True love in eugene onegin. What role does love play in the life of Eugene Onegin, Tatyana Larina and A.S.

The theme of love in the novel "Eugene Onegin" makes even the most sophisticated reader think. Thanks to her, the work does not lose its relevance and interest for connoisseurs from a wide variety of audiences.

In our article you can see brief analysis this topic, several points of view regarding the analysis and interpretation, as well as the essay.

About the novel

At one time, the work became a real breakthrough in verbal art in general and poetry in particular. And the theme of love in the novel "Eugene Onegin" is a subject for both admiration and discussion.

Ambiguity of presentation, special form"The novel in verse" was also a novelty, even to the sophisticated reader. The title of "Encyclopedia of Russian Life" was rightfully received by him - so accurately, clearly, the atmosphere inhabited by the nobility of the nineteenth century was depicted. Description of everyday life and balls, clothes and appearance the heroes are surprised by the accuracy and subtlety of details. One gets the impression of being transferred to that era, which helps to better, more subtly understand the author.

On the theme of love in the works of Pushkin

Love permeates the lyrics of Pushkin and his "Belkin's Tale" strong love that works wonders.

The theme of love in Pushkin's novel "Eugene Onegin" contains many problematic issues: marital fidelity, responsibility and fear of being responsible. In the data view of the subtopics love theme acquires special details, develops not in terms of personal relationships, but much wider. Problematic issues against the background of the title theme make us think, and despite the fact that the author does not give clear answers to them directly, we perfectly understand what exactly he wants to say.

"Eugene Onegin". The theme of love in the novel. Analysis

Love in the novel is shown in two versions: the first, sincere Tatiana. The second, perhaps the last, passionate one is Eugene. The girl's feelings of open, natural love at the beginning of the work are in stark contrast to Evgeny's cold heart, tired of amorous games in St. Petersburg. He is so disappointed in everything that he wants to retire and take a break from the experiences, the ostentatious suffering of the ladies and his melancholy " extra person". He is so tired and sophisticated in matters of the heart that he does not expect anything good from them anymore. He has no idea that Tatiana is not playing, her letter is not a tribute to fashion and romantic books, but a sincere expression of real feelings. will meet a girl for the second time. This is the mystery of the work "Eugene Onegin." exists, and it is impossible to escape from it.Love and fate in this context in Pushkin intersect, perhaps even become identical with each other.From this, the work acquires a special atmosphere of mysticism, rock, mystery.Everything taken together makes the novel incredibly interesting, intellectual and philosophical.

Features of the disclosure of the theme of love in Pushkin

The distinctive features of the theme are due to both the genre and the structure of the work.

Two plans, two inner peace the main characters have a lot in common, but there are also many differences, which explains the understanding of the strongest of feelings.

The theme of love in the novel "Eugene Onegin" unfolds on the example of the main characters of the work.

Tatiana is the daughter of a village landowner; she grew up in a cozy, quiet estate. The arrival of Eugene stirred up and raised from the hidden depths a storm of feelings that the girl could not cope with. She opens her heart to her beloved. The girl is sympathetic (at least) to Eugene, but he is so afraid of responsibility and lack of freedom of marriage that he repels her almost instantly. His coldness and self-control hurt Tatiana even more than the refusal itself. The edifying notes of the "goodbye" conversation become the final blow that killed all her aspirations and forbidden feelings in the girl.

Action development

Three years later, the heroes will meet again. And then the feelings will take possession of Eugene. He will no longer see a naive country girl, but a secular lady, cold, holding herself so naturally and naturally.

The theme of love in the novel "Eugene Onegin" takes on completely different features when the characters change places. Now it is Yevgeny's turn to write letters without a reply and hope in vain for reciprocity. It is all the more difficult for him to understand that this lady, beautiful in her restraint, became like that thanks to him. With his own hand, he destroyed the girl's feelings and now wants to return them, but it's too late.

