What is different from Lena and Onegin. Essay on the topic: Onegin and Lensky, comparison of heroes

What is different from Lena and Onegin.  Essay on the topic: Onegin and Lensky, comparison of heroes
What is different from Lena and Onegin. Essay on the topic: Onegin and Lensky, comparison of heroes

EDUCATION

Onegin: "A poor Frenchman, so that the child would not be exhausted, taught him everything in jest, did not bother him with strict morality" - he was simply educated, without much stress, but enough to enter society. "He was perfectly able to express himself in French and wrote." "What do you want more? Light decided that he was smart and very nice." "We all learned a little something and somehow." And in the opinion of many, Onegin was a "scholarly fellow" - he quite pretended to smart person: "With a learned air of a connoisseur, keep silent in an important dispute."

He knew Latin well enough, but "could not distinguish iambic from chorea". His "calling" was in something else: "he knew more firmly than all sciences the science of tender passion"

Lensky: "He brought fruits of scholarship from foggy Germany." Lensky was well educated, loved poetry, was an admirer of Kant and was himself a poet. As is typical of any poet, he was overwhelmed with "freedom-loving dreams, an ardent spirit." The main science for him was art, or to be more precise, poetry. "He wandered with a lyre in the world; under the sky of Schiller and Goethe." "And the mind, still shaky in judgments, and the eternally inspired gaze." "The poet, in the heat of his judgments, read, forgetting himself."

UPBRINGING:

Onegin: brought up in spirit secular society of that time, and the main thing in upbringing was - compliance with society, its requirements.

Onegin "danced the mazurka lightly and bowed at ease." "So with education, thank God, it's no wonder we shine." Eugene was an "exemplary fashion pupil": he is always well dressed, in fashion, takes care of himself: "You can be an efficient person and think about the beauty of nails. "Fearing jealous condemnation, there was a pedant in his clothes."

Lensky: Lensky was brought up as a romantic and a dreamer, "rich, good-looking, was accepted everywhere as a groom." He almost did not know Russia, its ideals, as he lived in Germany, and therefore formed such special opinions about art, soul, friends of love. And "I did not know heart pangs yet."

STATE OF SOUL, ATTITUDE TO LIFE VALUES:

Onegin: In his still young years, Onegin was already tired of everything, everyone was "oversaturated". Early feelings in him cooled down, he was bored with the noise of the light; beauties were not for long the subject of his primary thoughts; they had time to tire of betrayal, friends and friendship were tired, "" he finally stopped loving cursing, and a saber, and lead. "He was tired of the theater too:" I endured ballets for a long time, but I got tired of Didlo. "Over time, he loses interest in many things and gets tired of life (he later became interested only in Tatiana).

Lensky: he was possessed by "freedom-loving dreams, an ardent and rather strange spirit." "Before he had time to fade from the cold debauchery of the world, his soul was warmed by the greetings of the spirit, the caress of the virgins; he was still an ignoramus in his heart, he was cherished by hope." He overshadowed all doubts with a dream, believed in friendship and love, in people. He became even more romantic when he fell in love with Olga: "She gave the poet the first dream to the young enthusiasm," He fell in love with the thick groves, solitude, silence. "

LIFE IN THE VILLAGE, RELATIONSHIPS WITH NEIGHBORS

Onegin: This village was a lovely place, but even Onegin got tired of it: "The village where Eugene was bored." Neighbors believed that he was "the most dangerous eccentric." "At first, everyone went to see him, but since the Don stallion was usually served to him from the back porch, only along big road will hear their friends at home, offended by such an act, all have ended their friendship with him. "" Our neighbor is ignorant, mad, he is a freemason, he drinks one glass of red wine; he does not fit the ladies' handles, everything is "yes" yes "no"; will not say "yes-s" or "no-s". "That was the general voice."

