel
- with perpendicular
- with diverging
When answering the ninth question, the game participants took the hint "50:50".
The game "Who wants to become a millionaire?" with Alexander Serov and Elmira Abdrazakova
10. Who in the television film "Place a meeting cannot be changed" played a saxophonist in a restaurant and in a cinema?
- Sergey Mazaev
- Igor Butman
- Alexey Kozlov
- Vladimir Presnyakov
When answering the tenth question, the participants took the Help Holding Tip. Unfortunately, the players answered wrong and won anything. They needed to listen to Dmitry Dibrov and take the remaining tip "right to mistake." Sprint-response site continues to review the game "Who wants to become a millionaire?" from June 3, 2017. The studio has participants of the second pair of players, these are actors: Irina Apksimova and Daniel Spivakovsky . Players chose a non-aggravated amount of 800,000 rubles.
1. Where does the drummer speak?
- in the ring
- on the stage
- on the battlefield
- in Kuznice.
2. As a stable expression describes Noah's ark: "every creature ..."?
- by Tara
- pare
- in Sari.
- safari
3. What instrument often mention, speaking of duty and boring action?
- vargan
- duduk
- praying
- volyn
4. What color painted the Golden Gate Bridge in San Francisco?
- in green
- in Yellow
- in orange
- in white
5. How did the person who fulfillment of a trading character called in Russia?
- clerk
- p2
- customer
- refusal
6. What kind of sport is dedicated to the film "Baby by Million"?
- figure skating
- fencing
- biathlon
- boxing
7. What, according to his own confession, was Ole-Luke from Andersen's fairy tale?
Text: Igor Repkah
Admiration of Franco and Hitler's policies. Verbal apologetics of fascism. "Soft design with boobs (premonition of the Civil War)", 1936. Visual demonstration of pacifism. Where did this give a real - not a passionate creator, but a genuine person? Jean Engr argued: "Figure - honesty of art." Check.
Duel with twin
Salvador Domenek Felip Zhasyn Dali and Domasene. His full name. Long, confused, difficult. Salvador Dali. His creative pseudonym. Bright, assertive, memorially. Photographic image accuracy to couple with ineptful, as if children's strokes. Sketches of academic, but modest picturesque gift. Realistic landscapes filled with unreal creatures. Visual confirmation that genius and madness always go there, and Dali is undoubtedly a genius and maybe crazy. Figueres. Little shopping town in Ampurdan Valley in the north of Catalonia. Here, 110 years ago, on May 11, 1904, Salvador Dali was born. He was long-awaited child. True, not by itself. For nine months, nine days and 16 hours before the birth of a surrealistic genius in the family of the distinguished notary of Salvador Dali-I-Kushi and his wife Feliy Domasenech there was a tragedy - in 22 months they died their firstborn Salvador Gal Anselm. Dunting parents in the same name - in honor of the Savior - called the next child.
And his whole life will be marked by the presence of a twin. Invisible, but Dali-artist is more than tangible.
"All eccentric actions that I have the usual to do, all these absurd antics are the tragic constant of my life. I want to prove to myself that I am not a deceased brother, I am alive. As in the myth of Castor and Polluks: only killing his brother, I find immortality. "
This recognition in the "unspoken revelations of El Salvador Dali", published in 1976, is the benefit of another visit to the cemetery, after which the five-year-old El Salvador has formed his own opinion on parental love, deciding that it is not intended to him, but a deceased brother.
However, Dali himself, having talked about the eternal duel with a brother-lady (if it is not the fruit of just a living imagination), leads eloquent evidence that the whole luxury of parental gifts and permissiveness of behavior was delivered to him.
"In the parent house I installed an absolute monarchy. Everyone was ready to serve me. Parents guarded me. Once on the holiday of worshiping of the Magi in a pile of gifts, I discovered royal vestments: shining gold crown with large topases and the mountainous mantle. "
As a result, the child was convicted and uncontrollable. He sought his whims and simulation, always sought to stand out and attract attention. One day I started a scandal on the shopping area. Confectionery shop was closed. For Salvador, it did not mean anything. He needed sweetness. Here and now. A crowd gathered. The police was settled - they persuaded the merchant to open a shop during the Siesta and to give the Boy sweetness.
