The amazing world of musical images. Musical image Authors of musical images

Topic: A variety of musical images (generalizing lesson) Class: 7 "B" Music Teacher MOU Sosh No. 2 Sadyrov F.Zh. Objectives: to develop imagination and fantasy, the ability to determine the musical image in various works on the example of "bolero" M. Iravel, "Sad Waltza" I.Sibelius, "Rhapsodia" F. Lista, "Preludes №4" A.Crybab, Musical Fragments of Works And songs that sounded in the lessons I - half of the year. Equipment: Computer, Interactive Board, Music Center, Synthesizer. During the classes. I. Class organization. II. Fastening the material passed. 1.- What is the musical image? As said D.B. Kabalevsky: "We know that some kind of musical composition is enclosed in every musical essay, we call it musical way. It may be a gentle, kind image of a lullaby song, maybe the image is courageous (name), an image that embodies the alarm (name). " - What musical images did I meet this academic year? - How do you understand the "romantic image"? Where did he come from? What it is? That's right, romanticism is the ideological and artistic direction of the culture of the end of the 18th - the first half of the 19th century. Romance great attention was paid to the disclosure of the inner world of man, his feelings and experiences. Listen to the passage from the poem of the English poet of John Kitts, which is typical of his language: O.Kak love I am in a clear summer hour, when the sunset gold rods and clouds of the scordorted strordial rims are overgrown with the marshmallows, - at least once to get away from being tormented by Relentless doom forget and with an enlighteous soul to hide in a swallow more often, pleasing eye. What rows from poems give us romance? 2. What musical works do you know that we would transfer the pictures of the people's life? (Bolero and Rhapsody) Who composers of these works? (Raise and leaf). Slide: Portrait M. Irall What do you know about the work of these composers? (Maurice Ravel is a French composer who loved a lot to travel. His favorite occupation was to listen to how the machines work on the factories) -2chto you can say about the name of the work? (Spanish dance) 3. Listening to the breakdown from Bolero. An excerpt from which work now sounded? 4. Hearing a passage from the "Rhapsodia" of the leaf of Ferenz. Slide: Portrait of F. Lista How many images report "Rapseody"? (Two) What are these images? (The image of the Gypsy Tabor, two poles of the human condition - seriousness and fun dance). 5. Transfer to the next image "lyrical". How do you understand the word "lyrics" and "lyrical image"? That's right, it is angry every beauty. Name a musical genre that can be attributed to lyric and at least one work dedicated to this image. 6.- And now let's talk about the images that make a person empathize, sympathize, to touch the soul of man. Do we know such images? What works tell us about such images? - That's right, this is the image of suffering the image of the beast and the dramatic image. Let's describe the development of these images. The image of suffering is transmitted to us by the works of Al.Nik. Scriabin "Prelude №4". Slide: A.Cryabin Scriabin created a cycle of 24 preludes for piano. And all of them are diverse in character. This is a calm, bright mood, and agitated lyrics, and a joyful-excited desire forward, as well as dramatic gustiness. The prelude is very concise and at first glance is very simple. The image of a lonely persecution of a man who is trying to get out of a stupor, but the bell beat his measuring rhythm. And the person is forced to reconcile with her destiny. The last three bell strikes are completed by this small, but deep human tragedy. 7. Fragment of a fragment from "Prelude No. 4". Do you know other works that would describe a sad image? That's right, it is a "sad Waltz" Jan Sibelius - the famous Finnish composer, written to the drama of the Finnish playwright of Yarnefelt. Slide: the port of J.Sibelius What do we know about this composer? (Responses of children) 8. Listening to the "Sad Waltz" I.Sibelius in this work is a continuously developing image - the image of bearing. As if the person is completely depressed with unlimited sadness, it is trying to escape from the shackles of ruthless sadness. So he rushed to the light, so almost reached it, it seems even smiled ... But no, again this longing causing tears. But the fact that the sadness is strong we feel it. 9. Now let's talk about the images transmitting peace and silence, which is often not enough for a person. 10. Listening to the "Islet" S. Rakhmaninov. Slide: Portrait of S. Rashmaninova 11. What is the state of a person transmits music? Think over express M. Gorky "How well he hears silence" What lines are especially transmitted to peace and silence? 12. One other silence in the "song of tourists" from the opera "And the dawns here is quiet" K. Molchanova. While we will play a song, someone will go to the board and fulfill the task. It is necessary to correctly relate the names of composers and works. Work at the board. 13. Focusing "Songs of Tourists" K. Molchanova What feelings and mood causes you this song? And what is silence here? Draw attention to the board, is the task correctly? 14. Certain lesson. Considering the diverse images with which we met in this half of the year depicting life in different manifestations. Creating them, composers use a variety of means of musical expressiveness, it means that the nature of music depends on the musical language.

Musical image

Music as live art is born and lives as a result of the unity of all activities. Communication between them occurs through musical images. In the consciousness of the composer, under the influence of musical impressions and creative imagination, a musical image is born, which is then embodied in a musical work. Listening to the musical image - i.e. The life content embodied in musical sounds causes all the other verge of musical perception.

in other words, a musical image is an embodied image (feelings, experiences, thoughts, thinking, action of one or more people; any manifestation of nature, an event from the life of a person, people, humanity ..., etc.)

Musical image - this is combined, musical and expressive means, social and historical conditions of creation, features of construction, composer style.

Musical images are:

Lyrical - images of senses, sensations;-Pic - description;-dramatic - images and conflicts, collisions;-Casive-fairy tale, unreal;- Comic and funnyetc.

Using the richest possibilities of the musical language, the composer creates a musical image in whichembody certain creative ideas, a particular content.

Larically images

The word Lyrics comes from the word "Lira" - this is an ancient tool on which singers played (rapes), a narrative of various events and experienced emotions.

Lyrics - a monologue of the hero in which he tells about his experiences.

Lyrical image reveals the individual spiritual world of the Creator. There are no events in the lyrical work, unlike drama and epic - only confession of the lyrical hero, his personal perception of various phenomena..

Here are the main properties of lyrics:-feeling-mood- Activity.Works in which the lyrical image is reflected:

1. Beethoven "Sonata №14" ("Moon")2. Schubert "Serenade"3. Chopin "Prelude"4. Rachmaninov "Vocaliz"5. Tchaikovsky "Melody"

Dramatic images

Drama (Greek Δρα'μα - action) is one of the birth of literature (along with lyrics, epic, as well as liberal), transmitting events through the characters' dialogs. Since ancient times, there existed in folk or literary form among various nations.

