Comparative analysis of Pechorin and Grushnitsky. Comparative characteristic of Pechorin and Grushnitsky Essay

Comparative analysis of Pechorin and Grushnitsky. Comparative characteristic of Pechorin and Grushnitsky Essay

"The hero of our time" M.Yu. Lermontov came out separate publication In St. Petersburg in the spring of 1940. Roman has become one of the extraordinary phenomena in Russian literature. This book has been served by the object of numerous disputes and research for one and a half centuries, and at all has not lost its life acute and in our day. Belinsky wrote about her: "Here is a book that is destined to never become old, because, with the birth of her, she was born purvival anima poetry. "
The main character Roman - Pechorin - lived in the thirties of the nineteenth century. This time can be characterized as years of a gloomy reaction that has come after the defeat of the Decembrist uprising of 1825. At this time, a man of advanced thought could not find applications to his forces. Disbelief, doubt, denial steel features of consciousness young generation. The ideals of the fathers they rejected the "from the cradle", and at the same time they doubted moral values as such. That's why V.G. Belinsky said that "Pechorin is deeply suffering," without finding the use of the immense forces of his soul.
Creating the "Hero of Our Time", Lermontov portrayed the life of which it was in reality. And he found new artisticwhich neither Russian nor western literature And who admire us to this day by connecting free and wide images of people and characters with the ability to show them objectively, "building" them, opening one hero through the perception of the other.
Let us consider in more detail the two heroes of the novel - Pechorin and Grushnitsky.
Pechorin by origin Aristocrat received secular education. Coming out from under the care of relatives, he "got into the big light" and "began to enjoy madly with all the pleasures." The frivolous life of the aristocrat was soon the opposite, bored and reading books. After the "surviving history in St. Petersburg," Pechorina refers to the Caucasus. Drawing the appearance of his hero, the author of several strokes does not indicate its aristocratic origin: "pale", "noble forehead", "Little aristocratic hand", "dazzling-clean linen." Pechorin is a physically strong and hardy person. It is endowed with an outstanding mind, critically evaluating the world. He reflects on the problems of good and evil, love and friendship, above the meaning human life. In the evaluation of contemporaries self-critical: "We are not capable of more than great sacrifices for the good of humanity, nor even for our own happiness." It dismantled in humans is not satisfied with the sleepy life of the "Water Society" and gives the characteristics of the capital aristocrats. Most fully and deep inner world Pechorin is revealed in the story of "Princess Meri", where his meeting is happening with Grucnitsky.
Grushnitsky - Juncker, he is the most ordinary young man who dreams of love, "asterisks" on the pursuit. Effect is his passion. In a new officer uniform, painted, smelling in spirits, he goes to Mary. He is mediocrity, he is inherent in one completely prosperous weakness at his age - "to drag into unusual feelings", "passion to reclaim". He seems to play fashionable at that time the role of a disappointed hero, "a creature, immunified by some secret suffering." Grushnitsky is a completely successful parody of Pechorin. That is why the young Juncker is not so pleasant to him.
With his pathetic behavior, the pearshnitsky, on the one hand, emphasizes the nobility of Pechorin, and on the other, as if she was erased by all sorts of differences between them. After all, Pechorin and spoke himself and prince Mary himself, which, of course, was not a deed noble. Yes, and the princess he never loved, but simply used her gullibility and love for the fight against Grushnitsky.
The pearshnitsky, as a narrowed person, at first does not understand the relationship with Pechorina him. Hushchnitsky seems to himself self-confident, very insightful and significant: "I feel sorry for you, Pechorin," he condescendingly. But events are not catching up by Pechorin's plan. And now the Juncker, besophured by passion, jealousy and indignation, appears before us in a different light. It turns out to be not so harmless, capable of revenge, dishonest and meanness. One who recently played a nobility, today is capable of shooting in an unarmed person. The duel scene reveals the essence of the Pereshnitsky, shoot, I despise myself, and I hate you. If you do not kill me, I will drop you at night because of the corner. We have no place together on Earth ... Grushnitsky rejects the reconciliation of Pechorin chlorinously shoots it. The situation becomes irreversible, the Pereshnitsky dies by drinking a bowl of the shame of repentance and hatred to the end.
On the eve of the duel, remembering the living life, Pechorin is thinking about the question: why did he live? What goal was born? And immediately answers: "And right, she existed, and, right, it was a high appointment, because I feel in my soul of my strength." And then Pechorin understands that he has long plays "the role of an ax in the hands of fate." "The immense powers of the soul" - and small, unworthy of the peopist actions; He seeks to "love the whole world" - and brings people only evil and misfortune; The presence of noble high aspirations - and small feelings who own the soul; Thirst for the completeness of life - and complete hopelessness, awareness of your doom. Pechorin alone, his position is tragic, he really " overtime" Lermontov called Pechorin "Hero of Her Time", protesting this against the romanticity of the idealized idea of \u200b\u200bthe contemporary, depicting the image of Grucnitsky as a parody of romanticism. The hero for the author is not a role sample, but a portrait made from the vices of the entire generation in their full development.
So, the image of the pearshrick helps to reveal the main thing in central hero novel. Grushnitsky - false mirror Pechorin - the truth and significance of the experiences of this "suffering egoista", the depth and exclusivity of his nature. But in the situation with the pears with a special force, all the danger, melting in the depths of this, is revealed human type, destructive force, which is laid in an individualistic philosophy inherent in romanticism. Lermontov did not strive to endure the moral sentence. He is only S. huge power showed all the abyss human soul, deprived of faith, imbued with skepticism and disappointment. Pechorinism was a typical time disease. And not about these people a generation of the 30s of the last century said M.Yu. Lermontov in the famous "Duma":
"... We will pass over the world without a noise and a trace, sketching either thoughts of the fertile not to the genius of the work began."

