All about the lifting harmonic. The world of loving harmonica

All about the lifting harmonic. The world of loving harmonica
All about the lifting harmonic. The world of loving harmonica
11.04.2019

Lifting harmonica is a small, universal tool on which most nations of the world plays almost any kind of music. Although at first glance it may seem to learn how to play harmonica is difficult, but the harmonica is actually a lightweight and cheerful tool to learn to play. Read the steps below to learn how to play on a lip harmonica.

Steps

Getting started

Choose a lift harmonic. There are many different species Light harmonies available for purchase that differ in use and price. To date, you can purchase a diathonic or chromatic harmonic. Any kind can be used to play the most popular music, such as blues or folk.

  • Diatonic lip harmonics are the most common and affordable, and of course the cheapest. It is configured to a certain tonality that cannot be changed. Most of the diatonic gums are tuned to the tonality of C. Types of dictional harmonics include "blues harmonics", "Tremolo Harmonic" and "Oktawa Harmonic."
    • Garmonic Blues is common in the West, and in East Asia, Tremolo Harmonic is more common.
  • Chromatic harmonic is one of the types of lifting harmonica, which uses a mechanical apparatus that controls which holes are published. The main chromatic harmonics of 10 notes can play only one full sound (as well as a diatonic harmonic), but chromatic with 12-16 holes can be configured to any tonality. Chromatic cost much more expensive than most diatonic harmonics; High-quality chromatic harmony from a well-known brand can cost several hundred dollars.
    • Due to its customizability, a 12-ton chromatic harmonica is usually preferable for jazz music.
  • The general abbreviated term for the harmonica is "harmonic". This name comes from other traditional names, including "French harmonics" and "blues harmonics". While the context is clear, the words "harmonica" and "harmonics" can be interchanged.

Learn about Garmoshka. Harmonica is a tongue musical instrument in which copper tongues are used. Tags are used to create a tone when you blow or blow air through the holes. The tongues are installed on a plate, called a tongue plate, which is usually made of brass. A part of the harmonic in which the tongue plate is installed is called a comb, and, as a rule, made of plastic or metal. Harmonic mouthpiece can be built into the comb, or as in chromatic harmonics, is applied separately. Protective panels of the rest of the apparatus can be made of wood, metal or plastics.

  • The guide plate of chromatic harmonica is also made of metal.
  • Depending on whether you breathe or exhale in harmonics, various notes are played with the tongues. The usual diatonic harp is configured to C (D Major) on the exhalation, and on G (Sol - Major) on the breath. They perfectly complement each other, and there is no need to add additional holes.
  • The tongues inside the lifting harmonica are thin and weathered with time. Easy game And regular care will retain a good sound as long as possible.

  • Learn to read the tabulation of harmonics. Like guitars, on harmonics you can play on tabulature, which simplifies notes on a tight sheet to an easily observed template system of holes and inhales / exhale. The tabulature is also suitable for large chromatic harmonics, but it is somewhat different from the diatonic tabulation and is usually less common.

    • Breathing marked with arrows. The up arrow indicates exhalation; Arrow down - on the breath.
      • Most of the holes on the diatonic harmonic produce two "adjacent" notes at a given range, thus playing C, and then D in the same range, it is carried out by blowing into the appropriate hole, and then the air pulling from the same hole.
    • Holes are marked by numbers, starting with the lowest (left) notes and moves up. Thus, the two lower notes (up) 1 and (down) 1. On a 10-hole harmonic, the highest note will (down) 10.
      • Some notes of the usual 10-hole harmonics are partially overlapping, especially (down) 2 and (up) 3. It is necessary to ensure the correct range for the game.
    • More advanced methods are designated by oblique features or another small label. The diagonal oblique arrows indicate that the curvature of the notes is required (will be considered later) to get right sound. Chevrons or oblique features on chromatic tabulation can specify whether to hold the button or not.
      • There is no standardized tabular system that is used by all harmonists. However, as soon as you practice and learn the reading of one species, most of the other species you master quickly.

    Basic Game Games Technology

    Play notes on exhalation. The very first thing to be done is to practice with a new tool reproducing notes. Select a hole or several holes on the mouthpiece and gently blow them. Neighboring holes, as a rule, are designed to automatically harmonize the melody with each other, so try, blowing into three holes at the same time, reproduce a pleasant sound. Practice, blowing into one hole, then playing chords into several holes.

    • This type of game is called "Direct Harmonic" or "First Position."
    • As you can assume, the number of holes through which you blow, partially control the lips. Ultimately, you will learn how to use the front of the language to block the holes, to provide control over the notes that you play. This is described below.

  • Make a deep breath to change notes. Remembering that the air through the tongues should be inhaled gently, inhale, increasing the notes per step. Inhaling and exhausted through the mouthpiece, you can access all the notes configured for harmonics.

    • This type of game is called "cross harmonic" or "Second position." Notes of cross harmonics are often suitable for blues riffs.
    • If you have a chromatic harmonic, practice press and hold the button for additional monitoring of the notes that you play.

  • Try to play the entire range. On a diatonic harmonic, configured on C, C gamma begins with (up) 4 and rises to (before) 7. The standard out / in the template is repeated with the exception of the 7th hole, where it switches (inhale and then the output). This scale is the only full scale on with a configured harmonic, but sometimes you can play songs on other ranges, provided that they do not require the missing notes (s) of the range.

  • Practice. Continue to play the range and individual notes until you feel comfortable, playing only one note at a time. Once you can achieve the desired tool control, select simple songs And train them. Tabutura for songs, such as "Mary had lamb" and "oh, Susanna" easy to find on the Internet, if you do not.

    • Try adding identifications, playing several notes at the same time. The next step in your practice is to weaken a little control and add two-note and three-note chords to the songs that you work out, playing two or three adjacent holes at once. This will help you more control your mouth and breathing, and play songs more sound.
      • Do not play everything in chords! Try adding chord at the end of the verse or phrase. It is important that you need to master the switch between single notes and several notes.

