Frareman Wild Dog Dingo Home Thought. Book Reviews Wild Dog Dingo, or Tale of First Love

"There are books," wrote M. Prilezhev, who, since childhood and his youth, entering the heart of a person, accompany him all his life. Comforted in Mount, cause meditation, please. " It was such that for many generations of readers the book of Rouvim Isaevich Fraerman "Wild Dog Dingo, or a Tale of First Love." Published in 1939 - she caused a stormy discussion in the press; Extraked in 1962 by the director Yu. Karasik - attracted even closer attention: at the two international film festivals the film was marked by prizes; Played in the radio station with glorified actors, famous for the famous song Alexandra Pakhmutova - she soon firmly entered the school curriculum in the Far Eastern literature.

Created a story R. I. Fraerman in the village of Solotcha of the Ryazan region, but the location of his work was made by the Far East, which conquered him from young years. He confessed: "I learned and loved with all my heart and the majestic beauty of this edge, and his poor<…> Peoples. I especially loved the tungs, these cheerful, tireless hunters, who in need and disasters managed to keep their soul cleanly, loved Taiga, they knew her laws and eternal laws of man friendship with man.

There, I watched a lot of examples of friendship of Tungusk teenage boys with Russian girls, examples of true knighthood and loyalty in friendship and love. There I found my own form. "

Filming, Tanya Sabaneyeva, Kolya, their classmates and parents living in a small Far Eastern town - here are the heroes of the work of Frarman. Ordinary people. And the plot of the story is simple: the girl will meet with the Father, who once left the family, they are waiting for a difficult relationship with the new family of the Father, whom she loves and hates at the same time ...

But why is this tale of the first love so attractive? "Harmonious, created as if in one breath," said E. Putylov, "like a poem in prose, the story is small in its volume. But how much does it hold events, destinies, how many changes with heroes occurs on her pages, how important discoveries! Tale! This is not a serene, and the strength of the book of Fraerman, her incredit charm, may be that the author, believing in his reader, boldly and openly showed how expensive love is given to a person who sometimes turns around the flour, doubts, the sorrows, suffering. And at the same time, how a man's soul grows in this love. " And according to Konstantin Poist, Rouvim Isaevich Fraerman "Not so much prosaik as a poet. It determines a lot in his life, gas and in creativity. The power of the impact of Fraerman and is mainly in this poetic vision of the world, in which life appears Before us on the pages of his books in its excellent entity. Fraerman<…> Prefers to write for youth, and not for adults. The immediate youthful heart is closer to him than an adult heart experienced by experience. "

The world of a children's soul with her inexplicable gusts, dreams, admiration for life, hatred, joys and sorrows opens the writer before us. And first of all, it refers to Thane Sabaneva, the main character of the story of R. I. Fraerman, with which we meet in the idyllic setting of the original nature: the girl is still sitting on the stone, the river will whine her noise; Her eyes are lowered down, but "the look of them, tired by the brilliance, scattered everywhere above the water, was not sticking. She often assigned him aside and rushed into the distance, where the round mountains, autonated with the forest, stood over the river itself.

The air was still leveled, and the sky crammed with the mountains seemed among them the plain, a little illuminated by sunset.<…> She slowly turned on the stone and leisurely suggested up the path, where the high forest went down on the gentle slope of the mountain.

She entered him boldly.

The noise of water running between the rows of stones was left behind her, and silence opened before her. "

The author first does not call even the name of his heroine: so I want him, as it seems to me, to keep the harmony in which the girl is at this moment: the name does not matter here - harmony between man and nature is important. But no, unfortunately, this harmony in the soul of schoolgirls. Thoughts, disturbing, restless, do not give the Thanes of peace. She thinks all the time, dreams, it is angry "to present in his imagination those unexplored edges, where and where the river runs." She wants to see other countries, another world ("Hunt for the change of places" she took possession).

But why do you want to escape the girl from here, why doesn't they attract it this one who familiar to her from the first days of life to her, neither this sky, nor this forest?

She is alone. And in this its misfortune: "It was empty around<…> The girl was left alone ";" No one is waiting for me in the camp ";" Some, it means that we stayed with you. We are always alone<…> She knew one like this freedom to her.

What is the cause of her loneliness? The girl has a house, mother (though, she is all the time at work in the hospital), each other, nannik, cat Cossack with kittens, dog tiger, duck, irises under the window ... Whole world. But all this will not replace the father, whom Tanya does not know at all and who lives far, far away (it's not all that in Algeria or Tunisia).

