What will will be that the invoice is all one. What will be that brother
I was and such a photo:
"What the will, that the invoice is still"
Remember Marwa-Springfo?
Fate it was not easy.
On May 8, 1926, in the family of Lieutenant-General Artillery Konstantin Romanovich Multivova was born daughter.
When the girl grew, she chose her to be called Eve.
So she introduced himself and young actor Vakhtangovsky Theater Vladimir This. He learned about the present name of his future wife only in the registry office.
In 1947, immediately after the end of the Schukinsky school, Ninel Musykova debuted into the cinema, in the adventure film A. Finzimmer "For those in the sea", shot on the name of Boris Lavrenueva.
But, after that, the debut followed the 4-year-old simple. The actress prevented to remove the peripetics of personal life.
In the house there was a lot of creative intelligentsia. Pereduned to them and composer Antonio Spadavekki. The author of the music is also the film "For those who are in the sea", as well as to the beautiful film, Cinderella's fairy tale. Antonio was her older for as many as 19 years old, but she fell in love and left Especially to him.
But this marriage was short-lived. In 1953, Ninel Multivo met with Konstantin Nikiforovich Petrichenko's film operator. He was also older than her, but for 11 years.
They immediately played a wedding, and in 1954 the son of Konstantin was born, who later became a famous diplomat.
In the cinema in these years it is not often removed, and mostly in fairy tales.
In 1952 - "Sadko"
In 1956 - "Ilya Muromets"
In 1957, the alarm was filmed in the role of Lida in the filmmander of Lion Kulidjanov and Yakov Segel "The house in which I live," after which success comes to it.
She begins to play a lot in films. One of their memorable roles - Marya-Skinnik in tale of the same name Alexandra Row in 1959.
On the set of the film "Hello, Gnat" Ninel Multivo met with the director Viktor Illarionovich Ivchenko, who was also older than 14 years old ...
Three years later, the director in 1965 the director starts shooting the film to the story Alexei Tolstoy "Vijuk" and long can not find an actress on main role. Here he recalls the ninel musca.
She was already under forty, but she looked still fine. In addition, it made one of the first in the Soviet Union. It was unexpectedly against the candidacy of the Muskoy, an old friend Ivchenko operator Alexey Prokopenko speaks. They have long worked together, however, in the conflict between the muscular and Prokopenko, the director becomes on the side of the actress, and the operator in the film works another.
Victor Ivchenko fell in love with Ninel without memory and honestly confessed to his wife. Could not stop him and son. Ex-wife I could never forgive him for it. She did not even come to his funeral many years later ..
But before Ivchenko and the muscova had six years of cloudless happiness. In all his subsequent paintings, he took only her. At the same time, he literally created films under it, finely feel the character of the actress.
"Tenth Step" - 1967.
"Falling Inay" - 1969.
"Path to heart" - 1970.
In the summer of 1972, Viktor Ivchenko went to Rostov-on-Don on the shooting of his new picture. There he has been off the fourth infarction. Nilel urgently left her husband. September 7, in the hospital, he died in her arms. For the mouse, it was a terrible blow. On one day she raised for ten years. Nilel itself transported her husband's body to Kiev, organized a funeral, putting all the letters in the coffin, which they wrote to each other. After the funeral, she left Kiev forever.
She completely lost taste and to life, and to work. Then it began to periodically appear in episodic rolesbut they did not go to any comparison with her former works.
In 1982 Ninel Multilov in last time He starred in the cinema - in the role of Valentina in the detective series "Racing vertical". And then - a new blow. Nilel struck terrible disease - progressive sclerosis. She stopped learning people, navigate in life.
Son, Konstantin Petrichenko, took the mother to himself and surrounded her care. He drove her best experts France, but everywhere I heard one thing - this disease is incurable.
So she lived for another 20 years ...
On September 13, 2003, Ninel Muskova did not. And, as it often happens, they suddenly remembered her. The press began to write about what was a wonderful actress, and that she could not realize themselves completely ...
The famous Walt Disney once said: "You are condemned if aiming only on children after all, children are just matured adults." There are doubts that the Soviet director-storyteller Alexander Row could hear this replica because iron curtain", But he was in strict accordance with her. His films have never been focused exclusively on junior schoolchildrenthat leaves his films incredibly popular to this day. Strictly speaking, these films are not even really fairy tales.
It is rather something like homegrown fantasy, and this genre is not known to have any age restrictions and today is one of the most fashionable in the readership and audience.
In turn, the film "Marya-Skinnor" for a conversation about the work of the Soviet Fairy Talenter was chosen by me precisely because it is in many ways the quintessence of the original style of the director.
You never surprised that the pictures of Row are not replete with special effects, but at the same time almost no one speaks with disregard, that is it "old"?
Salt here is enclosed next.
The fact is that Russian fairy tales are so specific that the new-fashioned technical innovations would have hurt them because the genre of a fairy tale itself cannot be modern.
Perhaps a lot in Row films and naive, but again the fairy tale is often the naive as such.
At the same time, the director in his films reflects fully all unchanged folcoal attributes.
There are also heroes and villains and their minions and the unchanged victory of good over evil.
But at the same time, all the listed does not look at the cardboard.
Images are distinguished by the thoughtfulness inherent in serious adult films, and not a relatively easy childhood genre.
Here, special attention is drawn to Water (Anatoly Kubatsky).
