In the order of the general queue. Morning in Pine Bor

In the picture of the famous artist I. I. Shishkin depicted earlier morning in the forest. Pine forest awakens from sleep, the sun has not yet completely left and did not have time to warm the clearing. High green pines envelops a thick fog.

A bear with three brown bearings have already woke up and came out to be frozen on the forest cleaner. Kosolapiy bear, completely small, climbed onto a huge brazed tree. It is turned out of the earth with the root, apparently after the recently past hurricane.

One, the most promotional bear, climbed on the top of the broken trunk. He watches the second teddy bear, who sat down in the middle of the trunk and looks at the Medveditsa. The third, apparently the smallest of them, stands on another broken part of the mighty tree, looks his eyes deep into the forest.

Large, brown bear closely monitors mischievous bearings. She knows that the forest is in itself a lot of dangers and is ready to protect their children at any time.

When you look at the picture as if immerse yourself in it. Feel the cool breath of green forest, you hear forest roots and sounds that make animals, birds and insects.

Live and quite realistic turned out the plot of the paintings. Wildlife admires, and funny, little cubs are touched and cause a desire to be on the clearing and play with them.

Essay in the picture of the morning in the pine forest Shishkin

In front of me the creation of the brush I. Shishkin "Morning in a pine forest" (sometimes called "Morning in a pine forest"). This canvas can be called truly the most famous masterpiece, because everyone, and a child, and an adult, no doubt know this beautiful picture.

The artist with an unprecedented trepid, care and tenderness masterfully prescribed every needle mighty pine, every root and twig. Inspired by the power and greatness of nature, he breathed in his creation to the unprecedented realism and magic of ordinary forest morning.

The picture depicts the morning clock in pine more often. Nature is only awakened after cool night, cold dew dropped on the grass and trees, the air is clean and fresh. The air is still cold, but it is about to warm up, and the smell of the lady of grass and pine needles will be separated throughout the forest. Surely the day will give it hot, and therefore it is a cool morning of truly wonderful.

In the silence of the silence, only occasionally the cry of early birds will say the wilderness.

Giant pines, the greatestly seeking in the sky, welcome the first sunny rays, moving along the tops of the trees, with their bush branches. Sunrise is awakening and the beginning of a new day. And all the nature is looking forward to His arrival.

Warm golden and yellow shades fascinate, brightly contrasting with the dark palette of the sullen forest, which is how the image of a mysterious mysterious boron is created, as if coming from the pages of Russian folk fairy tales. The muffled calm tones do not irritate the eyes, but on the contrary, they delay the eyes.
In the center of the picture, the main characters are depicted, without which the canvas would lose their charm.
The bear and three of her brave bewaves, waking up with the first rays of the sun, are already shopping in the forest, they are crying in search of food.

Naughty babies started the game - jump and caress on the pine sank, as if they play sals. Fluffy animals look completely defenseless, but under the supervision of their vigilant mother, they are safe. Huge tremble trees, as if attacked in the battle of heroes, lie highly overlooking their coronal thick roots, showing the best power and power to all their views.

A brothering parents will inconsiderate, trying to pacify the naughty Datvora, but the smashes small hooligans do not take angry mats of the mother seriously.

Looking at the picture, as if inhaling the fragrance of the forest, his pine freshness, feel a forest shady coolness, you hear the ripper of the breeze, the bruises of the branches under strong animals.

Together with the inspired Creator, penetrating the beauty of Russian nature, the viewer involuntarily hurts his breath, struck by the deep sacrament of life and joy that radiates a landscape.

Specify this essay in 2, 5, 3, 7th grade.

Essay "Morning in Pine Bor" in the picture Shishkin Grade 5

Probably, since childhood, a picture of Shishkin "Morning in the Pine Forest" is familiar. Even if you are not interested in the art deep, then with this picture almost everyone is familiar, thanks to the image of it on candy. Bear with three cubs on a pine boron background.

