"Sleep Oblomova" - the world of the junior and poetic soul. Positive and negative traits of the nature of Oblomov, its inconsistency in Goncharov's novel which conflicting mutually exclusive traits of the nature of Oblomov

One of the largest Russian writers of the XIX century Ivan Alexandrovich Goncharov is the author of well-known novels: "Ordinary History", "Oblomov" and "Open".

Especially popular roman Goncharov "Oblomov". Although he was printed over a hundred years ago (in 1859), he and today read with great interest, as a bright artistic image of a stale landlord life. It captures a typical literary image of a huge impressive force - the image of Ilya Ilyich Oblomov.

Wonderful Russian critic N. A. Dobrolyubov in his article "What is a breakdown?", Finding out the historical meaning of Roman Goncharov, established those features that this painful phenomenon is noted in public life and in person personality.

Character of Oblomov

Maintenance character character traits - The weakness of the will, passive, indifferent attitude to the surrounding reality, a tendency to pure contemplative life, carelessness and laziness. The nominal name "Oblomov" was used to designate a person extremely darling, phlegmatic and passive.

Favorite breakdown pastime - Lena in bed. "Lena in Ilya Ilyich was neither necessity, like a patient or like a person who wants to sleep, nor the accident, like someone who was tired, nor enjoyed, like a lazy man, was his normal state. When he was at home - and he was almost always at home - he was lying everything, and everything is constantly in the same room. " In the office of Oblomov, launched and negligence dominated. If it were not lying on the table unluckled from the evening dinner with a plate with a straw and aubloded bone and not leaning to bed tube or the owner itself, lying in bed, "It would be possible to think that no one would live here," so everything was dreamed, it was disturbed and there was indeed the living traces of human presence. "

Oblomeza laziness to get up, lazy to dress, too lazy to even focus on anything of his thoughts.

Living by sluggish, contemplative life, Ilya Ilyich is not off sometimes and dream, but his dreams are barren and irresponsible. So he dreams, a fixed slaughter, become a famous commander, like Napoleon, or a great artist, or a writer, in front of which everyone licks. Nothing these dreams have led - they are only one of the manifestations of idle time transfers.

Typically for the nature of Oblomov and the state of apathy. He is afraid of life, trying to burn himself from life impressions. He with effort and Molver says: "Life touches." At the same time, the breakdown is deeply inherent in Baria. Somehow his servant Zakhar picked up that "others lead a different life." Oblomov so answered this reproach:

"Other works without tired, runs, fussing ... will not work, so it does not take ... And I? .. Yes, do I feel, do I work? .. Little I eat, or what? .. Will it lack something? It seems to be filed, do to someone: I have never pulled myself a stocking on my feet, as I live, thank God! Will I worry? What makes me? "

Why balsomov became "broom". Childhood in Oblomovka

Bakes were not born such a worthless slacker, which it is presented in the novel. All his negative character traits are a product of depressing living conditions and education in childhood.

In the chapter "Sleep Oblomov" Goncharov shows why balsomov became "broom". But how active, inquisitive and inquisitive was a small smiling of bugs and how these features were felt in the ugly furnishings of the crushing:

"It looks like a child and watches a sharp and reserving look, how and what they do adults what they are dedicated to the morning. None of the trifle either eludes the child's inquisitive attention to the child, the picture of homemade life is indelible in the soul, a mild mind is drinking alive examples and unconsciously draws the program of his life in life, its surrounding.

But as monotonous and tedious paintings of homemade life in the crushing! The whole life was that there were few people a few days a day, slept to the dive, and the time was lingering in free from food and the spongas.

Ilyusha - a lively, mobile child, he wants to run, watch, but his natural childishness is put obstacles.

