Essay Gogol N.V. - Auditor

Topic: - Social importance of the comedy N.V.Gogol "Auditor"

The time when I lived and worked N.V.Gogol, was noted by major social and historical events.
Children's years of the writer coincided with the defeat of Napoleon in the Patriotic War of 1812, the exit of Russia to the broad international arena. The youthful years of Nikolai Gogol belong to the period when the Decembrists built plans of the revolutionary reorganization of Russia, and then openly opposed autocracy and serfdom. On the literary field N.V. Hogol entered into the time of a cruel political reaction. His creative activity is developing in the 30s-40s of the XIX century, when the ruling circles of Nicholas I sought to eradicate any freedomiff, social independence.
The appearance in 1836 the comedy "Auditor" has acquired socially important, not only because the author criticized and ridiculed the flaws and disadvantages of Tsarist Russia, but also because his comedy wrote a writer and read the audience and readers to look into his soul, think about universal values. Gogol did not share the ideas of the revolutionary reorganization of society, but he sacredly believed in the cleansing force of laughter, believed in the triumph of justice, which would certainly win, as soon as people realize all the worstness of the bad. So, in his play, N.V. Hogol sets the goal - "laugh strongly" above all that "worthy of commemorating universal."
In the comedy "Auditor" by the place of action, the author elects a small provincial town, from which "at least three years I have been downloading, to no other state." The heroes of the play N.V. Hogol makes urban officials and the "Face of Fyshmagoric", Klezlekova. The genius of the author allowed him on the example of a small island of life to reveal those features and conflicts that characterized the social development of the whole historical era. He managed to create artistic images of a huge social and moral range. The small town in the play captured all the characteristic features of the social relationship of that time the main conflict on which the comedy was built, lies in a deep contradiction between what city officials are engaged in, and submissions about public good, the interests of the city's inhabitants. Lawlessness, treasury, bribery - all of this is shown in the "Revolution" not as individual defects of individual officials, but as generally accepted "norms of life", beyond which power does not think of their existence. Readers and spectators have no doubt for a minute in the fact that somewhere life passes through other laws. All the norms of relationships "between people in the city of" Auditor "look in the play as widespread. From where, for example, the officials have such confidence that the auditor who arrived from St. Petersburg will agree to take part in the dinner at Governing, will not refuse to take obvious bribes? Yes, because What do they know this from the experience of their city, and is it so much different from the capital?
Gogol takes not only social defects of society, but also its moral, spiritual state. In the auditor, the author drew a terrible picture of the inner disunity of people who can unite only on time under the influence of common fear for all. In life, people manage arrogant, chumping, pleasing, the desire to take a better place to get better. People have lost an idea of \u200b\u200bthe true sense of life. It is possible to sin, just enough, like in a city man, every Sunday it is regularly attending the church. Hide the true essence of their actions to officials helps and fantastic lies, which is largely akin to Khleshtakovskaya. Lyapkin-Treipkin takes bribes with bozes puppies and calls it a "very different business." In the hospitals of the city, people are recovering like flies. " The mailman reveals other people's letters only because "death loves to know what is new in the world."
N.V.Gogol does not accidentally turn the traditional stage drawing and the development of the plot in his play, saying that "no longer have a chin electricity, money capital, profitable marriage than love?". True values \u200b\u200bof human nature for city officials are replaced by ideas about the rank. The caretaker of schooling clams, a modest titular adviser, frankly admits that if someone he says to him, so he has "and there is no soul, and the language both in the dirt bladted." It is a reverent fear of "significant person" leads to the fact that officials who perfectly understand the entire emptiness and stupidity of Khlekotkov depicts the utmost respect, and not only depict, but also really feel it.
Describing his play "Auditor" as a comedy public, N.V.Gogol has repeatedly emphasized the deep summary content of its images. Unposteited arbitrariness of Governing, Dupach Extensity of the Derportda, the Echidic Simplethrower - all of these deep social generalizations. Each of the characters comedy symbolizes a certain range of human qualities, allowing the author to show how much the modern person crushed, as far as there is no ideas about heroic and nobility.
A huge creative success of the writer can also be considered the image of the horstakov, which the author did not accidentally consider the main character of the work. It was Klestakov that most fully expressed the essence of the era, in which there is no normal human logic, in which the person does not judge by his mental qualities, but according to his public situation. And in order to take a high position, only a case that will withdraw you "from dirt in the prince," do not make any effort, take care of public good.
Thus, it can be argued that, in comedy, generalized types of people and relations between them, N.V. Gogol could reflect the life of modern Russia with a great force in the work. Inspired by the ideas of high vocation of a person, the writer opposed the entire low, vicious and confused, against falling public norms and human morality. The enormous public value of the play is the strength of its impact on the audience, which should realize that everyone visited by them on the stage occurs around them and in real life.