Essay plan

Before we move on to the composition, we suggest composing short outline... The novel - very ambiguously interprets the theme of love, everyone is able to define and understand it in their own way. We will choose simple scheme, with the help of which it will be easier to express your conclusions. So, the composition plan:

• Introduction.
• Heroes at the beginning of the work.
• The changes that have occurred to them.
• Conclusion.

After working on the plan, we suggest that you familiarize yourself with the result.

The theme of love in the novel "Eugene Onegin". Composition

In many of Pushkin's plots, the so-called " eternal themes"are revealed simultaneously through the prism of perception of several heroes. The theme of love in the novel" Eugene Onegin "is also such.

The characters at the beginning of the novel are completely different people... Eugene is an urban heartthrob who does not know how to entertain himself in order to escape boredom. Tatiana - sincere, dreamy, a pure soul... Her first feeling for her is by no means entertainment. She lives, breathes it, so she is not at all surprised how such a modest girl, "like a doe is shy," suddenly takes such a bold step as Evgeny also has feelings for the girl, but he does not want to lose his freedom, which, however, does not bring him joy at all.

During the development of the plot, many dramatic events take place between the characters. This is both Eugene's cold answer, and tragic death Lensky, and Tatyana's move and marriage.

After three years, the heroes meet again. They have changed a lot. Instead of a shy, closed, dreamy girl, there is now a sensible society lady who knows her worth. And Evgeny, as it turned out, now knows how to love, write letters without an answer and dream of a single glance, the touch of the one that once placed her heart in his hands. Time has changed them. It did not kill love in Tatiana, but taught her to keep her feelings under lock and key. And as for Eugene, he, perhaps, for the first time understood what it means to love.

Finally

The final of the work is not in vain open. The author tells us that he has already shown the main thing. Love for a moment united the heroes, she made them close in her feelings and suffering. It is she who is the main thing in the novel. It doesn't matter through which thorny paths the heroes went to her, the main thing is that they understood her essence.

The novel "Eugene Onegin" is a love novel. On life path each of the heroes meets this wonderful feeling. But none of the characters manage to connect with a loved one.

Tatiana's nanny Larina says that in her time "they did not even hear about love ..." When Tatiana's mother was young, they not only "heard" about love, but also read French novels that determined the girls' perception of the world. The eldest Larina loved, but was married to another. At first she was very grieving and crying, but over time she resigned herself and got used to it. Habit became her happiness. Pushkin formulates it this way:

A habit is given to us from above:
She is a substitute for happiness.

Tatiana herself loves Onegin selflessly,

Without art,
Obedient to the urge of feeling.

This sincere love will remain in her soul throughout the entire novel. Even being married, preferring the fulfillment of family duty to possible happiness, Tatyana still loves Onegin and, not being a hypocrite, tells him about her feelings.

The love of Vladimir Lensky for Olga Larina is close in strength and sincerity to Tatyana's experiences: "He sang love, obedient to love ..."

Onegin is another matter. At first he was disappointed in women:

The beauties were not long
The subject of his usual thoughts ...
... I am not made for bliss;
My soul is alien to him;
Your perfection is in vain ...

But later, Eugene realizes the collapse of his former attitude. He writes to Tatiana:

I thought: freedom and peace
A replacement for happiness. My God!
How wrong I was, how punished!

Indeed, Onegin comes to a different understanding of happiness in love at the end of the novel:

Understand
Your soul is all your perfection,
To die in agony before you,

A sincere, natural, pure and sublime feeling that does not fade over time is sung by the author in the novel, this is his concept of love.

Why is Eugene Onegin unhappy?

In order to answer this question, it is worth tracing changes in the personality of the protagonist. eponymous novel A. Pushkin. At the beginning of the novel, the poet shows the social lion Onegin, tired of the life of the capital. How is this discontent expressed? The need to obey what he is not interested in. So, why does the hero go to his dying uncle, soberly assessing his forthcoming role as "low treachery"? Because Onegin sees no point in anything at all and is indifferent to almost everything except self-esteem and independence, which are shaken by a trip to a dying relative. The nature of the irritation is determined by the fact that the hero is tired of the usual pretense.

