He lived Michelangelo. Creative suffering and Platonic love Michelangelo Buonarot: Several exciting pages from the life of genius

What was famous for Michelangelo Buonaroti, an Italian artist, sculptor, poet, architect and thinker, you will learn from this article.

What was famous Michelangelo Buonaroti?

He is most famous representative of the Italian Renaissance And the greatest artist, architect of all time.

The most famous works by Michelangelo

The most famous sculptures of Michelangelo - "David", "Vakh", "Pieta", the statues of "Moses", "Lii" and "Rachel" for the tomb of Pope Julia II c. Georgio Vazari.

The most famous paintings by Michelangelo: "Madonna Donon", "Position in the coffin", "Mutic by Anthony", "Appeal of Paul", "Crucifixion of St. Peter" and others.

Michelangelo's most famous works: The frescoes of the ceiling of the Sistine Chapel, the fresco of the "Scary Court", the draft Dome of the Cathedral of St. Peter, Ladders of the Library of Laurencyan, Campidolio Square, "Battle of Kashin", "Battle of Centabers", "Furious Boy",frescoes for Capella Polane and others.

Boonotti is considered an example of a universal genius, the main creator of high rebirth, as well as a representative of the Florentine painting school. Michelangelo's talents were not limited to: he created excellent reliefs, sculptures from marble. At 21, he was postgrad by the real glory of the great artist after creating the sculpture "Pete".

In the period 1508 - 1512, Boonarotti is engaged in the creation of ambitious frescoes in the Siccstinian chapel in Rome, who admire the eyes today. They were drawn 7 prophets and 5 novels. In their ring, created 9 panels of biblical stories.

The vertex of his sculptural works is the sculpture of Moses, created in the period of 1513 - 1515. He was the first artist who shook the statue of a whole piece of marble. Before that, no one did this, because it was considered impossible. Sculpture emitted passion, determination and courage.

In 1514, Michelangelo instructs to complete the Basilica of St. Peter in the center of the Vatican, the construction of which began in 1506. Despite the fact that he did not have time to finish it, all his contribution to its construction is huge compared to other architects. The dome for the Basilica was already completed after the death of Boonotti and on his project.

After 1519, the genius of art almost all the time gives architecture. In 1520, Lorenzo and Juliano Medici Chapel for two dukes. It was the most ambitious project for his life. Sculptures created by him for Chapel, today are included in the rating of the most advanced creations.

In Florence, he designed a Lavrentiev library attached to the Church of San Lorenzo. The books of Lion X are kept in it. By construction, the artist applied a new style for the first time in history, called manherism. And on this achievements, Michelangelo does not end.

In 1534, being in Rome, the artist began work on his best creation - the fresco "Scary Court". It was depicted apocalypse. In total, the fresco consists of 300 figures and shows 9 biblical episodes from the Book of Genesis.

What did Michelangelo do in the field of literature?

The last years of his life Michelangelo dedicated poetry. To date, about 300 of his poems, 75 sonnets, 95 Madrigals have been preserved. The first of his poems are quite complex and contradictory, and neoplatonic love is inflated. But the poetry of a later period is distinguished by Christian themes, a clear and simple style.

In addition to the poems, Buonotti left the creative heritage and in the form of letters (in the amount of 1400), sketches (about 500 drawings) and memories.

He was the first artist in the world, whom contemporaries recognized the genius and called "Divine"

Michelangelo di Lodoviko Di Leonardo di Buonotti Simonony was born on March 6, 1475 in the chapel. Lived until February 18, 1564. Of course, he knows more as a Michelangelo - famous Italian sculptor, artist, architect, poet and engineer of the high and late revival. The unprecedented impact on the subsequent development of Western art was the work of the Great Master. Michelangelo was not only the best artist of his time, but also the greatest genius of all time. It should not be confused with Michelangelo Caravaggio, whose paintings were written slightly later.

Early work Michelangelo Buonarot

Pictures, or rather the reliefs of the "Battle of Centaurs" and "Madonna at the stairs", testify to the search for a perfect form. Neoplatonists believed that this is the main task of art.

In these reliefs, the visor of the viewer appears the mature images of the high rebirth, which were built on the study of antiquity. In addition, they were based on the traditions of Donatello and his followers.

