Vasiliev Balletmaster Biography. Vladimir Vasiliev (Balletmaster) - Biography, Information, Personal Life
Vladimir Vasiliev was born on April 18, 1940 in the city of Moscow. Father of the future star, Viktor Ivanovich, worked as a chauffeur. Mother, Tatyana Yakovlevna, worked by the head of the sales department at the felt factory. At seven years, the boy accidentally fell on the class club in the house of the pioneers. Choreographer Elena Ross, who was engaged in children, immediately drew attention to the talent of a little Volodya and invited him to do. So, already a year later, Vasilyev came to the scene of the Bolshoi Theater with Ukrainian and Russian dances.
After school in 1958 he graduated from the Moscow Academy of Choreography. Next, the young man took the Bolshoi Theater to the ballet troupe. Already in the years of study, he struck by the virtuoso equipment and undoubted acting talent, the ability to reincarnate. On the scene "Big" debuted in the ballet "Stone Flower" Yuri Grigorovich in 1959.
Soon Vasilyev, who won the love and recognition of viewers and critics, became one of the leading soloists of the ballet troupe of this theater by more than thirty years. The artist was the main parties of the modern and classical repertoire in the ballet: "Cinderella", "Pages of Life", "Don Quixote", "Paganini", "Giselle", "Romeo and Juliet".
Ballets not only offered to Vasilyev's main roles, but also put on purpose. The dancer was the first performer of the Solo Party in Dance Suite, in Ballet Rodion Shchedrin "Konk-Gorboon", in Spartak Aram Khachaturian, in the "Forest Song" of Hermann Zhukovsky, in Persushka, Igor Stravinsky. Also Vasilyev a lot and with great success performed abroad from such producers as Rolan Petit, Moris Bezhar, Leonid Mezin.
Vasilyev created bright, memorable images, often offering their new reading. In addition to Catherine Maximova, a permanent partner and wife Vasilyev, which has always called his Museum, such famous ballerinas, such as Galina Ulanova, Maya Plisetskaya, Olga Lepheshinskaya, Raisa Strochkova, Natalia Bezmortynova, Irina Kolpakova, Alias \u200b\u200bAlonso, Josephine Mendez, Lillian Koz , Karl Fracecchi.
Being in the healing of performing skills, Vasilyev, already then felt the need for a more complete realization of his creative potential: craving for choreography. His ballet master debut was the ballet "IKAR" in 1971. As a choreographer, Vladimir Viktorovich also set: "These charming sounds ...", "Macbeth", "fragments of one biographical", "Annie", "Romeo and Juliet", "Cinderella", "Don Quixote", "Giselle" , "Swan Lake". Vasilyev's setting enthusiastically took the audience, especially those where he himself, with Catherine Maximova, performed central parties.
In 1982, Vasilyev graduated from the choreographic faculty of the Russian Institute of Theater Art and from the same year began to teach, was the head of the department of choreography, and in 1989 he received a scientist of the professor.
Since 1995, for five years, Vasilyev has been artistic director-director of the Bolshoi Theater. Also actively collaborated with many theaters of the country and the world, headed and participated in the work of the jury of various international ballet artists contests, gave master classes, prepared new performances and roles. Heading the Galina Ulanova Foundation, Vasilyev puts and conducts annual gala concerts "Galina Ulanova is dedicated."
By April 2019, ballets in its formulation are not only on the scene of the Bolshoi Theater, but also in many other theaters of Russia and the world. Creative interests of Vasilyeva stretch to other areas of art. The master was filmed as a dramatic actor in feature films, in the original tele-ballet, where he acted not only as a performer, but also as a choreographer and director director.
Vladimir Vasiliev is a national and deserved artist of Russia, a laureate of various Russian and international awards, awarded orders and medals. Also honorary professor of Moscow State University, a valid member of the International Academy of Creativity and the Academy of Russian Art. Films and books are devoted to the creativity of the dancer. Free time is basically devoted to painting. The main topic of cloths: landscapes in which the beauty of Russian nature is trying to transmit the beauty of Russian nature. She also writes poems, and even released a collection of "chain of days".
Awards and recognition of Vladimir Vasilyeva
Honored Artist of Russia (1964)
People's Artist of Russia (1969)
People's Artist of the USSR (1973)
Leninsky Prize (1970) - for the execution of the capital party in the ballet performance "Spartak" A. I. Khachaturian
State Prize of the USSR (1977) - for the execution of the Sergey's party in the ballet play "Angara" A. Ya. Eszhaya
State Prize of the RSFSR named after Brothers Vasiliev (1984) - for participation in the creation of the film-ballet "Annie" (1981)
State Award of the RSFSR named after M. I. Glinka (1991, in the field of musical art) - for concert programs of recent years
Prize of the Leninsky Komsomol (1968) - for the high mastery and creating an image of a folk hero in ballet performances Gabt
Moscow City Hall Prize in Literature and Art (1997)
Order "For Merit to Fatherland" IV degree (2000) - for a great contribution to the development of domestic choreographic art
Order "For merit to the Fatherland" III degree (2008) - for a great contribution to the development of domestic choreographic art, many years of creative and social activities
Order of Lenin (1976)
Order of Friendship of Peoples (1981)
Order of the Labor Red Banner (1986)
Order "For Merit" (1999, France)
Order Rio Branka (2004, Brazil)
Knight of the International Order of St. Constantine Great (Union of St. Constantine, 1998)
Order of St. Blessed Prince Daniel Moscow III degree (ROC, 1999)
Medal of the Academy of Arts Argentina (1983)
Honorary Medal of the Karina Foundation Ari (1998, Sweden)
Medal "For Merit" Princess Dona Farni (2000, Brazil)
Medal named P. Picasso (2000)
First Prize and Gold Medal at the VII World Festival of Youth and Students in Vienna (1959)
Grand Prix and Gold Medal at 1st at the International Ballet Artists Competition in Varna (1964)
V. Nizhinsky Prize - "The Best Dancer of the World" (1964, Paris Academy of Dance) (1964)
Special Prize and Gold Medal of the Komsomol Varna City Mountain (1964, Bulgaria)