Plus bouquet of phobias and complexes. Fear of grasshoppers, for example. Insect for a column brought a boy to a hysterical hysteria. Odnoklassniki such a reaction is very fun ...
"I am 37 years old, and the fear that this creature inspires me has not decreased. Moreover, it seems to me that he grows, although there is no place further. If I get up on the edge of the abyss and the grasshopper jumps on me, I will throw down, just not to dill this torture! "
What is the reason for this phobia: latent sadomasochism or a symbolism of fear of sexual relationships with a woman, as they often explain biographers, is not important. The period of childhood and youth determines the whole further life. Dali is especially significant. In many experiences, actions, impressions and stresses of childhood and adolescence, egocentrism and thirst for wealth are rooted, the desire to stand out even over and by shocking behavior, inflicting without knowing the context of the plots of paintings. Here are the origins of duality: Dali-man and Dali-artist. There is a start to surrealism.
From Lohani to Bunuel
A small impressionistic landscape with oil paints on a wooden board. The first picture of Salvador Dali wrote in 10 years. And soon all days stayed in the former laundry room in the attic. The first workshop. Where and the situation shocked, and often the behavior of the owner.
"She was so close that Cement Lohan occupied her almost entirely.<…> Inside the cement lojani, I put a chair on it, instead of the desktop, horizontally put the board. When it was very hot, I undressed and opened a crane, filling Lohan to the belt. Water walked from the reservoir in the neighborhood and was always warm from the Sun. "
At the age of 14, his first personal exhibition took place in the municipal theater of Figueras. Abilities gave to drawing are undoubted. He stubbornly looking for his own handwriting, mastering all the styles like him: impressionism, cubism, pointelism ... The result is quite explained - in 1922, Dali is a student of the Royal Academy of Fine Arts San Fernando in Madrid.
At first, the hermit life was led in the capital, and his free time spent in her room, experimenting with different painting styles and grinding an academic style of writing. But he got close to Federico Garcia Lorca and Louis Burniel. The first will soon become one of the most popular playwrights of Spain. The second will subsequently be one of the most respected filman-garders in Europe.
And Lorca, and Bunuel - part of the new intellectual life of Spain. They challenged the conservative and dogmatic doctrines of the political advantage and the Catholic Church, who formed the basis of the Spanish society of that time. Step by step was given, confident in the omnipotence of the mind, immersed in the "poetic universe" Lorki, who proclaimed the presence in the world with a non-perceptual definition of mystery.
In his youth, they were given without tired of copied Velasquez, Vermeer Delft, Leonardo da Vinci, studied the ancient samples, studied the drawing at Rafael and Engra, the direw dürer. In the works of the early period (1914-1927) you can see the effect of Rembrandt, Caravaggio, Cezanna.
"Only in the past I see the geniuses like Rafael," they seem to me the gods ... I know that I made me next to them - the collapse of pure water. " In the 60s of the last century, he also will also say that he has always been and remains a supporter of the academic perfection of technology and traditional letter manner. "... I greedily asked them about the picturesque techniques, how much to take paints and how much oil, I had to know how the finest colorful layer was done ..." - from the memories of the Academy of San Fernando.
In 1928, at the International Exhibition of Carnegie in Pittsburgh (Pennsylvania, USA), "Bread Bread" (1925) was presented. Picture of almost photorealist.
Then begin to commend the quality, reflecting not so much the real world as its internal, personal.
In the picture "Women's figure at the window" (1925), Dali depicted Sister Anna-Maria, looking out of the window to the bay in Cadakes. The leaf is impregnated with the spirit of sleep unreality, although it is written in a meticulous realistic style. In it there is an Aura of emptiness and at the same time something invisible, which attached the picture space. In addition, the feeling of silence is created. If it was the work of impressionists, the viewer would feel her atmosphere: would hear the sea or whispering of the breeze, but here it seems that the whole life froze. Anna-Mary's figure is isolated, it is in another world, deprived of the sensuality of female Renoara or Degas images.