Getting started on the Sicstinian Chapel

Pope Julius II conceived to create a grand tomb for myself. He instructed this work Michelangelo. 1605 was not easy for both of them. The sculptor has already started work, but later learned that Dad refuses to pay bills. It hurts the master, so he left Rome aromaticly and returned to Florence. Long negotiations ended with Michelangelo forgiveness. And in 1608 the painting of the ceiling of the Sistine Chapel began.

Working on the painting was a big feat. 600 square meters were decorated in four years. The grand cycle of compositions on the topics of the Old Testament was born from under the hands of Michelangelo. Pictures, images on the walls are amazed by ideological, shaped face-shaped and plastic expressiveness. The naked human body is of particular importance. Through a variety of postures, movements, the situation is expressed by an incredible number of ideas and feelings that the artist broke out.

Man in the works of Michelangelo

In all the sculptural, picturesque works of Michelangelo, the only topic is a person. For the master it was the only means of expressiveness. At first glance, it is imperceptible, but if you start to get acquainted more carefully with the works of Michelangelo, the paintings at a minimum reflect landscape, clothes, interiors, items. And only in cases where it is necessary. In addition, all these details are generalized, not detailed. Their task is not to distract from the story about the acts of man, his character and passions, and serve only the background.

Ceiling of the Sicstinsky Capella

The ceiling of the Sicstinian chapel covers an area of \u200b\u200bmore than 500 square meters. Michelangelo portered only more than 300 figures on it. In the center there are 9 scenes from the Book of Genesis. They are divided into three groups:

1. God's creation of land.
2. God's creation of the genus of the human and his fall.
3. The essence of humanity in the face of Noah and his family.

The ceiling is supported by sails, which depict 12 women and men predicting the coming of Jesus Christ: 7 of the Prophets of Israel and 5 Siville (ancient world adherents).

False elements (ribs, eaves, pilasters), which are made in the tomb technique, emphasize the bend line of the arch. Ten ribs crosses the balls, sharing it on the zones, in each of which the main narration of the cycle is described.

The ceiling is enveloped by a cornice. The latter emphasizes the conjugation line of the curvilinear and horizontal surfaces of the arch. Thus, the biblical scenes are separated from the figures of the prophets and Siville, as well as the ancestors of Christ.

"Creation of Adam"

The picture of Michelangelo "Creation of Adam" is definitely one of the most famous fragments of the ceiling of the Sistine Chapel.

A lot of people who have a different attitude to art, in one voice, argue that there is practically a stream of life of the life of the life of the life of the life of the Savaof and a hazelnaya Lena of Savaof and a hazelnaya. These almost sparing hands are the unity of the material and spiritual, earthly and heavenly.

This picture of Michelangelo, the hands on which are so symbolic, is entirely permeated with energy. And as soon as the fingers come into contact, the act of creation will end.

"Scary Court"

Six years (from 1534 to 1541), the master was working again in the Sistine Chapel. "Scary Court", a picture of Michelangelo, is the biggest fresco of the Renaissance.

The central figure is Christ, who creates the court and restores justice. He is in the center of the vortex movement. He is no longer a messenger of the world, merciful and peaceful. He became a supreme judge, formidable and frightening. The right hand of Christ raised in a Grozny gesture, bringing out the final sentence, which will divide the resurrected on the righteous and sinners. This remote hand becomes the dynamic center of the whole composition. It seems that it leads to the rapid movement of the body of righteous and sinners.

If the soul of each person in motion, then the figure of Jesus Christ is and is stable. His gestures personify strength, retribution and power. Madonna is not able to look at the suffering of people, so she turns away. And at the top of the angels are attributes of the passions of Christ.

Among the apostles is Adam, the first in the genus of the human. Also located here and St. Peter is the founder of Christianity. In the views of the apostles, a formidable demand for retaliation in relation to sinners is read. In the hands of them invested torture Michelangelo.

Pictures of frescoes depict the holy martyrs around Christ: St. Lawrence, Saint Sebastian and the Holy Bartholomew, which demonstrates the suggested skin.

There are many other saints here. They try to be closer to Christ. The crowd with saints bite and rejoices the upcoming bliss, which the Lord awarded their awarded.