The time when I lived and worked N. V. Gogol, was noted by major social and historical events. Children's years of the writer coincided with the defeat of Napoleon in the Patriotic War of 1812, the exit of Russia to the broad international arena. The youthful years of Nikolai Gogol belong to the period when the Decembrists built plans of the revolutionary reorganization of Russia, and then openly opposed autocracy and serfdom. On the literary field N. V. Gogol joined the brutal political reaction. His creative activity is developing in the 30-40th

The years of the XIX century, when the ruling circles of Nicholas first sought to eradicate any freedomiff, social independence.
The appearance in 1836 the comedy "Auditor" has acquired social importance not only because the author criticized and ridiculed the flaws and disadvantages of Tsarist Russia, but also because his comedy wrote a writer and look at the audience and readers to look into his soul, think about universal values. Gogol did not share the ideas of the revolutionary reorganization of society, but he sacredly believed in the cleansing force of laughter, believed in the triumph of justice, which would certainly win, as soon as people realize all the worstness of the bad. So, in his play N. V. Gogol sets itself the goal - "laugh strongly" above all that "worthy of universal".
In the comedy "Auditor" by the place of action, the author elects a small provincial town, from which "at least three years I have been downloading, to no other state." Heroes of the Piesen N. V. Gogol makes urban officials and "Family Fiction Magoric", Klezlekova. The genius of the author allowed him on the example of a small island of life to reveal those features and conflicts that characterized the social development of the whole historical era. He managed to create artistic images of a huge social and moral range. A small town in the play captured all the characteristic features of the social relationship of that time.
The main conflict on which the comedy is built is deeply contradiction between the fact that city officials are engaged in, and submissions about public good, the interests of the city's inhabitants. Lawlessness, treasury, bribery - all of this is shown in the "Revolution" not as individual defects of individual officials, but as generally accepted "norms of life", beyond which power does not think of their existence. Readers and spectators have no doubt for a minute in the fact that somewhere life passes through other laws. All the norms of relations between people in the city of "Auditor" look in the play as widespread. Where, for example, officials have such confidence that the auditor who arrived from St. Petersburg will agree to take part in the dinner at Goverling, will not refuse to take obvious bribes? Yes, because they know this from the experience of their city, and is it so much different from the capital?
Gogol takes not only social defects of society, but also its moral, spiritual state. In the auditor, the author drew a terrible picture of the inner disunity of people who can unite only on time under the influence of common fear for all. In life, people manage arrogant, chumping, pleasing, the desire to take a better place to get better. People have lost an idea of \u200b\u200bthe true sense of life. It is possible to sin, just enough, like in a city man, every Sunday it is regularly attending the church. Hide the true essence of their actions to officials helps and fantastic lies, which is largely akin to Khleshtakovskaya. Lyapkin-Treipkin takes bribes with bozes puppies and calls it a "very different business." In the hospitals of the city, people "recover like flies." The mailman reveals other people's letters only because "death loves to know what is new in the world."
N. V. Gogol is not accidentally reincarnating the traditional stage string and the development of the plot in his play, saying that "is no longer there who now have chin electricity, cash capital, profitable marriage than love?". True values \u200b\u200bof human nature for city officials are replaced by ideas about the rank. The caretaker of schooling clams, a modest titular adviser, frankly admits that if someone he says to him, so he has "and there is no soul, and the language both in the dirt bladted." It is a reverent fear of "significant person" leads to the fact that officials who perfectly understand the entire emptiness and stupidity of Khlekotkov depicts the utmost respect, and not only depict, but also really feel it.
Describing his play "Auditor" as a comedy public, N. V. Gogol has repeatedly emphasized the deep summary content of its images. Unposteited arbitrariness of Governing, Dupach Extensity of the Derportda, the Echidic Simplethrower - all of these deep social generalizations. Each of the characters comedy symbolizes a certain range of human qualities, allowing the author to show how much the modern person crushed, as far as there is no ideas about heroic and nobility. Thus, the author prepares us to understand one of the main ideas of the poem "Dead Souls", in which he will show that there is nothing worse than the ordinary, crushing evil.
A huge creative success of the writer can also be considered the image of the horstakov, which the author did not accidentally consider the main character of the work. It was Klestakov that most fully expressed the essence of the epoch, in which there is no normal human logic, in which the person is not judged by his mental qualities, but according to his public situation. And in order to take a high position, only a case that will withdraw you "from dirt in the prince," do not make any effort, take care of public good.
Thus, it can be argued that, in comedy, the generalized types of people and relations between them, N. V. Gogol, could reflect the life of modern Russia with a great force in the work. Inspired by the ideas of high vocation of a person, the writer opposed the entire low, vicious and confused, against falling public norms and human morality. The enormous public value of the play is the strength of its impact on the audience, which should realize that everyone visited by them on the stage occurs around them and in real life.