Lensky: "The new landowner gave an excuse to an equally strict analysis in the neighborhood." Eugene alone could appreciate his gifts. Lensky tried to avoid the feast of neighboring villages. He believed that neighbors "prudent conversation, of course, did not shine with feeling, intelligence, poetic fire, wit, intelligence, or community art; but the conversation of their lovely wives was much less clever." In a word, he did not like the company of neighbors.

ATTITUDE TO POETRY, TO ART:

Onegin: He is rather indifferent to poetry (although he listened to Lensky with a smile, letting him enjoy "momentary bliss"). "He had no desire to rummage in the everyday life of the land; but he kept the jokes in his memory of the past days." "I could not distinguish the iambic from the chorea. I scolded Homer, Theocritus, but I read Adam Smith."

Lensky: He was a poet, poetry revived his soul, thoughts, he put many of his feelings into it. And the lyre was his faithful companion. "Under the sky of Schiller and Goethe, their poetic fire ignited the soul in him." Poetry helped him "believe the world to be perfect."

BEHAVIOR ON DUELS:

Onegin: “Having received a letter from Lensky, where he called him to a duel, Onegin said to himself that he was“ always ready. ”He did not like the whole idea, but it was impossible to stop - an honor.

Lensky: Vladimir wanted not to allow "the corrupter to tempt the young heart with fire and sighs and praise." However, in the morning I realized that I was too excited, but there was no way back.

Effective preparation for the exam (all subjects) -

Onegin and Lensky are one of the main characters in the work "Eugene Onegin" by A.S. Pushkin. They represent a new, innovative, modern noble society who adheres to liberal views. Both heroes have both similarities and differences in their origins, education and way of fighting the current system, but they are united by a common ideals. Unlike many nobles of that time, they understand the meaninglessness of an idle existence. This is what caused them sad story... For Onegin, life turned into a drama, and for Lensky it ended in death altogether.

Eugene Onegin received the usual for his time versatile home education, however, it was not strict:
Monsieur I ”Abbe, poor Frenchman,
So that the child does not suffer
I taught him everything in jest.

However, Onegin knew French, several phrases in Latin, read ancient and economic literature:
Scolded Homer, Theocritus;
But I read Adam Smith ...

Eugene also built a successful line of behavior in society, which covered up his not too good education:
He had a lucky talent
Without coercion in conversation
Touch everything lightly
With the learned air of a connoisseur
Remain silent in an important dispute
And excite the smile of the ladies
By the fire of unexpected epigrams.

Eugene Onegin led a life typical of the capital's aristocracy: balls, restaurants, theaters, walks along Nevsky Prospekt, amorous entertainment, but he stands out among the youth of his time. The young man possessed critical thinking and nobility of soul, which was not inherent in most of his peers.
Onegin was aware of the meaninglessness and idleness of his life. How thinking man, he bitterly realized the emptiness of light. Gradually, the blues start to hit him:

No: early feelings in him cooled down;
He was bored with the noise of the light;
The beauties were not long
The subject of his usual thoughts;
Managed to tire betrayal;
Friends and friendship are tired ...

Attempts to combat the blues were unsuccessful. He did not know how to work systematically, and his anger, gloom, loneliness more and more declared themselves.

Finding himself on the inherited estate, Onegin made life easier for the peasants:
Yarem he is an old corvee
Replaced by light rent

But on this his reform activities ended. The conversations of the landlord neighbors, exposing the narrowness of his horizons and primitive thinking, weighed him down. He preferred proud solitude over them.
Acquaintance with the young poet Vladimir Lensky, who stood out among the local nobles, helped for a while to escape from the sad thoughts hovering in Onegin's head. Lensky seemed the complete opposite his neighbor, but in fact, inexperience and ardor, inexperience and impetuosity - all this was inherent in Eugene when he was younger, but age cooled the impulses of the heart.
Vladimir Lensky, who received a foreign education, decided to get to know Onegin better:
But Lensky, not having, of course,
Hunt the bonds of marriage,
With Onegin wished heartily
Acquaintance is shorter to mix.
In conversations with Vladimir, Onegin understands that he dreams of the happiness of all mankind and believes in the sacred bonds of true friendship:
He believed that friends were ready
For his honor to take the shackles ...
That there are chosen ones by destinies,
People are sacred friends;