At the beginning of the novel, Onegin seems to be trying on different life opportunities, not giving priority to any of them. The enchanting masquerade of the hero is reflected in the definitions paradoxical in their neighborhood, which Pushkin addresses to his hero: "young rake" and "my good friend", "dandy of London" and "learned fellow", "prankster" and "philosopher at eighteen years old," ardent rake "and" apostate of stormy pleasures ".

Onegin's life at the beginning of the novel is truly theatrical. This is determined by the hero's excessive enthusiasm for his own role in the theater of life. He plays lucky, wherever he is, no matter what he does. Interestingly, all this theatricality disappears by the end of the novel.

The plot of the novel is a contradiction in the character of the protagonist, the strangeness of his depressive state with the outward well-being of life. Changing Onegin's habitat does not change anything in his inner life. It is natural that Pushkin decided to change psychological condition Onegin, having tested him with love. Revitalization of the heart in Onegin, the need for feelings - so far only an echo of Lensky's ardor. Until his own feelings Onegin can not yet rise, even after receiving a letter from Tatiana in love. Onegin's attitude to Tatiana is just an echo of sincere feelings. At the same time, it is important that the hero, "losing his life best color"indifferent to everything and everyone, suddenly feels the possibility of love:

But, having received Tanya's message,
Onegin was vividly moved:
The language of girlish dreams
In it he revolted thoughts with a swarm ...

Why did Pushkin nevertheless reject this possibility, even if in love, and not Onegin's love?

The protagonist has an honesty of self-esteem. He stops himself, refusing to mistake the momentary impulse for true feelings. This demonstrates Onegin's ability to realize the depth of Tatyana's love. The sincerity of her confession took Onegin away from the usual "game" and the theatrical props corresponding to it. Onegin is not yet able to love, but responds to the excitement of others, he would like animation and sincerity and regrets that they are lost. In this regard, Pushkin's call not to condemn Onegin is relevant:

You will agree, my reader,
What he did very nicely
With sad Tanya my friend;
Not for the first time he showed here

The denouement of the duel between Onegin and society, which at first was vaguely outlined in the hero's blues, was resolved by the murder of Lensky. The duel is the culmination crucial moment in the fates of heroes. Tatyana saw in reality that the ideal hero of his dreams is capable of a crime. Onegin is smitten with Lensky's death. It turned out that he had nothing to be proud of, that the feeling of superiority over society was fundamentally false. Contempt for society led to a certain degree of degradation of the hero's personality.

A hero who has suffered a fiasco must be categorically condemned by the readers. But Pushkin, true to artistic objectivity, refutes the hasty conclusions of the readers. The poet's humanism does not allow making hasty accusations against the hero, who is still capable of sincere feelings. There is a hidden potential in Onegin, which was expressed in the opened poetic, selfless feeling for Tatiana:

To die in agony before you,
To fade and fade ... here is bliss!

Heart agony is so significant that Onegin is ready to pay the highest price for love - life, like Tatyana, who was once also ready to die in the name of feeling. But in this experience of love, the characters are completely different. Tatiana voluntarily surrendered herself to love, at an internal behest, without punishing herself. Onegin "curses his madness - and is deeply immersed in it ...".

At the same time, Onegin's dedication is beyond doubt. He really forgot about himself: the devotion to love is stronger than the fear of death:

I know: my century has already been measured;
But to prolong my life,
I must be sure in the morning
That I will see you in the afternoon ...

At the beginning of the novel, the poet and his hero remain in many respects opposite. At the end of the work, Pushkin takes away from the secular crowd the right to judge Onegin. Every person is determined by the fact that he knows how to love. Everyone has their own way to experience the most magnificent and unique feeling in life. Onegin's path was long and thorny, but the fact that all obstacles were overcome only disposes the main character to the reader.

