Lifting harmonica: species and features. The world of loving harmonica

In English, the name of the lift harmonica may sound like Harmonica, or HARP. From the last version and the nicking of the musician playing on this tool - Harper.

Where did she come from who came up with her? To answer these questions, you will have to plunge a little in history.

How to go ...

Light harmonica has become known not so long ago. Its history, of course, do not compare with stories more than an ancient flute or the same guitar. Nevertheless, with a flute harmonic, it has something in common: both of them belong to the same family of wind tongue tools.

Unlike most musical instruments, harmonica has an almost accurate date of creation. She patented in 1821 16-year-old German H.F.L. Busman, "Wizard Master." Of course, then she had the appearance clearly different from the modern appearance of this tool: a metal plate with fifteen holes covered with steel tongues. The sound was removed only in exhalation, and, like in our times, its volume and purity depended solely on the skill of the master.

So looked first harmonic

The design of the first harmonica was not perfect. Many understood this, tried to make changes. Further I went again the German, someone Richter from Bohemia. Already in 1826, he suggested his tool version to the musicians. The holes were already 10, and the tongues are 20, that is, two for each: one of the tongues was responsible for extracting sound on the breath, the other - in exhalation. The scheme proposed by the Richter was so good and convenient, which exists to this day.

Already in the middle of the XIX century, mass production of luminous harmonica began, and M. Honer became the first of its manufacturers. Founded by him in 1857, the company, named after the Creator, quickly won the market. Including due to the fact that Honer made a bet not only to Europe. In the early 60s of the same century, he brought his lip accordions to America, and it became the most right step. Since then, the German company Hohner is a global leader in the production of these musical instruments. However, on this, their range does not end, it includes accordions, and blockballs, and guitars. But it all began with an ordinary lift harmonic!

Now you can even meet this: the harmonica and the flash drive - two in one

Harmonic device

Inside the tool there are two plates with tongues, one of which works on the breath, and the other - in exhalation. That is, the sound actually occurs when the tongue located opposite the hole in which you inhale (or, on the contrary, from which the air is "taking" air), breaks the air jet.

Since the harmonica is a very small tool itself, no acoustic resonator, such as in the guitar, there would not be fit. Therefore, the sound of the sound depends on the first (and only) queue from the musician himself, on the position of his hands, the development of light and degree of skill.

Make harmonica from wood, plastic or metal. A tree, as it should be, requires more thorough care, is more sensitive to weather and a capricious belongs to other everyday troubles.

Light harmonica, among other things, differ also with a tonality. The most common type of tool is in a tonality to major (C Major). Among the "Chinese" the majority of such accordites. Japan and Germany contribute more diversity: they often meet Harp in Sol Major (G Major), as well as less often - and other tonalities.

Varieties

What are the harmonics? If it is completely simple, without rarely found professional instruments, then they are divided into diatonic and chromatic.

Diatonic (below) and chromatic lip harmonic

Diatonic allow the Musician "By default" to extract only the main notes from the tool - up to, re, mi, etc. Chromatic and give the opportunity to play the entire chromatic range of entirely, using and halftone (up-dispesis, re-dyz, etc.). If you make an analogy with piano, then the diatonics is the game only with white keys, and chromatics - and black too.

Of course, when you need to master the game on a dictional harmonic, all special techniques are Bend, Overblow, Overdro and others, for you will not be much difficulty extracting the "black keys" sounds from the tool. But for all this it takes time.

It is possible to distinguish the harmonica. The main difference is chromatics on the side there is a slider, a special button that allows you to raise a note on the halfone.

True, there are exceptions here! For example, TOMBO Chromatic Single S50. Without slider, but chromatics. Halftone removed from the second row of holes.

As for the holes, the diatonic harmonica has their number unchanged - 10. But the chromatic tool can change this position. Of course, it is mainly from 12 to 16 holes, but they can meet more, and less - and 8, and 22. And even 10, as on Diatonika. What they are more, the wider a lot, which you can use when playing.

Well, of course, the chromatic harmonica will be a dimensive, rather than a diatonic one. The number of holes makes its business.

Immediately warning: on chromatics learn more difficult to play. Maybe therefore it is less common. On the shelves of stores more often is a decent choice of diatonics and a much less chromatic tool. And by the way, the price is also quite very different, but about it below.

In addition to the main division, there is also a smaller crushing on subspecies.

Thus, the diatonic harmonic is blusucid, octave and tremolo.

Blues - the most famous. 10 holes, the sound is extracted to inhale and exhale. It can become for you and chromatic, if, as already mentioned above, mastering all the games of the game on it.

Hohner Blues Harp, blues (price approximately 1000 rub.)

Tremolo is remarkably suitable for the performance of folk songs. If you look inside such a harmonica, you can immediately find two sound plates. They are slightly upset with respect to each other, while they sound at the same time. From such a combination, the effect of tremolo, actually, and the name of the tool is obtained.

Hohner Tremolo Soloist CG (about 2300 rubles.)

Octavna garmoshka It differs from Tremolo only by the fact that the two of its sound plates are not upset relative to each other, but, on the contrary, are set up "to octave". The sound they publish too together, and because of such features of the music of the music louder and somewhat specific compared to others.

There is also, of course, the orchestral harmonics (bass, chord), but they are so rare and narrowly professional, which they only acquire them for playing in ensembles when it is the main work. I think that in this case a person and himself, without this article, knows what he needs.

What are you going to play

The choice of lip harmonica in a large extent depends on what kind of music you are going to make it preferably. For different works A certain location of notes is required, the most convenient for the style you favorites.

For example, if you want to play jazz works or generally a classic - choose a chromatic harmonic. Blues are already diatonics, and, accordingly, blues. For melodies, easier, with a peculiar sound in the style of Russian-folk da dance-dance, will suit Thremolo. Oktavna and other orchestra are already very like an amateur or for an actively executing professional.

What is still purchased

The first question of the newcomer, going to seriously take up the game on the Garmoshka: "What tool to buy?"

If you are going to do with the teacher, then everything depends on the preferences of the teacher.

