Illustrations of different artists to the fairy tale. Andersen "Snow Queen"
Tales of Hans Christian Andersen know and love children and adults in every home around the world. There are also illustrators of them, so the variety of books is huge.
But for me, Andersen will remain forever as they saw His Anatoly Kokorin, because even his portrait I handed out the uncountable number of times with a battered book with your favorite illustration.
For drawings to the works of Andersen Kokorin was awarded the Gold Medal of the Academy of Arts of the USSR and the hot love of several generations of readers.
"He knew everything about Andersen. Seventeen years collected and gathered a special library, where in different languages \u200b\u200bthey spoke about Andersen, recalled about Andersen, studied Andersen, in different style and different manners were portrayed his heroes. But the artist Kokorina did not need a draw style. By the time of the meeting, he possessed a certain secret, against which, in fact, and failed to resist not the time or the space, nor the features of another culture. The art of the artist Kokorin, it would be necessary to call "improvisation of a professional", and the result of this improvisation, when the pencil touches the paper literally on the fly, truly akin to the fairy tale, which, as is known, touches reality only when he herself wants " http://bibliogid.ru/articles/497
This is what Coconina's work spoke of his colleague and friend Viktor Tsigal: "In the illustrations of Kokorina there is a persuasive, which conquers skill, mischief, game moment, fireworks of joyful paints. Looking at his drawings in the albums and books, I am amazed how organically it lies the drawing onto the sheet, as it turns out with the text, the font, how the line itself goes on, and where it rivers, how the coal pencil under the head of the temperament crumble.
But the words of the author himself: "When I was a little boy, I was presented with a book in red binding. It was written on it with gold pattering letters: "Tales of the city of X. Andersen". I read these amazing fairy tales with dying hearts .... And in front of me there were unusual countries, vintage cities, peasant houses, unlike our. I saw the waves of funny ships with puffy sails and people in unusual clothes .... and I wanted to make pictures to them.
Whenever starting to illustrate a new fairy tale, I'm quietly saying: Good morning, Great Andersen! I always strive to make a drawing clear, extremely expressive. But such simplicity is easily not given and requires great preliminary work. I love to draw a black soft pencil. Also draw with pen and ink. And paint paint on the finished drawing. "
Therefore, how I was delighted when Asta came to repress the fairy tales of Andersen with his favorite Coconary illustrations. Long chose, what book to buy, and stopped on "favorite fairy tales." The book includes three fairy tales Andersen: light, swineweed and potatoes. The first two are translated by A. Ganzen, the latter - in retelling A. Maximova. And since these fairy tales are not only familiar to everyone, but there is in every library, it does not make sense about the text. Therefore, I will say about the edition - a large square format, hardcover, dense white offset paper, large font, illustrations on every turn (!), Print quality normal, paint bright, clear illustrations. If you find fault, then the only minus is a thin white strip in the center on some illustrations for the entire turn (visible on the scans), apparently, due to illiterate stitching.
Other options of Andersen's editions with Cockerine illustrations: (In the first in addition to the three fairy tales, Andersen also "Cat in Boots" Perro, and in the last two there is only a cover and format (reduced)):
Recently, AST has released as many three options for the challery of the Perro Cat in Boots with Cocker illustrations. That is, the option is essentially one, just as usual, the covers are different - for every taste, and solid, and soft. The fairy tale in the wonderful translation of Valentina Berestov, as in the edition of the seventh year, drawings and color, and black and white.
At the request of Marina, I'll tell you a little finally about the collection of fairy tales Andersen "Sausage stick soup and other fairy tales" from the publishing house "Moscow textbooks". The book contains rarely published fairy tales, which is very relevant, in the presence and in the sale of an incredible number of mermaid, thumbnail and snow queens with a variety of illustrations.
In the collection of six fairy tales, four of which are in the classic translation of Ganzen: sausage stick soup, little flowers, small claus and big claus, Ole Luka, IB and a Christine, magic hill.
Illustrations of Elena Abdulaeva - Lungs and smoky, on an amateur. And although I do not consider myself, very glad to prevent this book in the closure, thanks to its content and quality of execution. It is just excellent: large format, solid cover (with a cute font composition in the form of a mouse))), dense coated paper, excellent printing, large font suitable for self reading. You take a book in your hands, and I don't want to let go.
In the yard peeped the snowball.
- It pines white bees! - said the old woman grandmother.