Seven Angels Tube. All looking at them are horrified. Those whom the Lord saves, immediately go beyond and resurrected. The deaths rebel from the graves, skeletons rise. Some man from horror closes his eyes with his hands. Behind him came the devil himself, who drags him down.

"Kum Sivila"

At the ceiling of the Sicstinian chapel, 5 famous Siville depicted Michelangelo. Pictures These are famous for the whole world. But the most famous is the Kum Sivila. She belongs to the prediction of the end of the whole world.

The fresco shows a large and ugly body of the old woman. She sits on a marble throne and studies an ancient book. Kum Sivila - Greek Priestess, which spent many years in the Italian town of Kuma. There is a legend that Apollo himself was in love with her, who awarded her for the gift of progress. In addition, Syvil could live as many years as she is able to spend away from their home. But after many years she realized that he had not asked eternal youth. That is why the priestess began to dream of a quick death. In such a body, she depicted Michelangelo.

Description of the painting "Libyan Sivila"

Libyan Syville is the embodiment of beauty, perpetual movement of live and wisdom. At first glance it seems that the shapes of Savils are powerful, but Michelangelo endowed it with special plastic and grace. It seems that she will turn to the viewer now and will show a folio. Of course, in the book - the Word of God.

Initially, Syville was a wandering prunerator. She predicted a near future, the fate of everyone.

Despite his lifestyle, Libyan Sivila rather categorically treated idols. She called on to refuse to ministry to the pagan gods.

Ancient primary sources indicate that the priest was from Libya. Her skin was black, height is medium. In his hand, the girl always kept the branch of the carnival tree.

"Persian Sivila"

Persian Syvil lived in the East. Her name was Sambeta. She was also called the Babylonian prunerator. It is mentioned in the sources of the XIII century BC. 1248 was the year of the prophecies that Sivil had dragged in their 24 books. They argue that her predictions concerned the life of Jesus Christ. In addition, she mentioned Alexander the Great and many other legendary personalities. Predictions are expressed by poems having a double meaning. From this they are difficult to unambiguously interpret.

The contemporaries of Persian Sibyli write that she was ridiculed into golden clothes. She had a faithful look. Michelangelo, whose paintings always have a deeper meaning, presented it in old age. Sivil almost turned away from the viewer, all her attention was drawn to the book. In the image prevail saturated and bright tones. They emphasize wealth, good quality and excellent quality of robes.

"Department of Light from Darkness"

The pictures of Michelangelo Buonaroti with names are affected by imagination. It is impossible to imagine that I felt a genius when I created a similar masterpiece.

Creating a fresco "Department of Light from Darkness," Michelangelo wanted a powerful energy from it. The center of the plot is the Savaof, which is this incredible energy. God created heavenly shining, light and darkness. Then he decided to separate them from each other.

Savaof steer in empty space and gives it by cosmic bodies. Touching them in matter and entity. All this he is creating with his divine energy and, of course, the Higher and Great Love.

Boonarotti is no coincidence of the highest mind in the guise of a person. Perhaps the master argues that people are also able to separate the light from darkness, thus creating a spiritual universe, which is filled with peace, love and understanding.

Studying the paintings by Michelangelo, the photos of which are now available to everyone, the person begins to realize the true scale of creativity of this master.

"The flood"

At the beginning of work was not confident in his forces of Michelangelo Buonarot. Pictures, Capella frescoes were created after the master wrote a "flood".

Fearing to start work, Michelangelo involved skillful masters of frescoes from Florence. But after a while I sent them back, because I was not satisfied with their work.

"Flood", like many other paintings by Michelangelo (with names, as we can see, the genius did not arise any problems - they can not be better transmitted to the essence of each canvase and fragment), there was a place for studying the nature of a person, his actions under the influence of disasters, misfortunes, Disaster, his reaction to everything. And several fragments were formed in one fresco, on which the tragedy unfolds.

In the foreground, a group of people trying to escape on the still existing landing knocure is presented. They look like a flock of frightened sheep.

Some man hopes to delay the death - his own and his beloved. A little boy hides behind the mother, who seemed to surrender to fate. The young man hopes to avoid death on the tree. Another group is covered by a piece of canvas, hoping to hide from the rain flow.

