Ideal female character In the representation of I. A. Goncharov (on the novel "Oblomov")

Roman "Oblomov" was published in 1859, when the question of the cancellation of serfdom was extremely acute in the country, when russian Society Already fully realized the disadvantage of the existing orders. "To disassemble the female images created by I. A. Goncharov, it means to make a claim with great connoisseurs female heart"I noticed one of the most insightful Russian critics N. A. Dobrolyubov. In the image of Olga Ilinskaya, not only the best features of the Russian woman were embodied, but also all the best that saw a writer in a Russian man. Olga was not beautiful, there was no whiteness in her nor a bright flavor of the cheeks and lips, and the eyes did not burn rays inland fire. But if you turn it into a statue, it would be a statue of harmony and grace. It is in Olga that we see all those features that have always attracted the attention of Russian writers in any woman: the lack of artificiality, the beauty is not frozen, but alive. We can confidently say that Olga Ilinskaya continues the gallery of beautiful female imagesWhich Tatiana Larina opened, and not one generation of readers will admire. Olga - Alien in his environment. But there is a mind in it, and decisiveness to defend the right to their life position. It was Olga Oblomov who perceived as an embodiment of the ideal that he dreamed of. The relationship between the main hero of the novel with Olga allow us to deeper the nature of Ilya Obloma deeper.

What does Olga sees in Oblomov? First, the painful inability of this person to action lights in it the desire to help a good, but soothered man. She appreciates in the Oblomeness of the mind, simplicity, gullibility, the absence of all those secular conventions that are also alien to her. She feels that there is no cynicism in it, but there is a constant desire for doubt and sympathy. Olga dreams that "she will indicate a goal, makes love everything that he sobbed ... He will live, act, bless life and her." However, Olga and Oblomov are not destined to be happy.

Oblomov prefers that their relationship with Olga could not always be only their personal matter, they will certainly turn into a lot of conventions, duties.

Olga constantly reflects on his feeling, about the influence of Oblomov, about his "mission"; Love is becoming a debt for her, and therefore can no longer be rejocent, spontaneous. Moreover, Olga is not ready to sacrifice all for the sake of love. "Did you want to know if I would have sacrificed you with my calm, would I go with you on this way? .. Never, never!" She strongly replies to the broom.

Oblomov and Olga are waiting for each other's impossible. She is from him - activities, will, energy; In her view, he should become similar on the gallery, but only to keep the best thing that is in his soul. He is from her - coachable, selfless love. Olga loves that Oblomov, who created in his imagination, which she sincerely wanted to create in life. "I thought it would come to know you that you could still live for me," and you have died for a very long time, "Olga is barely straightened and asked the bitter question:" Who cursed you, Ilya? What did you do? What did you grow up? No name to this evil ... ". "There is," Ilya answers. - Oblastovshchyna! " The tragedy of Olga and Oblomov becomes the final sentence of that phenomenon, which depicted gonchars.

Olga marries gallery. It was he who managed to achieve that in the soul of Olga common sense, the reason was completely defeated by her feeling. Her life can be called happy. She believes in her husband, and therefore loves him. But Olga begins to feel an inexplicable longing. Mechanical, the active life of the gallery does not give any opportunities for the movement of the soul, which were in her feeling to breakdown. And even Stolz guess this: "By learning it, it is impossible to fell in love." With love for breakdown dies best part Olga's souls, she remains victim forever.

"Olga, in its development, represents the highest ideal, which is now the Russian artist can now express from the current Russian life, a living person, just that we have not met," N. A. Dobrolyubov wrote. - "... in it more than in the gallery, you can see a hint of a new Russian life, you can expect a word from it that burns and dispels the breakdown ... Oblast is well known for her, it will be able to distinguish it in all kinds, Under all masks, and ... will find so much forces to make a merciless court over her ... ".