Now watching:



Lyuba - Creatynnya is not estimated by the closure, but a suspilia, in an al-alive. Oh, the Owl of the middleness of Maja is the Great Fusion on the Formulava character, the behavior of the І hints of people. Olga Kobilyanskka at your own Rysti "Lyuba" Mapleno computied by Інтелігенцію иседной потолосталия полочной посниціный истечка. Pershes for all, the price of the birthplace of the header of the Heroїni deer. Batko, Epamіnondas Lyufer, Bow Tsіsarsko-Korivskikh Lіsovy Radnik, "MAV GREAT COVAGE, GREAT IS GREAT IS GREAT". And the MAV weakly: "L

The image of Ophelia is one of bright examples Dramatic skill of Shakespeare. Her life is shown as if the dotted line: Farewell to Laert, a conversation with the Father, a story about the madness of Hamlet, a conversation and a gap with the Hamlet, a conversation in front of the scene "Mousetrap", a scene of madness. Ophelia appears before us in relationships with brother, father, Prince Hamlet, in which she is in love. Pupil at the courtyard, the heroine is very alone. It is surrounded by people who do not have anything to do it. Girl is only a toy, an instrument in h

Tale A.P.Platonova "Kotlovan" - Philosophical Dramatic Picture of the Slave of Time and Slave people's Life During the execution of plans of the first five-year plan and collective farm construction. The revolutionary whirlwind of the seventeenth year raised the whole of Russia, pointed to her new wayFor which they rushed "in the solar edge of stuffy" millions of people. But in fact, everything turned out not so simple. The road to a bright future is not covered with a red carpet, and the blood of the peasants with the blood of the peasants, and the coffins grumble on the roads of this road

A. S. Pushkin is known not only by his poems, but also prosaic works. One of them is the story " Captain's daughter"Written on historical basis. Before taking on the pen, Pushkin not only carefully studied the archives, collecting his information that interests, but also visited the Kazan and Orenburg province, the places in which the rebellion of Emelyan Pugachev began to be peasant War. He personally examined the places of the former battles, much attention Delivered in the abrasion