- Do they have a queen too? - asked the boy; He knew that real bees had such.
- There is! - answered grandma. - Snowflakes surround her thick roam, but she is more than all of them and never remains on Earth - always worn on a black cloud. Often, at night, she flies through the urban streets and looks into the windows; That is because they are covered with ice patterns, as if flowers!
- Seen, saw! - Children said and believed that all this is the truth.
- And the snow queen can not enter here? - asked the girl once.
- Let it try! Said the boy. - I will put her on the warm stove, so it melts!
But the grandmother stroked him on the head and started talking about a friend.
In the evening, when Kai was already at home and almost completely undressed, going to go to bed, he scored on the chair by the window and glanced in a small thawing circle on the window glass. Snowflakes fluffled outside the window; One of them, more, fell on the edge of the flower box and began to grow, grow, until finally turned into a woman, looked into the finest white tulle, woven, seemed from millions of snowy stars. She was so charming, so gentle, all of the dazzling white ice and still lively! Her eyes glittered like the stars, but they had neither warmth, no meekness. She nodded the boy and enaning his hand.
Artist Benvenuti
Artist Christian Birmingham.
Artist Christian Birmingham.
Artist Christian Birmingham.
Artist Angela Barrett.
Artist Edmund Dulak
Artist H. J. Ford
Kai and Gerda sat and viewed a book with pictures - animals and birds; Five pierced on large tower hours.
- ah! Suddenly scolded a boy. - I cried right in my heart, and something got into the eye!
The girl wrapped his neck with his hand, he blinked, but nothing seemed to be in the eye.
- It must have jumped out! - he said.
But the fact of the matter is that not. In the heart and in the eye, two fragments of the Deville mirror hit him, in which, as we, of course, remember, all the great and kinda seemed to be insignificant and ugly, and the evil and bad reflected also brighter, the bad sides of each thing were even sharper. Poor Kai! Now his heart had to turn into a piece of ice!
Artist Nika Golz
Snowflakes grow everything and turned to the end in large white chickens. Suddenly they scattered on the sides, the big sleigh stopped, and the man sitting in them got up. It was a high, slim, dazzling white woman - the snow queen; And the fur coat and the hat on it were from the snow.
- We robbed nicely! - she said. - But are you very frozen? Forest to me in a fur coat!
And, putting the boy to himself in Sani, she wrapped him in her fur coat; Kai as if sank into a snowdrift.
- Are you still murous? She asked and kissed him in the forehead.
Wow! Her kiss was colder than ice, penetrated him with a cold through and reached the heart himself, and it was already half an icy. For one minute, Kai seemed that he was about to die, but no, on the contrary, it became easier, he even completely stopped choking.
- My Sledge! Do not forget my sledges! He tried himself.
And sledges were tied to the back of one of the white chicken, which flew with them for large sleighs. The Snow Queen kissed Kaya once again, and he forgot and Gero, and grandmother, and all home.
- More I will not kiss you! - she said. - And not that a kisser to death!
Kai glanced at her; She was so good! A smarter, charming person he could not imagine. Now she did not seem to him ice, as that time she sat outside the window and nodded his head; Now she seemed to him perfection.
Artist Angela Barrett.
Artist Christian Birmingham.
Artist Anastasia Arkhipova
Artist Vladislav Erko
The boat carried farther; Gerd was sitting smartly, in alone stockings; Red shoes sailed her boat, but could not catch up with her.
The banks of the river were very beautiful; Wonderful flowers were visible everywhere, high, spreader trees, meadows, on which sheep and cows grazed, but nowhere there was no human soul anywhere.
"Maybe the river carries me to Kai?" "Herd thought, having fun, got up on her nose and for a long time he admired beautiful green shores. But she sailed to a large cherry garden, in which a house with colored glasses in the windows and a straw roof was sheltered. The door stood two wooden soldiers and gave the honor with guns to everyone who sailed by.
Gerd screamed them - she took them for living, - but they, I understand, did not answer her. So she sailed to them even closer, the boat came out almost to the shore itself, and the girl was screaming even louder. From the house came out, leaning on the key, the old-pressing old woman in a large straw hat painted wonderful flowers.
- Oh, you're a poor crumb! - said the old woman. - How did you get on such a big fast river yes climbed so far?
With these words, the old woman entered the water, hooked the boat with his key, pulled her to the shore and landed Gerdu.
