Sculptures Michelangelo in Rome: story, description, where to see. Famous sculptures Michelangelo Buonarot

Michelangelo Buonarroti(1475-1564) is the third great genius of Italian revival. On the scale of the person, he approaches Leonardo. He was a sculptor, painter, architect and poet. The last thirty years of his creativity falls already at the later revival. During this period, anxiety and anxiety, the premonition of the coming troubles and shocks appear in his works.

Among his first creations, the statue of the "swallowing boy" is drawn to himself, which echoes the "discolobol" of the ancient sculptor of Miron. In it, the master succeeds in vividly express the movement and passion of a young creature.

Two works - the "VAKH" statue and the Pieta group - created at the end of the XV century, brought Michelangelo wide fame and glory. In the first one, he was amazing to finely convey the state of light intoxication, unstable equilibrium. The Pieta group depicts the Dead Body of Christ, lying on the knees of Madonna, mournfully bending over it. Both figures are merged into a single whole. The flawless composition makes them surprisingly true and reliable. Returning from tradition. Michelangelo depicts Madonna young and beautiful. The contrast of her youth with a lifeless body of Christ further enhances the tragedy of the situation.

One of the highest achievements of Michelangelo appeared Statue "David", Which he risked to wash out of the cramped and already spoiled blocks of marble. The sculpture is very high - 5.5 m. However, this feature remains almost invisible. Ideal proportions, perfect plastic, rare harmony forms make it surprisingly natural, easy and beautiful. The statue is filled with inner life, energy and power. It is a hymn of human masculinity, beauty, grace and grace.

Michelangelo's highest achievements also include work. Created for the tomb of Pope Julia II - "Moses", "Skated slave", "Dying slave", "Walking slave", "Footless Boy". Above this tombs, the brewer worked with a break of about 40 years, but never brought it until completion. However, that. That the brewer managed to create, is considered the greatest masterpieces of world art. According to experts, in these works Michelangelo managed to achieve higher perfection, the ideal unity and compliance of the inner meaning and external form.

One of the significant creations of Michelangelo is an attached to the Church of San Lorenzo in Florence and decorated with the sculptural tombstones of Capeli Medici. The two tombs of the Dukes Lorenzo and Juliano Medici are sarcophages with sloping lids, on which two figures are located - "Morning" and "Evening", "Day" and "Night." All figures look badly, they express anxious and gloomy mood. It was Michelangelo himself who fell that his Florence was captured by the Spaniards. As for the figures of the dukes themselves, then when they were depicted, Michelangelo did not strive to portrait the similarity. He presented them as generalized images of two types of people: courageous and energetic Juliano and melancholic and thoughtful Lorenzo.

From the last sculptural works, Michelangelo deserves attention to the "Coffin position", which the artist was intended for his tomb. Her fate turned out to be tragic: Michelangelo broke it. However, she was restored by one of his students.

In addition to sculptures, Michelangelo created wonderful works Painting. The most significant of them are Murals of the Sicstinian Chapel in the Vatican.

He was taken for them twice. At first, by order of Pope Julia II painted the sequestine chapel plane, spending four years (1508-1512) and doing fantastically difficult and tremendous work. He had to cover the frescoes more than 600 square meters. On the huge surfaces of Plafon, Michelangelo portrayed the Old Testament Plots - from the creation of the world to the Flood, as well as the scenes from everyday life - a mother playing with children, immersed in deep meditation an old man reading a young man, etc.

For the second time (1535-1541), Michelangelo creates the fresco of a "terrible court", placing it on the altar wall of the Sistine Chapel. In the center of the composition, in the Light Nimbe there is a figure of Christ, raised in Grozny gesture right hand. There are many naked human figures around it. All shown shown on the canvase is in a circular motion that begins downstairs.

the root side, where the dead-up arising from the graves are depicted. Above them are located up the soul, and over them are righteous. Angels occupy the most upper part of the fresco. At the bottom of the right side is the rook with Charone, who drives sinners to hell. The biblical meaning of the terrible court is pronounced bright and impressive.