On the path of life, each of the heroes of the novel by Alexander Pushkin "Eugene Onegin" meets love - a wonderful feeling. And it was quite a bold act in those prim times - to bring to the fore love relationship and make the fate of people dependent on them. After all, look at how it was customary to relate to love. Tatiana Larina's nanny says that in her time she "did not even hear about love." When Tatyana's mother was young, they not only "heard" about love, but also read French novels that determined the minds of girls. But this had no real impact on life. The eldest Larina loved, but was married to another person. At first she was very grieving and crying, but over time she resigned herself and got used to it. Habit became her happiness. Pushkin formulates it this way:

A habit is given to us from above: It is a substitute for happiness.

So no love was attached of great importance, it existed, but society did not reckon with it. And dreamy girls, getting married, forgot about love, which was replaced by habit.

Tatyana has a different attitude to this feeling. She loves Onegin selflessly. This sincere love will remain in her soul throughout the entire action of the novel. Even being married, preferring to fulfill her duty to her husband over possible happiness, Tatyana still loves Onegin and, not being a hypocrite, tells him about her feelings.

By this, Pushkin throws down a daring challenge to society, he puts the sacred feeling of love above materialistic concepts and claims that the happiness of a person depends on it.

After all, the love of Vladimir Lensky for Olga Larina is similar in strength and sincerity to Tatyana's experiences: "He sang love, obedient to love ..." Pushkin admires Lensky's feeling: "Oh, he loved, as they don't love in our summer ..."

Onegin is another matter. At first he is disappointed in women ("... beauties were not the subject of his usual thoughts for a long time ..."), but then he experiences the collapse of his former attitude. Eugene writes to Tatiana: I thought: freedom and peace Replacement of happiness. My God! How wrong I was, how punished!

Indeed, Onegin comes to a different understanding of love at the end of the novel. Before you in the throes of freezing, Turn pale and fade away ... here is bliss!

Could Onegin say such words from the first chapter? He came to the understanding of love through torment, and this was for him the main discovery in life.

A sincere, natural, pure and sublime feeling that does not fade over time is sung by the author in the novel. This is the attitude of A.S. Pushkin to love. According to him, this is the most wonderful human feeling.

The novel "Eugene Onegin" was created with amazing poetic skill, which found expression both in the composition and in the rhythmic organization of the novel.

The main character of the work of A.S. Pushkin is a young, attractive, very intelligent person, a nobleman. The author treats his hero with sympathy and with a significant amount of irony. In the first chapter, the poet talks about life young rake Eugene Onegin in St. Petersburg, about how and by whom he was brought up:

First, Madame followed him, Then Monsieur changed her, The child was cut, but sweet.

During his youth, Eugene behaved exactly like the young people of his circle, that is, "in French he could perfectly express himself and write, easily danced a mazurka." But his main science, Pushkin admits, "was the science of tender passion." As we learn later, Yevgeny fell a victim of love.

The author emphasizes that "he was sick of hard work," he talks about Onegin's life, spent in restaurants, theaters, balls, courting women. Thousands of young nobles lived in the same way. This way of life was familiar to the nobility. Onegin occupied a certain place in secular society, where he had a "happy talent" and excited "the smile of the ladies with the fire of unexpected epigrams."

So his life would have proceeded measured, if not for the meeting with Tatyana Larina. She writes a letter to Eugene with a confession and asks him a question: "Who are you, my guardian angel, or an insidious tempter ...".

It seems incapable of serious feelings, Onegin rejects her love, which for Tatiana becomes the meaning of life. A dreamy, thin girl believes that "Eugene is sent by God." Onegin is touched by Tatyana's confession, but nothing more. The next thoughtless step is his relationship with Olga Larina. Onegin just like that, out of boredom, begins to look after the bride of Vladimir Lensky. The girl is fond of Eugene, which naturally arouses the jealousy of the groom.

The turning point was the duel between Eugene and Lensky. The fight ends tragically for Vladimir. And here our hero seems to see clearly: "Onegin with a shudder" sees the work of his own hands, like a "frozen corpse" of a young man being carried in a sleigh. Lensky was killed by a "friendly hand". The senselessness of this act becomes obvious.