    Advanced techniques

    Pay for lessons. From this point on, if you are under the guidance of an experienced player, you will see quick and technically reasonable results, although you can, of course, continue to learn yourself. Harmonic lessons differ in price and frequency; Feel free to try a few lessons from one teacher, and then go to another that matches your requirements.

    • Even if you take lessons, continue to rely on leadership and books to improve the game. There is no reason to throw other materials just because you complement them by professional activities.

  • Skip holes. It is easy to get used to the template, constantly forcing the air to enter and go through the harmonic, but as soon as you start playing more advanced songs, you should practice some holes in practice to achieve others. Play songs on notes that require jumping opening or two, for example, the American traditional melody, "Shenandoa", which jumps over from the 4th to the 6th hole, closer to the end of the second phrase (on standard C diatonic).

    • Practice skipping, pulling a lip accordion a little to the side, and then returning to the right position (for further familiarization with the position of each hole) and, stopping the airflow, without removing the lip harmonic (in order to practice the breathing control).

  • Play with two hands folded cup. Let's start with the fact that you probably held a lip harmonica with index and thumbs left (or not dominant), and moving them during the game. Add the right (or dominant) hand to the game. Give your holiday to the heel of the right palm and the big finger of the left hand, and then put the rib right palm Together with the left so that your fingers closed around the left mazy. This creates a "sounding hole" that can be used to affect the sound coming from harmonic.

    • Add a quiet melody or screaming, clapping on the sounding hole, opening it and closing it. Use it at the end of the verse to add emotions, or just practicing.
    • Create a steam beep effect, starting with an open sounding hole, then closing it and opening again.
    • Play muffled, quiet sound, leaving a sounding hole almost closed.
    • You probably find that this position makes you hold the harmonic at an angle, the left edge is directed down and inside. This position is actually ideal for other techniques, so use it.

  • Learn to block the language. Language blocking is a great way to turn single notes into beautiful chords without disturbing the initial notes. Using the side (edge) of the language, you will block some notes of the chord, and then raise it partly as notes sound to add them. This technique requires practice, but the position of the opening should help naturally submit to the side of your mouthpiece.

    • To begin with, open the mouth to cover the first four holes of the harp. Using language, block holes from 1 to 3 and play a straight note on the hole 4. If you are all done correctly, you should hear only the played (up) 4. After you do it easily, play a stable note, and then lift the language located in the middle to make complete harmony.
    • The main technique for changing the notes is to make a lipper very and very small, and sharply pull the air through them into the hole you want to be changed. Pull the notes of cross harmonics and gradually compress the lips until you hear the change in the tone. Squeezing lips to a greater or lesser extent, you can additionally control the tone of the notes.
    • Be very careful when practicing the change of notes. Because the air crosses the tongues as sharply that it can easily relax or bend them by destroying the tool. To find a gold middle between not changing the note and its too strong change, patience is needed and caution.
    • When people start playing on a gamut, the sound sounds bad, and many need more time to reproduce a good sound. Practice every day, and do not give up.
    • When changing notes, inhale / exhale very deeply. Changing notes on harmonic requires solid preparation and strong lungs.

    • Which fluctuate in the air jet created by the musician. Unlike other branch musical instrumentsThe harmonic does not have the keyboard. Instead of keyboard, tongue and lips are used to select the hole (as a rule, they are located linearly), corresponding to the desired note.

    Light harmonic is most often used in such musical directionslike blues, folk, blues, blues rock, country, jazz, pop, various genres folk music.

    A musician playing a lip harmonica is called Harper (English. harper).

    History

    Varieties of loving harmonics

    Light harmonics are divided into:

    • Diatonic lip harmonics
    • Orchestral loving harmonics

    Chromatic harmonica

    Blues Light Harmonica

    Blues harmonic - the most popular today. Usually it has 10 holes, each you can play on the breath (eng. draw.), and in exhalation (eng. blow.). With certain skills of the game, you can play chromatically with the help of special receptions - bend and inputs. Sold in different tones and settings, but the most common - C-DUR.

    Tremolo Living harmonica

    Structure of classes

    Important regularity. Build a schedule. Do not deviate from it. Classes are recommended to start with a slow game by chords. It is important to adhere to "diaphragmal breathing". Then gradually go to the riff game, melodies. It is best to shoot faces and tunes for hearing from records of professionals. But still, it is recommended to learn no less than 10 riffs / melodies on not less; It will give you confidence in the game and will allow you to pick up more quickly. In addition, it is useful to play under the so-called minus, write your own game in the form of sound files. This will help you feel how the viewer will hear you (a lifting harmonic one perceives the sound published by its tool, since the vibrations are transmitted through the hands and muscles of the mouth), and will also make it possible to treat their game with greater criticism.

    Artists in Russia

    see also

    Write a review about the article "Light Harmonica"

    Notes

    Links

    Harmonica in a wiki scientist
    • (PS.)
    • (eng.)