Lensky was close in spirit to the Decembrists, his social ideals were just as humane and noble, but his lofty ideals were very vague and vague, embodied in his poetry.
Onegin's cold mind, mental satiety and melancholy did not prevent him from admiring the sincerity of the young poet, the fervor of his feelings, the fervor of convictions. Eugene was not so sincere. Perhaps Onegin even slightly envied his friend's honesty, since he himself had already lost his fervor:
He listened to Lensky with a smile.
The poet's ardent conversation,
And the mind, still in shaky judgments,
And an eternally inspired gaze, -

However, Vladimir soon fell in love with Olga, the sister of Tatyana Larina. She seems to him to be perfect, but a stupid quarrel that broke out between friends led to a duel. Unfortunately, due to fear of public opinion, they had to shoot themselves. Lensky was killed.
But what would await them if the duel had not happened? It is quite possible that Lensky would become a real poet, and even become one of the Decembrists. Onegin could not become a fighter for a just reorganization of society, he was waiting for the path of non-resistance to evil by violence, since the skepticism with which he was infected paralyzed his will and aspirations.

They met, wave and stone,

Poems and prose, ice and fire

Not so different among themselves.

A.S. Pushkin, "E.O."

Pushkin - great poet and a writer of the 19th century. He enriched Russian literature with many wonderful works. The most important work of Pushkin was his novel "E.O." rightly considered "an encyclopedia of Russian life." The author reflected in it the life of the noble youth of the 19th century, showed the peculiarities of Russia at that time.

The central figures of the novel are two completely different but at the same time similar heroes - Eugene Onegin and Vladimir Lensky. Onegin receives a typical aristocratic education. Pushkin writes: "First, Madame followed him, then Monsieur changed her." he also received the knowledge that was necessary for him in a secular society. Pushkin characterizes Eugene as follows:

He is in French completely

I could express myself and write

Easily danced the mazurka

And bowed at ease;

What is more to you? The light decided

That he is smart and very nice.

In his mind, Onegin is much higher than his peers. He knew a little classic literature, had an idea of ​​Adam Smith, read Byron, but, nevertheless, all these hobbies do not awaken romantic, fiery feelings in Eugene's soul, as in Lensky. Eugene spends his best years, like most young people of his circle, at balls, theaters, love affairs. Very soon he begins to understand that this life is empty, that there is nothing behind the "external tinsel", boredom, slander, envy reign in the world people spend inner strength on trifles, mindlessly wasting my life. A harsh, chilled mind and "supersaturation with the pleasures of the light" led to Onegin losing interest in life, he falls into a deep blues:

The blues were waiting for him on guard,

And she ran after him,

Like a shadow or a faithful wife.

Out of boredom, Eugene tries to look for the meaning of life in some kind of activity: he reads a lot, tries to write, but these attempts are unsuccessful. In the village where Eugene goes to get his inheritance, he makes another attempt to occupy himself with something:

Yarem he is an old corvee

Replaced the rent with a light one;

And the slave blessed fate.

But he sulked in his corner,

Seeing this terrible harm,

His calculating neighbor ...

But aversion to work, the habit of freedom and peace, lack of will and unwillingness to work led to the fact that Onegin became a real egoist, thinking only about himself, about his desires and pleasures, unable to pay attention to the feelings, interests and suffering of people, capable of easily to offend, offend, cause grief to a person, without even noticing it. However, Evgeny is not a narcissistic egoist, but, as V.G. Belinsky said, “a suffering egoist.” He understands that he is superfluous in this meaningless society, but how neither tries, cannot completely free himself from the influence of light. Onegin was not satisfied with an empty, meaningless life. But he did not have enough strength, nor the desire to break with this life, he continues to be just as passive and indifferent to everyone and to everything except his own calmness. Having received a challenge to a duel, perfectly realizing his wrongness and the senselessness of this fight, Onegin nevertheless accepts the challenge and kills his best friend Vladimir Lensky. Lensky's murder turned Onegin's life upside down. He is no longer able to live in those places where everything reminded him of his terrible crime, "where a bloody shadow appeared to him every day." And, tormented by remorse, Onegin rushes about the world. But, despite the cruelty, this test helped Eugene to change internally, to become more responsive to the feelings of the people around him, his heart opens to love. But even here Onegin expects the collapse of all his hopes for happiness His unhappiness is the payback for his wasted life.