Drama - a product depicting the action process.The main subject of dramatic art was human passions in their most striking manifestations.

The main properties of the drama:

Man is in a difficult, heavy situation that seems to him hopeless

He is looking for a way out of this situation.

He comes into fight - either with his enemies, or with the very situation

Thus, the drama hero, in contrast to lyrical, acts, fights, as a result of this struggle, either wins, or dies - most often.

In the drama in the foreground - not feelings, but actions. But these actions may be caused by the feelings, and very strong feelings - passions. The hero under the rule of these feelings makes active actions.

Almost all Shakespeare Heroes relate to dramatic images: Hamlet, Othello, Macbeth.

They are all overwhelmed by strong passions, they are all in a difficult situation.

Hamlet torments hatred for the killers of his father and the desire to take revenge;

Othello suffers from jealousy;

Macbeth is very ambitious, his main problem is a thirst for power, because of which he is solved on the killing of the king.

The drama is unthinkable without a dramatic hero: he is her nerve, focus, source. Life is placed around it, like water, raging under the action of the ship's screw. Even if the hero is inactive (like Hamlet), then this is explosive inaction. "The hero is looking for a catastrophe. Without catastrophe, the hero is impossible." Who is he - a dramatic hero? Slave passion. He is not looking for, and she drags him to a catastrophe.Works that embody dramatic images:1. Tchaikovsky "Peak Lady"
"Peak lady" - Opera based on the same name A. S. Pushkin.

Plot Operas:

The main hero of the opera is the officer Herman, a German by origin, the poor and dreams of a quick and easy enrichment. He is a player in the soul, but never played cards, although he always dreamed of it.

At the beginning of the opera Herman in love with the rich heiress of the old Countess - Lisa. But he is poor, and he has no chance of marriage. That is, it is immediately planned by a hopeless, dramatic situation: poverty and as a result of this poverty Impossibility to achieve your beloved girl.

And so by chance Herman learns that the old woman-countess, the patron of Lisa, knows the mystery of 3 cards. If 3 times in a row to put on each of these cards, then you can win a fortune. And Herman puts himself to learn these 3 cards. This dream becomes the strongest passion herself, for the sake of it, he donates even his love: he uses Lisa as a way to penetrate the house to a decanter and to reveal the mystery. He appoints Lisa a date in the house of the Countess, but it does not go to the girl, but to the old woman and under the pistol, it requires to call him 3 cards. The old woman dies, without calling them them, but the next night he is her ghost and says: "Troika, Sejoy, ace."

The next day, Herman is recognized by Lisa that he was a culprit of the death of the Countess, Lisa, without preparing such a strike, to the river, and Herman goes to the gambling house, puts one after another three, seven, wins, then on all the money won posted ace, But at the last moment instead of the ace in his hands it turns out the lady of peak. And Herman is fading in the face of this peak lady of the old woman Countess. Everything he won, he loses and cums with him.

Herman in the Tchaikovsky opera is not at all like Pushkin.

Herman at Pushkin is cold and calcined, Lisa for him is only a means on the way to enrichment - the character could not pass the Tchaikovsky, who he always needed to love his hero. Much in Opera does not correspond to the story of Pushkin: the time of action, the characters of the heroes.

Herman at Tchaikovsky - a fermented, romantic hero with strong passions and fiery imagination; He loves Lisa, and only gradually the mystery of three cards pushes her image from Herman's consciousness.

2.Betshen "Symphony No. 5"All creativity Beethoven can be described as dramatic. His personal life becomes a confirmation of these words. The struggle, meaning of his life. Fighting poverty, the fight against public temperatures, the fight against the disease. About the work of "Symphony No. 5" by the author himself said: "So fate knocks on the door!"

3. Schubert "Forest King"It shows the struggle of two worlds -rial and fantastic. Since Schubert himself is a romantic composer, and for romanticism, the collision of these worlds is characteristic of this work very clearly expressed in this work. The world is real presented in the form of a father, he tries to calmly and easily look at the world, he does not see the forest king. The world is a fantastic forest king, his daughter. And the baby turns out to be at the junction of these worlds. He sees the forest king, this world scares him and manites, and at the same time he belongs to the real world, he asks for the defense of his father. But in the end, the world is fantastic, despite all the efforts of the Father."Riding drives, rides shotcall,In the hands of his dead baby lying "

in this work, weaved images fantastic and dramatic. From the dramatic image, we are watching the fight fierce irreconcilable, from a fantastic-mytic look.

Epic imagesEpos, [Greek. EPOS - word]The epic work is usually a poem telling about heroic. Acts.

The origins of epic poetry are rooted in prehistoric narrations about the gods and other supernatural beings.

Epos - Past, because tells about past events in the life of the people, about its history and exploits;

^ Lyrics - Present, because its object - feelings and moods;

Drama - the future, because In it, the main thing is that the heroes are trying to solve their fate, their future.

The first and simple scheme of the division of arts related to the word, offered Aristotle, according to which Epos has a story about the event, the drama represents it in the faces, the lyrics responds to the song of the soul.

The place and time of the actions of epic heroes resemble real history and geography (than epos differ radically from the fairy tale and myth, completely unreal). However, the EPOS is not entirely realistic, although it relies on real events. Much idealized in it, mythologized.

Such is the property of our memory: we always make it a bit of our past, especially if it concerns our great past, our history, our heroes. And sometimes on the contrary: some historical events and characters seem worse than they were actually. Epos properties:

Heroism

The unity of the hero with his people, in the name of which he performs feats

Historicity

Fability (sometimes the epic hero is fighting not only with real enemies, but also with mythical beings)

Evaluation (heroes of the epic or good, or bad, for example, warriors in the eponyms - and their enemies, all sorts of monster)

Relative objectivity (EPOS describes real historical events, and the hero can have its weaknesses)Epic images in music are images not only by heroes, but also events, stories, it may be images of nature depicting their homeland into a certain historical era.

This is the difference between the epic from lyrics and drama: in the first place is not a hero with his personal problems, but history.Works of an epic character:1. Borodin "Bogatyr Symphony"2. Borodin "Prince Igor"

Borodin Alexander Porfiryevich (1833-1887), one of the composers "mighty bugs."

All his work is permeated with the theme of the magnitude of the Russian people, love to the Motherland, freedom-loving.

About this - and "Bogatyr Symphony", captured the image of a mighty heroic homeland, and Opera "Prince Igor", created by the reasons of the Russian epic "Word about the regiment of Igor".

