Character traits of the wild from the play Thunderstorm. Characteristics and image of the Dikiy from Ostrovsky's play "The Thunderstorm

Character traits of the wild from the play Thunderstorm. Characteristics and image of the Dikiy from Ostrovsky's play "The Thunderstorm

According to I. A. Goncharov, A. N. Ostrovsky "brought a whole library of works of art as a gift to literature, created his own special world for the stage." The world of Ostrovsky's works is amazing. He created characters large and solid, was able to emphasize comic or dramatic properties in them, to draw the reader's attention to the merits or vices of his heroes.

Special attention should be paid to the heroes of the play "Gro-za" - Savel Prokofievich Dikoy and Marfa Ignatievna Kabanova.

Savel Prokofievich Dikoy - merchant, significant person in the city of Kalinov. Eloquent characteristics are given to him by the heroes of the play. “He belongs everywhere. He's afraid that he is who! " - says Kudryash about him. Dikoy, in fact, does not recognize anything except his own will. He does not care about the thoughts and feelings of other people. To curse, humiliate, insult Savel Prokofievich is worth nothing. With those around him, he behaves as if he “broke loose”, and without this he “cannot breathe”. "... You are a worm," he says to Kuligi-well. - If I want - I will have mercy, if I want - I will crush ”.

The power of the Wild is the stronger, the weaker, the more weak-willed the person is. So Kudryash, for example, knows how to resist the Wild. “... He is the word, and I am ten; will spit, and will go. No, I will not become a slave to him, ”says Kudryash about his relationship with the merchant. Another person is the Dikiy's nephew, Boris. “Boris Grigorich made it to him as a sacrifice, and so he drives it,” others note. Wild is not embarrassed by the fact that Boris is an orphan and that he has no one closer to his uncle. The merchant realizes that the fate of his nephew is in his hands, and takes advantage of this. "Hunted down, hammered ...", - Boris says bitterly. The merchant is no less cruel to his workers: “No one here dares to utter a word about the sting; On someone else's slave labor and deceit, the shameless Dikoy makes his fortune: "... I will not pay them for some kopeck ... and I make up thousands of this ...". Anyway, sometimes he finds insight into the Wild, and he realizes that he is going too far: "After all, I already know that I have to give it back, but I can't do everything good."

Dikoy is a despot and a tyrant in his family, “his own people cannot please him in any way”, “when he is offended by such a person whom he does not dare to curse; hold on to your pets! "

The rich Kalinovskaya merchant's wife is not inferior to the Wild and Kabanikha. The boar is a prude, she does everything "under the guise of piety." Outwardly, she is very devout. However, as Kuligin notes, Kabanikha “clothe the beggars, but ate the family altogether”. The main object of her tyranny is own son Tikhon. As an adult, married man, he is completely in the power of his mother, does not have his own opinion, is afraid to contradict her. Kabanikha "builds" his relationship with his wife, she guides his every act, every word. Complete obedience is all she wants to see in her son. The power-hungry Kabanikha does not notice that under her oppression a cowardly, pitiful, weak-willed, irresponsible person has grown up. Having escaped for some time from under the supervision of his mother, he chokes on freedom and drinks, because he does not know how to use freedom in any other way. "... Not a step out of your will," he repeats to his mother, and "he thinks about how he can get out as soon as possible."

Kabanikha is jealous of his son's daughter-in-law, constantly reproaches him with Katerina, “he eats as a meal”. “I can see that I’m a hindrance to you,” she says to Tikhon. Kabanikha believes that the husband's wife should be afraid, precisely afraid, and not love or respect. In her opinion, the right relationship is built precisely on the suppression of one person by another, on humiliation, on lack of freedom. An indicator in this respect is the scene of Katerina's farewell to her husband, when all Tikhon's words addressed to his wife are just a repetition of Kabanikha's instigations.

If Tikhon, crushed by her, suffers from Kabanikha from childhood, then the life of such a dreamy, poetic and integral nature like Katerina, in the house of a merchant's wife, becomes unbearable at all. “It is all the same what I got married here, what they buried,” says Boris.

Constant pressure makes Kabanikha's daughter, Varvara, adapt. “Do what you want, as long as it is sewn and covered,” she says.

Assessing the images of the "masters of life", N. Dobro-lyubov shows Dikiy and Kabanikha as tyrants, with their "constant suspicion, nagging and captiousness." According to the critic, "Gro-za" is the most decisive work of Ostrovsky "in this play" the mutual relations of tyranny and speechlessness have been brought ... to the most tragic consequences ... ".

Savel Prokofievich Dikoy is one of the main characters in the work, presented by the writer as an enterprising and domineering merchant, one of the wealthy residents of the county town.

The character of the Wild one is distinguished by excessive shameless selfishness and desperate thirst. monetary wealth bordering on insanity. Moral and moral principles in the nature of the Wild are completely absent, and the observance of Orthodox church rites is more related to an imaginary deal with the Almighty for the forgiveness of sins. The concept of conscience and compassion is unfamiliar to the Wild, having inflicted suffering on people who are weak and below him in position, he does not experience any moral remorse and emotional distress.