"- Let's go, mom, walk," says Ilyusha.
- What are you, God with you! Now walk, "she answers," the raw, the legs are waving; And scary: Nowadays, the forest goes, he takes young children ... "

Ilyusu was protected in every way, created a barnal state in a child, taught to inactivity. "Whether Ilya Ilyich will want, he should only blink - three-four servants are thrown to fulfill his desire; Did he drop something, whether he needs a thing, but will not get, - do you bring to run away why; He sometimes, like a frisky boy, so I want to rush and remake everything yourself, and here suddenly the father and mother and the three aunts in five votes and shout:

"What for? Where to? And Vaska, and Vanka, and Zakharka for what? Hey! Vaska! Vanka! Zakhar! What do you look, riot? Here I am! .. "

And I will not be able to do something for myself. "

On the education of Ilyusha, parents looked only as an inevitable evil. Not respect for knowledge, not the need for them awakened in the heart of the child, but rather disgust, and they tried to "relieve" the boy in every way; Under different pretexts, Ilyulyu did not send to the teacher: then under the pretext of unhealthy, then in view of the upcoming someone else and even in those cases where pancakes were collected.

Without a trace for the mental and moral development of Oblomov and the years of his study at the university were held; nothing happened from this not accustomed to the work of a person with the service; There was no deep impact on him, neither the smart and energetic friend of Stolz nor the beloved Girl Olga, who set the goal to return Oblomov to an active life.

Parting with your friend, gallez said: "Farewell, the old crushing, you have sentenced your age". These words relate to the royal pre-reform Russia, but in the context of a new life there are still very many sources that have eased.

Oblomov today, in the modern world

Not today, in the modern world Oblomovka, no and Oblova In that sharply pronounced and extremely form, in which it is shown by Goncharov. But with all this and we have time from time to time, there are manifestations of the breakdown as a remnant of the past. Their roots should be searched primarily in the wrong conditions of family education of some children whose parents, usually, without giving themselves in this report, contribute to the appearance of Oblomovsky sentiment and Oblomovsky behavior.

And in the modern world there is a family where love for children is manifested in providing them with such amenities in which children, as far as possible, are exempted from labor. Some children discover the features of Oblomovskaya weakness only in relation to certain types of activities: to mental or, on the contrary, to physical work. And at the same time, without a combination of mental labor with physical development goes unilaterally. This one-sidedness can lead to general lethargy and apathy.

Pokeberry is a sharp expression of weakness. To prevent it, you need to educate in children those volitional traits that exclude the passivity of apathy. Such features are primarily a dedication. A person with a strong character has features of volitional activity: determination, courage, initiative. Especially important for a strong nature persistence manifested in overcoming obstacles in the fight against difficulties. Strong characters are formed in the fight. Oblomov was freed from every effort, life in his eyes was divided into two halves: "One consisted of difficulty and boredom - it was synonyms; Another of peace and peaceful fun. " Not accustomed to labor effort, children, like a breakdown, tend to identify work with boredom and look for peace and peaceful fun.

It is useful to re-read the wonderful Roman "Oblomov" so that, in the feeling of disgusting to the Oblomovochina and its roots, carefully follow, is there any remnants in the modern world - let it not be cutting, and sometimes disguised form, and take all measures to overcome These remnants.

According to the materials of the magazine "Family and School", 1963

It is not by chance that Ivan Alexandrovich Goncharov wrote his famous Roman "Oblomov", recognized by contemporaries by classics after the publication, after ten years. As he himself wrote about him, this novel - about the "his" generation, about those Barchukov, who came to St. Petersburg "from good moms" and tried to make a career there. They, to really make a career, should have changed their attitude towards work. Ivan Alexandrovich himself passed through it. However, many local noblemen and in adult life remained idlers. At the beginning of the XIX century it was not rare. The artistic and holistic mapping of the representative of a degenerate in the conditions of the fastepan law of the nobleman for Goncharov became the main idea of \u200b\u200bthe novel.

Ilya Ilyich Oblomov - a typical character at the beginning of the XIX century

Oblomov's appearance, the image itself of this localist nobleman imagined as many characteristic features that he became a nominal one. As evidenced by the memories of contemporaries, during the time of Goncharov, even the wrong rule began not to call the son of "Ilya", if the same was the name of his father ... The reason is that such people do not need to work to ensure that they can not serve. After all, capital and fasteners already provide a certain weight in society. This is a landowner who owns 350 souls of serfs, but absolutely not interested in agriculture, which his feed, which is not controlling a quarreler, who his godless robs.

