Exposition

The picture is popular for its entertaining plot. but true value the work is a perfectly expressed state of nature, seen by the artist in Belovezhskaya Pushcha. Shown not deaf dense forest and sunlight shining through the columns of the giants. You can feel the depth of the ravines, the power of age-old trees. And the sunlight looks timidly into this dense forest. The frolicking bear cubs feel the approach of morning. We are observers of wildlife and its inhabitants.

History

Savitsky suggested the idea of ​​the painting to Shishkin. The bears were painted by Savitsky in the picture itself. These bears, with some differences in posture and number (at first there were two), appear in preparatory drawings and sketches. Savitsky made the bears so well that he even signed the picture with Shishkin. However, when the painting was acquired by Tretyakov, he removed Savitsky's signature, leaving the authorship to Shishkin. Indeed, in the picture, Tretyakov said, “from the concept to the execution, everything speaks about the manner of painting, about creative method characteristic of Shishkin. "

• Most Russians call this picture"Three bears", despite the fact that there are not three bears in the picture, but four. This, apparently, is due to the fact that in the days of the USSR in grocery stores were sold candies "Bear-footed" with a reproduction of this picture on a wrapper, which were popularly called "Three Bears".
• Another erroneous common name is "Morning in pine forest”(Tautology: boron is the pine forest).

Notes (edit)

Literature

• Ivan Ivanovich Shishkin. Correspondence. Diary. Contemporaries about the artist / Comp. IN Shuvalova - L .: Art, Leningrad branch, 1978;
• Alenov M.A., Evangulova O.S., Livshits L.I. Russian art XI - early XX century. - M .: Art, 1989;
• Anisov L. Shishkin. - M .: Young Guard, 1991. - (Series: Life of Remarkable People);
• State Russian Museum. Leningrad. Painting of the XII - early XX century. - M .: art, 1979;
• Dmitrienko A.F., Kuznetsova E.V., Petrova O.F., Fedorova N.A. 50 short biographies masters of Russian art. - Leningrad, 1971;
• Lyaskovskaya O.A. Pleiner in Russian painting XIX century. - M .: Art, 1966.

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See what "Morning in a pine forest" is in other dictionaries:

- "MORNING IN THE PINE FOREST", Canada Latvia, BURRACUDA FILM PRODUCTION / ATENTAT KULTURE, 1998, color, 110 min. Documentary... About the creative self-expression of six young people, the search for mutual understanding through creativity. Shown is their life during ... ... Encyclopedia of Cinema

MORNING IN A PINE FOREST- Painting by I.I. Shishkin. Created in 1889, it is located in the Tretyakov Gallery. Dimensions 139 × 213 cm. One of the most famous landscapes in the work of Shishkin depicts a thick impenetrable forest* Central Russia. In the thicket of the forest on the fallen trees ... ... Linguistic and Cultural Dictionary

Zharg. stud. First scheduled morning training session... (Recorded in 2003) ... Big dictionary Russian sayings

Morning in pine forest

On the painting famous artist I. I. Shishkin depicted early morning in the forest. The pine forest is awakening from sleep, the sun has not yet quite come out and has not had time to warm up the clearing. Tall green pines are shrouded in dense fog.

The she-bear with three brown cubs has already woken up and went out to frolic in a forest clearing. The clumsy bears, still very small, climbed a huge fallen tree. It is uprooted from the ground, apparently after the recent hurricane.

One, the most agile bear cub, climbed to the very top of the broken trunk. He watches the second bear cub, which has perched in the middle of the trunk and looks at the bear. The third, apparently the smallest of them, stands on another broken part of a mighty tree, his gaze is directed into the depths of the forest.

The big, brown she-bear is keeping an eye on the mischievous cubs. She knows that the forest is fraught with many dangers and is ready to protect her children at any time.

When you look at a picture, it is as if you are immersed in it. You can feel the cool breath of the green forest, hear the forest rustles and sounds made by animals, birds and insects.

The plot of the picture turned out to be alive and quite realistic. wild nature delights, and funny, little bears touch and make you want to be in the meadow and play with them.

Composition based on the painting Morning in Shishkin's pine forest

Before me is a creation by I. Shishkin "Morning in a pine forest" (sometimes called "Morning in a pine forest"). This canvas can truly be called the most famous masterpiece, because everyone, both a child and an adult, no doubt knows this beautiful picture.

