Woe from wit, characteristic of the image of famus pavel afanasevich. Characteristics of Famusov in the comedy "Woe from Wit" by Griboyedov: Description of the Character in Quotes Famusov's Worldview in Woe from Wit

Famusov is one of the main characters in the great creation of Griboyedov "Woe from Wit". This is a very bright and memorable hero, so I cannot but describe his image and character.

Full name - Pavel Afanasevich Famusov. He is a very rich man who is a manager in a government institution. He always uses his high position both in society and at work in order to find a place for all his relatives and friends.

His wife died, leaving his daughter Sophia with him. Famusov loves his daughter very much. Therefore, he is trying to find for her a famous groom with a high rank.

Famusov is a man who will achieve everything in this life on his own, but perhaps not in a completely honest way. Pavel Afanasyevich all the time flatter people whom he considers important and necessary. (For example, when he turned to Skalozub) He is also very fickle, breaks down in public without a good reason, scolds his servants. For Famusov, it is very important who and what will think of him. Pavel Afanasevich is afraid of any changes in his life.

It is impossible to forget such a hero with his arrogance, flattering and peculiar speech.

Updated: 2017-02-14

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The comedy of A.S. Griboyedov "Woe from Wit" boasts of its unique images. One of the central images of the work is the image of Famusov.

Pavel Afanasevich Famusov is an aged man who buried his wife, the mother of his daughter, Sophia, whom he brings up with the help of governesses, but loves endlessly. He lives in Moscow and, despite his age, Pavel is quite energetic, serves as a manager at a state enterprise, where he has arranged work for almost all of his relatives. He regularly gives them awards, ranks, almost the entire enterprise is occupied exclusively by Famusov's relatives.

Pavel Afanasevich took Chatsky to his upbringing when his parents died. It is important for him what they say about him, he is dependent on other people's opinions, he likes to spread rumors. Famusov is hypocritical, often fusses, witty and resourceful, loves to flatter people, evaluates people by rank (reverence for rank). He does not notice anything around, loves to put himself above everyone else, always defends his point of view, because of which he talks a lot, often interrupts everyone, often gets angry, loves to swear about and without his servants. The author also notes Paul's loud voice.

Famusov considers education an unnecessary waste of time. He also considers himself hospitable and attaches importance to visiting. He can often be seen at all important events of the city, at balls, christenings, and so on. Pavel Afanasyevich believes that Chatsky cannot marry his daughter Sophia, because he has no money, and his father demanded an exceptionally rich groom, despite his wealthy financial situation, he was not averse to intermarry with the young Colonel Skalozub. Plus, according to Famusov, Chatsky could only expect trouble and disruption of order. Pavel and Chatsky were opposites of each other, during the dispute, each defends his point of view, they do not hear each other.

In the person of Famusov, Griboyedov expresses a typical Russian nobleman, and in the person of his retinue and friends - a typical Russian society. Everyone is having fun, but this hides selfish goals: to find a profitable party, make new acquaintances, and find patronage. All the guests of Famusov and himself are united by the search for personal gain, hypocrisy. In such a society, sincerity is considered bad form or insanity, where everyone tries to make a good impression on each other, forgetting about their inner world.

Essay about Famusov

From the work "Woe from Wit" we learn about the situation that reigned in Russia at that time, describing people in detail, and their thoughts and experiences.

The author introduces us to many colorful characters that draw the reader into the story. From the generation of the old, we get to know Famusov, a man of advanced age, who has his own position in society, and values ​​him very much. He is a person who always thinks about what others think of him, a person who is a conservative, rejecting everything new and innovative. Being a conservative by nature, this man tries to reject science and enlightenment, blaming his daughter for reading, allegedly corrupting the young mind of the girl, but in the work we see that Famusov is by no means a saint, because he often flirts with his servant Liza.

From all of the above, we see that Famusov is a person, closed in his cocoon of stability, who does not want anything new, and even afraid of the new, since he worries that this is new, he can take his old life, to which he is so used and does not want lose. In part, Famusov can be understood, he is a man of another generation, and everything that is normal for the new generation is savagery and complete tactlessness for him. So it was and will always be, so it would be very foolish to condemn him for this. Griboyedov shows us this image in order to show that struggle of the old with the new and innovative. That is the unwillingness of the old world to fade into the background, due to its unwillingness to lose power.