The writer describes the merchant as uncontrollable, sometimes inadequate, prone to fits of rage and rage, manipulating people through the use of fear and pressure. Under Dikaya, he receives not only moral satisfaction, but also material benefits, since by not paying the slaughtered peasants for work, he guarantees himself a constant additional income.

Dikoy is extremely ignorant and not educated, he completely lacks the desire to enlighten and get rid of his deep darkness, he is not interested in either the modern social position or the historical past. Savel Prokofievich's speech consists of continuous curses, bile and rudeness, and inner world character is completely blank. At the same time, he loves to drink a glass, another vodka.

In addition to the cruel features of the Wild's temper, he is also characterized by cowardice towards those who are able to show the merchant his true place. Passing before Kabanikha, another representative of the dark kingdom, Dikoy realizes that the merchant's wife is a smarter and cunning woman in comparison with him. Therefore, he takes out all his hatred and anger over innocent households. Dikoy is also afraid of the Thunderstorm, but due to his ignorance, he considers her to be a supernatural phenomenon and tries to hide from her.

Aggressively expanding his life potential, moving to meet greed, cruelty, self-love, the Wild is stopped only by power and strength.

Essay about the Wild

Dikoy is one of the heroes of the play "The Thunderstorm" by Alexander Nikolaevich Ostrovsky and wears speaking surname... In the work, the hero appears as the richest merchant who enjoys extreme respect among all those around him. Using his example, the author shows a problem that existed in Russia not only at that time, but also now.

The actions of the work take place in a fictional city called Kalinov. This city is distinguished by its savagery, insignificance and inhabitants with limited needs and outlook on life. The problems that the author reveals with the help of the city and its inhabitants are relevant for the whole of Russia even at the present time.

One of the social problems is also revealed with the help of a character named Dikoy. He was one of the most influential and wealthy people in the city, a merchant. The author never mentions his appearance, but a lot is known about his character. He was an extremely cruel, rude, unceremonious, aggressive and always angry man, and his mood was unstable. Neither his wife nor even he himself knew what mood he would be in the next minute. He headed himself the master of the city and life in general, allowed himself to humiliate, insult and curse even strangers whom he didn’t know personally. For him, it became the norm and commonplace, to some extent, entertainment. It is worth noting that such behavior Dikoy allows himself exclusively in relation to people who are below his status and are not able to fight back. It shows his true face, worthlessness and a rotten soul that has been tainted by money and power.

The wild is definitely negative character works of Alexander Nikolaevich Ostrovsky. During the entire development of the plot, the hero never showed at least any positive feature your character. From him comes exclusively anger, anger and cruelty, showing his rotten inner world. Perhaps, giving up uninterrupted and unreasonable anger to the outside world, he hides his weakness, insecurity and unhappy life. People like Dikoy exist in modern world... Their once-existing kindness and openness spoil money, turning a person into soulless creature, in the priorities of which there are no really worthwhile things.

Several interesting compositions

  • Genre of Stories by Belkin Pushkin

    The work of the writer is a collection of five stories included in one collection with a preface, which is published without the author's surname.

  • Russian literature is unusually rich in interesting works... That is why such a large number of films were filmed based on them.

  • Composition based on the painting by Romadin Selo Khmelevka Grade 9 (description)

    The picture was painted by Romadin in 1944 in the Volga region. Before us appears a village with the telling name of Khmelevka, as if hidden by the Lord of the Gods in this secluded and invisible place

  • Pushkin and Boldinskaya autumn. It is this combination that brings to mind the story “ Stationmaster". In the center of the story is fate " little man"- Samson Vyrina and his daughter Dunya

  • Composition based on the painting Grandmother's Garden Polenov Grade 8

    In the 19th century, most Russian artists worked in the landscape genre. But Polenov Vasily Dmitrievich worked in the genre of "mood landscape". This genre was personally invented by the artist and was not used by anyone in the future.