The intention of Shishkin suggested his friend, too, an artist. And he even put his hand, adding the landscape by bears. They so successfully turned out that the artists were both painted in the picture. However, Tretyakov, who acquired this picture in the future, left the signature only Shishkin, the second signature smeared. Considering that the main manner of writing is still closer in spirit to Shishkina.

And, indeed, Shishkin very accurately handed over the general atmosphere of the waking forest. We can observe the rays of the upset sun, which only touches the tops of the trees. In the depths of the painting, the forest is enveloped by morning fog. And its ease and airiness is transferred to the observer, which is usually still worth the day at this time.

In the foreground is a whole bear family. Bear and three small bears, which frolic on a large dressed tree. It can be assumed that they just got out of the berry after night sleep. Not so playful asking, but the mother will not sleep and follow the county and his pets, a little greeking on the negligent siblings.

The picture is very positive and its motive, and paints. The artist very accurately conveyed the atmosphere of the waking nature.

Grade 2, grade 5.

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It is difficult to find someone who at least once would have seen the picture of Ivan Shishkin "Morning in a pine forest", Whether it is a reproduction on a wall or an illustration in a school textbook. But most of us knows her on the wrapper from Candy "Bear Kosolapiy". As the fact that bears appeared on the painting of the landscape player, and the recognized masterpiece began to associate with candy - further in the review.

Ivan Ivanovich Shishkin was considered a highly master when it was necessary to write down every leaf, every blade, but with the image of people or animals it did not argue. That is why, on the famous painting "Morning in a pine forest", a bear family wrote another artist - Konstantin Savitsky.

The picture was signed by both artists, but when it was attributed to the customer Pavel Mikhailovich Tretyakov, he Sanya Savitsky surname, stating that he ordered the canvas only from one painter.

Ivan Ivanovich Shishkin received a picture of 4000 rubles. One thousand he gave Savitsky. Konstantin Apollonovich was indignant that the fee was not in half, and even stated in the hearts that his bears occupy a central place in the picture, and the forest is only the background. These words were very offended by Shishkin. Joint paintings artists no longer wrote.

In about the same period, when the "Morning in the Pine Forest" was presented by the general public, a new grade of sweets was made at the confectionery factory "EINEM ADMINISTOME ENERGY": chocolate-covered wafer plates with a layer of almond pralines. There was a need to create a wrapper for candies, and here the view of the owner of the enterprise Julius Gates accidentally fell to the reproduction of the painting of Shishkin. The decision was found.

After the October Revolution, the candy factory was nationalized and renamed "Red October", although for several years in brackets added "former. "Eine", there was so popular brand. Candy "Mishka Kosolapiy" became the favorite sweetness of Soviet citizens. Over time, the picture of Shishkin began to be associated with a wrap, and its name was simplified to "three bears", although there are four of them on the canvas.

Ivan Ivanovich Shishkin was remembered by descendants not only by the "Morning in the Pine Forest" cannon. He, as anyone, managed to transfer the beauty of the pristine forest through his paintings, endless expanses of the fields, the cold of the harsh edge. So realistic that it seems that the noise of the stream or the rust of leaves will be heard somewhere somewhere.

"Nun" Ilya Repin

Ilya Repin. Nun. 1878. State Tretyakov Gallery / Portrait Under Radiograph

From the portrait on the viewer thoughtfully looks at a young girl in strict monastic clothes. The image is classic and familiar - he probably would not cause art historians of interest, if not the memoirs of Lyudmila Alekseevna Shevtsova-dispute - the nieces of the Repin's wife. They showed a curious story.

For the "nun" Ilya Repina posed Sophia Repin, nee Shevtsov. The girl accounted for an artist by Podpin - and at one time the Repin himself was seriously passionate about her, but married her youngest sister faith. Sophia became the wife of Brother Repin - Vasily, orchestra of the Mariinsky Theater.

This did not prevent the artist repeatedly writing portraits of Sofia. For one of them, the girl posed in the Paradle Ball toilet: a bright elegant dress, lace sleeves, a high hairstyle. While working on the picture, the Repin seriously quarreled with the model. As you know, the artist can offend everyone, but few can take revenge so ingeniously as the Repin did. Offended artist "changed" sophia in the portrait in monastic clothes.

