Comedy language A.S. Griboedov "Woe from Wit"

"Kozma rods" - Alexey Konstantinovich Tolstoy. Alexander Mikhailovich pearls. Riddle Kozma Prutkova. Such a fable, of course, did not remain unpunished. Most Goat time paid for literature. Creators Biography Aphorisms poem names of the name of the Pieces. The desire of the poet. The young man studied well. There was a prose and poems.

"White Bim" - Troypolsky Gabriel Nikolayevich. From black tuchi snow goes, and Bim is waiting for everything ... From the trees, the leaf will fall soon, and Bim is waiting for everything ... for some reason it does not go, and Bim is waiting for everything ... despite the efforts good people, triumph evil. Creation. Great benefit - believe. And love. " Friendship and trust are not bought and not sold.

"Writer Goncharov" - tasks. Family traygut. The ideals of eternal friendship are fading. Hope on eternal love. Roman "Open" ("Artist"). Died when Goncharov was 7 years old. Goncharov Turgenev Druzhinin Island Tolstoy Grigorovich. From 1847 to 1858.Published in 1859. Novel " Ordinary History" Pupils I.A.Gongcharov.

"L.andreyev Kusaka" - why did the Kusaku not taken to the city? Oh, how can the mighty hurricane of fate ended the reason. How does Kusaka express his hatred and love? Nature is also not indifferent to the fate of Kusaka. 16. To friends and native overlooking the hearts and souls to each other kalece. Let's define the topic and the idea of \u200b\u200bthe work. "Kusaka" (1901). (1871 - 1919).

"Victor Dragunsky" - a sick chickenpox to wash the dishes (cunning way ") w (" Enchanted letter "). Ksenia Dragunskaya. What is the shortest name for Dragunsky? Deniska Dragunsky with his dad. Books of Viktor Dragunsky. What does a bike not getting to the pedal do not look like? Chicken ... What patient looks like a green leopard?

"Yuri Cossacks" -. M. Gorky. Ripen new layers of literature, thematic and stylistic. The first collection of stories in Moscow is "on the gestand" (1959). Competition of Literature Teachers "Victoria" "Creativity Yu.P. Kazakova." Yuri Cossacks came to the literature when the sharp necessity was arose in the talents of this kind.

Total in the subject of 19 presentations

"Woe from Wit" complies with the rules that were presented to the comedy genre according to the theory of three styles - this work is written by simple spoken language. However, there is one digression from the canons: Khatsky's monologues, the main character, Pronounces a high style that would be more appropriate in the tragedy. With this reception, Griboedov emphasizes the fact that Chatsky is unlike the society around him, he is above him.

Features of the poetic language "grief from the mind"

Comedy is filled with phrases and expressions, which subsequently entered the language as "Winged". It was predicted by A.S. Pushkin in his: he said that at least half of the text should turn into proverbs and sayings.

People and today use Griboedovsky expressions, without thinking even from where they came from. For example, " Happy hours do not observe "," And the smoke of the Fatherland we are sweet and pleasant, "" I would be glad to serve nauseous! "," What a commission, the creator, to be an adult daughter father! " Everyone knows these statements, and far from everyone knows their author.

This serves as proof that comedy has not yet lost and will never lose his relevancebecause it describes eternal problems and unchanged human characters. All those images that are present in the comedy are alive today, they simply adapted a little under modern realities. Griboedov managed to perfectly reflect not only all the groundnight russian society early XIX. century, but all the verge of human nature.

Scenic life "Mount from Wit"

It is with this that the features of the scenes "burning from the mind" are connected. In this comedy are not so important scenery: they can change, because it is only a background. The main thing is the selection of actors and their manner of speech. Each actor and director presents a comedy heroes in his own way.

Sophia is depicting a gentle in love with a girl, then suffering from the heroine, then the future powerful wife of her husband-podkinnik. Lisa is a simple cheerful maid, then a vulgar fortress girl, then a special unceasing rational.

The most theatrical disputes cause the image of the Chatsky, the main character. Someone depicts it a little bored "preacher on the ball" (as his critic Lotman called him), someone who suffered and lost in society intellectual.