In the novel, in contrast to Onegin, the image of Vladimir Lensky is given. Lensky plays a significant role in comprehending the character of Onegin. Lensky is a nobleman, in age he is younger than Onegin. He was educated in Germany:

He's from foggy Germany

Brought fruits of scholarship,

The spirit is ardent and rather strange ...

Spiritual world Lensky is the complete opposite of Onegin's worldview. Lensky is a "admirer of Kant and a poet", a hopeless romantic who lives in a world of beautiful dreams and dreams. Feelings rule over his mind, he believes in sincere and pure love, in friendship, in the decency of people. Lensky looks at life through rose-colored glasses, he naively finds soul mate in Olga, who is the most ordinary empty girl who quickly forgot the groom who died in a duel.

What can such seemingly different people have in common? They both belong to the nobility, both are smart, educated, both despise the empty high life and both are much higher in internal development than the people around them. The romantic soul of Lensky, not spoiled by life, is looking for beauty everywhere. Pushkin writes about Lensky: "He was an ignoramus with his dear heart, he was cherished by hope, and the world had new brilliance and noise." Onegin, on the other hand, went through this long ago, he listened to Lensky's ardent speeches with a smile of an elder, he tried to restrain his irony. Pushkin writes: "And I thought it was stupid for me to interfere with his momentary bliss, and without me the time will come, even if he lives for the time being and believes the world to perfection. Forgive the fever. young years and youthful fever, and youthful delirium. "For Lensky, friendship is an urgent need, Onegin is friends" for boredom ", although in his own way he is attached to Lensky. But, contrary to friendly feelings, Onegin is forced to kill Lensky. values ​​his opinion, fearing ridicule and reproach for cowardice. Because of a false sense of honor, he ruins an innocent soul. Who knows how the fate of Lensky would have turned out if he had remained alive. Perhaps he would have become a Decembrist, and maybe and just a layman. The author himself believed that

In many ways, he would have changed

Used to part with the muses, get married,

In the village, happy and horned,

Would wear a quilted robe.

I think Lensky's death is quite logical, he died, as his romanticism would have died with time. According to A.I. Herzen, Lensky was only capable of quickly flaring up and fading away. And even if Onegin had not killed him, most likely, in the future Lensky was waiting ordinary life, which would cool his ardor and turn him into a simple landowner who

Drank, ate, missed, got fat, sickly,

And finally in my bed

B died in the midst of children,

Crying women and doctors.

I think that Onegin was nevertheless inwardly deeper than Lensky. Dissatisfaction with life and oneself, first of all, can only be experienced by deep and thinking people. Throughout the whole novel I feel only pity for Eugene, because the realization of mistakes comes to him too late. I think Onegin is just a victim of a soulless society, from half the influence which Eugene could not get out.

Pushkin portrayed reality exactly as it was at that time, showed that in such a society rotting from the inside, only mediocre people can be happy, whose interests are small and limited. The same sublime people like Onegin and Lensky are unhappy in this life. They or perish. like Lensky, or continue to live with a devastated soul like Onegin. The wealth and high position in society that they inherited do not make their life easier and do not make them happy. Society and upbringing do not give them the opportunity for personal happiness, the realization of mistakes comes to them too late. But these mistakes cannot be blamed on the heroes themselves. They were made so by society. The environment that surrounded them from birth shaped their characters. According to Pushkin, it was the environment that made these beautiful, intelligent and noble people unhappy in their essence and in their inclinations.