The story similar to the anecdote confirmed the radiograph. Researchers were lucky: Repin did not care the original colorful layer, which allowed in detail to consider the genuine outfit of the heroine.

"Alley Park" Isaac Brodsky

Isaac Brodsky. Alley Park. 1930. Private Assembly / Isaac Brodsky. Alley Park in Rome. 1911.

No less interesting riddle left for researchers a student of Repin - Isaac Brodsky. In the Tretyakov Gallery, his picture of the "Alley of the Park" is kept, at first glance, it was not a remarkable: works on the "park" themes of Brodsky had a lot. However, the farther in the park - the more colorful layers.

One of the researchers noted that the composition of the picture suspiciously resembled another work of the artist - "Alley Park in Rome" (Brodsky was a stingy on the original names). This cloth for a long time was considered lost, and his reproduction was published only in a rather rare edition of 1929. With the help of radiographs, the Roman alley disappeared by mystically was found - right under the Soviet. The artist did not consider the ready-made image and simply made a number of simple changes: changed passersby in the fashion of the 30s of the 20th century, "selected" the Children of Srso, removed the marble statues and changed the trees slightly. So the sunny Italian Park of a couple of light movements turned into an exemplary Soviet.

When the question, why Brodsky decided to hide his Roman avenue, they did not investigate the answer. But it can be assumed that the image of the "modest charm of the bourgeoisie" in 1930 from an ideological point of view was already inappropriate. Nevertheless, of all post-revolutionary landscape works of the Brodsky "Alley of the Park" most interesting: despite the changes, the picture retained the charming grace of Modern, which in the Soviet realism already, alas, was not.

"Morning in the Pine Forest" Ivan Shishkin

Ivan Shishkin and Konstantin Savitsky. Morning in a pine forest. 1889. State Tretyakov Gallery

Forest landscape with cubs playing on a sovereign tree - hardly the most famous work of the artist. That's just the idea of \u200b\u200bthe landscape Ivan Shishkin told another artist - Konstantin Savitsky. He also wrote a bear with three cubs: a connoisseurs of the forest Shishkina Teddy did not succeed.

Shishkin was impecorated in the forest flora, in the drawings of his students, the slightest mistakes noticed - then the bark is not so depicted, then pine looks like a bout. However, people and animals in his works have always been rare. Here and came to the aid of Savitsky. By the way, he left several preparatory drawings and sketches with bearings - I was looking for suitable postures. "Morning in a pine forest" was not originally "in the morning": called the picture "Bear Family in the Forest", and the Bears themselves were only two. As co-author Savitsky put on the canvas and his signature.

When the canvas delivered to the merchant Pavel Tretyakov, he was indignant: he paid for Shishkin (ordered the author's work), and he received Shishkin and Savitsky. Shishkin, like an honest person, did not attribute authorship. But the Tretyakov went on the principle and the signature of Savitsky blasphemously erased with the picture of Skipidar. Savitsky later refused copyright, and the bears were attributed to Shishkin for a long time.

"Portrait of Chores" Konstantin Korovina

Konstantin Korovin. Portrait of a chore. 1887. State Tretyakov Gallery / Portrait Redemptent

On the back of the canvas, the researchers discovered the message from Konstantin Korovina on the cardboard, which turned out to be hardly more interesting than the picture itself:

"In 1883 in Kharkov, a portrait of a chore. Scribed on the balcony in the public garden commercial. Repin said when this etude showed him Mammoth S.I. that he, Korovin, writes and looking for something else, but for what it is painting for painting only. Serov still did not write portraits at this time. And painting this etude found incomprehensible ?? !! So Polenov asked me to remove this etude from the exhibition, as he does not like the artists or members - Mosolov and somehow. The model was a woman ugly, even somewhat ugly. "

Konstantin Korovin

"Letter" disarmed with a direct challenge to the whole art community: "Serov has not yet written portraits at this time," Konstantin Korovin wrote them. And he allegedly first used the techniques characteristic of that style, which will then be called Russian impressionism. That's just all this turned out to be myth, which the artist created intentionally.