    Farm characterizing lip harmonic

    Having received this report, the sovereign sent the following reskipte Kutuzov with Prince Volkonsky:
    "Prince Mikhail Ilarionovich! From August 29 I have no reports from you. Meanwhile, from September 1, I received through Yaroslavl, from the Moscow commander-in-chief, the sad news that you decided to leave Moscow to the army. You yourself can imagine the action that it made me the news, and my silence exacerbates my surprise. I send with Sim General Adjutant Prince Volkonsky, in order to learn from you about the position of the army and about the reasons that prompted you to so much determination. "

    Nine days after leaving Moscow to Petersburg came to St. Petersburg sent from Kutuzov with the official news about leaving Moscow. The sent this Frenchman Misho, who did not know Russian, but Quoique Etranger, Busse de C? Ur et d "Ame, [however, although a foreigner, but Russian in the depths of the soul,] how he spoke to himself.
    The sovereign immediately accepted the sent in his office, in the palace of the Stone Island. Misho, who never seen Moscow to campaign and who did not know in Russian, felt still touched when he appeared in front of Notre Tres Gracieux Souverain [our all-storeist lord] (as he wrote) with news about the fire of Moscow, Dont Les Flammes Eclairaient SA ROUTE [whose flame covered his way].
    Although the source Chagrin [Grief] G on Misho and had to be another than the one from which the mountain of Russian people had flowed, Misho had such a sad face when he was introduced into the Cabinet of the Sovereign that the sovereign immediately asked him:
    - M "Apportez Vous De Tristes Nouvelles, Colonel? [What news did you bring me? Dear, Colonel?]
    "Bien Tristes, Sire," Misho answered, dropping her eyes, "L" Abandon de Moscou. [Very bad, Your Majesty, Leaving Moscow.]
    - Aurait on LIVRE MON ANCIENNE CAPITALE SANS SE BATTRE? [Did you really betray my ancient capital without a battle?] - Suddenly, flashed, the sovereign spent quickly.
    Misho respectfully gave the fact that he was ordered to transfer from Kutuzov - exactly the fact that there was no possibility to fight for Moscow and that, since one choice remained - to lose the army and Moscow or one Moscow, then Field Marshal was supposed to choose the latter.
    The silence listened to silently, without looking at Misho.
    - L "ENNEMI EST IL EN VILLE? [The enemy entered the city?] - he asked.
    - OUI, SIRE, ET ELLE EST EN CENDRES A L "HEURE QU" IL EST. Je L "Ai Laissee Toute en flammes, [Yes, Your Majesty, and he has been facing a fius at the moment. I left him in the flame.] - Miso resolutely said; but, looking at the sovereign, Misho was horrified by what he did. The sovereign is hard and often began to breathe, the lower lip of it trembled, and beautiful blue eyes were instantly overwhelmed with tears.
    But it lasted only one minute. The sovereign suddenly frowned, as if condemning himself for his weakness. And, lifting the head, a hard voice appealed to Misho.
    - Je Vois, Colonel, Par Tout Ce Qui Nous Arrive, - He said, - Que La Providence Exige De Grands Sacrifices de Nous ... Je Suis Pet a Me Soumettre a Toutes Ses Volonts; Mais Dites Moi, Michaud, Comment Avez Vous Laisse L "Armee, En Voyant Ainsi, Sans Coup Ferir Abandonner Mon Ancienne Capitale? N" Avez Vous Pas Apercu du Decouragement? .. [I see a colonel, all over what happens that Providence requires big victims from us ... I am ready to submit his will; But tell me, Misho, how did you leave the army who left my ancient capital without the battle? Did you notice the decline of the Spirit?]
    Having seen her tres Gracieux Souverain, Misho also calmed down, but on a direct essential question of the sovereign, demanding a direct response, he did not have time to prepare a response.
    - SIRE, ME PERMETTREZ VOUS DE VOUS PARLER FRANCHEMENT EN LOYAL MILITAIRE? [Sovereign, will you allow me to speak frankly, how is it like this warrior?] - he said to win time.
    - Colonel, Je L "Exige Toujours," said the sovereign. - NE ME CACHEZ RIEN, JE Veux Savoir Absolument CE QU "IL EN EST. [Colonel, I always demand it ... Do not hide anything, I certainly want to know all the truth.]
    - SIRE! - Miso said with a thin, a little noticeable smile on his lips, having time to prepare his answer in the form of a lightweight and respectful Jeu De Mots [Word Games]. - SIRE! J "AI Laisse Toute L" Armee Depuis Les Chefs Jusqu "Au Dernier Soldat, Sans Exception, Dans Une Crainte Epouvantable, Effrayante ... [Sovereign! I left the whole army, starting with the bosses to the last soldier, without exception, in great, desperate Fear ...]
    - Comment CA? - strictly frowning, interrupted the sovereign. - Mes Russes SE Laisseront Ils Abattre Par Le Malheur ... Jamais! .. [How so? My Russians can fall in spirit before failure ... Never! ..]
    That was just waiting for Misho to insert his words to the game.
    "Sire," he said with respectful playfulness of the expression, - Ils Craignent Seulement Que Votre Majeste Par Bonte De C? Ur Ne Se Laisse Persuader De Faire La Paix. ILS BRULENT DE COMBATTRE, - spoke of the authorized Russian people, - Et de Prouver a Votre Majeste Par Le Sacrifice de LEUR VIE, Combien Ils Lui Sont Devoues ... [Sovereign, they are afraid only that your Majesty for the kindness of the soul does not decide to conclude the world . They are impatient to fight again and prove to your majesty victim to your life, as far as they are committed ...]
    - AH! - Soothed and with a gentle brilliance, the sovereign said, hitting Misho's shoulder. - Vous Me Tranquillisez, Colonel. [BUT! You calm me, colonel.]
    Sovereign, dropping his head, was silent several times.
    - Eh Bien, Retournez Al "Armee, [Well, so come back to the army.] - He said, straightening in full growth and with a gentle and magnificent gesture Turning to Misho, - Et Dites a Nos Braves, Dites a tous Mes Bons Sujets Partout Ou Vous Passerez, Que Quand Je N "Aurais Plus Aucun Soldat, Je Me Mettrai Moi Meme, A La Tete de Ma Chere Noblesse, De Mes Bons Paysans et j" Userai Ainsi Jusqu "A La Derniere Ressource De Mon Empire. IL M "EN OFFRE ENCORE PLUS QUE MES ENNEMIS NE PENSENT - said the sovereign, more and more encouraging. - Mais Si Jamais Il Fut Ecrit Dans Les Decrets De La Divine Providence, - He said, raising his beautiful, meek and shiny feeling Eyes to Sky, - Que Ma Dinastie Dut Cesser De Rogner Sur Le Trone de Mes Ancetres, Alors, APRES Avoir Epuise Touve Les Moyens Qui Sont EN Mon Pouvoir, Je Me Laisserai Croitre La Barbe Jusqu "ICI (Sovere showed hand on half of the chest) , Et J "Irai Manger des Pommes De Terre Avec Le Dernier de Mes Paysans Plutott, Que De Signer La Honte De Ma Patrie Et De Ma Chere Nation, Dont Je Sais AppRecier Les Sacrifices! .. [Tell the bravesties to our, tell me to all my subjects. , wherever you will pass that when I have no one soldier, I will be at the head of my kind nobility and good men and thus exhaust the last means of my state. They are more than thinking my enemies ... But if It was intended to be divine providence m so that our dynasty cease to reign on the throne of my ancestors, then, exhausting all the funds that in my hands, I will let the beard so far and rather I will go there there is one potato with the last of my peasants, rather than decide to sign my homeland's shame and my dear People, whose victims I can appreciate! ..] After saying these words with an agitated voice, the sovereign suddenly turned, as if wanting to hide the tears from Misho, and went deep into his office. After standing there for a few moments, he returned with big steps to Misho and a strong gesture squeezed his hand lowering the elbow. The beautiful, gentle face of the sovereign was painted, and the eyes burned with shine determination and anger.
    - Colonel Michaud, N "Oubliez Pas Ce Que Je Vous DIS ICI; PEUT ETRE QU" UN JOUR NOUUS NOUUS LE RAPPELERONS AVEC Plaisir ... Napoleon Ou Moi, "said the sovereign, coming to the chest. - Nous Ne Pouvons Plus REGNER ENSEMBLE. J "Ai Appris a Le Connaitre, Il Ne Me Trompera Plus ... [Colonel Miso, do not forget that I told you here; Maybe we will ever remember this with pleasure ... Napoleon or I ... We can no longer reign together. I learned it now, and he will no longer deceive me ...] - And the sovereign, frowning, fell silent. Hearing these words, seeing the expression of a solid determination in the eyes of the sovereign, Miso - Quoique Etranger, Mais Russe de C? Ur et d "Ame - felt yourself in this solemn minute - Entouusiasme Par Tout CE QU "Il Venait D" Entendre [Although a foreigner, but Russian in the depths of the soul ... delighted with all what he heard] (as he said later), and he portrayed as his Feelings and feelings of the Russian people, whom he considered himself authorized.
    - SIRE! - he said. - Votre Majeste Signe Dans Ce Moment La Gloire de La Nation Et Le Salut De L "Europe! [Sovereign! Your Majesty signs this minute the glory of the people and the salvation of Europe!]
    The sovereign went to the head of the head Misho.