Restless waves still hold the boat in which people are fighting for the place. In the background there is a ark. Several people are chipped into the walls, hoping that they will be saved.

Differently depicted Michelangelo characters. Pictures that make up one fresco show different emotions of people. Some are trying to catch the last chance. Others seek to help close. Someone is ready to sacrifice the neighbor, just to escape himself. But everyone worries one question: "What should I die for?" But God is already silent ...

"NOV Sacrifice"

In the last year, Michelangelo has created an amazing fresco "Noah's sacrifice." Her images give us all the grief and the tragedy of what is happening.

Noah was shocked by such a number of collapsed water and at the same time was grateful for salvation. Therefore, he along with his family hurries to bring the victim to God. It was this moment that I decided to capture Michelangelo. Pictures with this plot usually transmit relative proximity and internal solidarity. But just not this! What makes Michelangelo Buonaroti? Pictures of it transmit completely different experiences.

Some participants of the scene demonstrate indifference, others - mutual alienation, frank hostility and distrust. Some characters are a mother with a child and an old man with a staff - show grief, moving into tragic despair.

God gave promise no longer punish in such a way humanity. The land will go for fire.

Artistic masterpieces, the author of which is a great Florentian, so much that you can talk about them for hours. Fortunately, today, any interested high-art person is available to the photo on which Michelangelo's paintings (with names and a brief description of the most famous we introduced you to). Thus, at any time you can start enjoying the creations of this genius of the Renaissance.

Michelangelo Buonaroti (1475-1564), Italian sculptor, painter, architect, poet.

Born on March 6, 1475 in the Tuscan village of Caprese, where Michelangelo's father was an old-age. Despite the sharp protests of the Father, he entered the student to the fresco painter Girlandian and soon began to study in the Florentine Art School Lorenzo Medici.

Creativity Michelangelo belongs to the era of high rebirth. Already in youthful works, such as Madonna's reliefs at the stairs, the "Battle of Centaurs" (both about 1490-1492), the main features of the art of Michelangelo are identified: monumentality, plastic power and drama images, reverence of human beauty. Saving from civil unrest, resulting from the Board of Savonarola, Michelangelo moves from Florence to Venice, then in Rome.

For five years of life in Rome, he created the first of his famous works, including the sculptures of "VAKH" (1496-1497) and "Pieta" (1498-1501) in the Cathedral of St. Peter. In 1500, at the invitation of citizens of Florence, Michelangelo with Triumph returned to this city.

Soon, at his disposal was the marble boulder of the four-meter height, from which two sculptors were already refused. For the next three years, he worked selflessly, almost without leaving his workshop. In 1504, the monumental statue of naked David appeared on the public.

In 1505, the powerful dad Julius II commanded Michelangelo return to Rome, orders the tomb for himself. Water worked over a giant bronze statue for a whole year, which was supposed to wenst a monument to be almost immediately after the end of the work becoming a witness to how his creation was repulsed to guns.

After death in 1513, Julia II, his heirs insisted on the fulfillment of another draft sculpture. For this, including the numerous alterations caused by the caprics of the customers, 40 years of life Michelangelo. As a result, he was forced to refuse to implement his plan, which envisaged the construction of the tombstone as part of the internal architecture of St. Peter's Cathedral.

The colossal marble Moses and the statues known as the "slaves", forever remained impressive parts of the unfinished whole.

According to the evidence of contemporaries, Michelangelo was closed and immersed by a person susceptible to sudden flashes of a richness. In a private life, he was almost ascetic, lately laid and got up early. They said that he often slept, not even removing the shoes. When he was almost sixty, Pavel Paval III commissioned Michelangelo to create a wall fresco in the Sistine Chapel, depicting the scenes of a terrible court (1536-1541).

In 1547, he received the post of chief architect when reconstructing the Cathedral of St. Peter and designed a huge dome, which still remains one of the greatest masterpieces of architecture.

Michelangelo Buonarroti
Michelangelo Buonarroti.
1475-1564

Great Italian sculptor, painter, architect, poet, thinker. One of the greatest masters of the Renaissance era.