It is very important to trace the heroes in the correct manner of pronounced text. The tongue of the comedy "Mount from the mind" is such that it cannot be read overly artistic or cooled the larger in the speech of the actors will be natural, the better for the production.

Therefore, directors are often resorted to all sorts of tricks. For example, in one of the productions of "burning from the mind", Magovov uttered its famous educational monologue ( "That's the fact that you are all pride ..."), playing with young people in the salting.

The richness of the tongue of comedy A. S. Griboyedov "Woe from Wit"
1. Language as a shadow framing. 2. Features of the comedy language. 3. Modern language And the treasury of Griboedovsky Aphorisms.

We all read this famous worklike "grief from the mind." Do not call him ingenious, infinitely talented and, no matter how strange it, it is impossible, it is impossible. This comedy, in which, however, a lot of sad, many reasons for grave reflections, can be considered from a variety of parties. This is the relationship of the Chatsky and Famovsky society, the love of Chatsky to Sofye. What does the mind mean in understanding Chatsky? Is he alone? What is the meaning of the name of the work? ... Trying to understand, appreciate and imagine such a work, we inevitably face the fact that it is multifaceted, and each of them these faces is worthy of individual, close attention.

But sometimes, plunging into favorite work, We do not always understand what is so fascinating us. Maybe someone will seem amazing, but a huge role in the perception of text is played by language. A peculiar, "author" language shall apply the text, it is the beautiful cut that the diamond is so necessary - the plot.

It was in this regard that I would like to consider the comedy of Alexander Sergeevich Griboyedov "Mount from the mind." The language of this work is very rich, it is a storehouse of funds, with the help of which you can so thin and accurately transfer thoughts, feelings, views and shades of experiences. It is only worth referring to the text of the comedy, as the author carries us to Moscow, to the Famow to the house, in a completely different, fascinating world.

The contemporaries of the writer talked about the comedy language as a phenomenon of an extraordinary, strong, bright. A. S. said: "I do not speak about verses, half must enter the proverb." "... almost all verses of Comedy Griboyedov became proverbs," V. F. Odoyevsky ends him.

What so fascinates the language "grief from the mind"? What is in it such that takes for the soul and never let go? Perhaps the thing is that the aphorisms of the comedy are based on the principle of Russian proverbs and sayings. That is exactly what the Russian man is striking, it is inevitably attracting him to the work, "Rodnit" with the reader. It is worth paying attention to the fact that the structure of the verse has a speaker.

Well, here's a holiday! Well here and fun! However, no, now no longer before laughter; B eyes dark and froze the soul; Sin does not matter, the rumor is not good.

Verse is light, "wield", and from it becomes mile Heart. Griboedov became the founder of the transmission of aphorisms - so their life continued and the glory multiplied. Gogol, Goncharov, Dobrolyubov, Turgenev, Chekhov, Block and many others talented people Illuminated their works by the "fireflies" of Griboedovskaya thought.

Another feature of the comedy language is that all the rides and sayings "Wpayan" into the text and are peculiar "clips" of the plot movement (the formula "happy hours do not observe ..." Sofia's date with silence is completed). These "paper clips" are both the means of the characteristics of the inner state (Chatsky, feeling the impossibility of being friendship with Sofia, exclaims: "Ah, here we say the love of the end, / who for three years in the distance will leave ..."; Famuses, concerned about the device for profitable marriage daughter , Says: "What a commission, the creator, / to be an adult daughter father!").

But the value of Griboedovsky aphorisms is not only that they have enriched comedy, in many respects affecting the fact that her life has become such a long. Aphorisms of the comedy used modern Griboedov writers and critics, they drew this simple human wisdom from the work as gems From the treasury. As an example, such lines given by A. S. Pushkin in the "Roman in letters" can be given: "Here my success surpassed my expectations. The old women from me in admiration, the ladies to me so and flax, "And because the patriot" ".

The famous critic Orest Somoms in Almanae "Northern Flowers" wrote: "What modern morals are described in it? All actors in this novel are taken, it seems, in two or three generations, they are all "times of the Ochakovskie il conquering Crimea".