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"The Auditor" had an important social importance, as a truthful picture of ignorance, arbitrariness and abuses, often met in the then Russia, especially in provincial outfice, where the faces seem to be governing and strawberries felt safe from control and could safely oppress the subject and leaving their dark divids .

This social significance of the "auditor" clearly understood the author himself and therefore chose the epigraph for his comedy the proverb: "Necha's mirror has a penalty, if Ryzh Kriva." But it is precisely this boring of social deficiencies and caused against the author numerous attacks and charges, both from those who felt their own comedy and from the literary enemies of Gogol.

All these senses and pledges of the public Gogol depicted in a special play "Theatrical Tracking after the presentation of a new comedy". Here, in a number of distinct types, representatives of various public layers are held. Among them are people who are completely indifferent to the comedy and to the issues raised by it, who have no one's own judgment and waiting, "what they will say in magazines."

But the majority of the comedy for living, interruptly interprets about her and the fierce attacks her and the author. The writers (in their face, Gogol depicted Bulgarin and Senkovsky and even put the phrases borrowed from their own articles in the mouth) are angry with the success of the comedy and are called a dirty farce, an incredible caricature.

Others are dissatisfied with the comedy in literary terms, they do not find any real string, nor the junction. Finally, most attack on the moral and public goal of the play, and alone find the lack of her in that it contains all vicious faces and there is no noble that the comedy produces therefore too depressing impression; Others find it directly dangerous, suspected the author in secret intention to undermine the respect for the government, they say that there is nothing holy for him that the whole play is a mockery over Russia.

Against all the senses and accusations, Gogol objects to the "Theater Rebulment", and in its defense it forces some
from derived persons; So, for example, one of the audience clarifies the peculiarity of the risk of a comedy, which unites all individuals into one, and,
Referring to the aristrophan measures, indicates serious social importance, which may have a comic work. Other
the viewer, "very modestly dressed man," objects against the charge, as if the author, representing the wrong form of officials, had
The goal to undermine respect for power, and that it may therefore have a bad effect on the people; In response to these accusations, he cites the words of one of the audience from the simpleness: "I suppose, the governors were hurt, and all pale when the royal disgrace came!"

Respect is lost not to officials and posts, but to those who are badly fulfilling their debt; In this regard, the comedy has even educational importance, as it shows that the official abuses do not remain unpunished. Finally, the "modestly dressed man" expresses the idea that the comedy should have a beneficial moral impact on everyone at all, since everyone should make everyone look back on himself and ask himself, whether there are no other hinders in him that are bred by the author.

The same thought about the moral and educational value of art repeats Mr. B., which is finding that the establishment of public defects and deficiencies in a disgrace is the necessary confession and the first step to correction. Finally, in the conclusion of the play, the author himself speaks and expresses his views on the meaning of laughter and on the role of a humorist writer.

Laughter is a mighty force: "There are even the one who is not afraid of anything in the world." Laughter in the comedy is not idle fun: "He deepens the subject, makes it vividly what would slip, without the permeive force of which the trifle and the emptiness of life would not be afraid of the man; An insignificant and desposed, by which the person passes indifferently every day, "becomes clear, being lit by the laugh of the poet humorist.

Laughter has a serious educational value, because it makes a person look back on himself, because it shows that a person can be elevated over his shortcomings, to ride his flavors.

