Vasily Torkin. A.T.
"Vasily Terkin" occupies an exceptional place among other historical works dedicated to the Great Patriotic War. Twardovsky with knowledge depicted in his poem the details of the war and talentedly handed over the image of the ordinary Russian soldier.
History of creation
Analysis of "Vasily Terkina" The student can start with the history of the work of the work. In his letters, M. V. Isakovsky, Wardowski wrote that the army will remain one of his main topics for life. And this poet was not mistaken. A group of poets, in the editorial office of the Leningrad Military District, had the idea of \u200b\u200bcreating a series of drawings, which would be told about the exploits of the usual Soviet soldier. Someone from the participants put forward a proposal to name the main character of Vasya Terkin. In this collective work, Tvardovsky was supposed to write an entry, describe the most common chief character and outline the direction of his conversation with the reader.
So in 1940, the work of "Vasya Terkin" appeared in the newspaper. The success of this hero pushed the Tvardovsky to add a story about the military adventures of Never's unlucky Wasi Terkina. As a result, a small little book called "Vasya Terkin on the front" was first published. Together with the Tward Hero, he was heavy roads of war. For the first time, the poem was published in the "Krasnoarmeysian Pravda" newspaper in January 1940.
Since then, until the very end of the war, the new chapters of the poem were published in the same newspaper as well as in the magazines "Krasnoarmec" and "Banner". On May 4, 1945, Tvardovsky wrote:
"... my work ends in coincidence with the end of the war. You need another effort of the refreshing souls and the body - and it will be possible to put the point "
So there was a holistic edition of Vasily Terkin. Book about the fighter. " This work recreates the picture of the front, shows those thoughts and experiences that arise from a person in war. The work of "Vasily Terkin", the analysis of which is carried out in this article, is allocated among other works of such a genre of a special fullness, as well as the realism of the image of the people's struggle, serious suffering and heroic exploits.
Genre
The poem of Tvardovsky in its genre belongs to the heroic epic. On the one hand, the work is characterized by objectivity, on the other - it is permeated with a lively copyright. The poem this is peculiar in all respects. It develops the traditions of realism in poetry, and on the other hand, is a free narrative.
Subject
The main topic A. T. Tvardovsky is the Great Patriotic War. The analysis of "Vasily Terkina" shows: this work has become one of the brightest pages in his work. It is dedicated to the life of a simple people in the conditions of the front. In the center of the poem there is an ordinary infantryman Vasily Terkin - a leaving from Smolensk peasants. In fact, the main character of the poem personifies the whole people. It was embodied by the National Russian. Thus, an ordinary person becomes in the work of a winning warrior symbol. His life is depicted by Tvardovsky, as it is - in everyday everyday life and heroism, the plexus of ordinary with an elevated. The poem is strong in that it shows the truth about the war as one of the bitter tests, through which the whole people passed and separately taken.
Analysis of "Vasily Terkina": idea
Artistic literature Times of the Great Patriotic War has a number of features. This is a historic pathos, as well as the installation on the reader's availability. Vasily Terkin is in this regard to one of the most successful characters. The feat of the soldier is shown by the poet as daily and hard work. The hero, which this feat makes, is the usual soldier. It is precisely to protect their homeland and life on Earth as a whole, and the justice of war against the fascist invaders is. The work of Tvardovsky became truly folk.
Structure of the work
The poem contains 30 chapters. They can be divided into three main parts. In four chapters, the poet says not about the hero, but about the war, about those chases, which fell to the share of the simple people. The role of these retreats is impossible to be understood, because they constitute the author's dialogue directly, as if bypassing the main character.
Events described in the poem
In the course of the narrative, a clear chronological sequence is missing. The author also does not call specific battles or battles, but some combat operations indicated in the work may be guessing: for example, the retreat of the Soviet troops of 1941-1942, or the battle of the Volga River. Of course, the reader finds out in the final chapters and the capture of Berlin.
Is there a plot in the work?
Analysis of the work of "Vasily Terkin" shows that in the poem, strictly speaking, no plot. But Tvardovsky and there was no such goal as the transfer of the course of war. The central head of the work is "crossing". In this part, the main idea of \u200b\u200bthe poem is clearly traced - the military road. On it, Terkin, along with comrades, moves to achieving its goal - a complete victory over the fascist invaders. So, to the new, bright life.
A brief analysis of Vasily Terkina demonstrates: the originality of the composite construction of the book is determined by the reality of wartime. Tvardovsky in one of the chapters notes:
"There is no plot at war"
The poem really does not have traditional strings. Do not find in the work and climax, junction. However, the analysis of "Vasily Terkina" on the chapters shows that inside the individual parts there is a story. Inside the chapters there are separately taken scene ligaments. The overall development of events, with all the fragmentation of individual chapters, is determined by the course of hostilities expected by changing its stages - from the bitter days of the defeat to the pronounced later and the blood of the victory.
Description of military daily
On the pages of the work of Terkin with humor shares with young soldiers everyday weekdays of war; It suggests that from the very beginning of hostilities takes part in them. Three times terkin was surrounded by the enemy, once wounded. The heavy fate of a simple soldier personifies the strength of the Spirit, an insurmountable will to life and victory.
Analysis of the poem of the Twardovsky "Vasily Terkin" shows that the plot can of the work is difficult to trace, because each of the chapters is a separate episode. For example, two times terkin swims the cold river for the sake of restoring communication with the upcoming divisions. Going to the front, Terkin comes to the nursing home of the peasants, helps them in the house. I had to the main character and enter the hand-to-hand fight with the German. Terkin, with difficulty defeated the enemy, takes him in captivity.
Lying wounded, Vasily Terkin talks with death. That persuades him not to grab the life. And when it, finally, they find soldiers, then Terkin tells them:
"Remove this woman,
I'm still alive soldier "
The work opens and complete the lyrical reflection of the poet. A conversation with the reader allows you to get closer to the overall world of the poem "Vasily Terkin", the analysis of which is carried out in this article. The work of the dedication to the fallen.
The poem is quite special historicism. Conditionally dedicated three pieces in it coincide with the beginning, middle and end of hostilities. Poetic understanding allows you to make a lyrical chronicle of events from dry chronicles. The feeling of sorrows impregnates the first part, persistent faith in the victory - the second. And the leitmotif of the final part is the joy of victory.