By the way, for a professional question "What should I take - chromatics or a diatonik?" It sounds the same as for any other musician, whose problem is the problem of choosing between a guitar and saxophone. Simple and chromatic, and diatonic harmonica, despite all the external similarity, after all, different tools in terms of the complexity of the development, techniques of sound extracts, etc.

But let's return to specific models. If you look in the direction of the diatonics, then the most popular choice is Hohner Blues Harp (cost approximately 1000 rubles), Hohner Special 20 (about 930 rubles), Suzuki Promaster (price around 2000 rubles), Lee Oscar Major Diatonic Find for 1200 rubles.), Seydel 1847 (already somewhere 3000 rubles).

Suzuki Promaster

With chromatics, everything is not so simple. First, it is necessary to immediately decide whether you need a tool with great holes. As mentioned above, than them more, the richer the sound (that is, more notes can be removed from the tool).

Nevertheless, among them you can find the most popular newcomers in the newcomers. Perhaps, first of all it is Hohner Chromonika 40 (somewhere 3700 rubles), Tombo Uni Chromatic (cost approximately 3800 rubles), Hohner Super 64 x (about 10,000 rubles).

Tips for purchase

A completely decent tool (from a number of diatonic) can already be bought in the area of \u200b\u200b$ 20. In stores, of course, offer harmonics already starting from 300 rubles, but still navigate better on the average price threshold.

At the same time, consider that chromatic harmonics will cost several times more expensive. Simply good tool It starts from 3-4 thousand rubles., Very good can cost about 35,000 rubles.

Hohner Amadeus Chromatik Harmonika (cost about $ 1500)

Bought better in the company with a person who disassembled in harmonics. And if you still came to the store alone, do not hesitate to the sellers - try yourself, how the model you liked you like.

In most Russian cities, it is hardly possible to get something other than Hohner. If your soul hurt something else, then welcome to the world of the Internet. Still, it is most likely to be cheaper than to go to another city itself.

In the end, no one prevents you later to buy a couple more representatives of your favorite tool and then play on that harmonic, the sound of which will have to do more. Most models are not extended, this tool is still easier to manufacture than, for example, a synthesizer.

In general, it all depends on skill. A beginner on the road Hard is unlikely to get around the pros on the cheap harmonic, right? Another thing is that in skillful hands a good tool can work wonders.

By the way, the harmonica is excellent gift to kid. Now they are released by the great many children - non-ferrous, with some drawings, popular characters From cartoons.

It is interesting, and fascinating, and at the same time a training session. Maybe that way your son or daughter comes to music, maybe later it will become their profession. And it is often not necessary that the further choice falls precisely on the harmonica.

But how to know - what if the new Stevie Wonder is growing next to you?

Tutorial of the Garmoshka.

Unfortunately, until recently, learn to play on the Garmoshka (speaking more "by scientific" harmonics) was not an easy business. After all, this convenient, compact, pocket tool, although it is not rare, but it is extremely rare, and even then in certain circles of musical music lovers. Lifting harmonica for beginners and not only. Source: http://www.harpis.ru Having an interesting and never aging sound, which is perfectly combined with the sound of the guitar and other tools + small size And the ability to take it where you want, whether it is a speech on an acoustic evening or rest in the forest - it gives a lip-harmonica more and more popularity. Moreover, it is available for both musicians and people far from talked grammar and musical education. Of course, those who already understand something and friendly with notes are much easier to master this tool, but as I said this is not a hindrance for beginners who really wanted to master the loving harmonica. I repeat, they wanted to master the lip harmonica, because it is even so at first glance is not a complex tool requires effort and training, of course less smaller in comparison with the guitar, piano, not to mention other tools. If you seriously decided to conquer a luminous harmonica or just learn about it as much as possible, then, perhaps, this site is optimal for this solution. Here you can find answers to the questions you are interested in and learn from scratch on this tool. It all depends on you… Lesson 1. The first sounds. Beginning is difficult at first extract the net single note. Therefore, it is better to start with the extraction of chords. So, bring a lifting harmonic to the mouth so that your lip is blocked, 4th, 5th and 6 holes (see cris1.). Make exhale. Thus, your first chord sounded from the 3rd notes. Denote it: No. 1 Let's do a similar one with the 5th, 6th, 7th holes (see cris 2). 3 notes sounded again. This is your second chord. Perform exercises in Figure No. 3. So:

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first chord

Second chord

Exercise ... Figures in the circles designation chords.

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Now the task is a little more complicated, add the third chord. Perform exercises. Bring these simple exercises to automatism, but only then proceed to the second lesson.

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third chord

three Chord Exercise

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Lesson 2. Learning to extract one note. On the 1st lesson, we looked at the principles of the chord game on the Garmoshka. Chords are certainly good. But now the task is more complicated, you need to extract one note. Yes, yes - one note! What did you think? My task is to make a good musician from you, and not an inhabitant. Which you will become and what will reach in the future, depends only on you and your perseverance. So. In total, there are 3 methods for extracting one (separate) notes: 1. The whistle method (I will explain easier - the "lube tube"). 2. Method called "Linking Language" (when removing the chord, one of the holes is closed by the language). 3. The "Tongue Tongue" method (you need to roll the tongue with the tube and arrange it opposite the single hole from which the sound is planned). Let's start with the most simple and accessible method. First focus on the 1st method. The 2nd method is also needed to master, but it will touch it a little later. As for the method for number 3, it is not available to everyone, because It is necessary to have certain physiological features of the organism, which occur about 50-70% of people. Transferring to a simpler language - despite any effort, not everyone can physically return the tongue into the shape of the tube. Summarizing the 2nd and 3rd method, it is worth paying attention to the fact that these methods are based on the use of the language and the beginning is more difficult to master with such a sound removal by the reception "Band". To get an idea of \u200b\u200bsingle sound, proceed as follows: Choose any hole, for example, the 4th, and the 3rd and 5th, close the hands and dunge stable fingers. If your fingers close the holes of the lifting harmonica, then you have a clean single note, sounding on the exhalation of the 4th hole. In case the fingers do not listen, then something (for example, scotch), creeps the desired holes. Having done the above procedures, you clearly understand how single notes should sound all right, but you will have to remove them without the help of your fingers and scotch. The extraction of a single note is complicated by the form of human lips (horizontal closure). Lips do not allow simply and without any problems to extract single notes. Therefore, it is necessary to lower the lower jaw, pull the cheeks and fold the lips so that they began to resemble a small oval or a circle. If it does not work out right away, you can help yourself, squeezing your mouth corners. It is this form that you must achieve (see photo №1). This exercise is advisable to perform at first before the mirror and without a harmonica - it will help you to see the results of your efforts. Having accepted the right position of the lips, bring a lip harmonic. Watch that the gap between the lips does not increase. The harmonica should be located between the lips, and not before them, in any way. Try to make a slow exhalation and inhale through the 4th hole. (See Foto No. 2). If in this case you do not get a single note, thry to press the corners of the lips with your fingers (see photo # 3). Try to lock and save this position without the help of your fingers. As a rule, the exercise among the usual average person takes more than a couple of weeks. So I think you will get everything. When you already begin to get extraction of a single note, then repeat it until your lips will weaken. Try to save the right position. This exercise must be repeated multiple times and at a slow pace until the necessary proper muscle memory is generated.

