Moonlight night At Dnieper, Queenji produced a real Furior and almost immediately acquired mystical glory. Many did not believe that so the moon light can only be transmitted artistic means.

In the summer and in the fall of 1880, the archite Quinji worked on new picture. By that time, he had already broken his relationship with the comrades of the Movements, considering it too commercialized. Rumors that the artist creates something enchanting, spread to the Russian capital instantly. On Sundays, for two hours, opened the workshop and wishes could get acquainted with the work before it was completed. So the picture gained truly legendary glory. The writer Ivan Turgenev, the artists of Jacob Polonsky, Ilya Kramskaya and Pavel Chistyakov, and Pavel Dmitry Mendelev, came to the Ivanovich Archka Workshop. A well-known publisher and a goat of a goat of Soldatenkov asked for the picture. However, everyone was ahead of the Grand Duke Konstantin Konstantinovich. He bought the "lunar night on the Dnieper" before her submission to the general public for five thousand rubles.

Showed a canvas in St. Petersburg, and it was the first exhibition of one picture in Russia. The Arkhip of Queenji has always been very closely exhibiting its work. He placed them so that each was well lit and did not interfere with the neighboring canvas. In a separate room of the Society for the promotion of artists "Moonlight Night on the Dnieper" hung on the wall alone. The room was not covered, but a bright electric beam fell on the picture. The image from this is even more "deepened", and the Moonlight became just a dazzling.

Visitors entered the adolescent hall and stayed before cold shine moonlight. In front of the audience, a wide, leaving distance of the distance was revealed. Plain, crossed by a greenish ribbon of a quiet river, is almost merged at the horizon with a dark sky, covered with rows of light clouds. The silver-greenish disk of the moon poured the earth with mysterious light. There are no people on the canvas, and the main thing in the image is not the river and not the moon by itself, although it is better than Quinji, she did not give anyone from painters. The main thing is the light that gives peace and hope. This phosphorescent light was so strong that some of the audience tried to look at the picture to find a lantern or lamp. Curious expected strong disappointment - no lamp there, of course, was not.

So about the Dnieper sang only Gogol

This majestic spectacle still plunges the audience in thought about eternity and the irreversive beauty of the world. So about the Dnieper to Queenji sing only great Gogol. The number of sincere admirers of the artist's talent grew. There were no indifferent among the spectators, and someone allegedly considered the picture by witchcraft.

After decades, witnesses of that triumph continued to remember the shock, which the audience was tested, "inequate" before the picture. Word this is how it is impossible to suit the description of the exhibition. According to contemporaries, the big marine, where the exhibition was held, was so tightly clogged with Karet, which had to expect a clock in order to see this extraordinary work. To avoid the pressure, the public was allowed in the hall groups.

Nikolai Roerich still found a living minister of Maxim, who received on the ruble (at that time, the amount is just a huge, - aut.) From those who tried to get to the picture out of turn. Speech by an artist with a personal exhibition, and even consisting of only one small picture, has become an unusual event. Success exceeded all expectations and turned into a real sensation.

There were rumors that Queenji draws "magic lunar" paints from Japan. Enviousness with contempt argued that they were not necessary to draw them - a big mind. Superstitious accused the masters in the fact that he is in collusion with unclean power.

The secret of the "Artist of Light" was in his fantastic ability to play in contrasts and long experiments over color reproduction. In the process of creating a picture, he mixed not only paints, but also added to them chemical elements. In this, Queenji helped him close friend Dmitry Mendeleev. Unfortunately, due to the careless mixing of chemically incompatible paints, the canvas was very darkened.

The decisive role in creating the impression of the use of phosphorus was played by an unusual color of the canvas. Applying additional colors in the picture, reinforcing each other, the artist managed to achieve an incredible effect of moonlique illusion. For example, a warm reddish tone of the Earth, he contrasted with cold-silver shades and thereby deepened the space. Small dark strokes in the illuminated places created a feeling of vibrating light.