The image of the main hero
Conducting an analysis of the poem "Vasily Terkin", the student must be described by the main character of the poem. The main acting face of the work is a fictional character of Vasily Terkin. Despite all the military life, he retains cheerfulness, sincerity. The image of terkina is collective. It has everything that is typical for many ordinary soldiers:
"The guy in this way
Each company always has,
Yes, and in each platoon. "
However, in Terkin, all this was embodied brighter, distinctive. The hero is peculiar and wisdom, and a bright look into the future, and endurance, and patience, and a life-savings. The main feature of the hero is love for their country.
He constantly remembers his native places, so expensive every heart. It cannot but attract the reader in Terkin and the greatness of his spirit. On the battlefield, it turns out not to satisfy the military instinct, but for the sake of saving life on Earth. All that causes the hero of the defeated enemy is a feeling of pity.
Terkin is modest, although sometimes it can also take a little. The reader has the opportunity to observe Vasily in various situations. And everywhere you can note the positive qualities of the hero. In the company of comrades, it is having fun, tries to raise the spirit of the twin. When he goes into an attack, it becomes an example for other fighters, manifests courage and resourcefulness.
Vasily Terkin: Analysis of "Crimp"
In one of the chapters, the reader can see as the protagonist, risking his own life, tightly leads combat comrades through a dangerous crossing. This is one of the most important episodes not only in the whole poem, but also in the war. After all, in it, the poet depicts the cruel realities of military life. "Crossing" is a place where hundreds of people lost their lives. Ordinary soldiers must walk along the edge of ice, at night overcoming the winter river. Water in it "even the fish is cold." The poet perfectly depicts the details of the combat situation when the soldiers are forced to apply a huge amount of effort and labor. Reading this chapter, it can be understood that the great victory over fascism was given to people not just so, but at the cost of bitter losses.
The poet writes:
"This night is a bloody mark
In the sea carried a wave "
But those who were destined to stay alive, do not lose their strength of the Spirit. In spite of everything, going over the edge of thin ice, Terkin leads friends.
The poem consists of 30 chapters, each of which is quite autonomous and at the same time they are all closely related to each other. On the peculiarities of such a composition, the author himself was written: "The first thing I adopted for the principle of composition and the plot is the desire for the well-known completeness of each individual part, and even inside the chapter - each period, even stanza. I had to keep in mind the reader, who, at least, was unfamiliar with the previous chapters, would have found in the gift printed today in the newspaper chapter something whole, rounded ... "As a result, the poem was built as a chain of episodes from the military life of the chief hero. So Terkin twice swims the ice river to restore the connection with the upcoming unit; Alone occupies a German bludder, but it falls under the shelling of his own artillery; He comes into hand-to-hand fight with German and, with difficulty, defeating him, takes him.
Along with the heads about Terkin and his exploits in the poem there are five chapters - peculiar lyrical deviations that are called: "From the author" (four) and one - "About me." They show the author's lyrical beginning, which gives originality to the genre of the work. By covering time, events, heroes, the nature of the central character is an epic work. The main thing in it is an image of a national historical event that decishes the fate of the nation, and truly folk heroic character. In addition to Vasily Terkina, there are many other heroes - the participants of the war ("Strip" guys from the head of the "Cross", the old man and the old woman in the chapter "Two Soldiers", the tired chauffeur, who went into the dance to the sounds of Harmony, from the head of "harmony" and others. ). The poem's hero is the author. "Terkin exists independently, regardless of his author. But the author got close to him and his comrades, so entered their military fate, in all their relationship - and here, at the front, and where these people came to the front, - what can express them with absolute authenticity and perfect inner freedom Thoughts and feelings "(V. Alexandrov). In the chapter "About yourself" the author writes:
And I will tell you, I will not hide, -
In this book, there, Syam
What should be praying
I say I personally myself.
In the fusion of the author and the hero, one of the most important features of the poem, according to the genre that is a limit. Its unity is provided not only by the through hero passing through the whole poem, a common national-patriotic idea, but also the special intimacy of the author and the hero. The poet directly appeals to the reader in the opening and final chapters, expresses its attitude towards the "holy and right fight", to the people, admires the spiritual generosity and courage of Terkina, and at times, as it were, it will interfere in the events, becoming near the fighter.
In the center of the poem, the image of Terkina, which combines the composition of the work into a single whole. Terkin Vasily Ivanovich is the main hero of the poem, an ordinary infantryman from Smolensk peasants. Terkin embodies the best features of the Russian soldier and the people as a whole. The poem is built as a chain of episodes from the military life of the chief hero, which do not always have a direct event between themselves. Terkin with humor tells young fighters of the war; He said that he was fighting from the very beginning of the war, he was surrounded three times, was wounded. The fate of the ordinary soldier, one of those who carried the whole severity of war on their shoulders, becomes the personification of the National Power of Spirit, Will to Life. Terkin twice tweaks the ice river to restore the connection with the upcoming divisions; Terkin alone occupies a German blonde, but falls under the shelling of his own artillery; On the way to Front, Terkin turns out to be in the house of old peasants, helps them by housework; Terkin steps in hand-to-hand fight with German and, with difficulty, defeating him, takes him. Suddenly, the terkin from the rifle knocks down a German attack aircraft; Enviving Sergeant Terkin soothes: not the last. Terkin takes command of a platoon to himself when they kill the commander, and the first breaks into the village; However, the hero is quickly wounded. Lying wounded in the field, Terkin talking with death persuading him not to climb life; In the end, the fighters are found, and he tells them: "Remove this woman, I am still alive soldier" in the image of Vasily Terkina the best moral qualities of the Russian people are combined: patriotism, readiness for the feat, Love for labor. The characteristics of the character of the hero and are interpreted by the poet as the traits of a collective image: Terkin inseparable and inherent from the militant people. Patriotism and collectivism Hero Author shall and negatively: he emphasizes the absence of the features of individualism, egoism, concern to his person in terkina. Terkina peculiar respect and careful attitude of the master to things like the fetus of labor. No wonder he takes a drink from his grandfather, whom he saves, without knowing her to mold her. Returning the ready-made sawpowder, Vasily says: on-Ko, grandfather, take, look. It will cut better than new, in vain the tool is not measles. Terkin loves work and is not afraid of her. The simplicity of the hero is usually a synonym for its mass, the absence in it will feature. But this simplicity has in the poem and another meaning: transparent symbolism of the name Hero, Terkin "Fresh-overlerts" shall his ability to overcome difficulties simply, easy. This is his behavior and then when he swims down the ice river or sleeps under the pine, it is quite happy with a false lie, etc. In this simplicity of the hero, his peace of mind, the sobriety of a look at life is important features of a folk nature. In sight of A. T. Tvardovsky in the poem "Vasily Terkin" is located not only the front, but also those who work in the rear for the sake of victory: women and old men. Characters of the poem not only fight - they Laugh, love, talk with each other, and most importantly - dream of a peaceful life. The reality of the war unites what is usually incompatible: tragedy and humor, courage and fear, life and death. In chapter "From the author" the process of "mythologization" of the main character of the poem is depicted. Terkin is called the author of the "holy and sinful Russian wonderful man." The name of Terkina Vasily became legendary and nominal.