Ah, dear Alexander Sergeevich! Is your pen written something more perfect than living and eternal romance"Eugene Onegin"? Did you invest in it most yourself, your frantic inspiration, all your poetic passion?

But haven't you, oh, immortal classic, cheated by saying that Onegin has nothing to do with you? Are not his character traits peculiar to you? Isn't it your "blues" on it, isn't it your disappointment? Is it not your "black epigrams" that he scribbles to his enemies?

And Lensky! Really, how he looks like you, in love, young! On you - another, on that you, whom you did not dare to reveal to the world clearly ...

Lensky and Onegin ... both of them - yours, oh immortal Alexander Sergeevich, a colorful and lively portrait on the wall of poetry. Do you agree with the idea of ​​such audacity?

However, be that as it may, allow, in view of your silence, each admirer of your genius to draw their own conclusions, letting their own fantasy fly.

We will compare and contrast two bright barely touching the facets of your personality. In order to avoid obsessive parallels between you, sir, and the characters in your poem, we will make every effort to make a dry statement of their striking characteristics.

So, Onegin. Handsome, smart, stately. In the description of his Petersburg daily routine, my dear Alexander Sergeevich, we find your lines about no less than three hours he spent at the mirrors in pretense. You even compare him to a young lady dressed like a man hurrying to a ball. Perfume, lipstick, fashion haircut. Dandy, pedant and dandy. Always elegant in clothes. And, by the way, it will be said, nails, sir ... He, like you, sir, spends a lot of time at the dressing table, caring for them.

Alas, all the actions he performs on himself in order to be attractive are just a tribute to a secular habit. He has long cooled to the opposite sex, disappointed in love. He doesn't want to please women at all. No! Love has long been replaced by the "art of seduction", which, however, does not bring any satisfaction.

Social events have long lost all taste for him. He often goes to balls, but out of inertia, out of boredom and nothing to do. The secular one is boring to him. I'm sick and tired of everything! But, not knowing another life, he continues to drag out the usual way of life. No friends, no love, no interest in life.

The way of thinking, the perception of Onegin - you, Alexander Sergeevich, subject everything to the merciless "Russian blues", or depression. Immeasurable inner emptiness, lack of dreams, boredom, joylessness. At the same time, the liveliness of a cold, sober mind, the absence of cynicism, nobility.

You emphasize its prosaic nature by the inability to "distinguish ferrets from iambis", and their preference for Scott Smith, with his political economics books, only confirms the presence of unpoetic exact thinking.

Lensky is different!

What an evil muse visited you, Alexander Sergeevich, when you brought together such different heroes? Could the relationship between Lensky and Onegin not lead to tragedy? Your Lensky ...

Handsome, but beautiful differently than Onegin. You endow him natural beauty long, dark, curly hair. With the inspired look of a poet and a living, warm heart, open to the world.

Vladimir Lensky is sensitive to the perception of nature and the universe as a whole. “Suspecting miracles” in everything, he understands and feels the world in his own way. Idealist, the right word!

The eighteen-year-old dreamer in love with life piously believes in the existence of his soul mate, which is waiting for him and languishing. In faithful, devoted friendship and "sacred family", as you, venerable Alexander Sergeevich, have deigned to name the Holy Trinity.

Describing the relationship between Onegin and Lensky with your own pen, you compare them with the union of water and stone, flame and ice, poetry and prose. How different they are!

Lensky and Onegin. Comparative characteristics

It pleased you, master of the muses, to play these two beautiful youths in a sad game that to this day prompts the reader to sprinkle tears on the pages of your great novel. You bring them into friendship, first "from nothing to do", and after a closer one. And then cruelly ...

No, better in order. So, they are getting closer: Lensky and Onegin. Comparative characteristics of these two, so characteristic of your, Alexander Sergeevich, time of heroes, can be complete only when describing their friendship.