The task of the humorist's poet is to teach negative images. Razeping the vice, he thus opposes his ideal virtue. He is a physical disadvantage: commemorating them, at the same time he grieves the moral fall of man. "In the depths of cold laughter, hot sparks of eternal, mighty love can be found, and who pours often spiritual, deep tears, he seems to be laughing at the world." ...

"The Auditor" does not come down from the stage and in our days. Why did Gogol Comedy have not lost its meaning now? First, because she recreates an era in highly artistic images than to know the past; Secondly, because in our days she is not alien
Some sides of reality and their laughter as a dense force fighting with the remnants of the past.

Comparing Gogol with Pushkin, Lermontov, it is easy to see that Gogol is distinguished from them not only ideologically, but also in the manner of the letter, according to literary skills. Gogol himself well understood the features, the originality of his artistic letter and determined him briefly, but clearly: "Laugh through the tears invisible to the world."

Hogol humor is not the same in all works. In some cases, he is soft, in other angry and even, perhaps, poisonous. For example, in the "Starlavetsky landowners" by the author more pity and love for the heroes of the story than the desire to laugh at their plant life; In the "Revolution", the mockery clearly prevails over pity for officials-officials; As a result, the reader easily perceives comedy as a satir.

In the deaf night of the reaction, it sounded like a merciless-severe sentence over the entire old, feudal-serpentine Russia. it
Due to the fact that Gogol was able to show the most disgusting phenomena in the life of their fatherland with an amazing force of generalization and brightness. Contemporaries of the writer who saw a terrible umnik in the images of the "auditor" was over what to think seriously.

The question was put by an edge, and it was necessary to look for the exit from that dead end in which the pre-reform Russia went. The best of Gogol contemporaries did it. Representatives of the revolutionary democracy, Belinsky and Chernyshevsky, extremely highly set Gogol, mainly because he managed with an exceptional force of artistic skills to rip from official Russia, Russia of sales bureaucratic bureaucraticity, all external warefaction masks and show the animal "Snimport", Snovenail-Dmukhanovsky and other Pillars of the Fatherland. And they were right in the assessment of Gogol.

None of the Russian writers to Gogol approached so close to the image of the "vile raw reality", according to Belinsky's expression, no one was truthful and did not really sketch her, as Gogol did.

This truthful image of life in the conditions of the Z0-40s acquired particular importance. Russia in this era stood on the threshold
reforms; Her restructuring was possible to produce only on the basis of a thorough and comprehensive study of all sick places; For this, a pre-deep revision was needed. Such a revision and produced Gogol, creating his immortal work.

That was the verdict of Gogol over the noble and official Russia, and this is the greatest social and historical merit of the artist.
Along with this, it should be noted the outstanding role of Gogol in the history of the development of Russian literature. The direct and most direct successor of Pushkin, Gogol with amazing skill continued and strengthened in Russian literature, then the direction that required a writer of the truth of life, a wide coverage of reality.

Gogol had invaluable merit to both modern society and all subsequent Russian literature. He paved for subsequent dramatic writers. He created a Russian artistic comedy. To Gogol in the Russian scene, melodrama and hydroevil prevailed.

Melodrama, filled with artificial effects, not only had nothing to do with real life, but also was deprived of any artistic dignity. The so-called comedies (water-willed, farces, etc.) it was difficult to call full-fledged artwork. They were all founded on different accuracy and extraordinary concrete circumstances. There was a comicity of no content, but provisions.

Only in relatively rare cases of the comedy had public importance, was a satire for the construction of Russian life. Sometimes such satire reached very much power. But in artistic terms they stood very low. Active persons - commonly walking vices, having nothing in common with real people. Gogol put his satire into perfect art form.

In the "Auditor" for the first time before the eyes of the Russian reader, in such a wide epic image, with such merciless
The accuracy and strength performed, the image of Russian provincial life. Kosney in a blunt, dirty swamp, rus slept, and suddenly it
The most swamp in all his horror appeared before the spiritual eyes of the Russian intellectual force of the word artist-satirist. Excitement
It began unparalleled.

The author cursed, did not want to believe that the existing persons of the "auditor" are part of the surrounding reality, they wanted to close their eyes to the cruel truth. But it was too truthful and aptly was all shown; The artist weapon against terrible reality set a laughter. So laughter cured the ulcers of reality, and in the bright reconstruction of the whole truth of life is the immortal merit of Gogol.

