How to draw a beautiful female handkerchief. Art technicians

In traditional drawings, the ancient pagan images and symbols, such as singer birds, a tree of life, the image of a swan. Later in these ornaments, antique vases and french bisculates, grape vines and vases with large flowers fit into these ornaments. Also in the scarf always attended (as one of the directions) the theme of the eastern ornaments - beans and paisley (or oriental cucumber).

The district of Pavlovsky Posada (the territory of the former Bogorodsky district) is one of the oldest Russian textile centers. In the XVIII - the first half of the XIX centuries, the Bogorodsky scarves and sorrela tissues were distinguished by the special beauty of the ornament with an ashole thread. Later, shelkotkotka, and from the 1860s, began the release of woolen and half-wet shawls, decorated with a colorful stuffed ornament.

Gradually, production has grown and acquired a pronounced national character.

Initially, Pavlovoposadskiy printed scarves were woolen and half-walled. They were decorated with a traditional colorful printed ornament, which emerged in Pavlovsky Posad near Moscow in the 1860-180s.

Pavlovoposadskaya Manufactory is the only one of the old Russian boosted enterprises that have been preserved to this day. In the XVIII - early XX centuries, the textile industry was extremely developed in Moscow and Moscow province.

In Pavlovsky Posad and nearby villages, large factories and small manufactories were located, the products of which were exported to Moscow and other cities, extended to fairs.

One of the largest enterprises of Russia in the second half of the XIX century is a factory belonging to Yakov Ivanovich Labzin (1827-1891) and Vasily Ivanovich Mudnov (1816-1869). It was founded at the end of the 18th century, the peasant village of Pavlova (from 1844 - the city of Pavlovsky Posad) Ivan Dmitrievich Labzin, whose grandchildren, by the beginning of the 1840s, were already listed in a merchant estate.

Yakov Ivanovich Labzin (1827-1891)
Vasily Ivanovich Mudzov (1816-1869)

Yakov Ivanovich Labzin (1827-1891) - merchant-benefactor. Since 1849, he headed the boat manuff in Pavlovsky Posad of the Bogorodsky district of the Moscow province. Once he came to the local holy Vasily Mudnov for some advice. The first communication with the Mudnovo produced a strong impression on the merchant, he saw a man who lives his holy life in front of him. He suggested Vasily to become his comrade in the case, and he agreed. Soon they became friends.

Vasily Ivanovich Mudzov (1816-1869). Born in a simple family in the village of Evseevo (currently Pavlovo-Posad district), received a home education, inherited a deep faith and love for God from his parents.

But when he did to work at the factory, the naive village young man plunged into the world of vice and passion, began to drink wine, fell under the influence of a bad company. However, over time he managed to overcome his weaknesses and become a correction path.

After acquaintance with the merchant Ya.I. Labsin and entry into the case of the Mudnov continued to lead the life of the holy ascetic. When he had more money, he spent them to help the poor and on landslide. Vasily, along with Yakov Labsin and Sisters, Schools and Laddle were built. Vasily dreamed to build a male monastery in the city of Pavlovsky Posade, but did not have time. Thanks to Yakov Labsin and his sisters in 1874, a temple was built in Pavlovsk Posad at the site of the burial of St. Vasily. In 1894, the Pokrovsko-Vasilyevsky Monastery was opened on the site of the temple.

Vasily Ivanovich Mudzov canonized by the Russian Orthodox Church as a holy in the face of the righteous - righteous Vasily Pavlovo-Posad.

A small silkobotkie establishment grew quickly, expanding and changing their range. In 1853, Yakov Ivanovich Labzin (the greatness of the founder of the factory) and his relative and companion Vasily Ivanovich Mudnov (Yakov Labzin was married to the sister of Gryaznov), combining capital, founded their own trading house. Three years later, they opened and printed in addition to weaving production.

Up until the 1860s, the factory produced woolen, half-walled, cotton fabrics and Pavlovoposadskiy shawl. In the second half of the XIX century, popular stuffed wool prostine and shawl prevailed. Just at this time, they widely entered the fashion as an indispensable element of a costume of citizens and rural residents. Pumping, bubbles, peasants fledged in the shoulders thrown on her shoulders or on the head of Palants and Shas with ornaments in the "Eastern" spirit or with bright flower arrangements.

After the October Revolution, the factory was nationalized, she broke up with the names of the former owners and began to be called StarPavlovskaya.

Changes in the life of the country immediately affected the assortment. In the 1920s, experiments with a pattern began, unexpectedly unexpected motives for the revolution, success of collectivization and industrialization. But the flower arrangements still remained a visiting card of Pavlovo Poshesky headscarves.

New drawings and ornaments in line with the classical traditional factory were the main concern for artists of the time, among which Nile Postigov and Konstantin Abolikhin, who worked before the revolution.

Pavlovoposad artists created drawings with complex decorative motifs: bizarily intertwining, so-called "Turkish" cucumbers, "opahala", cartouches, curls; patterned, almost jewelry development of each element. Naturalistic, volumetric finished floral compositions of garden and wildflowers: roses, peonies, daisies, forget-me-not ...