One of the vertices art Heritage Lermontova is the poem "MTSI" - the fruit of active and tense creative work. Even in early course, in the imagination of the poet, the image of a young man who uttered an angry, protesting speech in front of his listener was a senior monk on the verge of death. In the Poem "Confession" (1830, the action takes place in Spain) The hero concluded in the dungeon proclaims the right to love, which is above the monastery charters. Passion for the Caucasus, the desire for the image of situations in

Those lucky people who managed to get on the reception for the left sixty minutes later, after a few years became the owners of a free apartment in a stone house. Daily in the city five people acquired her new shelter, and for this it was possible to stand in the queue day. Each average Muscovite tormented a black envy: why the sky awarded them, and not me? Who will tell anything in defense of envy? This is a feeling of a crazy category, but still need to enter into the position of the waist.

Pechorin and Grushnitsky in the novel M. Yu. Lermontov "Hero of Our Time"

The main character - Pechorin - the personality is bright, however, to reveal many of its qualities helps the appearance on the scene of the Grushnitsky.

The confrontation of Pechorin and Pereshnitsky is shown in the chapter "Princess Mary". The story is conducted on the face of Pechorin. He is inclined to analyze situations, people and himself, so his story is more or less considered objective. He knows how to notice in people specific traits And in two-three words pass them. But at the same time all flaws and flaws are ruthless.

There are both heroes as old buddies.

Pechorin is confident, judged, selfish, mercilessly peeled (sometimes over measures). At the same time, he sees the pears through, and laughs at it. And he, in turn, is too exalted, enthusiastic and verbose. He speaks more than doing, and too romantizes people (first of all - himself). Nevertheless, this dissimilarity and rejection of each other do not interfere with them to communicate and spend a lot of time together.

They almost simultaneously saw the princess Mary for the first time. From that moment on, a thin crack passed between them, which eventually turned into the abyss. Grucnitsky is a provincial romantic - the prince is not joking. The eternal enemy of Pechorina - boredom - forces him to bring him a princess into rabies with various small leans. All this is done without the shade of hostility, but exclusively from the desire to have fun.

The behavior of both heroes in relation to the princess Mary does not cause special sympathy. Grushnitsky - Honeywood, He loves beautiful words and gestures. He wants life to resemble a sentimental novel. That is why he attributes to others those feelings that he would like them to experience. He sees life in some foggy haze, in a romantic halo. But there is no false in the feeling of him to Princess, though, maybe he exaggerates him somewhat.

On the other hand, Pechorin is a sensible person who studied women, besides Cynic. He is amused with Mary. He gives pleasure to this game, as it gives pleasure and observing the development of the relations of the Hushchnitsky and Princess. Pechorin, unlike the Pereshnitsky, perfectly foresee further development events. He is young, but managed to be disappointed in humans and in life as a whole. Send the princess Mary for him was not difficult, it was worth only seemingly incomprehensible and mysterious and being bold.

Pechorin leads a double game. He resumed his relationship with faith. This woman is undoubtedly stronger and tougher than Princess Mary. But love for Pechorin broke her. She is ready to trample his pride, reputation. She knows that their relationships are only pain and disappointment. And still strives for him, because otherwise can not. Faith is capable of much stronger feelings than Mary. Her love is stronger, and the grief is hopeless. She self-disseminates for love and does not regret it.

Grushnitsky will never cause such feelings. He is too soft and does not have bright features of character. He could not make Mary love himself. He lacks energetic and self-irony. His pompous speeches can only make an initial impression. But speeches begin to repeat and become in the end unbearable.

The more Princess is fond of the peopling (after all, it is much more interesting with him than with an alcoholic boy), the wider becomes. The abyss between him and Grushnitsky. The situation is heating, mutual dislike grows. Prophecy of Pechorin, that they someday "will face a narrow road," begins to come true.

Duel is the dissection of the relationship of two heroes. She approached inevitably because the road became too narrow for two.