Comedy N.V. Gogol "Auditor" and to this day did not lose the significance of modernity. All the horror of the places of man in the streets, all arbitrariness
The authorities, who so brightly depicted the author in his immortal comedy, is still a heavy nightmare hanging over Russia.

Of course, those forms in which the authorities showed themselves, but the essence of it, in itself, giving the right to clothe it on arbitrariness, remained and remains unchanged and so on.

If you think about the sad picture of the position of society, which, laughing through tears, painted Gogol in the "Revolution", to discard the entire comic side of this "comedy", you can see the terrible drama of Russian reality, the last act of which has not yet been played.

The time when I lived and worked N. V. Gogol, was noted by major social and historical events. Children's years of the writer coincided with the defeat of Napoleon in the Patriotic War of 1812, the exit of Russia to the broad international arena. The youthful years of Nikolai Gogol belong to the period when the Decembrists built plans of the revolutionary reorganization of Russia, and then openly opposed autocracy and serfdom. On the literary field N. V. Gogol joined the brutal political reaction. His creative activity is developing in the 30s-40s of the XIX century, when the ruling circles of Nikolai first sought to eradicate any freedomity, social independence.
The appearance in 1836 the comedy "Auditor" has acquired social importance not only because the author criticized and ridiculed the flaws and disadvantages of Tsarist Russia, but also because his comedy wrote a writer and look at the audience and readers to look into his soul, think about universal values. Gogol did not share the ideas of the revolutionary reorganization of society, but he sacredly believed in the cleansing force of laughter, believed in the triumph of justice, which would certainly win, as soon as people realize all the worstness of the bad. So, in his play N. V. Gogol sets itself the goal - "laugh strongly" above all that "worthy of universal".
In the comedy "Auditor" by the place of action, the author elects a small provincial town, from which "at least three years I have been downloading, to no other state." Heroes of the Piesen N. V. Gogol makes urban officials and "Family Fiction Magoric", Klezlekova. The genius of the author allowed him on the example of a small island of life to reveal those features and conflicts that characterized the social development of the whole historical era. He managed to create artistic images of a huge social and moral range. A small town in the play captured all the characteristic features of the social relationship of that time.
The main conflict on which the comedy is built is deeply contradiction between the fact that city officials are engaged in, and submissions about public good, the interests of the city's inhabitants. Lawlessness, treasury, bribery - all of this is shown in the "Revolution" not as individual defects of individual officials, but as generally accepted "norms of life", beyond which power does not think of their existence. Readers and spectators have no doubt for a minute in the fact that somewhere life passes through other laws. All the norms of relations between people in the city of "Auditor" look in the play as widespread. Where, for example, officials have such confidence that the auditor who arrived from St. Petersburg will agree to take part in the dinner at Goverling, will not refuse to take obvious bribes? Yes, because they know this from the experience of their city, and is it so much different from the capital?
Gogol takes not only social defects of society, but also its moral, spiritual state. In the auditor, the author drew a terrible picture of the inner disunity of people who can unite only on time under the influence of common fear for all. In life, people manage arrogant, chumping, pleasing, the desire to take a better place to get better. People have lost an idea of \u200b\u200bthe true sense of life. It is possible to sin, just enough, like in a city man, every Sunday it is regularly attending the church. Hide the true essence of their actions to officials helps and fantastic lies, which is largely akin to Khleshtakovskaya. Lyapkin-Treipkin takes bribes with bozes puppies and calls it a "very different business." In the hospitals of the city, people "recover like flies." The mailman reveals other people's letters only because "death loves to know what is new in the world."
N. V. Gogol is not accidentally reincarnating the traditional stage string and the development of the plot in his play, saying that "is no longer there who now have chin electricity, cash capital, profitable marriage than love?". True values \u200b\u200bof human nature for city officials are replaced by ideas about the rank. The caretaker of schooling clams, a modest titular adviser, frankly admits that if someone he says to him, so he has "and there is no soul, and the language both in the dirt bladted." It is a reverent fear of "significant person" leads to the fact that officials who perfectly understand the entire emptiness and stupidity of Khlekotkov depicts the utmost respect, and not only depict, but also really feel it.
Describing his play "Auditor" as a comedy public, N. V. Gogol has repeatedly emphasized the deep summary content of its images. Unposteited arbitrariness of Governing, Dupach Extensity of the Derportda, the Echidic Simplethrower - all of these deep social generalizations. Each of the characters comedy symbolizes a certain range of human qualities, allowing the author to show how much the modern person crushed, as far as there is no ideas about heroic and nobility. Thus, the author prepares us to understand one of the main ideas of the poem "Dead Souls", in which he will show that there is nothing worse than the ordinary, crushing evil.
A huge creative success of the writer can also be considered the image of the horstakov, which the author did not accidentally consider the main character of the work. It was Klestakov that most fully expressed the essence of the epoch, in which there is no normal human logic, in which the person is not judged by his mental qualities, but according to his public situation. And in order to take a high position, only a case that will withdraw you "from dirt in the prince," do not make any effort, take care of public good.
Thus, it can be argued that, in comedy, the generalized types of people and relations between them, N. V. Gogol, could reflect the life of modern Russia with a great force in the work. Inspired by the ideas of high vocation of a person, the writer opposed the entire low, vicious and confused, against falling public norms and human morality. The enormous public value of the play is the strength of its impact on the audience, which should realize that everyone visited by them on the stage occurs around them and in real life.