In 1929, Bunuel invited Dali to work on the film "Andalusian Dog". Among the shocking personnel is the cutting eye of a person with a blade. The scene is considered one of the most cruel in the history of world cinema.
I came up with it given. The decomposing donkeys in other scenes is also its creative. Today, a film, which uses images caught from a person's subconscious, is the classics of surrealism, whose king was given to be.
And again the paradox. He is an exemplary and diligent student. Superfluent to art predecessors. "When I am asked:" What's new? - I answer: "Velasquez! And now, and dream. "
At the same time, rebetes against everyone and everything. The division of the psyche, the splitting of a life goal - for the sake of the desire to stand out at all means.
Mescanin Brad and Reality
"But what happened, what was destined to happen," gave him. A surrealist to the brain of bones, driven by the Nietzshean "Will to power", he proclaimed unlimited freedom from any aesthetic or moral coercion and stated that it was possible to go to the end to the most extreme, extreme limits in any creative experiment, without worrying about any Sequences or continuity. "
So he writes about themselves in the "diary of one genius."
Indeed, his paintings and his recognition did not bypash the sexual revolution and civil war, nor the atomic bomb and Nazism with fascism, no Catholic faith and science, no classical art and even cooking food. And literally with all the ideas, principles, concepts, values, phenomena, the people with whom it was dealtfully was interacting as a dynamite that destroys everything on its path, loosening any truth, any principle, if this principle rests on the basis of the mind, order, faith , virtues, logic, harmony, perfect beauty.
Always in one degree or another bold, scandalous, cheek, provocative, paradoxically, unpredictable or irresistible.
For him, there is only surreal creativity, which turns into something new everything that touches. But! Most of the surrealists investigated the subconscious, freeding their mind from conscious control and allowing thoughts to float to the surface, like soap bubbles, without any consciously installed sequence. It was called "automatism", and when writing it was reflected in the creation of abstract forms, which were images from the subconscious.
Dali, according to him, elected the "paranoid-critical method". Drew images, acquaintances: people, animals, buildings, landscapes, but allowed them to connect under the dictation of consciousness. He often merged them in a grotesque manner so that, for example, the limbs turned into fish, and the torso of women were in horses.
On one of the most famous bells of the twentieth century - "constancy of memory" (1931) - soft, as if molten clock dials hang out with a bare branch of Olives, from the incomprehensible origin of the cubic plate, with a certain creature, similar to the face, and on the snail without Sinks. Every detail can be viewed independently.
Together they create a magically mysterious picture. At the same time here, and in "partial permanent. Six phenomena of Lenin on the piano "(1931), and in a" soft design with boobies (premonition of the Civil War) "(1936), and in the" Dream inspired by the flight of the bee around a grenade, for a moment before awakening "(1944 G.) Removes the clear and absolute thoughtfulness of the compositional and color system. Combining reality and delusional imagination was designed, and not born by the will of the case.
Fascist or Pacifist
The main personal setting was given - to intensify the flow of irrational surrealistic images - sharply and strongly manifested in the political sphere. So that he served as one of the reasons for the scandalous gap with the group of writer and the theorist of art Andre Breton - the author of the "First Manifest of Surrealism".
In the 30s of the last century, Salvador Dali repeatedly portrayed Vladimir Lenin in his paintings and, at least once captured Adolf Hitler. The image of the leader of the proletariat has remained unsolved. Cancel about his personality gave the audience. But interest in the Person Fuhrer commented on bold and defiant:
"I was completely enchanted by a soft, chubby back of Hitler, which was so well faced a constant tight uniform. Whenever I started drawing a leather spine, which went from the belt and, as if the strap, hugged the opposite shoulder, softly attacked the Nazi flesh under the military veil led me to the real ecstasy, causing the taste of something dairy, nutritious, Wagner and forcing me The heart is ragging to pound from rare excitement, which I do not even feel even in moments of love.
The chubby body of Hitler, which seemed to me the divine female flesh, covered with immaculately snow-white leather, had some kind of hypnotic action on me. "
Friends in surrealism could not, however, imagine that the absorption of Hitler's way has nothing to do with politics, and the shockingly ambiguous portrait of the feminized fuhrer will penetrate the same black humor as the image of Wilhelm Tell with Lenin's face ("Wilhelm Tell's Mystery", 1933 .).
