Training Theater Raikina. Higher School of Stage Arts Konstantin Raykin - What you need to know the incoming

VSII Konstantin Rakein: Reception Rules, Requirements for the incoming, necessary documents, Program, Cost of training, Contacts

About the highest school of scenic arts - theatrical school Konstantin Raykin. He is a non-state institution of higher professional education "Higher School of Stage Arts". VSII Konstantin Raykin realized the first set of students in 2013 formed by 30 students. Now it is planned to include the WSFI Theatrical School of Konstantin Raykin to the program under the auspices of UNESCO.
Faculties of the Higher School of Stage Arts Konstantin Rakein: Acting (2013), Management (2013), theater equipment and technology (created in 2014)
The acting faculty of the Higher School of Stage Arts Konstantin Raykin.

The acting department of the VSHI Theatrical School of Konstantin Raykin is preparing students with the specialty "acting art" and specializations "Artist of Drama Theater and Cinema". The term of study at the acting department of the VSHI Konstantin Raykin is 4 years with a full-time or correspondence form of training. Training at the acting department of the VSHSI K. Raykin can be held on a budget and on a commercial basis, depending on the results of entrance tests.

Rules for admission to the acting faculty of VSHSI K. Rikein:
Reception in WTU Nashpkin takes place in the 4th stage: the qualifying round, the practical exam on artist's skill, oral colloquium and the provision of the results of the exam in Russian and literature:

1. Selecting consultations (tours). Start from March. The arrivals prepare for execution a program from a number of literary works of various genres: bass, prose, poem, monologue.

The selection tour of applicants are allowed to stage entrance exams:
2. Artist's skill (practical exam). Rated on a 100-point scale. Ensures execution by heart of several literary works: Basni, poems, prose, monologue. Preferably the presence in the program small passages from the works of classical, modern Russian and foreign literature, fables, prose, which differ from each other in content and genre.
On the practical exam on the skill of the actor of the Higher School of Stage Arts, K. Raykin is estimated: the ability of the arriving, the breadth of the creative range, the depth of the executable work, the ability to interest the listeners.
3. Colloquium (oral). Rated on a 100-point scale. Rejects: Knowledge of the basic events of international and public life, the ability to correctly focus on the issues of modern theatrical life (theater, literature, music, visual arts, film and television, will additionally be asked questions about the social and political life of the country, international situation, etc. .).
At the oral colloquium of the HDSI, K. Raikin theater school, estimated: the cultural level, the aesthetic views of the applicant.
4. The results of the exam in Russian and literature of students of 2017-2018.
In the case of higher education, the end of the Middle Educational Institution (School) until 2009, the availability of secondary vocational education in the specialty of the receipt or citizenship of the countries of the near abroad. Applicant does not require the results of the EGE. In this case, it is additionally in paragraph 2 and paragraph 3 gives secondary exams in the VSII K. Raykin: Russian language (essay) and literature (orally).
List of documents for the admission committee of the VSHI Konstantin Raykin for applicants of the full-time and absentee department of the acting faculty of VSHI Konstantin Rikein:
Deadline for qualifying advice: March-June
Pre-recording is carried out by email. To the address [Email Protected] Applicant must send a letter in which:
Consultation Date (Select 1 day from the proposed)
Familia
Name
middle name
Passport Sent Passport
At consultation with you, you must have a passport and a photo 3 * 4

Reception of applications from incoming committed to the competition: From June 15 to July 6, 2015 (full-time), from July 6 to August 31, 2015 (correspondence)
1. Application to the name of the rector (for a single form);
2. Certificates of the results of the exam in Russian language and literature or their copies, certified in the prescribed manner (before enrollment, they should be replaced by originals). Persons who have successfully surrendered entrance exams, but who did not have the opportunity to participate in an objective reasons to participate in the EE during the period of the final certification, can pass the exam after the end of the entrance examinations towards the university, in July of the current year. They will be credited after granting a certificate;
3. certificate or diploma ((original) or diploma);
4. 8 photos 3x4 cm. (Snapshots without a headdress, on matte paper);
5. Medical certificate (form 286 or 086) dated to the current year;
6. Pressport photocopy (all filled pages);
7. The young men are presented a military ID or an asscript certificate and rent copies of these documents.
8. Information about the presence of individual achievements in an apprimate (if available - specify information about them)

A young talented actress can be seen in premiere performances, where Macenov played Angelika and - the role of Rita. Also Varbara Yuryevna is occupied in productions where Skywalker's hatch is played, "Nonferdannica" - embodies the image of Harita Ogudallova, a plastic performance, where the image of Mother Carmen and a musical and poetic production embodies.

