Tale What is good what is bad. "What is good and what is bad" in

Tale What is good what is bad.
Tale What is good what is bad. "What is good and what is bad" in

Leningrad, Operating Publishing "Surbo", 1925. 20 s. C IL. Described by a chromolithic cover. 27.5x20 cm. Published without title leaf. Circulation 10130 copy. Price 75 kopecks. One of the most famous Soviet children's books.Emergency rarity!

Written in the spring of 1925. On May 20, 1925, Mayakovsky signed an agreement with the publishing house "Surbo". The term of representing the manuscript - May 22, 1925, apparently, the poem has already been written. Light separate publication In November 1925 with Fig. Hood N. Denisovsky. Strict selection of parts, composite laconism and saturated color gamut greatly adapt innovative techniques Hood. Nikolai Denisovsky to the level of perception of a child. These qualities are present in the illustrations to the poem "What is good and what is bad?", Completed in 1925 N. Denisovsky. The artist finds witty formed decisions, almost leel to the words of the poet. "If there is a drown dwarf / weak boy, / I / such / don't even want to insert into a book," Mayakovsky writes, and Denisovsky seals a bold klyax drawing. The book constantly meet not only poetic, but also graphic hyperbolas. For example, the crow, at the sight of which a cowardly boy turns to flight, significantly surpasses the child with his size. The drawing of the cover (in it you can find obvious strokes from the Lebedev "ice cream") in the reduced version repeated on one of the turns: the father answers the son's questions, keeping the book in the hands of which he himself. In some lithographs, the manner of execution is emphasized by the ingredients of foreign well-detailed fragments (wallpaper pattern, clock dial, soap wrapper).

What is good and what is bad?



Baby Son.

to the father came,

and asked Kroch:

What

oK

and what is

badly?-

I have

there are no secrets -

listen, kids, -

pope this

answer

put

in a book.

If the wind

roofs tear

if a

grad Zagoded, -

everyone knows -

this is

for walking

badly.

Rain shockal

and passed.

The sun

in general, light.

It -

very good

and big

and children.



If a

son

black night

dirt lying

on the face, -

clear,

this is

very bad

for guys skin.

If a

boy

loves soap

and dental powder

this Boy

very cute,

it comes well.



If Bit

dried Drachun

weak boy

i am

i do not want

even

insert into the book.

This shouts:

Do not ride

those,

who less growth! -

This Boy

so good

ploy just!

If you are

broke in a row

book

and the ball,

october say:

blossish boy.

If boy

loves work,

pile

in a book

finger

about this

write here:

is he

good boy.

From Crows

karapuz

used, Zahav.

This boy is

just a coward.

it

very bad.

This,

though himself with a top,

sporit

with a formidable bird.

Brave boy

oK,

in life

it will be useful.

This

in the dirt climb

and happy.

what is a shirt of a shirt.

About this

they say:

he is bad,

slut.

This

cleans the boots

moose

self

galosh.

It

although small

but quite good.



Remember

this is

each son.

Known

any child:

will increase

from son

cVIN,

if the Son is

swine

Boy

joyful went

and solved the crumb:

"Will

to do well,

and I will not -

badly".



1925.

Denisovsky, Nikolai Fedorovich (1901, Moscow - 1981, Moscow) - painter, schedule, theater artist, posterist, honored artist RSFSR. Born in the family of artist schedule F. Denisovsky. He studied in Moscow in the Stroganovsky Art and Industrial School (1911-1917) at S. Noakovsky and D. Shcherbinovsky, in the Fuel and Decorative Workshop of Yakulov. In 1917, under the leadership of G. Yakulov, he participated in the painting of the cafe "Pittoress" on Kuznetsky Bridge in Moscow. As early as study, he tried his strength as an artist-designer in the chamber theater, in the free opera S. Zimin (since 1914). In 1920-1921, the performances of the workshop N. Forreger and the indicative theater in Moscow. Cooperation with G. Yakulov continued until 1928. In 1918-1928, together with other students, Yakulov, he worked on the scenery and sketches of costumes to the play "Tsar Edip" (award of the theater department of the People's Commissariat), "Measure", "Red Rooster", "Princess Brambill", "Zhirofla-Zhirofla", "Señora Formik", "Call Di Rienz" for the indicative and Chamber Theaters.. In 1918 he participated in the design of Moscow for the celebration of May 1. Immediately after the end of Vhowemas, he worked as a department secretary art Education D. Sterönberg's drug addict. In these years, it was close to V. Meyerhold, V. Mayakovsky, V. Bryusov, L. Popova, A. Rodchenko, V. Stepanova. In 1922-1924, the drug addresses in Berlin and Amsterdam were sent as secretary of the first Russian art exhibition. One of the organizers and the Chairman of the Board of Lubrachnaya, the participant of all its exhibitions in 1919-1922. Together with other members of the Company, stencils for the "windows of growth" V. Mayakovsky, painted the agitoes, created posters. One of the founders of the Society of Stankovists (1925-1932), a member of 2-4 exhibitions remains. In 1929 he left remaining. In the 1920s, collaborated with Moscow and Leningrad satirical magazines ("Red Pepper", "Magni", "Crocodile", "Buzotor", "Behemot", "Spotlight", "Beach", etc.). In 1925 he wrote a series of pictures "Moisan in the resort".

