Muscovites older still remember the queue in Pushkin Museum At the exhibition of graphics of the 17-year-old Moscow schoolgirl, which the whole alliance knew as a genius young artist Nadia Rushev. She was the author of thousands of delightful drawings, including the illustrations of the "master and margarita" - the best of all existing, on the authoritative opinion of the widow of Bulgakov. On January 31, 2017, she could have been 65 years old. Unfortunately, she died when she was only 17. On the birthday of Nadi Rusheva "Favorites" decided to restore the chronicle of life and creativity of an incredibly talented girl.

1. Mom Nadi Rusheva was the first Tuvinian ballerina

Nadya Rusheva was born on January 31, 1952 in Ulan Bator. Her father was the Soviet artist Nikolai Konstantinovich Roshev, and Mother - the first Tuvinian ballerina Natalia Doydallovna AzikmaaRusheva.

Parents Nadi got acquainted in August 1945. Nikolai Rushev lived in Moscow, he came to a business trip to Tuva. He was always interested in the East, but from this trip brought not only impressions and books, but also an exotic oriental beauty. In old photos, Natalia Doydalovna, a purebred tunic, similar to China from Wong Car-Waa films. In the autumn of 1946, they got married.

2. Draw Nadia starts in five years

Nobody taught it to this, she just took a pencil and paper into the hands and never parted in life with them anymore. One day she drew 36 illustrations to the "tale about Tsar Saltan" Pushkin, during the time the Father read this fairy tale out loud. Nadia tells:

"At first there were drawings to Pushkin's fairy tales. Dad read, and I painted at this time - painted what's in this moment Self<...> Then, when he had learned himself to read, I was already to " Copper rider"," History of Belkin ", to" Eugene Onegin " ...»

Little Nadia Rusheva with parents

3. Nadia never used an eraser

The feature of the style of Nadi Rusheva was that the girl never did sketches and did not use an eraser for a pencil. There are practically no hatching and fixed lines in the drawings. She always painted on the first attempt, as if he had doused on a piece of contours only to her. That is how she herself and described the drawing process:

"I see them in advance ... They appear on paper, like watermarks, and I have them to circle them."

There is not a similar feature on its drawings, but in each work the artist virtuoso transmits emotions - often with just a few lines.

Natalia Goncharova, Pushkin's wife - perhaps the most famous drawing Nadi Rushevoy

4. Father decided not to give a girl to an art school

Nadia almost never painted from nature, did not love and did not know how to do it. Father was afraid to destroy the darity of the girl and accepted the most important decision - Do not teach it drawing. He believed that the main thing in Talent was Nadi - her amazing imagination, which is impossible to teach.

Licecilists-freezers: Kyhehelbecker, Pushkin, Pushkin, Delvig. From the series "Pushkinian"

5. The first exhibition Nadi took place when she was only 12 years old

In 1963, her drawings were printed in " Pioneer truth", And a year later, the first exhibitions took place - in the editorial office of the journal" Youth "and in the" Art Club "of Moscow State University.

In the next five years, another 15 solo exhibitions passed - in Moscow, Warsaw, Leningrad, Poland, Czechoslovakia, Romania and India.

Pushkin reads. From the series "Pushkinian"

6. "Bravo, Nadia, Bravo!", I wrote an Italian storyteller Janni Rodari on one of her works.

In assessing her creativity, simple viewers and art historians were unanimous - pure magic. As possible with the help of paper and pencil or even a felt-meter transfer the finest movements of the soul, the expression of the eye, plastic? .. The explanation was one thing: a girl is a genius.

"The fact that it created a brilliant girl becomes clear from the first drawing," wrote Irakli Louarsabovich Andronikov, arguing about the "Pushkinian" cycle

"I do not know another similar example in the history of the visual arts. Among the poets, musicians were rare, but there were extremely early creative explosions, artists - never. All of the youth goes to the studio and the development of skills, "the doctor of art with Alexey Sidorov admired Nadiy Sidorov.

"Apollo and Daphne", 1969.
Nymph Daphne gave the vow of chastity. Running from the inflamed passion of Apollo, she asked the gods about help. The gods turned her into lavra treeAs soon as Love Apollo touched it.

7. Only in the Pushkinian series more than 300 drawings

Among the works of Nadi Rusheva - Illustrations for myths Ancient Ellala, Pushkin's works, Lion Tolstoy, Mikhail Bulgakov. In total, the girl illustrated the works of 50 authors. The most famous drawings of Nadi are a series of illustrations to the "Little Prince" fairy tale, Antoine de Saint-Exupery, to the novel in the verse "Eugene Onegin" Pushkin and to "Master and Margarita" Bulgakov.

Pushkin, whom Nadya called "the most native poet", the artist dedicated about 300 drawings.

She was able to career illustrator, but she herself wanted to become a multiplier, was preparing to act in VGIK.

Pushkin and Anna Kern (from the Pushkinian series)

8. Figures Nadi highly appreciated the widow of the writer Elena Sergeyevna Bulgakov

The Roman and Margarita Roman "Master and Margarita" donor read in the same breathing in the USSR. The book completely captured her. She postponed all other projects and literally lived in the Bulgak world created. Together with the father, they walked around the places where the effect of the novel was unfolded, and the result of these walks was the amazing cycle of drawings, in which Nadia Rushev appeared already as a practically-consistent artist.

Incredibly, but these half a century ago drawings remain to this day, perhaps the most famous illustrations To the novel Bulgakov - and the most successful, in many ways prophetic. Never seeing Elena Sergeyevna Bulgakov, the widow writer and the prototype of Margarita, Nadia gave her Margarita similarity with this woman - amazing dismissions, the quality of genius. And the master turned out to look like Mikhail Afanasyevich himself.

It is not surprising that Elena Sergeyevna was fascinated by Nadi's work:

"How freely! .. Ruthless! .. Poetic shortness: the more you look, the more delays ... what is the amplitude of the feelings! .. The girl at the age of 16 perfectly understood everything. And not only understood, but also convincingly, perfectly depicted. "

Master and Margarita

First Meeting Masters and Margarita

Margarita snags manuscript from fire

Homeless poet

9. Literally on the eve of death, Nadya went to Leningrad, where the documentary was filmed about it

At the end of February 1969, Lenfilm's film studio invited a 17-year-old artist to take part in the filming of a biographical film about himself. Unfortunately, it remained unfinished. Nadia returned home literally the day to death.

One of the most striking episodes of a ten-minute incomplete film - those a few seconds when Nadya draws a branch on the snow Pushkin's profile.