The poem "Vasily Terkin" is distinguished by peculiar historicism. It can be divided into three parts, coinciding with the beginning, middle and end of war. Poetic understanding of the steps of war creates from the chronicle lyric chronicle of events. Feeling bitterness and sorrow fills the first part, faith in victory - second, the joy of the liberation of the Fatherland becomes the leitmotif of the third part Poems. This is explained by the fact that A. T. Tvardovsky created the poem gradually, throughout the Great Patriotic War 1941-1945.
Original and composition of the poem. Not only individual chapters, but also periods, stanza inside the chapters are distinguished by their completion. This is caused by the fact that the poem was printed in parts. And should be an accessible reader with "any place" .
The truthfulness, the accuracy of the wide paintings of the poet stressed by named "Vasily Terkina" is not a poem, but " book about fighter". The word "book" in this people's sense sounds somehow much significantly as the subject " serious, reliable, unconditional"," Says Tvardovsky. Like all the heroes of the world epic, turkin granted immortality (It is not by chance in the poem 1954. Terkin on that light he falls into the afterlife, reminding his desired Soviet reality) and at the same time - live optimism Making it with the personification of the People's Spirit. The poem had a huge success of readers. Vasily Terkin became a folklore character, about which the Twardovsky noticed: "How came from where it came there." The book also received official recognition (State Prize, 1946), and a high assessment of contemporaries.
To recall the content
In the infantry company - a new guy, Vasily Torkin. He is fighting for the second time in his century (the first war is Finnish). Vasily for the word in his pocket does not climb, good fears. In general, the "guy is at least where."
Törkin recalls how he in a detachment out of ten people made his way with the Western, "German" side to the east, to the front. On the way there was a native village of the commander, and the detachment went home to him. The wife fed the fighters, put to sleep. The next morning soldiers left, leaving the village in German captivity. Trikin would like to go to this hut on the way back to worship the "good woman simple".
Going crossing over the river. Placers are immersed on the pontoons. The enemy fire shaves the crossing, but the first platoon managed to move to the right bank. Those who stayed on the left waiting for dawn, do not know how to be further. From the right shore, the turkin sails (Winter, Ice). He reports that the first platoon is able to cross if it is supported by fire.
Törkin sets the connection. Nearby is broken by the projectile. Seeing the German "bumshirt", Törkin takes her. There, in ambush, the enemy is waiting. Kills a German officer, but he has time to hurt him. According to the "burial" begin to beat our. And Turkin is found tankers and carry in Medsanbat ...
Trikin jokingly argues that it would be nice to get a medal and come with her after the war on the rules in the village council.
Coming out of the hospital, Trikin catches his mouth. It is brought on the truck. Ahead is a stopped column of transport. Frost. And the harmonic is only one - at tankers. She belonged to their deceased commander. Tankists give Harmonic Turkin. He plays first sad melody, then cheerful, and begins the dance. Tankists remember that they were delivered by the wounded Turkin to Medsanbat, and give him harmony.
In the hut - grandfather (old soldier) and grandma. Turkin comes to them. He repairs old people with a drink, watch. It guesses that the grandmother has a hidden fat ... A grandmother treats turkin. And the grandfather asks: "Will the German beat?" Trikin responds, already leaving, from the threshold: "Fought, father."
Bosto-beard lost plenty. Törkin recalls that when he was injured, he lost his hat, and the nurse girl gave him his. It takes this cap still. Törkin gives the beard his pussy explains: in war you can lose anything (even life and family), but not Russia.
Turkin in hand fights with German. Wins. Returns from the intelligence, leads with him "Language".
At the front - Spring. The buzzment of the May beetle is replaced by the humor of the bombarder. Soldiers lie prone. Only Törkin gets up, the plane is plane from the rifle and knocks it down. Curkin give an order.
Trikin recalls how the boy met in the hospital, who has already managed to become a hero. He proudly stressed that he was from under Tambov. And the native Smolenshchina seemed a "syrophop" turkin. Therefore, he wanted to become a hero.
The general releases Turkin for a week home. But the village is still at the Germans ... and the general advises to wait with the holiday: "We are with you on the way."
Fight in a swamp for the small village of Borka, from which nothing left. Törkin encourages comrades.
Törkin for a week is sent to relax. It is "paradise" - a hut, where you can eat four times a day and sleep as much as you like, on the bed, in bed. On the outcome of the first day, Trikin thinks ... catches a passing truck and goes to his native company.
Under the fire, the platoon goes to take the village. leads all the "silent" lieutenant. He is killed. Then Törkin realizes that "lead his cerebrals." The village is taken. And Trikin himself is seriously injured. Trikin lies in the snow. Death persuades him to conquer her. But Vasily does not agree. He is found people from the funeral team, carry in Sanbat.
After the hospital, Törkin returns to his company, and there everything is different, the people are different. There ... New Turkin appeared. Only not Vasily, but Ivan. Again who is true Törkin? Already ready to give each other this honor. But the foreman announces that every company "will be attached to his own".
The village, where Khurkin cleaned the saw and clock, - under the Germans. The clock was taken away from his grandfather with a grandmother. The front line passed through the village. I had to move old men to the cellar. Our scouts come to them, among them - Törkin. He is already an officer. Torkin promises to bring new hours from Berlin.
With the onset of Törkin passes by his native Smolensk village. It takes others. It goes crossing through the Dnieper. Thurkin says goodbye to the native side, which remains no longer in captivity, but in the rear.
Vasily tells about Syrote's soldier, who came on vacation to his native village, and there was nothing left, the whole family died. The soldier needs to continue to fight. And we need to remember him, about his grief. Do not forget about it when a victory will come.
Road to Berlin. Grandma returns from captivity home. The soldiers give her a horse, a wagon, things ... "Tell me, they say that I supplied Vasily Torkin."