On the day of Duele, Pechorin is experiencing a cold malice. He was trying to deceive, and he could not forgive this. The sad, on the contrary, is very nervous and is trying to dismiss inevitable with all their might. He behaved in lately Unworthy, Rumor Flashing about Pechorin, and tried to put it in black light in every way. You can hate a person for it, you can punish it, despise, but it is impossible to deprive his life. But it does not worry Pechorin. He kills the Pereshnitsky and, without looking around, leaves. Death former friend No emotions awaken in it.

So the story of Pechorina and Pereshnitsky relations is ends. You can not judge who is right, and who is to blame. And it is not known who regret any more: the deceased Grushnitsky or left Pechorin. The first will never be able to carry out his romantic dreams as well. The second of them never happened. Pechistan is better to die, as he does not see the meaning of his existence. This is his tragedy.

In his novel, the "Hero of Our Time" Lermontov set out to write "The portrait made from the vices of everything ... generation, in full development." The main character of the work - Grigory Aleksandrovich Pechorin. This is a very extraordinary, unusual, complex person. For the most complete disclosure of the image of his hero, Lermontov uses not only a special composition (the principle of broken chronology), but also compares Pechorin with other heroes.

In the center of the system artistic images There is Pechorin. All other characters are grouped around it, helping the disclosure of his character. Pechorin has peculiar twins. These are the expressants of the second "I" Hero. Under the twins of Pechorin, you can understand the Grushnitsky, Werner, Vlich.

Werner Pechorin
Similarity - close spiritually and intellectually.
- hide the ability to love and compassion.
- Learn indifference and egoism.
- Afraid manifestations of normal human feelings.
- inhibit all the human.
Differences Witness of life, rather an observer for all that is happening by. Trying to understand the meaning and purpose of his life.
Grushnitsky Pechorin
Similarity People of one circle, together served.
Differences - Pozer, loves lush phrases.
- dreams of becoming the hero of the novel.
- Provincial romantic.
- Chalk in their ambitions and desires.
- To win the authority in the circle of people who are meaningful for him, goes to betrayal and meanness.
- Clean.
- Suffers other people, knows how to understand their condition and guess their actions.
- Observed, can analyze and draw conclusions.
- It has a fine intuition.

In the head of the "Fatalist" appears the image of the Avolich officer. This hero is also large with the people. Vulich FatalistHe believes in fate and confident that he will not die before him last time. Therefore, this officer easily encompasses the peopling and shoots himself from a charged pistol. Pistol gives off. But Vulich dies with the same evening, after the prediction of Pechorina his ambulance.

In this chapter, the reader can see that Pechorin, in fact, believes in Fatum. He is the same fatalist, as well as Vulch. But if Vulich is given to the will of Rock, then Pechorin wants to manage his destiny himself. Throughout his life, he struggles with Fatum. In my opinion chief conflict in his life.

Thus, the presence of twins in the novel is another way as richer as possible and brighter to reveal the image of the main character of the work, create the most full portrait man of that era.

In his novel, the "Hero of Our Time" M.Yu.lermonts depicts typical representatives of its time - the thirties of the nineteenth century. The depth and inconsistency of the nature of the main character is most clearly manifested in the correlation of it with the rest of the characters, one of which is Gruchnitsky.

Junker Grushnitsky is a narcissistic type that only his own person cares. Pechorin is also used to "pampering his pride ...", but it does not prevent him from carefully studying the people around him.

Grigory Pechorin Presidet elite With his insignificant interests and cunning intrigues. Herashnitsky, on the contrary, dreaming to get into social SocietyIt seeks to get acquainted with the aristocrats and master the generally accepted manners.

Pechorin painfully suffers from solitude and lack of noble goals in his life. For a pear disappointment - only tribute to fashion and the chance to "ask."

The junker is not distinguished by a special mind. "You're a fool!" - tells him the Dragun captain. In Gregory, Alexandrovich, we see a living and deep mind, which allows him to give a taking characteristics of others and philosophically to argue about the nature of people, friendship, love.