Nadezhda Rusheva. Self-portrait

10. She died unexpectedly

On March 5, 1969, Nadia as usual was going to school and suddenly lost consciousness. She was taken to the first town hospital, where she died, not coming into herself. It turned out that she lived with congenital aneurysm of brain vessels. Then it was not able to treat it. Moreover, doctors said that this is a miracle - to live to 17 years old with such a diagnosis.

No one knew that Nadi aneurysm - she never complained about his health, was cheerful and happy baby. Death came from hemorrhage into the brain.

The merciless cruelty of fate broke out of life just bloomed talent ingenious Moscow girl Nadi Rusheva. Yes, ingenious, - now there is nothing to fear premature assessment.

- from the posthumous article by Academician V.A. Vatagina in the journal "Youth"

Nadya left behind a huge artistic heritage - About 12,000 drawings. The exact number is impossible to calculate - a significant proportion was separated in letters, hundreds of sheets artist presented to friends and acquaintances, a considerable number of works on different reasons Not returned from the first exhibitions. Many of her drawings are stored in the Museum of Lion Tolstoy in Moscow, at the Nadi Rusheva Museum-branch in the city of Kyzyl, in the Pushkin House of the Academy of Sciences in St. Petersburg, National Fund Culture and State Museum A.S. Pushkin in Moscow.

The journalist and writer Dmitry Shevarov in his article about Nesthe Rusheva says that the work of the Soviet artist turned out to be extremely close to Japanese classical aesthetics.

"The Japanese still remember Nadia, publish her drawings on postcards," says Shevarov. - coming to us, they are surprised that there is no Rushevsky in Russia museum Centerthat the work of Nadi lie in the storey, and our youth, for the most part of Rusheva, did not hear anything. "This is your Mozart in Fine Arts!" - They say the Japanese and shrug themselves inundely: they say how these Russians are rich in talents that they can afford to forget even about their geniuses. "

But how? Where? Why instead of skaks and classics - books, biographies and hours of painstaking work without rest and break. Work to which no one forced her. And why the ancient Ellada, the biography of Pushkin and the "Abidos Bride" of Byron interested in a 12-year-old child more than games and chatter with girlfriends? Alas, no one will not answer these questions. The girl as if she was in a hurry to fulfill her a famous mission and, having completed her, left his life.

There are many people whose talent opens in early childhood. However, not all of them become famous and get world glory. Many remain no one who is not known to the geniuses that are forced to keep their pathetic existence. But there are also such personalities that, on the contrary, at the peak of their popularity, go away from life. It is to them and the Nadia Rushev belongs. This is a small 17-year-old artist with tragic and at the same time happy fate, about which we will tell in our article.

Birth, adolescence and young artist

Talking about the forever young 17-year-old girl, which was prepared as short, but very bright fate, it is possible only positive. She is a little sun, which caused only delight during life. Nadezhda was born on January 31 in 1952 in the family of a talented master of fine art of Rusheva Nikolai Konstantinovich and the first Tuvinian ballerina Natalia Doydalovna Azikmaa-Rusheva. However, Nadyusha grew not quite ordinary child.

Inexplicable drawing to drawing

The tendency to drawing the girl appeared in early childhood. At another five years, the father of the baby began to notice one interesting feature: As soon as he started reading the fairy tale loud, his daughter jerked immediately, ran somewhere and returned with a pencil and paper. Then she sat down near, carefully listened to the father's voice and diligently something drawl on paper. That's so little on Nadia Rushev began to draw.

School and drawing

Parents loved Nadu very much, so they tried to "do not score the child's head" with accurate and humanitarian sciences. They did not specifically learn to write it or read. When the baby was seven years old, she was given to study at school. So hope for the first time began to master sciences, learn to write, read and count. Despite its fatigue and workload within school program, Girly still found time and half an hour a day after the lessons took the drawing.

Not dried over the years and the interest of the artist by Russian tales, myths and legends Ancient GreeceBiblical parables. At this age, Nadia Rushev continued to combine its favourite hobby, drawing, listening to evening fairy tales performed by dad.

First record for the number of pictures

Once Nadia, as usual, sat and listened to Pope, who read "Tale of Tsar Saltan" by A.S. Pushkin and traditionally made outline. When the curiosity of Nikolai Konstantinovich took the top, and he decided to see what the girl draws there, there was no limit to his surprise. As it turned out, during reading a fairy tale, Nadyusha created as many as 36 pictures corresponding to the subject of the work. These were wonderful illustrations, the simplicity of whose lines hit the imagination.

What features Figures Nadi Rusheva

The main feature of the painting Rusheva was that during his young career a girl never made sketches and did not use an eraser for a pencil. The artist preferred to create his masterpieces from the first time. And if at the same time she did not succeed, or did not suit her the result, she simply squeezed, threw the picture and started first.

According to himself young talentShe heard or read some story, took a sheet of paper and already mentally saw what image to draw it.

Nadia Rusheva (biography): adult recognition

First exhibition and first life experience

PERSION soviet artist Rusheva Nikolai Konstantinovich was not in vain. When hope was 12 years old, it was organized by its very first personal exhibition. How many joys and positive emotions brought a five-grader that dreams of becoming a famous multiplier!

And although many critics with alertness and some distrust reacted to the schoolgirl, behind which there was no diploma about the end of a specialized artistic school and a large life experience, It did not pushed, but, on the contrary, it became a certain incentive for the artist. Nadia Rusheva (a photo can be seen above) did not leave his hobby, but continued to develop and improve their abilities.

However, along with unexpectedly stunned popularity in the life of the girl practically no change has happened. She still continued to go to school and learn, walk with girlfriends, read and draw a lot.

Creating a new series of illustrations

At the age of 13, Nadia Rusheva created new series pictures, which are illustrations for the work of Evgeny Onegin. Surprisingly to all relatives, friends and acquaintances, a teenage girl managed to combine two incredible things: not only to display people corresponding to a certain historical epochBut even conveyed their mood.

Pictures - this is a ray of hope

Pictures of Hope Rusheva - these are ordinary pencils or watercolor outlinerepresenting a set of contours and lines. As a rule, they almost completely absent hatching and toning.

According to the famous sculptor Vasily Vatagina, painted Nadia Rusheva Pictures possessing simple lines. However, they were performed in such easy techniqueThat such skill could envy many experienced, adult painters.

If we talk about the characters of the artist, they are so thoroughly chosen and drawn that, looking at them, just the diva is given. Her mythical characters are not angry at all. On the contrary, they are kind and designed to call only positive emotions.