With unprecedented trepidation, care and tenderness, the artist masterfully prescribed every needle of the mighty pine trees, every root and twig. Inspired by the power and grandeur of nature, he breathed into his creation the unprecedented realism and magic of an ordinary forest morning.

The painting depicts the morning hours in a pine forest. Nature is just waking up after a cool night, cold dew has fallen on the grass and trees, the air is clean and fresh. The air is still cold, but it is about to warm up, and the smell of rotten grass and pine needles will spread throughout the forest. Surely the day will be hot, and therefore this cool morning is truly wonderful.

There is silence in the gloomy forest, only occasionally the cry of an early bird will cut through the wilderness.

Giant pine trees, majestically striving into the sky, greet the first rays of the sun, sliding along the tops of the trees, with their bushy branches. Sunrise is the awakening and beginning of a new day. And all nature is looking forward to his arrival.

Warm golden and yellow shades are mesmerizing, brightly contrasting with the dark palette of a gloomy forest, which creates the image of a mysterious mysterious pine forest, as if descended from the pages of the Russians folk tales... Muted calm tones do not irritate the eyes, but rather delight the eye.
The main characters are depicted in the center of the picture, without whom the canvas would lose its charm.
The she-bear and her three brave cubs, waking up with the first rays of the sun, are already in full control in the forest, prowling in search of food.

Mischievous kids started a game - they jump and climb on a fallen pine trunk, as if playing tag. The fluffy animals look completely defenseless, but under the supervision of their vigilant mother, they are safe. Huge fallen trees, as if knocked down in battle by heroes, lie high rearing their gnarled thick roots, showing their former strength and power with all their appearance.

The brown parent grumbles with displeasure, trying to pacify the disobedient children, but the nimble little hooligans do not take their mother's angry growls seriously.

Looking at the picture, as if you are breathing in the scent of the forest, its pine freshness, you feel the shady coolness of the forest, you hear the rustle of the breeze, the crackle of branches under strong animal paws.

Together with the inspired creator, imbued with the beauty of Russian nature, the viewer will involuntarily hold their breath, amazed by the deep mystery of life and joy that the landscape radiates.

They ask this essay in grades 2, 5, 3, 7.

Composition "Morning in a pine forest" based on the painting by Shishkin Grade 5

Probably, from childhood, Shishkin's painting "Morning in a Pine Forest" is familiar. Even if you are not deeply interested in art, almost everyone is familiar with this picture, thanks to its image on candy. A she-bear with three cubs on the background of a pine forest.

The idea was suggested to Shishkin by his friend, also an artist. And he even had a hand in complementing the landscape with bears. They turned out so well that the artists both signed the painting. However, Tretyakov, who later acquired this painting, left only Shishkin's signature, the second signature was covered over. Considering that the main style of writing is nevertheless closer in spirit to Shishkin.

And, indeed, Shishkin very accurately conveyed the general atmosphere of the spilling forest. We can watch the rays of the rising morning sun that only touches the tops of the trees. In the depths of the painting, the forest is shrouded in morning fog. And its lightness and airiness convey the freshness to the observer, which usually still stands at this time of day.

On foreground there is a whole bear family. A she-bear and three small cubs frolic on a large fallen tree. It can be assumed that they just got out of the den after a night's sleep. Still not so playful asleep, but the mother does not sleep and watches over the neighborhood and her pets, a little rushing to careless offspring.

The picture is very positive both in its motive and colors. The artist very accurately conveyed the atmosphere of awakening nature.

Ivan Shishkin. Morning in a pine forest. 1889 g. Tretyakov Gallery

"Morning in a pine forest" - the most famous picture Ivan Shishkin. No, take it higher. This is the most popular painting in Russia.

But this fact, it seems to me, is of little use to the masterpiece itself. Even hurts him.

When a picture is too popular, it flashes everywhere and everywhere. In every tutorial. On candy wrappers (from which the wildly popular picture began 100 years ago).

As a result, the viewer loses interest in the picture. We glance over her with a quick glance with the thought "Oh, this is her again ...". And we pass by.

For the same reason, I did not write about her. Although I have been writing articles about masterpieces for several years now. And one would be surprised how I got past this blockbuster. But now you know why.

I am getting better. For I want to take a closer look at Shishkin's masterpiece together with you.

Why "Morning in a Pine Forest" is a masterpiece

Shishkin was a realist to the core. He portrayed the forest in a very believable way. Choosing colors carefully. Such realism easily draws the viewer into the picture.