In the last years of life, Michelangelo is engaged architecture. It completes the construction of the Cathedral of St. Peter, making changes to the original project Bramte.

Creativity and idea Michelangelo Inspire and fascinate many people.

Michelangelo Creativity Briefly

Michelangeloin his art, reflected all the ideals of the era: from the heroic pathos to the crisis state of humanistic world population. In early works, the main features and ideas of its creativity were determined - plastic power, drama images, internal tensions, monumentality and adolescence in front of human beauty.

Creativity Michelangelo Buonaroti can be divided into 2 periods - Roman and Florentine:

• Roman period

In Rome, Michelangelo created the statue of "VAKH", giving tribute to antiquity. At that time, the Gothic scheme in the sculptural region dominated. But the artist managed to make new ideas into it - persuasiveness and brightness of vital images, humanistic deep content. Pope Julius II in 1505 instructs him the project of his own tomb. He created a lot of sketches, and she was completed in 1545. Especially for her, Boonarotti created a large number of sculptures.

Special attention deserves the statue of Moses, expressing titanic force, a mighty will and temperament. In the cycle of painting of the Roman period, the painting of the Sicstinian Capella Michelangelo 1508-1512 deserves. This grand creation includes scenes of the biblical book of being, compositions of Figures Siville and the Prophets, the images of Christ and His ancestors. Its frescoes are full of clear and plastic lines, intense expressiveness, colorful gamut, exquisite colors. He spent the last 30 years of life in Rome.

In 1536 - 1541, Boonarotti was engaged in creating a fresco "Scary Court" depicting the tragic power of images. The ideas of the vanity of human efforts, painful hopelessness in search of truth they reflected in the frescoes of Poland Capella. The latest creations of the artist are full of plasticity, internal dynamism, mass tension. By the end of the life, he was engaged in the design of the Capitol ensemble.

• Florentine period

In Florence, Buonotti performed a grand work - the statue of David (1501-1504). It was embodied by the ideas of a heroic gust and civil valiant. He also performed the painting of the Palazzo Vecchio (1504 - 1506), in which he expressed the desire and readiness of the citizens of Florence to protect the republic. In the period 1516 - 1534, the artist is working on the project of the facade part of the Church of San Lorenzo, the architectural and sculptural ensemble of the grazing of the Medici. All the works of Michelangelo Buonaroti Florentine period are full of deep pessimism, grave meditation, aimless movement. His statues are deprived of portrait features and depict the flow fluidity.