"The Word about the regiment of Igor" ("The Word about the campaign of Igor, Igor, Son Svyatoslavov, the grandson Olegov, the most famous (considered the greatest) monument of medieval Russian literature. At the basis of the plot - the unsuccessful campaign of 1185 Russian princes on Polovtsy, driven by Prince Igor Svyatoslavich.

3. Mussorgsky "Bogatyr Gate"

Fabulous images

The name itself suggests the plot line of these works. These images are most brightly embodied in the work of N.A. Rimsky-Korsakov. This is the symphonic suite "Shacherzada" on the fairy tales "1001 night", and its famous Openers are the fairy tales "Snow Maiden", "Tale of Tsar Saltan", "Golden Cockerel", etc. In close unity with nature, there are fabulous, fantastic images in the music of Roman-Korsakov. Most often they personify, as in the works of folk creativity, certain natural strengths and the phenomena of nature (frost, Leshel, Sea Tsarevna, etc.). Fantastic images conclude along with musical and picturesque, fabulous fantastic elements are also features of the appearance and the nature of real people. Such a multi-faceted (it will be described in more detail during the analysis of works) gives Korsakovsky musical fiction a special originality and poetic depth.

The Roman Korsakov melody of instrumental type, complex and virtuoso, which are applied by the composer in the musical outcome of the fantastic characters are distinguished by great originality.

Here you can mention and fantastic images in music.

fantastic music
some reflections

No one has no doubt that the fantastic works published by huge editions every year, and fantastic movies, which are also filming many, especially in the United States, are of great popularity. What about "fantastic music" (or, if you like, "musical fiction")?

First of all, if you think, "fantastic music" appeared for quite a long time. Isn't that this area be attributed to the ancient songs and ballads (folklore), which folded different nations throughout the land in order to praise the legendary heroes and various events (including fabulous - mythological)? And from about the XVII century, operas, ballets and various symphonic works, created based on various fairy tales and legends appear. The penetration of fiction in the musical culture began in the era of romanticism. But the elements of her "invasion" we can easily find already in the works of musical romantics, such as Mozart, Glitch, Beethoven. However, the most clearly fantastic motives sound in the music of German composers R. Vagner, E.T.A.Hofman, K. Deber, F. Madelson. Their works are filled with gothic intonations, motifs of the fabulous fantastic element, closely intertwined with the theme of the confrontation of man and the surrounding reality. It is impossible not to recall the Norwegian composer Edward Griega, known to the musical canvas, which is based on the people's epic, and the works of Henric Ibsen "Procession of Dwarves", "in the cave of the mountain king", the dance of the elves "
, as well as the Frenchman of the Hector Berlioz, in whose work the theme of the elements of the forces of nature is pronounced. Romanticism appeared originally and in Russian musical culture. The fantastic imagery of the composition of the Mussorgsky "Pictures from the exhibition" and "Night on the Bald Mount", where the Shabash witch was depicted on the night of Ivan Khakuh, who had a tremendous effect on modern rock culture. Mussorgsky owns and musical interpretation of the story N.V.Gogol "Sorochinskaya Fair". By the way, the penetration of literary fiction in the musical culture is most clearly noticeable just in the work of Russian composers: "Peak Lady" Tchaikovsky, "Mermaid" and "Stone Guest" Dargomyzhsky, "Ruslan and Lyudmila" Glinka, "Golden Cockerel" Roman Corsakov, "Demon" Rubinstein, etc. At the beginning of the twentieth century, a bold Scriabin experimentator, an apologist of synthetic art, who was standing at the origins of light waders was produced in music. In the symphony score, he entered a separate line for the game for light. Fantastic imagery filled with such works as "Divine Poem" (3rd Symphony, 1904), "Poem of Fire" ("Prometheus", 1910), "Ecstasy Poem" (1907). And even such recognized "Realists", like Shostakovich and Kabalevsky, used fiction in their musical works. But, perhaps, the real flourishing of "fantastic music" (music in fiction) begins in the 70s of our century, with the development of computer equipment and the appearance of famous films "Cosmic Odyssey of 2001" C.Cubric (where, among other things, classical The works of R. Stratuss and I. Strussa) and "Solaris" A.Tarkovsky (who in his film, together with the composer E. Artemyev, one of the first Russian "synthetifers", created just a wonderful sound "background", connecting the mysterious space sounds with ingenious music I.-S. Bach). Is it possible to imagine the famous "trilogy" J. Lucas "Star Wars" and even "Indiana Jones" (who was removed by Stephen Spielberg - but the idea was Lucas!) Without incendiary and romantic music, J. Yuliams, filled with a symphony orchestra.

In the meantime (by the beginning of the 70s), the development of computer equipment reaches a certain level - musical synthesizers appear. This new technique opens up brilliant prospects in front of musicians: finally it became possible to give the will of fantasy and simulate, create amazing, straight magic sounds, crowded them into music, "sculpt" sound, like a sculptor! .. perhaps, this is a real fiction. in music. So, from this point on, a new era begins, the pleiad of the first masters synthecators appears, the executive authors of their works.

Comic images

The fate of comic in music has developed dramatic. Many art historians do not mention the comic in music at all. The rest or deny the existence of a musical comiasis, or consider it to be minimal. The most common point of view was well formulated by M. Kagan: "Minimal opportunities for creating a comic image in music. (...) Perhaps only in the 20th century, the music began to actively look for their own, purely music to create comic images. (...) And yet, despite important artistic discoveries made by the musicians of the XX century, the musical creativity did not conquer and never conquer, apparently, will not conquer such a place that it has long been occupying in the literature, a dramatic theater, visual art, cinema " .

So, comic - funny, having widespread significance. The task is "fixing with a laugh" smile and laughter become "satellites" comic only when they express a sense of satisfaction, which causes a spiritual victory in a person what is contrary to his ideals, which is incompatible with them that he is hostile, because to expose it, What contradicts the ideal, to realize his contradiction - it means to overcome the bad, get rid of him. Consequently, as the leading Russian aesthetic M. S. Kagan wrote, the collision of the real and ideal underlies the comic. At the same time, it should be remembered that comic, unlike the tragic, arises, provided that it does not cause sufferings for others and not dangerous to humans.

Shades of comic - humor and satire.yor is called a good-natured, unbelieving mockery over certain flaws, weaknesses in general positive phenomena. Humor is a friendly, unlobs, although not toothless.