Grushnitsky - man cowardly. "Coward!" - throws him captain. Pechorin disappeared: before neutralizing the murderer of the vool, he thinks over his actions.

Junker "says ... Soon and preponderantly ...". The main character is not a few: "... first, because to listen less tiring; secondly, it is impossible to say; Thirdly, you can find out someone else's mystery ... "

In the sharp moments of Roman, Grushnitsky becomes petty and even dangerous. Failure Mary pushes a Juncker to frank lowness: it becomes a source of rumors about it. On the eve of Duele, Grushnitsky commits new meanness, releasing a bullet in an unarmed person. In the nature of Pechorin, courage and nobility are clearly manifested. The protagonist not only "defended ... from slander" Knuckle Mary on a duel, but honestly interrupted a romantic connection with her.

Between the pechers and the pearshnitsky there is a certain similarity: both noble origin, both military, both very proud. At the same time, the spiritual, moral and social abyss, turning them into irreconcilable opponents, runs between young people.

Essay 2.

From how the relationship between heroes in a particular work is developing, understanding, resolving its conflict, determination of the main thought.

Memorable events of the novel M. Yu. Lermontov "Hero of Our Time", in which Pechorin and Grushnitsky became participants, contain full characteristics People of that generation, whose images the author revealed on the pages of the novel. Opposition to heroes, demonstrating them general damn Presented to identify deficiencies that spoil people lead to undesirable consequences.

Youth, education, beginning military Career "Everything you can wish to wish to any respected yourself, aspiring to a brilliant future person. That is the heroes. However, each of them uses the opportunity submitted by fate.

Being the main character of the novel, Pechorin attracts the attention of each member of society, wherever appeared. Grushnitsky by all means achieves attention to himself. In addition to the fact that it was "well complicated," hesitated the pompous speeches.

The toastfulness of Pechorina's mind, the observation make his inner world is richer, since it is distinguished by the desire and ability to study people, analyze their actions. Grucnitsky "does not know people and their weak strings," he is not interested in the process of knowing someone else's soul. Characterized only superficial judgments, set beautiful phrases. Focusing on yourself, confident in the action of a similar way to people.

Full indifference to those surrounding, to love, the friendship of Pecherin speaks of his fatigue. Curiosity causes only what can decorate it for a while free timeGet rid of boredom. The opponent will gladly dip in the atmosphere of fun and love.

In the subconscious, a psychological experiment with people who are next to him, Pechorin understands that it often causes them offense and cornopiness. But does not leave himself without criticism, does not spare, opening the causes of the actions. Grushnitsky is not able to find weak and strengthsSince his self and confidence overlap the mind. He is always trying to impress appearance or new. Does not see the reasons for condemning himself.

Each of the heroes are endowed with the grief, but the Grucnitsky will not kill anyone in one word. " The comments of the same Pecherin are sometimes offensive, humiliate the addressee.

Mystery always reigns around the main character of the novel. Hushchnitsky is artificially trying to create it, but it is simple in any atmosphere, no different difference from others.

Despite the endless mental processes of Pecherin, a storm of emotions, he acts as an insensible interlocutor, who does not notice anything on his face. " Coldness, calculation, secrecy are an external manifestation internal struggle feelings. Each thought of the Pereshnitsky has an expression on his face. This is suffering, and tenderness, and thoughtfulness.

Based on the differences and similarities in the characteristics of heroes, it is possible to conclude about the errors of the generation of people who wanted to portray the author.

Option 3.

M.Yu.Lermontov set itself to portray in the novel "Hero of our time" all generation. One of the main characters, which helped to reveal the image of Pechorin, is a pears. It was he who arose in the novel "Princess Mary."