Michelangelo Buonaroti was born on March 6, 1475 in Kaprese, a small town in 40 miles southeast of Florence. Now this town in honor of the artist is called Krepsy Michelangelo. His father, Lodoviko, at the time of his son, performed the responsibilities of Iodesta (mayor) Caprese, but soon his service was approached by an end, and he returned to his homeland, in Florence. The ancient rod of Buonaroti by this time was very impoverished that he did not prevent Lovoiko to be proud of his aristocracy and consider himself higher in order to earn a living. The family had to live on the money that brought a farm in the village of Settignano, located three miles from Florence.
Here, in Settignano, Breast Michelangelo was given to the feeding wife of local Kamenotes. The stone in the vicinity of Florence was mined for a long time, and Michelangelo loved to speak later that "I absorbed the feeder and hammer of the sculptor with milk." The artistic tendencies of the boy manifested themselves at an early age, but the Father, in accordance with his concepts about aristocrat, had long resisted the desire of the Son to become an artist. Michelangelo showed character and, in the end, achieved permission to enter the students to the artist Domenico Girondayo. It happened in April 1488.
Next year, he moved to School of Sculptor Bertoldo di Giovanni, which existed under the patronage of the actual owner of the city of Lorenzo de Medici (called magnificent). Lorenzo was a great man was a very educated person, perfectly understood in art, he himself wrote poems and immediately managed to recognize the talent of young Michelangelo. Some time Michelangelo lived in the Palace of Medici. Lorenzo treated him as a beloved son.
In 1492, the patron of Michelangelo died, and the artist returned to his home. In Florence, political tribulations began at this time, and at the end of 1494 Michelangelo left the city. Having visited Venice and Bologna, at the end of 1495 he returned back. But not for long. The new Republican Board did not contribute to the peace of mind, and the plague epidemic came to all. Michelangelo continued his wandering. June 25, 1496 he appeared in Rome.
The next five years he spent in the "Eternal City". Here, he was waiting for the first great success. Soon after arriving, Michelangelo received an order to the Marble Statue of Vakha for Cardinal Rafael Riaario, and in 1498-99, another one - on the marble composition "Pieta" (in the visual arts, the scene was traditionally called the scene of the mourning of Christ by Our Lady). The Michelangean composition was recognized as a masterpiece, which even more strengthened his position in the artistic hierarchy. The next order was the painting "Break", but her artist did not finish, in 1501 he returned to Florence.
Life in his hometown by that time stabilized. Michelangelo received an order to a huge statue of David.
Completed in 1504, David, like "mourning Christ" in Rome, strengthened the reputation of Michelangelo in Florence. Statue, instead of a previously planned place (near the city cathedral), installed in the heart of the city, opposite the Palazzo Vecchio, where the city government was located. She became a symbol of the new republic, fantastic, like Biblical David, for the freedom of their citizens.
The story of another order coming from the city is curious - to the picture "Battle of Kashin" for Palazzo Vecchio. Her plot was to be the victory of Florentines over the Pisans in the battle of Kashin, which took place in 1364. The drama of the situation was aggravated by the fact that the second picture for Palazzo Vecchio ("Battle of Angyari") was taken to write Leonardo da Vinci. Leonardo was 20 years old as Michelangelo, but the young accepted this challenge with open pick. Leonardo and Michelangelo disliked each other, and many were waiting with interest how their rivalry end. Unfortunately, both paintings were not completed. Leonardo left his job after the crushing failure, which was faced experimented with the new wall painting technique, and Michelangelo, creating great etudes to the "Battle of Kashin", left in March 1505 in Rome on the call of Julia II.
However, he reached the destination only in January 1506, after spending a few months in Carrara's quarries, where he selected marble for the tomb of Pope Julia II ordered. Initially, it was planned to decorate her forty sculptures, but soon the dad cooled to this project, and in 1513 he died. The long-term litigation between the artist and relatives of the deceased began. In 1545, Michelangelo still finished work on the tomb, which turned out to be only a pale shadow of the initial design. The artist himself called this story "The tragedy with the tomb."
But another order of Pope Julia II was crowned with the full triumph of Michelangelo. They became the painting of the sequestine chapel in the Vatican. Her artist performed between 1508 and 1512. When the fresco was submitted to the audience's court, she was recognized by the work of inhuman power.
I was replaced by Julia II on the papal throne Lion X (Medichi) in 1516 ordered Michelangelo project of the facade of the Church of San Lorenzo in Florence. Its option was rejected in 1520, but this did not prevent the artist to receive the following orders for the same church. He began to fulfill the first of them in 1519, it was a mustache. The second project is the famous library of Laurentzian for storing a unique collection of books and manuscripts belonging to the family of Medici.
Taken by these projects, Michelangelo remained most of the time in Florence.
In 1529-30, he answered urban defensive structures in confrontation with Medici's troops (they were expelled from Florence in 1527). In 1530, Medici returned power, and Michelangelo, saving their lives, fled from the city. However, Pope Clement VII (also from the kind of Medici) guaranteed Michelangelo security, and the artist returned to the interrupted work.
In 1534, Michelangelo again, and already forever, returned to Rome. Pope Clement VII, who was going to entrust him with the painting "Resurrection" for the Altar Wall of the Sistine Chapel, died on the second day after the artist's arrival. The new dad, Paul III, instead of the "Resurrection" ordered the painting of the "Scary Court" for the same wall. This huge fresco, completed in 1541, once again confirmed Michelangelo's genius.
For the last twenty years of his life, he was almost entirely devoted to architecture.
At the same time, he still managed to create two wonderful frescoes for Paoline Capella in the Vatican ("Sawla's appeal" and "Crucifixion of St. Peter", 1542-50). Starting from 1546, Michelangelo was engaged in the reconstruction of St. Peter's Cathedral in Rome. Refusing a number of ideas of their predecessors, he suggested his own vision of this building. The final appearance of the cathedral, consecrated only in 1626, is, first of all, the fruit of his genius.
Michelangelo has always been a deeply believer man, by the end of his life his religious feeling was aggravated, as evidenced by his latest work. This is a series of drawings depicting crucifix, and two sculptural groups "Pieta". In the first artist depicted himself in the form of Joseph Arimate. The second sculpture ended the death of Michelangelo on 89 years of life, February 18, 1564.