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photo #1.

Photo №2.

photo number 3.

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Lesson 2. Learning to extract one note.

Having achieved positive results, you can try to play major gamut. Know that when moving from one hole to another, there should be a lifting harmonica, and not your head. To achieve the "smooth" transition from the hole to the hole, if something does not work, stop and work out the nuances until it turns to get everything. In case of sticking lips when moving between holes, lick the lips and the part of the instrument you play at the moment. During the game, the head should be raised. Do not forget to periodically shake remove the concentrated saliva and moisture from the tool. In the first weeks of classes, you can be concerned that the lips quickly get tired and cease to obey you. Do not be afraid - it always happens with newcomers. During the time and permanent training, this inconvenience will be overcome. No need to give up ahead of time. Try to make the harmonica in your mouth as much as possible, but the ability to extract single notes was not lost. Remember it constantly. Single extraction is the basics with whom you have to constantly face to one degree or another, so in your same interest it is thorough to learn this. And now it's time to start exercises. The up arrow means exhale, the down arrow is inhale. The digit standing above the arrow indicates which hole it is necessary to work.

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Lesson 3. The simplest melodies for the lifting harmonica.

Lesson 3. The simplest melodies for the lifting harmonica. Well, now I will proceed to the third lesson. He will be from the category - practical classes. I hope you carefully and responsibly reacted to the 2nd lesson and achieved a positive result in the extraction of a single note. After all, without it. Now you can play the simplest famous melodies on the Garmoshka (Aunt Rhody, Goin Down The Road Feelin Bad, Jingle Bells, Oh When The Saints, Railtoad Bill, LightyrW). Which, strictly speaking, provided to you in the 3rd lesson. Chords are granted to melodies. So you and some of your buddy can freely play in a duet.

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Re: Tutorial of the Garmoshka.

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Lesson 4. Receiving sound effects with palms.

Lesson 4. Receiving sound effects with palms. Tremolo on the lip harmonica. Sound effects are an integral part of the game of real "Harpers" (I hope you know who "Harpers"). In order to learn how to use sound effects, the first thing that needs to be done is to understand the nature of the sound and the situations in which it will be appropriate. The whole "secret" of the effective and proper position of the Garmoshki in the palms is that it is necessary to create impenetrable and the most important chamber with palms, which is a "trap" for the recoverable sound. The camera formed by palms should adjust the back of the harmonic. The more it is better, it is sealed, the richery will be the sound of recoverable effects. Everything is very simple - when the palms are open, the sound is stronger, compared to the one that is obtained during closed palms. If you have already understood this, then the provisions provided in the 4th lesson will not be meaningless. Massage. It is necessary to keep a lip harmonica so that the opening and closure of the palms affects the change of the sound of a chord or notes. This effect is referred to as "tremolo". It is built on vibrations of notes and chords with a large duration that can be found in the end of the melodies. In this case, the height of the note produced is not changed, namely its volume. I am expressing in a simple language, you, as it were, holding your palms the resulting sound, and then, blurring them, let's break free to him. Closed palms give the extractable notes a quieter, muted sound, and open the volume increases. But here is not so simple. In order for tremolo to be saturated and complete, one right position of the palms will not be enough. It is necessary to extract notes or chords as louder as possible so that the difference in the dynamics (quiet-loud) was tangible. If the power of the sound is insufficient, then the closure and opening of the palms will not be given any significant effect. To get optimal sound effects, it is necessary that the lifting harmonica is located in your left hands (there is no difference right-hander you or left-hander). The fact is that the main factor here is the close location of the chamber, which is formed by palms, in relation to the holes of the lower notes of the lip harmonica. Consequently, most of the camera formed the camera should be near the bottom. Over time, as you need your professional growth, you will notice that they play more in this part of the harmonica range. It turns out that it is thus the lifting harmonica. The location of the notes is obtained as on the piano, i.e. Bottom notes are located on the left side.

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How to keep a lip harmonica?