The Slender theory "Korovin - the Forerunner of Russian Impressionism" was mercilessly destroyed by objective technical and technological research. On the front side of the portrait found the signature of the artist paint, just below - ink: "1883, Kharkov." In Kharkov, the artist worked in May - June 1887: wrote decorations for performances of the Russian private opera Mamontov. In addition, art historians found out that the "portrait of choruses" was performed in a specific artistic manner - a la Prima. This technique of oil painting allowed you to write a picture for one session. Korovin began using this technique only in the late 1880s.

After analyzing these two inconsistencies, the Employees of the Tretyakov Gallery came to the conclusion that the portrait was written only in 1887, and the earlier date Korovin adds to emphasize his own innovation.

"Man and Cradle" Ivan Yakimova

Ivan Yakimov. Man and cradle.1770. State Tretyakov Gallery / Full Operation

For a long time, the picture of Ivan Yakimova "Male and Cradle" caused the perplexity of art historians. And it was not even not that such household sketches are absolutely not characteristic of painting the XVIII century - the rocking horse in the lower right corner of the picture is too unnaturally stretched by a rope that logically should lie on the floor. And it was too early to play a child from the cradle into such toys. Also, the fireplace and half did not fit on the canvas, which looked very strange.

"Enlightened" the situation is in the literal sense - a radiograph. She showed that the canvas was cut on the right and above.

In the Tretyakov Gallery, the picture came after the sale of the Pavel Petrovich Petrovich's Tug-Swinine. He belonged to the so-called "Russian Museum" - a collection of painting, sculpture and antiques. But in 1834, due to financial problems, the collection had to sell - and the picture "Male and the cradle" fell into the Tretyakov Gallery: Not all, but only her left half. The right, unfortunately, was lost, but it is still possible to see the work of the whole, thanks to another unique exponent of the Tretyakov. The full version of Jaimova was discovered in the album "Meeting of excellent works of Russian artists and curious domestic antiquities", where drawings are collected with most of the paintings included in the Svetin collection.

Ivan Shishkin glorified not only his hometown (Elabugu) to the whole country, but also the entire vast territory of Russia for the whole world. The most famous picture of his picture is considered "Morning in a pine forest". What is it so famous and why is it considered almost a reference painting? Let's try to figure it out in this matter.

Shishkin and landscapes

Ivan Shishkin is a famous paint artist. His unique style of work takes its origins from the Dusseldorf school of drawing. But, unlike most colleagues, the artist missed the main techniques through itself, which made it possible to create a unique, not inherent in anyone else. Shishkin admired the nature of his whole life, she inspired him to create numerous masterpieces from a million paints and shades. The artist always tried to portray the flora of which he sees it, without different exaggerations and decorations.

He tried to choose landscapes, untouched by a man's hand. Virgin, like Taiga Forests. Pictures of Shishkin combine realism along with a poetic look at nature. Ivan Ivanovich saw poetry in the game of light and shadows, in the power of Mother Earth, in the brittleness of one Christmas tree, standing in the wind.

Many artist

It is difficult to submit such a brilliant artist by the head of the city or the school teacher. But Shishkin combined many talents in himself. The leaving from the merchant family, he had to go in the footsteps of the parent. In addition, the good temple of Shishkin quickly had people in the whole city. He was elected to the post of manager and helped develop his native elabuga as he could. Naturally, it was also manifested in writing pictures. Peru Shishkin belongs to the history of the city of Elabuga.

Ivan Ivanovich managed and draw paintings, and participate in fascinating archaeological excavations. For some time he lived abroad, and even became an academician in Dusseldorf.

Shishkin was an active member of the Society of Movie, where he met with other famous Russian artists. He was considered a real authority among other painters. The style of Master was trying to inherit, and the paintings were inspired as writers and painters.