Michelangelo Buonaroti is a recognized genius of the Renaissance, who brought an invaluable contribution to the treasury of world culture.

On March 6, 1475, the second child was born in the family of Buonaroti Simoni, which was called Michelangelo. The father of the boy was the mayor of the Italian town of Karpeza and was a sibling of a noble family. The grandfather and great-grandfather Michelangelo were considered successful bankers, but parents lived poorly. The status of the mayor did not bring a lot of money to the Father, but he considered another work (physical). One month after the birth of the Son, the service life of Lodovico Di Lionardo as the mayor came up to an end. And the family moved to the generic estate in Florence.

Francesca, mother's mother, was constantly sick, and being pregnant, fell off the horse, so I could not feed the baby on my own. Because of this, a tiny Mick was instructed by the cormalie, and the first years of his life were held in the family of Kamenotes. The baby from early childhood played with pebbles and chisels, addicted to the hollow-abnormalization. When the boy has grown, he often said that his talent is obliged to Moloka's Mother's Machine.

The mother's mother died, when Mika turned 6 years old. It has so much affected the psyche of a child that he becomes closed, irritable and dislike. Father, worrying for the soul state of the Son, gives him to the Francesco Galeota School. The student does not show a grammar to grammar, but it turns out friends who instill love for painting.

At the 13th age, Michelangelo announced his father that he did not intend to continue the family financial affair, and would be led by artistic skill. Thus, in 1488, the teenager becomes a student of the Girlandian brothers, who introduce it to the art of creating frescoes and instill basic painting.

In the workshop Ghirlandaio spent a year, after which it went to study the sculptures in the Gardens of Medici, where the talent of the young man was interested in the ruler of Italy Lorenzo magnificent. Now the biography of Michelangelo was replenished with familiarity with young medics, which then became Roman dads. Working in the gardens of San Marco, the young sculptor received permission from Nico Bicchelin (church rector) on the study of human corpses. In gratitude, he presented a crucifix with the church master. Studying skeletons and muscles of the dead bodies, Michelangelo thoroughly met with the structure of the human body, but undermined his own health.

At 16, the young man creates two first embossed sculptures - "Madonna near the stairs" and "Battle of Centaurs". These first bas-reliefs, who came out of his hands, prove that the young master is endowed with an extraordinary gift, and his brilliant future awaits him.

Creation

After the death of Lorenzo, Medici at the throne, his son Pierro climbed, who destroyed the republican system of Florence with political short-sightedness. At the same time, the French army under the leadership of Charles VIII attacks Italy. The revolution flashes in the country. Florence, transmitted by internecine fractional wars, does not withstand military onslaught and gives up. The political and internal situation in Italy is glowing to the limit that does not contribute to the work of Michelangelo. A man goes to Venice and Rome, where he continues training and studies the statues and sculptures of antiquity.

In 1498, the sculptor created the statue of "VACC" and the composition "Pieta", which bring him world fame. Sculpture, where young Maria holds on the hands of a dead Jesus, placed in the Church of St. Peter. A few days later, Michelangelo heard the conversation of one of the pilgrims, who stated that the composition "Pieta" was created by Christoforo Solari. The same night, the young master embraced by anger, sneaked into the church and the inscription on the breastplate of Mary. Engraving Personal: "Michel Angelus Bonarotus Florent Facibat - Mikelangelo Buonaroti, Florence.