She migned his power over MiG, and she liked this role of a guiding star, the beam of light. I. A. Goncharov "Oblomov" was published in 1859, when the question of the abolition of serfdom was extremely acute in the country, when Russian society has fully realized the desire of existing orders. "To disassemble the female images created by I. A. Goncharov, it means that you make a claim with the great connoisseurs of the female heart," said one of the most insightful Russian critics N. A. Dobrolyubov. In the image of Olga Ilinskaya, not only the best features of the Russian woman were embodied, but also all the best that saw a writer in a Russian man. Olga was not a beauty, there was no whiteness in her, no bright flavor of the cheeks and lips, and the eyes did not burn the rays of the inner fire. But if you turn it into a statue, it would be a statue of harmony and grace. It is in Olga that we see all those features that have always attracted the attention of Russian writers in any woman: the lack of artificiality, the beauty is not frozen, but alive. We can confidently say that Olga Ilinskaya continues the gallery of beautiful female images, which Tatiana Larina opened, and which will admire not one generation of readers. Olga - Alien in his environment. But there is a mind in it, and decisiveness to defend the right to their vital position. It was Olga Oblomov who perceived as an embodiment of the ideal that he dreamed of. The relationship between the main hero of the novel with Olga allow us to deeper the nature of Ilya Obloma deeper. What does Olga sees in Oblomov? First, the painful inability of this person to action lights in it the desire to help a good, but soothered man. She appreciates in the Oblomeness of the mind, simplicity, gullibility, the absence of all those secular conventions that are also alien to her. She feels that there is no cynicism in it, but there is a constant desire for doubt and sympathy. Olga dreams that "she will indicate a goal, makes love everything that he sobbed ... He will live, act, bless life and her." However, Olga and Oblomov are not destined to be happy. Oblomov prefers that their relationship with Olga could not always be only their personal matter, they will certainly turn into a lot of conventions, duties. Olga constantly reflects on his feeling, about the influence of Oblomov, about his "mission"; Love is becoming a debt for her, and therefore can no longer be rejocent, spontaneous. Moreover, Olga is not ready to sacrifice all for the sake of love. "Would you like to know if I would have sacrificed you with my calmness, would I go with you on this path? .. Never, for anything! "She resolutely replies to the broom. Oblomov and Olga are waiting for each other. She is from him - activities, will, energies; in her representation, he must become like a gallery, but only to keep at the same time. The best thing is in his soul. He is from her - a coaxless, selfless love. Olga loves that Oblomov, who created in his imagination, which she sincerely wanted to create in life. "I thought I would come to know you that you could still live for Me, - and you have died for a very long time, "Olga struggles with difficulty and asks the question:" Who cursed you, Ilya? What did you do? What thugs you? There is no name to this evil ... ". -" There is, "Ilya answers. - Oblastovshchyna! "The tragedy of Olga and Oblomov becomes the final sentence of that phenomenon, which depicted Goncharov. Olga marries gallery. It was he who managed to ensure that Olga's soul, common sense, the reason finally defeated her feeling. Her life can be called happy. She believes in her husband, and therefore he loves him. But Olga begins to feel an inexplicable longing. Mechanical, the active life of the gallets does not give those opportunities for the movement of the soul, which were in her feeling to breakdown. And even gallets guess it: "By learning it, his It is impossible to fell in love. "With love for Oblomov, the best part of Olga's soul is dying, she remains victim forever." Olga, in its development, represents the highest ideal, which can now be Russian express from the present Russian life, a living person, only that which we are still did not meet, "wrote N. A. Dobrolyubov. -" ... in it more than in the gallery, you can see a hint of a new Russian life, you can expect a word from it that burned Et and dispels the breakdown ... Oblast is well known for her, it will be able to distinguish it in all kinds, under all masks, and ... will find so much forces to produce a mercrecious court ... "