Bath in the depths of Germany, in some German house. Steamed soldiers. Among them is one - there are many scars on him from the Russian Academy of Sciences, it is able to steam well, the word in his pocket does not climb, dresses - on the gymnasther of the Order, and Medals. Soldiers talk about him: "I don't care that Thørkin."
34. Autobiographical motifs in the Lyrico-journalistic poem A. Tvardovsky "By the right of memory».
Poem "By the right of memory" Created in the 60s, but was published many years later - in 1987, for many years she was banned. A new product was conceived as "Chapter Additional" to the Poem "For Dal Dal". Work on the new chapter was dictated by the feeling of some kind of persons about "time and about himself." In the genre-thematic plan - this is a lyric-philosophical meditation, a "road diary", with a weakened story. The actors of the poem - an immense Soviet country, its people, the rapid turn of their affairs and accomplishments. The text of the poem contains the humorous recognition of the author - the passenger of the train "Moscow-Vladivostok". Three gave the artist: the neonyost of geographic expanses of Russia; Historical distance as the continuity of generations and awareness of the inseparable communication of times and destinies, finally, the bottomlessness of the moral stoves of the soul of the lyrical hero.
Later, the "Chapter Additional" resulted in a completely new product. She reflected sharp the author's reaction to the change of social situation in the second half of the 60s.The poem "By the right of memory" is a three-part composition. For the Tedrod word "Memory" and "True" - concepts-synonyms. The thought, in the authority of which was the poet, has repeatedly sounded in his verses, such as "about the judgment", "the whole point in the same Testament", "the word about words", "live a century to me a soling one ..." and Others.
In the entry of Tvardovsky declares that these are the frank lines, confession of the soul.
The first and second chapters are contrasted in their intonation. In the first A poet with a warm feeling, Ironically remembers his youthful dreams and plans. These dreams are clean and high: to live and work for the benefit of the Motherland. And if you need, then your life is given for it. Beautiful youthful dreams.
Second chapter"The Son for Father does not answer" the most tragic and in the poem, and in all the work. The illegally decomposed family of Tvardovsky was exiled to Siberia. In Russia, only Alexander Trifonovich remained due to the fact that he lived separately from the family in Smolensk. He could not alleviate the fate. In fact, he refused family. This is tormenting the poet all his life. This unwindy wound of Tvardovsky resulted in the poem "by the right of memory".
The poet seeks to comprehend the course of history. To understand what was the wines of the repressed peoples. Who made such a state of affairs when one solved the fate of the peoples. And everyone was guilty to him already in the fact that they were alive.
A difficult time in which philosophers cannot figure out that fifty years later. And what to talk about the young man, holy vernant in official propaganda and ideology. The duality of the situation was reflected in the poem.
"The Son for Father does not respond" - repeating, these words receive all new and new semantic and emotional filling. It is the repetition that allows you to trace the development of the "five words" theme. The first chapter occupies a special place in the poem "by the right of memory". Being a key, she "holds" the whole poem. Tvardovsky knew that it was impossible to print it. In the poem "By the right of memory", Tvardovsky acts as an impassive chronicle, but witness accusations. He is worried about the fate of concrete people, whom he knew well: a friend of childhood, the aunt Darya - in the poem "For Dal - Dal", Father - in the last poem. "On Memory" - the head is special. It synthesizes the thoughts, the motives stated in its name. Head of the gravy. Twardovsky argues with those whom he calls "silence."
In the third chapter of the Poem Tvardovsky approves the right of a person for memory. We are not entitled to forget anything. While we remember, "alive" our ancestors, their affairs and feats. Memory is the privilege of a person, and he cannot voluntarily refuse God's gift to someone anyone. The chapter is comparable with some chapters of the poem "For Dal-Dal": "With yourself", "childhood friend", "literary conversation", "So it was." Similar motives (True, memory, responsibility), noticeable textual rolls, pathos of these works, expressed by the words: "There is neither to drop, nor add, - / So it was on Earth," and the other allows you to consider the last two Tward's poems as a kind Poetic dilogy.
This poem is a peculiar repentance of the Tvardovsky for his youthful deeds, mistakes. We all make mistakes in youth, sometimes fatal, but it does not give rise to the poems. In a large poet, even grief and tears are poured into ingenious poems.
The great events that occurred in our country were reflected in the work of Alexander Trifonovich Tvordovsky and in the form of their direct image, and in the form of related individual experiences-reflections. In this sense, his work is extremely topful.
Although "according to the right of memory" does not have in the subtitle of the genre designation, and the poet himself, the faithful concepts of literary modesty, called sometimes this works by a poetic "cycle", it is quite obvious that this is a lyrical poem.
History of creating the work of the Tverdow "Vasily Torkin"
Since the autumn of 1939, Tvardovsky as a military correspondent participated in the Finnish campaign. "It seems to me - he wrote M.V. Isakovsky, - that the army will be the second my theme for life. " And the poet was not mistaken. In the editors of the Leningrad Military District "guarding the Motherland", the poets group had an idea to create a series of entertaining drawings about the exploits of a funny soldier-hero. "Someone," recalls the Tvardovsky, "suggested calling our hero to Terkin, namely Vasya, and not Vasily." In the creation of a collective work about the unscrewly lucky fighter, the Tvardovsky was charged with writing an entry: "... I had to give at least the most common" portrait "of Terkina and determine, so to speak, tone, Maneru of our further conversation with the reader."
This appeared in the newspaper the poem "Vasya Terkin" (1940. - January 5). The success of the Faken Hero came across the idea of \u200b\u200bcontinuing the story about the adventures of the invalid Vasi Terkina. In the end, the book "Vasya Terkin on the front" (1940) was released. In the Great Patriotic War, this image becomes the main thing in the work of the Tward. "Vasily Terkin" walked along with the Tward Roads of War. The first publication "Vasily Terkina" took place in the newspaper of the Western Front "Krasnoarmeyskaya Pravda", where on September 4, 1942, the introductory head "from the author" and "on the privala" were printed. Since then, until the end of the war, the heads of the poems were published in this newspaper, in the magazines "Red Armenian" and "Banner", as well as in other printed bodies.
"... my work ends in coincidence with the end of the war. You need one more effort of the refreshing souls and body - and you can put the point, "wrote the poet on May 4, 1945. So the completed poem "Vasily Terkin appeared. Book about the fighter "(1941-1945). Tvardovsky wrote that the work on her gave him a "feeling" of the legality of the place of the artist in the great struggle of the people ... a sense of complete freedom of treatment with verse and the word.