Dali recorded in the apologists of fascism. The benefit of the rumor was, as if Hitler would have to make a very soul of individual plots of Calvador's webs, where there are swans, itifies loneliness and mania of greatness, the spirit of Richard Wagner and Jeronimus Bosch feels. Later, Breton will tell that in February 1939, Dali publicly declared: all the misfortunes of the modern world have racial roots and the decision, which must first be taken, together with all the peoples of all the peoples of the White race. Andre claimed that there was no share of humor in this appeal ...
"My fanaticism, even intensified after Hitler forced Freud and Einstein to flee from Reich, proves - This man takes me exclusively as the point of the application of my own mania, and also because he amazes me with its unparalleled catastrophicity," - argued in response Dali.
He explained that he could not be a Nazi at least because if Hitler conquers Europe, he would defy all the hysterias like Dali, as they did in Germany, where they are treated as degenerates. In addition, femininity and irresistible vanity, with which the Hitler's image is associated with Dali will serve as a sufficient basis to accuse the artist in blasphemy.
In 1937, Dali writes the "Hytler's riddle". The Fuhrer appears to be a torn and a peppercase photography, lying on a huge dish under the canopy of a gigantic and monstrous telephone tube resembling a disgusting insect. It was, the artist told, and a simpler visual manifestation of anti-fascism: asked for an autograph for Hitler, and Salvador put a straight cross - the exact opposite of the broken swastika.
"Hitler embodied for me the perfect image of a great masochist, who unleashed the world war, the only for the sake of pleasure to lose her and be buried under the wreckage of the empire."
It is impossible to call his position of the opposite. The Hero-Mazochist, who unleashed world war for pleasure to lose it, is not the banner under which the political forces can be combined.
Usually this declaration do not believe: how could he talk about his apoliticality, touching so defiantly to the most acute aspects of the political life of the 20th century ...
Not politicians
But why not allow, based on the biography and features of the person, that his shocking was a fig leaf for the shy of his own nonstandarity of the vulnerable person who defended her attack on generally accepted norms. After all, it turned out to be the same when someone from surrealists suddenly declared himself a communist, which Dali is an ardent Spanish piano. When other artists argued that the only way to success was through poverty and bohemian simplicity, he did not hide that she strives for success for money and amenities. When contemporaries believed that truth in art could be achieved only through the avant-garde experiment, Dali announced that he himself was very old-fashioned.
Six months before the start of the civil war in Spain, he completed a "soft design with boobs (premonition of the Civil War)" (1936). Two enormous creatures resembling deformed, accidentally contrived of the part of the human body, are frightened by the possible consequences of their mutations. One creature is formed from distorted pain, human breast and legs; Other - of two hands, endorsthawable as if the nature itself, and the like-shaped hip part of the form. They are enclosed among themselves in a terrible fight, desperately fighting each other, these essentially mutants cause disgust as a body that ruins themselves. Square figure formed by the limbs resembles the geographical outlines of Spain.
The lowline of the horizon hyperbolizes the effect of creatures in the foreground, emphasizes the immensity of the sky, flapped by huge clouds. And the clouds themselves their alarming movement further enhance the tragic inhuman passions. In addition, Dali managed to find a strong image, expressing the horrors of war, symbolized by simple boobs, - the poor.
"Face of war" (1940). Dali and his wife arrived in the USA from France, whose troops were capitulated before the German invasion. There is no blood in the picture, there is no fire, no killed. Just the ugliest head with long hissing snakes instead of hair, as if jellyfish Gorgon. But as the thought is accurately transferred, what fear and horror covers the viewer! The mouth and curved eyebrows give their head to the head. Instead of eyes and in the mouth - skull, inside which other skulls are located in the same way. It seems that the head is styled by an endless death.