People went with tears in their eyes

People, according to Ilya Repin, stood in the "prayer silence" in front of the Kindji web and left the hall with tears in their eyes. "So there were poetic spells of the artist on selected believers, and those lived at such moments best feelings Souls and enjoyed the heavenly bliss of art painting, "the great artist wrote.

Newspapers and magazines responded to the exhibition enthusiastic articles. The reproduction of the "Moon Nights on the Dnieper" thousands of copies were separated throughout Russia. Poet Jacob Polonski wrote: "I don't remember positively that before any picture for so long formed ... What is it? Picture or reality? We saw this month in the gold frame or in the open window, these clouds, this dark distance, these "trembling lights of sad villages" and these overflows of light, is it a silver reflection of the month in the jets of the Dnieper, the dal, this poetic, quiet, majestic night? " And the poet Konstantin Fofanov impressed by the picture wrote the poem "Night on the Dnieper", which was then laid on the music.

Ilya Kramskaya foresaw the fate of the canvas: "Perhaps, Queenji joined together such paints that are in natural antagonism among themselves and after the expiry of a well-known time or ground, or will change and decompose before the descendants will immediately shrugs in bewilderment: what came to Delight good-natured audience? But in order to avoid such an unfair relationship in the future, I would not mind to make up, so to speak, the protocol that his "night on the Dnieper" is all filled with real light and air, and the sky is real, bottomless, deep. "

Unfortunately, our contemporaries cannot fully estimate the initial effect of the picture. Until our time, she reached a distorted form. And wines everything is a special attitude to the canvas of its owner, the Grand Duke Konstantin, which is due to great love I did not want to part with her and drove with me everywhere. The picture was even in around the world swimmingthat could not do not affect its preservation.

It is worth saying that thanks to the great popularity of the painting, Queenji created two copies of the "Lunar Night on the Dnieper." One of them is stored in the state Tretyakov Gallery, the other is in the Livadia Palace in Yalta. The original is located in the State Russian Museum in St. Petersburg.

The tragic fate of "Lunar Night on the Dnieper" October 18th, 2016

"Moonlit night on the Dnieper" (1880) is one of the most famous pictures Archka Quinji. This work was produced by a real Furior and acquired mystical glory. Many did not believe that the light of the moon can be transmitted only by artistic means, and looked at the canvas, looking for a lamp. Many silently stood for hours in front of the picture, and then leaving in tears. The Grand Duke Konstantin Konstantinovich bought Lunar Night for the personal collection and drove it everywhere with himself, which had sad consequences.

What kind? Here we are now goingive ...

In the summer and in the fall of 1880, during a gap with the headings, A.I.Kyujji worked on a new picture. On the Russian capital, rumors about the enchanting beauty of the "Lunar Night on the Dnieper" were separated. For two hours on Sundays, the artist opened the wishing door to his workshop, and the Petersburg public began to deposit her long before the completion of the work. This picture gained truly legendary glory. In the workshop of A.I.Kuinji, I.S.Turgenov and Ya. Polonsky, I. Kramskaya and P. Chistykov, D.I. Madevelev, accounted for the famous publisher and collector K.T.Soldatenkov. Right out of the workshop, even before the exhibition, the "Moonlight on the Dnieper" for the huge money was bought by the Grand Duke Konstantin Konstantinovich. And then the picture was exhibited in St. Petersburg. It was the first exhibition of one picture in Russia.

The work was exhibited in a separate room for the promotion of artists on a large marine. The hall was not covered, only a bright electric beam fell on the picture. The image from this is even more "deepened", and the Moonlight became just a dazzling. And after decades, the witnesses of this triumph continued to remember the shock, which the audience was tested, "inequate" to the painting. It was "presented" - at the exhibition days the big marine was tightly clogged with regions, and the longest queue was built to the door to the building and people waited for hours to see this extraordinary work. To avoid the pressure, the public was allowed in the hall groups.