The most famous works of Michelangelo Buonaroti:

The Sistine Chapel
Pieta
David
Adam's creation
Moses

Born on March 6, 1475 in the Tuscan town of Caprese near Arezzo, in the family of Lodoviko Buonarrot, the city adviser. As a child, he was brought up in Florence, then lived for a while in the town of Settignano.

The genius imposed the imprint not only on the art of the Renaissance, but also for the entire further world culture. Its activity is mainly connected with two Italian cities - Florence and Rome. By the nature of his diving, he was primarily sculptor. It is felt in the picturesque works of the master, unusually rich plasticity movements, complex poses, a clear and powerful volumetric volume. In Florence, Michelangelo created an immortal high revival pattern - the statue of David (1501-1504), which became the standard of images of the human body for many centuries, in Rome - the sculptural composition "Pieta?" (1498-1499), one of the first incarnations of the figure of a dead man in plastic. However, the most grand own ideas the artist was able to realize in painting, where he spoke with a genuine innovator of color and forms.

Nowadays, more famous as the author of beautiful statues and expressive frescoes; However, few people know that the famous artist wrote no less wonderful poems. The poetic talent of Michelangelo manifested itself completely at the end of his life. Some of the poems of the Great Masters were laid on music and already in his life they won considerable popularity, but for the first time his sonnets and Madrigals were published only in 1623. About 300 poems of Michelangelo remained to this day.

In an exclusively rich in the individualities of the culture of the revival of the sculptor, painter, architect and poet Michelangelo Buonarroti Belongs a special place. Even in comparison with his outstanding contemporaries, he is similar to the mountain peak among the gentle hills. Only the genius Leonardo da Vinci and Raphael is not inferior to him in the majesticity and the amazing depth of the ideas, perfectly with their incarnation and in artistic gifting. The art of Michelangelo is extremely difficult and multifaceted. Powerful, solid, monumental, it carries the imprint of the bright personality of his Creator, reflects the difficult, full of painful thinking and dramatic turns of the Master. Dernitity of the ideas and perseverance in their implementation was often replaced, and sometimes accompanied by uncertainty in their own forces; Periods of more active creative activity were interspersed with internal creative crises. He challenged more than once, without bringing to the end, work began.

Many of his plans and ideas remained unrealized, not because there was not enough strength, but rather because Michelangelo always put over the ultra-suarm. He constantly sought to embody in the sculptural and picturesque design images, which is almost incomprehensible to the language of fine art, and reached at the same time sometimes impossible. Creativity Michelangelo Buonaroti It did not know the boundaries and limits, there was no traditional rules and canons for him.

The artist created his own, complex and tragic world and worked according to his laws. As no other, he knew how to resist the onslaught of life, difficulties and failures only poured new energy into his work. He lived a long life, and everything made them could have been enough for many lives. The painting of the Sistine Chapel, the sculptural ensemble of Capeli Medici and the Cathedral of St. Peter in Rome - works, each of which gives him the right to immortality in the history of art.

The great passion was owned by his being, and he was terrible because everything was subordinated to his passion, not a pretty other nor themselves. He knew what he wanted, and, as it happens even with the most wonderful people, he firmly believed that only his will deserve respect: that the cherished goal is clear to him as anyone else. Together with Leonardo da Vinci and Rafael, is the triad of the greatest luminaries who appeared on the horizon of art for the whole Christian era. He tied himself a loud, unfavorable fame in all three main artistic areas, but was a sculptor, the plastic element prevailed in its genius to such an extent that its picturesque works and architectural compositions were captured by this element. He was the first sculptor who had known the structure of the human body and carved sculptures from marble, showing all the beauty of the human body.

The tragedy was that he, ingenious sculptor, phenomenally felt marble, had to obey the pleasures of patripes-dad and engage in painting, architecture, bronze casting and creating frescoes. But even in these regions, the genuine genius of Matera manifested itself. Unfortunately, many of his plans and ideas remained unrealized, a large number of his creations were not preserved to the present day, many projects were not completed during his life.

Was one of the greatest sculptors, the greatest painters and the greatest architects of their time; There is no other person similar to him, who leaving such a rich legacy to the subsequent generations. Around the world, Michelangelo's name is associated with the fresco "Creation of Adam", the statues of David and Moses, the Cathedral of St. Peter in Rome.