A bright charismatic actress is completely devoted to the stage - the experience of Barbara Matsenova in the movie has become the only role of Oksana in a detective "Plot", shot in 2011. The fans of the artist are confident that her list of filmography will certainly be replenished with new names of films and TV shows.

The talented actress "Satirikon" Theater is not limited to dramatic activities - it is also the head of the acting skills in the school of journalism. Vl. Mezentseva in the metropolitan central journalist house.

Young talented artist began his creative path on a professional scene from such performances as "Othello", where he played Lodovico and Don Juan - the role of rower. He also took part in the music and poetic formulation. In the "idleness" his hero was Juli Kapitonch, and in the premiere play he played Pasha and Karim.

Kirill Gennadyevich dedicates all the strength to dramatic art and the movie has not yet been filmed. However, his fans are firmly confident that they will soon see the beloved actor not only on stage, but also in the best film projects.

In the cinema actress began to be filmed in 2004. The first major role was Katya in the melodrama "All for you." In 2013, she played another main film engineer - Natasha in the Military Drama "Stalingrad". The actress filmography includes more than twenty works.

Alina Alekseevna, Alina Alexeevna, was mastered rather quickly and established himself as a promising actress. Among her first performances in which she took part was the plastic play "# Nebalest", where she played the role of Carmen's role superbly played, as well as the Music and poetic performance "# Nepushkin". In the "Game Over" formulation, Alina played several heroines at once - Lubasu, a girl like an angel, a girl, unlike angel and mother of Neli.

Adesenko is occupied and in the premiere performances - in the teenage drama, she played the boy, Angelika became the heroine in a frantic comedy, and in the formulation of Alina, Adesenko plays Rita.

On this scene, Shcherbakov is engaged in a plastic play - the role of the girlfriend Carmen, as well as in the music and poetic performance. In the formulation, it embodies the image of Nina. Shcherbakov also occupied in two premiere projects of the theater - in the performance she plays Lisa, and B is the role of Maturina.

In the cinema Sophia Andreevna played two roles - Lydia in a detective "House on the Edge of the Forest", shot in 2016 and Dasha in the criminal drama "Cainov Print", which came out on the screens in 2017

Sergey Viktorovich dreams to be a soloist of the opera. Now he teaches a scenic speech to students of Mkat. For some time, he worked in the project "Star Factory" as a vocal teacher.

The artist is actively filming the cinema. Today in his filmography more than twenty projects. He Sanya's Main Copyrights became Sanya in the military comedy "Dirt Tanks are not afraid" and Artem in the family drama "All for the better".

At the expense of the actress fourteen work in the cinema. The debut kinorol was a great-grandfather in the Drama "Writing for Victory Day", faith in a Safety detective, Julia in the Drama "Sinner", Alina in Drama "Wonderworker", Lisa in a detective "non-random meeting", etc.

Over the years of work as part of this legendary Moscow troupe, Sergey Mikhailovich played a cesharka in the Dramatic show "Shantekler", Gremio in the "Taming", Monsieur in the "Maulus", Tom in the "Manym Pattern", Metrotel in Kitchen and Minister of Little Sense in "The naked king." Now Zarubin is busy in the play "Game Over", where Oleg Pavlovich and Konstantinova played, as well as in the premiere stage - the role of the Commander.

Collaborating with the ART partner of the XXI Theater Agency, Zarubin played Alberen in the play "Trouble in Pigeon". In 2005, the artist was awarded the title of deserved.

On the television screen, Sergey Mikhailovich fans first saw him in 1992 - the artist took part in the picture "Your way out, girls ...". A year later, he played the mouse king in the Children's film "Ballerina". Later he played Glen in the "zero kilometer", George in "First Love", Inessa Felixin in the Comedy "Step Bai Stap", Caliostro in the historic drama "Catherine. Safety ".

Smolyaninov began to film in 2013 - Sergey became his first role, the main character in the melodrama "deception, if you love." He also played Matthew in the "curious barbarian", Artem in "Shakalch", Sasha in the melodrama "Petersburg. Only for love, "etc.

In the movie Rologov played the alternator of Tolik Alenikova in the series "Sklifosovsky-7", shot in 2019

A talented charismatic actress often accepts the offers of film directories and is filmed in domestic films and serials. The first work on this field was the role of the Verka from the melodrama "Kostyannik. Summer time ", filmed in 2006, after a year, he embodied the image of the lead heroine of the Lyric Comedy" Gladia "- Zhenya. Later, in its execution, such main characters appeared on the screen, as Nadia from the series "My Favorite Witch", Masha in the melodraman "The Best Summer in our Life", Alexander in mystical melodrama "Male in Me", Lyuba in the melodrame "Love and Roman" , as well as Tanya in Parisian and Natalia in the Melodrame "Inverting Page".