Satira is the second type of comic. Unlike humor, satirical laughter is a formidable, cruel, sewing. In order to hurt evil as much as possible, social deformities, vulgarity, immorality, and the like, the phenomenon is often deliberately exaggerated, exaggerated.

All kinds of art are capable of creating comedy images. About literature, theater, cinema, painting and not to speak - it is so obvious. Scherzo, some images in operations (for example, Farlaff, Dodon) - carry out comic in music. Or remember the final of the first part of the second Symphony of Tchaikovsky, written on the theme of the humorous Ukrainian song "Zhuravel". This is a music that makes the listener smile. The humor is full of "pictures from the exhibition" Mussorgsky (for example, "ballet of unlucky chicks"). Outly satirious "Golden Cockerel" of Roman Corsakov and many musical images of the second part of the tenth Symphony of Shostakovich.

Architecture is the only type of art, devoid of sense of humor. The comic architecture would be trouble and for the viewer, and for a resident, and for a visitor building or building. Amazing paradox: Architecture has enormous opportunities for the embodiment of the beautiful, elevated, tragic to the expression and approval of the aesthetic ideals of society - and it is fundamentally deprived of the possibility of creating a comic image.

In music, the Comism as a contradiction is revealed through artistic, specially organized algorithms and inconsistencies that always contain an element of surprise. For example, the connection of the variekter melodies is a musical comedy. In this principle, Dodon Aria was built in the opera "Golden Cockerel" N. A. Rimsky-Korsakov, where the combination of a primitive and sophistication creates a grotesk effect (in the mouth of dodon, the intonation of the "Chizik-Pyzhik" songs are heard.
In musical genres associated with the stage action or having a literary program, the conflict of the Commission is grasped and is visual. However, instrumental music can express a comic and without resorting to "extremisical" means. R. Schuman, first playing Rondo Sol Major Beethoven, according to his own words, began to laugh, as this work seemed to him the strongest in the light of the joke. What was his Amazeing when he later discovered in the papers of Beethoven recording that this Rondo is entitled "The rage about the lost penny, poured in the form of Rondo." On the final of the second Symphony of Beethoven, the same hunter wrote that this is the greatest sample of humor in instrumental music. And in the musical moments of F. Schubert he was heard by unpaid bills of the tailor - such an obvious everyday annoyance sounded in them.

To create a comic effect in music, surprise is often used. So, in one of the London symphony J. Gaidn is a joke: a sudden blow to Litavr shakes the public, pulling it out of dreamy absentness. In the Waltz with a surprise I. Strauss, the smooth flow of the melody is unexpectedly disturbed by cotton pistol shot. It always causes a cheerful hall reaction. In the "seminarist" M.P. Mussorgsky worldly thoughts transmitted by the smooth movement of the melody are suddenly violated by a patter who personifies the jagging of Latin texts.

In the aesthetic foundation of all these musical and comedic agents lies the effect of surprise.

Comic Machi.

Comic marches are marches jokes. Any joke is built on funny absurdities, funny inconsistencies. This is necessary to search in the music of comic marches. The comic elements were in the march of the Black Sea. The solemnity of chords in the first section (from the fifth tact) did not fit the small, "minor" durations of these chords. Funny musical absurdity was obtained, a very shaped "portrait" of evil dwarf.

Therefore, the march of the Black Sea is also partly comic. But only partly, because there are many other things in it. But the March of Prokofiev from the collection "Children's Music" from the beginning to the end is set aside in the spirit of the comic march.

In general, speaking of a comic image in music, the following musical works immediately pop up in memory:

Wolfgang Amadeus Mozart "Wedding Figaro", where in an overture (joining the opera), heard notes of laughter and humor. Yes, and the plot of the Opera tells about the stupid and funny owner of the column and a fun and smart servant Figaro, who managed to overcome the graph and put it in a stupid position.

No wonder in the film "Change places" with Eddie Murphy, Mozart was used.

In general, in the work of Mozart, many examples of comic, and Mozart himself called "sunny": so much sun, lightness and laughter is heard in his music.

I would also like to draw your attention to the opera Mikhail Ivanovich Glinka "Ruslan and Lyudmila". Two images of Farlaff and Chernomor are written by a composer not without humor. Fat clumsy Farlaff, dreaming of a light victory (meeting with the sorcerer of the Nail, who promises him:

But not afraid of me:
I am favorable to you;
Go home and wait for me.
Lyudmila will take secret
And Svetosar for the feat of your
I will give you her spouses.) Farlaff is so happy that this feeling overwhelms him. Glinka for the music characteristics of Farlaffa chooses the form of the Rondo, built on a multiple return to the same thought (one thought owns them), and even bass (low male voice) makes singing in a very fast pace, almost patter, which gives a comic effect ( He seemed to ferment).

Music obeys the laws of life, it is reality, therefore affects people. It is very important to learn to listen and understand classical music. In school, children are studying what a musical image is, and who creates it. Most often, the teacher gives the concept of an image determination - a particle of life. The richest possibilities of the tongue of melodies give the opportunity to composers to create images in musical works to embody their creative designs. Immerse yourself in the rich world of musical art, learn about various types of images in it.

What is a musical image

It is impossible to master the musical culture without the perception of this art. It is perception that makes it possible to carry out composer, listeners, performing, pedagogical, music generalicular activities. Perception makes it possible to understand what a musical image is and how it is born. It should be noted that the composer creates an image under the influence of impressions with the help of creative imagination. To make it easier to understand what a musical image is, it is better to imagine it in the form of a set of musical and expressive money, style, the nature of music, building a work.

Music can be called live art uniting many activities. The sounds of the melodies embody the vital content. In the image of the musical work, they mean thoughts, feelings, experiences, actions of certain people, various natural manifestations. Also, this concept implies events from someone's life, the activities of the whole people and humanity.

The musical image in music is the complexity of character, musical and expressive means, social and historical conditions of the occurrence, principles of construction, the style of the composer. Here are the main types of images in music:

1. Lyrical.Passs personal experiences of the author, reveals his spiritual world. The composer transmits feelings, mood, sensation. There are no actions here.
2. Epic.Tells, describes some events in the life of the people, talks about his history and exploits.
3. Dramatic.Pictures a person's privacy, his conflicts and clashes with society.
4. Fairy. Shows fictional fantasies and imagination.
5. Comic.Exposes all the bad, using funny situations and suddenness.

