The meaning of the image of a bird in the drama is a thunderstorm. The meaning of the name and figurative symbolism of the drama "The Thunderstorm" by A.N.

The meaning of the image of a bird in the drama is a thunderstorm.  The meaning of the name and figurative symbolism of the drama
The meaning of the image of a bird in the drama is a thunderstorm. The meaning of the name and figurative symbolism of the drama "The Thunderstorm" by A.N.

For works of a realistic direction, it is characteristic to endow objects or phenomena with symbolic meaning. A. Griboyedov was the first to use this technique in the comedy "Woe from Wit", and this became another principle of realism.

A. N. Ostrovsky continues the tradition of Griboyedov and endows the phenomena of nature, the words of other characters, and the landscape with an important meaning for the heroes. But Ostrovsky's plays also have their own peculiarity: see-through images - symbols are given in the titles of the works, and therefore, only by understanding the role of the symbol in the title, we can understand the whole pathos of the work.

An analysis of this topic will help us to see the whole complex of symbols in the drama "The Thunderstorm" and to determine their meaning and role in the play.

One of the important symbols is the Volga River and the rural view on the other side. The river as a border between the dependent, unbearable for many life on the bank, on which the patriarchal Kalinov stands, and a free, cheerful life there, on the other bank. The opposite bank of the Volga is associated with Katerina, the main character plays, with childhood, with life before marriage: “How frisky I was! I have completely withered ”. Katerina wants to be free from her weak-willed husband and despotic mother-in-law, to “fly away” from the family with domostroev principles. "I'm talking: why people do not fly like birds? You know, sometimes it seems to me that I am a bird. When you stand on the torus, you are drawn to fly, ”says Katerina to Varvara. Katerina recalls birds as a symbol of freedom before throwing herself off the cliff into the Volga: “It's better in the grave ... There is a grave under the tree ... how good! ... The sun warms her up, wets her with rain ... in the spring on her the grass grows, so soft ... the birds will fly to the tree, they will sing, the children will be taken out ... "

The river also symbolizes an escape towards freedom, but it turns out that this is an escape towards death. And in the words of a lady, a half-crazy old woman, the Volga is a pool that draws in beauty: “This is where beauty leads. Here, here, in the very whirlpool! "

For the first time, the lady appears before the first thunderstorm and frightens Katerina with her words about the disastrous beauty. These words and thunder in the mind of Katerina become prophetic. Katerina wants to run away to the house from the thunderstorm, as she sees God's punishment in her, but at the same time she is not afraid of death, but is afraid to appear before God after talking with Barbara about Boris, considering these thoughts to be sinful. Katerina is very religious, but this perception of a thunderstorm is more pagan than Christian.

Heroes perceive thunderstorms differently. For example, Dikoy believes that a thunderstorm is sent by God as a punishment so that people remember about God, that is, he perceives a thunderstorm in a pagan way. Kuligin says that a thunderstorm is electricity, but this is a very simplified understanding of the symbol. But then, calling the storm a grace, Kuligin thereby reveals the highest pathos of Christianity.

Some motives in the monologues of the heroes also have symbolic meaning... In act 3, Kuligin says that the home life of the rich people of the city is very different from the public one. Locks and closed gates, behind which “the household eat and tyrannize the family” are a symbol of secrecy and hypocrisy.

In this monologue, Kuligin denounces “ dark kingdom“Tyrants and tyrants, whose symbol is a lock on a closed gate so that no one could see and condemn them for bullying family members.

The motive of the trial sounds in the monologues of Kuligin and Feklushi. Feklusha talks about the trial, which is unjust, even though it is Orthodox. Kuligin, on the other hand, talks about the trial between the merchants in Kalinova, but this trial cannot be considered fair, since the main reason the emergence of court cases is envy, and because of the bureaucracy in the judiciary, cases are dragged out, and every merchant is happy only that "yes, he will be a penny already." The motive of judgment in the play symbolizes the injustice that reigns in the “dark kingdom”.