Dear mahogany furniture is covered with dust. All of its existence passes on the sofa. He replaces him all the apartment: living room, kitchen, hallway, office. The apartment runs mice, bugs are found.

Appearance of the main hero

The description of the appearance of Oblomov testifies to the special - satirical role of this image in Russian literature. His essence is that he continued the classical tradition of unnecessary people in his fatherland after the Pushkin Evgeny Onegin and Lermontov Pechor. Ilya Ilyich has an appearance corresponding to such a lifestyle. Its unstable full, but already loose body, it puts in a rather adjusted robe. His look is dreaming, his hands are still.

Main detail of the appearance of Ilya Ilyich

It is not by chance that, repeatedly describing the appearance of Oblomov in the course of the novel, Ivan Alexandrovich Goncharov focuses on its chubby hands, with small brushes, perfectly fused. This artistic reception is not worked out by work - additionally focuses the passivity of the main character.

Oblomov's dreams never find their real continuation in affairs. They are his personal way to cherish her laziness. And he is busy with the very awakening: shown by Goncharov, for example, day from the life of Ilya Ilyich, it begins with one and a half hours of motionless dreams, naturally, while not peeling from the sofa ...

Positive features of Oblomov

However, it should be recognized that Ilya Ilyich is more kind, open. He is friendly than the greatness of France Onegin, or the Fatalist Pechorin, bringing the troubles surrounding only. He is not able to raise himself from a trifle with a man, and even more so cause a duel.

Goncharov describes the appearance of Oblomov Ilya Ilyich in full compliance with his lifestyle. And this landowner lives with his loyal servant Zakhar on the Vyborg side in spacious four-room apartments. Full, loose 32-33-year-old bald scattered with brown hair, a fairly pleasant face and with dreamy dark gray eyes. Such is the appearance of Oblomov in a brief description, which Goncharov represents at the beginning of their novel. This is an offacarious nobleman from once famous in the province of the genus, twelve years ago came to Petersburg to make a career with a ceremony. I started with the rank then by negligence sent a letter instead of Astrakhan to Arkhangelsk and, frightened, quit.

His appearance, of course, has an interlocutor to communicate. And it is not surprising that guests come to him daily. The appearance of Oblomov in the novel "Oblomov" can not be called unattractive, it even to some extent expresses the non-odious mind Ilya Ilyich. However, there is no practical chain, focus. However, his face is expressive, it displays the flow of continuous thoughts. He utters a little word, builds noble plans. Already the very description of the appearance of Oblomov gives an attentive reader to the conclusion that his spirituality is zezub, and the plans never come true. They will be forgotten without reaching practical performance. However, new ideas will come to their place, as torn away from reality ...

Oblomov's appearance - degradation mirror ...

Note that even the appearance of Oblomov in the novel "Oblomov" could be completely different - he gets another home education ... After all, he was an energetic, inquisitive child, not inclined to completeness. As it should be for their age, he was interested in what was happening around him. However, Mama put up for a child of unrefected nanny, who did not give him anything in his hands. Over time, Ilya Ilyich also perceived any work as the low-class car, men.

Appearance of opposite characters: gallez and broom

Why does an observer-physiognomist come to this conclusion? Yes, because, for example, the appearance of the gallery in the novel "Oblomov" is completely different: dwelling, movable, dynamic. Andrei Ivanovich does not tend to dream, he instead, rather plans, analyzes, formulates a goal, and then works for its achievement ... After all, the gallets, his friend from the young age, thinks dispelled, having a legal education, as well as rich service experience and Communication with people .. The origin of it is not soever anything as in Ilya Ilyich. His father is a German, working as a clerk on landowners (in our present sense - a classic hired manager), and the mother is a Russian woman who received a good humanitarian education. He since childhood knew that his career and position in society should earn labor.

