Vyacheslav Gordeev. About the theater Regional Ballet Theater in Kuzminakh

Gordeev! .. Material of the journalist Svetlana Panova about the outstanding representative of the Russian ballet

about the author

Svetlana Panova is a journalist, a member of the Union of Journalists of Russia. Another student journalism came to TV in the program "Good evening, Moscow", worked on the first channel, in the late 90s led the transfer from Scandinavia countries to Radio Russia. Always remembers his first interview at the Likhachev factory with a young worker, only What returned from Afghanistan ... Heroes of her plots and publications - politicians, artists, officials, engineers, workers, ministers ... especially loves the genre of interviews. "Before talking about a person, it must be understood." ..)

Gordeev Vyacheslav

A few decades in honor of his behalf will call Comet.

In the meantime, a little boy was sitting in front of the TV screen and looked at what was happening there widely open eyes. Translated ballet "Romeo and Juliet" Tchaikovsky. Dancing Galina Ulanova.

It was not even an outbreak, but rather some impression ... and he fell in love with this action, forever, ... and wanted to be there on stage.

For you can prepare for a long time, and walk in one moment ...

And it turned out not just to Blazhly how much work, corns, sweat, overcoming all sorts of barriers it took before the Western press paint his "Golden Boy", in Germany, the public will raise the car in which he will arrive in his hands, and President America Nixon in Oval Cabinet Give him gold cuffs for memory ...

Vyacheslav Gordeev- People's Artist of the USSR, the legendary soloist of the Bolshoi Theater, Chief Makester, choreographer, theater director, teacher ...

But the "legends" could not be big. If then, in the distant 1959, he and Mom were held by the announcement on the doors of the Moscow choreographic school "We hold a competition for especially gifted children. 12 years selected will be studied at the artist of ballet at the accelerated six-year program." Mom supported, and they risked. From the six hundred children chose three ... The dream was closer, but the endurance test was to be.

I was always interested in the question of what the dancer thinks when turning Foute? What does the turnover? Or is it constantly in the image? .

Glory Gordeev came to the School on the course of Pestov, a brilliant and thoughtful teacher. And - started ...

"Raised" legs. Purpose: jump 1000 times on the concrete floor. Barefoot. And then 200 times - from the chair to the floor ... And near the laryrs, Godunov, Bogatyrev ... Schedule the most common.

"Ring at 8.00. At 9.15. - At the ballet machine. At 10..00 the shirt is already wet, shot, started to the "general class". Theatest - rehearsal, the second, third ... The first scene - the Kremlin Palace of Congresses, Glory Gordeyev as a page. Plisetskaya dancing is completely nearby.

"I was late for a long time with this state. I remember for a long time I went in Moscow and asked myself: "

Is it really with me? ".

And here they are, the first tour with the school. . Fair and London. Glory Gordeev entrusted to fulfill several rooms: Pa-de-de from Flame Paris "Astafieva, Adagio from the" Stone Flower "Prokofiev and Variations of Phoenix from Gliera's" Red Poppy ".

Already from the first appearances on stage and criticism, and the public notes the ability of the young artist to work out the party to the smallest details, to fanaticism. I am struck and special, Gordeevsky plastic. Criticism noted that he managed to reveal and show all the beauty of the male dance on stage. It was eight times aroused on the bis ... "Golden boy", the loves of the public ... But some steel spring inside did not give the opportunity to relax did not spoil.

At the graduation party in the choreographic everyone remembered the hopak to the music of Solovyov-Sedov from the ballet "Taras Bulba". His reading in a new role, strict academic struck and teachers, and classmates. From the very first steps, this unique thoughtfulness was born, desire (and the ability) to develop it.

So the excavating moment of distribution has come. As one of the best, the choice was offered three options. Gordeev chooses a large theater, the conditions of the core fee with a small salary. But happiness is immense, here is big! Great scene and great masters nearby!

He will dance in the Bolshoi Theater from 1968 to 1989. Start from the corps, then turns to major roles. The debut will be the role of Harlequin in the "Nutcracker". Immediately began to talk about his strict consequences of the classics. On stage, he was sure, amazingly beautiful and internally free. The performance of the performance monotonously honed during the exhausting rehearsals in the class of the Bolshoi Theater. Gordeev teachers were famous Varlamov and Messer.