Just look at the colors.

Pale emerald pine needles in the shade. The light green color of young grass in the morning sun. Dark ocher needles on a fallen tree.

The fog is also cut from a combination different shades... Greenish in the shade. Bluish in the light. And turns into yellowness closer to the tops of the trees.

Ivan Shishkin. Morning in a pine forest (detail). 1889 Tretyakov Gallery, Moscow

All this complexity creates general impression presence in this forest. You touch this forest. Don't just see it. The craftsmanship is incredible.

But Shishkin's paintings, alas, are often compared to photographs. Considering the master is deeply old-fashioned. Why such realism if there are photographic images?

I disagree with this position. It is important what angle the artist chooses, what kind of lighting, what fog and even moss. All this taken together reveals a piece of the forest for us from a special side. The way we would not see it. But we see - through the eyes of an artist.

And through his eyes we experience pleasant emotions: delight, inspiration, nostalgia. And this makes sense: to induce the viewer to a sincere response.

Savitsky - assistant or co-author of the masterpiece?

The story with the co-authorship of Konstantin Savitsky seems strange to me. In all sources, you will read that Savitsky was an animal painter, and therefore volunteered to help his friend Shishkin. Like, such realistic bears are his merit.

But if you look at the work of Savitsky, you will immediately understand that animal painting is NOT his main genre.

He was typical. He often wrote to the poor. I am happy with the help of pictures for the disadvantaged. Here is one of his outstanding works "Meeting of the Icon".

Konstantin Savitsky. Meeting icons. 1878 Tretyakov Gallery.

Yes, besides the crowd, there are also horses on it. Savitsky really knew how to portray them very realistically.

But Shishkin also easily coped with this task, if you look at his animalistic works. In my opinion, he did no worse than Savitsky.

Ivan Shishkin. Goby. 1863 Tretyakov Gallery, Moscow

Therefore, it is not entirely clear why Shishkin instructed Savitsky to write the bears. I'm sure he would have done it himself. They were friends. Perhaps it was an attempt to help a friend financially? Shishkin was more successful. Received serious money for his paintings.

For the bears, Savitsky received 1/4 of the fee from Shishkin - as much as 1000 rubles (for our money, this is about 0.5 million rubles!) It is unlikely that Savitsky could receive such an amount for a whole own work.

Formally, Tretyakov was right. After all, the whole composition was thought out by Shishkin. Even the poses and positions of the bears. This is obvious when you look at the sketches.

Co-authorship as a phenomenon in Russian painting

Moreover, this is not the first such case in Russian painting. I immediately remembered Aivazovsky's painting "Pushkin's Farewell to the Sea." Pushkin in the painting of the great marine painter wrote ... Ilya Repin.

But his name is not in the picture. Although they are not bears. And yet great poet... Which needs to be portrayed not only realistically. But to make it expressive. So that the very farewell to the sea is read in the eyes.

Ivan Aivazovsky (co-authored with I. Repin). Pushkin's farewell to the sea. 1877 g. All-Russian Museum A.S. Pushkin, St. Petersburg. Wikipedia.org

In my opinion, this is a more difficult task than depicting bears. Nevertheless, Repin did not insist on co-authorship. On the contrary, I was incredibly happy to work with the great Aivazovsky.

Savitsky was more proud. He took offense at Tretyakov. But he continued to be friends with Shishkin.

But we cannot deny that without the bears this painting would not have become the artist's most recognizable painting. It would be Shishkin's next masterpiece. A majestic and breathtaking landscape.

But he would not be so popular. It was the bears that played their part. This means that Savitsky should not be completely discounted.

How to rediscover Morning in a Pine Forest

In conclusion, I would like to return to the problem of overdose with the image of a masterpiece. How to look at her with a fresh look?

I think it's possible. To do this, look at a little-known sketch for the painting.

Ivan Shishkin. Sketch for the painting "Morning in a pine forest". 1889 Tretyakov Gallery, Moscow

It is done with quick strokes. The figures of the bears are only outlined and written by Shishkin himself. The light in the form of golden vertical strokes is especially impressive.