Perhaps for the first time in Row filmography. negative character Almost not perceived with humor and sympathy as conditional Baba Yaga Millar.
The underwater king truly causes alertness and fear, with some kind of sticky and penetrating, and his unchanging smile does not look like a good-natured character with a special intonation of the phrase: "No wonder I love you all so much." Does not be doubtful in his true entity.
It was not without a cliché, the main of which in the film is the "Languch" Kvak-typical technician and a knottening satellite strong Mira This with bad intentions.
You ask why nothing has not been said about the main characters of the film?
That is why there is nothing particularly nothing.
Unlike villains, the main characters turned out quite typical, although they played their wonderful actors.
Anatoly Kuznetsov in the role of the Russian soldier tried to bring in a little crazy fabulous image Tolika's own charisma and this is just his soldier can not be called very well-tenty.
Usually in Russian fairy tales, this hero is a rainfield and tricky, but not always sincerely and loves to take care of someone else's stupidity (remember "Porridge from the ax")
The soldier of Kuznetsov is not just a hero, alteraged by many positive qualities.
The decision to help the boy Wan to divert the beloved mother from a cunning water paw is dictated by him not only by altruistic goals, but the philosophy of Defender of the Fatherland, and hence both weak and disadvantaged. And let the replica: "I can not live peacefully if the children jeightened, and the mother in the captivity of languages" sounds somewhat pathetic, but still quite adequate.
But the main fabul of the picture associated with the boy who lost the mother believes is far from all. In my opinion, there is a lot of too deliberately and theatrical. Experiences of Marya performed by the actress Ninel muscovka about fate lost Son borders with hysterics, and because they do not look sincere at all. Therefore, despite the capacitance of the heroine, this is not a sad faint character of the film. And the treasure cry of the actress in a fight with water "for his son struggling and looks at all quite poster. Honestly to say Water at the time of his final defeat was even a little sorry. All the same, the film was worth viewing because of him first of all.
The ending as it should be standard: the evil is posted, everyone is happy only this time. Something for the villains. Painfully bright they turned out.
This height involuntarily raised Professor MSU Dugin's significance of the meeting of the student circle in the Russian outback. To the question "Well, how do you give?" Bogdan Gromov is there directly and said that I really liked it, because it "exalts all of us, precisely me and humiliates everyone else." He, of course, Ironized, though, must be assumed, and the share of seriousness in his words was.
Actually, that evening the conversation proceeded at all in such a row, it seems to be serious, but "you understand", it would seem sincere, but with the possibility of retreat in the reliable grotto of the exquisite, sophisticated irony. And those contours of worldviews, which were marked by the four students at the very beginning, were not just moving - they were conditional. Well, it seems like in the children's game: "Let me go for the Russians, you are behind the Germans, and then we will change."
Children (oh!) Fortanized information, rushed with meanings like snowballs. Cheerful, hot and a little crazy discussion, however, was like a snowy fight. It was natural, I wanted to close my face with my hands, so that they did not get the eyes of the eyes with some extraordinary concept. And the theories whistled one bolder than the other.
Yes, with seven-year youth so, of course, it would not be frozen. He would certainly refute dubiously, asked to clarify the foggy, and in general - would strudule the discussion. And the matter is not even that the level of its formation is higher and allows you to see the field of intellectual battle in more detail and sololy (although it is definitely so). The young people of the philosophical circle are by no means profan, each of them is read in his measure and is educated, but ... they are children of their time. Postmodernism for them is not just the desired point of the mind of the mind, this is a habitat, a form of life.
Now it became rule good tone Sprinky ideals, insult shrines and make the appearance that this is one of the options for the norm. You want - pray on the icon, you want - it is mushrooms, and the other is equivalent in the light of Sofita postmodern. I do not know that this ideological concept is promoting from philosophy from philosophy, but it is dominated in the young minds of modernity.
And I have long been the impression that the generation born in the late eighties, the beginning of the nineties - postmodernists involved. They grew up in such a madhouse that they had a security reflex developed - have nothing to lose, get rid of everything that could become a source of pain. They seem to seek to achieve a bliss in which, remember, Marya-Skinnik was stayed when her in the underwater kingdom was joined: "That the will, that the invoice is all one, all one."
But jokingly to juggle destructive theories, launching firewalls from topical names, like Derrida and Hydegger - is it a life? As Fedosya Ivanovna, in the "Formula of Love", said: "Someone else's poems read - the valor is small." I agree, on our Babi with her, where it is important to find the point of the heart application while it is hot.
It's like Vasily Mattikhvsky at a meeting Mug said that any culture alive only when there are people who are ready to die for her. And this is right, eh? Not only about cultures and civilizations, but also in relation to each of us. Still, the willingness to sacrifice, and not the ability to build theories - the rod-forming quality of a person.
And then, life - she makes their own adjustments. Won as Nietzsche devoted - and God buried, and the mercy was obscanned, but she was relieved, seeing the Kutcher hits a horse. Hugged her, I cried - and never after that I did not return to a sound reason.
Fumericpo +38 063 22 42 999
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at the obmumhynyy rpcessboy,
pMSB Ztemgeolp.
rPNPESH H Umfhbgzhisi's umfhbgysci.pVCHYUEYUEY RUYIPMPZYYUELPK UBNPRNPEY.
rpyul Tehuhutuch DMS Tebmybgy Obuzyk.