According to the Pope of the girl, she was well able to capture the mood of the authors who wrote this or that work, as well as transfer it to paper. Centaurs, mermaids, gods and goddesses, the characters from the Bible and fairy tales seemed to come to life under the pencil talented artist. It is a pity that Nadia Rusheva went out early. Death overtook her at such a young age. Learn more about how it happened, we will tell below.

Exhibitions and New Girl Achievements

Over the next five years, many publishers are interested in hopes, as well as representative offices of the arts. During this period, 15 new exhibitions of the works of the young artist took place. They successfully took place in Poland, Romania, India, Czechoslovakia and other countries of the world. Among the pictures of Nadui were illustrations for ancient Greek myths and legends, to fairy tales and works of Soviet poets and prosaikov.

The work of Bulgakov in the creative life of hope

Special Stroke B. life path Hope was a number of illustrations made by her while reading such a sign as "Master and Margarita". At that time, the girl was just 15 years old.

For those who do not own information, the main characters this novel - These are bright prototypes of the author himself and his beautiful spouse. Even without guessing this, Nadia Rushev was intuitively felt this similarity and did everything possible in order to transfer his thoughts on paper.

Extraordinary traction to ballet

Few people know that, in addition literary works, the artist was also interested in ballet. Little hope often happened on my mother's rehearsals and admired her grace during the performance. Once the hope even managed to draw an illustration for the ballet "Anna Karenina", and long before the music was written to this work.

Choosing Bulgakov

When the author of the Roman who was survived today saw nadin illustrations, he was amazed. Therefore, he immediately decided to use them as spectacular illustrations for the book. So young artist I became the first fifteen-year-old author, who was officially allowed to illustrate the novel. Later, she illustrated and the novel "War and Peace" L. Tolstoy.

Unexpected Cum

No one could even think that it was so fast and suddenly leave this world Nadia Rushev. The cause of her death, according to official data, is a gap of one of the vessels with subsequent hemorrhage to the brain.

"Everything happened suddenly, the father of the girl shared his impressions. - Early in the morning hope, as usual, going to school, suddenly she felt bad and lost consciousness. Doctors fought for more than five hours for her life, but they still failed to save her. "

And although the parents of the girls did not want to lose hope, the news of the death of their daughter finally knocked them out of the rut. Father and mother for a long time could not believe that their sun was no longer there. That's how I left the life of Nadya Rusheva. The cause of death is congenital aneurysm.

From the date of the death of a talented artist, a long time has passed, but even today the memory of it is alive in the hearts of the connoisseurs of her work and other artists.

I remember, I was visiting Polina, I sat in her room on the carpet, opposite the bookcase and leafing the book. One of them turned out to be a thin art album. "The graphics of Nadi Rusheva" - so it was called. From one page, the beautiful eyes of a blond boy looked at me. For some reason I immediately recognized a small prince in it. From the next drawing, the sorrowful face of Fox was watching (he was depicted in the form of a person), thin hands, not even whining, in last time Hugging a little prince, who will now go forever ...

And for some reason I cried. For the first time in my 18-year-old life, I cried at the sight of drawings - ordinary graphic drawings.

On some - smooth lines bizarrely intertwined, blossoming like flowers; On others, they were torn, nervous, nervous. And only one united them - they were extremely simple. The artist's hand did not share, did not express them diligently and for a long time, did not erase the eraser, did not overlook. And the lines came out amazingly finished, butchka ...

... The ballerina in the picture is so tired, which was physically felt trembling from tension in her lowered hands. Little Natasha Rostov, just bursting into the room - on a leaf of the album, laughs loudly in infectiously. In the beauty with languidly lowered eyes, you can immediately find out Natalia Goncharov. Even if you did not read the "master and margarita", the illustrations it becomes clear that thin, the long-skinned type on the bench is a hiter, quirky, and nasty. And nearby - a beautiful young woman, a respectable Muscovite, a tensely compressed her handbag in his hands. Azazello and Margarita in the Alexandrovsky Garden.

Spiky's eyes, a black man in a ruthless fellow and terrible. Wave.

Thin, transparent, with a spilled face of quiet sadness - a girl in the river under water. Ophelia.

Thoughtful boy bites the pen for the letter. Sasha Pushkin!

Tatyana Larina with a letter of Onegin, offended kid-centail, freckled Seinery Yesenin with blades ...

I'm all familiar, I recognize everyone. Only one thing is unclear for me, only one riddle torments me - how did you manage to pass it all in several curved lines? How could this take the hand of the usual Moscow schoolgirl? How can I say so much in a few runaway stamps with a pencil or handle?

I barely postponed the book, washed, and, shyring my nose, explained to the girlfriend that nothing more heartfelt and beautiful than the drawings of Rusheva, I did not see.

- I like it too. My dad was at her exhibitions. Talented girl. Only she died very early - at age 17.

- How died?! In 17?

… In Mongolian, Nadezhda name - Nadedan - means "forever living".

The long-awaited child is Nadya's girl was born on January 31, 1952 in Mongolia, in Ulan Bator. Her father - Nikolai Konstantinovich worked as an artist - an instructor of the theater and teacher in art school, and mother - Natalia Doydallovna ( famous ballerina Tuva) - the balletmaster.

Nadia began to draw from five years. At the end of the age, she sketched in an album 36 advanced illustrations to the "Tale of Tsar Saltan" Pushkin. She did it at a time, while his father slowly and read her beloved fairy tale with the expression.

Then Nadia with his parents moved to Moscow. She sang in the choir, participated in group dances, loved poems and fairy tales. Mom showed her uncomplicated ballet exercises, Grandfather taught a little to the piano. But nobody taught her to draw her, the girl began to engage in this herself, without adults.

She painted easily, playing, as if bypassing only one visible images.

... "Some plum is obtained ... or not? This is perhaps a steamer. Aaaa, this is a point. But the Emelaka put two pillows and left ... "It was a joyful game in drawing, the expanser of the imagination of a little girl. Having come home from school and making lessons, she gladly accepted for loved fantasy, good at hand she always had small albums or trimming paper of various formats and colors. At first she paid this fun at no more than half an hour. And then it became a daily dual need for life.

Having lived an incomplete 17 years, Nadia left a huge wealth after himself - over 10,000 drawings.The final number of them will never be calculated - a significant proportion was divided into letters, hundreds of sheets artist crossed friends and acquaintances, a considerable number of works for various reasons did not return from the first exhibitions. Performing its compositions in main ink and ink, Nadia almost perfectly mastered the linear graphics technique. Nadia has created illustrations for works by 50 authors, including Shakespeare, Rabl, Byron, Dickens, Hugo, Mark Twain, Gogol, Lermontov, Bulgakov, Lermontov and Endlessly Favorite Pushkin.