A little later, he repented in his attack of pride and decided not to sign his work anymore.

In 26 years, Micks took up incredibly difficult work - carving a statue of a 5-meter block of spoiled marble. One of his contemporaries without creating anything interesting, just threw a stone. More none of the masters was ready to refine the crippled marble. Only Michelangelo was not afraid of difficulties and after three years, I revealed the world a majestic statue of David. This masterpiece has incredible harmony of forms, filled with energy and inner force. Sculptor managed to breathe life into a cold piece of marble.

When the master finished work on the sculpture, a commission was created, which determined the placement of the masterpiece. Here was the first meeting of Michelangelo with. This meeting was impossible to be called friendly, because 50-year-old Leonardo greatly lost his young sculptor and even eased Michelangelo in the ranks of rivals. Seeing this, the young Piero Soletian suits the competition between artists, entrusted to them the painting of the Big Council's walls in Palazzo Vecchio.

Da Vinci began work on the fresco in the story of the "Battle of Angiari", and Michelangelo took the "Battle of Kashin" as the basis. When 2 sketches were exposed to everyone's review, then none of the critics could give preference to any of them. Both cardboard turned out to be made so skillfully that the bowl of justice equalized the talent of masters of brushes and paints.

Since Michelangelo also heard a brilliant artist, he was asked to paint the ceiling of one of the Roman churches in the Vatican. For this work, the painter was accepted twice. From 1508 to 1512, the ceiling of the church painted, the area of \u200b\u200bwhich was 600 square meters. meters, plots from the Old Testament from the moment of the creation of the world to the flood. The first person appears to be brightened here - Adam. Initially, Mike planned to draw only 12 apostles, but the project inspired the master that he dedicated him 4 years of life.

First, the artist painted the ceiling together with Fensko Granaxi, Giuliano Bugardini and a hundred blue workers, but then in the fit of anger fired his girlfriend. The moments of creating a masterpiece he hid even from the Pope of Roman, who repeatedly rushed to look at the painting. At the end of 1511, Michelangelo was so inspired by the requests of thirsty to see the creation, which opened the curtain of secrecy. Seen shook the imagination of many people. Even, being impressed by this painting, partially changed his own letter of writing.

Work in the Sicastine Chapel is so tired of the great sculptor that he writes in his diary the following:

"After four tortured years, making more than 400 figures in full size, I felt so old and tired. I was only 37, and all friends no longer recognized the old man, which I became.

He also writes that his eyes almost ceased to see from tense work, and life became dark and gray.

In 1535, Michelangelo is again taken for the painting of the walls in the Sistine Chapel. This time he creates a fresco of a "terrible court", which caused a storm of indignation among the parishioners. In the center of the composition, Jesus Christ, surrounded by naked people. These human figures symbolize sinners and righteous. The souls of Orthodox climbs into heaven to the angels, and the sinners gather Charon on their switcher and drive them into hell.

Protest of believers caused not the picture itself, but naked bodies that should not be in the holy place. Calls have repeatedly sounded for the destruction of the largest fresco of Italian revival. While working on the picture, the artist fell from the forests, having badly damaged his leg. An emotional man saw the divine sign in this and decided to abandon work. He was able to convince him only the best friend, and a part-time doctor who helped a patient to heal.

Personal life

A lot of rumors always went around the personal life of the famous sculptor. He is prescribed a variety of close relationships with their simulators. In support of the version of Homosexuality, Michelangelo says the fact that he has never been married. He himself explained this as follows:

"Art is jealous and requires the whole person. I have a spouse that is whole belonging, and my children are my works. "

Exact confirmation of historians find his romantic relationship with the marquise of the vittoria column. This woman, distinguished by an outstanding mind, deserved love and deep attachment to Michelangelo. Moreover, the Marquis Pescara is considered the only woman whose name is connected with the great artist.