This episode here is most deeply detected. spiritual world Character. The moment when Pechorin meets with the pearshnitsky, is considered to be a stronger story. After all, it was then that the whole life of Pecherin is an experience not only over himself, but also other people. Hushchnitsky does not act as tools, with whom it would be possible to fight, but Pechorin refers to it contemptuously. Why doesn't the young junker do not like Pechorin? After all, this is an ordinary young man that dreams about love relationship, honors and emergences of an officer. He is an ordinary young man striving to play fashion trend Among the young generation of the hero, who is disappointed in life and is doomed to experience. It may be a pear, thus wants to show how presented in this society Pechorin, and therefore he hates the Junker. But he is so fake, and arrogance and duplicities just Grigory and does not carry out.

Pechorin, while offended by the Pereshnitsky, hesitates him, in love with the Mary, in which his opponent is in love. The rest of Pecherin's relationship is not clear to him, namely his games against him, which has already begun. Initially, he even applies to Gregory condescendingly, as it represents it is inspired and an important person. However, when Marya flashes with feelings to our character, then the pearshnitsky appears to be vengeful and mean.

The act, conceived by the people, becomes tragic. When he called Grushnitsky to the duel to protect the honor of Mary, he experiments on the Junker, forcing him to shoot himself, knowing that the weapon was idle. And the one who recently boasts her generosity shoots a unarmed person. In this case, the demonic forces of Nature of Pechorin showed out, namely he did evil with great art. Gregory remains to live, but kills the opponent.

In the work, the image of Grushnitsky acts as a crooked mirror of Pechorin, sharing the real experiences of a selfish person and an outstanding nature. But in the situation with Hushchnitsky, the whole danger in the philosophy of individualism is especially revealed. The author is only deeply penetrated into all the corners of the human soul, which was without faith and imbued with full disappointment.

Also read:

Popular topics today

  • Writing Description Picture of Perova Troika 4, 6th grade

    Perov Vasily Grigorievich Russian artist in the genre of the landscape. All his childhood his family was in the road. In 20 years, Vasily Grigorievich enters Moscow. There he is studying at the school of painting and sculpture. Future artist well studied, art was easy to him

  • Writing Formation of the Character Vota 5th grade by the story of Vyutkinino Lake Astafieva

    The childhood of the main character of the story "Vastekino Lake" Astafieva passed in the taiga. The author also grew up in these difficult conditions, so it can tell a lot about it. Vasutka S. early years already knew how to hunt birds and cook it delicious

"The hero of our time" M.Yu. Lermontov came out with a separate publication in St. Petersburg in the spring of 1940. Roman has become one of the extraordinary phenomena in Russian literature. This book has been served by the object of numerous disputes and research for one and a half centuries, and at all has not lost its life acute and in our day. Belinsky wrote about her: "Here is a book that is destined to never become old, because, in the very birth of her, she was born with water in poetry."

The main hero of Roman - Pechorin - lived in the thirties of the nineteenth century. This time can be characterized as years of a gloomy reaction that has come after the defeat of the Decembrist uprising of 1825. At this time, a man of advanced thought could not find applications to his forces. Disbelief, doubt, denial has become the features of the consciousness of the younger generation. The ideals of the fathers they rejected the "from the cradle", and at the same time they doubted them in moral values \u200b\u200bas such. That's why V.G. Belinsky said that "Pechorin is deeply suffering," without finding the use of the immense forces of his soul.

Creating the "Hero of Our Time", Lermontov portrayed the life of which it was in reality. And he found new artistic funds, no Russian, nor Western literature and who admire us to this day to connect free and wide images of persons and characters with the ability to show them objectively, "building" them, revealing one hero through the perception of the other.

Let us consider in more detail the two heroes of the novel - Pechorin and Grushnitsky.