So, contradictions are encountered, as he claims. At first, they are boring to each other due to the dissimilarity of judgments. But a little later this difference turns into a magnet attracting opposites. Each thesis becomes the cause of lively disputes and discussions between friends, each dispute turns into a subject of deep thought. Perhaps none of them accepted the position of a comrade, but they also retained interest and respect for the flow of someone else's thought. Listening to Lensky, Onegin does not interrupt him with youthful naive judgments, poems and ancient legends. Disappointed realist, he is in no hurry to reproach Vladimir for idealizing people and the world.

Similarity of heroes

Daily joint horse rides, dinners by the fireplace, wine and conversations bring young people closer together. And at the same time, over time, similarities between Onegin and Lensky are revealed. By endowing them with such striking features, you, the lord of the pen, pull them out of the usual circle of rural communication, with boring conversations about the kennel, your own relatives and other nonsense. The education of the main characters, which is one of the few common traits for both of them, makes them yawn in the circle of the rural nobility.

Two destinies, two loves

Onegin is five or six years older than Lensky. This conclusion can be reached, proceeding from the precious Alexander Sergeevich, indicated by you, his twenty-six years at the end of the novel ... When, kneeling, he cried for love at her feet ... at Tatyana's feet ... But, no. Everything in order.

Oh, the great connoisseur of the human soul, oh, the subtlest psychologist of deep feelings! Your pen reveals dead soul Onegin is a bright, pure ideal of a young maiden - Tatyana Larina. Her young, tender passion is poured out before him in a frank letter, which you ascribe to him to preserve for the rest of his life as evidence of the possibility of sincerity and beauty of feelings in which he no longer believed. Alas, his moping, callous heart was not ready to reciprocate. He tries to avoid meeting Tatiana after talking with her, in which he denies her high feelings.

In parallel with this discordant love, you develop the feelings of Vladimir Lensky for Tatiana's sister - Olga. Oh, how different these two loves are, like Lensky and Onegin themselves. A comparative description of these two feelings would be superfluous. The love of Olga and Vladimir is full of chaste passion, poetry, and youthful inspiration. The naive Lensky, sincerely wishing his friend happiness, is trying to push him into Tatyana's arms, inviting him to her name day. Knowing Onegin's dislike of noisy receptions, he promises him a close family circle, without unnecessary guests.

Revenge, honor and duel

Oh, how much effort Eugene makes to hide his mad indignation when, having agreed, he gets to a provincial ball with many guests, instead of the promised family dinner. But more than that, he is outraged by Tatyana's confusion when he sits in a place prepared for him in advance ... opposite her. Lensky knew! Everything is rigged!

Onegin, really, did not want what your implacable pen, Alexander Sergeevich, prepared when he took revenge on Lensky for his deception! When he carried his beloved Olga into his arms in a dance, when he whispered his liberties in her ear, he portrayed a gentle look. Cynically and shortsightedly appealing to the jealousy and contempt of the young poet, he obediently followed the fate destined by you for both of them. Duel!

In the morning at the mill ...

Both have already moved away from stupid grievances. Both were already having difficulty finding a reason for a duel. But nobody stopped. Pride is to blame: no one intended to be considered a coward by refusing to fight. The result is known. Young poet defeated by a friend's bullet two weeks before own wedding... Onegin, unable to indulge in memories and regrets about the death of the only person close to him, leaves the country ...

Upon his return, he will fall in love with the matured and blossoming Tatiana, only now the princess. Kneeling before her, he will kiss her hand, pray for love. But no, it's too late: “Now I have been given to another and I will be faithful to him forever,” she will say, crying bitterly. Onegin will be left completely alone, face to face with memories of love and a friend killed by his own hand.