In 1946, three complete editions of the book about the Fighter came almost one after another.
Rod, genre, creative method of analyzed work
In the spring of 1941, the poet hardly worked on the heads of the future poem, but the beginning of the war changed these plans. The revival of the idea and the resumption of work on "Terkin" refers to mid-1942. From this time, a new stage of working on the work begins: "The whole character of the poem has changed, all its content, her philosophy, her hero, its form - composition, genre, plot. The character of the poetic narration about the war - the homeland and the people, the people in the war were the main themes. " Although, starting to work on it, the poet was not too worried about this on this expense, as evidenced by his own words: "I would not be long ago by doubts and fears regarding the uncertainty of the genre, the lack of the initial plan, hugging all the work in advance, the weak storylice of the chases among themselves. Not a poem - Well, let yourself not a poem, I decided; There is no single plot - let yourself no, do not; There is no very beginning of things - I once invent it; The climax and the completion of the whole story is not planned - let it be necessary to write about what is burning, does not wait, and there will be visible, we will see. "
In connection with the question of the genre of the work of Tvardovsky, the following judgments of the author are important: "The genre designation" Book about the fighter ", on which I stopped, was not the result of the desire to simply avoid the designation of the" poem ", the story, etc. This coincided with the decision to write is not a poem, not a story or a novel in verses, that is, not what has its own legalized and to a certain extent obligatory plot, composite and other signs. I did not have these signs, and something still went out, and this something I designated the book about the fighter. "
This, as her poet himself called, "the book about the fighter" recreates a reliable picture of front-line reality, reveals the thoughts, feelings, the experiences of a person in war. It stands out among other then the poems of the special completeness and depth of the realistic image of the people's liberation struggle, disasters and suffering, feats and military life.
The poem of Tvardovsky is a heroic epic, with an objectivity that responds with an epic genre, but permeated by a lively copyrighted feeling, is peculiar in all respects, a unique book, at the same time developing the traditions of realistic literature and genetic creativity. And at the same time, this is a free story - a chronicle ("The book about the fighter, without beginning, without end ..."), which covers the entire history of the war.
Topic
The topic of the Great Patriotic War forever entered the creativity of A.T. Tvardovsky. And the poem "Vasily Terkin" became one of the brightest pages. The poem is dedicated to the life of the people in war, it is rightfully the encyclopedia of front-line life. In the center of the poem, the image of Terkina, an ordinary infantry from Smolensk peasants, which unites the composition of the work into a single whole. Vasily Terkin actually personifies the whole people. It found the artistic embodiment of Russian national character. An ordinary man, ordinary soldiers, became a symbol of the winning people in the poem.
In the "book about the fighter" the war is depicted as it is - on weekdays and heroic, interlacing ordinary, sometimes even comic (chapter "on the privala", "in the bath") with an elevated and tragedy. The poem is strong primarily for the truth about the war as harsh and tragic - at the limit of opportunities - testing the vitality of the people, the country, every person.
The idea of \u200b\u200bthe work
The artistic literature of the period of the Great Patriotic War has a number of characteristic features. Its main features - patriotic pathos and installation for universal availability. The intended example of such a artistic work is considered to be the poem Alexander Trifonovich Tvardovsky "Vasily Terkin". The feat of the soldier in the war is shown by Tvardovsky as everyday and grave work and battle, and the transition to new positions, and overnight in the tag or right on Earth, "shielding from death black only his own back ...". And the hero, which makes this feat - ordinary, simple soldier.
It is in the protection of the Motherland, life on Earth is the justice of the People's Patriotic War: "The fight is holy and right, the death fight is not for the sake of glory - for the sake of life on earth." Poem A.T. Tvardovsky "Vasily Terkin" became truly folk.
Basic heroes
The analysis of the work shows that the poem is based on the image of the main character - ordinary Vasily Terkina. It does not have a real prototype. This is a collective image that connects typical features of the spiritual appearance and the nature of an ordinary Russian soldier. Dozens of people wrote about the typical of Terkina, making the "guy in this way in every company in every company always, and in each platoon" the conclusion is that it is a collective image, generalized that it should not look for any individual qualities, so everything Typically for the Soviet soldier. And since "he was scattered, he was partially and partially exquisies," it means that it is not a person at all, but a certain symbol of the entire Soviet army.
Terkin - Who is he? Let's say frankly: just the guy itself is ordinary.
However, the guy at least where, the guy in this way
Each company is always, and in each platoon.
The image of Terkina has folk roots, it is "Bogatyr, a sage in the shoulders", "Veschak", "Man's" man. " Behind the illusion of rusting, balarage, mischiefs are hiding moral sensitivity and a sense of sown debt in front of the homeland, ability without phrase and posture to make a feat at any time.
The image of Vasily Terkina really absorbs what is typical for many: "The guy in this way / in each company is always, / and in each platoon." However, in it inherent in many people features and properties were embodied brighter, sharper, distinctive. Folk wisdom and optimism, durability, endurance, patience and dedication, the everyday savings and skill of the Russian man - the worker and the warrior, finally, inexhaustible humor, followed by something more in-depth and serious, - all this is melted in a living and holistic human character. The main feature of his character is love for their native country. The hero constantly remembers the native places, which are so miles and the road to His heart. It cannot but attract in Terkina also with mercy, the greatness of the soul, in war, it turns out not because of the military instinct, but for the sake of life on earth, the enemy causes only a sense of pity in it. He is modest, although he can sometimes take asleep, saying to the friends that he does not need an order, he agrees to the medal. But most of all attracts his life in this man, everyday savings, mockery over the enemy and over any difficulties.
Being an embodiment of the Russian national nature, Vasily Terkin inseparable from the people - the soldier's mass and a number of episodic characters (grandfathers and grandmother, tankers in battle and march, a nurse girl in the hospital, a soldier mother, returning from enemy captivity, etc.) , It is inseparable from Mother Motherland. And the whole "book about the fighter" is a poetic statement of national unity.
Along with the images of Terkina and the people, an important place in the general structure of the work occupies the image of the author-narrator, or, more precisely, the lyrical hero, especially tangible in the chapters "Ohself", "On War", "On Love", in the fourkers "from the author " So, in the chapter "About myself", the poet directly declares, turning to the reader: "And I will tell you: I will not hide, / - in this book, whether there, Sym, / what would be to be a hero, I personally say."