"If I tell, put some out of a number of ordinary cases, I will know that you will notice:" Fresh legend, but to believe with difficulty "" - this is the rows of the junk, from his the famous work "Moloch".

Making Griboedovsky Aphorisms "moved" not only in the work of other famous authors, but also included our daily life. They function not only in everyday life, but in modern literary language. All of course, it is difficult to list them, but as an example, you can bring the most, in my opinion, common: "Familiar all persons!"; "Blessed, who believes warm to him in the world!"; "Everyone is lying calendars!"; "We are small in the ranks"; "Here I am no longer rides"; "Well, how not to please my native little man", etc.

Put that so. Blessed, who believes warm to him in the world! Oh! Oh my God! I've been here again, in Moscow! you! Yes, how do you know! (Action I, phenomenon 7). And accurately began the light to be stupid, you can say sighing; How to encourage, yes to see the century and the century of the past: fresh legend, but to believe with difficulty; As he was famous, whose neck was more often bent; If not the war, and in the world they took forehead; I knocked on the floor not sore!

(Action II, phenomenon 2).

Madly you glorified me with a chorus. You are right: he will be easily out of fire, who will have time to stay with you, raised by the air alone, and there is a reason for it. Won from Moscow! Here I am no longer a ride. I'm running, do not look around, I will go to look for the world where the corner is offended there! Careet me, carriage!

(Action IV, phenomenon 14).

Proverbs and sayings in the text "Grief from the mind" play really important role: They are elements of the plot motion, means speech characteristics acting persons, give comedies brightness and expressiveness.

In this lesson, we learn that the work of "grief from the mind" carries. And also wonder how the comedy is written.

Topic: Masterpieces of Russian xIX literature century

Lesson: Features of the characters and language of the comedy "Woe from Wit"

We continue to talk about the comedy "grief from the mind." Whenever it comes to language, there is some feeling boredom. The fact is that the lessons of the Russian language, which were held at school in past years and are held now, as a rule, they seek this very boredom. But there is nothing more merry than comedy language, which constantly gives the basis for laughter.

Speech styles as a method of characteristics

There is a fairly clear explanation of how the methods of verbal expressions interact, which are called stylistic features speech. The style of speech mainly determines everything that this speech can achieve. Style is a way of speech caused by its goal.

The story begins with Griboedov modern Theater in Russia. Each of the characters of his comedy speaks in a completely special way, and there is a character who is generally silent, silent, until they make him say something, the name of his silence. Each character is characterized by the fully all the style, with which he builds his speech. Lizonka, light phrases fluttering from one interlocutor to another. Sophia, which builds his speech as the page translated from french novel. Chatsky, who flashes its tirada as a speaker, collecting around himself a circle in a secular ball. Famuses, skillfully combining and their teachings, and their own morals, and those orders that he gives his subordinates. Each of them has their own individual style. By how the nature of each in these replicas is revealed, we can follow the integrity of the plan.

There is a legend that Griboedov tried to read his comedy for the first time I.A. The wings, which perfectly owned free speech, relaxed, easily combining various characters. So, according to this version, Griboedov agreed with the wing, that he will listen as much as he wants, at that very moment when he was getting tired, he can get up and leave. The Krylov had a rude reputation, a direct old man who avoided secular decency, formalities. The wings did not interrupt the reading of Griboedov, and then hugged him, kissed and admitted his successor in him.

One witty writer has a very accurate expression: "Laughter is the exposure of someone's nonsense." So, the comedy Griboyedov is built on the exposure of nonsense. Language is the main means of exposure.

We are talking about the sense that is expressed in the forms of speech. The meaning of what Griboedov makes is that the characters are not depicted, but are directly expressed by those feelings that carry his scenic characters. They recognize themselves, their contemporaries, acquaintances and audiences and actors, and readers.