Now let's look at how to properly keep the lip harmonic. Take the harmonica between the index and thumbs of the left hand as close to the rear edge. As a result, it turns out that the left edge of the harmonica will be restarted into the interval formed between the base of the index and thumbs. (See Fig .№1) at first - it can cause discomfort and inconvenience, do not worry, after the week everything will be in place. Many will become a question, why exactly need to keep a lip accordion? The answer is simple - this is exactly the position of the fingers frees more space for the movement of the lips on the harmonica, thereby making a major game process (remember Lesson # 1). Here you go. We have already figured out with your left hand - we turn to the right. You need to close the fingers of the right hand and straighten your palm, but the thumb should be at a right angle towards the rest of the fingers. Then, subject the base of the palms, without changing the right palm form accepted. Now you can remove the sticking thumb, so that he did not touch the face and lips (see Fig. 2). Taking the correct position of the hands, to get a sound effect, reject a little right palm back But leaving the wrist of both hands closed. It is desirable, this exercise is not the first to perform in front of the mirror, analyzing yourself. This will help to eliminate the emerging slots between the palms that should be tightly compressed from the back of the lip of the harmonica. Remove some loud single, clean note on exhalation. Continuing to keep the sound notes, reject back the palm of the right hand (remember, you can not blur the wrists). You must hear a change in sound, the first backgrounds for tremolo. Thus, without interrupting the sounds of notes, alternately open and close the right palm (at a certain speed). You got the effect of tremolo. It should equally vibrate both inhale and exhale. Maybe someone did not get tremolo? The reasons may be two. The first - between the closed palms there are slots that pass the air. The second is insufficiently strong sound intake. The reasons are easily removable, so you do not need to be upset if something is wrong - just analyze yourself, read the lesson again and everything will turn out. The above may seem at first glance as complex and inaccurable. But, I assure you, after looking for a week, you look at it all differently. Yes, it is not easy, but you must overcome yourself. It must be remembered that the effect of tremolo is usually applied to long-term notes that are found in the ending melodies, songs. It is not necessary to use tremolo too often, because then the whole effect is lost. Over time and practice, you will understand when and in what quantities to use tremolo. So dare! All in your hands!

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Lesson 5. Respiratory formulation for the game on a lip accordion. This lesson is perhaps one of the most important After all, the ability to properly build your breathing is very important.And in respiration, the muscles of the front of the mouth and lips are not involved. The easiest way to learn how to breathe correctly when playing on a lip harmonicker is to extract one note at the lowest possible location of the harmonica in the mouth. The deeper you can put a lip harmonic, the better. This will allow you to focus on the breath with the help of a diaphragm and eliminate the actions of the lips and muscles of the front of the mouth. The power and power of the sound, its timbre and painting when the game largely depend on the correct breathing. Proper breathing cannot be confused with endurance. Endurance appears in the process of your lessons. As the rules, such a problem accompanies newcomers, but as it exercises and experience it is permitted. The right breathing is based on the movement of the diaphragm. It creates an airflow, which drives the tool. When playing harmonica, the correct breathing resembles a similar discipline that the musicians of hot spirits are studying, vocalists, athletes. But they use only exhale. And when playing on a lip harmonica, in addition to the exhalation, no less important is to inhale. Naturally, the exemption control is a rather unusual and specific lesson, because when talking or singing, we use solely inhale. Therefore, for many people, the right breathing when playing harmonica is difficult to learn. It should not scare you. It will take time, and you will learn to this difficult, but an important component when playing on a lip accordion. If you follow these recommendations, you will understand how to get a full-fledged tool, clean sound, but it will take the days of strengthened efforts. In circles of musicians, athletes, such a reception is called "Breathing with aperture", "Breathing of Yogis", "Deep Breathing", etc. Break up to exercises. The first is to study and play if possible standing. When breathing exercises are being worked out, try the heads to be a little raised, the back straight, and the body is relaxed - it will help better circulate air from the diphragm. By the way, I want to draw your attention to one rather interesting fact.. When you sleep, breathe correctly, and the body is most relaxed. But, perhaps, units can repeat a similar awakening from sleep. Deep breathing comes from the diaphragm, and not from air filling the chest, as it is considered. Try to do the following exercise (it is desirable to perform it in front of the mirror). Stand straight, slightly raising your head, and put your palm of any of the hands on the belly. Open your mouth so that the lower jaw is as low as possible, try to "frozen" in this position. This exercise contributes to strengthening the muscles. At the beginning, it will be difficult, you will be quickly tired, but in the process of the muscles they will fix it and it will be easily. Now you need to "stick" the belly, and then "absorb it" back, but at the same time the breath should not participate in it. At the same time, make sure that the belly goes perpendicular to the spine - "back-forward", and not "up-down". We now do the following not a simple exercise. Try to do exhale, while simultaneously pronouncing "Ha", see if your stomach has twisted. He must be moved towards the spine. And now, with the help of your hand, return the stomach into the usual position (through the mouth there should be a jet of air). Thus, affecting the diaphragm, you squeeze the air from the lungs, which passes through the throat and mouth (ultimately through the holes of the harmonica). I think that this (described above) exercise will not cause you essential complications. Now try to do the same, but already use a lip harmonic. To control the breath, one palm can put on the stomach. The tool should be placed as deep in the mouth. Now remove the hand to keep the lip harmonic, such images you will lock it only with the help of teeth. It is in such provisions that you have to extract chord (3-5notes). So, the position is made - you can try to extract airflow from the diaphragm. Watching in the mirror you will see that the belly will start moving (in any of the parties) for a moment before the first sound sounds. This exercise is easier to exhale, but you should learn how to breathe and inhale. Still a couple of tips for proper breathing. To get a more powerful, high-quality sound from the Garmoshka - focus on the air jet of air pass through the holes of the lifting harmonica, and not just got into them. After all, the air goes from the back side of the harmonica, and then another 7-9 cm. Moving parallel to the tongue. If the air flow moves at an angle, then you yourself do not want to change the height of the notes, and some notes (upper) with this position may sound bad or not to sound at all. This is the reason that many newcomers have a problem in sound recovery on exhale through the 2nd and 3rd holes. Also try not to overdo it in the extraction of a single note. Such a problem often arises from the musicians who have passed the initial stage of the game on the Garmoshka. You will ask why? Just beginners have a bad habit of closing and strain lips when removing a single note. In turn, this prevents the free passage of air, as a result, not the maximum possible amount of air passes. Try to keep track of the optimal lip configuration. In order to achieve good, high-quality sound at the least costs of effort. During the game on a lip harmonica, the air from you should go out only through the harmonica. Simply, many beginners are also involved in the nose, but it is reflected on the sound, so it should be avoided. If your nose is still involved, you can practice at the next exercise. Hold the nostril with your fingers (or some other way close the nostrils). Start slowly playing a major range up-down, as far as the game, periodically tighten any of the notes as much as required for your breathing. Such an exercise at first it is advisable to perform regularly, in several approaches for 1-3 minutes. This will teach you to use the notes to fill with air your lungs. Having mastered this exercise, you can use the nose in short intervals if it is necessary to free yourself from excess air. But this will be an informed action that does not affect the game. The main rule when breathing during the game on a lip accordion. This is comfort. You must feel well in order to focus only on the game. If in the lungs too much air then try to free yourself or vice versa, if not enough, then type it. Everything should be on the "automatic". If it is thorough to study this lesson, then I think, in the future you will say more than once thanks. After all, if you really aim to become a decent musician "Harper", then without it.