And what about Tatiana? She silently supports her sister in grief. However, Olga "did not cry for a long time", but was carried away by a certain lancer, with whom she soon went down the aisle.

In Tatiana, love for Eugene and dislike for him, as for the killer of Lensky, are fighting. The girl suddenly begins to realize that Eugene is not what she imagined him in her dreams. A windy egoist, a heartthrob, a person who brings pain and tears to others, but he himself is not capable of compassion.

Returning to St. Petersburg, Eugene meets another Tatyana - a secular woman, a "trendsetter". He learns that she is now married to an important general, a hero Patriotic War... An amazing transformation is taking place. Now Eugene is looking for a date with Tatiana, who has become "an indifferent princess, an unapproachable goddess", languishes, suffers. Yes, she stopped looking like a provincial noblewoman. How much royalty is in the gaze! How much majesty and negligence! Eugene is in love, he pursues her, looking for a reciprocal feeling.

Alas! A letter was written, but Yevgeny did not receive an answer to it. And finally they met. What a blow, what a disappointment! Onegin was rejected: "I ask you to leave me." "As if struck by a thunderbolt" Eugene stands and feels an inner devastation, his uselessness. Here's a decent ending to the novel.
A.S. Pushkin tested his hero true feeling- love. But, alas, did not pass this test the main character novel: scared, retreated. When the epiphany came, it turned out that it was too late, nothing could be returned or corrected. Thus, the novel "Eugene Onegin" is not only a story about an era in which "the century and modern man", but also Touching story failed love.

In life, a person constantly faces a problem moral choice... One of the main aspects of this problem: to remain faithful to a loved one, a friend, your convictions, the ideals of society - or to commit treason for your own benefit? Writers of all time, using the example of the fate of their heroes, show how differently this question can be answered. We have selected 5 arguments for the final essay in the direction of "Loyalty and Treason" from the novel by A.S. Pushkin's "Eugene Onegin".

1. Speaking of cheating, most often they mean cheating in love. In the work of Pushkin, Olga Larina commits such an act. As the bride of Lensky, she does not oppose Onegin's courtship at the ball and accepts one after another of his invitations to dance. The next day, she behaves as usual, as if nothing had happened. But what Lensky mistakenly calls "gentle simplicity" is actually coquetry and a play of pride, proving that Olga's attachment to Vladimir was not deep. Having betrayed him during her lifetime, she betrays the memory of him, when, soon after the death of the groom, she marries another.
2. And how to assess Onegin's behavior? This is also treason, since Eugene betrays his friend, flirting with his bride. However, as Onegin himself says bluntly, he has no feelings for Olga. What are the reasons for his action? The first and most widespread version, confirmed by the text: he takes revenge on Lensky for inviting him to the ball to the Larins. But maybe Onegin, who has seen life, also wants to show the young and naive friend what his bride is worth? Moreover, subsequent events only confirm the illusory nature of her love.
3. Alas, the protagonist of the novel himself, Eugene Onegin, is not an ideal. Tired of secular entertainment, including fleeting romances, he even then, living in the village, does not burden himself with serious affections. Onegin easily changes lovers, friends, place of residence ... In general, loyalty is definitely not included in the list of qualities of his character. Worst of all, he measures others on his own: he writes letters with confessions to the already married Tatyana and even declares to her home without an invitation, without thinking about what this might lead to.
4. In contrast to Onegin, Tatyana Larina is the personification of loyalty. And it's not only about love, although Tatiana, keeping in her heart a feeling for Onegin, did not violate the sacred bonds of marriage. In addition, she also values ​​her homeland and often remembers the village where she spent her childhood. Finally, the heroine is true to herself: both in the village and in secular society, she remains herself, does not pretend and does not hypocrite.
5. As you know, A.S. Pushkin depicted in his novel a typical society of that era. What ideas about loyalty and betrayal existed in him? Taking the Larins family as an example, we see how traditions changed: the mother of Tatyana and Olga was married against her will, but her daughters could already choose a lover for themselves, even if he is not a “profitable party” (like, for example, Onegin). However, the goal was still marriage. On the other hand, on the example of Onegin's youth, it is clearly shown how frivolous romances, petty intrigues and betrayals were common among urban youth.