The pictures on the walls of the gallery, where everyone runs in during a thunderstorm, also have a certain meaning. The pictures symbolize obedience in society, and “fiery hell” is hell, which Katerina is afraid of, who was looking for happiness and independence, and is not afraid of Kabanikh, since she is a respectable Christian outside the house and is not afraid of God's judgment.

Have another meaning and last words Tikhona: “Good for you, Katya! Why am I left to live in the world and suffer! "

The point is that Katerina, through death, gained freedom in a world unknown to us, and Tikhon will never have the strength of mind and strength of character to fight his mother or end his life, since he is weak-willed and weak-willed.

Summarizing what has been said, we can say that the role of symbolism is very important in the play.

Endowing phenomena, objects, landscape, words of heroes with one more, more deep meaning, Ostrovsky wanted to show how serious conflict existed at that time not only between, but also within each of them.

AN Ostrovsky's drama "The Thunderstorm" shows us life in the city of Kalinov, which is now and then disturbed by various manifestations of thunderstorms. The image of this natural phenomenon in the drama is very multifaceted: it is at the same time actor plays, and its idea.

One of the most striking manifestations of the image of a thunderstorm is the characterization of the characters in the drama. For example, we can say with confidence that Kabanikha's character is quite similar to thunderclaps: she also frightens the people around her, she can even destroy. Let us recall the words of Tikhon before leaving: "But how do I know now that there will be no thunderstorm over me for two weeks, there are no shackles on my legs, so I care about my wife?" Native son when speaking of a thunderstorm, he means tyranny in the house. A similar atmosphere reigned in the house of the Wild. He got angry, swore, and sometimes even assaulted him because of all sorts of little things. Kudryash said about him: "A piercing man!" - and indeed, the character of the Wild One can pierce anyone, like an electrical discharge.

But the thunderstorm in the work characterizes not only the "cruel manners" in Kalinov. It is noticeable that the brightest moments of bad weather coincide with Katerina's mental anguish. Let's remember when Katerina confessed to Varvara that she loved another, a thunderstorm began. But Katerina's soul was also restless; her impulsiveness made itself felt: even without doing anything wrong, but only thinking not about her husband, Katerina began to talk about imminent death, runaway from home and terrible sins... Upon Kabanov's return, hurricanes raged in Katerina's soul, and at the same time, thunderclaps were heard on the streets, frightening the townspeople.

Also, the image of a thunderstorm appears before readers as a punishment for committed sins. Katerina spoke of a thunderstorm: "Everyone should be afraid. It is not that it is scary that it will kill you, but that death will suddenly find you as you are, with all your sins, with all evil thoughts." We can understand that a thunderstorm for the townspeople is only suffering. The same idea is confirmed by the words of Dikiy: "A thunderstorm is sent to us as a punishment, so that we feel, and you want to use some kind of poles and rods, God forgive me, to defend ourselves." This fear of a thunderstorm-punishment characterizes the Wild as an adherent of old mores, if we consider a thunderstorm in its following image: a symbol of change.

The thunderstorm as a symbol of the new is vividly shown in Kuligin's monologue: "This is not a thunderstorm, but grace!" Kuligin, being a hero-rationalist, opens before the readers the point of view of Ostrovsky himself: changes are always for the better, they should not be afraid.

Thus, it becomes obvious that A.N. Ostrovsky, skillfully wielding the image of a thunderstorm in its various manifestations, showed all aspects of life in a typical Russian provincial town, starting with the tragedy of "cruel morals" and ending with the personal tragedy of each.

/ / / Symbolism in Ostrovsky's play "The Thunderstorm"

Texts written in the style of realism always contain some special images. They are needed in order to create a certain atmosphere of the work. A.N. Ostrovsky uses various symbols v natural landscapes, in natural phenomena, in the images of the main and minor heroes... He even makes the title of his play "" symbolic. And in order to understand everything that the author wanted to tell us about, we must unite and combine all artistic images.