Konstantin Novychkov began to be interested in dramatic art in school years - in the sixth grade he fell into the theater circle, where he was engaged in several years. Having received a certificate, newcomers became a student of the acting faculty of the Higher School of Stage Art, where he studied in the workshop of K. Raykin.

The artist began to go to the stage a year before receiving a diploma - in 2016, a young charismatic actor immediately showed his talent, taking part in the plastic play "# Nebalet", where he played it, as well as in the music and poetic performance "# Nepushkin" .

The noticeable work of the artist is the role of Sganarel in the comedy "Leckery of Punish". In the teenage drama "My Dad - Peter Peng", Konstantin was involved in the role of a taller, and in another premiere stage he played Mishe and Valentine.

In the cinema, Konstantin Valerevich has not yet been filmed, but his fans are confident that it will very soon, he will start mastering the film.

Display independent by MacDonach

At the show of independent works on the works of McDonakh, which is rightfully one of the prominent representatives of modern drama, students of the 3rd center of the acting faculty - the workshop of the national artist of the Russian Federation K.A. Raykin was represented by 11 passages:

1. "Queen of Beauty" (Rybolovlev A., Ershova L., Khanjyan A.)
2. "Man Pillow" (Grigoriev N., Teplov D.)
3. "Cripple from Island Island" (Zolotukhina M., Teplov D.)
4. "Man-pillow" (Khanjyan A., Grigoriev N., Zenin Ya.)
5. "Queen of Beauty" (Zolotukhina M., Musa K., Zenin Ya.)
6. "Lieutenant from Inishmore Island" (Rogozhn S., Kurandin P., Alekseev P.)
7. "Lieutenant from Island Island" (Potapova E., Nazarov D.)
8. "Lonely West" (Nazarov D., Ishakova A.)
9. "Lonely West" (VOTIOVICH A., Zenin Ya.)
10. "Lieutenant from Islands Inishmore" (Voitovich A., Kurandin P.)
11. "Palachi" (Popov V., Grigoriev N.)

We invite those who want to show for the audience on November 25 at 19.00, the audience 307

"We just lived our lives ..."

On November 18, the premiere showing of a new performance of students of the 3rd center of the acting faculty (workshop K.A. Raikina) "in the shadow of Brodsky" was held in the Higher School of Stage Arts) "in the shadow of Brodsky" in the formulation of Svetlana Vasilyevna Farmers (Kuznetsova). The fate of the most interesting representatives of the poetic underground of Leningrad 1950-1980s, the poets of the "Cafe period of Russian literature" (K. Kuzminsky) were shown by actors vividly, not indifferent, brightly.

The performance caused the most positive emotions in the audience, enthusiastically followed by the life and creative peripetias of the broken fate of Gleb Glebovsky, Leonid Aronezon, Oleg Grigorieva, Alexei Khutynko, Alexander Mironova in the shadow of the Great Joseph Brodsky.

What is the performance? On the peculiarities of the poetic happiness of the underground, about the specific joy, which accompanied the work of many unzipped poets and was associated with freedom while the corridor of opportunities was narrow, but poets managed to find spaces where they were provided to themselves.

Come and you will plunge into this amazing world and be a little bit in the shadow of Brodsky ...

Theatrical May

Friends, in May we invite you to the playing theater performances.

On March 17 and 26, 2 Class-concert class "School. Metro. Dreams" will play a course of the workshop Konstantin Raykin - A vivid view born from a variety of acting fantasies and observations, dance and speech compositions.
4 Course Oleg Topolyansky's workshop and Kama Ginkas will present their thesis:
18.22 and 27 May - "Two Veronea" - a performance on the witty and easy romantic comedy of the young William Shakespeare.
On May 19 and 28 - "Oh, as beautiful watering!". The performance in the genre "Waterville" is filled with music, humor and good mood.
May 20 - "Dead Souls". Spectacle-owner of the Grand Prix of the XV Moscow International Festival of Student performances "Your chance".
21 and 29 May - "Fantasy Fick" - a story about torture to be happy and make happy others. The story of how people, even very close, do not understand each other, about how difficult they are disrupted to understand.
Waiting for you!
All performances start at 19.30.

Purchase tickets online is possible here:
http://school-raikin.com/theatre/afisha/
SEE YOU!

Scene - it sounds proud!