Thus, in the novel "Eugene Onegin" the issue of fidelity and betrayal is revealed both within the framework of relations between people - love, friendship - and socially, that is, in the relationship between a person's personal choice and moral norms accepted in society.

The theme of love is traditional in Russian literature. Every writer and poet puts his own personal, subjective experience into this topic. Therefore, in Russian literature one can find love that brings great happiness, unrequited love, love, suffering, love, disappointment, even love, death.
About true love, its cleansing and uplifting power in question in the novel in verse by A. Pushkin "Eugene Onegin". The hero of the work, “having lived without a goal, without work until he was twenty-six,” before meeting with Tatyana Larina, led an idle, wandering and not always worthy life. He did not think about happiness, about the meaning of his existence, he plays with human destinies, sometimes crippling them. Onegin does not accept responsibility for his actions, which have an impact on the thoughts and fates of the people around him. This is how Lensky dies, Tatyana is disappointed in her dreams, and nothing gives us the right to assert that these key characters in the novel were the only “cigarette butts” under the heel of a “fashionable rake”. However, let's see what happens next.
Tatiana's sincere love touches Onegin, attracts attention. Tatiana, in principle, interests the main character, but he knows about himself that he does not know how to love, is not capable of feeling. Onegin owns only "the science of tender passion", and in the case of Tatiana, this knowledge is inapplicable.
The heroine writes a letter to her lover, because this is exactly what the girls from her favorite novels did and were always heard by young people. Tatiana builds a model of life from books, and she also created the image of Onegin in her imagination. In fact, the girl does not know who Eugene Onegin is, she wants him to be the hero of her novel. It does not even occur to her that perhaps it is not good to confess love herself. young man, because the books do not say anything about it.
Onegin, appreciating Tatiana, her naivety and purity, even after receiving the letter, thinks first of all about himself, and not about Tatiana. He revels in his nobility, the fact that he did not take advantage of the inexperience of the young heroine. Eugene teaches the girl a lesson, not realizing how cruel his words sound. It can be concluded that Eugene Onegin is not capable of love.
In general, the hero does not know how to reckon with the feelings of other people. This quality is manifested in both love and friendship. Tatiana's true love could not elevate the hero, and he did a terrible thing - he killed a friend in a duel.
In principle, from the point of view of psychoanalysis, Lensky's death is natural. Both Lensky and Onegin live in any of us. That is, Lensky personifies dreaminess and naivety - traits of a child, and Onegin - prudence, maybe even cynicism, rationality - traits of an adult. And on a certain life stage our Onegin kills our own Lensky, so that, having departed from the charm of childhood, at last take responsibility and begin to realize himself as a person.
The death of a friend becomes inevitable for Onegin. He does not even try to make peace with Lensky, internally rejects attempts at reconciliation and accepts a challenge to the barrier. According to the law of the duel of that time, the meaning of the duel was to test courage and resilience - in order to withstand honorably at gunpoint. Onegin violates this code, he shoots, kills, and then in a letter to Tatyana declares: "Lensky fell as an unhappy victim." A victim of what? Vanity of an urban rake, offended authority, pride? .. Pushkin is quite loyal to his main character, but does not embellish his actions. However, oddly enough, Lensky's death is the first step towards spiritual changes in Onegin.
Further, tired of the village boredom, suppressed by the consciousness of a perfect murder, Onegin sets out on a journey. Pushkin compares him to Byron's Childe Harold - a sort of romantic hero, secretive, gloomy, ominously charming and deadly bored. However, these epithets are immediately refuted.
When Tatiana comes to Onegin's abandoned house and begins to take apart his books, she sees marginal notes, drawings, her attitude towards the hero changes radically. She asks: "Isn't he a parody?" No, he is a man of flesh and blood, a man capable of killing, causing suffering. She understands that the image she loves does not correspond to reality at all and that, perhaps, reality is not entirely worthy of her love. Falling in love is destroyed, and this causes the heroine great suffering. She cannot calm down, does not want to go to Moscow to the “fair of brides”, in fact, she becomes indifferent to her own fate.
Her absent-minded laziness does not arouse open rebellion, and she accepts her duty with dignity. “For poor Tanya, all the lots were equal, I got married…” - she will say to Onegin later. In marriage, she acquires everything that she dreamed of so much: from the wilderness of forest villages she gets into elite Petersburg, the hall becomes a legislator, attends fashionable salons, arranges evenings at home. Nowhere in the text does it say that Tatiana does not love her husband. In general, the fate of the beloved heroine of A.S. Pushkin is developing successfully.
And what about Onegin? Having wandered around the world, never finding a goal, not busy with work, unable to get carried away with anything, he turns out by the will of fate in Petersburg and meets Tatyana there. But Tatyana is a completely transformed princess, the unapproachable goddess of the “magnificent royal Neva”. So what's going on? Seeing a familiar person, or rather, his transformation, Onegin begins attempts to courtship, then, not receiving encouragement, falls into a severe blues and locks himself at home, previously revealing his intentions and feelings in a letter to Tatyana.
Pushkin sneers at the romantic mask of the hero: "I almost turned my head crazy." But time flies, and there is no answer. “Days rushed by, winter was already resolving in the heated air. And he didn’t become a poet, he didn’t die, he didn’t lose his mind ”- that is, Pushkin, as a realist, makes the hero accept responsibility for his words and deeds.
Tatiana refuses Onegin, rejects his love. The early drafts of the novel make it clear that the hero's feelings are doubtful, despite the heartfelt, passionate message to Tatiana, which has become the undisputed pinnacle of Russian lyric poetry - this is Pushkin, this is not Onegin.
So who is really changing? Tatiana. Because it was she who loved and loves Onegin; even after making sure of his weak nature, discovering his shortcomings, she loves him as well after years. And it changes. And we are seeing these dramatic changes. Everything is simple, like everything ingenious. This is the main meaning and irony of the content of the novel by the great Russian genius A.S. Pushkin.