After herself he left the memory of numerous landscapes that have become decorated museums and private collections around the globe.

After Shishkin, few people managed so realistically and so beautifully portray all the multifaceted nature of Russia. Whatever happened in the personal life of the artist, he did not give his trouble to the canvases.


Prehistory.

The artist with a huge trepidation belonged to the forest nature, she literally captured him with his countless colors, a variety of shades, the rays of the sun, made through the thick pine branches.

The painting "Morning in Pine Bor" became the embodiment of this love Shishkin to the forest. She very quickly gained popularity, and soon it was already used in pop culture, brands, and even on candy candy. To this day, it is generously stored in the Tretyakov Gallery.


Description: "Morning in Pine Bor"

Ivan Shishkin managed to catch one mig from the whole forest life. He handed over with the picture the moment of the beginning of the day when the sun is just beginning to get up. An amazing moment of the birth of a new life. The painting "Morning in Pine Bor" depicts an awakening forest and still sleepy bearings, which are selected from a secluded dwelling.

In this picture, as in many others, the artist wanted to emphasize the immensity of nature. For this, it cut off the top of the pine at the top of the canvas.

If you carefully look at, then you can see that the tree on which the cubs are frozen, the roots are escaping. Shishkin seemed to stress that this forest is so unlikely and deaf that only beasts can dwell in it, and the trees fall themselves, from old age.

In the morning in Pine Bor Shishkin pointed out with the help of fog, which we see between trees. Thanks to this artistic move, the time of day is becoming obvious.


Co-authorship

Shishkin was an excellent landscape officer, but rarely took pictures of the pictures of animals in his works. The painting "Morning in Pine Bor" did not exception. He created a landscape, but four cubs drew another artist, a specialist in animals, Konstantin Savitsky. It is said that it was he who suggested the idea itself for this painting. Drawing Morning in Pine Bor, Shishkin took Savitsky co-author, and the picture was originally signed by them by two. However, after the cloth was transferred to the gallery, Tretyakov considered the work of Shishkin more extensive and erased the name of the second artist.

History

Shishkin and Savitsky went to nature. So the story began. Morning in Pine Bor seemed so beautiful that it could not be perpetuated on canvas. To search for a prototype, they went to the island of Gordloga, which stands on Lake Seliger. There found this landscape and a new inspiration for the painting.

The island, all covered with forests, kept the remnants of virgin nature. For many centuries, he stood untouched. This could not leave indifferent artists.


Claims

The picture was born in 1889. Although I initially, Savitsky and put the Tretyakov's claim that he erased his name, but soon changed his mind and refused this masterpiece in favor of Shishkin.

Pavel Tretyakov substantiated his decision because the style of the picture fully corresponds to what Ivan Ivanovich did, and even the sketches of bears originally belonged to him.

Facts and delusion

Like any famous canvas, the painting "Morning in Pine Bor" causes great interest to itself. Consequently, she has a number of interpretations, it is mentioned in the literature and in the cinema. About this masterpiece they speak both in Higher Society and on the streets.


Over time, some facts have been changed, and universal misconceptions were tightly rooted in society:

* One of the common mistakes is the opinion that "Morning in Pine Bor" Vasnetsov created along with Shishkin. Victor Mikhailovich, of course, was familiar with Ivan Ivanovich, as they were together in the club of the Mobile. Nevertheless, Vasnetsov could not be the author of such a landscape. If you pay attention to his style, it is not at all like Shishkin, they belong to different art schools. These names are still mentioned together from time to time. Vasnetsov is not the artist. "Morning in Pine Bor", without any doubt, drew Shishkin.

* The title of the picture sounds like "morning in a pine forest". Bor is just a second name, which, apparently, seemed to people more suitable and mysterious.

* Unofficially, some Russians still call the painting "Three Bear", which is a rough mistake. Animals in the picture are not three, and four. It is likely that the canvas began to be called because of a candy popular in Soviet times called "Bear Kosolapiy". A reproduction of Shishkin "Morning in the Pine Forest" was depicted on the candy. In the people of the candy gave the name "Three Bear".