    While Russia was up to half of the conquest, and the residents of Moscow fled to the distant provinces, and the militia for harsh climbed to defend the Fatherland, involuntarily seems to us who did not live at the time that all Russian people from Mala have been taken to great To sacrifice themselves, save fatherland or cry over his destruction. Stories, descriptions of that time, all without exception speak only about self-sacrifice, love for the Fatherland, despair, Mountain and Russian heroism. In fact, it was not so. It seems to us so only because we see from the past one common historical interest of that time and do not see all those personal, human interests that were in people of that time. Meanwhile, in fact, those personal interests of the present to such an extent are more common interests that they never feel about them (even noticeable is not at all). Most of People of that time did not pay any attention to the overall course of affairs, and only the personal interests of the present were granted. And these people were the most useful figures of that time.
    The same who tried to understand the general course of affairs and with self-sacrifice and heroism wanted to participate in it, were the most useless members of society; They saw all the overall, and all that they did for good, turned out to be useless nonsense, like Pierre's shelves, Mamonov, who robbed Russian villages, like a korpio, pinched with ladies and never reach the wounded, etc. Even those who, Loving to wisely and express his feelings, interpreted about the present position of Russia, unwittingly worn in the speeches of their imprint or pretendation and lies, or useless condemnation and malice on people accused of what no one could be to blame. In historical events, it is obvious to the prohibition of tasking of the fetus of the Tree of knowledge. Only one unconscious activity brings fruit, and a person playing a role in historical event, never understands his meanings. If he is trying to understand him, he is amazed in infertility.
    The events accounted for in Russia, the events of the time was, the closer the person's participation was. In St. Petersburg and the provincial cities distant from Moscow, ladies and men in the militia uniforms mourned Russia and the capital and talked about self-sacrifice, etc.; But in the army, which retired for Moscow, almost did not speak and did not think about Moscow, and, looking at her fielly, no one swear to take revenge on the French, but thought about the next third of the salary, about the next parking lot, about the Markantish Makeup and the like ...
    Nikolai Rostov without any purpose of self-sacrifice, and by chance, since the war found him in the service, took a close and more prolonged participation in the defense of the Fatherland and therefore, without despair and gloomy conclusions, looked at what was performed then in Russia. If he would have asked what he thinks about the current situation of Russia, he would say that he had nothing to think that there was Kutuzov and others, and what he heard that shelves were completed, and what should be fighting for a long time , and that in the current circumstances he is not wise of the year after two get the regiment.
    According to the fact that he looked at it, he was not only without a crushing that he was deprived of participation in the last struggle, took the news about the appointment of him on a business trip for the repair for the division in Voronezh, but also with the greatest pleasure he did not hide and Which very well understood his comrades.
    A few days before the Borodino battle, Nikolai received money, paper and, sent forward hussar, went to Voronezh on the postal.
    Only one who experienced this, that is, he stayed for several months without ceasing in the atmosphere of military, combat life, can understand that the pleasure that Nikolai experienced, when he got out of the area to which the troops reached the troops, the provisions of the province, Goshpatami; When he, without soldiers, Four, dirty traces of the presence of the camp, saw villages with men and women, landlords, fields with grazing cattle, station houses with swept aside. He felt such joy as if she saw all this for the first time. In particular, the fact that he was surprised and pleased - it was women, young, healthy, for each of which did not have a dozen caring officers, and women who were glad and flattered were the fact that the passage officer was joking with them.
    In the very cheerful arrangement of the Spirit Nicholas at night came to Voronezh to the hotel, ordered everything that he had been deprived long in the army for a long time, and on another day, purely having fallen and put on the long-standing major form, went to the authorities.
    The head of the militia was Stat General, an old manwhich apparently was amused by his military title and rank. He is angry (thinking that in this military property) accepted Nicholas and significantly, as if having the right to be right and, as it were, thereby considering the general course of business, approving and not approving, asked him. Nikolai was so fun that he was only funny.
    From the head of the militia, he drove to the governor. The governor was a little living man, very affectionate and simple. He pointed out to Nicholas to those plants in which he could get horses, recommended his ladies in the city and landowner for twenty versts from the city, who had the best horses, and promised any assistance.
    - Do you count Ilya Andreevich son? My wife was very friendly with your mother. On Thursdays I have collected; Today Thursday, mercy I ask for something easily, "said the governor, giving him.
    Right from the governor Nikolai took the overstars and, putting with his Wahmistra, rocked for twenty miles to the plant to the landowner. Everything in this first time of his stay in Voronezh was fun for Nikolai and easily, and everything that happens when a person himself is well located, everything was transported and aroused.
    The landowner, to whom Nikolai came, was the old cavalier of the bachelor, a horsepower, a hunter, the ruler of the Corval, centenary casserole, old Hungarian and wonderful horses.
    Nikolai in two words bought for six thousand seventeen stallions on the selection (as he said) for a sousing end of his repair. After having lunch and drinking a little bit of Hungarian, Rostov, kissed with the landowner, with whom he had already agreed on "You", on the disgusting road, in the very cheerful arrangement of the Spirit, picked back, indifferent to the daisher, in order to sleep for the evening to the governor.
    Changed up, swaying and the obtules of the head of the cold subway, Nikolai, although somewhat late, but with the finished phrase: Vaut Mieux Tard Que Jamais, [Better Late than ever,] came to the governor.
    It was not a ball, and it was not said that they would dance; But everyone knew that Katerina Petrovna would play on the keycorder waltzes and ecosesa and what would be dancing, and everything, counting on it, came across Balno.
    The provincial life in 1812 was exactly the same as always, only with the difference that in the city was lively on the occasion of the arrival of many rich families from Moscow and what, as in everything that happened at the time in Russia, was noticeable Some kind of special sweeping is the sea by knee, Tryn grass in life, and even that the vulgar conversation that is needed between people and who were previously faced about the weather and about common acquaintances, now he was conducted about Moscow, about the army and Napoleon.