Roerich still found a living minister of Maxim, who received rubles (!) From those who tried to get to the picture out of turn. The performance of the artist with a personal exhibition, and even consisting of just one small picture, was an event unusual. Moreover, this picture interpreted not any unusual historical plot, but a very modest landscape. But A.I.Kuinji knew how to win. Success exceeded all expectations and turned into a real sensation.

A.I.Kyujji has always been very closely exposed to its paintings, placed them so that they were well covered so that they do not interfere with the neighboring canvas. This time, the "Moonlight Night on the Dnieper" hung on the wall alone. Knowing that effect lunar Siana It will be fully manifested with artificial lighting, the artist ordered to drag the windows in the hall and illuminate the picture focused on it with a beam of electric light. Visitors entered the adolescent hall and, fascinated, stopped before the cold radiance of the lunar light. In front of the audience, a wide, leaving the distance of the space was revealed; Plain, crossed by greenish ribbon of a quiet river, almost merges from the horizon with a dark sky, covered with rows of light clouds. In the embroidery, they had a little diverged, and the moon looked into the resulting window, refreshing the Dnieper, Hacks and the web of the paths in the near shore.

And everything in nature has gotten, the wonderful radiance of the sky and the Dnieper waters. Summer silver-greenish disk of the moon poured his mysterious phosphorescent light immersed in the night of the night. He was so strong that some of the audience tried to look at the picture to find a lantern or lamp. But the lamps did not turn out to be, and the moon continued to radiate his fascinating, mysterious light. The drill mirror reflects this light of the water of the Dnieper, from the velvety blue of the night the walls of the Ukrainian Hut. This majestic spectacle still plunges the audience in thought about eternity and the irreversive beauty of the world. So before A.I.Kyujji sang about nature only the great N.V.Gogol. The number of sincere talent admirers A.I.Kyujji grew, a rare person could remain indifferent to this picture, which seemed by witchcraft.

The heavenly sphere A.I.Kyujji depicts the majestic and eternal, hitting the audience with the power of the Universe, its immensity and solemnity. Numerous attributes of the landscape - sharpening in Kochka Kosoyar, bushy trees, tattar stems - absorbed in darkness, the color is dissolved with brown tone. Jar silver light moon shade depth of blue color. It turns its phosphoresia traditional motif With the moon, it is so rare, meaningful, attractive and mysterious, which is transformed into poetic excited delight. Even the assumptions about some unusual paints and even strange artistic receptionswho allegedly used the artist. Rumors of mystery artistic method A.I.Kyujji, about the secret of his paints, in the life of the artist, some tried to catch it in focus, even in connection with the unclean power. Maybe it happened because A.I.Kyujji focused her efforts on the illusory transmission of real The effect of lighting, in search of this composition of the picture, which would allow you to maximally convincingly express the feeling of wide spatiality.

Famous artist Archka Quinji, 1907

And with these tasks, he coped brilliantly. In addition, the artist won everyone in distinguishing the slightest changes in color and light ratios (for example, even with experiments with a special device that were produced by D.Indelleev, etc.). Some argued the use of chemical compounds based on phosphorus. However, this is not entirely true. A decisive role in creating an impression plays an unusual color construction of the canvas. Applying additional colors in the picture, reinforcing each other, the artist achieves an incredible effect of the moon color. True, it is known that experiments were still. Queenji intensively used bitumen paints, but did not use phosphorus. Unfortunately, due to the careless mixing of chemically incompatible paints, the canvas very darkened.

Creating this canvas, A.I.Kyujji applied a complex pictorial reception. For example, a warm reddish tone of the Earth, he contrasted with cold-silver shades and thereby deepened the space, and the small dark strokes in the illuminated places created a feeling of vibrating light. All newspapers and magazines, the reproductions of the "Moon Night on the Dnieper" reproduce the reproductions of the Lunar Night on the Dnieper, responded with thousands of copies across Russia. Poet Y. Polonsky, friend A.I.Kyujji, wrote then: "I don't remember positively that before any picture for so long formed ... What is it? Picture or reality? We saw this month in the gold frame or in the open window, these clouds, this dark distance, these "trembling lights of sad villages" and these are overflows of light, is it a silver reflection of the month in the jets of the Dnieper, the dal, this poetic, quiet, majestic night? " Poet K. Fofanov wrote the poem "Night on the Dnieper", which was then laid on the music.