Prize named after M. Petipa "Best Duet of the World" (together with E. S. Maximova, 1972, Paris Academy of Dance)
Prize of the Roman Municipality "Europe-1972" (Italy)
Intervision Prize at the International Festival of Telefilms "Zlata Prague" (Prague, 1982, for the "Annie" TV)
A large prize for the competition of musical films on the X All-Union Festival of Telephilms (Alma-Ata, 1983, for the "Annie" TV)
Premium Academy Simba (1984, Italy)
Prize "Interviews" and a prize for the best performance of the male role at the International Film Film Festival "Zlata Prague" (Prague, 1985, for the "House of Road" TV)
The prize for the best performance of the season - the ballet "Anyuta" in the theater "San Carlo" (Naples, 1986)
Prize for the best Chekhov play at the Chekhov Festival (Taganrog, 1986)
Prize "together for peace" (1989, Italy)
Awards named after J. Tanya - "Best Balletmaster" and "Best Duet" (together with E. S. Maximova, 1989, Italy)
UNESCO Award (1990)
Prize named after S. P. Dyagileva (1990)
Theatrical Prize "Crystal Turandot" (1991 (together with E. S. Maximova), 2001 - "For the honor and dignity")
Prize of the city of Terrachin (1997, Italy)
Prizes "For the highest achievements in the field of choreography" (USA, 2003, Italy 2005)
Prize "For Life in Dance" (Italy, 2001)
The prize of the magazine "Ballet" "Dance Soul" in the nomination "Ballet Legend" (2005)
Russian Prize L. E. Nobel (2007, Foundation Ludwig Nobel, St. Petersburg)
Prize of freedom for outstanding contribution to the development of Russian-American cultural ties (New York, 2010)
International Prize Stanislavsky (International Foundation K. S. Stanislavsky, 2010)
International Prize "For the Art of Dance Dance named after L. Mesin"
Creativity Vladimir Vasilyev
Ballet parties
Grand Theatre
1958 - "Mermaid" A. Dargomyzhsky, choreography E. Dolinskaya, B. Hall - Gypsy dance
1958 - "Demon" A. Rubinstein - Dance "Lezginka"
1958 - Choreographic picture "Valpurgiyeva Night" in the opera "Faust" Sh. Guno, Choreography L. Lavrovsky - Pan
1958 - "Shopenian" to the music of F. Chopin, choreography M. Fokina - Soloist
1959 - "Stone flower" S. Prokofiev in the formulation of Yu. Grigorovich - Danil
1959 - Cinderella S. Prokofiev, Choreography R. Zakharova - Prince
1959 - "Dance Suite" to the music of D. Shostakovich in the formulation of A. Varlamov - Soloist - First Artist
1960 - choreographic miniature "Narcissus" to music N. Cherepnin, choreography K. Goleyovsky - Narcissus - First Artist ("Evening of new choreographic miniatures")
1960 - "Romeo and Juliet" S. Prokofiev, Choreography L. Lavrovsky - Benvolio
1960 - "Shurale" F. Yarullina in the formulation of L. Jacobson - Batyr
1960 - "Konk-Gorbok" R. Shchedrin in the formulation of A. Radunsky - Ivanushka - First Artist
1961 - "Forest Song" M. Skorulsky, Ballets Maker O. Tarasova, A. Lapuri - Lukash - First Artist
1961 - "Pages of Life" A. Balanchivadze, Choreography L. Lavrovsky - Andrei
1962 - Paganini S. Rakhmaninova in the formulation of L. Lavrovsky - Paganini
1962 - "Spartak" A. Khachaturian in the formulation of L. Jacobson - Slave - First Artist
1962 - Don Quixote L. Minkus, choreography A. Gorsky - Basil
1963 - Class-concert for music A. Glazunov, A. Lyadov, A. Rubinstein, D. Shostakovich in the formulation of A. Messer - Soloist - was among the first performers of this ballet
1963 - "Laurency" A. Krain, choreography V. Chabukyani - Frondoso
1963 - "Sleeping Beauty" P. I. Tchaikovsky, choreography M. Petipa in the editorial office Y. Grigorovich - Blue Bird
1964 - Giselle A. Adana, Choreography Zh. Coraline, J. Perero and M. Petipa in the editorial office of L. Lavrovsky - Albert
1964 - "Parsley" I. Stravinsky, choreography M. Fokina - Parsley
1964 - Leyly and Medezhnun S. Balasanyan, Choreography K. Goleyovsky - Majnun - First Artist
1966 - "Nutcracker" P. I. Tchaikovsky in the formulation of Yu. Grigorovich - Nutcracker-Prince - First Artist
1968 - "Spartak" A. Khachaturian in the formulation of Yu. Grigorovich - Spartak - First Artist
1971 - "Icar" S. Slonimsky in its own production - ICAR
1973 - "Romeo and Juliet" S. Prokofiev, Choreography L. Lavrovsky - Romeo
1973 - "Sleeping Beauty" P. I. Tchaikovsky, Choreography M. Petipa in the second edition of Yu. Grigorovich - Prince Desire - First Artist
1975 - "Ivan Grozny" on the music of S. Prokofiev in the formulation of Yu. Grigorovich - Ivan Grozny
1976 - "Angara" A. Eschpay in the formulation of Yu. Grigorovich - Sergey - First Artist
1976 - "IKAR" S. Slonimsky in his own production (second edition) - IKAR - First Artist
1979 - Big Adagio from Berliozo and Yulia ballet, choreography and setting M. Bezhar - Romeo - First Artist in the USSR
1980 - Macbeth K. Molchanova in his own production - Macbeth - First Artist
1986 - "Annie" to the music of V. Gavrilina by A. Chekhov in his own production - Peter Leontievich - First Artist
1988 - Elegy's concert number for music S. Rakhmaninova - Soloist
Golden Age D. Shostakovich, Choreography Y. Grigorovich - Boris
On the scenes of other theaters (first performer)
1977 - "Petrushka" I. Stravinsky, choreography M. Bezhar - Youth (theater "Ballet of the twentieth century", Brussels)
1987 - "Blue Angel" to music M. Konstan, choreography R. Petit - Professor Unrat (Marseille ballet, France)
1988 - Greek Zorba to music M. Teodorakis, choreography Lorki Mezin - Zorba ("Arena di Verona", Italy)
1988 - "Paris Fun" on the music of J. Offenbach, Choreography L. Myasin - Baron (San Carlo Theater, Naples, Italy)
1988 - "Pulchinell" to the music of I. Stravinsky, choreography L. Myasin - Pulcinell (San Carlo Theater)
1989 - Nizhinsky, Director B. Meneghatti - Nizhinsky (San Carlo Theater)
1994 - "Cinderella" S. Prokofiev - choreographer and the role of Cinderella's stepmother (Kremlin ballet)
2000 - "Long Journey to Christmas Night" to the music of P. Tchaikovsky and I. Stravinsky, Director B. Meneghatti - Maestro (Roman Opera)
2009 - "Dyagil Musaget. Venice, August 1929 "for the national team music, director B. Meneghatti - Dyagilev (Roman Opera on the scene of the municipal theater)
Tour
Being on tour, played after 1988 as a guest soloist in the largest world theaters: La Scala (Italy), Arena di Verona (Italy), San Carlo Theater (Naples, Italy), Roman Opera, Color Theater (Argentina), American Ballet Theater, the Kremlin Ballet Theater (Moscow), participated in the tour of the Leningrad Opera and Ballet Theater. S. M. Kirov (now - Mariinsky Theater) in Paris, and others.