Comedy Griboyedov corresponded many times. This method contributed to the development of the comedy throughout its existence, until the stage in the scene in 1833, after the death of Griboyedov. Comedy exists in oral video. This is exactly what A.S. Pushkin, one of the most thoughtful listeners, not readers. In 1825, in the letter, Bestuzhev Pushkin writes as follows: "She listened to Chatsky, but only once and not with the attention, which he is worthy. That's what I managed to notice. " Everything that Pushkin notices, he notices hearing, and to us to understand and evaluate how with the help of the language, the characters of Griboedov sculpts, it is fundamentally important to hear, and not to see this text. As a sculptor, he sculpts clay, creating what he wants to show the viewer, so the playwright with words, with the help of sound images, sculpts what he wants to show. Therefore, by depicting the sounds of my heroes, the playwright puts a completely definite task of perception. All playwrights approximately one way created their own dramatic works. "The dramatic writer should judge by the laws, they themselves on themselves recognized" - the words that Pushkin wrote in that very letter Bestuzhev, where it was about listening to Chatsky. The main character for Pushkin is not Magazov, and Chatsky, whose speech contains all the impressions that plasticly want to express Griboedov. He expresses the feelings that share his generation.

Tirada Chatsky

Of all the speeches that are pronounced by the characters of Griboyedov, a tirade pronounced by Chatsky sounds expressive and clearly. No wonder Pushkin said that "he listened to Chatsky." Pharmuses all their speeches builds the treatise of the fall of morals modern T. Russia's time. Everything that in response to him says Chatsky, this is a response word about changing the morals, the need to revise the political, government beliefs who were guided by the people of the century last. In essence, the dispute of fathers and children, which will continue throughout the Russian literature, at the very beginning reaches high voltage and maximum sharpness. In response to the monologue of Famusov about Uncle Maxim Petrovich, Chatsky says what carries the main semantic difference, oppose that there is main idea century of the current and idea of \u200b\u200bthe century last. All he says is smart. But it is not important for us what he says, but as. That heat that outlines all this sequence of thoughts is quite special interest.

".. And for sure, began the light to be stupid,

Say you can sighing;

How to encourage yes

Century century and century passed:

Fresh legend, but hard to believe,

As he was famous, whose neck was more often bent;

As not in the war, and in the world they took forehead,

I knocked on the floor not sore!

To whom the need: those fast, lie they are in dust,

And those who are above, flattery, like lace, spill.

Direct was a century of humility and fear,

All under the diligence of zeal to the king.

I'm not talking about your uncle;

It does not indignant we are dust:

But meanwhile who hunt will take,

Although in the workshop, fervent

Now, to mix people,

Device to sacrifice back? .. "

In how Chazsky builds periods in his speech, clear traces of the rhetoric of the very science are visible, which Griboedov was held at the university noble board. This rhetorical periods are built in accurately according to the canons of ancient rhetoric. Chatsky says as statesmanUnlike Famousov, who thinks himself as a man serviced. "It would be glad to serve - sissing," says Chatsky.

And this is how the Chatsky is completed:

"... Although there are hunters to embroider everywhere,

Yes, now laughter is afraid and keeps shame in the ultrasound;

No wonder their score of the sovari ... "

Possigible laughter and shame, Chatsky generally translates the dispute with the Famine to another plane. Laughter stops man before committing some act, it is a laughter that we now call public opinion. For Famousov, this concept does not exist at all. Yes, there is the opinion of Princess Maryia Alekseevna, who may affect his reputation, but the concepts of "public opinion" by Famusov is not. But Chatsky is guided by this representation, he believes that the opinion of society is more important than the opinion of individuals. Also, the concept of shame, which is not in Famousov, and for Chapsky it is determining. In speech characters, completely different levels of consciousness are obtained.

The device of this language requires special explanations. The fact is that in our daily speech we use the language that is determined by the situation. Sometimes we are talking official, strict language, but in most cases we speak household language. Domestic language is not wearing certain rules, we can not catch up with suggestions, words. We can just leave hints without revealing our thought, although it will be clear. Such a language is similar to the language of gestures. Words can be replaced with gestures or facial expressions.