Drawing "on imagination", it created in addition, a lot of fairy tales of his own composition, risks to anyone else in those years of not poles, fantasy scenes. Among the starring sketches there are several of those who depict the ballet "Anna Karenina". Already after the death of the artist, this play-ballet was indeed delivered, and main role It was playing Maya Plisetskaya.

At fourteen years, Nadia began work on a series of drawings to the novel L.N. Tolstoy "War and Peace". In these compositions, the artist applied another drawing technique using watercolor. Nadia never enjoyed an eraser. Her drawings were born without sketches, the gaze, scored. "I see them in advance ... they appear on paper, like watermarks, and I have something to circle them," said Nadia. She read a lot and all her impressions of the read splashed on paper.

Pushkinian Nadi is not only illustrations for creativity, but also the whole life of the poet, his friends, close. The "loose" of improvisations Nadi in the drawings of Pushkin himself brought the oldest Pushkinist A.I.Gessen to the idea to offer an artist to illustrate his book "Life of the poet". Thus appeared great amount Works dedicated to Pushkin.

The number of personal exhibitions Nadi over time exceeded 160. Drawings of the Moscow schoolgirl loved in Artek, Leningrad, Poland, Czechoslovakia, Romania, India, Japan, Mongolia. Many of them were inspired by Pushkin poetry. In this regard, in 1969, shooting began on Lenfilm documentary film "You, as the first love ..." dedicated to Pushkin theme in the work of Nadi.

Since 1996, the state museum has become the main keeper of the nadine creativity. Pushkin.

At the end of the school, she was going to do in VGIK: he dreamed of becoming a multiplier. The life of Nadi cut off at the takeoff - March 6, 1969, she as usual, gathered to school, leaned up to fasten the boots and fell, having lost consciousness ... caused " ambulance", Nadia was taken to the first town hospital.

They could not save her ... Doctors called a miracle that the girl lived to 17 years old with severe congenital pathologies - the aneurysm of the brain vessels. Children with such a defect (and it was impossible to reveal it during life) live, as a rule, for years to 7 years.

... I read a short nadine biography, once again revised the drawings in the album and asked him for a couple of days at the Polina - can open. Since then, I carefully kept the opening sheets with Nadi drawings. And he dreamed that someday I would know more about her. Helped Almighty Yandex - exactly after 6 years I was at school number 470 on m. Kantemirovskaya, which now carries her name. At school where a brilliant girl studied memorial Museum Nadi Rusheva.

We talk with the head of the museum - Natalia Vladimirovna Usenko.

- Please tell me how long there is a museum who was the initiator of creation, how did it all start?

- The museum has existed since 1971. Pope Nadi - Nikolai Konstantinovich came to school with this idea, transferred several genuine drawings to the museum. Together with Nina Georgievna (now she is the director of the school) - they are together and started. The first museum was generally in the bedroom for a progress group. There were cribs, kids slept on them, and the pictures were hung around the pictures. And even there was some poet who came to this museum, and after that he wrote a poem - how children sleep and see dreams inspired by nadin drawings. And after a while the museum received a separate room. Nikolai Konstantinovich himself held the first excursions, the first museum asset created from the kids, he trained himself. Then the information was much larger, all this was first-hand, because Nikolai Konstantinovich, as they say, could tell every figure very, very long, all the details, as was created, about what and so on.

- How did you discover the work of Nadi?

- I discharge for myself, I also opened randomly. Came at the Bulgakov Museum "Non-good apartment" ten years ago. Nadi album was sold at the museum. He shook me. I still studied at the institute, I didn't even know about this school. And then I accidentally got into this school. It was necessary to prepare some holiday on the birthday of Nadi, I was asked to help, I wrote a script, and from that day somehow everything went. The performance about Nesthe we did, it is called - "A little about happiness" - about the Artek days Nadi. And I decided to stay here.

- Maybe remember some sensations from the first-seen drawings seen? What did they struck?

I am not art historian, not an artist, I can estimate at the level "Like - I don't like". And Nadia not only drawings is probably striking. Personally, I am primarily not with drawings, not a talent, not your famous line, and I am striking me most like a person, and I really like how she passes the moment, feeling ... My favorite nadins drawings are a series "Modernity". She grabs some traits, mood, and literally in several lines pass them. There are, for example, a drawing "on the playground". There is just a playground, mumms sit on it, and kids in the sandbox. And it can be seen what mom is - what child, because there is a description of the expression of persons, behavior. One mother sits and swears, and she splashes saliva, the droplets are drawn. And the child is the same - Drachun, wakes up with a spatula on another. That is, she transfers the mood with these trifles. And the famous "fashionists on Kalinsky Prospect" is so thin, with irony. We have a drawing in the museum, he is on back side Notebooks on arithmetic of rush hopes, that is, apparently, during the lesson, too, several strokes. There are three figures, I would not even say that these are people, very schematically. And the sun. And again it can be seen: these three figures are absolutely different tempers. You can look at this drawing and invent a whole story. And if several people will write this story, there will be different stories.

Her drawings are forced to fantasize, think. For me, the charm in this. I can drive the kids on the museum, how much they will withstand, because we can stop and argue around each drawing. I will not tell them about the technique, they are not particularly interesting for them, but it is good for them, which is good, which is bad, what is the character of that hero, which of which it is possible. When you look at the pictures famous artists - Yes, beauty, interesting things are superimposed, such paint, other paint, but not reason. And here it is thoughts very convex.

Still known and such interesting Facts - Nadya somehow depicted bulgakov Masters With perverse on the finger. In the romance about Persdnet - not a word. And Mikhail Afanasyevich Bulgakov, as it turned out, always wore him at home when he wrote "Masters and Margarita." Nadia dreamed to meet with Elena Segeyevaya Bulgakova - already the meeting was appointed, but Nadya did not have time ... And Elena Sergeyevna said that Nadin "Margarita Transfigurable" is very similar to her, on Elena Sergeevna, although Nagia never seen her ...

And the talent nadus for you is?