Raising the problem of incomplete families, the author makes thinking over many questions. Does the children experiencing a break of parents? What do they feel? How to establish relationships in such a family? How not to raise hatred for a parent who has gone from the family? But R. I. Fraerman does not give direct answers, it does not moralize. One thing is clear for him: children in such families grow early.

That's the heroine, Tanya Sabaneev, does not seriously reflect on life for years. Even nannika sweeps: "Duma you are very<…>you think a lot. "And plunging into an analysis of the life situation, the girl convinces himself that she should not love this man, although the mother never talked about him badly. And the news about the arrival of the Father, and even with the hope of Petrovna and Kole, who will learn With her in the same class, it is for a long time deprives Tanya Pea . And even on the pier, peering in passersby, she cares himself for the fact that "the involuntary willing of the heart, which now knocks and does not know what to do: just die or knocking even stronger?"

It is difficult to take the first step to the child who did not see almost fifteen years old, Colonel Sabaneyev, but even more complicated his daughter. Human insult, hatred fill her thoughts, and the heart stretches to his native person. The wall of the alienation, which grew up between them for many years of separation, can not be so quickly destroyed, so the father's dinners on Sundays are becoming a heavy test: "Tanya was in the house, and the dog remained at the door. How often the Thane wanted it to stay At the door, and the dog entered the house!<…> The heart of Tanya against the will overflowed distrust over the edge. "

But at the same time, everything attracted her here. Even the nephew of Hope Petrovna Kolya, about which Tanya thinks more often than she would like, and which becomes the object of her gloating, aggression, anger. Their confrontation (and only Tanya comes to the conflict) with a grave cargo puts on the heart of the Filk, this is the faithful Sancho Pansa, ready to do everything for his friend everything is in his power. The only thing that cannot be filmed is to understand Tanya and help her cope with their experiences, anxieties, emotions.

Over time, Tanya Sabaneva, a lot begins to realize her "eyes open", the inner stress work (and in this she looks like a heroine L. Tolstoy, Natasha Rostov) brings his fruits: a schoolgirl understands that mom still loves his father that no one It will not be so faithful to her like a film that next to happiness is often neighboring the pain and suffering that he saved her in Burand to her very roads - she loves him. But the main conclusion that the young heroine makes it helps her overcome the sadness of parting with the filter, Kole, his own city, childhood: "Everything can not go through," just so disappear, there can be no forgotten "their friendship and everything that has enriched them Life forever. " And this process, so important to search for spiritual harmony of Tanya Sabaneva, the author shows through its internal monologues, which become a kind of "dialectic of the soul" of a young heroine: "Well," Tanya thought. - After all, he says about me. Is it really all, and even a filter, so cruel that for a minute don't give me to forget that I try not to remember all forces! "

Being a master of creating psychologically faithful human characters, "deep poetic penetration into the spiritual world of his heroes," the author almost never describes the mental state of the characters, does not comment on their experiences. R. Fraerman prefers to remain "for the scenes", seeks to leave us, readers, alone with their conclusions, paying special attention, according to V. Nikolaev, "accurate description of the external manifestations of the mental state of heroes - pose, movement, gesture, facial pain, shine Everything, what can be seen very complex and hidden from the external look, the struggle of feelings, a stormy shift of experiences, the hard work of thought. And here the writer gives a particular importance to the tone of the narration, the musical system of the author's speech, its syntactic correspondence and the appearance of this hero, the total atmosphere The episode described. Works R. Fraerman, if you can put it, always excellently orchestrated. Using a variety of melodic shades, it knows how to subordinate to the general system, will not allow itself to disrupt the unity of the main motive that dominant melodies. "

For example, in the episode "On fishing" (Chapter 8), we see such a picture: "Tanya with gloating was silent. But her eating figurine with an open head, thin hair, from moisture curling into the rings, as if he said:" Look at what He, this Kolya, is there. "The author conducts a parallel between the inner state of the heroine and the state of nature: the girl is impregnated with hostility towards coland, and this morning is filled with moisture, fogs and cold. After all, even the elementary words of courtesy, flying out of the mouth, cause it from her outbreak Anger: "Tanya trembled from anger.