The audience was delighted the illusion of natural lunar light, and people, according to I.E. Pepina, in the "prayer silence" stood in front of the canvas A.I.Kyujji, left the hall with tears in her eyes: "So acting poetic spells of the artist on the chosen Believers, and those lived at such minutes with the best feelings of the soul and enjoyed the paradise of the bliss of painting art. " Poet Ya. Polonsky was surprised: "I don't remember positively that before some picture for so long formed ... What is it? Picture or reality? ". And the poet K. Fofanov under the impression of this cloth wrote a poem "Night on the Dnieper", which was later laid on the music.

I. Kramskaya foresaw the fate of the canvas: "Perhaps, Quendji connected together such paints, which are in natural antagonism among themselves and after the expiry of a well-known time or will be ground, or change and decompose before the descendants will immediately catch the shoulders in bewilderment: what they came from Delight good viewers? But in order to avoid such an unfair relationship in the future, I would not mind to make up, so to speak, the protocol that his "night on the Dnieper" is all filled with real light and air, and the sky is real, bottomless, deep. "

Unfortunately, our contemporaries cannot fully estimate the initial effect of the picture, as before our time it reached a distorted form. And the wines of everything is a special attitude to the canvas of its owner, the Grand Duke Constantine.

Grand Duke Konstantin Konstantinovich, who bought a picture, did not want to part with the cannut, even going into the world journey. I.S.Turgenov, who was at this time in Paris (in January 1881), came terrified from this thought, as indignantly wrote to the writer D.V. Grigorovich: "There is no doubt that the picture ... will be completely destroyed , thanks to salted air evaporation, etc.. " He even visited the Grand Duke in Paris, while his frigate stood in the port of Sherburg, and persuaded the picture on a short time in Paris.

I.Sturgenhev hoped that he would manage to persuade him to leave a picture at the exhibition in the Gallery of the Waiterier, but to persuade the prince failed. Wet, soaked in salt, the sea air, of course, has adversely affected the composition of the paints, and the landscape began to darken. But the lunar ripple on the river and the radiance of the moon itself was transferred to the genius A.I.Kyuji with such a force that, looking at the picture even now, the audience immediately fall under the authority of the eternal and divine.

For example, it should be noted that thanks to the great popularity of the painting, Queenji created two more copies of the moon night, the first picture is stored in the State Tretyakov Gallery, the other is located in the Livadia Palace in Yalta and the Third in the State Russian Museum in St. Petersburg.

sources

"Moonlight Night on the Dnieper" (1880) - one of the most famous paintings Archka Quinji. This work was produced by a real Furior and acquired mystical glory. Many did not believe that the light of the moon can be transmitted only by artistic means, and looked at the canvas, looking for a lamp. Many silently stood for hours in front of the picture, and then leaving in tears. The Grand Duke Konstantin Konstantinovich bought Lunar Night for the personal collection and drove it everywhere with himself, which had sad consequences.

Above this picture, the artist worked in the summer and in the fall of 1880. Even before the start of the exhibition, rumors spread that Quinji is preparing something completely incredible. Curious found so much that on Sundays the painter opened the doors of his workshop and let all those who wish. Even before the start of the exhibition, the Great Prince Konstantin Konstantinovich bought the picture.

Queenji has always been very zealous to exposure to its paintings, but this time he surpassed himself. It was a personal exhibition, and only one work was shown on it - "Moonlight Night on the Dnieper". The artist ordered to drag all the windows and illuminated with a canvas directed by the beam of electric light - with daylight lighting, the lunar radiance looked not so impressive. Visitors were part of the Dark Hall and, as if under hypnosis, were silent before this magical picture.