(1 estimates, average: 5.00 out of 5)

Other compositions:

1. All ages are submissive to love ... A. Pushkin The novel "Eugene Onegin" is a novel about love. On the path of life, each of the heroes meets this wonderful feeling. But none of the characters manage to connect with a loved one. Tatiana Larina's nanny says that Read More ......
2. The novel "Eugene Onegin" is a love novel. On the path of life, each of the heroes meets this wonderful feeling. But none of the characters manage to connect with a loved one. Tatiana Larina's nanny says that in her time “they didn’t even hear Read More ......
3. In the novel by AS Pushkin "Eugene Onegin" each of the heroes is faced with the need to defend their idea of ​​honor. So, Tatyana decides to be the first to confess her love to Onegin, although she understands that in case of publicity, her reputation will be irreparably damaged. By ethical Read More ......
4. The point is that Pushkin, with brilliant perspicacity, in a number of cases guessed this dialectic of being. His images allow the reader even today to rediscover this eternal renewal, boiling, development of life through the denial of denial or a jump in leaps and bounds Read More ......
5. I know that I am subject to errors and often make mistakes, and I will not be angry with the one who wants to warn me in such cases And show me my mistakes. Peter I the Great “Eugene Onegin” is the pinnacle of Alexander Pushkin's creativity. In his Read More ......
6. Alexander Sergeevich Pushkin in his novel "Eugene Onegin" showed his contemporary era. Pushkin was the first to discern a trait characteristic of young people at the beginning of the 19th century: a person in society is lonely if he is more educated than others. The author of “Eugene Onegin” traced the origins of this phenomenon: Read More ......
7. The novel in verse "Eugene Onegin" poses many problems. One of them is the problem of happiness and duty, which affected Tatyana's parents, Tatyana Larina herself and Eugene Onegin. Tatyana's mother loved one person, but had to marry another, Dmitry Read More ......