Nadia was a very whole man, she has a deed, actions, thoughts, drawings - they are so all one. She was sufficiently free, oddly enough, at that time, not storm. In fact, she understood much more, judging by her drawings. For example, Nadi has a series that is still incomprehensible for me, "Mother and Child." Child at 14, 15, 16, 17 years old - she painted these drawings. In theory, the girls still do not think about it. Why does she have this series? Basically, these are happy mothers, apparently, as she had in her family. But somewhere there is a tragedy when drawn war time. This topic is "mother" is not characterized by children, they do not appreciate what moms do for them. Only in some adult condition, maybe they will be assessed truly. And Nadia that understood that. She has a drawing "again you fly bombs." And here the mother is trying to protect their children from bombs with their hands. It is this feeling of the mother, the purpose of the mother she felt and handed over. There is a drawing of "Giraffika and the Little Girafenok", where Mama-Giraffikh, bends her neck to this little girafic to climb him, and it can be seen that she is uncomfortable, just visible, but, nevertheless, she does it.

There is a drawing "Mother of Hamlet". Absolutely simple, it is possible to calculate the line. But this mother has such empty eyes! It can be seen that this person has nothing left in the soul. It is necessary at that age it all feel! And this is a lot of such. Elena Sergeyevna Bulgakov, for example, noted that there is a drawing from the "Master and Margarita" series, when Margarita leans over a sleeping boy. In my opinion, this is also not very clearly described in the novel, but again, Elena SERGEVNU struck how Nadia is this maternal feeling, the maternal affection managed to convey. Her drawings dedicated biblical motifs - "Martyrs and Angels", Our Lady.

- Surprisingly - during the heyday of socialism - and suddenly - the Mother of God ...

– Yes, I asked specifically - no, Nadi's family did not promote communism, but also religious traditions was also not respected. She, apparently, he herself read about it, thought about it. And Nikolai Konstantinovich - he is also an artist - there are no such motifs of drawings, at least from what I saw. Although they walked a lot in monasteries, Father Nadi loved the monastery architecture. Nadi has one sole drawing of oil - they have painted in Kolomensky with dad, standing nearby. Two identical drawings - one dad, another nadine. We have one time hanging when there was an exhibition of Nikolai Konstantinovich, and all visitors guess what dad, what nadine. They are not signed, only Natalya Doydalovna distinguishes them on the power of smear.

- In your opinion, that modern children attract the most in Nae, in her drawings?

You know, children begin to create her. I am a Russian and literature teacher and after the museum excursions we argue with them, we think. The guys begin to write poems ... Because, in principle, Nadia herself read a lot. Father Nadi in his book " Last year Hope, "leads excerpts from her diary - Nadia led a diary, where he recorded that she read for a month, saw - she had a lot to the cinema, in theaters, at exhibitions. Natalia Doydallovna recalls that in Leningrad she could not lead a little daughter from the Hermitage. Oven Nadin Mom loves to remember that when his daughter was small, she could leave her at home alone. Put in front of her a stack of books and went. "Where the daughter put - there and find, in the books."

To me, an adult person, a third not to do what Nadia had time, because it was read an incredible number of books. She managed very much. At the same time, she was a child very alive, not at all "botanical", as children say, not closed, not storm. She loved to dance very much, take a walk with girls, play. Somehow she managed everything. Such a feeling as if Nadya knew that she would not live for a short time and sought to catch more ... although this press of fate, let's say, did not happen - as it seems from her letters and drawings ... Take, for example, the same turbine is visible - What a girl with a difficult worldview, with tragic. Nadi did not have it. Nick is dark, with a supervision, and Nadia is very bright. She did not feel the exclusiveness, very simply always held. And, it seems to me - children amazing that. They are not capable of like adults, perceive the line, they just like how Nadia depicts the same centalarm. They adore nadine drawing of a guinea pig - Favorite, in general, drawing of the whole school.

Children mature - like Mystecism Bulgakov, they are most interested in them. The boys go to me all the time run out, I open the museum during an excursion, and in the change, and here they all look around, they are interested. One 12-year-old boy, recently I hope such a message wrote: "Nadya, I love your drawings very much, I love you very much,"

- I know that several students help you in the museum ...

- My main activists, unfortunately, have now gone, they finished grade 11 last year. Now one finishes grade 11, this year. She plays Nadia in the performance for many years.

Now children are mainly done for themselves, and somehow attract them to what they are unprofitable is very difficult. And here it is just seen those who live not only for themselves. Nadi has famous phrase- From the letter to her Artek friend Alik Safaralyyev: "If you want them a little bit down, burning to the alert himself, it is terribly difficult, but it is impossible only for yourself." This phrase becomes motto for some children.

- Natalia Doydalovna talked about his beloved daughter's drawing?

– She loves for some reason "Toning Ophelia." This drawing is now in the Roerich Museum. He loves the "Tuvinian mother" and "Little Prince". She has a dream to make a wall calendar with a small prince, with this series of drawings.

- Now it is known that Nadi had a congenital pathology of the brain vessels, which was the cause of her death. But I had to hear such an opinion - as the girl was ingenious, all the time was encouraged in it the development of her talent. She was constantly repeated that it was necessary to work, it is necessary to improve, develop their talent, and in the end, Nadia could not stand it.

- It is absolutely wrong. I again spend parallel with a nickname turbine. She has dorms, this is a broken child. Nadia absolutely does not impress this impression. She does not have any coordination in drawings. For her, drawing was a form of life, she always painted. She did not even leave the house without a notebook. Nadia stood on the bus and painted, if something came to her. If you take her scripts, there and on the father's drawing, on the turnover, both on the notebook, and on a floccass, and on the crib, and almost on the wallpaper. Agree, if it were coordinated for creativity, it would probably be done at least on A4, an ordinary white sheet, or somewhere so that it could be set up, show. And here the drawings are exactly assembled, somewhere marked. She drew, threw out, and dad went, picked up. He did not strive her to work, he supported her talent. Nobody taught her, because Vatagin Vasily Alekseevich, famous sculptor And the family friend said somehow: "I don't need to learn. It will only spoil her talent, his primacy. She is in itself. She, in general, even better this academicity does not acquire, "that is, not to go to an art university in the future, because then the primacy of her talent may be lost.

I also read on the Internet that some people believe that Nadia simply, roughly speaking, well "propiarious" ... One lady wrote like this: "I also drawn well, nothing worse than Nadia, but my dad said that I would not spoil Baby childhood. And did not arrange my exhibitions. And then they decided to make a glory on the child. " It's absolutely wrong! Because, firstly, in addition to glory, Nadi were and some negative feedbackdefinitely. For example, if you take the exhibition in the Tolstoy Museum, which took place when Nad was 16 years old. At this exhibition, a discussion was held with the participation of famous Tolstovyov, many of whom thickened Nadia in the fluff and dust, saying that the girl was unable to understand the Great Tolstoy. Were, of course, and positive reviewsBut there were such. And then Nikolai Konstantinovich writes in his diary: "I was very frightened for Nadia, as she reacts now." And Nadia got up and calmly said: "Yes, perhaps, I do not understand the whole depth of Tolstoy, but I painted for myself and for my peers as I understand it now." For her, this fame did not play roles. They recognize her drawings or do not recognize -, of course, she worried about how anyone would be worried, but there was no tragedy for her, she did not draw for this. She painted really for himself, not expecting any praise, no recognition.