This alive, direct household language, completely unacceptable in books, is necessary for stage speech. In order to draw up an idea of \u200b\u200ba person on stage, you need short strokes, separate words to convey the feeling from communicating with this person. We seem to communicate with those characters that Griboedov displays on the scene. The principle of unity of the site is observed: the entire action takes place at the same time on the stage, which is framed as a room in the House of Famow, and is very organically connected with the home theater, where Comedy Griboyedov should be presented. The principle of unity is observed: everything that happens in Comedy Griboedov, is inextricably, one piece - here and now. The Famusov House becomes a kind of similar house where the home theater is located.

The unity of time, the unity of the site, the unity of action - the three formal principles of the classic drama for Griboedov are completely different in the reception. This is a reception that provides a direct, natural perception of everything that happens on the stage and in the auditorium too. The scene and the auditorium are something common, and phrases sounding from the scene are perceived as a direct conversation with the auditorium. Therefore, there is a feeling of some stretched rope. In the conversation of two people, there is a feeling that they understand each other with a half-clow, from half off, sometimes understand each other in general without words. Also, we understand them without words. Those words that sound serve only to maintain this emotional tension.

Consider the first comedy scene. Lizonka sits in the living room, guards the peace of Sophia and Molchalin, and suddenly the Barin of Famuses suddenly includes ... how they are thrown in this situation with phrases, expressing the very feelings about which cannot be said, illustrate our thesis. Barin entered, Lizonka was frightened, now Barin learns that Sophia in the bedroom is with a man, and this man is Molchanin, who is not at all a place in the bedroom of the young lady. So this fright can not be told, you can only show it. This is how it happens:

Lisa

Oh! Barin!

Famuses

Barin, yes.

After all, Eka Chalunya You, Girl.

I could not think of what it was for the trouble!

Then the flute hears, that as if Fortopian;

For Sophia, too used early ??

Lisa

No, sir, I ... only be sure ...

Famuses

This is not enough for you note;

So, right, with intent.

Oh! Potion, Balovnitsa.

And then the Famuses climb to Lisa. It is clear that the words at the same time are those speech tools, plastic means of expression, turn out to be in some contradiction with those meanings that occur. So for us, you are not important with you what they say in the comedy, but what the characters say. And it is crucial for the perception of any dramatic work.

In what each of the characters say, you can find and signs of mind, and signs of nonsense, and signs of the great madness, which distinguishes the wise men. But every time these words acquire true meaning And only when they sound with intonation, speech rhythm, along with the meaning that the actor invests into it.

Pushkin in the letter already known to us, Bestuzhev says that Chatsky is "a fermented, noble and kind small, who spent several times with a very smart person" Therefore, he says very clever things, but who he says? He says it is fools. "Is it worth throwing beads before reheetle?" - writes Pushkin and asks to convey this letter Griboedov. It is quite obvious that Chatsky is not the rurs of the author's idea, which we used to meet on stage in a classic drama. This is a completely independent character. And the author, Griboedov - the epic qualities of a person who drinks his thoughts. Similarly, you can also talk about every comedy character, he is clever or stupid, angry or good, depends on how the actor does. Later it depended on the director who dictated his will to actors. And how it will perceive the reader, the audience, the listener is already depends on it.

The spectator language and the language of the actor in the hall must coincide - this is a very important condition. A replica that sounds from the scene should be perceived in the hall as living like an appeal to the hall. All that the characters say from the scene, they do not pay so much to each other as the audience. This is perfect special reception, reception of that fair booth people's Theater.From which the European Theater, which soon imitated Russian classicists, and their own Russian theater. But the Gerboyedov Theater is not focused on Shakespeare, Moliere, Schiller, mainly, he focuses on that very popular crossing of the transmission words that exists in the Fair Flag. Characters are transferred by words like juggles are transferred to the arena with different objects. In this sense, Griboedov laid the foundations, apparently, the theater that was not yet born at that time in Europe. Theater to which to appear in the 20th century and which will be in the next crisis in the XXI century. But this topic is already the following our lessons.