The writer himself believed that the only honest face in the play is laughter. "Strange: I'm sorry," wrote Gogol in the "Theatrical Drive", "that no one noticed an honest person who was in my play." Yes, there was one honest, noble face acting in her in all the continuation of it. This is an honest, noble face was laughter. " Remember his words from the "author's confession": "If you laugh, it is so better to laugh strongly and above that really worthy of the universal. In the "Revolution" I decided to collect all the bad in Russia in one bunch, which I then knew, all injustice, which are done in those places and in those cases where most of all is required from the person justice, and in one time laugh at everything. "
Perfectly realizing the power of satire, laughter, Gogol, with their help, tried to improve the life of society. Special draws to artistic skills, which manifested itself in the composition of the play, modeling the characters of acting persons and in the very problem of the work. Gogol comedy is characterized by an unusual construction. From the first words of Governing, the action is tied

However, events, usually preceding the strings and related to the exposition, become a well-known viewer significantly later - they are scattered throughout the play.
Unusual and comedy's junction - it is first difficult and defined. At first glance, it is scheduled to learn Klezlekov: a proposal for the wedding of the daughter of Governing, officials are glad that they managed to conduct an auditor. But the spectators know that Khlestakov is a dummy that it cannot be done on this action. Shpekin appears and reports who is chilly. Everyone understands that fooled. The culprits are found - Bobchinsky and Dobchinsky. All are overshadowed, most of all granted. The action goes to the decline. And suddenly - the message of the gendarme about the arrival of the real auditor. This is a new in the drama of that time. As the researchers of Gogol's creativity notice, "it is difficult to even decide that before us is the isolation of whether, or climax, or the tie of the new, completely unlike the former, actions. Most likely, both, both, and third "
Famous director V. I. Nemirovich-Danchenko said: "This final represents one of the most remarkable phenomena of scenic literature. As one phrase, he tied up a play, so one phrase of the gendarme he unlocks her, the phrase producing a stunning impression again with his surprise and at the same time perfect need. " Gogol attached to the final of great importance. It was not by chance that he described this scene in more detail. There is even her drawing, which is attributed to the author of the comedy; After learning from the postmaster, who is such xles, everything is amazed and grieved, they are not in itself. They, such rules, adopted "Fitulku" for the auditor, rewarded, heated it and also went on the road as a big one. But the worst thing was the biggest news, from which you can really numb: a real auditor arrived. What is new, this meeting is preparing officials, will they be able to resist their positions?
- "In the" Revolution "," Belinsky wrote, "there are no scenes of the best, because there are no worst, but everyone is excellent, as the necessary parts, artistically forming a single whole, rounded internal content."
There are two main conflicts in the play:
- Inner - the collision of city and citizens: "Mercury and citizenship confuses me."
- External - between city officials and the auditor. "By this second conflict, the author raises the question of ways, ways to solve the main, main conflict of the play between the existing police bureaucratic board and the population, although this conflict has almost received the stage incarnation."
However, it should be said about him, because the writer, as noted above, did not limit his task only to laugh at the county officials. Gogol creates typical characters in which the characteristic features of the people of the autocrete-frostal era were reflected. The role of each, the most insignificant person in the play is noticeable, for it carries a large semantic load. An example is a cleavage character Dr. Gerner. His name of Christians means "merciful, compassioning", but Gogol supplies it with such a name that removes everything connected with mercy: Lebel Poginner is far from popular masses, does not spend medicines for their treatment, and therefore in the hospital people "like flies recover" , i.e. dying. It is not by chance that the name of the ginner and the word "dying" is one root. Or another example: the Unter-Officer Widow, which appears for a moment and pronounces only a few replicas, but they can be made up by the biography of a person, to present a whole era.