Arthur Rekham artist
Artist Edmund Dulak
Forest pigeons in a cage are quietly stuck; other pigeons have already slept; The little robbery wrapped her hand her neck - in her other she had a knife - and walked, but Gerd could not sick eyes, not knowing, they would kill her or leave alive. The robbers sat around the fire, sang songs and drank, and the old woman rogue tumbled. It was scary to look at this poor girl.
Suddenly, the forest pigeons agitated:
- Curr! Curr! We saw Kaya! White chicken broke his sledge on his back, and he sat in the sleigh of the snow queen. They flew over the forest when we, chicks, were still in the nest; She pulled on us, and everyone died, except for us two! Curr! Curr!
- What are you talking about? - exclaimed Gerd. - Where did the snow queen fly?
- She flew, probably in Lapland, - there because the eternal snow and ice! Ask the reindeer that stands here on the leash!
- Yes, there are eternal snow and ice, a miracle as good! Said the northern deer. - There you jump yourself on the will on endless sparkling icy plains! There will be a summer tent of the Snow Queen, and its constant draws - from the North Pole, on the island of Svalbard!
Artist Nika Golz
Then the little robbery opened the door, lured dogs to the house, cut the rope with his sharp knife, who was tied with a deer, and told him:
- Well, alive! Yes, take care look a girl. Gerda extended a little robbery both hands in huge mittens and said goodbye to her. The northern deer set into all the voyage through the stumps and bumps in the forest, on the swamps and the steppes.
Artist Christian Birmingham.
Here is my native Northern Light! - said deer. - Look, how to burn!
And he ran further, without stopping neither day or night.
Artist Christian Birmingham.
Artist Anastasia Arkhipova
Deer stopped in miserably hut; The roof went down to the earth itself, and the door was so low that people had to crawl into it on all fours. The house was one old Lapland, roasting with the light of the fat lamp fish.
Arthur Rekham artist
When Gernd warmed up, she fell and drank, the Lapland wrote a few words on a dried cod, told Gerde to take her carefully, then tied the girl to the back of a deer, and he rushed again. The sky again fucked and threw the poles of the wonderful blue flame. So the deer retold with the Herder and before Finmarock and knocked into the smoke tube of the fins - she had no doors and doors.
Well, the heat stood in her accommodation! Finches itself, a low dirty woman, walked half a colors. She pulled away from Gernd all the dress, mittens and boots - otherwise the girl would be too hot, - put a piece of ice on her head and then began to read what was written on a dried cod. She read everything from the words to the word three times, until he memorized, and then put the cod in the boiler - the fish was good in food, and the dome did not disappear.
Artist Angela Barrett.
Stronger than it is, I can't do it. Do not see how great her strength? Do not you see that people and animals serve to her? After all, she barely bypassed half a hundred! We do not take her strength! Power - in her nice, innocent baby heart. If she does not be able to penetrate into the controversies of the snow queen and extract fragments from the heart, then we will not help her! Two miles from here begins the garden of the Snow Queen. Take the girl there, to lower the large bush, covered with red berries, and, not bag, come back!
With these words, the Finca raised Gerdu on the back of a deer, and he rushed to flee from all his feet.
- Ah, I am without warm boots! Ay, I am without a mittens! - Gerd shouted, striking in the cold.
Artist Vladislav Erko
Artist Nika Golz
But the deer did not dare to stop until he fished up to a bush with red berries; Here he lowered the girl, kissed her on the very lips, and large shiny tears rolled out of his eyes. Then he entered the arrow back. A poor girl was left alone, on a crackling frost, without shoes, without a mittens.
Artist Edmund Dulak
Artist Boris Diodorre
Artist Valery Alfheevsky
She ran forward to what was urine; To meet her a whole regiment of snow flakes, but they did not fall out of the sky - the sky was completely clear, and the Northern Light was burning on it, - no, they fled on the ground right on Gero and, as they approached, they became more and larger. Gerd remembered large beautiful flakes under the incendiary glass, but these were much more, worse, the most amazing species and forms and all alive. These were the advanced troops of the Snow Queen's troops. Some were reminded by large ugly enemas, the other - stalfield snakes, the third - thick cubs with an unfair wool. But all of them are equally sparkled on white, everyone was alive snowflakes.