I watched a movie where Nadia Pushkin's profile was drawn on the snow, listened to her quiet, ringing voice I had long examined the children's photos of the artist. Rounded laughing girl with bow on her head sitting in high grass. Here, Nadia in black brazes strokes the goat at the cottage of Vatagina. And the matured artist is a high, thin-skinned face of a string with a touching smile. Such a living, so close, a light bird Naidan, flies like sometime Little Princewho managed to pass in their drawings something elusive, mumbling and very important.

While I did not solve nadin talent ... And I do not know - is it possible at all?

Author - A-Delina. This is a quote of this message.

Nadia Rusheva. Thread Ariadna from the tip of the pen ...


"... if you want them a little bit down, Gori Motley himself."
Nadia Rushev

Nadezhda (Nadya) Nikolaevna Rusheva (Birth name: Nadedan, January 31, 1952, Ulan-Bator, Mongolia - March 6, 1969, Moscow) - Artist-schedule, author of many beautiful drawings - including the "Master and Margarita" novel, According to the widow of Bulgakov, the best illustrations of this work ...

Nadezhda Rusheva was born in the city of Ulan-Bator in the family of the Soviet artist Nikolai Konstantinovich Rushev. Her mother is the first Tuvinian ballerina Natalya Doydallovna Azikmaaa
Rusheva.

Parents Nadi met in Tuva, in August 1945, where Moskvich Nikolai Rushev, theatrical artist sent on a business trip. Young man attracted East - from this trip he brought not only impressions, but also a wife - a ballerina, a girl exotic beauty (At old photos, Natalya Doydalovna, a purebred tunic, similar to China from Wong Car-Waa films.). At the time, the rare union. In the fall of 1946, a wedding took place.

In 1950, the young family was waiting for the appointment, in Mongolian People's Republic, at the Opera and Ballet Theater of Ulan Bator, where Nikolai Rushev - theater artist, and Natalia Azhikmaa - Pedagog Balletmaster. There was a long-awaited event: on January 31, 1952, a daughter's daughter appeared. The local sage gave her a prophetic name Naman, that on Mongolian means "forever living".

In the summer of 1952, Rushevy moved to Moscow. Natalia Doydalovna left ballet and completely devoted himself to the family, to raise his daughter. Nikolai Konstantinovich began working on Central television in the editorial office theatrical performances by artist. The meaning of his life was the upbringing of his daughter. Nikolai Konstantinovich Souls did not care in Nadya: I read a lot to her, I shared my extensive knowledge, I knew how to tell me that the imagination of the daughter developed unrestrainedly, brightly. He was aware of her literary, artistic, musical preferences and, of course, tried to introduce the girl with the best representatives of world culture.

For half a century, Natalia Rushev is asked how she managed to grow by Wunderkinda. And for all these years she never gave a ready-made recipe. Just because it is not. The only daughter of Rushev was brought up, without falling into extremes. Nadia was not introverted and closed in advance. On the contrary, stretched to people, new persons. He moved perfectly - Charleston's famously sailed, gladly went skiing, skating. Could become a ballerina, like a mother - there were grace, and high, "ballet" lifting stop. But Natalia Doydallovna did not want such fate for his daughter: "Standing in Massovka - there is nothing to do, but be the first to be very hard."

Nadia began to draw with three years, And no one taught her drawing, he also did not teach her to read and write it. "Naduzhev learned to read only at school, in seven and a half. The houses did not specifically taught, they decided to teach early - the daughter will be bored in the class. More It was not pressed for her. Is it possible to force a child, because he will do everything on the contrary! - remembers Natalya Doydallovna, she began to paint, like all the children, barely learned to keep a pencil. Husband books, drawing hangs on the wall to better consider, and Nadia is suitable and next to her own. That I was always surprised in it - not in childish careful attitude To things. She never rushed a book, did not break the toys. "

At the age of seven, being a first-grader, she began to draw regularly, every day no more than half an hour after lessons. Then she, in one evening, painted 36 illustrations to the "tale of Tsar Saltan" Pushkin, during the time the Father read this beloved fairy tale out loud. Having found an artistic talent in the hope, the father did not succumb to the temptation to teach her to draw professionally, did not give her daughter to art school (The girl was engaged only in the studio of the Poland of Pioneers on weekends at the teacher of Lyudmila Alekseevna Magnets). He gave to develop his daughter's talent freely, independently. Later, when Nadya has already developed in many ways as an artist, it also happened that he asked her advice when something did not work in work sketches.

Picture. It was like her own language - mysterious, gusty, light. As breathing. She herself was light, movable, cheerful, loved dancing, laughter, jokes, harmless mischief. But over the drawing, it always slept, silenced. Over the drawing, it seemed to be immersed in another world, unknown others. She ruled in the picture. She lived in it. Same spoke more than once: "I live the life of those who draw ..". What did she draw? Colored shallow, pencil.

At the age of six - seven years, the girl made friends with the pen - a pen, which in the first grade, all diligently removed sticks and hooks. Artists usually do not draw them - a too fragile tool, and the amendments are excluded .. Nadya loved to draw and felt-tip pen, and pencils, for her it was equally easy, she said that only shears on sheets of paper suddenly cut out the contours of the face and figures , contours and plots. She studied at 653 - her Moscow school, loved to ski, play dolls.

In May 1964, the first exhibition of its drawings organized by the journal "Youth" (Nadia studied in the fifth grade). After this exhibition, in the same year, the first publications of her drawings appeared in the number 6 of the journal when she was only 12 years old. Moscow journalist V. Ponomarev ("Izvestia") wrote on April 17, 1964 in his own kind and ironic note: "Bravo, Nadia, Bravo!" - These words wrote on one of the pictures of the artist Italian poet and the storyteller Janni Rodari. The artist is interested in very Much. This is what the names of the sections of the exhibition: "Russian ballet", "World of Animals", "Cosmos and Science", "Fairy Tales and Fantasies", "Fashion Yesterday and Today", "Ellina and Slaves", "World of Children", " Power and grace. "

Over the next five years of its life, fifteen personal exhibitions took place in Moscow, Warsaw, Leningrad, Poland, Czechoslovakia, Romania, India. In 1965, the first illustrations of the Thirteen-year-old Nadi were published in No. 3 of the Youth Journal artistic work - To the story of Edward Pashneva "Newtono Apple" .. ahead there were illustrations for the novels "War and Peace" of Leo Tolstoy and Master and Margarita Mikhail Bulgakov and the fame of the future book GraphicAlthough the young artist herself dreamed of becoming a multiplier by an artist. In 1967 was in Artek, where he met Oleg Safaralyyev.