Pavlovoposad's handkerchiefs are recognized representatives of Russian folk crafts. Woolen, silk, cotton headers Pavlova Posada are valued all over the world.
The company has released more than three hundred different types of scarves, shawls and potentials, which will undoubtedly be called real Russian souvenirs.

Natural woolen, cotton and silk scarves can be worn at any time of the year.

In addition, fashion designers find interesting solutions with the use of Pavlovoposad's headscarves.
Such objects of women's clothing, like those that are shown below can be a business card of their owner, and any cloudy day they will make bright and sunny.

The shawls and vests, stitched from Pavlovoposad's handkerchiefs - warm and stylish elements of a modern woman costume, which loves the Russian folk flavor. All this can be worn with trousers, and with skirts, on holidays and on weekdays.

All these wonderful models came up with and performed masters Alyona, Valentina Davydova (Valentin-KA), Iraida Solovya

Pavlovo Poshesky handkerchief so recognizable that it seems it is difficult to find a person who has never seen him. Pavlovo Posad Shal near Moscow has long become one of the symbols of Russian traditional culture. Remember the deposits in bright shals with Custodiev and Malavin's webs. Drawings on Pavlovsky scarves were manually applied using special wooden boards: "manner" and "flower".

Despite the fact that in the 1870s. Pyrrhotin was bought - the car, which pushed the pattern on the fabric, its use had serious limitations: only the peavlovoposad handkers of small sizes of four and five colors were mechanically printed. Using boards, the pattern was stuffed in parts, overlapping it up to 400 times, because for each part (and they could be from 4 to 24) and each color (sometimes more than 16) used its board. This time-consuming and long-term process demanded from the supreme skirmist, the jewelry accuracy of movements that did not allow the drawing to shift.
The boards were used for a long time, sometimes for decades, for the demand for shawls did not fall with such patterns. Manual stuffing of Pavlovo Posad Shalee was partially preserved almost until the mid-1980s. On the edge of Pavlovoposad's handkerchiefs were decorated with a mesh wool or silk fringe, which still knives and sewn by shocks by hand. On the mating of the fringe of one handkerchief from the craftswoman takes two hours - this is a family tradition, her moms and grandmothers and children.

Since the 1970s, the technology of packing chambers has been much simplified. The principle of drawing the drawing remains the same, but the paint is applied with printers on the fabric not wooden forms, but with the help of special silk or piping mesh patterns. Printing the pattern allows you to apply an unlimited number of colors, get a thin elegant contour on the fabric, accurately combine individual patterns.

Printed patterns are prepared using a unique direct engraving installation that is controlled under the control of the computer of the molten wax to the surface of the grid coated with a photoemult.

Printed paints are prepared on automatic collarsk, where all processes are performed without human participation. Here, for the first time in the world, plasma chemical treatment of tissue before printing instead of harmful chlorination was introduced.

In the museum of the heads, you can see all the variety of Pavlovoposad's headscarfs, from the ancient classic samples of the handblock of the nineteenth century, the avant-garde-propaganda headscarves of the thirties of the last century to modern headscarves and the shawls of the enterprise currently.

For more than two century-time existence, the Pavlovoposad boiler manufactory has held a huge path of its development from the Peasant Svetlitsa to modern competitive production that meets all international standards. Its achievements were repeatedly marked at various exhibitions, ranging from the small silver medal at the Moscow exhibition of Russian manufactory works, to a large gold medal at the World Exhibition in the capital of Belgium in Brussels.

It is from the drawing (krque) work on each new product begins. All prepared Kroks are considered and approved by the artistic council, which is invited by deserved artists of the enterprise, representatives of the Ministry of Culture of the Russian Federation and the Expert Council of the Moscow Region on folk artistic fields.

As soon as the drawing is approved, colorists are connected to work on it. Their task is to choose the recipes of printed paints, achieving accurate playback using textile dyes of the author's drawing performed by gouache.
The main complexity of the work of the colors is that the true color will be visible only after the treatment of fabric by steam.

Each drawing is printed in several colors - colorites. Depending on the complexity of the figure, various ways of applying to the fabric are applied.

Printing is carried out on printed tables with automatic printed carriages and multi-time printing machines. The most responsible operations are performed manually.

In the workshop of finished products

Work with fringe

Manufactory worker demonstrates a finished product

Before the Pavlovo-Posil's handkerchiefs became an integral part of the peasant costume of the peasantry and merchant class, they have long remained a fashionable accessory ladies of noble classes. In the early 19th century, this element of the female wardrobe was so popular that there was even a dance with a shawl, in which the ladies could demonstrate their noble posture. The shawls of that time were usually decorated with Turkish ornaments, and floral ornaments were also included. Their creation is special art, carefully and jealously stored by artists and masters of the reclose case of the Pavlovoposadskaya handkerchief.