Also, through Famusov, it is clear that the author made him the personification of conservatism, unwilling to let anything new into this world that could lead to changes, since Famusov himself is afraid of changes, fearing of losing his old life, which he loved so much and to which he was so accustomed.

In the nineteenth century, many events took place in Russia, which we can learn about from the works of Russian classics. Many of them described various events that somehow influenced the state of our homeland, and definitely influenced the people of that time.

Many works of such an author as Griboyedov can be called works that provoke people to change, and possibly to resistance. Therefore, his works were often censored, and often his works were not allowed to print. One of these works was his provocative comedy "Woe from Wit".

Option 3

Comedy by A.S. Griboyedov's "Woe from Wit" raises many acute social issues that have become aggravated after the foreign campaigns of the Russian army. All the characters in this work personify the representatives of the Russian society of that period. To a greater extent, the author focuses on the nobility and high-ranking personalities. All, with the exception of Chatsky, act as negative heroes. Pavel Afanasevich Famusov stands apart among them. What is the image of this character?

Famusov is a landowner, the leader of the so-called “Famusov Society”, which is distinguished by conservative outlooks on life. Pavel Afanasevich is a rather elderly man, as evidenced by his protruding gray hair. Despite his venerable age, he is very active and cheerful. Famusov occupies a high position in society, working as a manager in a state house. Almost all of his work colleagues are relatives who got their jobs thanks to nepotism. Famusov was married, but his wife died. From the marriage, the widower has a daughter, Sophia, whom he brings up on his own, trying to instill in her his own rules.

Pavel Afanasyevich's attitude to life expresses the opinion of all the noble circles of that time. Famusov despises education and enlightenment, because it can harm his well-being. He strongly disapproves of teaching his daughter, who is studying science and art with the help of professional teachers from European countries. Famusov himself is an uneducated person who prefers to lead a luxurious lifestyle.

Despite the large number of work duties, he devotes a lot of time to entertainment, especially going to restaurants. You can almost always meet guests in Pavel Afanasyevich's house. Famusov is preparing thoroughly for their arrival. He values ​​his reputation and tries to impress people he knows, fearing condemnation or criticism from society. Nevertheless, his attitude towards the interlocutor depends on the official position of the person. Thanks to his ability to flatter, this character quickly climbed the career ladder.

In the image of Famusov, Griboyedov wanted to demonstrate all the vices and shortcomings of the conservative society of the nobles. Pavel Afanasevich personifies the negative qualities of the human soul, which is manifested in his attitude to various issues and his approach to solving problems. The author calls on people like Famusov to change and become representatives of the advanced stratum of the then nobility, which was in the minority and could not radically change outdated values.

Sample 4

Griboyedov's work "Woe from Wit" shows the main problems in the society of the 19th century and the problem that remains eternal, the conflict of generations. The author divides two generations into "the past century" and "the present century". Each century has its own representative, which reflects the whole essence of that time.

One of the main characters, Pavel Afanasevich Famusov, belongs to the past century. Takes an honorable place in Moscow, nobleman. Famusov is a manager in a state house. Famusov is not alone, he has a family consisting only of a daughter. Daughter Sophia at the age of seventeen. Famusov is raising her alone, there is no wife, she died.

Famusov has a negative attitude towards any changes in life. He is driven by fear and uncertainty. Will it be good after the changes, or was it worth not touching anything and leaving it in its place? These are the thoughts of Famusov that the author conveys to us.

From the first lines of the work, the image of the main character is clearly visible. Do not forget that Famusov is presented as a whole generation belonging to the past century.

Changes in life are not the only thing that Pavel Afanasyevich denies. He is also against enlightenment. He considers it evil. He calls his daughter loose when he sees Sophia with Molchalin. Justifies this licentiousness by the fact that Sophia reads many books. It is from them that all the harm and all the troubles come from. Famusov himself behaves like a monk and considers himself an example for his daughter. Although everyone who is not blind sees the opposite, Famusov does not lead his life as a monk. Shortly before talking with his daughter, Pavel Afanasevich flirted with the servant Liza.

Famusov is very dependent. Namely, he is dependent on public opinion, it is important for him what they think of him and what they say. He worries that he will be badly talked about in society. Pavel Afanasevich always thinks what impression he will make on those around him. The truth is, "don't judge a book by its cover." But Famusov does everything exactly the opposite. The appearance is important to him, and not those qualities and dignities that are inside a person and actually what he consists of.