To start: As you know, many epoch-making events in world history are inextricably linked with the city of Vyatka (in some versions - Kirov (who is Sergey Mironych)). What is the reason for this - the stars may have risen like this, maybe the air or alumina there is especially healing, maybe the collagedr has influenced, but the fact remains: no matter what happens in the world of special significance, the "hand of Vyatka" can be traced in almost everything. However, until now no one has taken responsibility and the hard work of systematizing all the significant events that are directly linked to the history of Vyatka. In this situation, a group of promising young historians (in my person) undertook to make this attempt. As a result, a series of highly artistic scientific and historical essays on documented historical facts under the heading "Vyatka - the homeland of elephants". Koi and I plan to post on this resource from time to time. So, let's begin.

Vyatka is the birthplace of elephants

Vyatka bear - main character painting "Morning in a pine forest"

Art critics have long proven that Shishkin painted the picture "Morning in a Pine Forest" from nature, and not from the wrapper of the "Bear Footed" candy. The history of writing the masterpiece is quite interesting.

In 1885, Ivan Ivanovich Shishkin decided to paint a canvas that would display the deep strength and immense power of the Russian pine forest. The artist chose the Bryansk forests as the place of painting. For three months Shishkin lived in a hut, seeking unity with nature. The result of the action was the landscape “Sosnovy Bor. Morning". However, Ivan Ivanovich's wife Sofya Karlovna, who served as the main expert and critic of the great painter's paintings, felt that the canvas lacked dynamics. At the family council, it was decided to supplement the landscape with forest animals. Initially, it was planned to "let the rabbits on the canvas", however, their small size would hardly be able to convey power and strength Russian forest... I had to choose from three textured representatives of the fauna: bear, wild boar and elk. The selection was made by the cut-off method. The boar disappeared immediately - Sofya Karlovna did not like pork. Prong also did not qualify for the competition, as a moose climbing a tree would look unnatural. In search of a suitable bear that won the tender, Shishkin was again resettled in the Bryansk forests. However, this time he was disappointed. All the Bryansk bears seemed to the painter skinny and unsympathetic. Shishkin continued his search in other provinces. For 4 years the artist wandered through the forests of the Oryol, Ryazan and Pskov regions, but he never found an exhibit worthy of a masterpiece. “The non-pedigree bear has gone today, maybe the boar will come up after all?” Shishkin wrote to his wife from the hut. Sofia Karlovna helped her husband here too - in the encyclopedia "Animal Life" by Brem, she read that bears living in the Vyatka province have the best exterior. Biological Scientist Described brown bear Vyatka line as "a well-knit animal with a correct bite and well-standing ears." Shishkin went to Vyatka, to the Omutninsky district, in search of the ideal animal. On the sixth day of living in the forest, not far from his cozy dugout, the artist discovered a den of magnificent representatives of the brown bear breed. The bears also discovered Shishkin and Ivan Ivanovich finished writing them from memory. In 1889, the great canvas was finished, certified by Sofia Karlovna and placed in the Tretyakov Gallery.

Unfortunately, very few people now remember the significant contribution of Vyatka nature to the painting "Morning in a Pine Forest". But in vain. To this day, a powerful and thoroughbred bear is found in these parts. It is well known that the bear Gromyka from the Zonikha animal farm posed for the emblem of the 1980 Olympics.

Vyacheslav Sykchin,
independent historian,
Chairman of the Medvedologov Cell
Vyatka Society of Darwinists.

Painting written: 1889
Canvas, oil.
Size: 139 × 213 cm

Description of the painting "Three Bears" by I. Shishkin

Artist: Ivan Ivanovich Shishkin, Konstantin Apollonovich Savitsky
Title of the painting: "Morning in a pine forest"
Painting written: 1889
Canvas, oil.
Size: 139 × 213 cm

In the domestic open spaces you will not find the second such "hit" canvas, the plot of which is present on a rare grandmother's bedspread, embroidered dummy, tablecloths, plates and even on wrappers with cute clubfoots. Memories of parents, chocolates and PR moves - this is what keeps us from forgetting about the painting by I. Shishkin "Morning in a Pine Forest" or, among the common people, "Three Bears".

Is it only Shishkina? The bears were painted on canvas by K. Savitsky, who at first depicted two club-footed ones, and then raised their number to four. Previously, it was believed that Shishkin, despite his rather significant successes in animal painting, was not able to portray bears, so he simply exploited poor Savitsky and did not even allow him to sign on the picture. In fact, the artists were friends, and the bears appeared after the latter said that the canvas was not dynamic. Shishkin could draw anyone, but not bears, so he gave Savitsky the opportunity to revive the picture and sign. The collector P. Tretyakov was not so loyal: he bought the painting from Shishkin, which means that the authorship is his, so there can be no Savitskys here. In general, the inscription was erased and "Morning in a Pine Forest" began to be considered one of the key paintings in the work of one of the most prominent Russian landscape painters.