"Once upon a time, Orel, I was asked by one of the Moscow beauties, his illegal son's wife, to double" Pas de Chele, "- remembers E. I. Raevskaya. - She agreed and, becoming in the middle of the hall, as if unstuck, dropped the ridge holding her hair. Luxurious, like Smin, black hair crumbled on the shoulders and hid the camp of her almost to his knees. All those present screamed from delight and begged her to execute a dance with loose hair. She only wanted to; I performed the dance with general applauses. "The appearance of this dance contributed to the passion of French society by an ancient culture." Pa-de-Shal -Solo, dancing with a light gas scarf in his hands: Dancing that is visible to them, then dissolves it. "Special attention was paid to smoothness and The gracefulness of the hand movement dance with the shawy demanded the grace and grace. The lady slowly turned to the public, then the face, then raising alternately, then the left hand sang in her end shawl. Each new movement began with an elongated sock of the right or left leg. at the beginning 19VEK, it could be a pair dance, but later he became a solo dance dance. In order for Shal to be obedient, heavy gold, silver or coral balls were sewn into her ends. At first, the dance was called a la Greek, the new name appeared closer to the 30th year. . This is a dance improvisation, where a particular importance was the game with a scarf and the movement of the hands. The lady went out on the middle of the hall and, throwing up a light scarf, caught him, progress I am with him various graceful movements. All attention was worthwhile to the smoothness and beauty of the movements of the hands. In the reign of Alexander I, the pupils of women's educational institutions began to train dance with shawl. So the girls demonstrated their grace, grace and good posture. This tradition has been preserved until the end of the XIX century.

Today, many designers turn to national style in general and to Pavlovoposad patterns in particular. The secret of such popularity is that these scarves transmit the characteristics of a national Russian nature, recalling the spirituality of his characteristic.

After so many years, the Pavlovoposad's handkerchief continues to live and develop: the vintage patterns are restored, the ornaments of other peoples and cultures are borrowed. For example, they are currently popular with a scarlet and shawl with "Turkish cucumbers" and "beans" borrowed from the famous Indian Cashmere Chalese.

This is not surprising, because the real, traditional, high-quality things will find their connoisseurs at any time, and the Pavlovoposad scarves of this confirmation.

Photo artist Lara Cantur (Lara Kantur)

Figure Pavlovoposad handkerchief. Postage stamp of Russia, 2013

Original entries and comments on

The painting of the heads is one of the types of art, which in recent decades has been practically forgotten, but recently returned to the fashion world. Previously, the scarves wore almost all - rich, poor, old, young. And how much brought the joy of "revision" of a grandmother's chest, in which the shawls of a wide variety of colors, decorated with golden thread!

So today the shawls with patterns come into fashion, but now they are more stylish, moreover, the variety of ornaments and drawings have grown significantly. Not for nothing they say that a new one is almost always forgotten old. The world couturier was not held, they remembered the Russian national accessory, who used to be in the house in every fashionista - a handkerchief with a pattern.

History

The scarf is a female traditional headdress. However, earlier this accessory was used not only as a head cover. The handkerchief could tell a lot about his owner. Its coloring, size, drawing and quality of manufacture testified on the material and family status, aesthetic tastes, emphasized the ordinary or festivity of the entire outfit.

Undoubtedly, under the influence of the fashion and development of technologies, the shawls, as well as other clothing items changed. In antiquity, the shawls were embroidered in the manual, besides, they were usually white. The embroidery ornament was important, since each element had a unique interpretation.

The pattern told about the hopes and desires of a girl or a woman who was portrayed on his scarf. Many sacred believed that embroidered them would come true. Pigeons on the scarf were a symbol of loyal love and a kind of faith against treason. Scarlet roses embroidered in the hope of bright life and clean feelings of the chosen. Leaf Barwinka - a kind of spell - the embroidery believed that thanks to this image, her chosen one would melt around her like Barwin. Pink brushes should have covered fate, as if the Sun in clear weather, and brown were protected from dark forces. Green leaves and grass helped to frown. Purple ornament illuminated the life path as a guide star. Later, when it became possible to paint the fabrics in different colors, colored scarves appeared.

Tips before purchasing

The handkerchief will help to emphasize the individuality of the owner, reject the color of the eyes or hair, hide the flaws or on the contrary, pull attention to themselves, so before buying it is better to determine what exactly the color and size you need a scarf, because you can only hear from the seller to hear only "you excellent It goes! ", Sometimes far from the truth.

Color and drawing

Before buying, decide how the color of the scarf is needed - when choosing a shade, pay attention to the color of your eyes (when the scarf coincides, it will exceed them well), on the clothes that you plan to wear - pick it up better, and if you want to stand out from the crowd, then You will fit a contrast or bright accessory. Full better avoid a large ornament.

The size

Scarves, the size of which is less than 90x90 centimeters, it is convenient to tale on the bag or on the neck, and also gently wrapped the wrist. If you want to carry a handkerchief on the neck and in the neckline zone, then it is better to choose a larger handkerchief, as only the products with a side of 110 centimeters will allow its owner to take advantage of a variety of interesting options for tying.

Fashionable bracket manufacturers and patterns

Among all the silk headscarf produced in the world, the first place is firmly held by accessories from - many fashionista are followed by the latest collections of designers of this brand to replenish their wardrobe with new products. Shawls are distinguished by the most complex patterns and a unique combination of bright colors. Usually, designers do not apply peas, cells or animal prints on their products, which will allocate them from a number of other fashionable brands. This season on the headscarves from you can meet Slavic, Egyptian or Arab motives. In addition, despite the fact that the horse has already lost the place of the blue goat, the manufacturers of this brand continue to use the topics of horses, horsepower, horse racing and running, which is not surprising - after all, it is from the horses and the history of this brand begins.