Diametrically opposed to these two characters in the novel. Even the appearance of Oblomov and Stolz are completely different. Nothing like, not a single similar feature, are two completely different human types. The first is a wonderful interlocutor, an open soul person, however, the lazy in the last hypostasis of this shortage. The second is active, ready to help friends who fell into trouble. In particular, he introduces his friend Ilya with a girl who can "cure" him from Leno - Olga Ilinskaya. In addition, he suggests order in the landlord of agriculture. And after the death of Oblomov, his son Andrei adopts.

Differences in the method of presentation of the Goncharov appearance gallery and Oblomov

In different ways, we will find out the features of the appearance, which possesses bugs and galley. The appearance of Ilya Ilyich the author is shown classically: according to the author talking about him. The features of Andrei Stolz, we learn gradually, from the words of other characters of the novel. That is how we begin to understand that Andrei has a thin, housing, muscular physique. His skin is smoothed, and greenish on the color of the eye is expressive.

In different ways also apply to the love of brooms and gallets. The appearance of their elect, as well as relations with them, two heroes of the novel are different. Oblomov gets a wife-mother of Agafia Pshenitsyn - Loving, causing, not driving. Stolz marries formed by Olga Ilinskaya - Female-comrade, assistant wife.

It is not surprising that this person, in contrast to Oblomov, diluating his condition.

Appearance and respect of people related to whether they are connected?

Oblomov's appearance and galley are perceived in different ways. Moismage-obcomments Like honey attracts flies, "Mikhaya Tarantyev's fraudsters and Ivan Mukhoyarov entails. It periodically feels apathy attacks, feeling obvious discomfort from his passive life position. The assembled, the dilution gallery of such a decline of the spirit is not experiencing. He loves life. His insight and serious approach to life scares the villains. Not in vain, after meeting with him, Mikey Tarantyev "starts up. For

Conclusion

The appearance of Ilyich fully fits into the concept of "excess person, that is, the person who cannot implement itself in society. The abilities he possessed in his youth were subsequently ruined. Initially, a non-government upbringing, and then - idleness. Previously, the shouted boy was flicker to 32 years old, lost interest in the surrounding life, and by 40 years fell ill and died.

Ivan Goncharov described the type of nobleman-serf, having a life position of Earlier (money regularly go to the work of other people, and it doesn't arise such a desire for such a desire.) It is quite obvious that people who have such a life position have no future.

At the same time, the energetic and purposeful dispenser Andrei Stolz seeks to in the life of obvious success and position in society. His appearance is a reflection of his active nature.

Character of Oblomov

Roman I.A. Goncharov "Oblomov" was printed in 1859. It took almost 10 years to its creation. This is one of the most prominent novels of classical literature of our time. So spoke about the novel known literary critics of that era. Goncharov managed to convey realistic objectively and reliable facts of the reality of the layers of the social environment of the historical period. It is necessary to assume the most successful achievement was to create an image of Oblomov.

It was a young man of about 32-33, medium height, with a pleasant face and a smart look, but without any definite depth of meaning. As the author noted the thought walked around the face of a free bird, fluttered in his eyes fell on the half-open lips, hid in the folds of his forehead, then completely disappeared and a careless young man turned out to be. Sometimes on his face it was possible to read boredom or fatigue, but still there was a softness of the nature of the warmth of his soul. All the life of Oblomov accompany the three attributes of the Meshchansky well-being - a sofa, a bathrobe and shoes. The houses of Oblomov went in an eastern soft spacious bathrobe. He spent all his free his time. Laziness was an integral line of his character. Cleaning in the house was carried out superficially, creating visibility, cobwebs breathed in the corners, although at first glance it was possible to think that a well-removed room. There were two more rooms in the house, but he did not go there at all. If an unlucky plate with dinner with crumbs everywhere, a short-sized tube, it was possible to think that the apartment was empty, no one lives in it. He was always surprised at his energetic friends. As you can spend your life, spraying at dozens of things right away. Its financial condition wanted to be the best. Lying on the sofa, Ilya Ilyich always thought in any way to fix it.