Above each party, Gordeev worked hard, he followed the great traditions of the Russian scene, bringing his hand writing to each role, his interpretation. After all, in ballet, as artists themselves say, legs are important, and the head is equally. He was soon talking about a virtuoso dancer soon. Only he could do such elastic jumps and clear rotations. On the tour, the sophisticated Western public Gordeyev caused eight times to bis! He always danced because he breathed and lived ... and the Russian, and the foreign viewer were forever the performances with the participation of Gordeev: Albert in "Giselle", Claudio in "Love for Love", Ikar in Ikara, Romao in Romeo and Juliet ", Siegfried In the "Lake Swan", the title party in Spartak, Basil in Don Quixote ...

Their duet was remarkable with the hope of Pavlova, with which he performed for ten years, being married. Both were magnificent, graceful and sophisticated on stage! They were young as well as their heroes on stage. . They were told about themselves, sincerely and touching ... They understood each other ... when they stopped, everyone continued his way, although after that their creative cooperation continued: Gordeev put specially for Pavlova a few concert numbers ... in general, fate often experienced him for decency and loyalty to its principles. On tour in America, he was offered to stay in the country for a very expensive contract - did not remain; The guidance of the Bolshoi Theater ballet body, he left the many difficult situations with honor, because he always had his own rod and today, when he successfully led the Russian ballet theater. He is all the same Gordeev, happy in every business. And loyal, but at all times in Russia it was very difficult ...

Its in the morning in the morning you can catch the machine in a ballet class in the morning. "Legend" on a par with its wards, the artists of the theater

"Russian ballet" works without making him discounts. . Blaster experience did not stop this obsession. His theater is loved by the sign of the whole and Russian viewer, and foreign. With delight we take in the Russian outback, and outside of Russia. And again the criticism is assessed, and the public applauds. And again new planks.

And the Gordeyev tomorrow by 12 00 will again take its place at the machine. And the shirt will be wet ...

1972 - II Prize of the All-Union Ballet Artist Competition in Moscow.
1973 - I Prize of the International Ballet Artist Competition in Moscow.
1975 - Leninsky Komsomol Prize for High Performing Mastery.
1976 - the title "Honored Artist of the RSFSR" (Russian Federation).
1982 - the title "People's Artist of the RSFSR".
1984 - the title "People's Artist of the USSR".
1991 - Order of the Labor Red Banner.
1992 - Prize "Best Choreographer of the Year" of the Association of Western European Impresario;
Maurice Bezhar Prize "Best Choreographer Competition" of an open competition of artists of the ballet of Russia "Arabesque" for the choreographic number "Instructing air passengers before flying in Tennessee" to the music of the "Manhattan Transfer" ensemble (Perm).
1994 - the prize "Dance Soul" of the magazine "Ballet" in the nomination "Knight of the Ballet".
1999 - the Order "For Merit to Fatherland" IV degree.
2005 - Government Prize named after F.V. Volkov "For the contribution to the development of theatrical art of Russia" for 2004.
2006 - Order of Peter the Great I degree "For merit and a great personal contribution to the development of art."
2007 - Order "For merit to the Fatherland" III degree.

Biography

« Dance Vyacheslav Gordeev distinguish the nobility of the form, high technical accuracy. Confidence in tours and pyruets. He has a good jump, knows how to support to be reliable and plastic» .
Bolsh Ballet Premier Boris Khokhlov

Born on August 3, 1948 in Moscow. In 1968 he graduated from the Moscow Choreographic School (now the Moscow State Academy of Choreography), where Peter Pestov was produced. Leaving the school on tour to Paris (1968). In 1968-89. Danced as part of the troupes of the Bolshoi Theater. In 1995-97 He led the ballet body of the Bolshoi Theater.
In 1983 he graduated from the Faculty of Journalism of Moscow State University. M.V. Lomonosov, in the 87th - Balletmaster Faculty of State Institute of Theater Art. A.V. Lunacharsky (now the Russian Academy of Theatrical Art).
Since 1998, he has been a professor at the Department of Choreography of the Russian Academy of Slavic Culture (Moscow). From the 99th - official representative of the Rudolf Nureyev Foundation in Russia and the CIS countries.
Since 2007 - Deputy of the Moscow Regional Duma, Deputy Chairman of the Committee on Education, Culture, Sports, Youth and Tourism Affairs.