- "Please forgive me"! She repeated several times. - What is politeness! You would not delay us better. Because of you we made a cool. "

And the beautiful description of the burana, created using expressive epithets, comparisons, personification, metaphor?! This music is elements! The wind, the snow, the sounds of the storm - the sound of the real orchestra: "And the blizzard has already occupied the road. She walked a wall like a shower, absorbing light and links, like a thunder between the rocks.<…> High snow waves rolled her [Tanya] to meet the way - blocked the way. She climbed onto them and again lowered and everything went and went forward, the shoulders wrapped the thick, continuously moving air, with every step, desperately clinging for clothes like spines of creeping herbs. He was a chosen, full of snow, and nothing through it was visible.<…> Everything disappeared, disappeared in this white Mol. "

How not to remember here "Buran" S.T. Aksakova or a description of the blizzard in the story of A. S. Pushkin "Captain's daughter"!?

Oddly enough, but the work of Rouvima Fraerman, created in the winter of 1938, when the main literary method in the country was also proclaimed at the first congress of writers Socialist realism, it does not look like other works of this period (it is more likely to the classics of the Russian literature of the nineteenth century). The author does not make one of the heroes of negative, bad. And on a tormenting Tanya, the question of who is to blame that everything happened, her mom is responsible: "... people live together, while they love each other, and when they do not like, they do not live together - they disagree. Man is always free. This is our law For eternal times. " From the other works of the writer about the Far East "The Wild Dog Dingo ..." is characterized by the fact that the worldview of the "natural" person, the Evenki boy, opposed to the consciousness of Sabaneva Tanya, confused by a number of suddenly arising psychological problems that are associated with difficult family relations, first love torments "Difficult age".

Notes

1. Prilezhev M. Poetic and gentle talent. // Fraerman R.I. Wild dog Dingo, or a story about the first love. Khabarovsk, 1988. P. 5.
2. Fraerman R. ... or a story about the first love .// Fraerman R.I .. Wild Dog Dingo, or a story about the first love. Khabarovsk, 1988. P. 127.
3. Putylova E. Education of feelings. // Fraerman R.I. Wild dog Dingo, or a story about the first love. Kuznetsova A.A. Honest Komsomolskaya. Tale. Irkutsk, 1987. P. 281.
4. http.//www.paustovskiy.niv.ru.
5. Fraerman R.i Wild Dog Dingo, or Tale of First Love. Khabarovsk, 1988. P. 10-11.
6. Ibid. P. 10.
7. Ibid. P. 11.
8. Ibid. P. 20.
9. Ibid. P. 26.
10. Ibid. P. 32.
11. Ibid. P. 43.
12. Ibid. P. 124.
13. Putylova E. Education of feelings. // Fraerman R.I. Wild dog Dingo, or a story about the first love. Kuznetsova A.A. Honest Komsomolskaya. Tale. Irkutsk, 1987. P. 284.
14. Fraerman R.i Wild Dog Dingo, or Tale of First Love. Khabarovsk, 1988. P. 36.
15. Nikolaev V.I. Traveler, walking nearby: Sketch of Creativity R. Fraerman. M., 1974. P. 131.
16. Ibid.
17. Fraerman R.i Wild Dog Dingo, or Tale of First Love. Khabarovsk, 1988. P. 46.
18. Ibid. P. 47.
19. Ibid. P. 97-98.
20. Ibid. P. 112.

List of used literature

1. Fraerman R.i Wild Dog Dingo, or Tale of First Love. Khabarovsk: KN. Publishing house, 1988.
2. Nikolaev V.I. Traveler, walking nearby: Sketch of Creativity R. Fraerman. M.: Children. literature. 1974, 175 p.
3. Writers of our childhood. 100 names: Biographical dictionary in 3 hours 3. M.: Liberia, 2000. P. 464-468.
4. Prilezhev M. Poetic and gentle talent. // Fraerman R.I. Wild dog Dingo, or a story about the first love. Khabarovsk: KN. Publishing House, 1988. p. 5-10.
5. Putylova E. Education of feelings. // Fraerman R.I. Wild dog Dingo, or a story about the first love. Kuznetsova A.A. Honest Komsomolskaya. Tale: Irkutsk: East Siberian Book Publishing House, 1987, p. 279-287.
6. Russian writers of the 20th century: biographical dictionary. - M.: Large Russian Encyclopedia. Randenev-AM, 2000, p. 719-720.
7. Fraerman R. ... or a story about the first love .// Fraerman R.I .. Wild Dog Dingo, or a story about the first love. Khabarovsk: KN. Publishing House, 1988. PR. 125-127.
8. Frahersman R. Communication of times: autobiography. // loud to himself. M.: Children. lit., 1973. Page 267-275.
9. Yakovlev Y. Afterword. // Fraerman R.I. Wild dog Dingo, or a story about the first love. M.: Children. lit., 1973. Page 345-349.