Michelangelo died on February 18, 1564 in Rome. Buried in the church of Santa Croce in Florence.

michelangelo Fresco Painting Great Sculptor Art Rome Florence Buonarot Capella Sicstinskaya Adam Scary Court Madonna Saint Anthony World Flood Exile Paradise Delphic Sivila Kumskaya Prophet Jeremiah Joel Daniel

Michelangelo Buonarroti (Michelangelo Buonarroti; otherwise, Mikolano di Lodoviko di Lionardo di Buonarroto Simoni) (1475-1564), Italian sculptor, painter, architect and poet. In the art of Michelangelo with a huge expressive force, both deeply humane, full heroic pathos were ideals of high rebirth and the tragic feeling of the crisis of humanistic world-up-minding, characteristic of the late-essential era. Michelangelo studied in Florence in the workshop D.GILLANDYO (1488-1489) and at the Sculptor Bertoldo di Giovanni (1489-1490), but his acquaintance with the works of Jotto, Donatello, Mazaccho, Jacopo della, the study of monuments, decisive for creative development Michelangelo Antique plastic. Already in youthful works (Madonna's reliefs at the stairs, "Battle of Centaurs", about 1490-1492, Casa Buonaroti, Florence) determined the main features of the sculptor's creativity - monumentality and plastic power, internal tensions and drama images, reverence before human beauty. Working in the late 1490s in Rome, Michelangelo gave tribute to the hobby of an antique sculpture in the statue of "Vakh" (1496-1497, National Museum, Florence); New humanistic content, bright conviction of images, he introduced into the canonical scheme of the group "Mailing Christ" (about 1498, Cathedral of St. Peter, Rome). In 1501, Michelangelo returned to Florence, where he created the colossal statue of David (1501-1504, the Gallery of the Academy, Florence), which embodied the heroic gust and the civil validity of the Florentine, who had chosen the treason of Medici. In 1505, Pope Julius II invited Michelangelo to Rome and instructed him the creation of his own tomb. For the tomb of Julia II, completed only in 1545 (Church of San Pietro in Winkles in Rome), Michelangelo created a number of statues, including endowed with mighty will, titanic force and temperament "Moses" (1515-1516), the tragedy of the "dying slave" and the "rebel slave" (1516, Louvre), as well as 4 unfinished slave figures (1532-1534) in which the process of work of the sculptor is clearly visible, boldly deepening in the stone unit in some places and leaving other places almost untreated . In a picturesque cycle, Michelangelo on the arch of Sicstinskaya Capella in the Vatican, the artist created a grandiose, solemn, easily foreseeable in the whole and in detail the composition perceived as the anthem of physical and spiritual beauty, as an approval of the limitless creative possibilities of God and created by his likeness of a person. In the oldest conditions, for four years, Michelangelo worked from 1508 to 1512, fulfilling the entire painting of a huge ceiling (600 sq. M. Square) personally. In accordance with the architectonics of Capella, he broke the overlapping arch on a row of fields, placing nine songs in a wide central field on the plots from the Bible about the creation of the world and the first people on Earth:

"Department of Light from Darkness",

"Creation of Adam",

"Creation of Eva",


"Falling",


"Flood", etc., on the sides of them, on the slopes of a huge variety, depicted figures of the prophets and Siville (progress), at the corners of the fields - sitting nude boys; In the sails of the arch, platforms and luins over the windows of episodes from the Bible and the so-called ancestors of Christ. The grand ensemble, which includes more than three hundred figures, seems to be inspirational anthemis beauty, power, human mind, the glorification of his creative genius and heroic acts. Even in the image of God-the majestic mighty elder, it is primarily a creative gust, expressed in the movements of his hands, as if really capable of creating worlds and give life to a person. Titanic force, intelligence, sorrifying wisdom and elevated beauty characterize the images of the prophets: deeply conceived mournful Jeremiah, poetic
Detail of painting "Creation of Adam"
Heavyweight Isaiah, mighty Kum Sivil, beautiful young Delphian Sivil. The characters created by Michelangelo are inherent in the huge force of generalization; For each character, he finds a special pose, turn, movement, gesture. Frescoes of Plafon Sicstinskaya
Fragment of the painting of the sequestine chapel
Sicstinskaya Capella Deployed Panorama Mural Michelangelo Boonarot Capella