For exhibition artistic works By the decade of the anniversary of the October Revolution, which opened in January 1928 in Moscow, created a cloth "First meeting of the Sovnarkom". In the late 1920s - early 1930s, I went to creative business trips to the Donbass mines (1929), Kerch plants (1930), the gold mines of the Far East (1930), in the ports of the Red Army (1931) and on the results of these business trips created several graphic Cycles ("in the Donbass" and "at the Kerch Metallurgical Plant", both - 1929) and book-albums ("Comrade Artem", 1930; "Gold", with its own text, 1931; "Coal, cast iron, steel", 1932) . Based on the graphics series in the early 1930s created picturesque works for production topics: "Miners", "steam hammer", "out of cast iron" and others illustrated books for the State District and other publishers, in particular "goose step" E. Sincler (1924), "9th January" M. Gorky (In the collection "9th January", 1930), "Stars in the forest" A. Barto (1934) and others worked a lot over the illustrations to poems V. Mayakovsky: "What is good and what is bad?" (1925), "Left Marsh", "Comrade Tour", "Optimist Factory", etc. Friendly relations With V. Mayakovsky continued until the death of the poet. It was N. Denisovsky in 1930 issued an apartment of V. Mayakovsky in Gendrikov Lane to celebrate the 20th anniversary creative activity poet. Participated in exhibitions: VII Exhibition of the Group "L'Arsey" ("Spider") (1925, Paris), "Russian figure for ten years of the October Revolution" (1927, Moscow), an exhibition of acquisitions of the State Commission on the acquisitions of works of fine arts for 1927- 1928 (1928, Moscow), the fourth exhibition of paintings of modern Russian artists (1928, Feodosia), modern book art At the International Press Exhibition (1928, Cologne), Exhibition german artists (1928, Berlin), "Graphics and Book Arts in the USSR" (1929, Amsterdam), exhibition of Russian graphics (1929, Riga), artistic and handicraft exhibition of the USSR (1929, New York, Philadelphia, Boston, Detroit), Exhibition of Russian Arts (1929, Winterthur, Switzerland), an exhibition of acquisitions of the State Commission on the acquisitions of works of fine arts for 1928-1929 (1930, Moscow), an exhibition of works of revolutionary and Soviet topics (1930, Moscow), "Socialist construction in Soviet art" (1930 , Moscow), "Modern russian art"(1930, Vienna), Exhibition soviet art (1930, Berlin), First Exhibition of Fine Arts of the USSR (1930, Stockholm, Oslo, Berlin), Exhibition of Reporting Artists Commanded to Areas of Industrial and Collective Country Construction (1931, Moscow), "Anti-imperialist exhibition dedicated to the International Red Day" (1931 , Moscow), international Exhibition "Art of the Book" (1931, Paris; 1932, Lyon), exhibition of Soviet graphics, books, poster, photos and artistic industries (1931, Johannesburg), Exhibition of works by artists who are sent to the areas of industrial and collective farm construction (1932, Moscow), Jubilee Exhibition "Artists of the RSFSR for the XV years" (1932, Leningrad), exhibition of Soviet art (1932, Koenigsberg), exhibition on health care (1932, Los Angeles), the second exhibition of Soviet graphics, books, poster, photos and artistic industry (1932- 1933, Johannesburg), art exhibition "15 years of the Red Army" (1935, Kharkov), art exhibition "Industry of Socialism" (1939, Moscow), exhibition of graphics on the topics of the history of WCP (b) (1940, Moscow), exhibition the best works soviet artists (1941, Moscow), All-Union Art Trade shows 1947 and 1950 (both - Moscow), an art exhibition dedicated to the 40th anniversary of the Great October Socialist Revolution (1957-1958, Moscow) and others. From the late 1910s, a lot and fruitfully worked in the area poster. In 1929-1930, together with V. Mayakovsky, he created a series of drawings to the Posters of Naroscope. In 1931 he became a member of the founder of the association of workers of the revolutionary poster. During the war years, there was one of the organizers and leaders of the "TASS windows", and from the 1956th - artist creative association "Agitplakat". He worked as an artist in Isaiz (1931-1935) and "Voschekhodnik" in Moscow (1931-1935, 1947-1949). In the 1930s continued to work in the theater, the performances of the small theater (since 1933). In 1934, he headed the brigade of artists who had developed a project for the decorative decoration of residential neighborhoods, production and transport facilities, etc. by order of the Kramatorsky Machine-Building Plant. In 1930-40 he continued to engage snack painting, wrote portraits and thematic paintings. He taught in Vhutein in Leningrad (1928-1930), then in IPC with MGHHI. V. I. Surikova (1935-1938), MiPidi (1949-1952), LVHPU (1952-1954). The author of articles by fine art, memories. Honored artist RSFSR (1962). Personal exhibitions: 1956, 1961 (both - Moscow).