Repertoire

Harlequin ("Nutcracker" P. Tchaikovsky, choreography Yu. Grigorovich, 1969)
Pan (Painting "Valpurgiyeva Night" in the opera "Faust" Sh. Guno, choreography, L. Lavrovsky, 1969)
insert pa de de de ("Giselle" A. Adana, Choreography Zh. Coraline, J. Perso, M. Petipa, as amended by L. Lavrovsky, 1970)
Arapchonok (Opera "Aida" J. Verdi, Choreography R. Zakharova, 1970)
Shepherd (Spartak A. Khachaturian, Choreography Y. Grigorovich, 1970)
Grasshopper ("Cinderella" S. Prokofiev, Choreography R. Zakharova, 1970)
Pa de Troa ("Swan Lake" P. Tchaikovsky, choreography A. Gorsky, A. Messer, 1971)
Junior ("Icar" S. Slonimsky, choreography V. Vasilyeva, 1971) - first performer
Basil ("Don Quixote" L. Minkus, choreography A. Gorsky, 1972)
Nutcracker-Prince ("Nutcracker", 1972)
Ferkhad ("Legend of Love" A. Melikova, Choreography Y. Grigorovich, 1974)
Prince Desire ("Sleeping Beauty" P. Tchaikovsky, choreography M. Petipa in the editorial office of Yu. Grigorovich, 1974)
capital party ("Spartak", 1974)
Count Albert. ("Giselle", 1975)
Claudio ("Love for love" T. Krrennikova, choreography V. Bokcadoro, 1976)
Icar (Ikar, Choreography V. Vasilyeva, Second Editors, 1978)
pa de de de ("These charming sounds ..." to music A. Korelli, J. Torelli, V.A. Mozart and J. Ramo, Choreography V. Vasilyeva, 1978)
Sergey ("Angara" A. Eshpaya, choreography Y. Grigorovich, 1978.)
Romeo ("Romeo and Juliet" S. Prokofiev, Choreography Y. Grigorovich, 1979) - first performer in the Bolshoi Theater
Solor (Painting "Shadows" from Ballet "Bayaderka" L. Mikus, choreography M. Petipa, 1980)
Prince ("Wooden Prince" B. Bartok, choreography A. Petrova, 1981) - first performer
soloist ("Shopenian" on the music of F. Chopin, choreography M. Fokina, 1982)
Prince Siegfried (Swan Lake in the first edition of Yu. Grigorovich, 1984)

He was a partner of Raisa Stolkova, Marina Kondratyeva, Catherine Maximova, Nina Sorokina, Lyudmila Semenyaki, etc. In 1973-85 - Permanent partner of Hope Pavlova.

Being the head of the ballet troupe of Big, Romeo and Juliet renewed ballet in the production of L. Lavrovsky (1995), put the one-act ballet "Last Tango" to the music of A. Piazzollas based on the novel P. Eili "Last Tango in Paris" and the same name Film B. Bertolucci (1996), the choreographic number "Mirage" to the music of V.A. Mozart (1996). He was the director-director of the anniversary concert of Olga Lepheinskaya in the Bolshoi Theater (1996).

In 1984-95, 1997-2007 And again since 2008 - artistic director of the Moscow State Regional Theater "Russian Ballet".
Put the performances:
"Right paintings" on music I.S. Baha, G.F. Handel, V.A. Mozart (1986), "Unexpected maneuvers, or a wedding with a general" to the music of J. Rossini (1989), "Nutcracker" (1993), "Cinderella" (2001); I made new editions of Ballets "Valpurgiyev Night" (1985), Gran PA on the music of R. Dryigu, L. Deliba (1986), "Pakhta" L. Minkus (1987), "Don Quixote" ( 1989), "Swan Lake", "Giselle", "Suite Clock" from the Opera "Joconda" A. Prykielli (all in 1991), "Coppelia" L. Deliba (1992), "Sleeping Beauty" (1999), "Shehherazada" (2004); Put over twenty choreographic rooms. Posted by libretto and ruled on them the performances "in honor of Petipa", "in honor of the Gorsky", "in honor of Fokina" (2001), in which he fulfilled the role of Petipa, Gorsky and M.M. Fokina, as well as a concert program "Roman with ballet, or crank criticism" (2005) . In 2005, he opened a classic and modern dance school at the Russian Ballet Theater.

In 2003, at the creative evening ("Everything for the first time") in honor of its own 55th anniversary (State Central Concert Hall "Russia") performed a fragment from the ballet "Onegin" to the music of P. Tchaikovsky (Choreography, J. Kranco) and Mauro Party in Ballet "Pavan Maur" to the music of Persell (choreography H. Lemon).

In 2003-06 He headed the ballet troupe of the Ekaterinburg State Academic Opera and Ballet Theater, where he put the Swan Lake (2003), "Nutcracker" (2004), "Shehherazada" to the music of N. Rimsky-Korsakov, "Vision of Roses" to music for music .M. Weber background (both in 2005), "Don Quixote" (2006).