Also famous all over the world, but they are especially loved in their homeland, our Russian Pavloposadsk scarves. Their history has several centuries, and today Pavlovoposad's scarves are produced in large quantities and enjoyed in high demand. Artists are constantly working on new sketches, which take into account the fashion trends of the world level, and also restore the patterns of the past, which were lost. Designers of this brand at the beginning of the year began to release accessories mainly with a large pattern, the images are so clear and high-quality, which creates the illusion of the volumetric pattern. In addition, following fashionable trends, collections are developed in green, red and brown color gams with bright patterns of saturated colors. Not so long ago, designers of this brand created a special collection designed for fashionistas, who even in harsh cold want to look stylish - Pavlovoposad handkerchiefs with fur. So, lover of beautiful handkerchiefs will be able to acquire copies with the edge of fox fox, fox and other animals.

Shawls this season are incredibly feminine: with asymmetric geometric prints, floral patterns. Shades in the color grams of images are skillfully chosen. In addition, on the headscarves, we can see the constant branded detail - symbolism.

Some stylists associate high-quality handkerchiefs from fashionable manufacturers with man-made diamonds, which require the appropriate outfit that helps reveal their value. Fortunately, the modern world of fashion does not put clear borders, thanks to which there is a huge field for creativity. The scarves can be combined with almost everything: with a coat, classic blouses and dresses elegantly fitting sweaters. Moreover, if you casually tie a handkerchief on the neck or on the wrist, it can become an excellent addition to youth jeans and kids.

Do not be afraid to experiment!

Back forward

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Tasks.

• Familiarize with the art of artistic painting fabrics on the example of Pavlovoposad's headscarves.
• Teach students to see that the décor decor is associated with its purpose, i.e. With for whom it is, for everyday life or for the holiday.

Predicted results: Students will learn to aesthetically evaluate the variety of cloth painting options on the handkerchief example; Learn the main options for the composite handker painting solution (with an emphasis of the visual motif in the center, in the corners, in the form of free painting), as well as the nature of the pattern (vegetable or geometric); The experience of creativity and artistic and practical skills in creating a sketch of the painting handker (fragment), expressing his appointment.

Educational materials:

• PC, Presentation "Pavlovoposad's Shawls",
• Gorazhey N.A., Nemenskaya L.A., St. Petersburg A.S. inscribed art: Art around us: Grade 3 / under. Ed. B. M. Nemensky;
• Gorazhey N. A. and Dr. insulating art: Your workshop. Workbook: Grade 3 / under. Ed. B. M. Nemensky.

Pupils: Billets from colored or white paper of triangular and square shape, gouache, brushes, unpleasure, napkin, handkerchief.

Preliminary preparation for the lesson. Pupils find out in communicating with mom and grandmother, what scarves they especially love and why, bring a handkerchief to the festive exposure.

I. Organizational moment.

II. Actualization of knowledge.

Teacher. Guys, today at the lesson we will work on the topic "Mother's scarf". Think about what will we talk about the lesson? (Children's responses). What do you think guys have long been a handkerchief, did he play a role in the ensemble of a folk costume? (Children's responses).

III. Teacher's story.

Teacher. The predecessor of the handkerchief in Russia is considered a white linen towel with embroidery - remotion. Since ancient times, women covered their heads. Since the end of the 17th century, he is inferior to the scarf. A century later, the word appeared in Russian "shawl" borrowed from the Persian language. And it means a large patterned handkerchief.

In the ensemble of a folk costume, the handkerchief plays an important role, completing the headdress, or decorating the daily and festive female outfit. The "Russian scarf" is recognized in the whole world thanks to the work of talented Russian artists and masters of weaving and beautiful. They created an original artistic image. Its origins were the traditions of folk art and creative borrowing from the cultures of other peoples.

In the headscarf, the Russian chamomile, Persian Lotus, Iranian "beans", French bugs "Milfller", solar sockets, antique vases and a variety of variations of Oriental oriental ornaments are combined in harmoniously.

Industrial production of printed and patterned headscarfs in Russia began at the turn of 18-19 centuries . The basis of the future Russian textile industry was peasant farms with colorabies and manual weaving machines. Steam engines, sitzenabilic machines and machine tools for patterned weaving came to replace the manual work. Glory came to Russian handquets and shalms.

Weaving techniques allowed then to make patterns of single and bilateral. One of the bright examples of the traditions of the printed pattern are shawls and shawls of Labzin and Gryaznov's manufactory from Pavlovo-Posada.

Reading students of poems.

Pavlovsky Posad
Slary masters
People know: old and young
About scarves with flowers.
Gave me handkerchiefs
It blooms like a summer garden.
It turned out, this is a miracle
Made Pavlovsky Posad.
How do I throw on my shoulders
Painted this shawl
Immediately all my sorrow
They will float somewhere in the distance.
Just a miracle, right miracle,
Created for centuries,
Needlewomans Posada,
Hunting handkerchief.