1. Korovina V.Ya., Zhuravleov V.P., Korovin V.I. Literature. Grade 9. M.: Enlightenment, 2008.

2. Ladygin M.B., Esin A. B., Nefodeova N.A. Literature. Grade 9. M.: Drop, 2011.

3. Damn V.F., Trubina L.A., Antipova A.M. Literature. Grade 9. M.: Enlightenment, 2012.

1. Tell us about the peculiarities of the comedy "Woe from Wit"

2. Why is the main hero of comedy for Pushkin?

3. The language of the viewer and the language of the actor, what is their feature?

The answer was left the guest

Comedy A. S. Griboyedov "Woe from Wit" was written after Patriotic War 1812, during the rise of the spiritual life of Russia. In comedy raised topogy public questions of that time: the position of the Russian people, the relationship between landlords and peasants, autocratic power, the insane wasting of the nobles, the state of education, the principles of education and education, independence and freedom of personality, national identity. Faithful sense of the comedy is to oppose the two public forces, vital structures, worldviews : old, destroying, and new, progressive, in the exposure of the whole backward and proclaiming of the advanced ideas of the time. Comedy conflict - conflict between Chatsky and famovovsky society, between the "century of the current and century last". The community in the comedy was called by the name of Pavel Afanasyevich Famusov. This hero is a typical representative of Staromoshkovskogo society. He has all the advantages that appreciate here is wealth, connections, therefore, Mizhsov is an example for imitation. The Chatsky representative of the "Century of the present", an expressant of the advanced ideas of his time. In his monologues, a holistic political program is traced: he exposes the serfdom and its generation - inhumanity, hypocrisy, stupid military, ignorance, falsepatrioticism. The representatives of the Moscow nobility are deprived of any civilians and interests. The meaning of life they see, above all, in material and life well-being. These are careerists and hypocrites who stand in power occupy a high social situation. The Famusovsky service is considered only as a source of income as a means to receive undeserved honors. It is very significant recognition of the Famusov himself: and I have something that is not the case, the custom of my such: signed, so from the shoulders of the dollars. In the society of Moscow nobles, such phenomena as kumovysia, familyhood are common. Magovyov says: "Well, how not to please my native little man," and does not hide the fact that he has "employees of others are very rare: more and more nursing, the presenters of children." These people are deprived of the feelings of humanity, these are the enemies of freedom and enlightenment seas, their intimate Desire - "pick up all the books would be squeezing." One of them swaps on three greyhound dogs the crowd of their servants. Another, for the sake of empty fun, drives on the fortress ballet "From Mothers, Fathers of Reference Children", and then sells them one by one. Almatitically denounced the local and bureaucratic to know, the entire feudal-serf system, A. S. Griboyedov clearly seen the positive public forces of their own Epochs: the origin and growth of new, progressive aspirations and ideas. So, the cliffs are complaining of Famowov that his cousinwho climbed "some new rules", neglected to him by hesitus, left the service and "began to read the book in the village." Princess Tugukhovskaya says that her relative who studied at the Pedagogical Institute, "the ranks does not want to know!". Migrauses, meaning the widespread of free, calls his time with the "terrible century". But with the greatest completeness of the awakening of the national, public self-consciousness is embodied in the image of Chatsky. This is undoubtedly a hot patriot, a fearless opponent of serfdom and despotic self-defense, a merciless judge of any lie and falsehood, all the fact that the hostile is new, which is on the path of mind. Chatsky branding ignorance, denses the Barly and acts as a fiery propaganda of science, enlightenment, art. In comedy, the conflict ends with universal recognition of Chatsky Crazy, and the love drama ends with the exposure of the love intrigue, which Molchanin led. At the end of the play, Chatsky feels abandoned by everyone, it enhances the sense of alienation from society to which he once belonged. The omission of a love drama affects the main conflict: Chatsky leaves unresolved all contradictions and leaves Moscow. In a collision with the Famovsky society, Chatsky suffers defeat, but, losing, he remains unresponsible, as it understands the need to combat the "century last", his standards, ideals, vital position. As the first in the new Russian literature, the realistic comedy "grief from the mind" carries signs of bright artistic originality. The realism of the comedy is manifested in the art of speech individualization of characters: each hero speaks by its tongue, thereby discovering its unique character. Griboedov-Realist significantly enriched the language of new Russian literature elements spoken Speech, including the surprise and mastering the national language. I "grief from the mind" of the comedy was written by a six-star yamba, and the dialogues lost the shade of live speech.