An important symbol is the images of birds, which he compares with freedom. The girl often dreams of how she could flutter, from tree to tree, from flower to flower. She so wanted to fly away from the hated estate, in which lived an unbearable mother-in-law and an unloved husband.

The image of the Volga plays special meaning, because it conditionally divides the surrounding space into two worlds. That world was on the other side of the river, there is quiet and calm, and this world is despotic, cruel and filled with tyrants. How often Katerina gazed into the distance of the river! She recalled her childhood years, which were carefree and happy. The Volga has another image. This is the image of freedom that the girl found for herself. She jumped off a cliff into deep waters and committed suicide. After that, the stormy river also becomes a symbol of death.

Especially symbolic is the image of a thunderstorm, which is interpreted in different ways by the main characters of the play. Kuligin considers a thunderstorm only electricity, then calls it grace. Dikoy perceives bad weather as God's wrath, which is a warning from the Almighty.

We reveal the symbol of hypocrisy and secrecy in the monologues of the main characters. says that at home, not in front of the public, rich people are tyrannical and despotic. They oppress their family and all the servants.

By reading the lines of the play, we understand and discern the image of injustice that manifests itself in judicial institutions. Cases are dragged out and decided in favor of rich and money-rich people.

I was especially impressed by the last words, who notices that Katerina was able to find the strength in herself and free herself from such a painful life! He himself did not have the courage to end his life like his beloved.

Here is the number of symbols and images used by A.N. Ostrovsky in his play. It was the symbolism that helped him create such an exciting, mental drama which made a huge impression on me.

The drama of A.N. Ostrovsky "The Thunderstorm" is one of the most famous works a writer. It contains many themes: love, freedom, and serfdom. And of course, the main idea, which runs through the entire work as a red thread, is reflected in the title of the play.

A thunderstorm is both a natural phenomenon, and a danger hanging over the city, and a symbol of the era.

From the very beginning of the narrative, in the first act, we hear the conversation of the two heroes about Kalinov's morals. Kudryash and Kuligin are minor characters, but despite this they carry an important semantic load... Their conversation is tied around the Wild. This hero is gifted by the author with a speaking surname, indeed, human concepts seem to be alien to him. This hero is a kind of thunderstorm for all households, as well as for courtyard people, his sudden anger keeps the whole neighborhood in fear.

Another episode in which Dikoy is present and one of the heroes who first appear on the stage, Kuligin. In this episode, Kuligin asks Dikiy for money to build a clock and a lightning rod, the hero wants to do something useful and good, at least somehow move the ossified society. But he receives a refusal, it turns out that the Dikiy's stupidity and shortsightedness is even deeper than it might seem to us, he is categorically against the structure, because a thunderstorm, in his opinion, is sent to people as punishment, and the clock is not needed at all (by the absence of a clock, the author probably emphasizes the fact that the development of Kalinov lags behind, education is absent and rough serfdom still reigns).

The main character of the work, Katerina, lives with her husband in the house of his mother Kabanikha. Kabanovs, such is their speaking surname, and it does not require unnecessary clarification. Freedom-loving Katerina languishes under the yoke of this cruel woman, a real thunderstorm for her entire house. Only Katerina's good manners and wisdom allowed her to hold out for a long time under her rule, but only externally, internally, the heroine always remains free.

Much in Katerina's life is associated with a thunderstorm. She is afraid of this natural phenomenon, faints, her intuition tells her that something should happen that will decide her fate. And she admits her act with Boris, and understands: she can no longer live in the Kabanovs' house. After all, Kabanikha became a thunderstorm not only for her, but also for her son. He runs away from home to spend several days free.

As for Katerina, then she herself can be called a thunderstorm for the outdated foundations of the Kalinovites. In the ending, she seems to be challenging the slavery and oppression that reigns in the city. Throughout the entire action, tension is felt, a thunderstorm hung over Kalinov's tyrants.

Much indicates that the power of Kabanikha and the Wild is in danger. Kudryash refuses to obey them, and in the end disappears along with Barbara, who also only creates the appearance of submission to Kabanikha, but in fact does what she sees fit.