The author in the poem is an intermediary between the hero and the reader. A confidential conversation is constantly underway with the reader, the author respects the reader's friend, and therefore seeks to convey to him the truth about the war. The author feels his responsibility to readers, he understands how important it was not only to tell about the war, but also to instill faith in the readers in the disadvantage of the spirit of the Russian soldier, optimism. Sometimes the author as it would invite readers to check the truth of its judgments and observations. Such direct contact with the reader quite contributes to the fact that the poem becomes a clear large circle of people.
The poem constantly serves a subtle author humor. The poem's text is filled with additives, promscripts, sayings, and determine who is their author - the author of the poem, the hero of the Poem Terkin or the people, is generally impossible. At the very beginning of the poem, the author calls the joke as the most necessary in the soldier's life "thing":
You can live without food, you can more, it is possible, but sometimes in the war one minute can not live without booms, the jokes of the Noomudo itself.
The plot and composition of the analyzed work
The originality of the plot-composite construction of the book is determined by the most military reality. "There is no plot at war," the author noted in one of the chapters. And in the poem, in general, there are no such traditional components as the tie, culmination, an omission. But inside the chapters with a narrative basis, as a rule, there is a story, between these chapters there are separate plot ligaments. Finally, the general development of events, the disclosure of the character of the hero, with all the independence of individual chapters, is clearly determined by the course of the war itself, a natural change of its stages: from the bitter days of retreat and the hardest defensive fights - to the stunned and conquered victory. Here's how Tvardovsky wrote about the compositional construction of his poem:
"And the first thing that I accepted for the principle of composition and style is the desire for the well-known completeness of each individual part, chapter, and inside the chapter - each period and even stanza. I had to keep in mind the reader, who, at least and unfamiliar, was with the previous chapters, would find something integer in this chapter today, rounded. In addition, this reader could not wait for my next chapter: he was where the hero, - in the war. This approximate completion of each chapter I was most concerned. I did not keep anything to myself as another time, seeking to speak out in each case - the next chapter - to the end, to fully express my mood, pass the freshly impression, the thought, the motive, image. True, this principle was not determined immediately - after the first chapters of "Terkina" were printed in a row one after another, and the new ones were already appeared as they wrote. "
The poem consists of thirty independent and at the same time closely related chapters. The poem is built as a chain of episodes from the military life of the chief hero, which do not always have a direct event between themselves. Terkin with humor tells young fighters of the war; He said that he was fighting from the very beginning of the war, he was surrounded three times, was wounded. The fate of the ordinary soldier, one of those who carried the whole severity of the war on their shoulders, becomes the personification of the National Power of Spirit, will to life.
Poam's story can be difficult to trace, each chapter tells about a separate event from the life of the fighter, for example: Terkin twice tweats the ice river to restore communication with the upcoming units; Terkin alone occupies a German blonde, but falls under the shelling of his own artillery; On the way to Front, Terkin turns out to be in the house of old peasants, helps them by housework; Terkin comes into hand-to-hand combat with German and, with difficulty defeating, takes him captive. Or unexpectedly for himself terkin from the rifle knocks down a German attack aircraft. Terkin takes command of a platoon to himself when they kill the commander, and the first breaks into the village; However, the hero is quickly wounded. Lying wounded in the field, Terkin talks with death, persuading him not to cling to life; In the end, the fighters are found, and he tells them: "Remove this woman, I still have a live soldier."
It is not by chance that the work of the Tvardovsky begins and ends with lyrical deviations. An open conversation with the reader brings to the inner world of the work, creates an atmosphere of general involvement in the events. The poem ends the dedication to the fallen.
The poem "Vasily Terkin" is distinguished by peculiar historicism. It can be divided into three parts, coinciding with the beginning, middle and end of war. The poetic understanding of the steps of the war creates the lyrical chronicle of events from the chronicle. The feeling of bitterness and grief fills the first part, faith in victory - the second, the joy of liberation of the Fatherland becomes the leitmotif of the third part of the poem. This is explained by the fact that A.T. Tvardovsky created the poem gradually, throughout the Great Patriotic War, 1941-1945.
Artistic peculiarity
Analysis of the work shows that the poem "Vasily Terkin" is distinguished by the extraordinary latitude and freedom of use of the means of oral-spoken, literary and peopetic speech. This is a truly popular language. In it, proverbs and sayings are naturally used ("I'm boredom for all hands"; "The case is time - an hour of fun"; "On which the river is saved, - that alone is to create ..."), folk songs (about Sineli, O River ). The Tvardovsky perfectly owns the art of saying simply, but poetic. He himself creates considerations that included in the rights of sayings ("Do not look at the chest, and look, what ahead"; "The war has a short way, in love - distant"; "guns to battle are ride" and others) .
Freedom - the main moral and artistic principle of the work is also implemented in the very construction of a verse. And this is a find - the relatively decade, eight, and five-, and six-, and the quatrain - in a word, the rhymers will be as much as the Tvardovsky needed in this minute in order to speak in full. The main size of "Vasily Terkina" is four-stranded kernels.
On the originality of the verse of Twardovsky wrote S.Ya. Marshak: "See how one of the best chapters" Vasily Terkina "is built -" Crossing ". In this truth, and as if a rampant story about the authentic, who observed by the author of the events, you will nevertheless find a rigorous form, a clear construction. You will find a recurring leitmotif here, which sounds in the most responsible places of narration, and every time in a new way, is sad and anxious, it is solemnly and even terrible:
Cross, crossing! Coast left, shore right. Snow rough. The edge of ice ... to whom the memory, whom Glory, whom the dark water.
You will find here and lively, concise, flawlessly acknowledged and built on all laws of ballads dialogue. This also affects the real poetic culture, which gives us funds for the image of events from the most modern cycling life. "
The value of the work
Poem "Vasily Terkin" - a central work in the works of A.T. Tvardovsky, "The best of all written about war in war" (K. Simonov), one of the tops of Russian epic poetry at all. It can be considered one of the truly folk works. Many lines from this work moved to orally popular speech or became popular poetic aphorisms: "The death fight is not for the sake of glory - for the sake of life on earth," "Forty shower one soul", "Cross, crossing, shore left, right" and many Others.