    In English, the name of the lift harmonica may sound like Harmonica, or HARP. From the last version and the nicking of the musician playing on this tool - Harper.

    Where did she come from who came up with her? To answer these questions, you will have to plunge a little in history.

    How to go ...

    Light harmonica has become known not so long ago. Its history, of course, do not compare with stories more than an ancient flute or the same guitar. Nevertheless, with a flute harmonic, it has something in common: both of them belong to the same family of wind tongue tools.

    Unlike most musical instruments, harmonic has practically the exact date creating. She patented in 1821 16-year-old German H.F.L. Busman, "Wizard Master." Of course, then she had the appearance clearly different from the modern appearance of this tool: a metal plate with fifteen holes covered with steel tongues. The sound was removed only in exhalation, and, like in our times, its volume and purity depended solely on the skill of the master.

    So looked first harmonic

    The design of the first harmonica was not perfect. Many understood this, tried to make changes. Further I went again the German, someone Richter from Bohemia. Already in 1826, he suggested his tool version to the musicians. The holes were already 10, and the tongues are 20, that is, two for each: one of the tongues was responsible for extracting sound on the breath, the other - in exhalation. The scheme proposed by the Richter was so good and convenient, which exists to this day.

    Already in mid XIX. The century began mass production of luminous harmonica, and M. Honer became the first of its manufacturers. Founded by him in 1857, the company, named after the Creator, quickly won the market. Including due to the fact that Honer made a bet not only to Europe. In the early 60s of the same century, he brought his lip accordions to America, and it became the most right step. Since then, the German company Hohner is a global leader in the production of these musical instruments. However, on this, their range does not end, it includes accordions, and blockballs, and guitars. But it all began with an ordinary lift harmonic!

    Now you can even meet this: the harmonica and the flash drive - two in one

    Harmonic device

    Inside the tool there are two plates with tongues, one of which works on the breath, and the other - in exhalation. That is, the sound actually occurs when the tongue located opposite the hole in which you inhale (or, on the contrary, from which the air is "taking" air), breaks the air jet.

    Since the harmonica is a very small tool itself, no acoustic resonator, such as in the guitar, there would not be fit. Therefore, the sound of the sound depends on the first (and only) queue from the musician himself, on the position of his hands, the development of light and degree of skill.

    Make harmonica from wood, plastic or metal. A tree, as it should be, requires more thorough care, is more sensitive to weather and a capricious belongs to other everyday troubles.

    Light harmonica, among other things, differ also with a tonality. The most common type of tool is in a tonality to major (C Major). Among the "Chinese" the majority of such accordites. Japan and Germany contribute more diversity: they often meet Harp in Sol Major (G Major), as well as less often - and other tonalities.

    Varieties

    What are the harmonics? If it is completely simple, without rarely encountered professional tools, they are divided into diatonic and chromatic.