The riddle remains
"In any error, there is almost always something from God. So do not rush to fix it soon. On the contrary, try to comprehend it with reason, to get to the very essence. And you will open its innermost meaning. "
One journalist asked if Salvador simply gave a crazy or ordinary lucky businessman. The artist replied that he did not know himself, where he began to give a deep, philosophical and where it ends with a crazy and absurd.
But in this double-room, Salvador was given and the value of his double phenomenon was. Dali-man and Dali-artist.
Fears and fetish genius - Symbols Dali
Having created his own, surreal world, Dali filled with phantasmagoric creatures and mystical symbols. These symbols reflecting obsessive ideas, fears and objects of Fetish Masters, "move" from one of his work to another throughout the whole creative life.
The symbolism was not random (as it was not by chance everything in life, according to Maestro): Interested in the ideas of Freud, the surrealist came up with and used symbols in order to emphasize the hidden meaning of his works. Most often - to designate the conflict between the "solid" body shell of a person and its soft "fluid" emotional-mental filling.
Salvador symbolism was given in sculpture
The ability of these creatures to communicate with God was delivered. Angels for him - a symbol of mystical, sublime union. Most often in the paintings of the Master, they appear next to the gala, which was for giving the incarnation of nobility, purity and communications given by heaven.
ANGEL
the world's only picture in which there is a stationary presence, the long-awaited meeting of the two creatures on the background of a deserted, gloomy, dead landscape
In every Creation of Geniya, we learn our own rejected thoughts (Ralph Emerson)
Salvador Dali "Fallen Angel" 1951
Ants
The fear of the time of life arose ya was still in childhood, when he with a mixture of horror and disgust watched the ants devour the remains of dead small animals. Since then, for all my life, ants have become an artist with a symbol of decomposition and rot. Although some researchers associate ants in the works, they gave a strong expression of sexual desire.
Salvador Dali "in the language of alluzius and symbols ignored conscious and active memory in the form of mechanical clocks and ants of ants, and unconscious - in the form of soft clocks that show indefinite time. The constancy of memory is thus depicting oscillations between takeoff and drops in wakefulness and sleep state. " His statement that "soft hours becomes a metaphor of time flexibility" is saturated with uncertainty and lack of intrigue. It can move differently in different ways: either smoothly flow, or to be crossed by corruption, which, according to Dali, meant the decomposition, symbolized by the fuss of insatiable ants. "
BREAD
Perhaps the fact that Salvador Dali has portrayed bread in many works and used to create surreal objects, testified to his fear of poverty and hunger.
Dali has always been a big "fan" bread. It was not by chance that he used buns to decorate the wall-museum wall in Figuene. Bread combined several characters at once. The appearance of the baton resembles El Salvador. A solid phallic object, opposed by the "soft" time and mind.
"Retrospective bust of women" 
In 1933, S. Dali created a bronze bust with a loaf of bread on the head, ants on the face and corn cobs as a necklace. He was sold for 300,000 euros.
Basket with bread
1926 Dali writes a "bread basket" - a modest still life, filled with reverent respect to the Small Dutch, Vermelee and Velasquez. On a black background, a white crumpled napkin, a wicker straw basket, a couple of bread pieces. Specified with a thin tassel, no innovations, a liner school wisdom with an admixture of manic diligence.
Crutches
One day, the small Salvador found old crutches in the attic, and their purpose produced a strong impression on a young genius. For a long time, the crutches were for him the embodiment of confidence and unprecedented highly arrogant. By participating in the creation of a "brief dictionary of surrealism" in 1938, Salvador Dali wrote that crutches are a symbol of support, without which some soft structures are not able to hold the shape or vertical position.
One of the frank bullying was given over the Communist love Andre Breton and his left glances. The main character according to Dali himself is Lenin in a cap with a huge visor. In the "genius diary" Salvador writes that the baby is he himself, wearing "he wants to eat me!". Here there are also crutches - the indispensable attribute of creativity was given, which retained their relevance throughout the life of the artist. By these two crutches, the artist supports the visor and one of the pilots of the leader. This is not the only well-known job on this topic. Back in 1931, Dali wrote "Partial Hallucination. Six phenomena of Lenin on the piano. "
Retractable drawers
Human bodies in many paintings and objects of El Salvador gave revealing boxes, symbolizing memory, as well as thoughts that often want to hide. "Caucas of thought" is a concept borrowed from Freud and meaning the secret of hidden desires.