1. Poem N. V. Gogol "Dead Souls" is an author's attempt to show the whole life of Russia, to comprehend the nature of the Russian people, to determine the further paths of its development. N. V. Gogol himself said that the plot ...
2. The episode of "Plushkin Chichikin" is interesting in ideologically-artistic terms. The author managed to draw alive, bright pictures of Chichikov's meeting with the most repulsive landlord, with "knife on humanity." Plushin Chichiki Pavel Ivanovich visited the last ...
3. Poem N. V. Gogols Dead souls are perceived by readers primarily as a work of satirical. Meanwhile, the author himself did not even consider him such. July 25, 1845 Gogol wrote his good ...
4. Gogol Taras Bulba is a story about the heroic past of our Motherland. In it, Gogol tells us how courageously the Cossacks fought for their homeland and faith against bassurmen. Act...
5. In this work, N. V.Gogol combines the realistic pictures of life, and images of folk fiction, and historical motives, in their aggregate drawing a wide and multilateral picture of the life of the Ukrainian people. Creating your ...
6. The auditor belongs to those works that the reader and the viewer captures instantly and as if surprised. Gogol wrote about his work: "I decided to collect all the bad, which I only knew, and for ...
7. The time in which such a person was brought up as Taras Bulba. In the story depicts events that occurred in the XVII century. It was hard for Ukraine, since foreign invaders did not give peace to the Ukrainian people, ...
8. If you contact the structure of the poem, then we can see that representatives of the dominant classes are derived in it: nobles, officials, "million miners", etc. The people are not directly shown in the poem, not counting the servants ...
9. Rus, where are you rushing? Give an answer. Does not answer. N. V. Gogol considering the gallery of characters derived by Gogol in the first volume of the "dead souls", unwittingly wondered: and who of ...
10. As different and unexpectedly showing a truly human, spiritual essence of Taras and Ostav. Externally, harsh and adamant, it would seem, even a cruel and rough, bouffer "thought about a long time. He thought about ...
11. The realism of the "Auditor" is different from realism, say, "thunderstorms" of Ostrovsky or "Seagull" Chekhov. As V. Bryusov rightly noted: "There is nothing average for Gogol, - he knows only immense and infinite." Not at all ...
12. In 1852, after the death of Gogol, Nekrasov wrote a beautiful poem, which could be an epigraph to all the work of Gogol: "Hat with hatred chest, melting, arming Satira, he passes a thorny path with his ...
13. Nikolai Vasilyevich Gogol began to write a poem in 1895 in St. Petersburg at the persistent advice of Pushkin. After long walnings in Europe, Gogol settled in Rome, where the whole devoted himself to work on ...
14. In the center of Taras Bulby - the heroic image of the people fighting for their freedom and independence. Never in Russian literature so full and brightly did not depict the scope of the folk life ....
15. The story is a favorite genre of Nikolai Vasilyevich Gogol. The image of the main character of the story of Taras Bulba was created on the basis of the images of outstanding figures of the national liberation movement of the Ukrainian people - Nalyvayko, Tarasa washed, Loboda, Gun, ...
16. Work on the "dead souls" Gogol began in 1835 on the advice of Pushkina and on the plot, prompted by him. The writer himself has repeatedly emphasized the grandeur and the breadth of his design: "What a huge one, what ...
"Life and Morals of Provincial Russia" for one or more works of Gogol, how many good people have, but how much it is, from whom there is no kind of life. On the stage of them! ...
17. The Great Writer N. V.Gogol has a huge number of works, including the night before Christmas. Fantasy and humor intertwined in it and causes a smile of the reader. The beginning of the work is a meanness that ...