Sweets "Bear-footed" with a Shishkin reproduction on a wrapper and gave the name to the painting "Three Bears". The delicacy that appeared had a filling of almonds, cocoa beans, was expensive, but it was so tasty that even the agitator of everyone and everything V. Mayakovsky could not resist and wrote that if you want "Bears", then put a certain amount of money on your savings account. This is how "Clubfoot Bear" became "Three Bears" (and there are four of them in the picture), candy - one of the signs of the USSR, and I. Shishkin - a national artist.

True, he was the singer of nature native land and up to "Bears". The artist wanted and knew how to surprise, first of all, with landscapes, which he painted with such jewelry that he earned the glory of a master of detailing. Only here you will see a haze of fog, as if hovering among the branches of century-old pines, soft and cozy moss on the boulders, clear water streams, morning or evening coolness, midday heat of summer. Interestingly, all of the artist's canvases are partly epic, but always monumental. At the same time, Shishkin is not pretentious, he is just the person who sincerely admires the majestic nature of his native land and knows how to portray it.

"Morning in a Pine Forest" pacifies the poise of its composition. Three bear cubs look very harmonious with their mother-bear, and I just want to apply to two halves of a fallen pine tree divine proportion... This picture is like a random shot on an old camera, which was taken by a tourist who had been looking for a true virgin nature for so long.

And if you look at the color of the picture, then the artist seems to be trying to embrace all the richness of the colors of the dawn time. We see air, but it is not the usual blue hue, but rather blue-green, a little cloudy and foggy. The predominant colors that surrounded the clubfoot inhabitants of the forest are green, blue and sunny yellow, reflecting the mood of the awakened nature. Bright shimmers of golden rays in the background seem to hint at the sun, which is about to illuminate the earth. It is these glare that give the picture solemnity, it is they who speak of the realism of the fog above the ground. “Morning in a pine forest” is another confirmation of the tactile nature of Shishkin's paintings, because you can even feel the cool air.

Look closely at the forest. Its appearance is rendered so realistically that it becomes clear: this is not a forest clearing, but a deaf thicket - the true concentration of living nature. Above her, the sun had just risen, the rays of which had already managed to make their way to the top of the treetops, splashing them with gold and again hid in the thicket. The damp fog that has not yet cleared seems to have awakened the inhabitants of the ancient forest.

Here the cubs and the she-bear woke up, developing their vigorous activity. Satisfied and well-fed bears learn from the very morning the world, exploring the nearest fallen pine tree, and the mother-bear watches the babies who are touchingly awkwardly climbing the tree. Moreover, the bear watches not only the cubs, but also tries to catch the slightest sounds that can disturb their idyll. It's amazing how these animals, painted by another artist, were able to revive compositional solution paintings: a felled pine tree seems to have been created for this bear family, busy with their important matters against the backdrop of a remote and wild corner of Russian nature.

The painting "Morning in a Pine Forest" reveals the skill of a realistic image and its quality, which is in many ways ahead of modern digital technology. Every blade of grass, every ray of the sun, every needle of a pine tree is written by Shishkin lovingly and reverently. If the foreground of the canvas depicts a felled pine tree with bears climbing on it, then an ancient forest is located in the background. Bear cubs and the rest of nature evoke pacifying positive emotions in every person. Animals, like toys, fill the beginning of a new day with kindness and set you up for positive thinking. Looking at these cute animals, you cannot believe that they are predators by nature and cannot be capable of cruelty. But the main thing is not even that. Shishkin focuses the viewer's attention on harmony sunlight that comes from the background of the painting with the cubs in the foreground. Draw a visual line through them - and you will certainly notice that these are the brightest objects in the picture, and everything else, including the irregularly shaped pine tree, are just complementary touches.

It seems that "Morning in a Pine Forest" depicts real, living bears in some fantastic landscape. The Vyatka forest, from which nature was written off, the researchers say, is very different from the Shishkin forest. It’s just wondering if bears exist there now, because the picture for a century has been raising the aesthetic and moral taste of people, and asks to take care of the surrounding nature.