Fame, fame, recognition. True, the fees in the age of Nadi almost did not pay it - it was not accepted in those days to pay money to the child. Everything went into the pockets of higher organizers of exhibitions, adult uncle and teresten, in unknown unions and committees. (Only one day, on a poorly paid part of some kind of fee, the parents of Nadi were able to buy her a demi-season baby coat.) However, no one asked about money, it was also not accepted in the then "super-food" Soviet Society. But here is a curious and touching barcode. In many drawings, Nadia Rusheva depicted himself in jeans. In fact, she did not have them - the family with a modest sufficient could not afford to buy his daughter, albeit " best girl In the Union "(so wrote newspapers) a very fashionable thing. And Nadia allowed himself occasionally dreaming about her - at least in the drawings!

Self-portraits.

Glory flew for nadiah on the heels. They were recognized on the streets, they took an interview, asked, put it on inspiration, compared with "Mozart in painting" .. and Nadia remained all the same as usual. Calm, cheerful, friendly, completely "non-verbal" girl. Odnoklassniki Rusheva did not suspect a long time that it lies something that some kind of, special .. well, you think about it - I descended the wall newspaper, there is no one to draw anyone! Children such ignorance, not vision of talent - quite excite. And adults .. there was also a magic, instantaneous, inexplicable, which was attended by hard, instant, inexplicable, that he was sorely present in her gift and causing breathing, sometimes fascinated.

Nadia loved to draw and did not think of life without drawing. . When she kept his drawing cycles to different topics, I read extremely a lot and did, besides this, I loved rides and travels, even small: by bus to the park, Square, to the river, to the forest ... She attracted a little empty pastime, and in the first place for her they were always some kind Sophisticated spiritual interests and experiences: new songs by Vladimir Vysotsky, verses of the Evtushenko, a trip to the Pushkin Museum, tickets for ballet performances, Book Ob. antique art. She could argue with anyone by age a person about what he considered important and necessary for the right understanding of something: phenomena, things, art, actions .. in history, she remained an adult child. Exactly how her favorite character is a small prince.

Nadia died very early - in 17. On the eve of the girl returned from Peter, where he filmed in the documentary film about Pushkin. Everything happened stunningly, frighteningly quickly! Here, as I told about the tragedy on March 6, 1969, Mama Nadi, Natalia Doydalovna Azhikmaa - Rusheva: "On March 5, 1969, the daughter came from Leningrad. They traveled for a few days to shoot a documentary movie about Naia. I came to my daughter cheerful, told about his daughter Impressions. In the morning, the next day I was tagged to work, and Naduzha - to school. Prepared the girl annecot and scrambled eggs, she drank a glass of coffee. The daughter was lively, joyful. In her hand she held a burning red candle, on which white wax glasses. "Mom , see how beautiful! " I left, and a few minutes later she lost consciousness. Nikolai Konstantinovich felt something wrong. The phone was not. He ran into the hospital. There he was asked for a long time. Finally came, took my girl at ambulance to the hospital. After a few hours, she, without coming into consciousness, died. She had a congenital defect of one of the brain vessels. Now it can be operated. Then they could not. From the hemorrhage to the brain Naduha did not become. Never sick and did not complain.

Nadia died of the sixth of March. And the next day the boys decided to congratulate classmates from March 8. All girls put some toy girls on the desks. And Nadia did not come. The class was shocked by the news of her death. It happens that someone loves someone in the class. And they loved her ... And shortly before that she walked with her friend on the street and noticed funeral procession. Sad music ... And she said: Well, how? And so hard - a person died, and here suddenly such music. Yet more people finish. Here, he says, if I drank, I would like to be buried in the Artek form (her beloved form) and to play "Bitles". And, by the way, it was. "She went to the music of Bitles and left us the ease of the pen, the airiness of the picture.

The candle, with frozen wax tears, still stands on the writing desk of the artist. Only here he became pale yellow. From time to time, everything loses paints - drawings made by flomuses made by markers, no matter how hiding them, Natalya Doydalovna from the light, yellow the pages of books that leafed the daughter - only memories are faded.

Nadia was buried on the Pokrovsky cemetery. There was a monument to her grave, where its drawing "Centaurian" was reproduced. There now lies and Nikolai Konstantinovich - Father survived the daughter of just six years.

Like neither cynical early death Only rooted the interest of the public to the young artist. At its exhibition in the Museum of Pushkin there were many hours of queues. Art historians spoke about the Rusheva Rusheva chart. Exhibitions passed in more than two hundred cities - not only in the Union, but also in the USA, Japan. The widow of Bulgakov, Elena Sergeyevna, who met the shower after the tragedy, argued that the bestons for the "master and Margarita" were the best, and the gift of the artist was on the verge of clairvoyance.

The ring of her masters - accurate copy Parsny, who wore Bulgakov himself, Margarita is the widow of the writer ... Elena Sergeyevna was going to promote the publication of the novel with nadine illustrations, but did not have time - shortly after the meeting with the parents of the artist Bulgakov died. Figures of a 15-year-old girl on the theme of the cult novel and now look fresh and exciting - it is even strange that the "masters" with the illustrations of Rusheva so really and did not publish (except for the Barnaul edition of the beginning of the 90s, whose print quality left the best).

The artist's schedule in the USSR was rarely printed in general because of bad printing - it was done in Japan and Germany. Do not hurry to publish albums and now, although technical capabilities have improved. "Would be rich - even though the calendar would have released," Natalya Doydallovna crushes. In the drawings of the daughter, parents earned the delicious tears: in 1976, the only album "Graphics Nadi Rusheva", father and mother paid 990 rubles for him. But Natalia Doydalovna and does not think about money: "When they make an exposure, it is an honor for us. In the 80th year in Japan was Nadin exhibition. The organizers printed drawings from Pushkinians, gave me several instances. " Now a gift in a beautiful gilded frame decorates the living room of Natalia Doydallovna.