Before the name of the Society for the promotion of artists in St. Petersburg, where the exhibition was held, there was a turn for all day. The public had to put in the room with groups to avoid the crown. About the incredible effect of the painting went legends. The shine of the lunar light was so fantastic that the artist was suspected to use some unusual pearl paints brought from Japan or China, and even accused of connections with unclean power. And skeptical spectators tried to find back side Lamps hidden lamps.

Of course, the whole secret was in the extraordinary artistic skill of Queenji, in the skillful construction of the composition and such a combination of paints, which created the effect of radiance and caused the illusion of shimmering light. Warm reddish tone of the Earth contrasted with cold silver shades, due to which the space was deepened. However, one skill, even professionals could not explain the magical impression that the picture produced at the audience - many left the exhibition in tears.

I. Repin said that the audience was frozen in front of the picture "in prayer silence": "So there were poetic spells of the artist on selected believers, and those lived on such minutes with the best feelings of the soul and enjoyed the heavenly bliss of painting art." Poet Ya. Polonsky was surprised: "I don't remember positively that before some picture for so long formed ... What is it? Picture or reality? ". And the poet K. Fofanov under the impression of this cloth wrote a poem "Night on the Dnieper", which was later laid on the music.

I. Kramskaya foresaw the fate of the canvas: "Perhaps, Quendji connected together such paints, which are in natural antagonism among themselves and after the expiry of a well-known time or will be ground, or change and decompose before the descendants will immediately catch the shoulders in bewilderment: what they came from Delight good viewers? But in order to avoid such an unfair relationship in the future, I would not mind to make up, so to speak, the protocol that his "night on the Dnieper" is all filled with real light and air, and the sky is real, bottomless, deep. "

Unfortunately, our contemporaries cannot fully estimate the initial effect of the picture, as before our time it reached a distorted form. And the wines of everything is a special attitude to the canvas of its owner, the Grand Duke Constantine. He was so tied to this painting that he took her with him in a world journey. Having learned about this, I. Turgenev came terrified: "There is no doubt that the picture will return completely destroyed, thanks to the salted air evaporation." He even tried to persuade the prince to leave the picture for a while in Paris, but he was adamant.

Unfortunately, the writer was right: soaked in salt sea air and high humidity were degraded to the composition of the paints, and they began to darken. Therefore, now the "Moonlight Night on the Dnieper" looks completely different. Although the lunar radiance and today acts on the audience Magically, but causes constant interest.

Painting Queenji Moonlight Night on Dnieper is written by an artist in 1880. After writing a picture Birch Grove And the conflict of Quinji with his colleague Klodtom, Queenji in his will out of the membership of the artists of the Mobile.

The lack of paintings of Queenji immediately was noticed by visitors to the eighth exhibition, which caused a considerable disappointment at his fans, on this occasion, even Tretyakov P.M. He wrote the artist Kramsky I., expressing his deep regret.

The work of the Moonlight Night on the Dnieper caused considerable interest among the then public, while working on the picture quickly crawled rumors about the extraordinarily lyrical beauty of the lunar night. Those who wanted to see the picture was so much that the artist was still working on at night for visitors for 2 hours the workshop on Sundays. Among the first visitors were famous personalities Kramskaya I., Chistyakov P., Turgenev I. Mendeleev D. I., et al.

The paintings quickly found and her future buyer, who did not embarrass the high price of 5 thousand rubles, at the time, this is a huge amount of money, leaving the right to buy the lunar night. Subsequently, Queenji found out that it was no one like himself Grand Duke Konstantin, who has long dreamed of a similar picture.

The picture of the moonlight on the Dnieper was decided to exhibit in St. Petersburg on a large sea street. The uniqueness of this exposure was extraordinary, that is, only one picture was exhibited, the more small size of the canvas 144 cm by 105 cm.

Since the picture is executed in dark colors, the artist was decided to demonstrate the lunar night on the Dnieper during electrical lighting, curtaining all the windows and sending the beam of light on the canvas, in which the perception of the picture with the lunar radiance effect was the most having.

All this spectacle hurt the guests of the exhibition, they admired both the most painting and the uniqueness of the exposition. Some viewers even thought that the light source was placed under the cloth, the moon actually shone brightly.