It is known that they met in 1536, when Marquis arrived in Rome. In a few years, the woman was forced to leave the city and go to Viterbo. The reason was the uprising of her brother against Paul III. From this point on, the correspondence of Michelangelo and the Vitaine, which became a real monument of the historical era. It is believed that the relationship of Michelangelo and Vittoria was only the character of Platonic love. Staying the devotee in the battle of her husband, Marquis experienced only friendly feelings to the artist.

Death

Michelangelo completed his earthly path in Rome February 18, 1564. A few days before death, the artist destroyed outline, drawings and unfinished poems. Then he headed into the tiny church of Santa Maria Del Angeli, where he wanted to bring the sculpture of Madonna to perfection. The sculptor believed that all his work was unworthy of the Lord God. And he himself is not worthy of meeting with paradise, since he did not leave behind the descendants, with the exception of the soulless stone sculptures. Mika wanted to breathe life in the statue of Madonna in the last days to complete earthly affairs.

But in the church from overvoltage, he lost consciousness, and woke up by the morning of the next day. Reaching the house, the man falls into bed, dictates the will and empties the spirit.

The great Italian sculptor and painter left behind a lot of work, which still admire the minds of humanity. Even on the threshold of life and death, the master did not release the tools from the hands, seeking to leave the descendants only the best. But are present in the Biographies of the Italian moments that are known not to many.

• Michelangelo studied the corpses. The sculptor sought to recreate the human body in marble, observing the smallest details. And for this he needed to know the anatomy well, so the master spent tens of nights in the monastery morgue.
• The artist did not like painting. Surprisingly, Buonarota considered the creation of landscapes and still lifes the waste of time and called these pictures with "empty pictures for the ladies."
• The teacher broke the nose of Michelangelo. It became aware of the diaries of Georgeo Vazari, which described the situation in a detailed situation, where the teacher from envy broke the student, breaking his nose.
• Heavy sculptor disease. It is known that the last 15 years of life Mika suffered from strong articular pain. At that time, many paints were poisonous, and the master is forced to constantly breathe evaporation.
• Good poet. A talented man is talented in many ways. These words can be safely attributed to the Great Italian. In his portfolio there are hundreds of sonnets that are not published during life.

The work of the famous Italian brought him fame and wealth while life. And he was able to fully taste the reverence of fans and enjoy popular that it was not available to many of his colleagues.

One of the most influential figures in Western art is the Italian painter and sculptor Michelangelo Di Lovovico Buonaroti Simoni remains one of the most famous artists in the world even more than 450 years after his death. I suggest you to get acquainted with the most famous works of Michelangelo from the Sistine Capella to his sculpture of David.

Ceiling of the Sicstinsky Capella

When mentioning Michelangelo immediately comes to mind the beautiful fresco of the artist on the ceiling of the Sicastine Chapel in the Vatican. Michelangelo was hired by Dad Roman Julia II and worked on the creation of frescoes from 1508 to 1512. Work on the ceiling of the Sistine Chapel depicts nine stories from the Book of Genesis and is considered one of the greatest works of high Renaissance. Michelangelo himself initially refused to take the project, since he considered himself rather a sculptor than a painter. However, this work every year continues to be delighted about five million visitors to the Sistine Chapel.

Statue of David, Gallery of the Academy in Florence

The statue of David is the most famous sculpture in the world. David Michelangelo washed for three years, and the master at the age of 26 years later. Unlike many earlier descriptions of the biblical hero, who depict David triumphant after the battle with Goliath, Michelangelo was the first artist depicting it in tense waiting to the legendary contractions. Initially posted on Florentine Signoria Square in 1504, a 4-meter sculpture was moved to the Academy Gallery in 1873, where he still remains. More about the Gallery of the Academy You can read in the selection of the attractions of Florence at LiFeglobe.

Bahus sculpture in the Bargello Museum

The first large-scale sculpture of Michelangelo - Marble Vaca. Together with Pieta, this is one of the two preserved sculptures of the Roman period of Michelangelo's creativity. It is also one of several works of the artist, focusing in the pagan, and not Christian theme. Statue depicts the Roman god of wine in a relaxed position. The work was originally ordered by Cardinal Raffalee Riaario, which as a result refused it. Nevertheless, by the beginning of the 16th century, Bakhus found a house in the garden of the Roman Palace of Banker Yakopo Gully. Since 1871, VACC is demonstrated in the Florentine National Museum Bargello along with other works by Michelangelo, including the marble bust of Bruta and its unfinished sculpture of David Apollo.