Someone is ashamed to curry favor and humiliate himself in front of people, while Famusov thinks completely differently. He considers this to be the norm. Rank and fortune are in the first place in his life.

Character traits are clearly visible in communication with other people. In communication with everyone, he is looking only for benefits. People who can not give anything to Famusov are completely useless personalities.

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In the world, you rarely find a teaching that would promote violence, lies and deceit. For the most part, world dogmas affirm the principles of humanity, peacefulness and respectable attitude towards other people, however, real life is far from these teachings.

Despite all the efforts, deceit and deception prevail in society. This tendency is typical for any social group. However, the realization that the elite of society is also not devoid of these vices of humanity is depressing - I want to believe that there is a certain ideal of society in the world and this is not a utopia.

The Famus society, it is likely, could serve as such an ideal model, but this is not happening. With the help of the exposure of Alexander Chatsky, the reader learns about the vices and negative qualities of character typical of aristocrats.

The exposure of the aristocracy takes place on the example of the manager of a state institution in Moscow, Pavel Afanasyevich Famusov. He has neither a unique biography, nor a unique character - all his qualities are typical of the aristocracy of that time.

Famusov's family life

In the story, the reader gets acquainted with an already formed, mature, both biologically and psychologically person.

His exact age is not indicated in the play - at the time of the unfolding of the main events, he is a man of respectable age: “You can't squat down on my summer,” - this is how Famusov himself says about his age.

Pavel Afanasyevich's family life was not cloudless - his wife died, and he remarried to a certain "Madame Rozier". Famusov cannot boast of a large number of successors of his family - he has one child - a daughter, Sonya, born of his first wife.

Famusov is not devoid of a sense of compassion - he took his friend's son, Alexander Chatsky, to his upbringing, after the boy was orphaned. Alexander retained pleasant impressions of his teacher and after returning from a long trip abroad, the first thing he did was to pay a visit to Pavel Afanasyevich. Sincerely speaking, his respect and gratitude towards Famusov is not the only reason for the visit. Chatsky is in love with Sonya and expects to marry a girl.

Based on this situation, we can conclude that Pavel Afanasevich was a good educator, he knew how to win over Alexander at any age, otherwise Chatsky would not have sought to pay him a visit with such zeal.

However, Famusov's meeting with Chatsky became a reason for disappointment and quarrel. Alexander begins to analyze the actions and position of his teacher and comes to extremely unsatisfactory, from his side, results.

State service of Famusov

The reader gets acquainted with Famusov even when he is in the position of manager "in a state place", about how he got this position, and what his career path was, Griboyedov does not specify.

It is known that Famusov prefers to see relatives among his colleagues-employees: "When I have employees, strangers are very rare."

Pavel Afanasevich surrounded himself at work with relatives, he loves to please them with a promotion or another award, but he does it for a reason - the concept of disinterestedness is alien to Famusov.

Famusov's personal qualities and habits

First of all, selfish motives stand out. He himself is a rich and well-to-do man, therefore, when choosing his future son-in-law, he focuses on the growth prospects of both a career and a financial young man, because in Famusov's concept the first is inalienable from the second.

Famusov himself is dependent on ranks, he believes that a person with a proper rank and many awards is already worthy of respect a priori.

"You, passionate about ranks" - such is the description given by Chatsky. In addition to the desire to achieve the rank, his son-in-law must still have sufficient financial support. At the same time, Pavel Afanasyevich is not interested in the morality and decency of a young man.

Based on this position, Alexander Chatsky looks like an extremely unattractive candidate for the husband of Sonya Famusova. He retired from military service, civil service also does not arouse interest in him, of course, Chatsky has a family estate, but this does not arouse reliability and prospects in Famusov's eyes: "He who is poor is not a match for you."

Dumbfounded by such a verdict, Chatsky still does not lose hope of reuniting with his beloved, but the further development of the conflict forces Chatsky to abandon this idea.

Famusov highly appreciates the achievements of the period of the reign of Catherine II, and considers Maxim Maksimych to be the ideal person, who, thanks to his underplay and the ability to please, reached heights in his career and was held in high esteem:

At the kurtagh he happened to encircle himself;
He fell, so much so that he almost knocked the back of his head;
They deigned to laugh; how is he?
Suddenly a row fell - on purpose,
And the laughter is even greater, it is in the third the same way.
A? what do you think? in our opinion - smart.

Guided by the old principles, Famusov assesses a person by his condition, and the ability to get what he needs, even by humiliation, becomes an object of admiration.