And, of course, the words of Kuligin at the end of the play confirm in the thought that the power of the Wild and Kabanovs is short-lived, a storm is approaching them. Kuligin reminds them that Katerina's body may belong to them, but her soul is free.

The meaning of the title of this play is very significant. Many times she meets as a natural phenomenon, is reflected in the images and characters of the characters, and she herself seems to be a character. The whole atmosphere of the work is reflected in the title of the remarkable and still popular and beloved play by A. N. Ostrovsky "The Thunderstorm".

The meaning of the title, the title of the play by Ostrovsky Storm

A.N. Ostrovsky is one of the most outstanding writers XIX century, his works tell us about the struggle of humanity, kindness, responsiveness with meanness, greed and malice. The author in each of his books shows kind, naive heroes who are faced with brutal reality the world, which leads them to complete disappointment in life, kills all the good that is in them.

"The Thunderstorm" is the pinnacle of the playwright's creative quest. After all, this play laid the foundation for such a monumental theme, which later, more than once, as the main one in their works, was used by various writers of their contemporaries and subsequent centuries. What has so impressed readers for three centuries?

Katerina translated from Greek means "pure", Ostrovsky tells us about how people rotten to the very bones around her oppress her and drive her into a corner, because they feel the strength in her and understand that she is the beginning of the end for them.
This fragile, naive girl cannot be called strong-willed or strong, she did not accomplish the feat, on the contrary, her act can be perceived as weakness, but the death of the heroine became a protest against the existing order, with her example she untied the hands of all the oppressed. Her image is a "ray of light", a symbol of the struggle against cruel, selfish people who break the lives of everyone around, that is, with the "dark kingdom".

V the last days, weeks of her life, Katerina was terribly afraid of thunder, believing that she condescended to god's punishment for her sins, she was so blameless that she did not understand, the storm did not come to kill her, lightning and thunder split the world of those who offended her, the darkness came to an end.

Katerina played the role of a soldier who runs ahead of everyone with a flag urging them to fight, the role of a soldier who awakens strength and resistance in souls. After all, after her death, all those who were silent and endured protested. Kabanov finally realized and understood that his mother, a tyrant, is to blame for what happened, but his conscience is not calm, because he could not prevent the tragedy. Kudryash and Varvara decide to flee, leave behind the Wild and Kabanikha, whose life will become unbearable if they have no one to oppress and no one to pour their dirt on.

A thunderstorm bringing death to the dark kingdom, to the former terrible foundations - this is the main meaning and significance of Ostrovsky's play.

Alexander Nikolaevich's hackneyed and banal theme of the struggle between good and evil is shown in a completely unique light and is perceived quite sharply. I find it very important piece worth reading for everyone.

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In 1859, the premiere took place on the stage of one of the capital's theaters. The audience saw the drama created by a young writer - Ostrovsky Alexander Nikolaevich. This work is considered to be unique in its kind. The drama does not repeat many of the laws of the genre.

The Thunderstorm was written in the era of realism. This means that the work is filled with symbols and images. Therefore, in our article you will learn about the meaning of the name and figurative symbolism of the drama "The Thunderstorm" by Ostrovsky.

The first image of a thunderstorm

The image of a thunderstorm in this work is multifaceted. This natural phenomenon is both an idea and a drama character. Why do you think Ostrovsky used the image of a thunderstorm? Let's think about it.

Pay attention to the fact that this natural phenomenon in the work appears before the reader in several guises. First, the meaning of the name and figurative symbolism drama "Thunderstorm" is that initially the reader sees the phenomenon of nature. The city of Kalinov, described in the work, as well as its inhabitants, live in anticipation and expectation of a thunderstorm. Everything that happens in the play lasts about two weeks. Every now and then in the streets of the town there is talk that a storm is coming.