Setting
1969 - "Princess and Woodrovosk", Fairy Tale-comedy Volchek and M. Mikaelian (Theater "Contemporary"
1971 - Ikar, Ballet S. Slonimsky (Bolshoy Theater, 1976 - Second Editors)
1977 - Tahir and Zuhra, Opera Ballet T. Dzhalilova (Bolshoy Theater named after Alisher Navoi, Tashkent)
1978 - "These charming sounds ...", ballet for music A. Korelli, J. Torelli, V.-A. Mozart, J.-F. Ramo (Big Theater)
1980 - Macbeth, Ballet K. Molchanova (Bolshoy Theater; 1981 - Novosibirsk Opera and Ballet Theater; 1984 - German State Opera, Berlin; 1986 - Budapest Opera, Hungary; 1990 - Kremlin Ballet Theater)
1981 - "Juno and Avos", Rock Opera A. Rybnikova, Director M. Zakharov (Lenkom)
1981 - the evening of memory "In honor of Galina Ulanova" / Hommage d'Oulanova (director and one of the performers, Pleel's concert hall, Paris)
1981 - "I want to dance" to the music of Russian composers (State Central Concert Hall "Russia"; 1990 - Big Theater)
1981 - "Fragments of one biographical" to the music of Argentine composers (Concert Hall "Russia"; 1990 - Big Theater)
1983 - choreographic composition on the music of P. Tchaikovsky (ballet of the Champs Elysees, Paris; 1990 - Big Theater)
1986 - Anyuta, ballet to music V. Gavrilina in the story of A. Chekhov (Bolshoy Theater, San Carlo Theater, Riga Theater Opera and Ballet; 1987 - Chelyabinsk Opera and Ballet Theater named after M. I. Glinka; 1990 - Tatar Theater Opera and Ballet named after Musa Jalil, Kazan; 1993 - Perm Opera and Ballet Theater named after P. I. Tchaikovsky; 2008 - Omsk Music Theater; Voronezh Opera and Ballet Theater; 2009 - Krasnoyarsk Opera and Ballet Theater; 2011 - Samara Opera Theater and ballet)
1988 - Elegy, concert number for music S. Rakhmaninova (Big Theater)
1988 - Paganini, a new edition of L. Lavrovsky ballet for music S. Rakhmaninova (San Carlo Theater; 1995 - Bolshoi Theater)
1989 - "Fairy Tale of Pop and his Bald Employee", Music and Dramatic Composition on the music of D. Shostakovich (Concert Hall. P. I. Tchaikovsky, Director and Somieceser Yu. Borisov; First Artist of the role of the Bald)
1990 - Romeo and Juliet, Ballet S. Prokofiev (Moscow Music Theater named after K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko; 1993 - Lithuanian National Opera, Vilnius; 1999 - Latvian National Opera, Riga; 2002 - Municipal Rio de Janeiro Theater)
1991 - "Don Quixote", ballet L. Minkus (American ballet theater; 1994 - Kremlin ballet; 1995 - Lithuanian national opera; 2001 - Tokyo-ballet, Japan; 2007 - National Theater, Belgrade)
1993 - "Aida" J. Verdi, choreographic scenes in Opere (director F. Dzheffirelli (Roman opera; 2004 - Arena di Verona; 2006 - La Scala Theater)
1994 - Cinderella, Ballet S. Prokofiev ("Kremlin Ballet", Director and First Artist of the Roles of Cinderella's Magistan; 2002 - Chelyabinsk Opera and Ballet Theater; 2006 - Voronezh Opera and Ballet Theater)
1994 - Giselle, Ballet A. Adana, New choreographic editors based on choreography J. Coralicle, J. Perso, M. Petipova (Roman Opera; 1997 - Big Theater)
1994 - "Nostalgia" to the music of Russian composers (Kremlin Ballet Theater, Director and First Artist of the Main Party)
1994 - "The artist reads the Bible", the musical and dramatic composition (the museum of the arts. A. S. Pushkin)
1995 - "Oh, Mozart! Mozart ... ", Requiem for Music V.-A. Mozart, N. Rimsky-Korsakov, A. Salieri ("New Opera", Moscow)
1995 - "Hovanshchyna" M. Mussorgsky, choreographic scenes in Opera (Director B. Pokrovsky, Bolshoi Theater)
1996 - Swan Lake, Ballet P. I. Tchaikovsky, choreographic editors using choreography fragments L. Ivanova (Bolshoy Theater)
1996 - "Traviata" J. Verdi (Bolshoy Theater)
1997 - choreographic composition on the music of Overtures to opera M. Glinka "Ruslan and Lyudmila" (Bolshoy Theater)
1999 - "Balda", ballet for music D. Shostakovich (Bolshoy Theater; 2006 - Opera and Ballet Theater of the St. Petersburg Conservatory)
2009 - "Run of the kind of Esher", ballet on the music of Ghetty (Big Theater, new scene)
2015 - "Give us the world", ballet for music Mass Si Minor I. S. Baha (Tatar theater Opera and Ballet named after Musa Jalil)
In addition, it was put over 20 choreographic rooms and compositions on different scenes of the world ("Two", "Classic Pa-De de", "Russian", "Two German dance" and "Six German Dance", "Aria", "Menuet "," Waltz "," Caruso "," Jester "," Petrushka "," Elegy "," Overture for Jewish themes "on the music of the composition of the composition of S. S. Prokofiev (1992)," Sinkops "), as well as choreographic compositions In numerous feature films.
Filmography
Videos of ballet performances
1970 - Spartak - Spartak (performance of Gabta of the USSR, composer A. I. Khachaturian, balletmaster-producer Yu. N. Grigorovich, conductor A. Juraityis)
1974 - Romeo and Juliet - Romeo (performance of Gabta of the USSR, Composer S. S. Prokofiev, Balletmaster-director L. M. Lavrovsky, conductor A. Juraityis)
1978 - "Nutcracker" - Nutcracker-Prince (performance of Gabta of the USSR, Composer P. I. Tchaikovsky, Balletmaster-producer Yu. N. Grigorovich, conductor A. Kopylov)
1978 - "Stone flower" - Danil (performance of Gabta of the USSR, Composer S. S. Prokofiev, Balletmaster-producer Yu. N. Grigorovich, conductor A. Kopylov)
1994 - Cinderella - Cinderella's stepmother (the performance of the Ballet Theater of the State Kremlin Palace, composer S. S. Prokofiev, Balletmaster-producer V. V. Vasilyev, conductor M. Pletnev)
Film Films, Movies-Ballets
1961 - Open-heart USSR (film concert), director V. Katanyan, L. Christie) - Soloist
1962 - "Tale about Skake-Gorbunke" (directed by A. Radunsky and Z. Toulubieva) - Ivanushka
1969 - "Moscow in notes" (musical film)
1969 - "Abduction" (Music Film) - Artist Vasilyev
1970 - "Trapeze" (director F. Slidrker, V. Smirnov-Golovanov) - Harlequin
1975 - "Spartak" - Spartak
1980 - "Ballet" (film concert)
1980 - Zhigolo and Gigoletti (choreographer and Somoreist A. Belinsky) (short) - LED Kotman
1981 - "50 years old dolls of Sergey Obrazozova" (film play)
1982 - "Anyuta" (choreographer and sortier A. Belinsky) - Peter Leontievich
1983 - "Traviata" (director F. Dzheiffirelli) - Matador
1984 - "Nostalgia" to the music of Russian composers, choreography V. Vasilyeva - Soloist
1985 - "Fragments of one biography" to the music of Argentine composers, choreography V. Vasilyeva - Soloist
1985 - "House of the Road" to the music of V. Gavrilina on Poem A. Teddovsky (choreographer, Somgeser A. Belinsky and the executor of the leading role of Andrei)
1986 - Foute (choreographer and sorietar B. V. Yermolaeva) - Andrei Novikov / Master
1988 - Gran PA in White Night "(Music Film)
1992 - "Gospel for Flying" (film-oratorio) - central roles
Documentary film
1973 - "Duet" - a film dedicated to the work of E. Maximova and V. Vasilyeva
1981 - "Mir Ulanova" (documentary) (director)
1989 - Katya and Volodya (directed by D. Dawa, production of France) - a film dedicated to the work of E. Maximova and V. Vasilyeva
1990 - "And it remains, as always, the inaccurable something ..." - a film dedicated to the work of E. Maximova and V. Vasilyeva
2000 - "Reflections" - a film about creativity V. Vasilyeva - 2000, 52 min., Director N. Tikhonov
2005 - "Vladimir Vasilyev. Big ballet "- film, 2005, 4 series of 26 min., Director N. Tikhonov
Participation in films
1970 - Amusement Parade (Documentary)
1985 - Anna Pavlova (documentary) - Comments on the film
1987 - first-person ballet (documentary)
1991 - Revelations of Balletmister Fedor Lopukhova (documentary)
1999 - Katya (documentary)
2005 - ups and downs of Marisa Liepa (documentary)
2006 - Aram Khachaturian (from the transmission cycle of the DTV channel "How idiot") (documentary)
2007 - Maris Liepa (from the Cycle of the DTV TV channel "How the idols left") (documentary)
2007 - Neriyus (Lithuania, documentary)
2009 - Savely Yamchikov. Numbered in Russia (documentary)
2009 - Blue Sea ... White steamer ... Valeria Gavrilina (documentary)
2009 - Fuete Life Long ... (Documentary)
2010 - Tatiana Wecheslova. I am a ballerina (documentary)
2011 - Ia Savvina. Hardening mixture with a bell (documentary)
Painting
Writes pictures. Ten personal exhibitions of its picturesque works were held in Moscow, St. Petersburg, Perm and other cities.