Famusov is dismissive of the people who serve him, he experiences a certain amount of relief, scolding and shouting at his serfs. Phrases like “Donkeys! a hundred times to tell you? " and “You, Filka, you are a straight block” is a common occurrence in his vocabulary.

By the way, constant dissatisfaction is characteristic of Pavel Afanasyevich. He is dissatisfied with the servants, dissatisfied with the new time, modern youth, sciences and cultural figures.

Conflict between Chatsky and Famusov

The images of Chatsky and Famusov denounce the "present century" and "the past century." Famusov adheres to a conservative outlook and believes that it is necessary to adhere to the orders of the past, because the ancestors were wiser than their contemporaries. Famusov conducts everything in the comparison of "it was" and "it was".

It is difficult for him to realize that the time of his ancestors has passed and the requirements of society have changed:

At fifteen, teachers will be taught!
And our old people ?? - How enthusiasm will take them,
They will condemn deeds that a word is a sentence, -
After all, pole-pieces are all, nobody blows in the mustache;
And sometimes they talk about the government like that,
What if someone overheard them ...

In addition to such a division, the images of Famusov and Chatsky distinguish between the world of carnal pleasures and the spiritual world. Famusov and people like him are guided in life by the basic needs of the body, not caring about their spiritual and moral development. They embody a person as a representative of the animal world.

Chatsky, on the other hand, personifies the development of a person's spiritual and mental abilities. He truly believes in the power of education and realizes the true meaning of science and culture.

Famusov, however, rejects the positive influence of science and education, and the occupation associated with science or art, Pavel Afanasyevich seems shameful and unacceptable for an aristocrat.

Thus, Pavel Afanasyevich Famusov is endowed with unattractive character traits, he is a greedy and greedy person, for him a significant indicator of a person's importance is his wealth and rank. He is uneducated and therefore a limited person, it is difficult for him to assess the importance of intangible values.

This comedy), stands Famusov, a representative of the bureaucratic nobility. (See also the article Image of Famusov.) Griboyedov himself in one of his letters (to Katenin) says that in the person of Famusov he portrayed his uncle, a famous Moscow master. “What aces in Moscow live and die,” says Famusov himself; it is this "ace" that he himself portrays. His large, lively figure inspires some sympathy with his liveliness, everyday typicality and integrity; but listening attentively to his words, delving into the meaning of his speeches, you immediately see his no less large negative features. Famusov, apparently, occupies a prominent place in the civil service, has a high rank. But how does he feel about his position, how does he view the service in general? Under him is Molchalin as his secretary, whom Famusov keeps “because (he is) a business man”; Molchalin deals with cases, brings papers to his boss for a report, but Famusov has only one concern:

"I am afraid, sir, I am alone deadly,
So that a lot of them do not accumulate;
Give free rein to you - it would have sat down,
And for me - what is the matter, what is not the matter,
My custom is this:
Signed, so off your shoulders».

Famusov, Sophia, Molchalin, Liza. Illustration by D. Kardovsky for Griboyedov's comedy "Woe from Wit"

It can be seen that he does not delve into the matter, the solution of which depends on him, but only hastens to sign and get rid of the worries. Service for Famusov does not represent the fulfillment of any duties, but is a path and a way to achieve personal gain, wealth and fame. In contrast to Chatsky, who believes that it is necessary to serve "the cause, not the persons", Famusov finds that "serving the persons" is necessary in order to achieve nobility. He sets as an example (the monologue "That's it, you are all proud") his uncle, Maxim Petrovich, who, being already a noble nobleman himself, -

(“Not so on silver, on gold I ate;
One hundred people at service; all in orders ") -

managed to earn the favor of the Empress (Catherine II) with a clownish trick.

“And uncle! What is your prince, what is a count!
Serious look, haughty disposition!
When do you need to curry favor,
And he was bent over. "

Here is Famusov's ideal! Seriousness is the surest way to achieve ranks, and Famusov calls a "proud" one who does not want to follow this broken path. Not wanting to even listen and ponder the ardent objections of Chatsky, Famusov sure in his own rightness, because the way the fathers thought and “did”, it has been the custom since the old days. He speaks quite frankly about these low and ugly methods of the bureaucratic world; just as easily admits that he always tries to arrange his relatives in favorable places, without caring whether they are capable of fulfilling the duties assigned to them:

"How will you imagine
To the cross or to the place,
Well, how not to please a dear little man. "

Famusov expresses his cynical confessions with naive innocence.