Duels of the creator Onegin and quite pertinent parallels

You were reproached dear Alexander Sergeevich, in the lack of grounds for a duel between your heroes. Funny! Didn't your contemporaries draw parallels between these two youths with yourself? Didn't they note the similarities of such opposite Onegin and Lensky with your contradictory, dual nature? This borderline bifurcation into Lensky - an inspired poet, superstitious lyricist - and a secular rake, cold, tired Onegin ... did they not find it? To one you give your fiery genius, love, cheerfulness and, without knowing it, your own own death... Wandering, alienation and, in the end, a long trip abroad, which you yourself dreamed of, are given to the other. The characteristic of Onegin and Lensky is a comprehensive disclosure of yourself, isn't it? And if such an obvious similarity of both heroes with you, dear classic, was exposed by your contemporaries, did they not know what light, insignificant reasons for duels were enough for you yourself? And how many times in each week of your life have you played with death, fearlessly and indifferently gazing at the cold barrel in the hands of your enraged adversary?

Onegin and Lensky - two central character works. For a better presentation of the heroes, understanding their actions, understanding the concept of personality, penetrating into the author's intention, we will conduct a comparative description of them.

Raising the main characters

Eugene comes from noble family... He, a "young rake", received an upbringing corresponding to his time under the supervision of a tutor from France - upbringing in the spirit of literature, not tied to any national stratum.

Lensky is an attractive young man. Handsome ("black curls"), rich, emotional, full of lofty expectations from life. Paying great attention describing the appearance and character of the hero, Alexander Sergeevich is silent about upbringing.

Ideals of Eugene and Vladimir

For a correct perception of Onegin's ideals, you first need to understand what “ideal” means. Ideal refers to our aspirations. What was Onegin's soul drawn to? To harmony. How did he achieve this? He fought between the eternal (national) and the temporary (what appeared in his character under the influence of society and extraneous views on life).

Lensky's ideals are devoted love and sincere friendship until the end of days.

Realist Onegin and dreamer Lensky

Complex and controversial character Evgenia corresponds to his time - the same difficult and ambiguous.

Onegin is lazy, filled with pride and indifference. Hypocritical and flattering. He likes to slander and criticize. At the celebration of life, most likely, an extra one. He is noticeably different from his environment, trying to find the meaning of life. Unwillingness to work, despondency, melancholy, lack of life goals, skepticism - distinctive features « extra person", To which Onegin is ranked.

Vladimir Lensky is the opposite of his neighbor. Not a rebel. Enthusiastic, freedom-loving, always in dreams. Romantic. His genuine sincerity, spiritual purity, honesty and straightforwardness captivate, but Lensky is not an ideal. The meaning of life is a mystery. What functional load, as conceived by the author of the novel, does this character in the work? The meaning of Vladimir is to emphasize the character of Eugene.

These two characters are different. But at the same time, their similarities are noticeable: the lack of prospects, a suitable occupation in life, indecision of character.

The attitude of the characters to poetry

"Yawning, I took up the pen, I wanted to write ...". I wonder which one literary genre Eugene gravitates? It is unlikely that poetry ("he could not distinguish iambic from chorea ..."). But one cannot say that writing poems was alien to him. Of real meaning great poetry misunderstood, but still tried to occupy himself with the selection of rhymes.

Epigrams - that's what Onegin had enough imagination for. (Here we will make a small digression and clarify that an epigram is a short poem, the purpose of which is to make fun of a person or event). Onegin loved with epigrams "to excite the smile of the ladies."

In contrast to Onegin, Lensky respects poetry. After all, he is a poet. He dedicates his poems to his bride Olga.

Love in the lives of heroes

Eugene, "being considered a disabled person in love," refers to sublime feeling skeptical, with some irony and pragmatism. At the end of the novel, his attitude changes. Feelings, hitherto unknown, awaken in him for Tatiana.

Lensky was in a state of love ("sang love").

Difference in perception of life

According to Onegin, existence is meaningless and empty. The days are filled with longing and despondency. There are no goals, no forward striving.

Lensky soars in the hustle and bustle. His romantic, emotional and naive nature does not have a deep understanding of life.

Conclusion

Onegin and Lensky are clear opposites. They are distinguished by their character, ideals, attitude to life and love. Deep in Onegin's soul lies a good beginning, but internal conflicts and disharmony is evident to the reader.

Lensky appears to be freedom-loving and dreamy, sincerely believing in his ideals. It is not attached to reality, it has no foundation.