Which fluctuate in the air jet created by the musician. Unlike other bunch musical instruments, harmonics does not have keyboard. Instead of keyboard, tongue and lips are used to select the hole (as a rule, they are located linearly), corresponding to the desired note.

Light harmonic is most often used in such musical directionslike blues, folk, blues, blues rock, country, jazz, pop, various genres of folk music.

A musician playing a lip harmonica is called Harper (English. harper).

History

Varieties of loving harmonics

Light harmonics are divided into:

• Diatonic lip harmonics
• Orchestral loving harmonics

Chromatic harmonica

Blues Light Harmonica

Blues harmonic - the most popular today. Usually it has 10 holes, each you can play on the breath (eng. draw.), and in exhalation (eng. blow.). With certain skills of the game, you can play chromatically with the help of special receptions - bend and inputs. Sold in different tones and settings, but the most common - C-DUR.

Tremolo Living harmonica

Structure of classes

Important regularity. Build a schedule. Do not deviate from it. Classes are recommended to start with a slow game by chords. It is important to adhere to "diaphragmal breathing". Then gradually go to the riff game, melodies. It is best to shoot faces and tunes for hearing from records of professionals. But still, it is recommended to learn no less than 10 riffs / melodies on not less; It will give you confidence in the game and will allow you to pick up more quickly. In addition, it is useful to play under the so-called minus, write your own game in the form of sound files. This will help you feel how the viewer will hear you (a lifting harmonic one perceives the sound published by its tool, since the vibrations are transmitted through the hands and muscles of the mouth), and will also make it possible to treat their game with greater criticism.

Artists in Russia

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Notes

Links

	Harmonica in a wiki scientist

• (PS.)
• (eng.)

Manual Shoot Loving Other species see also

Wooden Copper Keyboards Details

Overs String Drums Language

Farm characterizing lip harmonic

Having received this report, the sovereign sent the following reskipte Kutuzov with Prince Volkonsky:
"Prince Mikhail Ilarionovich! From August 29 I have no reports from you. Meanwhile, from September 1, I received through Yaroslavl, from the Moscow commander-in-chief, the sad news that you decided to leave Moscow to the army. You yourself can imagine the action that it made me the news, and my silence exacerbates my surprise. I send with Sim General Adjutant Prince Volkonsky, in order to learn from you about the position of the army and about the reasons that prompted you to so much determination. "