Woe from wit. Maly Theater performance, 1977

Famusov's views on raising children and on education in general are remarkable. He sees nothing good in books:

"It's not very useful in reading",

he says in response to Lisa's words that his daughter Sophia "read a whole night" in French. - "She has no sleep from French books," he continues, - "but I have a painful sleep from the Russians."

In studies, in books, he sees the cause of all freethinking and disorder:

"Learning is the plague, learning is the reason,
What's more important now than when,
Insane people and deeds and opinions were divorced. "

“… If you stop evil, -
Collect all the books and burn them. "

However, contrary to this opinion, Famusov hires Sophia teachers-foreigners, contemptuously calling them "vagabonds", but he does it because "everyone" does so, and Famusov's main principle is to follow the general trend. He gives Sophia an education, but does not work to delve into the moral qualities of her educators: Madame Rosier, "the second mother, the old gold", whom Famusov entrusted with the education of her daughter,

“For an extra five hundred rubles a year
She allowed herself to be enticed by others. "

What principles could such a teacher teach? Obviously, Famusov, like many other parents of a secular society, sought for his daughter to recruit "teachers of the regiment, more in number, at a cheaper price." Personally, he does not praise the general fascination with foreigners:

"Kuznetsky Most and the eternal French,

he is indignant,

But it is clear that he scolds the French precisely because he considers them to be “pocket destroyers” and does not see the difference between a “book” and a “biscuit” shop.

Famusov's worries about his daughter boil down to giving her an external upbringing in accordance with the generally recognized requirements of society, and marrying her off to a suitable person; he tries to convince Sophia that he

"Who is poor, he (she) is not a couple."

In his eyes, the ideal husband for Sophia is Skalozub, since he is "both a golden bag and marks the generals." And the fact that Skalozub is disgusting to his daughter does not bother the "caring" father in the least. What is more important for Famusov: for Sophia to choose a husband according to her heart, or for society to say that she has made a brilliant party? Of course - the last one! Public opinion, then “what Princess Marya Alekseevna will say” is the spring and engine of all the words and deeds of Famusov.

And yet, this person has, if not positive, then at least partly nice features. His hospitality, typical of all truly Russian natures, is likable; his house is open:

“The door is open for the invited and uninvited,
Especially for foreigners;
Though an honest man, though not -
It’s even for us - dinner is ready for everyone ”.

But even in these words (from the monologue "Taste, father, excellent manner") we see, in addition to hospitality, Famusov's well-known moral promiscuity: he amuses himself with his hospitality, and the moral qualities of his guests are completely indifferent to him. Nice in him is his sincere love for everything that is his, Russian, Moscow; how he admires Moscow aces, old men, ladies, boys and girls! Famusov's good nature is also nice, rather - the innocence, which shows through in all his speeches. Griboyedov portrayed a truly living person, with personal, distinguishing features. “Sulky, restless, quick,” Sophia characterizes him; he is quick-tempered, but also easy-going - "often angry to no avail," but also good-natured.

Speaking about Famusov, one cannot fail to mention the famous artists who performed his role. Woe From Wit was first staged on stage in 1831 after the death of Griboyedov; The remarkable actor Shchepkin was then known in the role of Famusov. In the first half of the twentieth century, this role was played with extraordinary talent by the famous director and founder of the tradition of the Moscow Art Theater - Stanislavsky; the role of Chatsky was incomparably played by Kachalov.

The representative of the old nobility, Pavel Afanasevich Famusov, becomes a character in whose house all the events of the comedy unfold.

The image and characteristics of Famusov in the comedy "Woe from Wit" help to present and understand the ideology of society of that time, the essence of the conflict between generations.

Description of the appearance and character of Famusov

Pavel Afanasevich Famusov is a widower raising his daughter Sophia. The master is proud of his widowhood. The rich man did not begin to tie himself in a new marriage, because his mother was windy. Freedom is compared to power. Famusov, "his own master", does not want to depend on women's whims. This position does not make him a person who shuns the opposite half. The nobleman flirts with the servant. Words are heard from the speech that help to imagine how the owner of the house behaves when no one sees him:

• squeezes;
• flirts;
• indulges;
• changes facial expressions.

A rich man of age, but he looks cheerful and fresh: he shows off his strong physique. Behavior features also speak about his health:

• fussy;
• nimble;
• restless.