IV. Demonstration of the presentation of "Shawls from Pavlovsky Posad" is accompanied by a teacher's story.

Showing 1-3rd Slides. In the world famous to the world, the unique products constituting the pride of Russia, they have a special place to take scarves and shawls from Pavlovsky Posad. Pavlovoposad boiler manufactory annually releases about 400 species of shawls, handkerchiefs, scarves, cough, calantins, wool tablecloths, cotton and silk.

The company has the status of folk artistic fishery of Russia.

Show 4th and 5th slides. The history of the enterprise has more than two centuries. The production of famous Pavlovoposad's headscarves and chaleses was established by merchants Ya. Alabzin and V.I. Gryaznov, in the early 60s of the XIX century, after half a century, from the moment of the founding of the factory. Shell firmly entered the life of Russian society, becoming a characteristic element of Russian costume - At first noble, then merchant and peasant. The widespread shawl is obtained during the establishment of the production of cheaper, compared to woven, chalees with a printed pattern.

Showing the 6th Slide.The enterprise has developed the only Pavlovoposadskaya Picture of its kind, due to which traditions are preserved. Work on each new product begins with a drawing - a krque, which is considered and approved by the artistic council. After approval Figure, the Colorists pick up the recipes of printed paints, achieving accurate playback using textile dyes of the author's drawing performed by a gouache. Before receiving the final recipe, the Colorist has to make a variety of test pads.

Showing the 7th Slide. Since the XIX century, the drawing on the sweat fabric was applied with wooden carved forms using two types of boards: "manners" and "flowers". "Flowers" cut out of the tree, paints were applied to the tissue, each color demanded a separate board. The contour of the drawing was stuffed by "manners". Their manufacturing was time consuming: at the beginning the pattern on the tree was buried to a certain depth, then filled with lead. The resulting outline was imposed on separate boards. The production of "flower" and "manner" was impossible for the magnitude of the entire scarf, the drawing was divided into parts. For the woven, the handker was sometimes required more than 400 boards.

Showing the 8th Slide. The factory created new boil compositions and printed the scarves on old drawings in other colorful developments, on the soils of such colors, like "PUNC, Bordeaux, Gold, Salad, Orange, Green, Turquoise, Violet". Since the 1970s, part of the headscarves is stuffed with drawing on the cloth using silk or piping mesh patterns.

Show the 9th Slide. Each picture is printed in several color versions - coloring on printing tables with automatic printed carriages. The most responsible operations are performed manually. And you need to do them a lot to create a unique Pavlovoposad handkerchief!

Show the 10th and 11th slides. Printing paints are prepared on automatic collarsk. All processes - from dissolving the dye powder to mixing the finished paint - are performed without human participation. Printing patterns are prepared using a unique direct engraving installation, which inflicts droplets of the molten wax on the surface of the mesh, covered with a photoemult.

The show of the 12th Slide. With the end of the 90s of the XX century on the boilers, via the printing on the template, they were produced and scarves with the number of paints reaching 23rds, which in their appearance and quality exceed the products printed earlier.

Show the 13th Slide. The enterprises of the enterprise were repeatedly exhibited on numerous domestic and foreign exhibitions. In 1958, a large gold medal was awarded at the World Exhibition in Brussels, Pavlovsky scarves were awarded.

Show 14-20th slides.Pavloposad handkerchiefs.

Show 21-25th slides. Female portraits in scarves and shals.

Show the 26th Slide. In the patterns of Pavlovsky, bouquets and flower garlands prevail. The Turkish "cucumber", "medallions", ovals, stars are popular. On the scarf you can see antique vases, lotuses, chamomile, birds and ancient symbols. But the main symbol was a rose playing with all the colors of the rainbow. Georgina - the second frequency of the image of the flower on Pavloposad's headscarves. Often in the "bouquet" of the Pavlovoposadsky handkerchief with artists use lily, tulip and peony. Spacious for creativity Masters-artists give a variety of wildflowers. Springly Russian field is the colors of different colors, they all complement each other and emphasize the brightness of each. Times, technologies are changing, and a handkerchief and shawl remain the best gift.

Show the 27th Slide. Top Dictionary. ( The interpretation of all words is given in the second meaning).

Method for applying a drawing on the cloth by printing with carved boards; Fabric with a pattern, pattern.

PRINTED.

About the pattern, drawing applied to the fabric; About fabrics with a pattern, pattern (manually applied or in a machine manner).

Manuffa "RA. study. Factory, mostly textile.

Teacher. What new learned? What seemed particularly interesting? What did you like, remember? (Children's responses).

V. Fizkultminutka.

In a bright sunny day (Source position - sitting squatting, closing his hands above his head).
Golden flower bloomed. (Stand up, spreading hands to the sides).
Light breeze blowing -
Harded our flower. (Hands on the belt, slopes to the right and left).
Strong wind blows
Petals are worried. (Hands to shoulders, circling).

Vi. Exhibition of women's headscarves.