Artist Anastasia Arkhipova
Arthur Rekham artist
Artist Nika Golz
Gerd began to read ours "Father"; It was so cold that the girl's breath was now turned into a dense fog. The fog, this all thickened and thickened, but small, bright angels began to stand out from it, who, having stepped on the ground, grew up in large terrible angels with helmets on their heads and spears and shields in their hands. The number of them all arrived, and when Gerd graduated from prayer, a whole legion was already formed around her. Angels took the snowy scary on a spear, and they crumbled on thousands of snowflakes. Gerd could now boldly go ahead; Angels stroked her arms and legs, and she was not so cold.
Artist Angela Barrett.
Artist Christian Birmingham.
The walls of the blizzards of the Snow Queen have a blizzard, windows and doors did violent winds. Hundreds of huge, illuminated by the Northern Light, the hall stretched one after another; The biggest extended on a lot of a lot of miles. How cold as deserted was in these white, brightly sparkling the panels! The fun never looked here! If a rare time, there would be a bearish party with dances to the music of storms, in which they could distinguish between the grace and the ability to walk on white bears on the hind legs, or was the party in the cards with quarrels and a fight, or finally came up on a conversation over a cup of coffee White focused foxes - no, never happened! Cold, deserted, dead! The Northern Lights flashed and burned so correctly that it was possible to calculate with accuracy, for which a minute the light will increase and loose. In the midst of the largest deserted snow chairs were frozen lake. Loda cracked on it for thousands of pieces, smooth and correct on Divo. In the middle of the lake stood the throne of the Snow Queen; On it, she squeezed when there were at home, saying that he was sitting on the mirror of the mind; In her opinion, it was the only and best mirror in the world.
Artist Edmund Dulak
Kai completely crouched, almost black from the cold, but did not notice that, - the kisses of the Snow Queen made it insensitive to the cold, and his heart became a piece of ice. Kai rushed with flat pointed ice floes, laying them on all sorts of frets. After all, there is such a game - the folding of the figures from wooden associates, which is called the "Chinese puzzle". Kai also folded different intricate shapes from the ice floes, and this was called the "Ice Game of Mind." In his eyes, these figures were a miracle of art, and the folding of them - the exercise of the first importance. It happened because he was sitting in his eye a fragment of a magical mirror! He folded from the ice floes and whole words, but could not be addicted to what he especially wanted, the word "eternity". The snow queen said to him: "If you fold this word, you will be my lord yourself, and I will give you all the world and a couple of new skates." But he could not fold it.
Artist Christian Birmingham.
At this time, the huge gate, made by the buoy winds, included Gerd. She counted the evening prayer, and the winds lay down, just fell asleep. She loosely entered the huge desert ice hall and saw Kaya. The girl now found out him, rushed to his neck, hugged him tightly and exclaimed:
- Kai, cute my kai! Finally I found you!
But he sat all the same fixed and cold. Then Gerda cried; Hot tears fell her on her chest, penetrated the heart, his ice bark melt and melted a fragment. Kai glanced at Gero, and she was singing:
Roses bloom ... Beauty, beauty!
Soon we are the infant of Christ.
Kai suddenly flooded with tears and cried so long and so hard that the fragment of the eatele from the eye along with tears. Then he learned Gero and was very happy.
- Gerda! Moyful my Gerd! .. Where did you have so long? Where was I myself? - And he looked around. - How cold here, deserted!
And he fastened tightly to Gerde. She laughed and cried from joy.
Artist Nika Golz
Surely each of us in childhood read the "Mermaid" Andersen, "Snow White" Brothers Grimm or, say, "Sleeping Beauty" Charles Perro. But few people know and saw the most first pictures to famous fairy tales.
Illustration of Wilhelm Pedersen to the AMADEE Gofman Tale "Nutcracker and Mouse King"
Wilhelm Pedersen (1820-1859) - Danish artist and maritime officer, especially known for the fact that the first illustrated the tales of Hans Christian Andersen. Early fairy tales were published without illustrations, but in 1849 a five-volume meeting of his fairy tales with 125 illustrations of Pedersen was published. The illustrations so much liked the author, which today is considered inseparable from Andersen's fairy tales.