They rumored that Queenji uses various illusionistic techniques when demonstrating the picture and even wanted to turn it in the quantity, others thought that the artist uses unusual paints when writing the lunar night, whose secret wanted to know the third perch, about the connection of the artist with the unclean power.

In fact, the artist has always been in new searches and he often managed to find the right and reliable solutions In order to be fascinated by the public, so Quanji was sometimes called the artist of light. The success of the picture Moonlight on the Dnieper was impressive, Kramskaya very enthusiastically responded about the lunar night and said that no one had ever written.

The artist demonstrates the viewer who goes deep into the depths of the night space, mysteriously shines the moon surrounded by rare clouds. Calm and majestic Dnipro River Jowl goes into the distance, Magically reflecting the Moonlight. On the shore of a full-breeding Dnieper, the dilapidated Ukrainian houses are located. The quiet state of nature fascinates and gives the soil for deep reflection on the not surpassed beauty of nature, which opened in his picture wonderful artist Archka Queenji.

Thanks to the enormous popularity of the painting, Queenji created two more copies of the moon night, the first picture is stored in the State Tretyakov Gallery, the other is located in the Livadia Palace in Yalta and the Third in the State Russian Museum in St. Petersburg.

Moonlight night
on Dnipro, 1880

"Moonlight Night on the Dnieper" Archka Quinji. Glory and tragedy paintings

The name of the archite Ivanovich Kindji has become famous immediately as soon as the public saw his paintings "after the rain" and "Birch Grove". But at the eighth exhibition of artists-mobile works of the work of A.I.Kyuji, and it was immediately noticed by the audience. P.M.Trevyakov wrote I. Kramsky from Moscow, that even those few who had not very warmly belonged to the works of the artist on this occasion.
In the summer and in the fall of 1880, during a gap with the headings, A.I.Kyujji worked on a new picture. On the Russian capital, rumors about the enchanting beauty of the "Lunar Night on the Dnieper" were separated. For two hours on Sundays, the artist opened the wishing door to his workshop, and the Petersburg audience began to deposit her long before the completion of the work.
This picture gained truly legendary glory. I.S.Turgen and J. Polansky, I. Kramgenev and P. Chistyakov, D.I. I. Kramgenev and P. Tistyakov, came to the workshop of A.I.Kuinji, D.I. I.Kramaev, the famous publisher and collector K.T.Soldatenkov asked for the paint. Straight from the workshop, even before the exhibition, the "Moonlight on the Dnieper" for the huge money was bought by the Grand Duke Konstantin Konstantinovich.
And then the picture was exhibited at a large sea street in St. Petersburg, in the Hall of Society for the Promotion of Artists. The performance of the artist with a personal exhibition, and even consisting of just one small picture, was an event unusual. Moreover, this picture interpreted not some unusual historical plot, but was quite modest in size. But A.I.Kuinji knew how to win. Success exceeded all expectations and turned into a real sensation. Long line lined up on a big sea street, and people waited for hours to see this extraordinary work. To avoid the pressure, the public was allowed in the hall groups.
A.I.Kyujji has always been very closely exposed to its paintings, placed them so that they were well covered so that they do not interfere with the neighboring canvas. This time, the "Moonlight Night on the Dnieper" hung on the wall alone. Knowing that the effect of lunar radiance will be fully manifested with artificial lighting, the artist ordered to drag the windows in the hall and illuminate the picture focused on it the beam of electric light. Visitors entered the adolescent hall and, fascinated, stopped before the cold radiance of the lunar light.
In front of the audience, a wide, leaving the distance of the space was revealed; Plain, crossed by greenish ribbon of a quiet river, almost merges from the horizon with a dark sky, covered with rows of light clouds. In the embroidery, they had a little diverged, and the moon looked into the resulting window, refreshing the Dnieper, Hacks and the web of the paths in the near shore. And everything in nature has gotten, the wonderful radiance of the sky and the Dnieper waters.