Ideal female character in the representation I. A. Goncharov

She migned his power over MiG, and she liked this role of a guiding star, a ray of light. I. A. Goncharov Roman "Oblomov" was published in 1859, when the question of the abolition of serfdom was extremely acute in the country, when Russian society had fully realized the degree of existing order. "To disassemble the female images created by I. A. Goncharov, it means that you make a claim with the great connoisseurs of the female heart," said one of the most insightful Russian critics N. A. Dobrolyubov. In the image of Olga Ilinskaya, not only the best features of the Russian woman were embodied, but also all the best that saw a writer in a Russian man. Olga was not a beauty, there was no whiteness in her, no bright flavor of the cheeks and lips, and the eyes did not burn the rays of the inner fire. But if you turn it into a statue, it would be a statue of harmony and grace. It is in Olga that we see all those features that have always attracted the attention of Russian writers in any woman: the lack of artificiality, the beauty is not frozen, but alive. We can confidently say that Olga Ilinskaya continues the gallery of beautiful female images, which Tatiana Larina opened, and which will admire not one generation of readers. Olga - Alien in his environment. But there is a mind in it, and decisiveness to defend the right to their vital position. It was Olga Oblomov who perceived as an embodiment of the ideal that he dreamed of. The relationship between the main hero of the novel with Olga allow us to deeper the nature of Ilya Obloma deeper. What does Olga sees in Oblomov? First, the painful inability of this person to action lights in it the desire to help a good, but soothered man. She appreciates in the Oblomeness of the mind, simplicity, gullibility, the absence of all those secular conventions that are also alien to her. She feels that there is no cynicism in it, but there is a constant desire for doubt and sympathy. Olga dreams that "she will indicate a goal, makes love everything that he sobbed ... He will live, act, bless life and her." However, Olga and Oblomov are not destined to be happy. Oblomov prefers that their relationship with Olga could not always be only their personal matter, they will certainly turn into a lot of conventions, duties. Olga constantly reflects on his feeling, about the influence of Oblomov, about his "mission"; Love is becoming a debt for her, and therefore can no longer be rejocent, spontaneous. Moreover, Olga is not ready to sacrifice all for the sake of love. "Would you like to know if I would have sacrificed you with my calmness, would I go with you on this path? .. Never, for anything! "She resolutely replies to the broom. Oblomov and Olga are waiting for each other. She is from him - activities, will, energies; in her representation, he must become like a gallery, but only to keep at the same time. The best thing is in his soul. He is from her - a coaxless, selfless love. Olga loves that Oblomov, who created in his imagination, which she sincerely wanted to create in life. "I thought I would come to know you that you could still live for Me, - and you have died for a very long time, "Olga struggles with difficulty and asks a bitter question:" Who cursed you, Ilya? What did you do? What thugs you? There is no name to this evil ... ". -" There is, "Ilya answers. - Oblastovshchyna! "The tragedy of Olga and Oblomova becomes the final sentence of that phenomenon, which depicted Goncharov. Olga marries gallets. It was he who managed to ensure that Olga's soul, common sense, reasonably defeated her feeling. Her life can be called Happy. She believes in her husband, and therefore loves him. But Olga begins to feel an inexplicable longing. Mechanical, the active life of the gallets does not give those opportunities for the movement of the soul, which were in her feeling to breakdown. And even gallets guess it: "Learning time , it is impossible to burst out. "With love for Oblomov, the best part of Olga's soul is dying, it remains a victim forever." Olga, in its development, represents the highest ideal, which can now be a Russian artist to express from the present Russian life, a living person, just that, What we have not met, "-" I wrote N. A. Dobrolyubov. - "... in it more than in the gallery, you can see a hint of a new Russian life, you can expect a word from it, to The silent will burn and dispel to the bombing ... the Oblast is well known for her, it will be able to distinguish her in all kinds, under all masks, and ... will find so much forces to produce a mercrecious court ... ".