Nine days after leaving Moscow to Petersburg came to St. Petersburg sent from Kutuzov with the official news about leaving Moscow. The sent this Frenchman Misho, who did not know Russian, but Quoique Etranger, Busse de C? Ur et d "Ame, [however, although a foreigner, but Russian in the depths of the soul,] how he spoke to himself.
The sovereign immediately accepted the sent in his office, in the palace of the Stone Island. Misho, who never seen Moscow to campaign and who did not know in Russian, felt still touched when he appeared in front of Notre Tres Gracieux Souverain [our all-storeist lord] (as he wrote) with news about the fire of Moscow, Dont Les Flammes Eclairaient SA ROUTE [whose flame covered his way].
Although the source Chagrin [Grief] G on Misho and had to be another than the one from which the mountain of Russian people had flowed, Misho had such a sad face when he was introduced into the Cabinet of the Sovereign that the sovereign immediately asked him:
- M "Apportez Vous De Tristes Nouvelles, Colonel? [What news did you bring me? Dear, Colonel?]
"Bien Tristes, Sire," Misho answered, dropping her eyes, "L" Abandon de Moscou. [Very bad, Your Majesty, Leaving Moscow.]
- Aurait on LIVRE MON ANCIENNE CAPITALE SANS SE BATTRE? [Did you really betray my ancient capital without a battle?] - Suddenly, flashed, the sovereign spent quickly.
Misho respectfully gave the fact that he was ordered to transfer from Kutuzov - exactly the fact that there was no possibility to fight for Moscow and that, since one choice remained - to lose the army and Moscow or one Moscow, then Field Marshal was supposed to choose the latter.
The silence listened to silently, without looking at Misho.
- L "ENNEMI EST IL EN VILLE? [The enemy entered the city?] - he asked.
- OUI, SIRE, ET ELLE EST EN CENDRES A L "HEURE QU" IL EST. Je L "Ai Laissee Toute en flammes, [Yes, Your Majesty, and he has been facing a fius at the moment. I left him in the flame.] - Miso resolutely said; but, looking at the sovereign, Misho was horrified by what he did. The sovereign is hard and often began to breathe, the lower lip of it trembled, and beautiful blue eyes were instantly overwhelmed with tears.
But it lasted only one minute. The sovereign suddenly frowned, as if condemning himself for his weakness. And, lifting the head, a hard voice appealed to Misho.
- Je Vois, Colonel, Par Tout Ce Qui Nous Arrive, - He said, - Que La Providence Exige De Grands Sacrifices de Nous ... Je Suis Pet a Me Soumettre a Toutes Ses Volonts; Mais Dites Moi, Michaud, Comment Avez Vous Laisse L "Armee, En Voyant Ainsi, Sans Coup Ferir Abandonner Mon Ancienne Capitale? N" Avez Vous Pas Apercu du Decouragement? .. [I see a colonel, all over what happens that Providence requires big victims from us ... I am ready to submit his will; But tell me, Misho, how did you leave the army who left my ancient capital without the battle? Did you notice the decline of the Spirit?]
Having seen her tres Gracieux Souverain, Misho also calmed down, but on a direct essential question of the sovereign, demanding a direct response, he did not have time to prepare a response.
- SIRE, ME PERMETTREZ VOUS DE VOUS PARLER FRANCHEMENT EN LOYAL MILITAIRE? [Sovereign, will you allow me to speak frankly, how is it like this warrior?] - he said to win time.
- Colonel, Je L "Exige Toujours," said the sovereign. - NE ME CACHEZ RIEN, JE Veux Savoir Absolument CE QU "IL EN EST. [Colonel, I always demand it ... Do not hide anything, I certainly want to know all the truth.]
- SIRE! - Miso said with a thin, a little noticeable smile on his lips, having time to prepare his answer in the form of a lightweight and respectful Jeu De Mots [Word Games]. - SIRE! J "AI Laisse Toute L" Armee Depuis Les Chefs Jusqu "Au Dernier Soldat, Sans Exception, Dans Une Crainte Epouvantable, Effrayante ... [Sovereign! I left the whole army, starting with the bosses to the last soldier, without exception, in great, desperate Fear ...]
- Comment CA? - strictly frowning, interrupted the sovereign. - Mes Russes SE Laisseront Ils Abattre Par Le Malheur ... Jamais! .. [How so? My Russians can fall in spirit before failure ... Never! ..]
That was just waiting for Misho to insert his words to the game.
"Sire," he said with respectful playfulness of the expression, - Ils Craignent Seulement Que Votre Majeste Par Bonte De C? Ur Ne Se Laisse Persuader De Faire La Paix. ILS BRULENT DE COMBATTRE, - spoke of the authorized Russian people, - Et de Prouver a Votre Majeste Par Le Sacrifice de LEUR VIE, Combien Ils Lui Sont Devoues ... [Sovereign, they are afraid only that your Majesty for the kindness of the soul does not decide to conclude the world . They are impatient to fight again and prove to your majesty victim to your life, as far as they are committed ...]
- AH! - Soothed and with a gentle brilliance, the sovereign said, hitting Misho's shoulder. - Vous Me Tranquillisez, Colonel. [BUT! You calm me, colonel.]
Sovereign, dropping his head, was silent several times.
- Eh Bien, Retournez Al "Armee, [Well, so come back to the army.] - He said, straightening in full growth and with a gentle and magnificent gesture Turning to Misho, - Et Dites a Nos Braves, Dites a tous Mes Bons Sujets Partout Ou Vous Passerez, Que Quand Je N "Aurais Plus Aucun Soldat, Je Me Mettrai Moi Meme, A La Tete de Ma Chere Noblesse, De Mes Bons Paysans et j" Userai Ainsi Jusqu "A La Derniere Ressource De Mon Empire. IL M "EN OFFRE ENCORE PLUS QUE MES ENNEMIS NE PENSENT - said the sovereign, more and more encouraging. - Mais Si Jamais Il Fut Ecrit Dans Les Decrets De La Divine Providence, - He said, raising his beautiful, meek and shiny feeling Eyes to Sky, - Que Ma Dinastie Dut Cesser De Rogner Sur Le Trone de Mes Ancetres, Alors, APRES Avoir Epuise Touve Les Moyens Qui Sont EN Mon Pouvoir, Je Me Laisserai Croitre La Barbe Jusqu "ICI (Sovere showed hand on half of the chest) , Et J "Irai Manger des Pommes De Terre Avec Le Dernier de Mes Paysans Plutott, Que De Signer La Honte De Ma Patrie Et De Ma Chere Nation, Dont Je Sais AppRecier Les Sacrifices! .. [Tell the bravesties to our, tell me to all my subjects. , wherever you will pass that when I have no one soldier, I will be at the head of my kind nobility and good men and thus exhaust the last means of my state. They are more than thinking my enemies ... But if It was intended to be divine providence m so that our dynasty cease to reign on the throne of my ancestors, then, exhausting all the funds that in my hands, I will let the beard so far and rather I will go there there is one potato with the last of my peasants, rather than decide to sign my homeland's shame and my dear People, whose victims I can appreciate! ..] After saying these words with an agitated voice, the sovereign suddenly turned, as if wanting to hide the tears from Misho, and went deep into his office. After standing there for a few moments, he returned with big steps to Misho and a strong gesture squeezed his hand lowering the elbow. The beautiful, gentle face of the sovereign was painted, and the eyes burned with shine determination and anger.
- Colonel Michaud, N "Oubliez Pas Ce Que Je Vous DIS ICI; PEUT ETRE QU" UN JOUR NOUUS NOUUS LE RAPPELERONS AVEC Plaisir ... Napoleon Ou Moi, "said the sovereign, coming to the chest. - Nous Ne Pouvons Plus REGNER ENSEMBLE. J "Ai Appris a Le Connaitre, Il Ne Me Trompera Plus ... [Colonel Miso, do not forget that I told you here; Maybe we will ever remember this with pleasure ... Napoleon or I ... We can no longer reign together. I learned it now, and he will no longer deceive me ...] - And the sovereign, frowning, fell silent. Hearing these words, seeing the expression of a solid determination in the eyes of the sovereign, Miso - Quoique Etranger, Mais Russe de C? Ur et d "Ame - felt yourself in this solemn minute - Entouusiasme Par Tout CE QU "Il Venait D" Entendre [Although a foreigner, but Russian in the depths of the soul ... delighted with all what he heard] (as he said later), and he portrayed as his Feelings and feelings of the Russian people, whom he considered himself authorized.
- SIRE! - he said. - Votre Majeste Signe Dans Ce Moment La Gloire de La Nation Et Le Salut De L "Europe! [Sovereign! Your Majesty signs this minute the glory of the people and the salvation of Europe!]
The sovereign went to the head of the head Misho.