Pechorin by origin Aristocrat received secular education. Coming out from under the care of relatives, he "got into the big light" and "began to enjoy madly with all the pleasures." The frivolous life of the aristocrat was soon the opposite, bored and reading books. After the "surviving history in St. Petersburg," Pechorina refers to the Caucasus. Drawing the appearance of his hero, the author of several strokes does not indicate its aristocratic origin: "pale", "noble forehead", "Little aristocratic hand", "dazzling-clean linen." Pechorin is a physically strong and hardy person. It is endowed with an outstanding mind, critically evaluating the world around. He reflects on the problems of good and evil, love and friendship, above the meaning of human life. In the evaluation of contemporaries self-critical: "We are not capable of more than great sacrifices for the good of humanity, nor even for our own happiness." It dismantled in humans is not satisfied with the sleepy life of the "Water Society" and gives the characteristics of the capital aristocrats. The most fully and deep inner world of Pechorina reveals in the story of "Princess Meri", where his meeting is happening with Grucnitsky.

Grushnitsky - Juncker, he is the most ordinary young man who dreams of love, "asterisks" on the pursuit. Effect is his passion. In a new officer uniform, painted, smelling in spirits, he goes to Mary. He is mediocrity, he is inherent in one completely prosperous weakness at his age - "to drag into unusual feelings", "passion to reclaim". He seems to play fashionable at that time the role of a disappointed hero, "a creature, immunified by some secret suffering." Grushnitsky is a completely successful parody of Pechorin. That is why the young Juncker is not so pleasant to him.

With his pathetic behavior, the pearshnitsky, on the one hand, emphasizes the nobility of Pechorin, and on the other, as if she was erased by all sorts of differences between them. After all, Pechorin and spoke himself and prince Mary himself, which, of course, was not a deed noble. Yes, and the princess he never loved, but simply used her gullibility and love for the fight against Grushnitsky.

The pearshnitsky, as a narrowed person, at first does not understand the relationship with Pechorina him. Hushchnitsky seems to himself self-confident, very insightful and significant: "I feel sorry for you, Pechorin," he condescendingly. But events are not catching up by Pechorin's plan. And now the Juncker, besophured by passion, jealousy and indignation, appears before us in a different light. It turns out to be not so harmless, capable of revenge, dishonest and meanness. One who recently played a nobility, today is capable of shooting in an unarmed person. The duel scene reveals the essence of the Pereshnitsky, shoot, I despise myself, and I hate you. If you do not kill me, I will drop you at night because of the corner. We have no place together on Earth ... Grushnitsky rejects the reconciliation of Pechorin chlorinously shoots it. The situation becomes irreversible, the Pereshnitsky dies by drinking a bowl of the shame of repentance and hatred to the end.

On the eve of the duel, remembering the living life, Pechorin is thinking about the question: why did he live? What goal was born? And immediately answers: "And right, she existed, and, right, it was a high appointment, because I feel in my soul of my strength." And then Pechorin understands that he has long plays "the role of an ax in the hands of fate." "The immense powers of the soul" - and small, unworthy of the peopist actions; He seeks to "love the whole world" - and brings people only evil and misfortune; The presence of noble, high aspirations - and small feelings that own soul; Thirst for the completeness of life - and complete hopelessness, awareness of your doom. Pechistan is alone, his position is tragic, he is really "an extra person." Lermontov called Pechorin "Hero of Her Time", protesting this against the romanticity of the idealized idea of \u200b\u200bthe contemporary, depicting the image of Grucnitsky as a parody of romanticism. The hero for the author is not a role sample, but a portrait made from the vices of the entire generation in their full development.

So, the image of the pearshrick helps to reveal the main thing in the central hero of the novel. Grushnitsky - Kryvoy Pechorin Mirror - the truth and significance of the experiences of this "suffering egoist", the depth and exclusivity of his nature. But in a situation with a pears with a special force, the whole danger, melting in the depths of this human type, the destructive force, which is laid in an individual philosophy inherent in romanticism. Lermontov did not strive to endure the moral sentence. He only with a huge force showed all the abyss of the human soul, devoid of faith, imbued with skepticism and disappointment. Pechorinism was a typical time disease. And not about these people a generation of the 30s of the last century said M.Yu. Lermontov in the famous "Duma":

"... We will pass over the world without a noise and a trace, sketching either thoughts of the fertile not to the genius of the work began."