Michelangelo Buonarroti
The Sistine Chapel
Flood (fragment)

Michelangelo Buonarroti
The Sistine Chapel
Flood (fragment) Michelangelo Buonarot
The Sistine Chapel
Delphian Sivila

Michelangelo Buonarroti
Libyan Sille Michelangelo Buonarot
Eritrean Sivila

Michelangelo Buonarroti
Kum Sivil Michelangelo Buonarot
Persian Sivila

Chapels, as well as other picturesque works of Michelangelo, are characterized by the clarity of the plastic modeling, the intense expressiveness of the pattern and the composition, the predominance in the colorful range of muted sophisticated colors. In 1516-1534, Michelangelo Buonarot worked in Florence over the project of the facade of the Church of San Lorenzo and the architectural and sculptural ensemble of the clerk of the genus Medici in the new Sacrysty of the same church,

David

Pieta Madonna with infant
as well as over sculptures for the tomb of Pope Julia II. Michelangelo's Africa in the 1520s acquires a tragic character. Deep pessimism that covered him in the face of death in Italy of political and civil liberties, the crisis of Renaissance humanism, reflected in the shallow sculpture of the Medici's tomb - in a gravitant meditation and aimless movement of deprived portrait features of the statues of the Dukes Lorenzo and Juliano, in the dramatic symbolism of the four figures depicting " Evening "," Night "," Morning "and" Day "and personifying irreversibility of time. In 1534, Michelangelo moved again to Rome, where the last 30 years of his life passed. Scary Court (fragment)

Fresco "Scary Court"
Late picturesque works of the Master are striking the tragic power of images (fresco "Scary Court" on the Altar Wall of the Sistine Chapels in the Vatican, 1536-1541), permeated with bitter reflections about the vanity of human life, about painful hopelessness of the search for truth (partly anticipating painting Baroque Capella Poland painting in Vatican , 1542-1550).

Adam's creation



Sacrifice November

Prophet Daniel

Prophet Zakharia

Prophet Ezekiel

Prophet Jeremiah

Prophet Joil


Prophet Isaia

Michelangelo's last sculptural works include the narrated by the tragic expression of the artistic language "Pieta" for the Florentine Cathedral of Santa Maria Del Fiore (up to 1550-1555, Michelangelo defeated and restored by his student M. Kalkanya; now in the Gallery of the Academy, Florence) and the sculptural group "Pieta Rondanini "(1555-1564, Museum of Antique Art, Milan), intended for them for their own tombstones and not finished. For late creativity, Michelangelo is characterized by a gradual waste from painting and sculpture and appeal to architecture and poetry. With 1546, Michelangelo led the construction of St. Peter's Cathedral in Rome and the construction of the Capitol Square ensemble (both works were completed after his death). The trapezoidal area of \u200b\u200bthe Capitol with ancient equestrian monument of the emperor Mark Aureliya in the center, the first Renaissance urban ensemble, made by the plan of one artist, closes the Palace of Conservatives, flanked by two palaces symmetrically delivered along its sides and opens in a wide staircase.

Bacchus


Evening (twilight)

Morning (Aurora)

Skovka
Victory

In terms of the Cathedral of St. Peter Michelangelo, developing the ideas of Bramte and maintaining the idea of \u200b\u200ba centrity, strengthened the value of the medium in the inner space. During the life of Michelangelo, the eastern part of the cathedral was built with the base of the grand dome, erected in 1586-1593 by the student of Michelangelo as an architect Jacomo della the port, somewhat extended its proportions. The thoughts and high tragedy are marked by Lyrics Michelangelo. In his madrigala and sonnets, love is interpreted as an eternal desire of a person to beauty and harmony, referred to the loneliness of the artist in a hostile world, coexist with bitter disappointments of Humanist in the face of triumphant violence. Creativity Michelangelo, who became the brilliant final stage of the Italian Renaissance, played a huge role in the development of European art, largely prepared the formation of mannerism, had a great influence on the addition of baroque principles.
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