While Russia was up to half of the conquest, and the residents of Moscow fled to the distant provinces, and the militia for harsh climbed to defend the Fatherland, involuntarily seems to us who did not live at the time that all Russian people from Mala have been taken to great To sacrifice themselves, save fatherland or cry over his destruction. Stories, descriptions of that time, all without exception speak only about self-sacrifice, love for the Fatherland, despair, Mountain and Russian heroism. In fact, it was not so. It seems to us so only because we see from the past one common historical interest of that time and do not see all those personal, human interests that were in people of that time. Meanwhile, in fact, those personal interests of the present to such an extent are more common interests that they never feel about them (even noticeable is not at all). Most of the people of that time did not pay any attention to the general course of affairs, and only the personal interests of this. And these people were the most useful figures of that time.
The same who tried to understand the general course of affairs and with self-sacrifice and heroism wanted to participate in it, were the most useless members of society; They saw all the overall, and all that they did for good, turned out to be useless nonsense, like Pierre's shelves, Mamonov, who robbed Russian villages, like a korpio, pinched with ladies and never reach the wounded, etc. Even those who, Loving to wisely and express his feelings, interpreted about the present position of Russia, unwittingly worn in the speeches of their imprint or pretendation and lies, or useless condemnation and malice on people accused of what no one could be to blame. In historical events, it is obvious to the prohibition of tasking of the fetus of the Tree of knowledge. Only one unconscious activity brings fruit, and a person playing a role in a historical event never understands its meaning. If he is trying to understand him, he is amazed in infertility.
The events accounted for in Russia, the events of the time was, the closer the person's participation was. In St. Petersburg and the provincial cities distant from Moscow, ladies and men in the militia uniforms mourned Russia and the capital and talked about self-sacrifice, etc.; But in the army, which retired for Moscow, almost did not speak and did not think about Moscow, and, looking at her fielly, no one swear to take revenge on the French, but thought about the next third of the salary, about the next parking lot, about the Markantish Makeup and the like ...
Nikolai Rostov without any purpose of self-sacrifice, and by chance, since the war found him in the service, took a close and more prolonged participation in the defense of the Fatherland and therefore, without despair and gloomy conclusions, looked at what was performed then in Russia. If he would have asked what he thinks about the current situation of Russia, he would say that he had nothing to think that there was Kutuzov and others, and what he heard that shelves were completed, and what should be fighting for a long time , and that in the current circumstances he is not wise of the year after two get the regiment.
According to the fact that he looked at it, he was not only without a crushing that he was deprived of participation in the last struggle, took the news about the appointment of him on a business trip for the repair for the division in Voronezh, but also with the greatest pleasure he did not hide and Which very well understood his comrades.
A few days before the Borodino battle, Nikolai received money, paper and, sent forward hussar, went to Voronezh on the postal.
Only one who experienced this, that is, he stayed for several months without ceasing in the atmosphere of military, combat life, can understand that the pleasure that Nikolai experienced, when he got out of the area to which the troops reached the troops, the provisions of the province, Goshpatami; When he, without soldiers, Four, dirty traces of the presence of the camp, saw villages with men and women, landlords, fields with grazing cattle, station houses with swept aside. He felt such joy as if she saw all this for the first time. In particular, the fact that he was surprised and pleased - it was women, young, healthy, for each of which did not have a dozen caring officers, and women who were glad and flattered were the fact that the passage officer was joking with them.
In the very cheerful arrangement of the Spirit Nicholas at night came to Voronezh to the hotel, ordered everything that he had been deprived long in the army for a long time, and on another day, purely having fallen and put on the long-standing major form, went to the authorities.
The head of the militia was Stat General, an old manwhich apparently was amused by his military title and rank. He is angry (thinking that in this military property) accepted Nicholas and significantly, as if having the right to be right and, as it were, thereby considering the general course of business, approving and not approving, asked him. Nikolai was so fun that he was only funny.
From the head of the militia, he drove to the governor. The governor was a little living man, very affectionate and simple. He pointed out to Nicholas to those plants in which he could get horses, recommended his ladies in the city and landowner for twenty versts from the city, who had the best horses, and promised any assistance.
- Do you count Ilya Andreevich son? My wife was very friendly with your mother. On Thursdays I have collected; Today Thursday, mercy I ask for something easily, "said the governor, giving him.
Right from the governor Nikolai took the overstars and, putting with his Wahmistra, rocked for twenty miles to the plant to the landowner. Everything in this first time of his stay in Voronezh was fun for Nikolai and easily, and everything that happens when a person himself is well located, everything was transported and aroused.
The landowner, to whom Nikolai came, was the old cavalier of the bachelor, a horsepower, a hunter, the ruler of the Corval, centenary casserole, old Hungarian and wonderful horses.
Nikolai in two words bought for six thousand seventeen stallions on the selection (as he said) for a sousing end of his repair. After having lunch and drinking a little bit of Hungarian, Rostov, kissed with the landowner, with whom he had already agreed on "You", on the disgusting road, in the very cheerful arrangement of the Spirit, picked back, indifferent to the daisher, in order to sleep for the evening to the governor.
Changed up, swaying and the obtules of the head of the cold subway, Nikolai, although somewhat late, but with the finished phrase: Vaut Mieux Tard Que Jamais, [Better Late than ever,] came to the governor.
It was not a ball, and it was not said that they would dance; But everyone knew that Katerina Petrovna would play on the keycorder waltzes and ecosesa and what would be dancing, and everything, counting on it, came across Balno.
The provincial life in 1812 was exactly the same as always, only with the difference that in the city was lively on the occasion of the arrival of many rich families from Moscow and what, as in everything that happened at the time in Russia, was noticeable Some kind of special sweeping is the sea by knee, Tryn grass in life, and even that the vulgar conversation that is needed between people and who were previously faced about the weather and about common acquaintances, now he was conducted about Moscow, about the army and Napoleon.

Harmonica is a miniature ovens, which not only has a deep and kind of sound, but also perfectly combined with a guitar, keyboards and vocals. It is not surprising that the number of people willing to play on the lip harmonica grows all over the world!

Selection of tools

There are a large number of varieties of luminosets: chromatic, blues, tremolo, bass, octave, as well as their combinations. The simplest option for the beginner will be a diatonic harmonica with ten holes. Du-major tonality.