Almost the most popular Soviet book about adolescents was not at all immediately after the first publication in 1939, but much later - in the 1960s and 1970s. This was partly due to the release of the film (in the lead role - Galina Polish), but much more - with the properties of the story itself. She is still regularly reprinted, and in 2013 it was included in the list of books recommended by schoolchildren by the Ministry of Education and Science.

Psychologist and psychoanalysis

The cover of the story of Rouvim Frahersana "Wild Dog Dingo, or a Tale of First Love." Moscow, 1940
"Childness of the Central Committee of the CHDKS"; Russian State Children's Library

The action covers six months from the life of the fourteen years of Tanya from the Little Far Eastern Town. Tanya grows in an incomplete family: parents parted when she was eight months old. Mama is constantly at work, father with a new family lives in Moscow. School, pioneer camp, garden, old nannik - this would be limited to life if not first love. Nanayan boy filing, the son of a hunter, is in love with Tanya, but Tanya does not answer him. Soon the Tanin Father is coming to the city with his family - the second wife and adoptive son of Kohl. In the story describes the complex relations of Tanya with his father and a consolidated brother - from hostility, she moved to love and self-sacrifice.

For the Soviet and many post-Soviet readers, the "Wild Dog Dingo" remained a benchmark for a complex, problematic work about the life of adolescents and their crossing. There was no schematic plots of socially realistic children's literature - fixed two or incorrigible egoists, the fight against external enemies or challenges of the spirit of collectivism. The book described the emotional history of mature, acquiring and awareness of his own "I".

"Lenfilm"

In different years, critics called the main feature of the report of the detailed image of adolescent psychology: contradictory emotions and the rapid acts of the heroine, her joys, chagrins, love and loneliness. Konstantin Powetsky argued that "such a story could only be written by a good psychologist." But was the "wild dog Dingo" a book about love girls Tanya to the boy Kola? [ First, Tanya disliked Kolya, but then gradually realizes how he is dear to her. Tanya's relationships to Kolya until the last moment asymmetric: Kolya recognizes Thane in love, and Tanya is ready to say only what he wants, "so that Kohl was happy." The real catharsis in the scene of the love explanation of Tanya and if he arises when Kolya says about his feeling and kisses Tanya, and after the father appears in the predestal forest and it is him, and not cola, Tanya says the words of love and forgiveness.] Rather, it is the story of a complex adoption of the very fact of the divorce of parents and the figures of the Father. Simultaneously with the father of Tanya begins to understand better - and take - his own mother.

The further, the more noticeable the acquaintance of the author with the ideas of psychoanalysis. In fact, the feelings of Tanya can be interpreted as a transfer, or transfer, - so psychoanalysts call a phenomenon in which a person unconsciously transfers his feelings and attitude to one person to another. The initial figure with which the transfer can be carried out is most often the nearest relatives.

The culmination of the story, when Tanya saves Kohl, literally in his hands pulling him out, immobilized with dislocation, from the deadly snowy burana, was marked by an even more obvious influence of psychoanalytic theory. Almost in the pitch darkness of Tanya pulls NARTS with Kola - "For a long time, not knowing where the city, where the shore, where heaven" - and, almost having lost hope, suddenly hesitates face in the father's chinel, who came out with his soldiers in search of his daughter and The adoptive son: "... With his warm heart, for so long as a whole world of his father, she felt his proximity, he learned him here, in a cold, threatening desert death, in full darkness."

Frame from the movie "Wild Dog Dingo", director Julius Karasik. 1962 year
"Lenfilm"

The scene of the deadly test, in which a child or a teenager, overcoming his own weakness, performs a heroic act, was very characteristic of socialist literature and for the branch of modernist literature, which was focused on the image of courageous and dedicated heroes, alone opposing elements [ for example, in Jack London's prose or beloved in the USSR, the story of James Aldrjj "Last inch", the truth is written much later the story of Fracerman]. However, the result of this test - the catharsic reconciliation of Tanya with his father - turned passing through Buran into a strange analogue of a psychoanalytic session.

In addition to the parallels, "Kolya-Father" in the story there is another, no less important: this is the self-identification of Tanya with his mother. Almost until the very last moment Tanya does not know that the mother still loves his father, but feels and unconsciously takes her pain and tension. After the first sincere explanation, the daughter begins to realize the depth of the personal tragedy of the mother and for the sake of her peace of mind, it is decided for a sacrifice - departure from his native city [ in the scene of explanation, Kohl and Tanya, this identification is shown perfectly open: going to the forest on a date, Tanya puts on the mother's white medical bathrobe, and his father tells her: "How do you look like a mother in this white coat!"].