Already such and such a scolder, like ours
Savel Prokofich, look for more!
A. N. Ostrovsky
Drama by Alexander Nikolaevich Ostrovsky "Thunderstorm" on long years became a textbook, depicting “ dark kingdom"Which suppresses the best human feelings and aspirations, trying to force everyone to live according to their rough laws. No free thinking - unconditional and complete submission to elders. The carriers of this "ideology" are Dikoy and Kabanikha. Internally, they are very similar, but some external difference is present in their characters.
The boar is a hypocrite and a hypocrite. Under the guise of piety, she, “like rusting iron,” eats her household members, completely suppressing their will. The boar has raised a weak-willed son, wants to control his every step. She dislikes the very thought that Tikhon can make decisions on his own without looking back at his mother. “I would have believed you, my friend,” she says to Tikhon, “if I hadn’t seen with my own ears and with my own ears I hadn’t heard what the respect for parents has now become from children! If only they remembered how many diseases mothers endure from their children. "
Kabanikha not only humiliates children herself, she also teaches Tikhon this, forcing him to torment his wife. This old woman is all on suspicion. If she had not been so fierce, Katerina would not have thrown herself into the arms of Boris first, and then into the Volga. Dikoy just as a "chain" pounces on everyone. Kudryash, however, is sure that "... we have few guys to stand up for me, otherwise we would have taught him to misbehave." This is perfectly true. Dikoy does not meet proper resistance, and therefore suppresses everyone. For him, capital is the basis of his atrocities, so he keeps himself that way. For the Wild, there is one law - money. By them, he defines the "value" of a person. Swearing is a common state for him. They say about him: “Look for another scolder like ours, Savel Prokofich. No way will he cut off a person. "
Kabanikha and Dikoy are “pillars of society”, spiritual mentors in the city of Kali-nova. They have established an intolerable order, from which one throws herself into the Volga, others run wherever they look, and still others get drunk.
Kabanikha is quite sure that she is right, she alone knows the ultimate truth. That is why he behaves so unceremoniously. She is the enemy of everything new, young, fresh. “This is how old things are displayed. I don’t want to go to another house. And if you go up, you will spit, but get out soon. What will happen, how the old people will die, how the light will stand, I really don't know. Well, at least it's good that I won't see anything. "
Dikiy has a pathological love of money. In them, he sees the basis of his unlimited power over people. Moreover, for him all means are good in making money: he cheats the townspeople, “he will not disappoint a single one,” he has “thousands made up of unpaid kopecks”, quite calmly appropriates the inheritance of his nephews. Dikoy is not scrupulous in the choice of funds.
Under the yoke of the Wilds and the Boars, not only their households groan, but the whole city as well. "Thick is powerful" opens up before them an unlimited opportunity for arbitrariness and tyranny. "The absence of any law, any logic - this is the law and logic of this life," - writes Dobrolyubov about the life of the city of Kalinov, and, consequently, of any other city of tsarist Russia.
In the play "The Thunderstorm" Ostrovsky gives a true picture of the musty atmosphere provincial town... The reader and viewer have a terrifying impression, but why is the drama still relevant 140 years after its creation? Little has changed in human psychology. Whoever is rich in power is, unfortunately, right to this day.

/ / / Comparative characteristics Dikogo and Kabanikha (based on Ostrovsky's play "The Thunderstorm")

The action of Ostrovsky's drama takes place in the fictional city of Kalinov on the banks of the Volga, where a traditional way of life reigns. The city has beautiful nature, but callousness and ignorance, anger, drunkenness and debauchery reign among the inhabitants of this area. And the worst thing is that people are used to it. They had such a way of life, and if they got to normal person, then he could not stay there for a long time. As in everyone literary work, in Ostrovsky's play "The Thunderstorm" there are positive and negative characters... The negative, first of all, include the mother-in-law the main character Katerins - Marfa Ignatievna Kabanova and uncle Boris, Katerina's beloved man, Savel Prokofievich Dikoy.

In the play, these heroes are rarely called by name, patronymic, they are more called and. What these characters have in common is that they are both cruel and heartless people, and they are united by their love of money. Relations between people, according to their worldview, are based only on wealth. They, as they want, scoff at their families, forcing them to live in constant fear.

Dikoy put himself above all those around him, and they are afraid of him and do not even try to resist it. He shows permissiveness, because in Kalinin there is no one who could resist him. Dikoy is convinced of his impunity and considers himself the master of life.

The boar covers disrespectful behavior with a mask of virtue. She is a strong and domineering person, she is little interested in emotions and feelings. As a person of the old formation, Kabanova is interested in earthly affairs and interests. Her demands are in the unquestioning fulfillment of order and rank.

Dikogo, like Kabanova, can be considered representatives of some merchant class who behaved inappropriately. Such people cannot be called pious. But it cannot be said that the Russian merchants of the 19th century were the prototypes of Kabanikha and the Wild. In the same drama, Ostrovsky shows that Boris's father was the brother of Diky, but when he was brought up in the same family, he was different from the merchant Diky. Boris's father was married to a girl noble origin, and he had a very different life than his oppressive brother.

Kabanova is also shown as a typical representative of the merchant class. As the head of the family, the mother of Tikhon, Varvara and the mother-in-law of Katerina, she constantly torments her closest people with her behavior. Maybe she loved her children in her own way, but how could a normal mother behave like that? Probably not. The drama contains a description of Katerina's story about childhood. Katerina's parents were also from the merchant class, but Katerina's mother was an empathetic, kind and sympathetic woman. She loved and cared for her daughter very much.

Ostrovsky took the plot for his play from real life, but the city was given the fictitious name Kalinov. Many Volga cities believed that the play "The Thunderstorm" was written based on the events that took place in their city. Now for some reason they believe that this is the city of Kostroma.