Vladimir V. Vasilyev
Vladimir V. Vasilyev. Born on April 18, 1940 in Moscow. Soviet and Russian ballet artist, balletmaster, choreographer, theater director, actor, artist, poet, teacher. People's Artist of the USSR (1973).
Father - Viktor Ivanovich Vasilyev, driver.
Mother - Tatyana Yakovlevna Vasilyeva, worked in the sales department at the felt factory.
In the choreography turned out to be completely accidental. Then he went to the second class of the school. Somehow walked in the courtyard and his friend called to the Palace of Pioneers to do dancing. As Vasilyev recalled, he came to the first occupation. First of all, the boy struck the teacher: "We were the children of the courtyards, after the war, and here was such a magical creation. She had a stunning hairstyle, she was accompanied by the aroma of the spirits, and it seemed to me that some kind of goddess had come out. And she began Teach Walsa. You know - the first dance, and for me it really turned out to be simple. "
He turned out to be so capable of a student that after his first occupation ended, the teacher asked Vladimir to stay to ... Show another group, how to dance Waltz! "I was simply shocked: the first lesson - and I immediately suggested this! Then there was still a lot of things, she called my mother, told me that I had a talent ...".
So since 1947, he began to do dancing, this, as it turned out, determined all his further fate.
Later he entered the Moscow Choreographic School (now the Moscow State Academy of Choreography), which graduated in 1958, the class of the famous teacher M.M. Gabovich.
In 1958-1988, the leading soloist of the Bolshoi Theater ballet group. In 1959, Sergei Prokofyeva was debuted in 1959 in the Ballet "Stone Flower". And a year later, he became the first performer of the role of Ivanushki in the ballet "Konon-Gorbok".
Over the years of its brilliant career, he drank almost all the leading parties of classical and modern ballet. Among the most significant works - Basil in the ballet "Don Quixote" L.F. Minkus, Parsley in the eponymous ballet I.F. Stravinsky, Nutcracker in Ballet P.I. Tchaikovsky, Spartak in Ballet A.I. Khachaturian, Romeo in Romeo and Juliet Prokofiev, Prince Desire in "Sleeping Beauty" P.I. Tchaikovsky and many others.
Vladimir Vasiliev in the ballet "Spartak"
He also acted in the ballets of foreign producer - R. Petit, M. Bezhar, L. F. Myasin. Created bright, memorable images, often offering new readings. The artist has the highest dance technique, the gift of plastic reincarnation and great acting skills.
He himself, answering the question about his best works on the ballet scene, said: "I can only call the two most people that I did not like: one is a blue bird in the" Sleeping Beauty ", and the second is a young man in the ballet" Shopenian ". I just hated them - they didn't have any kind of development: well, well, a blue bird, well, flies and flies. These two roles simply did not pinch me. "
At the same time, a large master, strict to himself, invariably defeated the feeling of dissatisfaction: "For all my life, I danced a lot of performances, I will not even say how much it was, but never satisfied me, at least my performance. You know, never remained Such a feeling: "God, I did it just great!". There was always something in the first act something wrong, then in the second. In another performance, it seems, and everything turned out, but there was no kind of merger with music. I do not know, probably, the artist should always remain dissatisfied. In general, I never considered herself in brilliant. "
From 1961 he was filmed into a cinema, debuting in the role of Ivanushki in the film "Tale about Skake-Gorbunk" directories Zoe Tulubyeva and Alexander Radunsky in the same name of the fairy tale P. Ershov.
Later starred in the tapes "Abduction" (Artist Vasilyev), "Romeo and Juliet" (Romeo), "Zhigolo and Zigolette" (LED Kotman).
Vladimir Vasiliev in the film "Gigolo and Gigoletts"
As a director, the film-performance "Annie", which also played the role of Peter Leontievich, and later - the Music drama Foute, in which he fulfilled the main characters - Andrei Yaroslavlovich Novikov and Master.
Vladimir Vasilyev in the film "Anyuta"
Vladimir Vasiliev in the film "Fuete"
Since 1971, he began working as a choreographer, put a lot of ballets on the Soviet and foreign scene, as well as telebooks.
In 1982 he graduated from the Chitis Ballet Maker. In 1982-1995, he taught the choreography Tamember. In 1985-1995, the head of the department of choreography (from 1989 - Professor).
In 1989, a grand scandal in the Bolshoi Theater happened. Then the leading artists of the theater, among whom were Vladimir Vasilyev and Ekaterina Maksimov, wrote an open letter to the Pravda newspaper. They argued that the Russian ballet degraded and accused of Dictate the artistic director of the troupe Yuri Grigorovich.
The scandal ended with dismissal of Vasilyeva and Maximova. They worked abroad: Paris Grand Opera, Milan La Rock, Metropolitan Opera, Roman Opera. Later returned to their homeland.
"The ballet takes the whole of my life, and all my creativity was devoted only to Him", "said Vladimir Vasilyev.
In 1995-2000, he worked as artistic director of the ballet troupe and director of the Bolshoi Theater.
Since 1989, a full member of the International Academy of Creativity, from the 1990s - Academy of Russian Art. Since 1990, the Secretary of the Union of Theater Workers of Russia, Deputy Chairman of the Executive Committee of the Russian Center for the International Dance Council for UNESCO.
Since 1992, a member of the jury of the Russian independent prize in the field of higher achievements of the literature and art "Triumph".
Since 1995 - Honorary Professor MSU.
Since 1998 - President of the city of S. Ulanova.
In 1990-1995 - Chairman of the jury, and since 1996, the artistic director of the Open Competition of the Arabesset ballet (Perm). In 2008, "Arabesque" coincided with the fiftieth anniversary of the creative activity of the married couple and therefore the competition was dedicated to them.
In 1999, at the initiative and direct participation of V. Vasiliev, a ballet school of the Bolshoi Theater was opened in Joinville (Brazil).
In 2003, he was as part of the Jury of the Eurovision Song Contest for Young Dancers 2003 in Amsterdam.
Since 2004 - Chairman of the jury of the Annual International Children's Festival "Tancelip" in Berlin.
In 2014, in the party of Ilya Andreevich Rostov in the mini-ballet "First Ball of Natasha Rostova" for the national team of music (choreography Rada Poklitar), shown at the opening of the 2014 Winter Olympics in Sochi.
In 2015, in honor of the 75-year-old anniversary of the dancer, the premiere of the ballet play "Donna Nobis Pasem" was held on the music of Bach. The jubilee came as a ballet director, the party performed the dancers of the Tatar Academic Theater named after Jalil's Musa.
He writes poems and paintings. "This is immunity for me - to embody yourself in verses, painting," explained Vasilyev.
Vladimir Vasiliev and Ekaterina Maximov. More than love
Growth of Vladimir Vasilyeva: 185 centimeters.
Personal life Vladimir Vasilyeva:
Wife - (1939-2009), Ballerina, People's Artist of the USSR, His Permanent Scenic Partner.
Catherine was the granddaughter shot in the 1937th philosopher. They met in Moscow at the end of the forties. Vladimir then was nine years old, and Catherine is ten. They both passionately fond of ballet. Catherine did not pay much attention for him, only in the last grade of the ballet school Vladimir realized that he could not without her and admitted Maximovoy in love. She answered reciprocity.