Frame from the movie "Wild Dog Dingo", director Julius Karasik. 1962 year
"Lenfilm"

Like where Frahersman met the ideas of psychoanalysis, it is definitely unknown: maybe he independently read the work of Freud in the 1910s, while studying in the Kharkov Institute of Technology, or already in the 1920s, when he became a journalist and writer. It is possible that indirect sources were here and, first of all, the Russian modernist prose, who experienced the influence of psychoanalysis [Fraerman clearly inspired the story of Boris Pasternak "Childhood of Chamois"]. Judging by some features of the "wild dog Dingo" - for example, the leitmotif of the river and the current water, which largely structures the action (the first and last scene of the story occur on the river bank), - Fraerman experienced the prose of Andrei White, who was critically related to Freudism, but He himself was constantly returned to his writings to the "Edipov" problems (this noted Vladislav Khodasevich in his memoir essay about white).

"Wild Dog Dingo" was an attempt to describe the inner biography of a teenage girl as a history of psychological overcoming - first of all, Tanya overcomes the alienation from the Father. In this experiment, there was a clear autobiographical component: Frahersman was seriously worried about the separation with his daughter from the first marriage of the Cowar. It was possible to defeat the alienation only in extreme circumstances, on the verge of physical death. Fraerman is no longer enough calls the wonderful salvation from the Barana battle of Tanya "for his living soul, which in the end without any of the road Father found and warmed with his own hands." Overcoming the death and fear of death here is explicitly identified with the founding of the Father. One thing remains incomprehensible: as the Soviet Publishing and the magazine could miss the work based on the ideas of psychoanalysis prohibited in the USSR.

School Tale Order

Frame from the movie "Wild Dog Dingo", director Julius Karasik. 1962 year
"Lenfilm"

The topic of the divorce of parents, loneliness, the image of illogical and strange teenage deeds - all this was completely knocked out of the standard of children's and teenage prose of the 1930s. In part, the publication can be explained by the fact that Fraerman performed a state order: in 1938 he was instructed to write a school story. From a formal point of view, he fulfilled this order: there is a school, and teachers in the book, and the pioneer squad. Performed Fraerman and other publishing demand, formulated at the editorial meeting of "Detgiz" in January 1938, to portray children's friendship and the altruistic potential in this feeling. And yet it does not explain, how and why the text was published, to such an extent beyond the framework of the traditional school story.

Scene

Frame from the movie "Wild Dog Dingo", director Julius Karasik. 1962 year
"Lenfilm"

The action of the story happens in the Far East, presumably in the Khabarovsk Territory, on the border with China. In 1938-1939, these territories were in the center of attention of the Soviet press: first because of the armed conflict on Lake Hassan (July - September 1938), then, after the release of the story, because of the battle at the Khalhin-goal river, on the border with Mongolia. In both operations, the Red Army entered a military clash with Japanese, human losses were great.

In the same 1939, the Far East became the theme of the famous Kininomedy "Girl with Character", as well as a popular song to verses Evgeny Dolmatovsky "Brown Button". Both works unites the episode of the search and exposure of the Japanese spy. In one case, it makes a young girl, in another - teenagers. Fraerman did not take advantage of the same storyline: border guards mentioned in the story; Tanin Father, Colonel, comes to the Far East from Moscow for official purpose, but the military-strategic status of the action site is no longer exploited. At the same time, there are a lot of descriptions of taiga and natural landscapes: Fraerman fought in the Far East during the Civil War and knew these places well, and in 1934 he traveled to the Far East in the composition of the writer's delegation. It is possible that for editors and censors, the geographical aspect could be a weighty argument in favor of the publication of this non-format from the point of view of socially realistic canons.

Moscow writer

Alexander Fadeev in Berlin. Photo Roger and Renata Rysing. 1952 year
Deutsche Fotothek.

The story for the first time came out not by a separate publication in "Detgiz", but in an adult Muchny magazine "Red Novy". From the beginning of the 1930s, the magazine was headed by Alexander Fadeev, with whom Fraerman was in a friendly relationship. Five years before the release of the Dingo's Wild Dog, in 1934, Fadeev and Fraermans turned out to be together everything in the same writing trip to the Khabarovsk Territory. In the episode of the arrival of the Moscow writer [ a writer from Moscow comes to the city, and his creative evening passes at school. Thanes are charged to present the writer flowers. Wanting to check whether it really is so good, as they say in school, she goes to the locker room to look into the mirror, but, carried away by looking at his own face, overturns a bottle with ink and a lot of palm. It seems that the catastrophe and public shame are inevitable. On the way to the hall, Tanya meets the writer and asks him not to give her hands without explaining the reason. The writer plays the scene of the color of flowers so that no one in the hall notices the Tanina Confucus and her evaporated palm.] The temptation is great to see the autobiographical background, that is, the image of the fraerman himself, but it would be a mistake. As stated in the story, the Moscow writer "was born in this city and even studied at this very school." Fraerman was born and grew up in Mogilev. But Fadeev really grew up in the Far East and graduated from school there. In addition, the Moscow writer spoke with a "high voice" and laughed even a thinner voice - judging by the memories of contemporaries, it was such a voice that Fadeev was.