The recognition of the "book about the fighter" was not only nationwide, but also nationwide: "... this is a truly rare book: what freedom, what a wonderful delete, what is the accuracy, accuracy in everything and what extraordinary People's Soldier's Language is neither a bitch no zadorinka nor Single fake, ready, that is, literary-vulgar words! " - wrote I.A. Bunin.
The poem "Vasily Terkin" was repeatedly illustrated. The first were the illustrations of O.G. Veresky, who were created directly following the text of the poem. The works of artists B. Dehteherheva, I. Bruni, Yu Nakutsev, are also known. In 1961 in the Moscow Theater. Mosovet K. Voronkov staged "Vasily Terkina". Known literary compositions of the chapters of the poem performed by D.N. Zhuravleva and D.N. Orlova. Excerpts from the poem are put on the music of V.G. Zakharov. Composer N.V. The Godlovsky was written by a symphonic story "Vasily Terkin".
In 1995, a monument to Terkin was opened in Smolensk (the author is the national artist of the Russian Federation Sculptor A.G. Sergeev). The monument is a two-profic composition depicting the conversation of Vasily Terkina with A.T. Tvardovsky. Monument is installed on the money of the money.
It is interesting
The greatest fame acquired the picture Yu.M. Nontsev "rest after fight" (1951).
In the winter of 1942 in the frontal dugout, barely illuminated by a homemade lamp, the artist Yuri Mikhailovich Neumbens first met with the poem A.T. Tvardovsky "Vasily Terkin". One of the fighters read the poem out loud, and the unansitsa saw the light focused faces of the soldiers, as, forgetting about fatigue, they laughed, listening to this wonderful work. What is the enormous force of the poem? Why is it so close and the road to the heart of each warrior the image of Vasily Terkina? An artist thought about it. Nonununners reread the poem several times and is convinced that her hero is not at all some exceptional nature, but an ordinary guy, in the form of which the author expressed all the best, clean and bright, which is inherent in Soviet people.
Messenchak and Bougureur, who knows how to raise the mood of comrades in a difficult moment, to cheer themselves with a joke, a sharp word, terkin and in battle shows resources and courage. Such live terkins on the roads of war could be found everywhere.
In the great vitality of the image created by the poet, and the secret of his charm. That is why Vasily Terkin immediately became one of his favorite folk heroes. Captured by this wonderful, deeply truthful way, unanswered for many years could not part with him. "He lived in my mind," the artist later wrote, "accumulating new features enriched with new details in order to become the main character of the picture." But the idea of \u200b\u200bthe picture was not immediately born. A long, full of work and a thoughtful way was the artist before starting writing a painting "Rest after the fight." "I wanted," the artist wrote, "to portray the warriors of the Soviet Army at the time of the overthrow of any heroic actions, when all the spiritual forces of a person are tense to the limit, show them not in the battle smoke, but in a simple everyday situation, per minute of a short rest." .
So the thought is born about the picture. Memories of the military years help determine its plot: a group of fighters in a short break between the battles is located on a snow-covered glade and listens to a cheerful story. In the first sketches, the overall nature of the future picture was already scheduled. The group was located in a semicircuit deployed to the viewer, and consisted of only 12-13 people. The figure of terkina was placed in the center of the composition and is highlighted in color. The figures located on the sides formally bated the composition. In this decision it was a lot of contrived, conditional. The small number of the group attached the whole stage the nature of the accident and did not create the impression of a strong, friendly team of people. Therefore, in subsequent sketches, the nearsy increases the number of people and most naturally has them. The main hero of Terkin moves by the artist from the center to the right, the group is based on the diagonal from left to right. Due to this, the space increases, its depth is scheduled. The viewer ceases to be only a witness to this scene, he becomes like its member, is involved in the steep of fighters, listening to Terkina. To give even more accuracy and vitality of the whole picture,
The unanswered abandoned solar lighting, since the spectacular contrasts of light and shadow could enter the elements of the theater convention, which the artist avoided. The soft scattered light of the winter day gave the opportunity to fully and brighter to identify the variety of people and their expressions. A lot of and long worked as an artist over the figures of fighters, over their poses, changing the last few times. So, the figure of the pretty foreman in the serve only after long searches turned into a sitting fighter, and an elderly soldier with a bowler in his hands only in the last sketches came to replace the girl-a nurse, bandaging the fighter. But the most important thing for the artist was to work on the image of the inner world of heroes. "I wanted," the nonununters wrote, "so that the viewer would love my heroes, he felt their alive and close people so that he would find and recognize in the picture of his own front-day friends." The artist understood that only then he would be able to create convincing and truthful images of heroes when they were extremely clear for him. The unanswered began to carefully study the characters of the fighters, their manner to speak, laugh, separate gestures, habits, in other words, began to "fit" in the images of his heroes. In this, he helped the impressions of military years, combat meetings, memories of his front-line comrades. The invaluable service was given to him his front sketches, portrait images of combat friends.
A lot was done by etudes from nature, but they were not transferred to the picture directly, without preliminary refinement. The artist was looking for, allocated the brightest features of a person or another and, on the contrary, removed the entire secondary, accidental, preventing the identification of the main one. Every image he sought to make a purely individual and typical. "In my picture, I wanted to give a collective portrait of Soviet people, a soldier of the Great Liberator. The authentic hero of my painting is the Russian people. " Each hero in the representation of the artist has its interesting biography. He can be fascinating about them for hours, transmitting the smallest details of their life and fate.
So, for example, the unanswered tells that a fighter sitting on the right of Terkina, he imagined Taya guy recently came to the army from the collective farm, is still inexperienced, maybe for the first time he participated in battle, and it is natural, scary. But now, listening to the stories of the experienced soldier, he forgot about his fear. For terkins standing a young handsome guy in a whharian shifted crop hat. "He," the artist wrote, "shears Terkina somewhat condescendingly. He himself could tell no worse. Before the war, he was a qualified working large plant, a harmonist, a participant in amateur activities, a favorite of girls \u003e\u003e. A lot could tell the artist about the Usat Starshine, who laughs in all the throat, and about the elderly soldier with a kotelet, and about a hallery soldier, sitting on the left of the narrator, and about all other characters ... The most difficult task was the search for the appearance of Vasily Terkina. The artist wanted to convey the image that had developed in the people, I wanted terkina to find out right away. Terkin must be generalized, it must be combined by the features of many people. His image is like the synthesis of all the best, light, clean, which is inherent to the Soviet man. Long worked the artist over the appearance of Terkina, above the expression of his face, hand gesture. In the first drawings, Terkin was depicted by a young soldier with a good-natured sly face. It did not feel dexterity, acute smelting. In another sketch, terkin was too serious, balanced, in the third - he lass everyday experience, life school. From the drawing to the drawing, the seals were seen, the gestures were specified, the posture was determined. According to the artist's thoughts, the gesture of the right hand terkina had to emphasize some sharp strong joke at the address of the enemy. Countless drawings have been preserved, in which the most different turns of the shape, head slopes, hands movement, individual gestures - while the artist found what was satisfied. The image of Terkina in the picture has become a significant, convincing and quite natural center. A lot of time was given a search artist for the painting. He represented that the action takes place in a roofing forest with the glades and armor. Early spring, snow does not melt, but only slightly frills. He wanted to transfer the National Russian Landscape.