Lyrical image

In antiquity there was such a people's string tool - Lira. The singers were transferred with its various experiences and emotions. From him, the concept of lyrics, transmitting deep mental experiences, thoughts and feelings. Lyrical musical image has emotional-constituable elements. With the help of it, the composer transmits his individual spiritual world. The lyric work does not include any events, it only conveys the spiritual state of the lyrical hero, this is his confession.

Many composers learned to pass lyrics through music, because it is very close to poetry. The instrumental lyrical works include the creations of Beethoven, Schubert, Mozart, Vivaldi. Also, Rachmaninov and Tchaikovsky were created in this direction. Music lyrical images They formed with melodies. It is impossible to formulate the purpose of music, rather than it did Beethoven: "What comes from the heart should be keen on it." Forming the definition of the image of musical art, many researchers take exactly this statement. In his "Spring Sonate", Beethoven made the nature of the wake-up of the world from the winter hibernation. The musical image and artist's skill helps to see in Sonata not only spring, but also joy, freedom.

It is also necessary to remember the "lunar sonata" of Beethoven. This is a truly masterpiece with a musical and artistic way for piano. Passionate melody, persistent, ends with hopeless despair.

Lyrical composer in masterpieces connects to figurative thinking. The author tries to show which imprint in his soul left this or that event. Just masterfully handed over the "melodies of the soul" of Prokofiev in the waltz Natasha Rostova in the opera "War and Peace". The character of the Waltz is very gentle, it feels a timidity, slowness and, at the same time, emotion, thirst for happiness. Another example of a lyrical musical image and mastery of the composer is Tatiana from the Opera Tchaikovsky "Eugene Onegin". Also, an example of a musical image (lyrical), the works of Speert "Serenade", Tchaikovsky "Melody", Rakhmaninov "Vocaliz".

Dramatic musical image

Translated from the Greek "Drama" means "action". With the help of a dramatic work, the author transmits events through the heroes dialogs. In the literature of many nations, such writings existed a long time ago. There are also dramatic musical images in music. Their composers are shown through the actions of the heroes seeking a way out of the situation entering into the fight with their enemies. These actions cause very strong feelings for challenging.

The audience's dramatic character see in a constant struggle, which leads him to either to victory or to death. At first in the drama, actions are acting, not feelings. The most bright dramatic characters are Shakespearers - Macbeth, Othello, Hamlet. Othello is jealous, which leads him to the tragedy. Hamlet overwhelms the desire to revenge the killers of his father. Strong thirst for Macbeth's power makes him kill the king. Without a dramatic musical image in music, the drama is unthinkable. It is nerve, source, focus of the work. The drama hero is represented by a slave of passion, which leads it to a catastrophe.

One example of a dramatic conflict is the Opera Tchaikovsky "Peak Lady" in the same name of Pushkin. First, the audience get acquainted with the poor German officer, who dreams quickly and easily get rich. Previously, he was never fond of gambling, although in the shower was a player. Stimulus Herman attaches love to the rich heiress of one old countess. All the drama is that the wedding cannot take place because of his poverty. Soon German learns about the secret of the old Countess: allegedly she keeps the secret of three cards. The officer overcomes the desire by all means to develop this mystery to rip the big kush. Herman comes to the house of the Countess and threatens her with a gun. The old woman dies from fear and without giving the secret. At night, the ghost comes to Herman and whispering cherished cards: "Troika, Seven, Ace." He comes to his beloved Lisa and admits to her that, for his reason, the old Countess died. Lisa from grief rushed to the river and drowned. The cherished words of the ghost do not give peacekeeper, he goes to a gambling house. The first two bets, on the top three and the seven, turned out to be successful. Winning so much headed Herman's head that he was going on Wa-Bank and puts all the money won on the ace. The heat of drama is approaching its top, instead of ace in the deck, a peak lady turns out. At this point in the lady Peak Herman learns the old woman. The final loss leads a hero to suicide.

It is worth comparing how the drama of his hero Pushkin and Tchaikovsky show. Alexander Sergeevich showed Hermann cold and calculating, he wanted to use Lisa for his enrichment. Tchaikovsky a little differently approached the image of his dramatic character. The composer changes the characters of his heroes slightly, because for their image you need inspiration. Tchaikovsky showed Hermann romantic, in love with Lisa, having a dusty imagination. Only one passion displaces the image of the officer's favorite from the head - the mystery of three cards. The world of musical images of this dramatic opera is very rich and impressive.

Another example of dramatic ballad is the creation of Schubert "Forest King". The composer showed the struggle of two worlds - valid and fictional. For Schubert, romanticism was characterized, his mystic fascinated, and the work was quite dramatic. The collision of the two worlds is very bright. The real world is embodied in the form of a father, who is sensible and calmly looks at reality and does not notice the Forest King. His child lives mystical world, he is sick, and his forest king is molded. Schubert shows a fantastic picture of a mysterious, shrouded dark haired forest and rushing through him on his father's horse with a dying child in her arms. Each hero composer gives its characteristic. A dying boy is strained, frightened, in his words he sounds plenty of help. A wedding child falls into the terrible kingdom of the Terrible Forest King. Father tries to calm the child with all their might.

The entire ballad is permeated with heavy rhythm, the hitch is depicting a continuous octave fraction. Schubert created a complete visual hearing illusion filled with drama. At the end of the dynamics of musical development, ballad ends, as the father kept on the hands of a dead infant. Here are what musical images (dramatic) helped Schubert create one of the most impressive of their creations.

Epic portraits in music

Translated from the Greek "Epos" is the meaning of the story, words, songs. In the epic works, the author narrates about people, the events in which they take part. The first place is floating characters, circumstances, social and natural environments. The literary epic works include stories, legends, epics, stories. Most often, composers use poems for writing epic works, it is them that tells about heroic acts. From the epic, you can learn about the life of ancient people, their history and exploits. The main dramatic musical images and mastery of the composer are concrete heroes, events, history, nature.

Epos relies on real events, but there is some fiction in it. The author idealizes and mythologizes its heroes. They are endowed with heroism, make feats. There are also negative characters. Epos in music shows not only specific persons, but also events, nature, symbolizing the native land in one or another historical era. So, the lesson on the musical image in the 6th grade Many teachers are represented by passages from the opera of the Roman Corsakov "Sadko". Pupils are trying to understand what the composer's money was able to draw a portrait of the hero, after listening to Sadko song "Oh, Dark Dubravushka." Children hear annealing, smooth melody, even rhythm. Gradually, Major is replaced by Minor, the pace slows down. Opera is quite sad, twisted and thoughtful.