Having arrived in Tannin school, the writer not only helps the girl in her difficulty with his ink with his hand, but also his fragment reads a fragment of one of his works about the goodbye of his son with his father, and in his high voice Tanya hears "Copper, ringing a pipe to which stones " Both of the head of the Wild Dog Dingo, on the arrival of the Moscow writer, thus can be regarded as a kind of ommage Fadeev, after which the editor-in-chief of "Red Novi" and one of the most influential officials of the Union of Soviet writers was supposed to take a special sympathy to the new story of Fraerman .

Big Terror

Frame from the movie "Wild Dog Dingo", director Julius Karasik. 1962 year
"Lenfilm"

The book is completely distinguished by the topic of Big Terror. The boy Kolya, the nephew of the second wife of Tanina Father, got into their family for unknown reasons - he was named orphan, but at the same time he never talks about the death of his parents. Kohl is perfectly educated, knows foreign languages: it can be assumed that his parents did not just take care of his education, but they themselves were very educated people.

But it is not even important. Fraerman is making a much more bold step, describing the psychological mechanisms of exclusion of the man's rejected and punished by the authorities from the team, where he had previously received it. According to a complaint of one of the school teachers in the district newspaper, a note is published, turning the real facts by 180 degrees: Tanya is accused of being just for the sake of entertainment, despite the buran, dragged her classmate Kohl to skate, after which Kohl had a long time. After reading the article, all students, except for columns and filters, turn away from Tanya, and it takes a lot of effort to justify the girl and reversal public opinion. With difficulty, you can imagine the work of the Soviet adult literature of 1939, where such an episode would appear:

"Tanya got used to feel always next to him friends, see their faces and, seeing their backs now, was amazed.<…> ... In the locker room, he also did not see anything good. In the dark between the hangers of the newspaper still crowded children. Tanya's books were reset from the firing on the floor. And immediately, on the floor, her doshka was lying around [ dosyka, or Doha, - fur coat with inside and out.] I recently presented with her father. She went on it. And no one paid attention to the cloth and the beads, with which she was trimmed, on her release from the barzuchea fur shining under his feet like silk.<…> ... The film knelt into the dust among the crowd, and many fell on his fingers. But still he gathered the books of Tanya and, grabbed the doshka for the Tanin, he tried to pull her out of his head. "

So Tanya begins to understand that the school - and society - are not perfect and the only thing that can protect against her old feeling is friendship and loyalty of the closest, proven people.

Frame from the movie "Wild Dog Dingo", director Julius Karasik. 1962 year
"Lenfilm"

This discovery was completely unexpected for children's literature 1939. Unexpected was the orientation of the story to the Russian literary tradition of works on adolescents related to the culture of modernism and the literature of the 1900s - the beginning of the 1920s.

In adolescent literature, as a rule, it is described about the initiation - the test by the child by the child into adults. Soviet literature of the late 1920s - 1930s usually portrayed such an initiation in the form of heroic acts associated with participation in the revolution, civil war, collectivization or delamination. Fraerman chose another path: his heroine, like adolescent heroes of Russian modernist literature, passes through the internal psychological revolution associated with the awareness and re-education of his own personality, gaining himself.

The writing

Filk is faithful to this friendship to the end. Moreover, he is in love with Tanya, constantly looks at her in love with his eyes, perfectly understanding, sensitively guessing every desire, justifying any of her act, even when, it would seem to do this if not impossible, then, in any case, incredible difficult. But for the filter in everything that concerns Tanya, there is no impossible, in the desire to serve this girl, it is not considered anything, for him there are no such difficulties and obstacles that would stop or cooled his dust.

About the film, as about the hero of the future of his work, the author began to think, apparently, before other characters. It can be assumed that it was this image that came the beginning from which the whole story grew up. The writer himself, as we remember, indicated that even during the partisan campaign in the Far Eastern Taiga, he noticed him. In the article "... Or a story about the first love", Fraerman directly claimed: "There I found my own form."