The image of Oblomov is a complex contradictory, even a tragic hero. His character predetermines the usual, not interesting fate, devoid of energy of life, bright events. The main focus of Goncharov draws to the established system of that era that affected his hero. This influence was expressed in an empty and meaningless existence of Oblomov. Helpless attempts to revive under the influence of Olga, gallery, marriage on wheat, and death itself is defined in the novel as a breakdown.

The character of the hero on the writer's plan is much larger and deeper. Sleep Oblomov is the key of the entire novel. The hero moves to another era, to other people. Many light, joyful childhood, gardens, sunny rivers, but first it is necessary to pass obstacles, an endless sea with raging waves, moans. Behind him, the rocks with the abuse, the crimson sky with a red glow. After the exciting landscape, we get into a small corner where people live happily, where you want to be born and die, otherwise you can not be, so they think. Goncharov describes these residents: "Quiet and sleepy everything in the village: Silent huts are dismissed; There is no soul; Some flies are flying with clouds and buzz in a stuff. " There we meet the young Oblomov. In childhood, the bugs could not get dressed himself, he was always helped by servant. As an adult, he also resorts to their help. Ilyusha grows in an atmosphere of love, peace and excessive guardianship. The crushing is a corner where calm and calm silence reigns. This dream is in a dream. Everything around it was frozen, and nothing can wake these people who live easily in a distant village without any connection with the rest of the world. Ilyusha rose on fairy tales and legends that nanny told him. Developing a dreaminess, the tale tied more Ilyusha to the house, causing inaction.

In the dream, Oblomov describes the childhood of the hero, his upbringing. All this helps to know the nature of Oblomov. Life of broken, this passivity and apathy. Childhood here is his ideal. There in the crushing - warm, reliably and very protected Ilyusha felt. This ideal and part of it for aimless further existence.

The rays of the character of Ilya Ilyich in his childhood, from where the straight threads stretch to the adult hero. The character of the hero is an objective result of the conditions of birth and upbringing.

oblomov Roman Laziness Character

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Characteristic Ilya Ilyich Oblomov Very ambiguous. Goncharov created it complicated and mysterious. Oblomov separates itself from the outside world, is separated from him. Even his accommodation is little like inhabited.

From early childhood, he saw a similar example from his relatives, who were also separated from the outside world and protected him. In his hometown was not customary to work. When he, being another child, played with the peasant children in the snowball, then it was heated for several days. In the Oblomovka with Otskaya, the new one - even a letter who came from a neighbor, in which he asked the beer recipe, was afraid to open three days.

But Ilya Ilyich gladly remembers his childhood. He worship the nature of the crushing, although this is an ordinary village, no particularly remarkable. He is brought up by rustic nature. This nature instilled in him the poetry and love for beauty.

Ilya Ilyich does nothing, only all the time on something complains and is engaged in verbal. He is lazy, nothing does anything and does not expect anything from others. He takes life such as it is and does not try to change anything in it.

When people come to him and tell about their lives, he feels that in the bustling of life, they forget that they are in vain to waste life ... And he does not need to fuss, act, do not need to prove anyone. Ilya Ilyich just lives and enjoys life.

It is difficult to imagine in motion, it looks ridiculous. Alone, lying on the sofa, it is natural. It looks at ease - it is his element, his nature.