An interesting scene is where the planning of events takes place. Pavel Afanasyevich strives not to lose all the necessary events in his memory: christenings, balls, commemorations, to enter them into the calendar. This attitude is characteristic of real lordship. Characterizes the hero of the comedy as a dual quality. On the one hand, the property is positive. The owner of the estate does not want to offend anyone by missing an important event. On the other hand, it is negative. It is ridiculous to listen to the planned visit of the birth of someone who has not yet been born. The speech is puzzling. It is blasphemous to arrange christenings and commemorations nearby, without even thinking about the significance of human life. On the other hand, this behavior is very real. Famusov is not a fictional character, but the personification of the majority.

Positive features

Reality is confirmed by a number of negative and positive personality traits.

Good nature. The attitude towards Chatsky characterizes Pavel Afanasevich positively. After the death of Chatsky's father, Famusov took him into his house and began to raise him as a son. This could only be done by a kind and caring father of the family, a real friend. This is presented in relation to his daughter and childhood friend. Good feelings are also seen in relation to some courtiers, to the secretary Molchalin.

Hospitality. Many scenes confirm this quality of Famusov: the arrival of Chatsky, the ball, the arrival of Skalozub. It should only be understood that hospitality in the house is only for the rich. There is no place for the poor and the noble.

Love for the past. All old people cherish past events in their memory. The owner of the house protects the past, is afraid of criticism. All that has passed is his destiny. Protecting the past is the task of his generation.

Negative personality traits

Grumpiness. The nobleman, the owner of the house, behaves like a philistine. Uselessly angry and often in a mood when he is not happy with everything. He hurries, grumbles and scolds the courtiers. It is surprising that a man himself knows about such a property. But it only gives him a lot of pleasure. It seems that swearing is his usual state.

Coarseness. In dealing with those who serve him, the owner of the house is not shy in expressions. Such rudeness was inherent in all the nobles of the conservative part of society. Rudeness and power are synonymous in this case. For Famusov, servants are donkeys, blockheads, lazy grouses. Rudeness disappears when Famusov is surrounded by people of his circle or higher status. Here is the very poise and modesty.

Loud intonations. The loudness of the owner scares the tenants. You can hear it everywhere. The voice is compared to trumpets. The master does not try to speak softly. His position: I am the owner and have the right to shout.

Extravagance. The father can do such things that they call him crazy. Famusov is a true representative of the ruling part. Choosing expressions, changing behavior is not in his rules.

Flattering. Pavel Afanasevich flatters and is ready to please those from whom profit is possible. Several scenes of his conversation with Colonel Skalozub provide a clear example of this behavior: changes in posture, speech and manner of speaking.

False entrepreneurship. At the time of Famusov, this quality was called differently - a businessman. Any means are good for achieving your goals. Will do everything that will help him achieve the desired rank and award.

Lifestyles and ideological principles

Famusov serves as a manager in a state government institution, like most of the Moscow nobles. He arranges for the service of relatives, near and far. Gives them awards, promotes them on the career ladder. Family ties are above all for him. He is “happy” to his relatives, realizing that the status of the whole family depends on him. Wealth and title explain Pavel Afanasyevich's desire to find a rich husband for his daughter. It is desirable that the groom be distinguished, have awards and strive for promotion.

Famusov is a member of a club considered prestigious for the elite of the Moscow nobility. The English club allowed one to present oneself as politically educated and advanced.

The master is worried when events occur that can change attitudes towards him. Afraid of gossip, word of mouth and gossip.

Speech features of the hero

Pavel Afanasevich speaks pure Russian, confirming that he is a true nobleman. There are many common phrases and expressions in his speech:

• "No urine";
• "kill";
• "Vegetated";
• "By chance";
• "Beat the thumbs up".

The primordial speech of the nobleman allows one to believe that Pavel Afanasyevich loves and honors the traditions of his country, the Russian people. Famusov's speech cannot be called poor. The nobleman speaks clearly, correctly expressing his thoughts. There are no scientific terms in the vocabulary. This means that the master is still limited in education. Therefore, his attitude towards learning is understandable. He didn’t need study, and others also don’t need it. Learning is a disease comparable to the plague, striking quickly and irrevocably. Books are evil, which is better to destroy, burn, so that not a trace remains. But the father understands that scholarship has taken its place in society, therefore, the daughter, as it should be, has teachers. Knows Famusov and foreign words, but rarely uses them.