At the end of April, the training of listeners under the program of professional retraining "Scenograph in the Contemporary Theater" ended.
Seven people from different parts of Russia have passed the path equal to six months, dozens of ideas, hundreds of drawings, together with the master of the course - theatrical artist Boris Leonidovich Valuev and other teachers.
A number of classes ("Device and equipment of the scene", "The technology of artistic and light design of performances", "The technology of making decorations. Modern theater technologies") were held on the basis of the State Academic Bolshoi Theater of Russia and its workshops. The guys managed to watch the ballet "Flame Paris" ballet and discuss his stage and light design.
However, the main work was going on in the school workshop and on weekdays, and on weekends - from morning to evening. The results of this work - a miniature world, which listeners embodied in their layouts - assessed the final attestation commission.
Chairman of the Commission - Igor Vladimirovich Suvorov, Honored Worker of Culture of the Russian Federation, Head of the Art and timing of the main scene of the FGBU State Academic Bolshoi Theater of Russia.
Commission members:
Konstantin Arkadyevich Rykin, People's Artist of the Russian Federation, Professor, artistic director and head of the department of acting skills and director of the non-state educational private institution of higher education "Higher School of Stage Arts";
Boris Leonidovich Valuev, theater artist, head of the architectural and design workshop "ART TRADING CONTRACT";
Yuri Arkadyevich Fainkin, Assistant Director of the Russian State Theater "Satirikon" named after Arkady Rykin.
Also, young directors were invited to protect projects in the hope of their fresh "not bleeding" eyes and sharp questions.
The final certification included the presentation of the sketch project of the scenography of the performance on the selected plays in the form of a layout with an explanatory note. All students successfully defended their projects, adequately presented their layouts, answered the questions of the Commission.
"At the final view, the listeners presented to members of the final attestation commission, everything that managed to make the autumn and spring session and the internship period in the framework of the professional retraining program" Scenography in the Contemporary Theater ".
The exposition of each listener included, first of all, the layout of the scene design for the dramatic performance on the play, which each artist could choose from the proposed twenty plays of such authors as W. Shakespeare, J.-B. Moliere, A. Ostrovsky, A. Chekhov, E. Schwartz.
In these layouts, in fact, decoration solutions for the selected literary material were realized, often unexpected and all peculiar.
In addition to the mocks themselves, their phased photos were shown, demonstrating all the pictures of scenographic projects. It is a form and method of change from the picture to the picture, their spatial and technical device, their organic and artistic expressiveness were also a very important part of the work. Many have put the mounting layouts (great!).
In the exhibition, we also included the results of the work on additional short-term tasks - clauses, in which, mostly, even more noticeable than in the main projects, the originality and creativity of artists were manifested.
I congratulate the entire team of listeners and teachers with this important result for all of us.
Thank you".

B.L. Valuev

"With a sense of pride and thanks, I am writing these lines, because I still feel inseparable communication with the school. This powerful energy that feeds us during study has opened new horizons in the profession!
Low bow, school teachers and my colleagues with whom fate brought me! You will always stay in my heart as the brightest moments in my life. "
Mikhail Kangin.

"I want us to be able to infect the theater to make it not just a profession, but a way of life, a way to exist, a way to know reality. So that it was not just a service, but the ministry, faith is akin to religion " Konstantin Rikin

Raikina Theater School is a relatively new promising non-state university, training specialists in all directions of scenic art. If you have not yet decided which Institute to submit documents, be sure to consider this option.

The Higher School of Stage Arts Konstantin Rykin takes applicants for training in three main areas:

1. Acting faculty. Prepares actors theater and cinema. The basis of learning is the disciplines: the skill of the actor, stage speech, history and theaters, dance, vocals.
2. Management. All related to the management and organization in the theater and concert sphere.
3. Technics and techology. Sound engineering, general decoration of performances, applying modern technologies.

The university also offers a wide program of additional education - professional retraining in the directions:

• acting skills;
• director and organization of ideas;
• sound and light ductors;
• management;
• scenography;
• retraining teachers.

Official advanced training in the directions:

• makeup;
• oratory;
• scenario-directorial organization of events;
• pedagogy.

Acting faculty

At the acting department, two main directions are available to applicant: acting, specialty "Artist of Dramatic Theater and Cinema" and Directory, specialty "Director Drama". In addition to profile items, students are trained in many humanitarian areas, such as foreign languages, history, philosophy, history of culture and others.

Practical classes are held in the directions of stage traffic, stage fight, choreography, vocals, acting, plastic education. For students at school, there is a special educational theater. In addition, close cooperation has been established with the Satirikon Theater, part of the practice passes on its scene.