They became one of the most beautiful couples of world ballet, presidents and monarchs applauded them, the Queen of Great Britain called them "ballet geniuses." They were familiar for 60 years, and almost half a century are married - to the death of Maximova.
Lived in the village of Snegiri near Moscow, where he moved in the early 1970s.
Very wanted to have children, but did not work.
Filmography Vladimir Vasilyeva:
1961 - Tale about Skate Gorbunk - Ivanushka
1961 - Open-heart USSR (documentary)
1969 - Abduction - Artist Vasilyev
1969 - Moscow in notes
1970 - Trapeze (film-performance)
1970 - Amusement Parade (Documentary)
1973 - duet (documentary)
1974 - Romeo and Juliet - Romeo
1975 - Spartak (film-ballet) (film play) - Spartak
1978 - Nutcracker (film-performance) - Nutcracker, Prince
1980 - Zhigolo and Zhigoletta (Zhigolo I Zhigoletta) (short) - LED Kotman
1980 - Big Ballet (film-concert) (film-performance)
1981 - 50 years old Dolls of Sergey Obrazzova (film play)
1982 - Road House (film play) - Andrei
1982 - Annie (film-performance) - Peter Leontievich, Father Anuti
1985 - Anna Pavlova (documentary)
1986 - Foute - Andrey Yaroslavovich Novikov / Master
1987 - first-person ballet (documentary)
1988 - Gran PA in white night
1990 - Katya and Volodya (documentary)
1991 - Revelations of Balletmister Fedor Lopukhova (documentary)
2005 - ups and downs of Marisa Liepa (documentary)
2006 - 100 years of unequalities. Igor Moiseev (documentary)
2006 - How idols left. Aram Khachaturian (documentary)
2007 - How the idols left. Maris Liepa (Documentary)
2007 - Nerijus (Documentary)
2009 - Fuete Life Long ... (Documentary)
2009 - Blue Sea ... White steamer ... Valeria Gavrilina (documentary)
2009 - Savely Yamchikov. Numbered in Russia (documentary)
2010 - Tatiana Wecheslova. I am a ballerina (documentary)
2011 - Ia Savvina. Hardening mixture with a bell (documentary)
Directors of Vladimir Vasilyeva:
1981 - the world of Ulanova (documentary)
1982 - Annie (film play)
1986 - Foute
Balt Party Vladimir Vasilyeva:
Big theater:
1958 - "Mermaid" A. Dargomyzhsky, Choreography E. Dolinskaya, B. Haufina - Gypsy dance;
1958 - "Demon" A. Rubinstein - Dance "Lezginka";
1958 - Choreographic picture "Valpurgiyeva Night" in the opera "Faust" Sh. Guno, Choreography L. Lavrovsky - Pan;
1958 - "Shopenian" to the music of F. Chopin, choreography M. Fokina - soloist;
1959 - "Stone flower" S. Prokofiev in the formulation of Yu. Grigorovich - Danil;
1959 - Cinderella S. Prokofiev, Choreography R. Zakharova - Prince;
1959 - "Dance Suite" to the music of D. Shostakovich in the formulation of A. Varlamov - the soloist - the first executor;
1960 - choreographic miniature "Narcissy" to music N. Cherepnin, choreography K. Goleyovsky - Narcissus - First Artist ("Evening of new choreographic miniatures");
1960 - "Romeo and Juliet" S. Prokofiev, Choreography L. Lavrovsky - Benvolio;
1960 - "Shurale" F. Yarullina in the formulation of L. Jacobson - Batyr;
1960 - "Konon-Gorboon" R. Shchedrin in the formulation of A. Radunsky - Ivanushka - the first performer;
1961 - "Forest Song" M. Skorulsky, Choil Makers O. Tarasova, A. Lapuri - Lukash - First Artist;
1961 - "Pages of Life" A. Balanchivadze, Choreography L. Lavrovsky - Andrei;
1962 - Paganini S. Rakhmaninova in the formulation of L. Lavrovsky - Paganini;
1962 - "Spartak" A. Khachaturian in the formulation of L. Jacobson - Slave - First Artist;
1962 - "Don Quixote" L. Minkus, choreography A. Gorsky - Basil;
1963 - "Class-Concert" to the music of A. Glazunov, A. Lyadov, A. Rubinstein, D. Shostakovich in the formulation of A. Messer - Soloist - was among the first performers of this ballet;
1963 - "Laurencia" A. Krain, choreography V. Chabukiani - FronDoso;
1963 - "Sleeping Beauty" P. I. Tchaikovsky, Choreography M. Petipa in the editorial office Y. Grigorovich - Blue Bird;
1964 - Giselle A. Adana, Choreography J. Coraline, J. Perero and M. Petipa in the editorial office of L. Lavrovsky - Albert;
1964 - "Petrushka" I. Stravinsky, choreography M. Fokina - Parsley;
1964 - Leyly and Medezhnun S. Balasanyan, Choreography K. Goleyovsky - Medezhnun - First Artist;
1966 - "Nutcracker" P. I. Tchaikovsky in the formulation of Yu. Grigorovich - Nutcracker-Prince - First Artist;
1968 - Spartak A. Khachaturian in the formulation of Yu. Grigorovich - Spartak - First Artist;
1971 - "ICAR" S. Slonimsky in his own production - ICAR;
1973 - "Romeo and Juliet" S. Prokofiev, Choreography L. Lavrovsky - Romeo;
1973 - "Sleeping Beauty" P. I. Tchaikovsky, choreography M. Petipa in the second edition of Yu. Grigorovich - Prince Desire - First Artist;
1975 - Ivan Grozny on the music of S. Prokofiev in the formulation of Yu. Grigorovich - Ivan Grozny;
1976 - "Angara" A. Eshpaya in the formulation of Yu. Grigorovich - Sergey - First Artist;
1976 - "Icar" S. Slonimsky in his own production (second edition) - IKAR - the first performer;
1979 - Great Adagio from Romeo and Julia ballet Berlioz, choreography and production M. Bezhar - Romeo - First Artist in the USSR;
1980 - Macbeth K. Molchanova in his own production - Macbeth - First Artist;
1986 - "Anyuta" to the music of V. Gavrilina by A. Chekhov in his own production - Peter Leontievich - First Artist;
1988 - Elegy's Concert Room to the music of S. Rakhmaninova - Soloist;
Golden Age D. Shostakovich, Choreography Y. Grigorovich - Boris
Other Theaters:
1977 - "Parsley" I. Stravinsky, choreography M. Bezhar - Youth (theater "Ballet of the twentieth century", Brussels);
1987 - "Blue Angel" to the music of M. Konstan, choreography R. Petit - Professor Unstructed (Marseille ballet, France);
1988 - "Greek Zorba" to the music of M. Theodrukis, choreography Lorca Mesin - Zorba ("Arena di Verona", Italy);
1988 - "Paris Fun" on the music of J. Offenbach, Choreography L. Myasin - Baron (theater of San Carlo, Naples, Italy);
1988 - "Pulcinell" to the music of I. Stravinsky, choreography L. Myasin - Pulcinell (San Carlo Theater);
1989 - "Nizhinsky", director B. Meneghatti - Nizhinsky (San Carlo Theater);
1994 - "Cinderella" S. Prokofiev - choreographer and the role of Cinderella's stepmother (Kremlin ballet);
2000 - "Long Journey to Christmas Night" to the music of P. Tchaikovsky and I. Stravinsky, Director B. Meneghatti - Maestro (Roman Opera);
2009 - "Dyagil Musaget. Venice, August 1929 "for the national team music, director B. Meneghatti - Dyagilev (Roman Opera on the scene of the municipal theater)
Staging Vladimir Vasilyeva:
1969 - "Princess and Woodrovosk", the fairy tale of the comedy of Volchek and M. Mikaelian (theater "Contemporary";
1971 - Ikar, Ballet S. Slonimsky (Bolshoy Theater, 1976 - Second Editors);
1977 - Tahir and Zuhra, Opera Ballet T. Dzhalilova (Bolshoi Theater named after Alisher Navoi, Tashkent);
1978 - "These charming sounds ...", ballet for music A. Korelli, J. Torelli, V.-A. Mozart, J.-F. Ramo (Bolshoy Theater);
1980 - Macbeth, ballet K. Molchanova (Bolshoy Theater; 1981 - Novosibirsk Opera and Ballet Theater; 1984 - German State Opera, Berlin; 1986 - Budapest Opera, Hungary; 1990 - Kremlin Ballet Theater);
1981 - "Juno and Avos", Rock Opera A. Rybnikova, director M. Zakharov (Lenkom);
1981 - the evening of memory "In honor of Galina Ulanova" / Hommage d'Oulanova (director and one of the performers, Platel's concert hall, Paris);
1981 - "I want to dance" to the music of Russian composers (State Central Concert Hall "Russia"; 1990 - Bolshoy Theater);
1981 - "Fragments of one biographical" to the music of Argentine composers (Concert Hall "Russia"; 1990 - Bolshoi Theater);
1983 - choreographic composition on the music of P. Tchaikovsky (ballet of the Champs Elysees, Paris; 1990 - Bolshoi Theater);
1986 - Anyuta, ballet to music V. Gavrilina in the story of A. Chekhov (Bolshoy Theater, San Carlo Theater, Riga Theater Opera and Ballet; 1987 - Chelyabinsk Opera and Ballet Theater named after M. I. Glinka; 1990 - Tatar Theater Opera and Ballet named after Musa Jalil, Kazan; 1993 - Perm Opera and Ballet Theater named after P. I. Tchaikovsky; 2008 - Omsk Music Theater; Voronezh Opera and Ballet Theater; 2009 - Krasnoyarsk Opera and Ballet Theater; 2011 - Samara Opera Theater and ballet);
1988 - Elegy, concert number for music S. Rakhmaninova (Bolshoy Theater);
1988 - Paganini, new edition of L. Lavrovsky ballet for music S. Rakhmaninova (San Carlo Theater; 1995 - Bolshoi Theater);
1989 - "Fairy Tale of Pop and his Bald Employee", Music and dramatic composition for music D. Shostakovich (Concert Hall. P. I. Tchaikovsky, Director and Somiestor Y. Borisov; First Artist of the Bald role);
1990 - Romeo and Juliet, Ballet S. Prokofiev (Moscow Music Theater named after K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko; 1993 - Lithuanian National Opera, Vilnius; 1999 - Latvian National Opera, Riga; 2002 - Municipal Theater Rio de Janeiro);
1991 - Don Quixote, Ballet L. Minkus (American Ballet Theater; 1994 - Kremlin Ballet; 1995 - Lithuanian National Opera; 2001 - Tokyo-ballet, Japan; 2007 - National Theater, Belgrade);
1993 - "Aida" J. Verdie, choreographic scenes in Opere (director F. Dzheffirelli (Roman opera; 2004 - Arena di Verona; 2006 - La Scala Theater);
1994 - Cinderella, Ballet S. Prokofiev ("Kremlin ballet", director and first executor of the role of Master of Cinderella; 2002 - Chelyabinsk Opera and Ballet Theater; 2006 - Voronezh Opera and Ballet Theater);
1994 - "Giselle", Ballet A. Adana, a new choreographic editors based on choreography J. Coallie, J. Perso, M. Petipa (Roman Opera; 1997 - Bolshoi Theater);
1994 - "Nostalgia" to the music of Russian composers (theater "Kremlin ballet", director and first performer of the Main Party);
1994 - "The artist reads the Bible", Music and dramatic composition (Museum of Fine Arts. A. S. Pushkin);
1995 - "Oh, Mozart! Mozart ... ", Requiem for Music V.-A. Mozart, N. Rimsky-Korsakov, A. Salieri ("Nova Opera", Moscow);
1995 - Khovovnia M. Mussorgsky, choreographic scenes in Opera (director B. Pokrovsky, Bolshoy Theater);
1996 - Swan Lake, Ballet P. I. Tchaikovsky, choreographic editors using choreography fragments L. Ivanova (Bolshoy Theater);
1996 - "Traviata" J. Verdi (Bolshoy Theater);
1997 - choreographic composition on the music of Overture to opera M. Glinka "Ruslan and Lyudmila" (Bolshoy Theater);
1999 - "Balda", ballet for music D. Shostakovich (Bolshoy Theater; 2006 - Opera and Ballet Theater of the St. Petersburg Conservatory);
2009 - "Run of the kind of Esher", ballet on the music of Ghetty (Bolshoi Theater, a new scene);
2015 - "Give us the world", ballet for music Mass Si Minor I. S. Baha (Tatar theater Opera and Ballet named after Musa Jalil)
Bibliography Vladimir Vasilyeva:
2001 - "Chain of Days" (collection of poems)
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Since 1948, Vladimir Vasiliev has already been engaged in the city Palace of Pioneers, with the choreographic ensemble of which in the same year first performed on the scene of the Bolshoi Theater.
In 1949, after the end of the second grade of a secondary school, on the advice of his teacher, he passed the exams in the Moscow Academic Choreographic School, which he graduated from 1958 and immediately was adopted in the Bolshoi-Tetra ballet troupe.
Initially, in the theater, he had characteristic roles: Gypsy dance in opera "Mermaid", Lezginka in the opera "Demon" and others. The first large solo party was the party Pan in the choreographic scene "Valpurgiyeva Night".
On the young dancer danced Galina Ulanova, who invited him to be her partner in the classic ballet "Shopenian". Ulannova had a huge impact on the professional and spiritual formation of Vladimir Vasilyeva, for many years, becoming his friend, teacher and tutor.
Balletmaster Yuri Grigorovich, who then only came to the theater, believed in the talent of a 18-year graduate of the school and entrusted him the central party in his layout of the ballet Sergey Prokofiev "Stone Flower".
In 1958-1988 Vladimir Vasiliev was the leading soloist of the Bolshoi Theater. His wife's constant partner was his wife - Ballerina Ekaterina Maksimov, which he always called his muse.
Among the best roles Vladimir Vasilyev, it is customary to consider the party of the Prince ("Cinderella"), Romeo ("Romeo and Juliet"), Ivan the Terrible ("Ivan Grozny") - All ballets Sergey Prokofiev, Basil ("Don Quixote" of Mincus), Alberta (" Giselle "Adana), Desire (" Sleeping Beauty "Tchaikovsky).
Ballets not only offered to Vasilyev's main roles, but also put on purpose.
He was the first performer of the parties: Ivanushka ("Konk-Gorboon" Rodion Shchedrin), Kais-Medezhnun ("Leyly and Medezhnun" Sergey Balasanyan), Nutcracker ("Nutcracker" Peter Chaikovsky), Spartak (Spartak Aram Khachaturian), Sergey ( "Angara" Andrei Eshpaya).
Being in the heyday of performing skills, Vasilyev appeals to choreography.
Since 1971, he puts ballet performances in the Soviet Union and abroad.