As a balletmaster-producer took part in the formulation of the play "Love through the eyes of a detective" P. Sheffer in the Moscow Academic Theater named after V.V. Mayakovsky (2004, director Sergey Arzibashev).
In 2007, within the framework of the Year of Russia in China, the "Russian Ballet" theater "flows" the "Russian ballet" theater "flows" the "Russian Ballet" artists to the music of V. Dzo with artists.

Repeatedly acted as chairman of the jury of international competitions of ballet artists - in Japan (Osaka), Korea, Dushanbe.

The creativity of Vyacheslav Gordeyev and Hope Pavlova dedicated to the television concert "Duet of young" (director V. Grev, T / O "Screen", 1977).
Removed - in a duet with Catherine Maximova - in a fragment from II Ballet Act "Giselle" (director V. Grev, T / O "Screen", 1974), in the Art Film "Sicilyan Protection" (director I. Usov, "Lenfilm ", 1980), in the original television ballet" Poles "to the music of F. Sheet (" Hamlet "," Mazepa "," Orpheus and Evridika ", Choreography Boris Baranovsky and Vyacheslav Gordeyev, director F. Slidrker, T / O "Screen", 1981), in a television-concert "Interview in a foreign intermission" (director Yu. Rashkin, 1991), in the television documentary "Alexander Godunov. Escape to Nowhere "(director L. Viugina, production" RTR ", 2005).

Print

The Moscow Regional State Theater "Russian Ballet" pleases its work of the Russian and foreign public for more than 30 years. Theater began his creative life in 1984 from a small "Young Ballet" ensemble, the head of which was the outstanding dancer, the Prime Minister of the Bolshoi Theater, the People's Artist of the USSR Vyacheslav Gordeyev. His talent and scenic experience, an outstanding gift of the organizer transformed the ensemble into a promising highly professional ballet team, which later grew into the Russian ballet state theater. In the title, the main theater mission is laid - the popularization of Russian classical ballet arts, the preservation of the Great Heritage of the Russian Classical School.

Today the Russian Ballet Theater is known and loved by connoisseurs of dance art not only in Moscow and in the Moscow region, but also in the remote regions of our country. Much attention "Russian Ballet" pays touring activities abroad and sees its contribution to the popularization of the Russian ballet and increasing the prestige of Russian culture in the world. The artists of the Russian Ballet Theater are always welcome at the most prestigious foreign scenic sites. The public with enthusiasm accepts the troupe in the countries of Europe, North and South America, Asia, the Middle East. Introducing universal recognition by your virtuoso skill, unique handwriting, high performance culture, the theater opens the viewer the magnificence of the world of dance, comes to the immortal spiritual heritage of the national and world culture.

The world recognition of the Russian ballet was brought not only the masterpieces of classical choreography, but also the author's work Vyacheslav Gordeyev - original, with the impeccable taste of production - from choreographic miniatures to performances of different genres and styles. A rich in demand repertoire on the basis of the traditions of the Russian classic ballet school, interesting works in modern choreographic style, high quality of performance - all this determined the success, which for several decades accompanies the speeches of the theater on the leading scenic sites of the world.

Most of the repertoire of the theater occupies a classic heritage - this is the Swan Lake, "Sleeping Beauty", "Nutcracker", "Giselle", "Cinderella", "Coppelia", "Don Quixote", "Shopenian", "Scheherazada", "Chipollino " A significant part of the repertoire is made up of productions of Vyacheslav Gordeyev, awarded the special prize of Maurice Bezhar "Best Choreographer" and many other awards.

Today, the Russian ballet Theater troupe includes more than seventy dancers. Among them are deserved artists, participants and winners of international ballet competitions. Anna Shcherbakova, Yulia Zvygin, Dmitry Kotermin, Maxim Fomin, Vladimir Mineyev, shine on stage. The executive staff is annually replenished with young talents - graduates of the best choreographic educational institutions in Russia. Internships from Japan, Italy, USA work in the troupe.

Artists of the Russian Ballet Theater are invited both in large foreign tour and prestigious gala - concerts, where, along with world stars, they decorate international programs with their performances, raising the authority of Russian culture.

The English newspaper Westernmorningnews MARKETS: "Rarely, who falls good luck to see the modern talent of Russia in such a brilliance." In Germany, "Russian ballet" became the owner of the Golden Ticket, testifying to the more than a hundredsmatic audience who visited his performances only during one tour. The theater called the English publication "Thejournal" - "showcase of ballet talents," was awarded the title "The best ballet team of Europe" assigned to the Western European Impresario Association.

In Russia, the Russian Ballet Theater was awarded the prestigious National Award named after Fedor Volkov - founder of the Russian Theater.