Tasks and tests on the topic "The ideal female character in the representation of I. A. Goncharov"

• Declination of the names of adjective female - The name is adjective as part of speech grade 4

  Lessons: 1 tasks: 9 tests: 1

• Orthoepy - Important topics To repeat the exam in the Russian language

She migned his power over MiG, and she liked this role of a guiding star, a ray of light. I. A. Goncharov Roman "Oblomov" was published in 1859, when the question of the abolition of serfdom was extremely acute in the country, when Russian society had fully realized the degree of existing order. "To disassemble the female images created by I. A. Goncharov, it means that you make a claim with the great connoisseurs of the female heart," said one of the most insightful Russian critics N. A. Dobrolyubov. In the image of Olga Ilinskaya, not only the best features of the Russian woman were embodied, but also all the best that saw a writer in a Russian man. Olga was not a beauty, there was no whiteness in her, no bright flavor of the cheeks and lips, and the eyes did not burn the rays of the inner fire. But if you turn it into a statue, it would be a statue of harmony and grace. It is in Olga that we see all those features that have always attracted the attention of Russian writers in any woman: the lack of artificiality, the beauty is not frozen, but alive. We can confidently say that Olga Ilinskaya continues the gallery of beautiful female images, which Tatiana Larina opened, and which will admire not one generation of readers. Olga - Alien in his environment. But there is a mind in it, and decisiveness to defend the right to their vital position. It was Olga Oblomov who perceived as an embodiment of the ideal that he dreamed of. The relationship between the main hero of the novel with Olga allow us to deeper the nature of Ilya Obloma deeper. What does Olga sees in Oblomov? First, the painful inability of this person to action lights in it the desire to help a good, but soothered man. She appreciates in the Oblomeness of the mind, simplicity, gullibility, the absence of all those secular conventions that are also alien to her. She feels that there is no cynicism in it, but there is a constant desire for doubt and sympathy. Olga dreams that "she will indicate a goal, makes love everything that he sobbed ... He will live, act, bless life and her." However, Olga and Oblomov are not destined to be happy. Oblomov prefers that their relationship with Olga could not always be only their personal matter, they will certainly turn into a lot of conventions, duties. Olga constantly reflects on his feeling, about the influence of Oblomov, about his "mission"; Love is becoming a debt for her, and therefore can no longer be rejocent, spontaneous. Moreover, Olga is not ready to sacrifice all for the sake of love. "Would you like to know if I would have sacrificed you with my calmness, would I go with you on this path? .. Never, for nothing! " She strongly replies to the broom. Oblomov and Olga are waiting for each other's impossible. She is from him - activities, will, energy; In her view, he should become similar on the gallery, but only to keep the best thing that is in his soul. He is from her - coalded, selfless love. Olga loves that Oblomov, who created in his imagination, which she sincerely wanted to create in life. "I thought I would come to know you that you could still live for me," and you have died for a very long time, "Olga defiles with difficulty and asks a bitter question:" Who cursed you, Ilya? What did you do? What thugs you? No name to this evil ... ". "There is," answers Ilya. - Oblastovshchyna! " The tragedy of Olga and Oblomov becomes the final sentence of that phenomenon, which depicted gonchars. Olga marries gallery. It was he who managed to achieve that in the soul of Olga common sense, the reason was completely defeated by her feeling. Her life can be called happy. She believes in her husband, and therefore loves him. But Olga begins to feel an inexplicable longing. Mechanical, the active life of the gallery does not give any opportunities for the movement of the soul, which were in her feeling to breakdown. And even Stolz guess this: "By learning it, it is impossible to fell in love." With love for Oblomov, the best part of Olga's soul is dying, it remains victim forever. "Olga, in its development, represents the highest ideal, which is now the Russian artist can now express from the current Russian life, a living person, just that we have not met," N. A. Dobrolyubov wrote. - "... in it more than in the gallery, you can see a hint of a new Russian life, you can expect a word from it that burns and dispels the bombing ... Oblasting is well known for her, it will be able to distinguish her in all kinds, under all masks, And ... will find so much forces to make a merciless court over her ... "

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She migned his power over MiG, and she liked this role of a guiding star, a ray of light.