His ballet master debut was the ballet "Ikar" Sergey Slonimsky on the scene of the Kremlin Palace of Congresses. Later, he put the ballet "these charming sounds" (1978), "Macbeth" (1980), the original TV hosts "Annie" (1982) and the "House of the Road" (1984) Valery Gavrilina. For these works, he was awarded many prizes. For the TV host "Annie" - the Prize of Intervillaries at the International Film Film Festival "Zlata Prague" (1982), a big prize for musical films in the X All-Union Festival Festival in Almaty (1983), a prize for the best performance of the season in the theater "San Carlo "(Naples, 1986), the prize for the best Chekhov play at the Chekhovsky festival in Taganrog (1986).
For the TV House "House of the Road" at the International Festival of Telefilms "Zlata Prague" (Prague, 1985), Vasilyev was awarded the Prize "Intervision" and the prizes for the best execution of the male role.
On television, Vladimir Vasiliev also put the television movie "Gospel from the Oven." In Argentina put ballet "Fragments of one biographical", in the US - "Don Quixote".
He also puts Opera: In the Tashkent Theater named after A. Navoi Vasilyev, I put Opera-ballet Tahir and Zuhra to the music of Jalilov (1977), in the Moscow Theater "New Opera" - Requiem "Oh, Mozart! Mozart ..." . Mozzart, Salieri, Roman Korsakov (1995), on the stage of the Bolshoi Theater "TRAVIATU" Verdi (1996) and choreographic scenes in the Opera Mussorgsky "Hovhanshchina", as well as in Opera "Aida" Verdi on the stage of the Roman Opera (1993) and Arena di Verona (2002).
Creative interests of Vasilyeva extended to other fields of art - he starred as a dramatic actor in the art films "Gigolo and Gigoletti", Fuete, in the film "The Gospel for Few", speaking not only, as a performer, but also like a choreographer and Director-director.
Vasilyev starred in the film-skate-humpback ballet shields (1961), "Pieror Kizh" (1969), "Spartak" (1976), "I want to dance" and "fragments of one biography" (1985); Original TV hosts: "Trapeze" (1970), "Annie" (1982), "Road House" (1984); Movie-concerts and documentary films: "Way to Big Ballet" (1960), "USSR with an open heart" (1961); "Moscow in notes" (1969), "choreographic novels" (1973), "Classical Duets" (1976), "Pages of modern choreography" (1982), "Gran Pa in White Night" (1987), "Glory of a big ballet" (1995) and others.
Interesting experiments were his work on the dramatic scene: the choreography of the tales-comedy "Princess and the Woodrovosk" in the theater "Contemporary" (1969) and the Rock Opera "Junon" and "Avos" in the theater Lenk (1981) and others.
Vladimir Vasiliev also deals with pedagogical activities. In 1982, he graduated from the choreographic faculty of Gityis in the specialty of the balletmaster-director and from the same year began to teach there.
From 1985 to 1995, Vasilyev was the head of the Hortis Choreography Department (rati). In 1989 he was assigned a scientist of the professor.
During his creative career, Vasilyev played a lot abroad - in the "Grand Opera", "La Scala", "Metropolitan Opera", "Covent Garden", Roman Opera, the "Colon" theater, and so on. Some time Vladimir Vasiliev worked as the artistic director of the ballet of the Roman opera.
In 1977, the French choreographer Maurice Bezhar put specially for him his version of Ballet Igor Stravinsky "Parsley". In 1982, Franco Dziffirelli invited him and Catherine Maksimov to participate in the filming of the film Opera "Trestiat" (Spanish dance - statement and execution).
In 1987, Vasilyev fulfilled the role of Professor UNRAT in the production of Rolan Petit "Blue Angel" to the music of Konstan ("Marseille ballet"). In 1988, he fulfilled the main batch of Zorba in the setting of Lorka Measin "Greek Zorba" to the music of Mikis Teodorakis ("Arena di Verona"). In 1989, Bepp Meneghatti set the play "Nizhinsky" with Vladimir Vasilyev in the lead role (San Carlo Theater).
In 1988, as a result of the conflict, which arose between Vladimir Vasilyev and Yuri Grigorovich because of serious differences in creative positions, Vladimir Vasilyev and Ekaterina Maksimov left a large theater.
Vladimir Vasiliev worked as a balletmaster troupe of the Kremlin Palace "Ballet Kremlin", where he put several performances, including Cinderella.
From March 1995 to September 2000, Vladimir Vasilyev was the artistic director of the State Academic Bolshoi Theater of Russia.
With it, a modern contract system was approved in the theater; The traditions of the benefits were revived: core land, choir and orchestra; Own video studio of the theater and the release of a permanent transmission cycle on the TV channel "Culture" were organized; A press service was created and the official page of the Bolshoi Theater on the Internet was opened; Publishing activities (including the emergence of the periodic publication of the glossy magazine "Big Theater"); Started preparation for the reconstruction of the theater, incl. Construction of his branch; An organized school of classical dance of the Bolshoi Theater in Brazil and much more.
In September 2000, Vasilyev was exempted from his position "due to its abolition."
After leaving from the post of head of the Bolshoi Theater in December 2000, Vasilyev spoke at the Roman opera in the premiere of a specially prepared performance for him "a long journey to Christmas night" as a dancer and a dramatic actor. In 2001, the premieres of the productions of Vasilyeva "Don Quixote" in the Tokyo-ballet troupe (Japan) and Cinderella in the Chelyabinsk Opera and Ballet Theater, in 2002 - Ballet "Romeo and Juliet" in the Municipal Rio de theater -Zhanoiro.
Currently, Vladimir Vasilyev actively cooperates with many theaters of the country and the world, heads and participates in the work of the jury of various international tenders of ballet artists, gives master classes, rehearse, prepares new performances and roles. He heads the Galina Ulanova Foundation, puts and holds annual gala concerts "Galina Ulanova is dedicated."
Vladimir Vasiliev is an honorary professor of Moscow State University, a valid member of the International Academy of Creativity and the Academy of Russian Art, Secretary of the Union of Theater Workers of Russia, Deputy Chairman of the Executive Committee of the Russian Center for the International Dance Council at UNESCO.
Vladimir Vasilyeva's activities are marked by many state and professional awards. He is the People's Artist of Russia, the People's Artist of the USSR; Laureate of the Lenin Award (1970), State Prize of the USSR (1977), State Prize of the RSFSR (1984), State Prize of Russia (1991), Prize named after Leninsky Komsomol (1968), Prize named S.P. Dyagileva (1990), the Awards of the Moscow City Hall (1997), the Crystal Turandot Theater Prize in 1991 (together with Catherine Maximova) and in 2001 - "for honor and dignity."
He was awarded the Order of Lenin (1976), a working red banner (1986), the friendship of peoples (1981), "For merits to the Fatherland" IV (2000) and III (2008) degree, St. Constantine Great (1998), St. Blessed Prince Daniel Moscow (1999).
Vladimir Vasiliev is marked by numerous international prizes and honorary medals. He holds the first premium and gold medal of the VII International Festival of Youth and Students in Vienna (1959), Grand Prix and Gold Medal I International Ballet Artist Competition in Varna (Bulgaria, 1964); V. Nizhinsky Awards - "Best Dancer Peace" (1964, Paris Academy of Dance), Prize of the Competition of Vaclav Nizhinsky (1964, Paris), Marius Petipa Prize "Best Duet of the World" (together with Catherine Maximova, 1972, Paris Academy of Dance) , Prizes of the Roman municipality "Europe 1972" (Italy).
Argentina Academy Medals (1983), Simba Academy Awards (1984, Italy), Prizes "together for peace" (1989, Italy), J. Tanya Prize - "Best Ballet Macester" and "Best Duet" (together with Catherine Maximova , 1989, Italy), UNESCO Awards and Medals named P. Picasso (1990, 2000), Prize of the city of Terrachin (1997, Italy).