Let's summarize the read:

1. The appearance of Ilya Oblomov. Ilya Ilyich is a young man 33 years old pleasant appearance, medium height, continued. The softness of the face expression was issued in it of a human-speaking and lazy person.
2. Family status. At the beginning of the novel, the bugs are not married, lives with his servant Zakhar. At the end of the novel marries and happy in marriage.
3. Description of the dwelling. Ilya lives in St. Petersburg in the apartment on a pea street. The apartment is launched, the servant Zakhar is rarely pierced in it, which is also lazy, like the owner. The sofa occupies a special place in the apartment, on which the breakfasts are broken.
4. Behavior, actions of the hero. Ilya Ilyich is difficult to call an active man. Only his friend is a gallery of the gallery. The main character lies on the sofa and only dreams that he will soon rise from it and will do business. He cannot even solve urgent problems. His estate came into decline and does not bring money, so the breakdown even nothing to pay for the apartment.
5. The author's attitude to the hero. Goncharov with sympathy belongs to Oblomov, he considers him a kind, mental person. At the same time, he sympathizes him: it is a pity that young, capable, not a stupid man lost all interest in life.
6. My attitude towards Ilya Oblomov. In my opinion, he is too lazy and brighted, so can't cause respect. In places, he just infuriates me, I want to approach and shake it. I do not like people who are so mediocare their lives. Maybe I am so sharply reacting to this hero, because I feel the same flaws in yourself.

The Central Character of Roman I. A. Goncharov "Oblomov" is Ilya Ilyich Oblomov - Barin "Thirty-Two Years from the Rod". The disclosure of his life philosophy, the image of his psychology and is devoted to the work.
The main features of the nature of Oblomov - apathy, laziness, lacklessness. It lies all day on the couch, absolutely nothing in anything. But this state of affairs is completely not bothering the hero: in this existence it all suits him: "Lena Ilya Ilyich was neither necessity, ... neither an accident ...: it was its normal state." On the contrary, Oblomov's discomfort cause annoying "touch of life".
However, this hero has his dreams. In the chapter "Sleep Oblomov" the author outlines them quite clearly. We see that a native ruffle brought love to home comfort in Ilya Ilyce, silence, peace: "Happy people lived, thinking that otherwise should not and could not be."

R /\u003e This person is vital was love, care, warmth and caress. Recall his dreams about his family life. Oblomov Grezil about his mother's wife, Hostess, and not a passionate mistress: "Yes, passion should be limited, strangle and drown in marriage ..." He imagined a very warm pastime - in a peaceful family circle and loving friends. There would be conversations about art, about events taking place in the world, etc.
It is the need for such a life - where everyone loves each other, satisfied with each other and is - and is, as it seems to me, the vital ideal of Oblomov. It was for this Olga Ilyinskaya called the hero "Golden Heart", because he knew how to not only take love, but also generously give it away, sharing it.
Of course, the crushing cultivated in his Ilya not only this. She brought in it and fear of life, and indecision, and laziness, and helplessness, and snobbery. And, in addition, amounted to a completely distorted idea of \u200b\u200badult life.
All this is positive, and negative - manifested in the life of the hero later. We know that in the youth of the bug, supported by the gallery, dreamed of self-improvement, change myself and the world around. However, if Stolz began to realize his dreams to life, the words of Oblomov remained only in words.
Having arrived in St. Petersburg, the hero was gradually disappointed in the service ("When to live?"), He moved away from all cases and discarded on the sofa. Somehow imperceptibly misfortunes and almost all of his acquaintances, because to maintain communication, you need to put any efforts. And it was for the hero completely unbearable.
Only once Ilya Ilyich revived and began to change - falling in love with Olga Ilinskaya.
R /\u003e Then the hero was ready to do everything that his beloved would want. Ilya Ilyich really began to change - he forced himself to be interested in the surrounding life, to move more, there is less. But in this story, the insecurity of Oblomov played his tragic role, his fear of change. At one point, he felt that unworthy Olga, and wrote a letter to the girl with explanations: "Listen, without any hints, I will say straight and simple: you don't love me and you can't love."
After that, the life of Oblomov went to his usual man - he continued to lie in pinching, communicating only with Zakhar and occasionally with a gallery.

http://www.litra.ru/composition/download/coid/00330401314114204204.

Writing the character traits of Oblomov

Goncharov Roman "Oblomov" was written in the middle of the nineteenth century and accurately described the bright representative of the noble society, which consumer belongs to life and the people around people cannot find applies to their knowledge and abilities. This is the fruit of education, accustomed to generation to generation to use slave labor, to live at the expense of another person.