Create an emotional atmosphere in the lesson helps an improvised exhibition of female headscarves of various emotional sound. Children overlook the blackboard on the rows with the scarves of their moms, grandmothers or sisters and demonstrate them. Pupils, consider every handkerchief, make an assumption about the handkerchief belonging (Mamin, Babushkin, younger sister or older sister) and his appointment (everyday or festive), explaining his point of view.

Teacher. Guys, consider composite patterns on the colored field of the handker. How composite patterns of the pattern of the pattern you saw (decorating the kayma, angle, center and four corners, free painting, etc.)? (Children's responses).

Teacher. The visiting card of the Pavlovoposad handkerchief is the location on the fabric of the pattern. The drawing, large in the edges, becomes smaller to the center, and the angles decorate catchy flowers. Compassion is most often built with accents on the corners. Bouquets of large colors are symmetrically placed on bouquets and corners, and the middle of the field is filled with rarely scattered small flower. There are also compositions consisting of floral garlands that are closed in space and increase to the center. Often Kaima is decorated with a dense pattern of garden flowers. In the headscarves, a composite skill of folk artists appeared brightly, the ability to enter the pattern into the square, to build angle, find countless variants of the same pattern. Guys, pay attention to the nature of the pattern. Find shawls with a vegetable pattern. Why is it so called? (From plant elements). Find scarves with a geometric pattern.

Guys, pay attention to the color decision of the handker. In which color scheme may be decorated with a handker pattern? (In the warm color scheme or in the cold color scheme, and maybe contrasting colors).

VII. Working with a textbook P.30 - 33

Reading text textbook.

Answers to the textbook questions after reading.

1. Why not always beautiful what is bright and painful? Is bright, elegant clothes are inappropriate, and therefore ugly? (Children's responses).
2. What do you think, is it possible to express the beauty and wallery of the early morning through the ornament on the scarf?
3. What patterns and color on the scarf can be transferred to the fabulous mystery of the upcoming evening?
4. Who would be such scarves? (Children's responses)

Teacher. Guys, determine what is the participation of buildings, decoration and images in creating elegant handkerchiefs? Who is the master master?

Pupils. The buildings wizard helps to select the location of the pattern on the scarf - on the corners, in the middle or on the entire field. The image of the image helps to choose the image on the scarf - birds, flowers, butterflies or something else. And the decoration wizard helps turn the image into the pattern - select the color and rhythm of the pattern.

VIII. Practical work: Creating a handker painting sketch.

Teacher. Guys, on the task of the tutorial, draw a handkerchief for your mother and another handkerchief or a golk for a sister or grandmother. Try to make the scarves get different and corresponded to the age of to whom they are intended. To work, you will need paper and gouache. Initially, drawing light paint, use your fantasy, fill the handkerchief with images of herbs, colors, leaves, twigs, birds, butterflies, etc. In the appropriate design of the color scheme.

IX. Just a task

Perform the task in the working notebook C.10.

Teacher. What did you study at the lesson? What was the most interesting? (Children's responses).

On the board it is arranged an exhibition of children's work. Children consider each other's work.

Used materials.

1. Nemensky B.M. - Lessons of fine art. 1-4 class. Pounding. GEF. M.: Enlightenment, 2013.
2. http://platki.ru.
3. http://www.kleopatra.ru.
4. http://muztunes.net
5. http://slovonline.ru.
6. http://www.artgolery.ru.
7. http://kykolnik.dreamwidth.org.

Abstract of the lesson of visual art in grade 3

Matveeva Svetlana Nikolaevna primary school teacher MBOU SOSH No. 9, Ulyanovsk.
Work description: I offer you a summary of the visual art lesson in grade 3 under the program "Planet of Knowledge", author of N. M. Sokolnikov. This topic enters the section "The World of Folk Arts". The material may be useful to teachers of visual arts, primary school teachers who themselves behave visual arts, as well as teachers in artistic areas of extracurricular activities.

The topic of the lesson "Pavlovoposad scarves"

Purpose: Acquaintance with the work of Pavlovoposad masters.
Tasks:
- continue to get acquainted with traditional folk art fishers;
- Teach the ability to draw Pavlovoposad Flowers;
- to educate the love of traditional folk arts.

As a result of the lesson, students should master the following skills:
Personal
Students will be formed:
- understanding of the involvement in the culture of their people,
- respect for masters of art fishery, preserving folk traditions;
Students will have the opportunity to form:
- ideas about the role of art in a person's life;
- perception of visual art as part of a national culture;
The foundations of an emotionally value value, aesthetic attitude to the world, phenomena of life and art, understanding of beauty as values.
Subject
Students will learn:
- to learn (define), group works of traditional folk artists;
- draw the schemes for the placement of ornaments on Pavlovoposad's headscarves;
- Repeat samples of peacockosadic colors.
- solve a creative task: draw a handkerchief with peacockosadic patterns (gouache).
- Draw an angle of a handkerchief with peacockosadic patterns (simple pencil).

