Theater contemporary optic hall.

Theater contemporary optic hall.

Many theaters of Moscow They can "boast" a challenged fate, but the "contemporary" stands out even on their background. It was created thanks to the well-established circumstances, and achieved a heyday - contrary to all failures.

The theater was formed in 1956 - a sign for the entire Soviet society, which discovered the "thaw" period. The new team, formed from the young actors of the MHAT-A school, set it to create a fundamentally new theater in managing. Plenipotentiary was created (and not "for the tick") Council of the actors, who, together with the artistic director (they were Oleg Efremov) decided which plays to choose to perform whom to appoint main roles in which direction to carry out the internal and external policy of the theater. It was truly a team of like-minded people, consisting of talented personalities: Oleg Efremov, Evgeny Evstigneev, Igor Kvasha, Oleg Tabakov, Galina Volchek. The first performance of the "contemporary" was the layout of the play "Eternally Live" Viktor Roshov. Rosov, Volodin, Schwartz, Tenryakov, Vampilov - Over the next 15 years, the history of the "contemporary" was associated primarily with these wonderful playwrights. Buy a ticket to "Sovrenenik" to the time meant - to familiarize yourself with all the forefront, which is in modern dramaturgy.

The new theater in the head of the corner put first of all the sincerity of execution, returning to the scene of the "living person." It was truly a modern theater: with modern spectators, modern tongue, modern plays. Most plays made up repertoire theaterwere written specifically for productions on the scene of the "Contemporary". It is in this way, Lyudmila Petrushevskaya, Nikolay Kolyada, Alexander Galin, came to the greater dramaturgy.

But with these authors, the "contemporary" will be connected later, and in the late 60s the theater was experiencing a sharp crisis. The "thaw" ended, and the Sixtiets began to live much harder. Tighted censorship, the relationship with the authorities worsened. Efremov was tired of batting with windmills and left to lead Mkat. The contemporary predicted an ambulance death, but the theater managed to survive and return to the highest level. His revival is associated with Galina Borisovaya Wolf.

Becoming in 1972 by the artistic director of the theater, Volchek began to conduct an active work on his revival. New talents were adopted in the troupe - Valentin Gaft, Leia Ahacedzhakova, Marina Neelova. Active work began with new authors, new genres were adopted to the production. Popular drawing of prosaic works ("cool route" Ginzburg, "Do not shoot in the White Swans" of Vasilyeva). Classic plays continue to be put, there is a place for young authors. The theater touches a lot, earning a name and abroad. "Contemporary" is one of the most authoritative theaters of Moscow. And every self-respecting theater is just necessary to visit him periodically.

Of course, the information about the theater contemporary spread quickly. Especially what exactly in it, in one of the first in the Soviet Union, was introduced by the Stanislavsky system. Deep experiences, serious psychological problems and much more - this is how the contemporary theater tickets were so popular.

First of all, the repertoire of the theater consisted of modern plays written by experienced screenwriters. In their works, they reflected the realities of the world, the problems of ordinary people, their aspirations and dreams. However, the creators of the theater also did not become completely abandoning the generally accepted classics.

Like many other theaters, in the nineties of the last century, the contemporary had to be difficult. And yet, fans have not forgotten the address of the contemporary theater. They cut the time, postponed money to go to the favorite theater, for a while forgetting about their everyday problems. So, even in such a difficult years, the contemporary cassting was not idle without a case.

To date, many art connoisseurs are trying to buy tickets to theater of contemporary. A rich repertoire, a superbly selected acting troupe - all this makes it one of the most famous and popular theaters of Moscow.

Of course, the information about the theater contemporary spread quickly. Especially what exactly in it, in one of the first in the Soviet Union, was introduced by the Stanislavsky system. Deep experiences, serious psychological problems and much more - this is how the contemporary theater tickets were so popular.

First of all, the repertoire of the theater consisted of modern plays written by experienced screenwriters. In their works, they reflected the realities of the world, the problems of ordinary people, their aspirations and dreams. However, the creators of the theater also did not become completely abandoning the generally accepted classics.

Like many other theaters, in the nineties of the last century, the contemporary had to be difficult. And yet, fans have not forgotten the address of the contemporary theater. They cut the time, postponed money to go to the favorite theater, for a while forgetting about their everyday problems. So, even in such a difficult years, the contemporary cassting was not idle without a case.

To date, many art connoisseurs are trying to buy tickets to theater of contemporary. A rich repertoire, a superbly selected acting troupe - all this makes it one of the most famous and popular theaters of Moscow.