    Diatonic (below) and chromatic lip harmonic

    Diatonic allow the Musician "By default" to extract only the main notes from the tool - up to, re, mi, etc. Chromatic and give the opportunity to play the entire chromatic range of entirely, using and halftone (up-dispesis, re-dyz, etc.). If you make an analogy with piano, then the diatonics is the game only with white keys, and chromatics - and black too.

    Of course, when you need to master the game on a dictional harmonic, all special techniques are Bend, Overblow, Overdro and others, for you will not be much difficulty extracting the "black keys" sounds from the tool. But for all this it takes time.

    It is possible to distinguish the harmonica. The main difference is chromatics on the side there is a slider, a special button that allows you to raise a note on the halfone.

    True, there are exceptions here! For example, TOMBO Chromatic Single S50. Without slider, but chromatics. Halftone removed from the second row of holes.

    As for the holes, the diatonic harmonica has their number unchanged - 10. But the chromatic tool can change this position. Of course, it is mainly from 12 to 16 holes, but they can meet more, and less - and 8, and 22. And even 10, as on Diatonika. What they are more, the wider a lot, which you can use when playing.

    Well, of course, the chromatic harmonica will be a dimensive, rather than a diatonic one. The number of holes makes its business.

    Immediately warning: on chromatics learn more difficult to play. Maybe therefore it is less common. On the shelves of stores more often is a decent choice of diatonics and a much less chromatic tool. And by the way, the price is also quite very different, but about it below.

    In addition to the main division, there is also a smaller crushing on subspecies.

    Thus, the diatonic harmonic is blusucid, octave and tremolo.

    Blues - the most famous. 10 holes, the sound is extracted to inhale and exhale. It can become for you and chromatic, if, as already mentioned above, mastering all the games of the game on it.

    Hohner Blues Harp, blues (price approximately 1000 rub.)

    Tremolo - wonderful suitable for execution folk songs. If you look inside such a harmonica, you can immediately find two sound plates. They are slightly upset with respect to each other, while they sound at the same time. From such a combination, the effect of tremolo, actually, and the name of the tool is obtained.

    Hohner Tremolo Soloist CG (about 2300 rubles.)

    The octave lump harmonica differs from tremolo only by the fact that the two of its sound plates are not upset relative to each other, but, on the contrary, set to "octave". The sound they publish too together, and because of such features of the music of the music louder and somewhat specific compared to others.

    There is also, of course, the orchestral harmonics (bass, chord), but they are so rare and narrowly professional, which they only acquire them for playing in ensembles when it is the main work. I think that in this case a person and himself, without this article, knows what he needs.

    What are you going to play

    The choice of lip harmonica in a large extent depends on what kind of music you are going to make it preferably. For different works, a certain location of notes is required, the most convenient for your favorite style is required.

    For example, if you want to play jazz works or generally a classic - choose a chromatic harmonic. Blues are already diatonics, and, accordingly, blues. For melodies, easier, with a peculiar sound in the style of Russian-folk da dance-dance, will suit Thremolo. Oktavna and other orchestra are already very like an amateur or for an actively executing professional.

    What is still purchased

    The first question of the newcomer, going to seriously take up the game on the Garmoshka: "What tool to buy?"

    If you are going to do with the teacher, then everything depends on the preferences of the teacher.

    By the way, for a professional question "What should I take - chromatics or a diatonik?" It sounds the same as for any other musician, whose problem is the problem of choosing between a guitar and saxophone. Simple and chromatic, and diatonic harmonica, despite all the external similarity, after all, different tools in terms of the complexity of the development, techniques of sound extracts, etc.

    But let's return to specific models. If you look in the direction of the diatonics, then the most popular choice is Hohner Blues Harp (cost approximately 1000 rubles), Hohner Special 20 (about 930 rubles), Suzuki Promaster (price around 2000 rubles), Lee Oscar Major Diatonic Find for 1200 rubles.), Seydel 1847 (already somewhere 3000 rubles).

    Suzuki Promaster

    With chromatics, everything is not so simple. First, it is necessary to immediately decide whether you need a tool with great holes. As mentioned above, than them more, the richer the sound (that is, more notes can be removed from the tool).

    Nevertheless, among them you can find the most popular newcomers in the newcomers. Perhaps, first of all it is Hohner Chromonika 40 (somewhere 3700 rubles), Tombo Uni Chromatic (cost approximately 3800 rubles), Hohner Super 64 x (about 10,000 rubles).

    Tips for purchase

    A completely decent tool (from a number of diatonic) can already be bought in the area of \u200b\u200b$ 20. In stores, of course, offer harmonics already starting from 300 rubles, but still navigate better on the average price threshold.

    At the same time, consider that chromatic harmonics will cost several times more expensive. Simply good tool It starts from 3-4 thousand rubles., Very good can cost about 35,000 rubles.

    Hohner Amadeus Chromatik Harmonika (cost about $ 1500)

    Bought better in the company with a person who disassembled in harmonics. And if you still came to the store alone, do not hesitate to the sellers - try yourself, how the model you liked you like.

    In most Russian cities, it is hardly possible to get something other than Hohner. If your soul hurt something else, then welcome to the world of the Internet. Still, it is most likely to be cheaper than to go to another city itself.

    In the end, no one prevents you later to buy a couple more representatives of your favorite tool and then play on that harmonic, the sound of which will have to do more. Most models are not extended, this tool is still easier to manufacture than, for example, a synthesizer.

    In general, it all depends on skill. A beginner on the road Hard is unlikely to get around the pros on the cheap harmonic, right? Another thing is that in skillful hands a good tool can work wonders.

    By the way, the Garmoshka is a great gift to the child. Now they are released by the great many children - non-ferrous, with some pictures, popular characters from cartoons.

    It is interesting, and fascinating, and at the same time a training session. Maybe that way your son or daughter comes to music, maybe later it will become their profession. And it is often not necessary that the further choice falls precisely on the harmonica.