- pick up paints and color gamut (color) in accordance with the mood transmitted in the work.
MetaPermet
Regulatory
Students will learn:
- follow the instructions of the teacher and algorithms describing the standard actions when performing artistically - creative work;
- explain what techniques, technicians were used in work, how work was built;
- Think on the action plan when working in a pair;
- distinguish and relate the idea and result of work;
- Turn on in independent creative activity.
Students will get the opportunity to learn:
- independently perform artistic - creative work;
- Plan your actions when creating artistic - creative work.
Cognitive
Students will learn:
- group, compare the works of folk crafts according to their characteristic features;
- Analyze, from which details the object is.
- Study what scarves and shawls wear women in the edge.
- keep finding information about the history of the production of Pavlovoposad scarves and famous masters.
Students will get the opportunity to learn:
- Model design objects.
Communicative
Students will learn:
- express your own emotional attitude to the class depicted when discussing in the classroom;
- abide by the daily life of the speech etiquette and the rules of oral communication;
- ask questions of clarifying nature in the plot and semantic communication between objects;
- take into account the opinions of others in working together, to negotiate and come to a general decision, working in the group.
- Participate in the discussion on the lesson, using the text of the tutorial and the image.
Students will get the opportunity to learn:
- ask questions of the clarifying nature of content and artistic and expressive means;
- take into account different opinions and strive to coordinate various positions when creating artistic - creative work in the group;
- own a monologic form of speech, be able to talk about the art fishes of the peoples of Russia;
- own a dialogic form of speech, be able to supplement,
Decay judgment, give examples.
Training - Methodical kit:
N.M. Sokolnikova. Art. Grade 3. Textbook. - M.: Astrel.
N.M. Sokolnikova. Art. Grade 3. Workbook. - M.: Astrel.
N.M. Sokolnikova. Training in grade 3 in the textbook "Fine Arts". - M.: Astrel.

During the classes

I. Organizational moment and motivation to teaching.
Teacher:
Check if everything is fine?
Brushes, paints and notebooks?
Good afternoon guys! Close, please, eyes and listen.
(Song in the performance of Taisiya Povaliy "Orenburg Pooh Color").
Teacher: Guys, open your eyes and tell me what you presented? What feelings caused this song? What is she?

II. Preparation for the perception of new material.
Teacher: Guys, I suggest you work in groups. But for starters, let's remember the rules of work in the group.
(Repetition of the rules of work in the group).
Teacher: Carefully look at the photos with the image of different scarves. Think about which groups they can be divided.
Each group is offered a set of photos. Groups divide them on certain features (in color, in form, in the figure). Next follows a discussion.
III. Message themes and lesson purposes.
Teacher: Guys, I want to draw your attention to the group of scarves the same in its drawing.
(The teacher places the photos of this group on the board).
Teacher: Who knows what these scarves are called? Look guys, what's in my hands?
(Next follows the answers of children).
Teacher (throwing a handkerchief on the shoulders):
I was sacrificed yesterday in the closet, and found
Mother's Pavloposad scarf,
Something important, I remembered the soul right away,
As freedom swallowed a sip.
And in the scarf, then the field, the field flows!
And flowers in it are insanely beautiful ...
In each thread, Russia loves:
Rivers ... Mountains ... Roads and Niva!

Teacher: Yes, guys, in my hands - Pavloposad's handkerchief. And, as you probably have already guessed the theme of today's lesson: "Pavlovoposad's scarves." We continue to get acquainted with traditional folk art crafts. We will learn to draw Pavlovoposad Flowers.
IV. Acquaintance with new material.
(Next, you can show a presentation on this topic).
Approximate story on the topic
Pavlovsky handkerchiefs received their name from the name of the small town of Pavlovsky Posad, which is located in the Moscow region. This is one of the oldest Russian centers in which the scarves made. In the 19th century in Pavlov, the famous Pavlovsk handkers were purchased at the fairings in Pavlov and distributed in Russia. How could not buy such beauty?! Shawls are bright, elegant - eye Do not take! Red roses, wildflower bugistics, green leaves and herbs are woven into patterns, and all this on a multicolored background: black, white, red, golden, cornflower, brown. There are scarves with brushes and fringe, large and small. Absolutely everyone and scarves were to face! The drawing was stuffed with a cloth with carved wooden boards. For one handker, more than a dozen boards were used. For each color - its board.
Over time, machine production began to push out manual. Packing drawing began to apply with special templates. The picturesque Pavlovoposad's headlocks are famous not only in Russia, but also in many countries of the world.

Previously, many women wore a handkerchief not only on the head, but also on the shoulders. They give the woman beauty, magty protecting from cold, while maintaining heat and health.
It should be noted that the Pavloposad printed scarves are produced for more than 200 years. They became an integral part of the culture of Russia. Starty drawings are flowers and leaves. Blossoming branches of roses and lilies - sign of the river tree, paradise garden. Later appeared drawing "Turkish cucumber". Over time, other motifs appeared that meet the trends of modern fashion. The drawing is located symmetrically from the center. For one handkerchief, 18-23 tones are used, the combination of colors is harmonious and correct, so the Pavloposad scarves are vivid and universal. Initially, saturated colors were dominated - burgundy, black, bright blue, dark green - denoting wealth.
V. Fizkultminutka. Dance with handkerchief.
(Children perform movements to the music).