And not from this, whether the film in the story turned out to be so bright, barely, it may be inferior to the impression of only the main heroine produced on the reader. The filler is remembered by its identity, wholeness of the character, as if disheveled from one strong piece. In spiritual generosity, clean, loyalty he is hardly generous to Tanya himself. Recall how he offers her friendship to her, asking for him to remember him, "If you need a strong hand, or the Arcan, who caught a deer, or a stick, which I learned to own well, hunting in a taiga for the dicks."

he is strong, he will never retreat from said, never break promises. Filming conquers our sympathy with rare cleanliness, he lives with a clear conviction that "everything is good should have a good direction," and always follows this conviction. He, without hesitation, although it is capable and loves to think about everything, rebels against all the bad. And it does not go from his impatient and impetuous nature, on the contrary, Filk by nature is calm, loves to act leisurely, all by weighing, namely, from conviction, from early maturity, spiritual matureness, from that quenching, which is obtained in a harsh taiga life. It is the taiga life, full of unexpected dangers, taught him above all to appreciate the friendship, be patient and fair, do good.

Here is his conviction: "Having a strange habit of time to think from time to time, the film thought that if the vintage warriors were not vintage, and others, whom he sees today under the sword helmets with a red star - did not help each other in the campaign, then How could they win? What if a friend remembered the friend only when he sees him, and forgot about him, as soon as a friend went on the road, how could he ever come back? What, if a hunter, who rinsed his knife on a path, could not ask him on him, as if he could fall asleep calmly alone, in the forest, by the fire. "

That is why there is nothing holy of friendship, good and justice. All this with a special fullness and, I would say, the beauty was manifested in his true knightly, disinterested loyalty to Tanya.

Even very complex phenomena is able to think about Tanya, seriously and thoughtful Kolya, but the most mature, most mature, with all the naive spontaneity of character, in the story is a film. Even now about him, the schoolchild is still, you can say: he has a wise head. He loves to reflect, and most importantly - can reflect, compare, analyze.

"If a person remains alone, he risks to get on a bad road," the film thought, remaining completely alone on a deserted street, which was usually returned along with Tanya from school. For a whole hour, he waited her, standing on the corner near the Chinese tray. Velcro is from a sweet dough, pile lying on the tray, whether the Chinese himself in wooden shoes distract the attention of the filters, but only now he was alone, and Tanya left alone, and it was equally bad for both. In the taiga, the film would know what to do. He would go to her traces. But here, in the city, it will probably take a hunting dog or laugh at him.

And, thinking about it, the film came to the bitter conclusion that he knew a lot of things that in the city there was nothing to him.

He knew, for example, like near the stream in the forest, making a sickness in Porosh, knew that if the bread would freeze in the crate in the morning, then you can go to visit on dogs - ice will endure narts, and that if the wind blows with a black braid, and the moon It is a round, then you should wait for the buran. "

Yes, the simplicity of life experience is richer than any of his homework. But it is impossible to explain it only by the fact that the film is a child of nature that he is a taiga resident. Among other things, the film is inherent in such qualities as shutter speed, composure, pupil. A devotee to self-task Tane, ready to rush to her, he nevertheless never drops his dignity, keeps himself naturally, simply, sincerely and noble.

Could not appreciate such a friend Tanya? She sometimes, for his own admission, forgot, about which he sincerely regrets when parting, as she was unlikely to leave the filter, they are hardly harder than parting with Kohl and his father. Having rushing down, before the departure of Tanya finds his faithful Sancho Pansa on the river bank, where they loved to swim together.

"He was without a T-shirt. And his shoulders, lured by the Sun, sparkled as stones, and on the chest, dark from the sun, the bright letters were distinguished, derived very skillfully. She read: Tanya.

Filming in embarrassment closed this name with the hand and retreated several steps. He would retreat very far away, it would be completely left in the mountains, but behind his river erased. And Tanya everything went behind him, step by step.

"Wild Dog Dingo, or a Tale of First Love" is the most famous composition of the Soviet writer R.I. Frarman. The main characters of the story are children, and it is written, in essence, for children, however, the problems set by the author are distinguished by seriousness and depth.