SALVADOR DALI
Venus de Cute with drawers 
Venus Milosian with drawers
,1936 Venus de Milo with Drawers Gypsum. Height: 98 cm Private Collection
EGG
This symbol was given "found" from Christians and a little "finalized". In the understanding was given, the egg does not so much symbolize the cleanliness and perfection (as Christianity teaches), how much gives a hint of former life and rebirth, symbolizes intrauterine development.
"Birth of a new man" ("GeoPoliticus Child Watching the Birth of the New Man"
Metamorphosis Narcissa 1937. 
You know, Gala (and however, of course you know) it is. Yes, Narcissus is me.
The essence of the metamorphosis is to turn a narcissus figure into a huge stone hand, and the heads in the egg (or onion). Dali uses the Spanish saying "The bulb in the head sprout", which indicated obsessive ideas and complexes. The self-ability of the young man - and there is a similar complex. Golden leather Narcissa is a reference from the excretion of Ovid (whose poem "Metamorphosis", who told about Narcissa, and the idea of \u200b\u200bthe picture was inspired): "Golden wax slowly melts and breaks away from the fire ... so melts and tee love."
Elephants
Huge and majestic elephants, symbolizing dominance and power, Dali always relieve long thin legs with a large number of kneeches. So the artist shows the instability and the unreliability of what seems unshakable.
IN "The temptation of St. Anthony" (1946) Dali placed holy in the lower corner. Above him floats the chain of elephants headed by a horse. Elephants are carrying on the backs of the churches with naked bodies. The artist wants to say that temptations are between heaven and land. For gave sex was akin to mysticism.
Another key to an understanding of the picture lies in the adolescent appearance on the cloud of Spanish El Escorial, the building, which for Dali symbolized the law and the order achieved through the merger of spiritual and secular.
Swans reflected in the form of elephants
Landscapes
Most often, landscapes were made in a realistic manner, and their plots resemble the paintings of the Renaissance. The artist uses landscapes as a background for its surreal collages. This is one of the "branded" damn damage - the ability to combine real and surreal objects on one canvas.
Soft molten hours
Dali said that the liquid is the material reflection of the indivisibility of space and the flexibility of time. Once after a meal, looking at a piece of soft Camembert cheese, the artist found the perfect way to express a changeable perception of a time man - a soft clock. This symbol combines a psychological aspect with an extraordinary sense expressiveness.
Constancy of memory (soft clock) 1931 
One of the most famous artist pictures. Gala completely predicted that no one, once saw the "constancy of memory," he would not forget. The picture was written as a result of associations that had arisen y Dali at the form of a melted cheese.
SEA URCHIN
According to Dali, the sea hedgehog symbolizes the contrast, which can be observed in human communication and behavior, when, after the first unpleasant contact (such a contact with a barbed surface of the hedgehog), people begin to learn pleasant features in each other. In the maritime hedgehog, a soft body with gentle meat, which he loved to be toured so much.
Snail
Like a sea hero, snail symbolizes the contrast between the external severity and rigidity and soft internal content. But in addition to this, Dali was delighted with the outlines of a snail, exquisite geometry of her shell. During one of the cycling sodes from the house, Dali saw on the trunk of his bike snail and remembered the charm of this spectacle for a long time. Being confident that the snail was on the bike not by chance, the artist made it one of the key characters of his work.
"What is surrealism? Surrealism is me! " - This phrase has become a cult, and today everyone knows the extraordinary Salvador Dali, who wrote extraordinary canvas. In his world, reality did not just bordered by fantasy, but acquired the form of mysticism. Not everyone understands the true purpose of his creativity, but most says that he admires the genius. Why did the branch of glory got exactly Salvador Dali - we will try to figure it out.
Salvador Dali: grotesque personality
What do we know about Dali? Long black mustache asymmetrically located on the face; scolded eyes; The immeasurable adoration of Galla's wife, who was older than the artist for ten years; And so much without scandalous reputation.