The painting "Holiday after the fight" is the result of the tense, serious work of the artist, excited love for his heroes, great respect for them. Each image in the picture is a whole biography. And in front of the look of the curious viewer passes a number of bright individually unique images. Deep vitality of the idea led to clarity and integrity of the composition, simplicity and naturalness of a picturesque solution. The painting of Nakutsev resurrects difficult, complete heroes and severity, deprivation and adversity and, together with the joy of victory, the Days of the Great Patriotic War. That is why it will always be the road to the heart of the Soviet man, loved by the wide masses of the Soviet people.
(According to the book V.I. Gapeeva, E.V. Kuznetsova. "Conversations about Soviet artists." - M.-L.: Education, 1964)
Gapeeva V.I. Kuznetsova V.E. "Conversations about Soviet artists. - M.-L.: Enlightenment, 1964.
Grishunzh al. "Vasily Terkin" Alexander Tvardovsky. - M., 1987.
Kondratovich A. Alexander Tvardovsky: Poetry and Personality. - M., 1978.
Romanov R.M. Alexander Tvardovsky: Pages of Life and Creativity: Book for high school students. - M.: Enlightenment, 1989-
Tvardovsky A. Vasily Terkin. Book about the fighter. Terkin on the light. Moscow: Rariet, 2000.
The poem consists of 30 chapters, each of which is quite autonomous and at the same time they are all closely related to each other. The very features of such a composition wrote by the author: "The first thing I took for the principle of composition and the plot is the desire for the well-known completeness of each individual part, and inside the chapter - each period, even stanza. I had to keep in mind the reader, who, at least, was unfamiliar with the previous chapters, I would have found something that was printed today in the newspaper chapter something whole, rounded ... "As a result, the poem was built as a chain of episodes from the military life of the chief hero. So Terkin twice swims the ice river to restore the connection with the upcoming unit; Alone occupies a German bludder, but it falls under the shelling of his own artillery; He comes into hand-to-hand fight with German and, with difficulty, defeating him, takes him.
Along with the heads about Terkin and his exploits in the poem there are five chapters - peculiar lyrical devices that are called: "From the author" (four) and one - "About me." They show the author's lyrical beginning, which gives originality to the genre of the work. By covering time, events, heroes, the nature of the central character is an epic work. The main thing in it is an image of a national historical event that decishes the fate of the nation, and truly folk heroic character. In addition to Vasily Terkina, there are many other heroes - participants in the war ("Strip" guys from the head of the "Two Soldiers", the head of the chapel in the chapter "Two Soldiers", the tired chauffeur, who went to Dance to the sounds of Harmony, from the head of "harmony" and others. ). The poem's hero is the author. "Terkin exists independently, regardless of its author. But the author got close to him and his comrades, so entered their military fate, in all their relationship - and here, at the front, and where these people came to the front, - what can express them with absolute authenticity and perfect inner freedom Thoughts and feelings "(V. Alexandrov). In the chapter "About yourself" the author writes:
And I will tell you, I will not hide, -
In this book, there, Syam
What should be praying
I say I personally myself.
In the fusion of the author and the hero, one of the most important features of the poem, according to the genre that is a limit. Its unity is provided not only by the through hero passing through the whole poem, a common national-patriotic idea, but also the special intimacy of the author and the hero. The poet directly appeals to the reader in the opening and final chapters, expresses his attitude towards the "saint and right fight", to the people, admires the spiritual generosity and courage of terkina, and at times, as if interfered with the events, becoming near the fighter.
Writing on literature on the topic: genre and composition of the poem "Vasily Terkin"
Other writings:
- "Terkin" was for me ... My lyrics, my joke, song and a teaching, anecdote and a promscar, talking on souls and a replica to occasion. A. Tvardovsky during the Great Patriotic War A. T. Tvardovsky was a military correspondent, so the military theme was perfectly read more ......
- In "Vasily Terkina" few opposition, but a lot of movement, development - primarily in the images of the main character and the author, their contacts among themselves and with other characters. Initially, they are distancing: In the entry, terkin is combined only with a good saying or a promotion - Read more ......
- In addition to the main character and secondary characters, the image of the author plays an important role in Vasily Terkin. The book contains many lyrical chapters "from the author." In the first of these chapters, the author submits to the reader of his hero, in the second - divided with reader reflections on the specifics of Read more ......
- - No, guys, I'm not proud. Do not ridden in the distance, so I will say: why should I order? I agree to the medal. A. T. Tvardovsky Poet of Alexander Tvardovsky is distinguished by simplicity and piercing truth, taking the soul of lyricity. The author is not glad, but it goes to us Read more ......
- The first chapters were published in 1942, although the name of the hero of the book - Vasya Terkin - was known significantly earlier, from the period of the Finnish war. On the pages of the front newspaper "On guard of the Motherland", poems began to appear poetic feuilletes about lucky, a debris, created by the Commonwealth Read more ......
- There is a simple break man that in battle is not strangers ... then serious, then funny, ... He goes - the holy and sinful ... Poem "Vasily Terkin" was written by Tvardovsky on the basis of the personal experience of the author - a member of the Great Patriotic War. In the genreality, this is a free story-chronicle Read more ......
- The artistic literature of the period of the Great Patriotic War has a number of characteristic features. Its main features - patriotic pathos and installation for universal availability. The intended example of such a work is considered to be the poem Alexander Trifonovich Tvardovsky "Vasily Terkin". The first chapters were published in Read more ......
- The Tvardovsky poet managed to say his goodwest word about the Great Patriotic War due to a strong sense of concerns, which is organically inherent in his talent and a personality warehouse. This is fully confirmed by his poem "Vasily Terkin". The action "Books about the fighter" begins with Read more ......