When the reader opens the work of the "Wild Dog Dingo, or a story about first love," the plot captures it from the first pages. The main character, the schoolgirl Tanya Sabaneev, at first glance it looks like all the girls of her age and lives the usual life of the Soviet pioneer. The only thing that distinguishes her from friends is a passionate dream. Australian Dingo dog - this is what a girl dreams about. Tanya brings up mom, his father left them when the daughter just turned eight months. Returning from the children's camp, the girl discovers a letter addressed to her mother: the Father reports that he intends to move to their city, but already with a new family: his wife and adoptive son. The girl overflow pain, rage, insult to a consolidated brother, because, in her opinion, he was he who deprived her dad. On the day of the arrival of the father, she goes to meet him, but does not find in the port of sucting and gives a bouquet of flowers to a sick boy lying on her stretchers (later Tanya will be known that this is Kolya, her new relative).

Event Development

The story about the Dingo dog continues the description of the school team: Kohl turns out to be in the same class where Tanya learn and her friend's friend. A peculiar rivalry for the attention of the father begins between the consolidated brother and sister, they constantly quarrel, and the initiator of conflicts, as a rule, is Tanya. However, gradually the girl understands that in love with Kolya: she constantly thinks about him, painfully shy in his presence, with a dying heart waiting for him to arrive at the New Year holiday. This love is very dissatisfied with the film: he belongs to the old girlfriend with great warmth and does not want to share it with anyone. The work of the "Wild Dog Dingo, or a Tale of First Love" depicts the path that every teenager passes: the first love, misunderstanding, betrayal, the need to make a difficult choice and, in the end, growing up. This statement can be assigned to all the characters of the work, but mostly to the Thane Sabaneva.

The image of the main heroine

Tanya is "Dingo's Dog", so they called it in the collective for the withdrawal. Her experiences, meditation, throwing allow the writer to emphasize the main features of the girl: a sense of self-esteem, compassion, understanding. It sincerely sympathizes the mother who continues to love her former husband; She is trying to understand who is to blame for family breakdown, and comes to unexpectedly adults, sound conclusions. With the sight of a simple schoolgirl, Tanya differs from his peers in the ability to finely feel, the desire for beauty, truth, justice. Her dreams of the unknown edges and Dingo dog emphasize the gustness, fervor, poetic nature. The nature of Tanya is brighter than everything in her love for a cola, which she is given to all his heart, but at the same time does not lose herself, but trying to realize, to comprehend everything that happens.

And there were perhaps only debts in the most foggy future. View the movie "Bulgakov in Kiev". Again creative takeoff. The purpose of the lesson. It would seem that it became more spacious, but not, it is not easier. Love for someone else's wife. I am going on the steep road of the knighthood and despise the earthly good, but not honor! The hostess was energetic and frivolous.

"The Life and Creativity of Bulgakov" - the North Caucasus. True. Themes of the novel. Mother. The image of Satan. Composition "Masters and Margarita". Real drama. Life and art. The hardest period. Roman "Master and Margarita". Bulgakov worked a lot and fruitfully. Financial situation. Circle of Moscow writers. Key thought of the novel. Athanasius Ivanovich died.

"Bulgaki dog's heart" - Professor Preobrazhensky - Evgeny Evstigneev. Composition Tale. Thin, hidden ridicule; Missing a positive value and negative subtext. "The dog's heart" is a masterpiece of Bulgakovskaya satire. "Dog heart" ("Monstrous Story"). M A. Bulgakov (1891-1940). 1921, Bulgakov arrived in Moscow for permanent residence.

"Brief Biography Bulgakov" - friends and relatives. Mikhail Afanasyevich Bulgakov. Works of Bulgakov. Tatiana Nikolaevna Lappa. Postage Stamp. Dead Souls. Bulgakov works by a doctor. Michael Bulgakov. Athanasius Ivanovich Bulgakov. Varvara Mikhailovna Bulgakov. House on Vozdvizhenskaya. Elena Sergeevna Bulgakov. Caucasus. Love Evgenievna Belozerskaya.

Bulgakova Biography - In 1936, the premiere of the Bulgakovsky "Moliere" in Mkate was held. In 1930, the works of Bulgakov cease to be printed, the plays are removed from the repertoire of theaters. In 1929, Bulgakov gets acquainted with Elena Sergeyevna Shilovskaya, the future third wife. Health status Bulgakov sharp deteriorates. The writer also starts working on the play about the Molver ("Kabala Svyatosh").

"Master and Margarita Bulgakov" - on the novel M. Bulgakov "Master and Margarita". "Cool good" - so reads an ancient wisdom. But I feel sorry for you, why do you need to break your life with sick and beggar? Project 2. Project 1. Poet Ivan Nikolaevich Ponyrev, writing under the pseudonym homeless. The fundamental question: "How to maintain the balance between mercy and justice."

Total in the subject of 24 presentations