Madonna Brugge, Church of Our Lady in Brugge

Madonna Brugge was the only sculpture of Michelangelo, who left Italy during the life of the artist. She was donated to the Church of the Virgin Mary in 1514, after the family of the Muskron fabric seller was redeemed. The statue left the church several times, first during the French wars for independence, after which it was returned in 1815 to be reproduced by the Nazi soldiers during World War II. This episode is dramatically depicted in the film 2014 "Treasure Hunters" with George Clooney in the lead role.

Multi Anthony

The mainest city of Kimbell's Art Museum in Texas is the painting "Muticia of St. Anthony" - the first of the famous paintings by Michelangelo. It is believed that the artist painted it aged 12 - 13 years on the basis of the engravings of the German painter of the 15th century Martin Schongauer. The picture was created under the care of his senior friend Francesco Granachchi. The torment of St. Anthony was appreciated by the artists and writers of the 16th century George Vazari and Askanio Kondiva - the most early biographers Michelangelo - as a particularly curious work with a creative approach to the original Schongauer engraving. The picture was widely recognized from the peers.

Madonna Donon.

Madonna Doni (Holy Family) is the only work of Michelangelo to our time. The work was created for the rich Florentine banker Anolo Donon in honor of his wedding with Maddalen, the daughter of the prominent Tuscan noble family of construction. The picture is still in its original frame created from the tree by Michelangelo. Madonna Donon is located in the gallery of Ufesti from 1635 and is the only picture of the master in Florence. Michelangelo laid the foundation for the later artistic directions of Manherist.

Petain in Basilica St. Peter, Vatican

Along with David, the statue of the pedestal of the end of the 15th century is considered to be one of the most prominent and well-known works by Michelangelo. Originally created for the grave of French Cardinal Jean de Bill The sculpture depicts the Virgin Mary, holding the body of Christ after his crucifixion on the cross. It was a common topic for funeral monuments in the Renaissance era of Italy. Moveed to St. Peter's Cathedral in the 18th century Pieta is the only work of art signed by Michelangelo. The statue suffered significant damage over the years, especially when the Australian Geologist of Hungarian Origin Laszlo hit her hammer in 1972.

Moses Michelangelo in Rome

Located in the beautiful Roman Basilica of San Pietro-In-Winquins "Moses" was ordered in 1505 dad Roman Julia II, as part of his funeral monument. Michelangelo did not have time to complete the monument to the death of Julia II. A sculpture carved from marble is known for an unusual couple of horns on the head of Moses - the result of the literal interpretation of the Latin translation of the Bible of Woolgates. It was assumed to unite the statue with other works, including a dying slave, now located in the Paris Louvre.

Scary Court in the Sistine Chapel

Another masterpiece Michelangelo is located in the Sistine Chapel - a terrible court is on the wall of the church altar. It was completed 25 years after the artist painted his inspiring fresco on the chapel ceiling. The terrible court is often mentioned as one of Michelangelo's most complex works. A magnificent work of art depicts God's trial over humanity, originally caused condemnation due to nudity. Trent Council condemned the fresco in 1564 and hired Daniele Yes Volterra to cover obscene parts.

Crucifixion of St. Peter, Vatican

Crucifixion of St. Peter is the final fresco of Michelangelo in the Vatican Chapello Polan. The work was created by decree of Pope Paul III in 1541. Unlike many other images of Peter Renaissance Era, Michelangelo focuses on a much darker topic - his death. The five-year recovery project for € 3.2 million began in 2004 and opened a very interesting aspect of the frescoes: researchers believe that dressed in the blue turban figure in the upper left corner - in fact the artist himself. Thus, the crucifixion of St. Peter in the Vatican is the only famous self-portrait Michelangelo and the real pearl of the Museums of the Vatican.