    But how to know - what if the new Stevie Wonder is growing next to you?

    In this article we will tell you how to choose and buy a good lift harmonic, where you can learn to play.

    Unfortunately, more than 89% of all lift harmones leading (including German) producers are not suitable for professional game and even more so for learning (and this figure does not take into account any Chinese harmonica, which in our market Pond PRUD).

    Once trying to learn how to play on a poor-quality tool, a man is forever beaten the desire to master this tool. And the main producers of luminous harmonics, unfortunately, with a silent collusion, continue to "stamping" the poor-quality goods, since it is he brings them the greatest profit. That is why the harmonica remains so rare tool and needs popularization.

    It is on professional harmonists, popularizers of this tool and enthusiasts lies the main function of informing all novice harmonists, how to choose and buy a lift harmonic, on what luminous harmonica should be learning to play, and how not to make a mistake in the choice, because the music stores offer such a huge amount of luminous harmonic.

    In fact, good lifting harmonica can be listed on your fingers. And we immediately in this article. we list all the good models of the Lamp Harmoshakswhich are played by professional harmonists and where you can learn to play everyone.

    List of good gamophecks:

    By the way, we remind you that if you are just going to study, then you need to purchase one of these harmonics in the tonality "to Major" (this tonality is indicated latin letter "FROM").

    • Easttop T008K.
    • Hohner Golden Melody
    • Hohner Special 20.
    • Hohner Rocket.
    • Seydel 1847.
    • Seydel Session Steel.
    • Hohner Marine Band Crossover
    • Hohner Marine Band Deluxe
    • Suzuki Olive.
    • Suzuki Manji.

    Many believe that to begin with, it is possible to choose and buy a cheap lump harmonica, an edible "workhorse", and then you can already buy a lip harmonic good quality. But before buying the latter, as a rule, it does not reach, as people are completely disappointed in this instrument after playing on poor-quality harmonica.

    Register free online "Quick Start"!

    First, we want to help you understand the types of luminous harmonesSince in music stores you probably could observe lip-harmonics of different sizes and species. Light harmoniciders are really different: diatonic (10-hole), chromatic lip harmonica, tremolo, octave, bass, chord lip harmonica, as well as hybrids of these harmonica. How nevertheless choose and buy a lip accordion? Octave, bass and chord lip accordions are most often used in harmonic orchestras, and most likely you will not find them on sale in your country, so we will not stop on them. Let's talk about the diatonic, chromatic lip harmonics and Tremolo accordion, and how to choose a lip accordion.

    Tremolo Lamoshki.
    In such luminous harmonics, two sound tongues relative to each other are a little upset, due to which the effect of tremolo is achieved. On such luminosks there are sounds only "white piano keys" and there is no black key. This lifting harmonica is quite primitive, it is very easy to learn to play any person who has at least the slightest hearing. And at the same time, it is very limited by opportunities in view of a large lack of missing notes. By choosing Tremolo's luminous harmonica, you can play only simple children's melodies, can "go to bed" and Ukrainian folk songsWell, and perhaps also the hymns of some countries - and, unfortunately, everything.

    Chromatic lip harmonics - They have on the contrary, there are all-all sounds of chromatic soundout (all white and black piano keys). On chromatic lip harmonics, as a rule, you can play complex classic works, jazz music, but it is important to have a good musical education, be able to read sheet music "from a sheet" and have good training on a diatonic lip harmonic. Almost all the harmonists playing on the chromatic lip harmonic start with a diatonic harmonic, as some receptions and skills, such as beautiful vibrato, or bend (which theoretically cannot be done on a chromatic lifting harmonic, and in practice are used constantly) can be well honed on Diatonic Lifting harmonica, without damaging the tool tongues.

    Diatonic lip harmonica and how to choose it . Diatonic Garmoshka is the most popular lifting harmonic in the world. A tool on which you can play any music, in any style, and the sound of which is very saturated and thick, if compared with the above-described luminous harmonics. There are all notes, but you need to purchase certain skills to play on this tool. This lifting harmonic is called another blusucid harmonic, but this does not mean that only blues can be played on it. It just became very popular in the era of the active development of blues music, where it fits perfectly. It is diatonic (blues, or ten-dead) lip-harmonica we popularize. For us, this is the most beautiful sound musical instrument in the world!

    Secondly, you need to decide for yourself, with what tongues you want to choose a lip harmonic.
    The material of the tongue of the Garmoshka directly affects the durability of the tool. Hohner and Suzuki traditionally use copper tongues in their accordions, and Seydel has made an innovative breakthrough in this area and has become the first company that manufactures steel tongues for their lip harmonics. As a result, they are not upset longer and difficult to break them.

    Thirdly, it is important to note that lip harmonicides are of different tonalities. And if you are just a novice harmonist, then you should choose a lifting harmonica in the tonality "to Major".
    Speaking simply, it makes it easier for you to master the main techniques and skills, besides, almost all existing tutorials, including our tutorial for the Garmoshki, is recorded for the accordion "to Major". Starting training on the harmonica of this tonality, you will then easily play on all others: both higher and low tonsalities.

    The fourth and last point when choosing a lift harmonica should be the test tool. If you buy a lifting harmonic in the store of musical instruments, then you need special fumes for lip-harmonic. You can "blow out" each hole, both in the breath and exhale, making sure that all the notes sound. Unfortunately, fur rarely meet in music stores, therefore, most likely you have to check the harmonica, and in the absence of fur in the store, you cannot refuse it. It is important for you to "extend" each hole separately, which can be very difficult if you have never played on a lip harmonica. Checking each hole on the breath and exhale, pay attention to the additional pride in the form of a "ringing", which can come across on luminous harmonica, which may mean that the tongue clings to the lip harmonic board. In this case, require another harmonic. Also on low tonsalities (la, salt and lower), the tongues can beat about the lid of the lip harmonica and also with a characteristic ringing. It happens very often on Golden Melody's lifting harmonic, and in principle, this is normal, but take a few horrelosk models of your chosen model, and perhaps you will get such that does not ring. On the luminous accordions of the tonality "to Major" there should be no stall in mom in mom, so the clean sound on each hole is the best criterion in order to buy a lift harmonica to major.