Work textbook (p. 84-85 textbooks).
Teacher: Guys, please answer the following questions.
- What form has a scarf? (Square).
- What are the shawls decorated? (Flowers).
- What colors? (Bouquets or garlands from roses, peonies, dahlias, lilies, irises, daisies, bells).
- What color is the background of the headscarves? (Green, blue, red, white).

VI. Theory work. Fastening knowledge, skills.
Performing practical work.
1. Demonstrate patterns of drawings.
(Each child is heard an angle of white paper scarf).

2. Filling in practical work.
(The task in the working notebook is performed by a gouache).
(At the time of practical work, it is possible to include a song performed by Ani Lorak "Blue Watch").
3. Control over the performance of practical work.
VII. Analysis of student work.
Exhibition of work.
VIII. The outcome of the lesson.
Teacher:What new learned in the lesson?
Reflection.
Teacher: Snagger, what is your mood from the lesson? What did you like? What should you learn? Where can I use the material obtained in class? Thank you for the lesson!

And so, draw a handkerchief in a cold batik technique.

The fabric is a cream satin, white, size is approximately meter per meter. The fabric take the stock, that is, the finished product will be somewhere 90x90 cm.

Reserve - Transparent company Gamma

Paints - Acrylic Silk Silk, Gamma

Glass tube for reserve

Rag, to remove a drop of reserve from the tubule, and for drying the brushes.

Brushes - 3 squirrels of different sizes, No. 5 for small parts, No. 12 for filling large parts, №24 flat brush for the background.

Pencil, large paper sheet for drawing, marker for stroking pattern.

Wooden frame, or subframe (I use sliding frame)

Before pulling the fabric on the frame, it should be rinsed in a light soap solution, in order to wash off the factory processing of the fabric, because if it is not rinsed, the paint will be badly spread. After drying the fabric, it should be swallowed slightly.

We stretch the fabric on the frame.

To begin with, very exactly positioning it:

Then we attach the fabric by stationery buttons, we do it from the middle to the edges. It is important to pull the fabric very smoothly so as not to squeeze it.

After the tissue is stretched, we need to make the drawing of our scarf in the frame size. You can make a preliminary sketch of a small size, and then increase it until the scarf size. I do a drawing without prior view, right on a large piece of paper. In order for the drawing to be better visible, I bury it on top of a pencil permanent marker.

Then put the drawing under the fabric so that it is clearly visible through it.

If the drawing is too low and is not visible, you can put books or magazines to be closer to the fabric.

When the drawing is placed under the cloth, we begin to apply the reserve.

We apply a reserve carefully so that there are no breaks, otherwise the paint will flow. When the entire picture passed the reserve, leave it to dry. Dries somewhere in an hour. If the time for work is limited, then you can speed up the drying process with a hairdryer.

When the reserve is dry, we start directly painting. Before applying paint, you need to moisten the painted area with clean water. It is necessary in order for the paint to flow more freely, as well as in order to identify those places that badly infiltrated the reserve.

The painting on the fabric resembles watercolor painting, because in watercolor, we gradually fit one color to another, seeking unique transitions and color games. I wake up without a palette, mixing the paints right on the fabric. Newbies such a focus will probably be folded, so I advise you to use the plastic palette.

When applied, paint should take into account the type of fabric. On different fabric, paint behaves differently. It can flow evenly, or more duck, or more on the basis.

It is necessary to apply paint carefully so as not to get another color to already scratched areas, as it is not possible to fix it.

According to my idea, the flowers on the scarf will be a lighter background, I make them golden - orange, the leaves will be the darker background, I make them red brown.

If all the same, in some places, the reserve was inflicted bad, and we did not notice this when wetting the tissue with water, in these places the paint will leak on another area of \u200b\u200bthe pattern. We do not need this, but since the background is expensive quite dark, then the leaks can be particularly not bluffing. But necessarily these places to go back to the reserve so that the color of the dark background is not sharpened on blonde flowers. If you make the background with light, then as soon as the paint flowed, it needs to be blocked right immediately at all possible and the place of leakage to go through the reserve.

Gradually, painting small details, go to the painting of the background area. It must be remembered that the large area needs to be written quickly, without interrupting that the paint flows evenly and anywhere did not breathe ahead of time, otherwise you can get ugly stains and stacks.

To add an interesting "drop" effect, we sprinkle a wet cloth in some places urea. The urea is sold in any gardening gardens. There is some kind of special powder for a similar effect, but it is of course an order of magnitude more expensive (I do not know what is called). Either it is possible to sprinkle with a large salt instead of urea, salt creates "asterisks" brighter.

And so, we finished painting. If in any places, the color is not so rich as you would like, you can add colors, re-smash the right areas and strengthen the contrast.

After drying, the fabric should be carefully removed from the frame by driving the buttons.

The drawing is fixed with the help of a very hot iron from the wrong side on the average temperature is permissible for a type of tissue type.

After fixing the pattern, the cloth needs to rinse in warm water with the addition of a small amount of soft shampoo, it needs to be done in order to get rid of tissue stiffness after iron.

After the tissue is proplinked and dried, you need to try again and smoothly cut into size, and then process edges. For those who are not friendly with a sewing machine, you can take a handkerchief in the nearest atelier and for not much fee you treated the edge on Overlock.

And here is our scarf is ready!