The sparkling silver-greenish disk of the moon poured his mysterious phosphorescent light immersed in the night of the night. He was so strong that some of the audience tried to look at the picture to find a lantern or lamp. But the lamps did not turn out to be, and the moon continued to radiate his fascinating, mysterious light.
The smooth mirror reflects the water light of the Dnieper, from the velvety blue of the night whiten of the walls of the Ukrainian Hut. This majestic spectacle still plunges the audience in thought about eternity and the irreversive beauty of the world. So before A.I.Kyujji sang about nature only the great N.V.Gogol. The number of sincere talent admirers A.I.Kyujji grew, a rare person could remain indifferent to this picture, which seemed by witchcraft.
The heavenly sphere A.I.Kyujji depicts the majestic and eternal, hitting the audience with the power of the Universe, its immensity and solemnity. Numerous attributes of the scenery - sharpening in the Koishoch of Huts, bushy trees, the coronal stems of the Tatarn - absorbed in darkness, the color is dissolved with a brown tone.
Bright silver moon light shaded in blue depth. Its phosphoresia, he turns the traditional motive with the moon in so rare, meaningful, attractive and mysterious, which is transformed into poetic-agitated delight. Even the assumptions about some unusual paints and even about strange artistic techniques that the artist allegedly used was expressed. Rumors about the secret of the art method A.I.Kyujji, about the secret of his paints, in the life of the artist, some tried to catch it in focus, even in connection with the unclean force.
Maybe it happened because A.I.Kyujji focused her efforts on the illusory transmission of the real effect of lighting, in search of such a pattern of a picture that would significantly express the feeling of wide spatial. And with these tasks, he coped brilliantly. In addition, the artist won everyone in distinguishing the slightest changes in color and light ratios (for example, even with experiments with a special device that were produced by D.Indelleev, etc.).
Creating this canvas, A.I.Kyujji applied a complex pictorial reception. For example, a warm reddish tone of the Earth, he contrasted with cold-silver shades and thereby deepened the space, and the small dark strokes in the illuminated places created a feeling of vibrating light.
All newspapers and magazines, the reproductions of the "Moon Night on the Dnieper" reproduce the reproductions of the Lunar Night on the Dnieper, responded with thousands of copies across Russia. Poet Y. Polonsky, friend A.I.Kyujji, wrote then: "I don't remember positively that before any picture for so long formed ... What is it? Picture or reality? We saw this month in the gold frame or in the open window, these clouds, this dark distance, these "trembling lights of sad villages" and these are overflows of light, is it a silver reflection of the month in the jets of the Dnieper, the dal, this poetic, quiet, majestic night? " Poet K. Fofanov wrote the poem "Night on the Dnieper", which was then laid on the music.
The audience was delighted the illusion of natural lunar light, and people, according to I.E. Pepina, in the "prayer silence" stood in front of the canvas A.I.Kyujji, left the hall with tears in her eyes: "So acting poetic spells of the artist on the chosen Believers, and those lived at such minutes with the best feelings of the soul and enjoyed the paradise of the bliss of painting art. "
Grand Duke Konstantin Konstantinovich, who bought a picture, did not want to part with the cannut, even going into the world journey. I.S.Turgenov, who was at this time in Paris (in January 1881), came terrified from this thought, as indignantly wrote to the writer D.V. Grigorovich: "There is no doubt that the picture ... will be completely destroyed , thanks to salted air evaporation, etc.. " He even visited the Grand Duke in Paris, while his frigate stood in the port of Sherburg, and persuaded to send the picture for a short time in Paris. I.Sturgenhev hoped that he would manage to persuade him to leave a picture at the exhibition in the Gallery of the Waiterier, but to persuade the prince failed.
Wet, soaked in salt, the sea air, of course, has adversely affected the composition of the paints, and the landscape began to darken. But the lunar ripple on the river and the radiance of the moon itself was transferred to the genius A.I.Kyuji with such a force that, looking at the picture even now, the audience immediately fall under the authority of the eternal and divine.