Today it is customary to judge on his paintings on secret fears, see Freudian inclinations by quoting the lines from the memoirs of the diary of one genius. How many confidently say that paranoid psychosis was allowed to be visible on the sleep canvas, where the head with the missing body is supported by the backups that allow not to fall on the ground. But those who peer into the hidden defects were given, sometimes forget that this picture enters the "Paranoia and War" cycle. On the eve of the Second World arter, horror of blood and depicts humanity that lost their support.
Being apolitical, Dali often turned to the image of Hitler, reflecting on his fears and children's offends. However, over this fatal figure, he seems to be mocking, hiding his own glances under the shadow of light mockery: "Hitler embodied for me the perfect image of a great masochist who unleashed the world war to lose her and be buried under the wreckage of the empire. This disinterested act would have to cause a surreal admiration, because in front of us - a modern hero. " Such a frank posture could not be left in history, and at present people love to talk about how Dali admired Hitler. A spoonful of the fly adds the phrase of Louis Bunuel, with whom they were given in his youth created a short film "Andalusian dog": "Thinking about him, I can not forgive him, despite the memories of youth and my today's admiration for some of his works, his egocentrism and the establishment of themselves Cynic support for Frankists. " However, if you figure it out more detailed, there are evidence that Salvador was not on the way. "If Hitler won Europe, he would have sent all the hysterics to me. All, I like this, in Germany, he equated to the mentally ill and destroyed. " In addition, it is known that Dali drew a picture of the "Mystery of Hitler", on which the prophetically portrayed the death of the Fuhrera, - this work was dated 1937 and was destroyed by the Nazis.
Real Dali.
A solid provocation, bordering the psychosis, is this person - a worthy candidate for the symbols of our stormy century ...
How did they see the society and how he was actually two absolutely different people. If the epoch is used to consider it to be a shocking scandalist, then for himself he was ... just a genius! It would seem paradoxically and self-confident. "If you start playing a genius, you will certainly become" - What is it, vanity, naivety or deep knowledge of the laws of human psychology? It was the inherent gave the strangeness that made it somewhat infantile, causing some kind of childish look at things.
If you turn to his memoirs, it will become a noticeable sublime, a little hyperbolized Wiper on the world, usually inherent in the smallest representatives of humanity. Isn't that Dali began to cooperate with Walt Disney, wanting to have true feelings and emotions in the form of a cartoon, devotion to the public in so unusual, but at the same time sincere relationship with Galo? The joint work of two geniuses resulted in the cartoon tape under the title "Destino", "Salvador's avant-garde", but this is no less touching. At the heart - the story of the love of the Chronos God (representing time) and the mortal woman. Throughout the film, the heroine is dancing, surrounded by surreal graphics. There is no dialogue: the combination of music and dance since sincerely was considered a "clean" form of art, and the words were for nothing.
Salvador Dali and Epoch
Alas, not everyone is able to appreciate the creativity of the creator. And so no longer everyone will penetrate the soul of this lord of the brush and easel ... But it is ready for the day and night to sing the creators of pop art! Increased contradiction to society, ignoring the rules, going beyond the boundaries of the framework - everything was concentrated in it, for what Yarro tends to seek. And if we experience intake fatigue from the conventions - Maskolt presents us a cult person, the subject of adoration is all right, because for him the concept of "convention" did not exist at all. In times, when everyone considers itself a rebel and an opponent of the system, Salvador - the personification of anarchism - it seems an idol. That is why his work is allowed, no less causing than the author himself. Contemplating paintings, they see only a psychedelic side, not trying to penetrate, with what problems the artist worked. As the cult of the personality of the genius is mentioned in the songs, films dedicated to life and creativity are removed ... There are legends about him and gossip away. There is even a piece of perfumes, bearing the immortal name of the crank, genius and showman in one face!
Yes, his paintings are unsurpassed, and arguing with this - the highest manifestation of the absurdity, but today society is interested in not so much aesthetic value, how much noise born around their author. Paradox man, live drug, surrealistic genius - all this Salvador Dali. But for some Dali is a brand that is well-selling in the information market.
And in what light do you see the artist?
Anastasia Vasilenko