In 1994, Natalia Doydalov said State Museum A.S. Pushkin A significant proportion of heritage Nadi Rusheva. In October 2006 in high School The village of Siserling Piy-Hemskaya Kozhun Tuva opened the Museum named after N.D. Azhikmaa-Rusheva.

NonTehesky handwriting children's drawing.
Feather spread - as if waving wings.
Sovici Lines Thin String
Ring, breaking away from the tip of the pen.

Wals freely by parquet
Sheet hand.
Soul Dar God Dan
Provide.
Silhouettes appear
Through tight white watman fog.

And the outlines of the wonderful moment
Get up from the ash, arranged again,
What is alive deity and inspiration ...
And eternal life, and tears, and love ...

We are the fog of the wrongness and doubt,
From the caches of the Immortal yesterday,
Stretches forever young genius
Thread Ariadna from the tip of the pen.

Many consider it the most talented artist soviet period Our story. I will say more: the talent of this kind could arise only and exclusively in the USSR. Look carefully on the subject of her creativity. On those ideals that she sticks. To what she believes. In what other period of Russia's existence could have occurred such a female soul?

Its name is not only the Moscow School, where she studied (a memorial museum was opened there), but also a pass in the Caucasus, and one of the small planets. In 1976 in the publishing house " art"The big album came out with her drawings. Her drawing was the logo of the" International Non-Film Cinema Center and Television "Centaur". There is a community in LJ, it is dedicated to: nadja_rusheva. The network has many sites associated with its work (for example, http://nrusheva.narod.ru).

Among her works - illustrations to the myths of ancient Eldla, works of Pushkin, L. N. Tolstoy, Mikhail Bulgakov. A total of about 50 authors were illustrated.

Among the starring sketches there are several of those who depict the ballet "Anna Karenina". This ballet was indeed raised after the death of the artist and the main role in it danced Maya Plisetskaya.

Her drawings were born without sketches, always painted the gaze, brought and she never used the erasing elastic band. "I see them in advance ... they appear on paper, like watermarks, and I have to circle them," said Nadia. This is a classic expression of a talented person.

Nadia left behind a huge artistic legacy - about 12,000 drawings. The exact number of their number cannot be calculated - a significant proportion was divided into letters, hundreds of sheets artist presented to friends and acquaintances, a considerable number of work for various reasons was not returned from the first exhibitions. Many of her drawings are stored in the Museum of Lion Tolstoy in Moscow, at the Nadi Rushev Museum-branch in the city of Kyzyl, in the Pushkin House of the Academy of Sciences in St. Petersburg, the National Fund of Culture and the Pushkin Museum in Moscow.

More than 160 exhibitions of her work in different countries: Japan, Germany, USA, India, Mongolia, Poland and many others.

Yes, I almost forgot: she died at the age of 17.

Nadezhda Rusheva was born in the city of Ulan-Bator in the family of the Soviet artist Nikolai Konstantinovich Rushev. Her mother is the first Tuvinian ballerina Natalya Doydalovna Azhikmaa-Rusheva. In the summer of 1952, the family moved to Moscow.

(Little Prince - During the USSR, this fairy tale of Exupery was very loved

(Sad fox (after parting with a little prince))

Nadia began to draw from five years, and no one taught her drawing, also before school was not taught to read and write. At the age of seven, being a first-grader, she began to draw regularly, every day no more than half an hour after lessons. Then she, in one evening, painted 36 illustrations to the "tale of Tsar Saltan" Pushkin, during the time the Father read this beloved fairy tale out loud.

(Young Pushkin and the lady of his dreams)

In May 1964, the first exhibition of its drawings organized by the journal "Youth" (Nadia studied in the fifth grade). After this exhibition, in the same year, the first publications of her drawings appeared in the number 6 of the journal when she was only 12 years old. Over the next five years of its life, fifteen personal exhibitions took place in Moscow, Warsaw, Leningrad, Poland, Czechoslovakia, Romania, India.

(Maya Pleetskaya ballerina)

In 1965, the first illustrations of the Youth Journal were published the first illustrations of the Thirteen-year-old Nadi to the artistic work - to the story of Edward Pashneva "Newtono Apple" .. Ahead there were illustrations for the novels "War and Peace" of Leo Tolstoy and Master and Margarita, Mikhail Bulgakov And the fame of the future book schedule, although the young artist herself dreamed of becoming a multiplier artist. In 1967 was in Artek, where he met Oleg Safaralyyev.

(Drawn during the rest in Pioneerland "Artek")

In 1969, the film was filmed on Lenfilm "You, as the first love ..." dedicated to the Nest of Rushev. The film is not over.
Died on March 6, 1969 in the hospital due to the rupture of the congenital aneurysm of the brain vessel and the subsequent hemorrhage into the brain.

(The most famous drawing of Nadi Rusheva - Natalia Goncharova, Pushkin's wife)

Buried on the Pokrovsky cemetery on the first plot. A monument was put on her grave, where its drawing "Centaurian" was reproduced. Here is more her work:

(Taming)

(Uznage)

(Two Pairs)

(Adam and Eve)

(Apollo and Daphne)

(Hercules and Ukhanira)

(Illustration for "War and Mire")

(Illustration for "War and Mire")

(From the illustrations to war and peace ": Pierre Duhov)

(Prince Andrei)

(Prince Andrey and Natasha before separation)

(Bal from "Hero of Our Time" Lermontov)

(Lady Hamilton)

(Confusion)

(Untitled)

(Maya Plesetskaya ballerina - dying swan)

I suggest see its illustrations to "Master and Margarita" Bulgakov:

(Koroviev and Cat)

(Master and Margarita)

(Meeting Margarita and Masters)

(Master and Margarita in the basement from the developer)

(Above manuscript)

(Margarita transformed)

(Pontius PoS Pit)

(Yeshua)

(Margarita)

(Wave)

(Ivan homeless)

(Molba Frida)

("Farewell!")

This is not an obsection borrings.

Her mother is still alive. She is 85 years old. " Best tool From old age - to die young, "wrote Nadia in the diary ...

Nadia Rusheva. Anniversary.

January 31 marks 60 years since the birth
moscow artist Nadi Rusheva.

In the Moscow Museum of the artist will be held a holiday evening.
We invite everyone who honors her memory and talent.
February 4, Saturday. Start at 15.00.

Address: ul. Yerevan, D.20 (School building № 1466).
Travel:
1. Art. Member "Cantemirovskaya", then by bus or bus No. 164 to the "School" stop
2. st .metro "Tsaritsyno", then by bus number 245 or No. 289 to the stop "Yerevan Street"