Vladimir Vasilyev was awarded the Honorary Medal of the Karina Ari Foundation (1998, Sweden), the French Order "For Merit" (1999), the Medal "For Merit" Princess Dona Farnsit (2000, Brazil), award "For the highest achievements in the field of choreography" (USA, 2003, Italy 2005), Award "For Life in Dance" (Italy, 2001), Brazilian Order Rio Branko (2004).
At the end of the 20th century, according to the survey of leading specialists in the world, Vladimir Vasilyev was recognized as the "dancer of the XX century".
The works of Vasilyeva and Maksimova are devoted to the Philof Films "Duet" (1973), "and left, as always, in concerned that something ..." (1990), French video "Katya and Volodya" (1989), "reflections" (2000).
In honor of Vasilyeva in 1993, a ballet festival was held in Moscow.
In 1995, Vladimir Vasilyev was provided with Lithuanian citizenship.
Spouse - Maksimova Ekaterina Sergeyevna, an outstanding ballerina, teacher, People's Artist of the USSR and Russia, the winner of the USSR and Russia's State Prizes (died in April 2009).
Free time, Vladimir Vasilyev is mainly devoted to painting (six personal exhibitions of his works). The main theme of the Wasiliev - Landscapes. In 2000, his first poetic collection "Chain of Days" came out.
Material prepared on the basis of open sources information
In this film, Vladimir Vasilyev talks about how he, a boy from the working family, first touched the amazing world of ballet. He recalls his first teacher of Elena Romanovna Ross, about the first years of study at the choreographic school, about teachers of the Bolshoi Theater - Mikhail Gabovic, Olga Lepheshinskaya, Galina Ulanova, Vyacheslawe Golubin, Elizabeth Gerdt, Aleksa Yermolaev. In the film B. the key fragments of ballets with the participation of dancers of the Bolshoi Theater, records of lessons in the choreographic school.
Film first
The work of Vladimir Vasilyeva coincided with the two best era of a large ballet - Epoch L. Lavrovsky and Epoch Yu. Grigorovich. He came to the theater when Leonid Lavrovsky headed the Ballet Theater's great creator of Romeo and Juliet. It was the era of Lavrovsky, the "Epoch of the Dramblet", as His historians called, put a big ballet on those positions in the world, which he has been occupied for several decades.
The film is the second.
Leonid Lavrovsky was distinguished by an amazing quality - he was not a dictator in those difficult times. Together with him created their great cloth choreographers R. Zakharov, V. Vinonen, V. Chabukyani, A. Messer, K. Goleyovsky, L. Jacobson. With all V. Vasiliev met in his work. The story of Vasilyeva complements the panorama of the chronicles - fragments of ballet and rehearsals of great masters, which saved only the film for the story.
Film Third
Ballet stamps are what the art of ballet ruins. Music stamps are harmful not only to music, but also violate the meaning of the ballet language. Yuri Grigorovich was those who declared an irreconcilable war with ballet stamps, including musical. With his arrival in the Big Theater, a new aesthetics came, a new ballet tongue, a new era. He put the ballet "Nutcracker", "Spartak", "Ivan Grozny", "Romeo and Juliet", "Legend of Love", "Golden Age". On tour abroad with Grigorovich, the ballet troupe went large to 96 times. A special place is the ballet "Spartak". The image of Spartak Vasilyeva stood up in the same series of immortal creations in the ballet as Juliet Galina Ulanova, the swan Anna Pavlova. Vladimir Vasiliev calls years working with Yuri Grigorovich the best pages of his biography. The records of performances and fragments of rehearsals are preserved, which can give an idea of \u200b\u200bthe amazing atmosphere, which created Grigorovich ballets.
Fourth film
short biography
Vladimir Vasiliev is an outstanding dancer, who struck by artistry and the technical equipment is not one generation of viewers. In addition, Vladimir Viktorovich is a member of the Russian Academy of Arts and the International Creative Academy. However, few people know that the creative heritage of ballet genius is not limited to dancing.
Vladimir Vasiliev was born in Moscow on April 18, 1940. Father of the future star, Viktor Ivanovich, worked as a chauffeur. Mother, Tatyana Yakovlevna, worked by the head of the sales department at the felt factory.
At seven years, the boy accidentally fell on the class club in the house of the pioneers. Choreographer Elena Ross, who was engaged in children, immediately drew attention to the talent of a little Volodya and invited the boy to do. So, already a year later, Vladimir Vasilyev first reached the scene of the Bolshoi Theater with Ukrainian and Russian dances.
Vladimir Vasilyeva's creative biography continued in the walls of the Moscow choreographic school. The teachers noted not only the undoubted talent of Vladimir, but also acting abilities: the young man, in addition to the ideal technical execution, invested in the emotion dance, expression, with ease reincarnated into the heroes of the productions as a real artist.
In 1958, Vasilyev, graduating his studies, began to serve in the Bolshoi Theater, becoming an official member of the ballet troupe. At first, Vladimir Viktorovich got the characteristic roles: in the "mermaid" dancer performed the Gypsy dance, in the "Demon" - Lezginka. But soon the inimitable Galina Ulanova drew the attention to the novice dancer, offering Vasilyev the party in the classic ballet formulation of "Shopenian". That was not just a party, but a duet with the most Ulanova. After that, Galina Sergeyevna will remain another and mentor Vladimir Vasilyeva.
I drew attention to Vasilyeva and Yuri Grigorovich, theatrical balletmaster. Vladimir seemed to Grigorovich a very promising dancer. Soon Vasilyev received the main batch in the ballet "Stone Flower". This formulation presented the dancer of the first fans and fans, not alien art. Following this, Vladimir Viktorovich fulfilled the main parties in Cinderella (Prince's Party), Don Quixote (Basil), "Giselle" (Albert's Part) and "Romeo and Juliet" (Young Romeo).
Long 30 years old, Vladimir Vasilyev gave a large scene. Since 1958 to 1988, the dancer was listed by the leading ballet soloist of the theater. Ballerina Ekaterina Maksimova, wife Vladimir Vasilyeva, became a permanent partner of a talented baluner.
Dance successes Vasilyeva saw not only the walls of the Bolshoi Theater. The dancer visited the tour in the Paris Grand Opera, the Italian La Scala Theater, the New York Metropolitan Opere, London Covent Garden.
In 1988, Vladimir Vasilyev and his permanent partner and his wife Ekaterina Maksimova left the big one. The reason was the creative dispute with Yuri Grigorovich. Vladimir Viktorovich continued his creative career as Konruku of the State Academic Bolshoi Theater, this position will remain at the dancer until 2000.
In the 1990s, Vasilyev worked on the productions of Tahir and Zuhra, "Oh, Mozart! Mozart ... "," Traviata "," Khovovshchina "," Aida "," Cinderella ". After a break, in 2010, Vasilyev presented the ballet "Red Mac" in Krasnoyarsk. 2011 was marked by the formulation of the ballet Bald for children.
In 2014, Vasilyev had an honor to personally speak in the ballet "First Ball of Natasha Rostova." This mini-production was prepared specifically for the concert on the opening of the Sochi Olympic Games. Vladimir Viktorovich got the party Ilya Andreevich Rostov. In the same year, Vasilyev presented to the audience a project on the works of Viktor Astafieva. Staging consisted of six dance miniatures.
In 2015, in honor of the 75-year-old anniversary of the dancer, the premiere of the ballet play "Donna Nobis Pasem" was held on the music of Bach. The jubilee came as a ballet director, the batch was performed by the dancers of the Tatar Academic Theater named after Musa Jalil.
Vasilyev, Plisetskaya. "Don Quixote"
Vasilyev, Maksimova. "Don Quixote"
Vasilyev, Liepa. "Spartacus"