The epic style was worked as a composer "mighty bunch" A. P. Borodin. The "Bogatyr Symphony" No. 2, Opera "Prince Igor" can be included in the list of its epic works. In Symphony No. 2, Borodin captured a mighty heroic homeland. Initially, there is an inlet and smooth melody, then it turns into a ripple. Smooth rhythm is replaced by dotted. Slow pace is combined with Minor.

The monument of medieval culture is considered the famous poem "The Word about the regiment of Igor". The work tells about the campaign of the prince Igor in Polovtsy. Here are bright epic portraits of princes, boyars, Yaroslavna, Polovtsy Khanov. The opera begins with an overture, then there is a prologue about how Igor prepares his army campaign, watches the sunny eclipse. Four actions of the opera follow the following. A very bright point in the work is crying Yaroslavna. In the end, the people sings the fame of the prince Igor and his wife, at least the campaign ended with defeat and death of troops. To display the historic hero of that era, the musical image of the artist is very important.

It is also worth incorporated into the list of epic creations, the work of the Mussorgsky "Bogatyr Gate", Glinka "Ivan Susanin", Prokofiev "Alexander Nevsky". The heroic actions of their heroes composers were transferred to various musical means.

Fabulous music image

In the very word "fabulous" lies the storyline of such works. The most striking creator of fabulous creations can be called Roman Corsakov. Even since the school program, children will learn his famous Tale-opera "Snow Maiden", "Golden Cockerel", "Tale of Tsar Saltan". It is impossible not to remember the symphonic suite of Shacherzada on the book "1001 night". Fabulous and fantastic images in the music of Roman Corsakov are closely unity with nature. It is fairy tales to lay moral foundation in a person, children begin to distinguish good from evil, they learn mercy, justice, condemn cruelty and deceit. Being a teacher, Roman korsakov in the tale tale told about high human feelings. In addition to the above, the opera can be called "idle of the immortal", "night before Christmas", "May night", "Tsarist Bride". The composer melodies have a complex melody-rhythmic structure, they are virtuoso and movable.

Fantastic music

It is worth mentioning fantastic musical images in music. Fantastic works are created every year a lot. From a long time, various folklore ballads and songs, praising different heroes, are known. The musical culture began to fill fiction in the era of romanticism. Fiction elements are found in the creations of glitch, Beethoven, Mozart. German composers were the most bright writers of fantastic motives: Weber, Wagner, Hoffman, Mendelssohn. Gothic intonations sound in their writings. The fabulous fantastic element of these melodies is intertwined with the theme of the opposition of a person around the world. Folk Epos with elements of fiction is based on the works of the composer Edward Griega from Norway.

Is the fantastic image inherent in Russian musical art? Composer Mussorgsky filled with fantastic motifs of creation "pictures from the exhibition" and "Night on the Bald Mount". Spectators can watch the sabing of witches at night for the holiday of Ivan Kupala. Mussorgsky also wrote an interpretation to the work of Gogol "Sorochinsky Fair". Fiction elements are overlooked in the writings of Tchaikovsky "Mermaid" and Dargomyzhsky "Stone Guest". They did not remain aside from fiction, such masters like Glinka (Ruslan and Lyudmila), Rubinstein ("Demon"), Roman Corsaqi ("Golden Cockerel").

A real revolutionary breakthrough in synthetic art produced an Experimentator Scriabin, which used elements of light communications. In his works, he specially fitted lines for light. Fantastic filled with his writings "Divine Poem", "Prometheus", "Ecstasy Poem". Some fiction techniques were also present at the realists of Kabalevsky and Shostakovich.

The appearance of computer equipment made fantastic music with her beloved for many. Films with fantastic compositions began to break on the screens and cinemas. After the emergence of musical synthesizers, great prospects for fantastic motives have opened. The era came when composers can sculpt music like sculptors.

Comic mappings in musical works

About comic images in music is difficult to speak. Few art crops characterize this direction. The task of comic music is to correct laughter. It is smiles that are real comic music satellites. The comic genre is easier, it does not need conditions that cause suffering to heroes.

To create a comic moment in music, composers use the surprise effect. So, J. Haydn in one of his London symphonies created a melody with the party Litavr, which instantly shake the listeners. The smooth melody in the waltz with a surprise ("in the apple!") Strauss is broken with a pistol shot. It immediately worst the hall.

Any jokes, even musical, carry funny absurdity with them, funny inconsistencies. Many signs of comic marches genre, jokes. From the beginning to the end endowed with the commander of the Marsh Prokofiev from the collection "Children's Music". Comic characters can be seen in the work of Mozart "Wedding Figaro", where laughter and humor are heard in the introduction. Merry and smart figaro deftly chittrate in front of the graph.

Satire elements in music

Another type of comic is satire. Satyric genre is inherent stiffness, it is a formidable, sewing. With satyric moments, composers exaggerate, exaggerate some phenomena to expose vulgarity, evil and immorality. So, satirical images can be called Dodon from the Opera of the Roman-Korsakov "Golden Cockerel", Farlaffa from Ruslan and Lyudmila Glinka.

Image of nature

The theme of nature is very relevant not only in the literature, but also in music. Showing nature, composers depict her real sound. Just imitates the votes of nature by composer M. Messian. Such English and French masters, like Vivaldi, Beethoven, Berlioz, Haydn, were able to convey paintings of nature and the feelings that they cause. A special pantheistic image of nature is at Roman Corsakov and Mahler. The romantic perception of the surrounding world can be observed in the play of the Tchaikovsky "Seasons". Gentle, dreamy, friendly character has the written Sviridov "Spring".

Folklore motifs in musical art

Many composers for creating their masterpieces used folk song melodies. Simple songs have become the decoration of orchestral compositions. Images from folk fairy tales, epic, testes formed the basis of many works. They were used by Glinka, Tchaikovsky, Borodin. The composer of Rimsky-Korsakov in the opera "Tale of Tsar Saltan" used the Russian folk song "Lee in the garden, in the garden" to create a squirrel image. People's melodies are heard in the Opere of Mussorgsky "Hovanshchina". Composer Balakirev based on Kabardian folk dance created the famous fantasy "Islamey". Fashion for folk motifs in the classics did not disappear. Many familiar with the modern symphony-action V. Gavrilina "Chimes".

The musical image has objective and subjective sides. It transmits the essence of the phenomenon, its typical features. Musical image - a specific form of a generalized reflection of life with means of musical art. The basis of the musical image is a musical theme. Musical image is the unity of objective and subjective began. Content artistic The image in music is human life.