Compositionally, the thunderstorm is also the culmination! It is the powerful peals of thunder that force Katerina to confess to deception and treason. Attentive readers will notice that action 4 is accompanied by rumblings. One gets the impression that the writer was preparing the reader and viewer for the climax. But that's not all. Secondly, the meaning of the name and figurative symbolism of the drama "The Thunderstorm" has another core. Let's take a look at it too.

The second image of a thunderstorm

It turns out that each character in the work understands a thunderstorm differently, that is, in its own way:

  • The inventor Kuligin is not afraid of her, since he does not see anything mystical in this phenomenon of nature.
  • Dikoy perceives the storm as a punishment, he considers it a reason to remember the Almighty.
  • Unhappy Catherine saw the symbolism of fate and fate in a thunderstorm. So, after the most terrible thunderclap, the young lady confessed her feelings for Boris. She is afraid of thunderstorms because she considers her By God's judgment... On this, the search for the meaning of the title of the play "The Thunderstorm" by A.N. Ostrovsky does not end there. This natural phenomenon helps Katerina to take a desperate step. Thanks to her, she admits to herself, becomes honest.
  • Kabanov, her husband, sees a different meaning in a thunderstorm. The reader will know this at the very beginning of the play. He needs to leave for a short while, thanks to this, he will get rid of excessive maternal control, as well as from her unbearable orders. He says that there will be no thunderstorm over him and no shackles. These words are a comparison of the natural disaster with the endless tantrums of Kabanikha.

Author's interpretation of the meaning of the name and figurative symbolism of the drama "The Thunderstorm"

We have already said above that the image of a thunderstorm is symbolic, multifaceted, and also ambiguous. This suggests that the title of the play contains many meanings that complement and combine with each other. All this allows the reader to understand the problem comprehensively.

It is worth noting that the reader has great amount associations with the name. It is noteworthy that the author's interpretation of the work does not limit the reader, so we do not know exactly how to decipher the image-symbol of interest to us.

Nevertheless, the meaning of the name and the figurative symbolism of the drama "The Thunderstorm" is understood by the author as a natural phenomenon, the beginning of which the reader observes in the first act. And in the fourth, the thunderstorm is impulsively gaining strength.

The city lives in fear of a thunderstorm. Only Kuligin is not afraid of her. After all, he alone leads a righteous life - earning a living by honest labor and so on. He does not understand the primal fear of the townspeople.

One gets the impression that the image of a thunderstorm carries negative symbolism. However, it is not. The role of this natural phenomenon in the play is to stir up and refresh social life and people. It's not in vain literary critic Dobrolyubov wrote that the city of Kalinov is a deaf kingdom in which the spirit of vices and stagnation dwells. A person has become a fool because he does not know and does not understand his own culture, which means that he does not know how to be a Human.

The phenomenon of a thunderstorm is trying to destroy the trap and infiltrate the city. But one such thunderstorm will not be enough, as well as the death of Katerina. The death of the young lady led to the fact that the indecisive spouse for the first time acts as his conscience tells him.

River image

As you may have guessed, the image of a thunderstorm in this work is transparent. That is, he is embodied and appears before the reader in different guises. However, in the drama there is one more at least important image, which also contains the figurative symbolism of the drama "The Thunderstorm".

We are now moving on to examining the image of the Volga River. Ostrovsky depicted her as a border that separates opposite worlds - cruel kingdom the city of Kalinov and the ideal world, invented by each hero of the work. The lady repeated several times that the river draws in any beauty, since it is a pool. The supposed symbol of freedom in Kabanikha's view turns out to be a symbol of death.

Conclusion

We have examined the work of Alexander Nikolaevich Ostrovsky - "The Thunderstorm". The drama was written in the era of realism, which means that it is filled with many meanings and images.

We saw that the meaning of the name and figurative symbolism of the drama "The Thunderstorm" is relevant even today. The author's skill lies in the fact that he was able to portray the image of a thunderstorm in different phenomena... With the help of a natural phenomenon, he showed all sides of Russian society early XIX centuries, ranging from wild morals and ending with the personal drama of each of the heroes.