Illustration of Wilhelm Pedersen to the tale of Hans Christian Andersen "Wild Swans"
Illustration of Wilhelm Pedersen to the Tappy of Hans Christian Andersen "House of the Wavek"
Illustration of Wilhelm Pedersen to the tale of Hans Christian Andersen "Ole Lukee"
Illustration of Wilhelm Pedersen to the tale of Hans Christian Andersen "Cinema and Pediffs"
Sir John Tneynel (1820-1914) - English artist, cartoonist; The first illustrator of Lewis Carroll's books "Alice in Wonderland" and "Alice in the Looking Game", whose illustrations are considered canonical today. Debuted as the author of the illustrations for the first edition of the "book of English ballad" Samuel Hall, worked as a permanent caricaturist in his time Prachi magazine.
Illustration of John Tennel to the fairy tale Lewis Carroll "Alice Adventures in Wonderland"
Illustration of John Tennel to the fairy tale Lewis Carroll "Alice Adventures in Wonderland"
Illustration of John Tennel to the fairy tale Lewis Carroll "Alice Adventures in Wonderland"
Illustration of John Tennel to the fairy tale Lewis Carroll "Alice Adventures in Wonderland"
Stock Illustration Gustava Dore to the chall fairy tale Perro "Cat in Boots"
Paul Gustave Dore (1832-1883) - legendary French engraving, illustrator and painter. From early childhood, the drawing surrounding the skill of the skill, for example, for a ten years old, I performed illustrations for Dante Divine Comedy. Dore did not receive artistic education, but spent all his free time in the Louvre and the National Library, studying paintings and engraving. During the years of creative activity, Dore has created thousands of illustrations for dozens of literary masterpieces, among which "Gargantua and Pantagruel" and the fairy tales of Charles Perro, the adventures of Baron Münhhausen and Don Quixote. Dore is called the greatest illustrator of the XIX century for the unsurpassed game of light and shadow in his graphic work.
Illustration of Gustava Dore to Charles Fairy Tale Perro Cinderella
Illustration of Gustava Dore to Charles Fairy Tale Perro "Sleeping Beauty"
Stock Illustration Gustava Dore to Charles Fairy Tale Perro "Oslay Skura"
Stock Illustration Gustava Dore to Charles Fairy Tale Perro "Boy With Finger"
Stock Illustration Arthur Racky to the fairy tale Brothers Grimm "Red Hap"
Arthur Racky (1867-1939) - a prolific English artist who illustrated almost all the classical children's literature in English ("Wind in Iwah", "Alice in Wonderland", "Peter Pan"), as well as "Sleeping in the summer night" Shakespeare and the famous "Song of Nibelunga".
Rack was primarily a brilliant draftsman, giving preference to orally shouting lines of interlaced branches, foaming waves and human-shaped trees. Its influence is felt in the first multiplication movies of Disney, in the films of Tima Burton (who chose his former Racém apartment with his London office) and Guillermo Del Toro (who said that he was inspired by the drawings of the Rack. When creating a "Favna Maze"
Illustration of Arthur Racky to "Takes on the King Arthur and Round Table Knights" Nelly Montijn-The Fouw
Illustration of Arthur Racky to "Takes on the King Arthur and Round Table Knights" Nelly Montijn-The Fouw
Illustration of Arthur Racky to "Takes on the King Arthur and Round Table Knights" Nelly Montijn-The Fouw
Illustration of Anna Anderson to the fairy tale Brothers Grimm "Rapunzel"
Anna Anderson (1874-1930) - a British artist of Scottish origin; Illustrator of literature for children, all his life collaborated with periodic publications and painted greeting cards. Creativity Anna Anderson had an impact on the style of such famous illustrators like Jessie King, Charles Robinson, Maib Lucy Etwelt.
Illustration of Anna Anderson to the fairy tale Brothers Grimm "Snow White and the Seven Dwarfs"
Illustration of Anna Anderson to the tale of Hans Christian Andersen "Girl with matches"
Illustration of Anna Anderson to the tale of Hans Christian Andersen "Mermaid"
Stock Illustration Anna Anderson to the tale of Hans Christian Andersen "Wild Swans"
Well, as a postscript - the very first role of the famous Pinocchio, belonging to the brush of the Italian engineer Enrico Mazzanti (1850-1910
It is noteworthy that this image is the only thing that has been preserved in history in memory of this talented person.
Wilhelm Pedersen (Vilhelm Pedersen 1820-1859)
he was the first illustrator of the fairy tales and stories of Hans Christian Andersen. His illustrations are characterized by smoothness, softness and roundness of shapes, concise execution. It is interesting to notice that often the faces of children drawn by Pedersen have a completely native expression, and at the same time adults - they just look like large children. The world of illustrations of Pedersen is a world of leisurely stories in which things and items can suddenly begin to speak and behave like people, and children - the heroes of Andersen's fairy tales - find themselves in an amazing and sometimes cruel world, where everything has to pay, and where and good, and Evil get what they deserve.