The main character of Roman's name is Ilya Ilyich Oblomov. He repeats not only the name of his father, but also his habits and lifestyle. Life test for Oblomov was his study in the boarding house. He studied not bad, but was more glad when parents, invented dozens of reasons, left him at home. Having finished learning in the boarding house, and then in Moscow, Ilya Ilyich comes to the service. But there he cannot hold out more than two years. Perform any work is boring and not interesting.

He justifies his passivity by the fact that he has big plans for the future. Lyzha on the sofa, he thinks over the plan of reorganization of estates. But then the dreams do not go. And even his friend Andrei Stolz can not stir it. Leaving abroad for affairs, Andrei introduces Oblomov with Olga Ilinskaya. But acquaintance it only revived the life of Oblomov for a short time. Good and honest by nature, Ilya Ilyich suddenly understands that he cannot do Olga happy that they are very different.

He wants a calm measured life, without difficulty and upheavals to surround his good and loving people. Such life was able to provide the hostess at home, where he shot the apartment - the Widow of Pshenitsyn. Over time, she became his wife, his son's mother, was a nurse for him, an angel keeper. Even Stolz, having arrived at the broom, realized that he could not change the life of a friend.

After the death of Oblomov, Stolz told his writer about his fate. He wanted readers to appreciate his pure soul and a constant struggle with himself and his surrounding life.

Plan

1. Introduction
2. Conclusion

Introduction

Roman Goncharova "Oblomov" was written during the transition of Russian society from obsolete, Domostroevian traditions and values \u200b\u200bto new, educational views and ideas. The most difficult and difficult this process was for representatives of the landlord social class, as it demanded almost a complete abandon from the usual lifestyle and was associated with the need to adapt to new, more dynamic and rapidly changing conditions. And if part of society easily adapted to the updated circumstances, then for other transition process turned out to be very difficult, since it was essentially opposed to the usual way of life of their parents, grandfathers and great-grandfathers. The representative of such landsel drivers who failed to change together with the world, adjusting to him, in the novel is Ilya Ilyich Oblomov. According to the plot of the work, the Hero was born in the village of Russia far from the capital of Russia, where he received a classic landowner, Domostroevsky education, which has formed many basic features of Oblomov - Saintlessness, apathetics, uninimal, laziness, reluctance to work and wait that someone will do everything for him.
Excessive parental careek, permanent prohibitions, the peaceful-lazy atmosphere of the crushing led to the deformation of the nature of a curious and active boy, making it an introverted, prone to an escapherm and not able to overcome even the most minor difficulties.

The inconsistency of the nature of Oblomov in the novel "Oblomov"

Negative side of the nature of Oblomov

In the novel, Ilya Ilyich does not solve anything himself, hoping for help from the side - Zakhar, who will bring him food or clothes, gallery, able to solve problems in a crushing, Tarantyev, who, though he deceives, but he will understand the situation of interest to the Oblomov, etc. . The hero is not interested in real life, she causes him boredom and fatigue, while the true peace and satisfaction he finds the illusions invested by him. Conducting all days, lying on the sofa, the bugs are building unrealculated plans to arrange the crushing and his happy family life, in many ways similar to the calm, monotonous atmosphere of his childhood. All his dreams are sent to the past, even the future, which he draws himself, - the echoes of the distant past, which is more impossible to return.

It would seem that the lazy, living in an unlocked apartment, the hero-slab cannot cause sympathy and location from the reader, especially against the background of an active, active, purposeful friend Ilya Ilyich - Stolz. However, the true essence of Oblomov is disclosed gradually, which allows you to see all the multifaceted and the internal unrealized potential of the hero. As a child, surrounded by the quiet nature, caring and control of the parents, thinly feeling, the dreamy Ilya was deprived of the most important - knowledge of the world through his opposites - the beauty and deformity, victory and defeat, the need to do something and the joy of their own difficult labor.
From the small years, the hero had everything that he needed - the helpful courtyard was performed on the first call, and their parents were poured in every way. Outside the parent nest, obcomments, not ready for the real world, continues to expect that everyone around will treat him as warm and friendly, as in his native broom. However, his hopes were destroyed in the first days in the service, where there was no business to him, and everyone was only for himself. Exhausted will to life, the ability to fight for their place under the sun and perseverance, the bugs after a random mistake itself goes from service, fearing the punishment of the authorities. The first failure becomes the last one for the hero - he does not want to move forward, hiding from the real, "cruel" world in his dreams.