Artist Alexey Laptevillustrated "what is good ..." in 1930, repeated the most successful sense and composite finds of Denisovsky ("Drying Drachun" is crossed by a wavy line, etc.), but gave its drawings a somewhat more realistic character, supplemented the compositions with landscape motifs . The artist recalls that "at the request of the editor was to show Mayakovsky sketch. But did not have time. I went to him - he lived near the Polytechnic Museum, but he did not find him at home. And on the other day, the newspaper reported his death ... ". In the 1930s. The poem was a real bestseller, it was printed in Moscow, Gorky, Rostov-on-Don, Pyatigorsk.





232 -

Baby Son.

to the father came,

and asked Kroch:

What

and what is

badly? -

there are no secrets -

10 Listen, kids, -

pope this

in a book.

If the wind

roofs tear

grad Zagoded, -

everyone knows -

20 This is

for walking

233 -

Rain shockal

and passed.

in general, light.

very good

and big

30 and children.

black night

dirt lying

on the face, -

very bad

for guys skin.

40 if

loves soap

and dental powder

this Boy

very cute,

it comes well.

If Bit

dried Drachun

weak boy

50 I am

insert into the book.

This shouts:

Do not ride

234 -

who is less than growth! -

This Boy

so good

60 Pouches just!

broke in a row

october say:

blossish boy.

If boy

loves work,

70 in the book

about this

write here:

good boy.

From Crows

used, Zahav.

This boy is

80 just a coward.

very bad.

though himself with a top,

with a formidable bird.

Brave boy

235 -

90 is useful.

in the dirt climb

what is a shirt of a shirt.

About this

he is bad,

Let's today before Mayakovsky's poem itself, let's start reading, let's remember our childhood with you. Okay? A small piece of lyrics after all did not harm anyone, right? 🙂

I do not know how you, and I, when I was small, a book with a poem of Mayakovsky "What is good and what is bad" loved. True, I loved the book. In the sense - not the text of the poem, but pictures that this same text illustrated. 🙂

But the text of the poem "What is good and what is bad" me is not what I did not inspire - rather even fun.

I imagined this boy (for some reason, 3-4 years old, probably). And my thoughts about him mental abilities were far from enthusiastic. After all, even the most brave flight of fantasy did not help me imagine such a child, who himself, in his own kind, came to his father with a question "How to behave correctly?"! 🙂

We usually bother with such questions, adults, but there are no small kids. These are not them yourself, and we, adults, forcing children to look at the world by an assessing, comparing look. Make sharing actions on bad and good. Share those surrounding on "their" and "strangers." Forcing them to stop being children. 🙁

But the pictures in the book were charming. Especially for some reason I liked those where the boy was chumazum. 🙂 Probably, on his background, I felt the ideal. 🙂

And the gray rectangle about the boy, whom "Don't even want to insert into a book" forced the fantasy to work on a full coil: And how does this scounding look like? 🙂

In general, relying on my children's memories I present to you today text with pictures of the poem of Mayakovsky "What is good and what is bad." With pictures from that very, "My" book.

These illustrations were made beautiful artist A. Pakhomov. And I'm sure you will love them too. Well, ready? Started!

V. Mayakovsky

What is good and what is bad

Baby Son.
To the father came,
And asked Kroch:
- What
oK
And what is
badly?-
I have
There are no secrets -
Listen, kids, -
Pope this
answer
Put
in a book.

- If the wind
roofs tear
if a
Grad Zagoded, -
Everyone knows -
This is
For walking
badly.

Rain shockal
And passed.

The sun
In general, light.
It -
very good
and big
and children.

If a
son
black night
Dirt lying
on the face, -
clear,
this is
very bad
For guys skin.

If a
boy
Loves soap
and dental powder
This Boy
very cute,
It comes well.

If Bit
Dried Drachun
weak boy
I am
I do not want
even
Insert into the book.

This shouts:
- not a trick
those,
who is less than the growth! -
This Boy
so good
Ploy just!

If you are
broke in a row
book
And the ball,
October say:
Blossish boy.

If boy
Loves work,
pile
in a book
finger
about this
Write here:
is he
good boy.

From Crows
Karapuz
Used, Zahav.
This boy is
Just a coward.
it
very bad.

This,
Though himself with a top,
Sporit
With a formidable bird.
Brave boy
OK,
in life
It will be useful.

This
In the dirt climb
And happy.
What is a shirt of a shirt.
About this
They say:
he is bad,
slut.

This
cleans the boots
Moose
Self
Galosh.
It
Although small
But quite good.

Remember
this is
Each son.
Known
Any child:
will increase
From son
CVIN,
If the Son is
swine

Boy
joyful went
And solved the crumb:
"Will
do oK,
and I will not -
badly".

Well, how do you Illustration Pakhomov to the poem of Mayakovsky "What is good and what is bad"? Delightful, right? Better them, perhaps, I saw only. But there is nothing incredible there! 🙂

That's probably all today. Have a good day!

Oh yes. For a farewell, there is still something strongly recommended. Be sure to read your baby. That's what he is exactly what is good, and what is bad! He was not even just impressed me in childhood. And truly shook. So you will not regret. I am sure!

Now just all. 🙂