    We wish you successfully choose and buy a lip harmonic!

    You can in an inexpensive simple tool, and the lip harmonic high Quality Buy then. With this approach, the case before buying the harmonica does not come true, because the performer gets a complete disappointment in the accordion after playing on a poor-quality tool.

    There are several types of lump harmonics:

    • Diatonic (10 hole);
    • Chromatic;
    • Tremolo;
    • Octave;
    • Bass;
    • Chord;
    • Different hybrids of these harmonics.

    Most often, chords, bass and octave accordions are used in harmonic orchestras, they are very difficult to find on sale, so we will not make an emphasis on them. It is better to discuss diatonic, chromatic lip accordions and accordion tremolo.

    Harmonica Tremolo

    They, as a rule, are a little upset two sound tongues relative to each other on each note. It is due to this that the effect of tremolo is achieved. These harmonic windows have sounds only "White Piano Keys" and do not have a single "black key". Thremolo can be considered a primitive harmonic, it is quickly quickly and easy to learn how to play anyone with the slightest musical hearing. However, due to the large lack of missing notes, it is very limited in the possibilities. If you stop your choice on the accordion of Tremolo, you can only execute simple children's melodies, Russian and Ukrainian native songs and probably the hymns of some countries.

    Chromatic lip harmonic

    It has all the sounds of a chromatic sound hand, i.e. All "White and Black Piano Keys". Chromatic harmonics subject to reproduction of complex classic works and even jazz music. But at the same time, it is not bad to have a good musical education, with a sheet reading notes and play a great on the diatonic lip harmonica. All who play on chromatic harmonica began with a diatonic one, because you can be superbly learned to some techniques (for example, Benda or beautiful vibrato) it is on a diatonic harmonica, without damaging the tool tongues.

    It is the most popular lifting harmonic in the world, you can perform any music, in any style. It has a rich and thick sound relative to the above-described harmonics. It has all notes, but, nevertheless, you should master sufficient skills to play on this instrument. This harmonic is sometimes called blues, but this does not mean at all that it is intended only for blues compositions. The name is explained by the fact that the diatonic harmonic has gained enormous popularity in the era of the formation of blues music, in which she, by the way, fit, perfectly fits.

    Light harmonic tongues

    The material from which the tongues of the luggage harmonica are made directly affects the durability of the tool. Traditionally use Hohner and Suzuki copper tongues for their harmonics. Innovative breakthrough in this area made Seydel, she became the first company manufacturing tongues from steel for his lip-harmonics. They are difficult to break and they are not upset longer.

    Light harmonics have different tonality. If you refer yourself to novice harmonists, then stop your choice on the harmonica in the tonality "to major". It is on it that it will be easier for you and easier to master the main techniques and skills. In addition, most of the existing tutorials are recorded for the harmonica "to Major". Starting training on the harmonic of this tonality, you will then easily play on all other, higher and low. tonalities.

    Tool check before purchase

    If you acquire langular harmonica In a special store of musical instruments, then you will definitely ask special fumes for gaming harmonics. With their help, "blowing up" every hole on the breath and exhale to make sure that all the notes are sounded. It is very important to "extend" each hole separately. It can cause significant difficulties if you have never played a lip harmonic before. When checking each hole to inhale and exhale, pay special attention to the additional pride in the form of a "ringing", which may come across the luminous harmonics. And this means that the tongue clings for the feet of the harmonica. In this case, require another harmonic. In addition, on low tones (la, salt and lower), the tongues can beat about the lid of the lip harmonic, in principle, this is normal, there is nothing terrible in it. But, after a breaking a few harmonics, you will find the one that does not ring. On the lip harmonics of the tonality "to the major" there should be no ring to be present at all, so the best criterion in order to buy a lump harmonica to major is a clean sound on each hole.

    Light harmonic does not tolerate sharp fluctuations in temperature and dampness. Before playing, it is recommended to heat the harmonic in the palms to the temperature. human body. For long life, harmonica should be worn in a case, play gently and try not to drop. Periodically, it must be shaken, removing the particles of dirt and accumulated saliva. And then the harmonic will delight you for a long time.

    Develop a sense of rhythm

    If you have a natural feeling of rhythm - it's good, but it does not free you from working on a rhythmic picture of the work. Here you will come to the aid of the usual metronome. By the way, the analogues of the metronome can be easily found on the Internet. Having achieved certain success, do not stop and continue to master the complex types of rhythm, learn about the hearing to determine the size of the musical composition.

    Lifting harmonica is very compact and convenient to carry it with me all the time. You can train at any free minute, you will feel significant progress and after a few months you will not recognize yourself.

    Develop musical memory

    Starting to learn the melody on notes or tabs, try at some point to break away from them and pay attention to the intonation. Play the memory by putting your soul into this work. At the same time you will develop your ear for music, Each time the memorization will be easier to pass.

    Accurate sound and original game manner

    Qualitative sound I. good feeling Rhythm - the main thing for the master! His individuality show in variations on the topic of the melody, but the sound should be flawless!

    The game of virtuosos is the best textbook for beginners. You should always have not only harmonic, but also audio recordings of your favorite melodies and musicians. Listen to them with every opportunity.

    Play the collective

    So you already play and improvise quite well, and here you are invited to the music team. The game in the team requires compliance with special rules: it is necessary to wait for the moment when you can solo, without interrupting other performers. A sign of the skill of the harmonist, which acts in the ensemble, is precisely in the ability to cooperate. If you provide another right to speak, they themselves also will not be aside.