I. A. Goncharov

The Roman "Oblomov" was published in 1859, when the question of the abolition of serfdom was extremely acute in the country, when Russian society has fully realized the disadvantage of the existing orders. "To disassemble the female images created by I. A. Goncharov, it means that you make a claim with the great connoisseurs of the female heart," said one of the most insightful Russian critics N. A. Dobrolyubov.

In the image of Olga Ilinskaya, not only the best features of the Russian woman were embodied, but also all the best that saw a writer in a Russian man. Olga was not a beauty, there was no whiteness in her, no bright flavor of the cheeks and lips, and the eyes did not burn the rays of the inner fire. But if you turn it into a statue, it would be a statue of harmony and grace. It is in Olga that we see all those features that have always attracted the attention of Russian writers in any woman: the lack of artificiality, the beauty is not frozen, but alive. We can confidently say that Olga Ilinskaya continues the gallery of beautiful female images, which Tatiana Larina opened, and which will admire not one generation of readers.

Olga - Alien in his environment. But there is a mind in it, and decisiveness to defend the right to their vital position. It was Olga Oblomov who perceived as an embodiment of the ideal that he dreamed of. The relationship between the main hero of the novel with Olga allow us to deeper the nature of Ilya Obloma deeper. What does Olga sees in Oblomov? First, the painful inability of this person to action lights in it the desire to help a good, but soothered man. She appreciates in the Oblomeness of the mind, simplicity, gullibility, the absence of all those secular conventions that are also alien to her. She feels that there is no cynicism in it, but there is a constant desire for doubt and sympathy. Olga dreams that "she will indicate a goal, makes love everything that he sobbed ... He will live, act, bless life and her." However, Olga and Oblomov are not destined to be happy. Oblomov prefers that their relationship with Olga could not always be only their personal matter, they will certainly turn into a lot of conventions, duties.

Olga constantly reflects on his feeling, about the influence of Oblomov, about his "mission"; Love is becoming a debt for her, and therefore can no longer be rejocent, spontaneous. Moreover, Olga is not ready to sacrifice all for the sake of love. "Did you want to know if I would have sacrificed you with my calm, would I go with you on this way? .. Never, never!" She strongly replies to the broom. Oblomov and Olga are waiting for each other's impossible. She is from him - activities, will, energy; In her view, he should become similar on the gallery, but only to keep the best thing that is in his soul. He is from her - coalded, selfless love. Olga loves that Oblomov, who created in his imagination, which she sincerely wanted to create in life. "I thought it would come to know you that you could still live for me," and you have died for a very long time, "Olga is barely straightened and asked the bitter question:" Who cursed you, Ilya? What did you do? What did you grow up? No name to this evil ... ". "There is," Ilya answers. - Oblastovshchyna! "

The tragedy of Olga and Oblomov becomes the final sentence of that phenomenon, which depicted gonchars. Olga marries gallery. It was he who managed to achieve that in the soul of Olga common sense, the reason was completely defeated by her feeling. Her life can be called happy. She believes in her husband, and therefore loves him. But Olga begins to feel an inexplicable longing. Mechanical, the active life of the gallery does not give any opportunities for the movement of the soul, which were in her feeling to breakdown. And even Stolz guess this: "By learning it, it is impossible to fell in love." With love for Oblomov, the best part of Olga's soul is dying, it remains victim forever. "Olga, in its development, represents the highest ideal, which is now the Russian artist can now express from the current Russian life, a living person, just that we have not met," N. A. Dobrolyubov wrote. - "... in it more than in the gallery, you can see a hint of a new Russian life, you can expect a word from it that burns and dispels the breakdown ... Oblast is well known for her, it will be able to distinguish it in all kinds, Under all masks, and ... will find so much forces to make a merciless court over her ... ".