The musical image embodies the most essential, typical features of the phenomenon is objectivity. The second side of the image is a subjective, associated with aesthetic aspect. The image conveys a phenomenon in the development. The subjective factor has great importance in music, both in the creative process of creating a musical work and in the process of its perception. However, in both cases, the exaggeration of the subjective began leads to a subjectivism in the concept of music. Speaking of reflection in the music of the subjective and emotional side, it is impossible to not pay attention to the fact that both abstractly-inflounted music. Music. In music - it is always missed through the artist's reflection of life. Each musical image can be called a life that is reflected in the music by the composer. When determining the musical image, it is necessary to keep in mind not only the means, with which it is created by the composer, but what he wanted to implement in it. At the same time, it is important that even the most modest in content and artistic form musical images necessarily contain at least minor development.

The original structural element of music - sound. It differs from the real sound in his physical understanding. The musical sound has height, saturation, length, timbre. Music like sound art less specified. Such a property as clarity remains almost outside the musical image. Music reports the world reality and phenomena through sensual -ethylene association, t. Not directly, and indirectly. That is why the musical language is a language of feelings, moods, conditions, and then the language of thoughts.
The concreteness of the musical image is a problem for a musical-eesthetic theory. Throughout the history of its development, the music on-great sought specify Musical image. Methods for this specification were different:
1) sound recording;

2) Using intonations with bright clear genre accessory (marches, songs, dancing);

3) software music and finally

4 ) Establishing a variety of synthetic bonds.

Consider the specified ways to specify musical images. Two types of sound recording are distinguished: imitation, associative.

Imitation: imitation of actually existing sounds reality: The singing of birds (nightingale, cuckoo, quail) in the Beethoven "pastoral symphony", the sound of bells in the fantastic symphony of the Berlioz, the takeoff of the aircraft and the bomb explosion in the second symphony of Shchedrin.

Associative sound recording is constructed by the ability of consciousness to create images of the Association. The range of such associations is quite large: Association 1) in motion ("Flight of the Bumblebee "). Associations occur at the listener, thanks to 2) height and high-quality sound coloring (the bear is a low sound register and t.).
Association 3 represents a separate form of associations in music. in bloom When an idea of \u200b\u200bthe color of the phenomenon occurs as a result of the perception of the musical work.

Assistant associative sound recording is more common compared to simulation. As for the use of intonations with bright genre accessory, then examples here are an infinite set. So, in the scherzo from the Symphony of Tchaikovsky there is a marching topic, and the Russian folk song "in the Birch field stood ...".

Special importance for concretizing the musical image has software music. The program in some cases is: 1) the name of the work or epigraph. At another time, the program represents 2) the detailed content of the musical work. Language programs distinguish art and plot programs. As a picture there is a shittomatic example - "Seasons" Tchaikovsky, Piano Preludes Impressionist Debusion "girl with hair lines." The names themselves are talking for themselves.
The plot program includes musical works, which are based on an antique or biblical myth, a folk legend or an original work - a literary genre - about the lyric works to drama, tragedy or comedy. Scene programs can be sequence developed. Tchaikovsky enjoyed the plot for the symphonic fantasy "Francesca to Rimini" on Dante. This product is written based on the fifth song "Hell" from the "Divine Comedy".

Sometimes the program in the musical work determines the picturesque product. Software music caused a genre programming about instrumental and software -Simfonic music. If the listener is not familiar with the program, then his perception will not be adequate in detail, but there will be no particular abnormalities (the nature will be unchanged in the perception of music). Specifying musical images not software music ( instrumental) It occurs at the level of perception and depends on the subjective factor. It is not by chance that different people have different thoughts and feelings when listening to non-program music.

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Signatures for slides:

Genres of classical music

Vocal music Instrumental music on which groups can be divided by all the music according to the method of execution?

Vocal music without accompaniment with a major form of miniatures Choold a Capella opera Operetta Cantata Oratoria Musical Georgi Sviridov Choir "Winter Morning" C Ergei Prokofiev Cantata "Alexander Nevsky" https://yadi.sk/d/-k6x8ut4ckqcu ♪ ♪ https: // yadi.sk/i/zczagrpgckqnp.

Cantata is a product for choir, soloists and a symphony orchestra in several parts. Sergey Prokofiev Cantata "Alexander Nevsky" IV part "Stop, Russian people!" ♪ https://yadi.sk/i/n95oxbvuckqvl ♪ George Sviridov "Sings Winter" from Cantata "Memory Yesenin" https://yadi.sk/i/s9qbpwcxckqyg

Oratoria - Different with large sizes, has a dramatic plot. ♪ G.-F. Handel "Alliluya" from the Oratorio "Creation of the World" https://yadi.sk/i/4luzjabtckqqj2

Operetta (Italian. Operetta is a small opera) - a theater representation in which individual musical numbers alternate with dialogues without music. Operettes are written on a comic story.

St. Petersburg Theater of the Musical Comedy

Musical - Music and Stage Work, in which dialogues, songs, music are intertwined, choreography plays an important role. The plots are often taken from the well-known literary works, from world drama ("My beautiful Lady" on Bernard Shaw, "Kiss me, Kat!" According to Shakespeare, "Man from Lamanchi" on Cervantes, "Oliver!" On Dickens).

Vocal music without accompaniment accompanied by a major form of miniatures Choolds a Capella opera Operetta Cantata Oratorion Musical Song Romance Vocaliz Serenade Ballad Ansump

Instrumental Music Large Form Chamber Music Symphony Concert of Overture Symphonic Suite Symphony Poem Ballet Sonata Etude Prelude Toccata Fuga Nocturne Explicity Ballad Piece Anamble

The concert is a product for a soling tool and a symphony orchestra in three parts. Symphony - a work for a symphony orchestra in four parts. Etude - instrumental miniature for training performers.

Preview:

GBOU SOSH № 238 with in-depth learning English

Admiraltesky District of St. Petersburg

Teacher Dolmatova Marina Borisovna

Development of a lesson of music in grade 7.

Subject: "A variety of musical images. Cantata"

Objectives:

• the development of the emotional sphere of students, the upbringing of their musical, aesthetic taste, interest and love for highly artistic music, the desire to listen and fulfill it.
• transfer of positive spiritual experience of generations concentrated in musical art.
• education of citizenship and love for homeland.