* The picture has its own "first version." Shishkin drew another cloth of the same subject. He called him "fog in a pine forest." About this picture know a few. It rarely remember. The canvases are not on the territory of the Russian Federation. To this day it is stored in a private collection in Poland.

* Initially, there were only two bear carts in the picture. Later, Shishkin decided that four clubs should be present in the image. Thanks to the addition of two more bears, the painting has changed genre. She began to be on the "border," because some elements of the game scene appeared on the landscape.

"Three bear" - a picture, called so in common, it has the official name - "Morning in the Pine Forest." The canvas is written by oil in 1889, the dimensions of its 139 x 213 (quite large) is stored in the State Tretyakov Gallery. Signature under the picture only Ivan Shishkin.

The most replicable picture

The official name is more corresponding to the picture itself, as the bears on the canvas four, and not three. But no in the CIS of a man who would not know this work, and it is called "Three Bear". The picture is incredibly popular, it can be argued that, speaking in modern language, this is the most promoted picture. This was facilitated by candy candy, tablecloths, bedspreads and wall mats, repeating the plot in Soviet times. And it is the bears depicted in the foreground, in the wide segments of the population, enjoy glory, and the beautifully depicted morning forest serves as a background.

Not quite successful co-authorship

And the bears drew another artist - Savitsky Konstantin Apollonovich (1844 - 1905), genre painter, academician, friend Shishkin. Savitsky convinced Shishkin in the fact that the picture lacks the speakers, and the animals in the foreground fill the flaw. Art historians write that the bears of Shishkin did not succeed, and Savitsky - on the contrary. And, indeed, Kosolay turned out so well that, with mutual consent, friends under the picture put their signatures. But the Tretyakov with Savitsky had some friction at that time, and buying a picture for his gallery, he demanded to remove Savitsky's signature. Obviously, the desire of the collector was the law, and only the signature of Shishkin remained, and he received the fee alone and probably did not share the co-author, because they stopped their friends.

Pine Island

This is what "sincere" with the "Three Bear" canvas. The picture is so beautiful, calm, benevolent. Of course, the Tretyakov was a connoisseur and subtle connoisseur of painting, and the forest depicted by an unsurpassed master represented true value for the buyer, and the bears did not even like. Yes, and experts were delighted with peeped shishkin on the island of Gorombala (Lake Seliger) landscape, brilliantly transferred to the canvas.

Famous as "Three Bear", the picture really great conveys the state of nature. At first glance it is clear that it is the morning. Amazingly depicted fog penetrated by the rays of the rising sun.

Queen landscapes

Brilliant landscape officer, in love in Shishkin very often painted pines. Different, at any time of the year, lit by the sun and covered with snow, they are beautiful.

The smallest needles are visible on his canvases, the crust is felt, it seems that the pine smell comes from the paintings of Ivan Ivanovich. "Three Bear" - depicting the wilderness of boron. It seems that you can hear the crackling of the trunks of age-old pines, and how the depth of the cliff is felt, located behind the right bear. And the infinity of the forest is depicted ingenious. And fog, at the edges, still blue, in the center already lit by the sun. And the bear cub, painted on the right, seems to admire the beautiful in the morning. And Nature has not yet completely woke up, and itifies the morning cool. Brilliant work, masterpiece. Maybe he did not need to speakers.

As a result - complete harmony

In fairness I must say that the bears do not spoil the canvas, they fit very well into it. The painting "Three Bear", which was described above, is very organic, and it is impossible to present it without these good-natured wildlife representatives. Perhaps the most complacent coming from Mother's Mother with three cubs is due to the lack of near the person. And this rest of the animals also emphasizes the depth of thickets of the forest. "... and fresh moss under the paws will take, crack under the severity of dry branches ..." - Wonderful words of the poet about the picture. Morning, silence, consent in the plant and animal world, in nature in general - the picture acts very soothing: "... and only take a look at this beauty, and I know that - will save, will warm!"