Konstantin Raikina's admission to the acting department of the Higher School suggests, besides the exam, passing a creative exam, the colloquium interview. The exam program is formed by an applicant arbitrarily, but should include:

• song;
• dance;
• bassnya;
• poem;
• monologue;
• excerpt from prose;
• acting Etude.

Faculty of Management

This faculty is preparing specialists in managing, organizers, producers and leaders of large projects in the theater and spectacular industry. Konstantin Raykin Theatrical School is preparing not just future businessmen and high-level managers, but also cultural figures, continuents of the rich traditions of Russian theatrical art, people with an active civil position, an inquisitive attitude to creativity.

For students, master classes are held, creative meetings with the leaders of other theaters. Already at the stage of training, it is possible to make acquaintances, watch the work of the practitioners from the inside.

Preparation programs:

• theatrical management and producing;
• management of scenic arts.

Faculty of Theater Technology and Technology

"The main task of our department in the preparation of future scene specialists is to teach our student to see the elegance of building structures in the spatial solution of the stage volumes of the performance, the optimality of its technological techniques" Konstantin Rikin

As the task of the Faculty of Theater Technology and Technology, the preparation of a wide range of technical plan specialists is stated: artists-investors, directors of light, sound, organizers of theatrical work, decorators. Training affects all the technical aspects necessary for the functioning of the modern theater, plus a broad humanitarian program, since even the theater technologist is obliged to love the art of the scene and to understand it well. Training in the artist of the light design of the performance includes 19 different disciplines. Upon graduation, the institution of students is waiting for employment in the Sachirikon theater under the leadership of Konstantin Rikein or offers from the leading theaters of Moscow.

According to official information, two training laboratories work at the faculty:

• educational laboratory of scenic equipment and technologies;
• educational laboratory of the artistic design of the performance.

It is noteworthy that the acting course will help you learn to solve conflict situations, keep composure in a stressful atmosphere, get rid of many complexes related to communication and public speeches, you will become more liberated and can become a soul of the company.

A private high school of scenic arts opens in Moscow, another its name is Konstantin Raikina theater school. The first will open the acting faculty, where the only fee for talent will be the talent of the applicant. Then the rest (already paid) - the faculty of management, sound engineer and lighting. Such a set of specialties does not offer today no theatrical university of the country. In addition, the Department of Professional Retraining and Additional Education will open in VSDI, where they are trained in the most different theatrical specialties - from the Grider to the director of show programs.

Konstantin Raykin saidTheater. On the goals and objectives of the new school:

"I had a long time to create your school for a long time, although it seemed unlikely for a long time. I teach for many years, but once there is some line, after which you want more independence. It seems to me that a developed drama theater is generally in order to have a school with him: the Wakhtangov Theater or Moscow artistic during his maturity experienced the need to create their own school. Now Satirikon also gained his handwriting, his image and he needs relevant personnel. This does not mean that I will no longer look at the diploma performances of other masters and take into the troupe of their graduates.

In addition, in the twenty-five years of the artistic guide, I had a great experience of communicating with young - not only with actors, but also with artists, technologists - for all the fronts of theatrical activity. After all, the theater is a huge plant with a lot of workshops, and every workshop causes me a desire to convey the accumulated experience. So I plan to participate in the work and sound engineering, and the lighting, and the managerial faculty. Ideally, I would like to have the theater faculty - I am absolutely convinced of the need for this profession, but I want to make some living living in it, a loving jet, which, it seems to me, is very lacking today. If I see that some student "directorial" brains are ready to deal with it separately.

As for acting art, I will teach the same as I taught at the MCAT Studio School, which I am very grateful: For the instantaneous support of my aspirations Oleg Pavlovich Tobakov (what I did not meet, for example, in my native institute. Schukina, when came there with a proposal to score your own course); For twelve years of collaboration with native people in spirit and a great attitude towards me; For the invaluable experience I purchased there. But now the walls of the school studio I'm going to leave: it seems to me that if it is possible to conduct an independent thing, it is necessary to take advantage of it. Especially due to the current tendency to reduce the creative universities, which I want to resist.

In addition, the relative independence of a private educational institution from the state makes it possible to experiment more freely, to look for new ways of learning and at the same time not reported every second to people of different levels of preparation that control us on behalf of the state. Although the parameters of the issue will be quite "according to GOST".

If we talk about the learning system, then I, of course, will teach according to the Stanislavsky system, as before. Although, if we speak specifically about the acting reincarnation, then the system of Mikhail Chekhov, who believed that the image is "I" in the proposed roles that the image is not related to the actor. This image should be imagined to ask him many questions, to look at it and thus get close to him. "

Lithuage - Olga Fuchs