Lorenz Fryulich (Lorentz Frolich 1820-1859)
it was the second illustrator of the fairy tales and stories of Hans Christian Andersen. His illustrations are quite similar to the work of the first illustrator of Andersen fairy tales - Wilhelm Pedersen. It is possible so he was chosen.
Edmund Dulac (Edmund Dulac)
born in 1882 in Toulouse, France. His artistic abilities manifested themselves at an early age, there are sketches made by him when he was a teenager. Many of them are made by watercolor - style that he preferred throughout his life. During the two years, he studied the right at the University of Toulouse while he was engaged in the School of Fine Arts. Having received a prize there on the competition, he understood where to lay his way. From now on, he is engaged only at school. In 1901 and 1903 He received the Grand Prix for the work sent to the annual contests. In 1904, under the patronage of a school friend, he studied for two weeks in Paris at the Academy in the Academy and then went to London, where his dizzying career began. It was a period when color printing illustrations just became technologically accessible and widespread. The first book with inclined illustrations came out in 1905.
E. Dulak's first work was a series of 60 illustrations to the collection of sisters Bronte. It was a testimony of its high level that he, a young 22-year-old alien who did not have a loud name, received a job for such work.
An interesting aspect of these early illustrations was that they did not have pencil lines, as borders between different colors. This became possible thanks to new printing technologies that allowed accurately combine the boundaries of different colors. For E. Dulaka, who worked on paper in this style, did not have to return to the old-fashioned style of pencil lines hiding inaccuracies of the imposition of paints.
Thanks to the great success of a new type of illustration, more and more publishers became interested in artists who can paint in a new style. Therefore, in 1907, E. Dulak received a new order in the illustration of the "Thousand and One Night". The orders were then sprinkled one by one. "Storm" V. Shakespeare 1908, "Rubai" Omar Khayama 1909, "Sleeping Beauty and other fairy tales" 1910, "Tales" H.K Andersen 1911, "Bells and other poems" E. A . To 1912, "Princess Badura" 1913,
In 1913, an interesting thing happened: his palette became brighter, thanks to the use of a more juicy, romantic blue color, ... and more eastern, which was then constant in his approach. 1914 I saw the publication of "Synbad-Sea and other stories from Thousand and One Night" and the beginning of the First World War. The war immediately entered his spell. "Book of the King Alberta", "Book-Gift Princess Mary" and his own book "The book of paintings from the French Red Cross E. Dulac" was decorated in one sole author. The book of "Fairy Tales E. Dulac" came out in 1916. When the war ended, I saw the last of his luxurious "Tangel Wildlife fairy tales". At that moment, at the age of 35, he was in a situation where his profession became unnecessary.
It would be true if only the manufacture of illustrations for books would be all that he could do. Despite the fact that the remainder of his life passed under the sign of poverty (he lived from salary to the salary, as we would say), he wrote money to earn money and became famous in many areas. He was an outstanding caricaturist and the completion of one and a half years supplied the drawings of the weekly "The Outlook". He painted portraits. He illustrated the "pearl kingdom" - the history of the 1920s. He created costumes and scenery in the theater. He was a designer of brands and banknotes of Britain, and then, during World War II, free France. He developed a design of playing cards, chocolate packs, medals, graphics for the Mercury Theater, Exlimbries for books and a lot, much more.
In 1924, he began cooperation with the weekly "The American Weekly", the Saturday application in the Hirst newspaper network, where he created a series of color drawings on a predetermined topic. The first series "Biblical scenes and heroes" was launched in October 1924 and was published for 12 issues. Until 1949, he again and again returned to this market as a source of income.
In the autumn of 1942, a series of its illustrations to "Canterbury Studies" came out. He did not remain satisfied with the quality obtained. Cheap paper and illustrations of illustrations did not satisfy its tendency to prefecting.
And books! Among all the great illustrators of gift editions, E. Dulak remained the most active throughout his life. "Green Lacquer Pavilion" 1925, "Treasure Island" of 1927, and his other works created up to the beginning of the 50s exceeded everything created by contemporaries.
Edmund Dulak died in 1953