Benefits:

• Great amount courses and training materials in books and Internet;
• Jazz and pop songs familiar to everyone on films and music clips, mainly played at Diatonian;
• Basic lessons mastered on a diatonic harmonic will be suitable for working with any other model;
• As learning promotes the possibility of using large number Sound effects that fascinate listeners.

When choosing a material, preference is better to give metal - it is the most durable and hygienic. Wood panels require additional protection against swelling, and the plastic is rapidly flashed and breaks.

The most common models for beginners can be attributed to Lee Oskar Major Diatonic, Hohner Golden Melody, Hohner Special 20.

Correct position of lip harmonic

The sound of the tool largely depends on the correct hand set. Keep lip harmonica with your left hand, and the right direction of the sound stream. It is the cavity formed by palms, creates a chamber for resonance. Tightly blurred and blurred brush can achieve different effects.

In order to provide a strong and even flow of air, keep the head smoothly, and face, throat, tongue and cheeks - completely relax. Harmonica needs to be tightly and deeply clap her lips, and not just press the mouth. At the same time, only the mucous part of the lips is in contact with the tool.

Breath

Lifting harmonica is the only one who gives the sound and in the breath, and in exhalation. The main thing is to pay attention to - through harmonics it is necessary to breathe exactly, and not to suck and blow air. The air flow is created at the expense of the diaphragm, and not the muscles of cheeks and mouth. At first, the sound can get quiet, but as practitioners will come beautiful and even sound.

How to play on a lip harmonica Single notes and chords

The sound series of dictional harmonics is built in such a way that three holes in a row form consonents. Therefore, to extract the harmonic is easier than a note.

During the game, the musician faces the need to play notes on one. In this case, the adjacent holes are blocked by lips or tongue. Perhaps at first he will have to help themselves, pressing his fingers to the corner of the mouth.

Basic techniques

The study of chords and individual sounds will allow you to play simple melodies and improvise a bit. But in order to reveal the entire potential of the lifting harmonica, you need to master special techniques and techniques. The most common of them:

• Trill - alternation of a couple of neighboring notes, one of the common.
• Glissando - Smooth, sliding transition of three or more notes into a single consonance. A similar reception in which all notes are used to the end are called dropoff.
• Tremolo - a trembling sound effect, which is created by compressing the squeezing of palms or vibration lips.
• Band - changing the tonality of notes, by adjusting the strength and direction of air flow.

You can understand how to play on the harmonica, without knowing. However, spending time on training, the musician will open the ability to read and explore a large number of melodies, as well as write their own developments.

Do not be afraid - they are easy to understand (a - it is la, b - si, c - to, d - re, e - m, F - Fa, and, finally, G - salt)

If learning occurs independently, the recorder, metronome and mirror can be useful in the work - for continuous control of oneself. Prepare for alive musical accompaniment Help the accompanation of ready-made musical records.

Here you finish a positive video.

Blues on a lip harmonic

Hey! Many guitar and guitar music lovers, as well as just people who are interested in musical instruments, would often like to learn how to play such a wonderful and affordable musical instrument, like a lit harmonic, or simply a lip-harmonica.

Well, now I will tell and give the ladies.

Harmonica

Harmonica (R. garmoshka) - Pneumatic tongue musical instrument, variety of harmonics. Inside the lifting harmonics are metal plates (tongues), which fluctuate in an air jet created by a musician.
Light harmonic is most often used in musical directions such as blues, folk, blues, blues rock, country, jazz, pop.

Garmoshki are there diatonic and chromatic. Chromatic - more complex tools With a lot of holes and with a button on the side. We, as beginners, are interested in a simpler decision, so our choice will be a dictional lifting harmonica with 10 holes and be sure to "before" (C). Why? Because it is logical to start learning from the most common tool that is the basis for any self-tutorials and videos on the Internet.
I myself play on a lip harmonica a little more than a week. That is, I, almost, the same as you are at the very beginning of your path. Nevertheless, I will take responsibility and make sure to give some tips on choosing.

• Choose lousy harmonica of plastic: the tree will swell from our inept lips and saliva;
• Choosing accordion only firms Hohner.;
• Select the harmonica in the key "C";
• Select the models Blues Band, Big River Harp, Golden Melody, Marine BandSpecial 20.;
• We rejoice as children.

How to learn

Very simple. All you need is a lifting harmonica, a metronome (reference below) and a tutorial book (references too below). Naturally, patience, perseverance and hard work. The tool, although rather simple, but in the development is not so fast.

In order to save you from mutual walking on various sites, I want to present you two tutorial books: to choose from. They are written in a simple and understandable language, designed for the very beginning of the musician and highly summarize you to the level at which you play any melody, which only want.

This is a book "Harmonica. Tutorial " Publisher Smolina K.O. 2000, and book "Tutorial game on the Garmoshka" by Belletka M. 2008. The second version with its audio application with melodies played on lip harmonica.

Download both books from our Yandex.Disk:

Save, print and hang on the wall of the Application of Lifting Harmonics. She will help you to navigate and start playing:

Attentive reader, little friendly familiar with much literacy, It will notice that the diatonic lip harmonica is therefore called the diatonic that there are no halftone sounds - bemoles and digesters - but only a simple diatonic row: up, re, mi, fa ... We play on it, like on white piano keys. There are no black here.
(Well, by the way, they can also be removed, but this is already aware of us later, after receiving certain skills).

I hope this little post helped you in choosing a tool, and if you have already bought it, it helped in choosing a learning material :)

By the way: you need to do under the metronome!

Feeling rhythm, game in the ensemble, under the guitar - all these skills are remarkably being developed, if you study under the metronome. This applies not only lifting harmonica, but also any other tool. Therefore, do not neglect this simple decisionAnd the efficiency of your classes will be several times higher.

And further: If this material it turned out to be not enough, that is, a good site "Everything about lifting harmonic." Here is the link:

See you soon!

This post was part of the Alaborn project - Musical training game on instruments, tanning theory and basics of harmony, vocal technique. Watch out for the news in our blog and will continue only better.

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