Tasks:

Reveal the features of the genre of cantata

Continue the formation of emotional-shaped views on the example

Cantata S.Prokofeva "Alexander Nevsky"

Repeat and consolidate knowledge about the genres of classical music, deepening understanding

Communication of the musical image with genre affiliation of the work.

Continue work on vocal choir skills

O. Jurgenstein "Watches" and songs A. Rodnitsky "Trezini Palace"

Technology:

elements of game technology, elements of technology of educational and differentiated learning, information technology.

Type of lesson : Combined

Music material:audio, video and Film Fragments (S.S. Prokofiev Cantata "Alexander Nevsky", film S. Seesenstein "Alexander Nevsky" ,-f. Handel Aliluluya from the Oratoria "Messia", Sviridov "Winter Morning"), O. Jurgenstein "Watches", A. Rodnitsky "Trezini Palace"

Equipment: computer, multimedia projector, piano, guitar, drums

Instruments.

DURING THE CLASSES

Organizing time

Greeting, motivational installation for cooperation, successful work. Objective tasks lesson.

The first lesson block is theoretical

Musical art, like any other, has its own language, their way of expression, its own features. It is in music that a person is extremely strong and vividly expressing his thoughts and feelings.

What are the features of musical art?

(Non-specific musical sound, music development in time)

What do musical sounds express? How do you affect us? What images create composers in their writings? Sometimes it is not easy to understand this. Help us can our sensitive ears, open hearts and, of course, knowledge.

For example, we know that there are various genres in music.

What is the genre of music?

(Household genres - song, dance, march, and classical music genres, differing in the composition of performers and the method of execution).

Listening to the fragment of the musical work, determine its genre.

video Fragment "Winter Morning" Sviridova

(Genre choir A'Capella)

Re-turn to the Table "Genres of Classical Music" and will continue to introduce them to them (work in the notebook).

Vocal music genres with escort can be divided into works of large form, that is, those that sound long have several parts and, accordingly, many different images and miniatures, that is, small vocal essays. It seems to me that the most ambitious, the largest genre of vocal music you will call at once, because we have long been familiar with him.

What is the genre?

(opera)

By writing the remaining genres of the major form of vocal music, you, of course, can also meet familiar names.

Today we have to get acquainted with the genre of Cantat. We turn to one of the brightest works of this genre - Cantate Sergei Sergeevich Prokofiev "Alexander Nevsky." You will have a difficult task - to define the genre of cantata. Let me remind you that for this, first of all, it is necessary to determine the composition of the performers. And the second task is no less complicated. Of course, you know who Alexander Nevsky is, and you can imagine a circle of musical images of Cantata. Try to characterize the music of the fragment that we will hear. What musical image created Prokofiev? So let's listen.

cantati video "Get up, Russian people"

(The product for choir, orchestra, can be soloists.

Call, resolve, readiness for a feat, the image of the Motherland is the middle part based on Russian folk song.)

Record to the dictionary of the term "Cantata" and the name of the idea of \u200b\u200bthe example in the table.

Cantata "Alexander Nevsky" was created by Sergey Prokofiev based on music for the film. In it, 7 parts - "Rus under the IGG Mongolian", "Song about Alexandra Nevsky", "Crusaders in Pskov", "Stop, Russian people", "Ice Battery", "Dead Field" and "Alexander's entry in Pskov." They are all fulfilled by choir and orchestra, and only one - the "dead field" - written for mezzo-soprano. The great film director Sergei Eisenstein took off the Great Film "Alexander Nevsky", in which music plays a very important role. We will see a fragment of the film, where the music of the choir "Get up, Russian people" sounds. Let's try to see and hear what role is played by the music of Prokofiev, what is its meaning in the film.

film Female Film S.Asenstein "Alexander Nevsky"

(Music in the film is not just a background, but a real acting face of the picture. Music reveals visual images, making them brighter and more significant.

The main melody of the choir "Stop, Russian people" breathes a combat removal and courage, determination to repel the enemy. It expresses the inner state of the heroes of the film, rising to the defense of the Motherland)

Returning to the major genres of vocal music, you need to see at least briefly about the Orator. Latin "ORO" means "saying", "pray." The composition of the performers in the oratorio is the same as in Cantate - choir, soloists and an orchestra. But, Oratoria, as a rule, has a dramatic plot and differs from cantata with more sizes.

In the past, the oratori wrote only to the stories from the Holy Scriptures.

We will listen to a very famous fragment from the famous Oratoria Georg Friedrich Handel "Messiah". I think you will learn this music and can say how this fragment is called.

video Aliluya video from Oratori G.-F. Handel "Messiah"

("Alliluya", the laudatory word facing God - "Praise God")

Summing up the first part of our lesson, let us remember with what genres of classical music did we meet?

(Cantata, Oratorio)

What is Cantata?

(Work for choir, soloists and orchestra in several parts.)

Fragments What cantata we listened to?

(Cantata Sergey Prokofiev "Alexander Nevsky")

In the next lesson, continuing to learn the genres of music, we will get acquainted with the genres of operetta and musical.

Second block - vocal choral work

And now, from attentive and knowledgeable listeners, we will turn into no less attentive and knowledgeable performers. Let's start with the Song-Up Watch Song, in which the active work of the articulation apparatus is very important.

Performing a "clock" soup.

Work on active sound recovery, active singing breathing and clear diction. Showing a rhythm cotton in loss and accurate transition from a rhythm to singing.

D m b d m b

The complication of the performing task is to use to show the rhythmic accents of three groups of shock tools. For example,d. yereyanny (spoons, boxes),m. retallic (triangles) andb Arabana (tambourines).

We know how difficult it is to fully fulfill a musical work. It is necessary not only exactly sing a melody and learn the words of the song, but, most importantly, to reveal the image that is laid in it. Of course, in a bard song, such as the "Trezini Palace" Alexander Goroditsky, the image is associated primarily with the text of the song, and it is completely difficult. But we are with you Petersburgers, and therefore, we can convey to the listeners that love for our city, which is filled with the song of Gorodsky.

To create a confidence setting, let's execute a song under the guitar, as usually sing your bards songs.

Performance of the song A. Korzynitsky "Trezini Palace" with a guitar accompaniment (Better to attract students to the execution of the accompaniment)

By completing our lesson, I want to recall once again that we met today with two genres of classical music.

What are these genres?

What musical fragments sounded in the lesson?

I was very pleased that, working today at the lesson, you were not only attentive, sensitive listeners, but also good, expressive performers.

(Evaluation of students' work is carried out both after each lesson block and in conclusion)