Positive side of the nature of Oblomov

A person who could pull Oblomov from this passive, leading to the degradation of the personality of the state, was Andrei Ivanovich Stolz. Perhaps gallery protrudes in the novel by the only character who thought not only negative, but also the positive features of Oblomov: soulfulness, kindness, the ability to feel and understand the problems of another person, inner calm and simplicity. It was to Ilya Ilyich Stolz came into difficult moments when he needed support and understanding. Pigeon tenderness, sensuality and sincerity of Oblomov are revealed during relations with Olga. Ilya Ilyich is first aware that it is not suitable for an active, purposeful Ilinskaya, who does not want to devote himself to "Oblomovsky" values, is a subtle psychologist in it. Bakes are ready to abandon his own love, as it understands that he will not be able to give Olga, the happiness that she dreams about.

The nature and fate of Oblomov are closely connected - his bravery, the inability to fight for his happiness along with spiritual kindness and softness lead to the tragic consequences - the fear of the difficulties and grievances of reality, as well as the complete care of the hero in the peaceful, calm, wonderful world of illusions.

National character in the novel "Oblomov"

The image of Oblomov Roman Goncharova is a reflection of a national Russian nature, its ambiguity and versatility. Ilya Ilyich is the same archetypal emelya-fool on the furnace, which hero in childhood told nanny. Like a fairy tale character, Oblomov believes in a miracle, which should happen to him by himself: there will be a favorable firefish or a good wizard, which will take it into the beautiful world of honey and dairy rivers. And the chief of the wizard should be not a bright, working, active hero, but be sure to "quiet, harmless", "some kind of lazy, whom everyone is offended."

Unquestionable faith in a miracle, in a fairy tale, in the possibility of the impossible - the main feature is not only Ilya Ilyich, but also of any Russian person, which is asked for folk tales and legends. Finding on the fertile soil, this faith becomes the basis of a person's life, replacing the reality of the illusion, as it happened from Ilya Ilyich: "The fairy tale was mixed with his life, and it sometimes saddenly, why the tale is not life, and life is not a fairy tale."

In the finals of the Roman Oblomov, it would seem that the "Oblomovskoye" happiness, which had long dreamed of - a calm, monotonous life without stress, caring good wife, arranged life and son. However, Ilya Ilyich is not returning to the real world, he remains in his illusions that become more important for him and significantly than real happiness next to his adorable woman. In fairy tales, the hero must withstand three tests, after which it will be expected to fulfill all the desires, otherwise the hero will expect death. Ilya Ilyich does not pass any test, the passing first before failure in the service, and then before the need to change for Olga. Describing the life of Oblomov, the author seems to appeal about the excessive faith of the hero in a unrealized miracle for which it is not necessary to fight.

Conclusion

At the same time, the simplicity and complexity of the nature of Oblomov, the ambiguity of the character himself, the analysis of his positive and negative parties, allow you to see the eternal image of the unrealized personality "not his time" in Ilyce - "no one, who did not manage to gain their own place in real life, and therefore the departed In the world of illusions. However, the reason for how the potters emphasizes, not in the fatal coating of the circumstances or the severe fate of the hero, but the wrong education of the sensitive and soft in the nature of Oblomov. Grown as a "room plant", Ilya Ilyich turned out to be unsuitable for a rather tough for his sophisticated nature of reality, replacing it with the world of own dreams.

Positive and negative traits of Oblomov, its inconsistency in the Roman Goncharov | a source