Guy in the bowler. Son of man (painting)

25.06.2019

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Belgian artist Rena Magritte, despite the undoubted belonging to surrealism, always standing in motion a mansion. First, he skeptically belonged to hardly the main passion of the whole group of Andre Breton - Freud's psychoanalysis. Secondly, Magritt's paintings themselves are not like any mad plots of Salvador Dali, neither fancy landscapes of Max Ernsta. Magritte used, mostly ordinary casual images - trees, windows, doors, fruits, figures of people - however, its paintings are no less absurd and mysterious than the work of its eccentric colleagues in the workshop. Without creating fantastic objects and creatures from the depths of the subconscious, the Belgian artist did what Lotreamon called art - arranged "meeting the umbrella and a typewriter on the operating table", hesitantly combining banal things. Art historians and connoisseurs are still offering all new interpretations of his paintings and their poetic names, almost never-related to the image, which is confirmed again: the simplicity of Magritt is deceptive.

Rena Magritte himself also called his art not even surrealism, but a magical realism, and with great distrust referred to any attempts to interpret and, even more so, the search for symbols, arguing that the only thing to do with the paintings is to consider them.

From this point on, Magritte was periodically returned to the image of a mysterious stranger in the bowler, depicting it on the sandy seach of the sea, then on the city bridge, then in a green forest or face to the mountain landscape. Strangers could be two or three, they stood back to the viewer or half-one, and sometimes - as, for example, in the picture of High Society (1962) (can be translated as "High Society" - approx. Ed.) - The artist indicated only the contour Men in the bowler, filling it with clouds and foliage. The most famous paintings depicting a stranger - "Golconda" (1953) and, of course, the "Son of Man" (1964) is the most concentrated work of Magritte, parodies and allusion on which they are found so often that the image lives separately from its creator. Initially, Rena Magritt wrote a picture as a self-portrait, where the figure of a man symbolized a modern man who had lost their individuality, but the remaining Son of Adam, who was unable to resist the temptations - from here an apple, a closing face.

"Lovers"

Rena Magritte quite often commented on his paintings, but one of the most mysterious - "lovers" (1928) - left without an explanation, providing space for interpretations to art historians and fans. The first to once again saw the reference to the childhood of the artist and the experiences associated with the self-suicide (when her body was taken out of the river, the head of the woman was covered with the pea night shirt - approx. Ed.). The most simple and apparent of the existing versions is "Love Slepa" - does not cause confidence in specialists who often treat a picture as an attempt to pass the isolation between people, unable to overcome alienation even at the moments of passion. Others see here the inability to understand and learn to the end of close people, the third understands "lovers" as a realized metaphor "lose their head from love".

In the same year, Rene Magritte wrote a second picture called "Lovers" - on it the face of men and women are also closed, but their postures and background have changed, and the general mood with tense changed to the peaceful.

Be that as it may, "Lovers" remain one of the most recognizable paintings of Magritt, a mysterious atmosphere of which to borrow today's artists - for example, the cover of the debut album of the British group Funeral For a Friend Casually Dressed & Deep In Conversation (2003) refers to it.

"Vertiary of images", or it is not ...

The names of the paintings Rena Magritt and their connection with the image is a topic for a separate study. "Glass Key", "The accomplishment of the impossible", "Human Dettle", "Obstangle of Void", "Beautiful World", "Empire of Light" - Poetics and Mysterious, they almost never describe what sees the viewer on the canvas, but about What's the point I wanted to invest in the name of the artist, in each case it only has to guess. "Names are chosen in such a way that they do not allow my paintings into the field of familiar, where the automation of thought will certainly work to prevent anxiety," Magritt explained.

In 1948, he created a picture of the "treachery of the images", which became one of the most famous works of Magritte thanks to the inscription on it: the artist came to denial from the inconsistency, by writing a tube "this is not a handset." "This is the famous tube. How people joined me! And yet, you can fill it with tobacco? No, this is just an image, isn't it? So, if I wrote under the picture" This Tube ", I would lick ! " - said the artist.

Sky Magritta

The sky with clouds floating on it is so everyday and the used image that it seems impossible to make it a "calling card" of some particular artist. However, the sky of Magritte can not be confused with someone else - more often due to the fact that it turns out to be reflected in bizarre mirrors and tremendous eyes, fills the contours of birds and, together with the line of the horizon, it suffers imperceptibly to the Molbert (Series "Human Dettle "). The serene sky is the background of a stranger in the kittelet ("decalcoma", 1966), replaces the gray walls of the room ("personal values", 1952) and is refracted in bulk mirrors ("elementary cosmogony", 1949).

The famous "Empire of Light" (1954), it would seem, not at all like the works of Magritte - in the evening landscape, at first glance, there was no place for unusual subjects and mysterious combinations. Nevertheless, there is such a combination, and it makes the picture "Magrittov" - a clear day sky over the lake immersed in the darkness and the house.

Belgian surrealist Artist Rene Magritt - One of the most mysterious and ambiguous artists whose creativity has always caused a lot of questions. One of his most famous works is "Son of Man". To date, there are many attempts to interpret the symbolic subtext of the picture, which art historians are often called intellectual provocation.

Magritt - a master of paradoxes, he sets the task that contradicts the logic, and to look for ways to solve them leaves the viewer. The image of a person in the bowler is one of the central in his work, he became a symbol of the artist himself. Paradoxical object in the picture - an apple, hung in the air right in the face of a person. "Son of Man" is the quintessence of the concept of "magical realism" and the top of Magritte's creativity. Everyone who looks at this picture is born very contradictory conclusions.

The painting "Son of Man" Magritt wrote in 1964 as a self-portrait. The name of the work refers to biblical images and symbols. As critics wrote, "the name of the picture is owned by the image of a modern businessman who remained the son of Adam, and an apple, symbolizing temptations that continue to pursue a person and in the modern world."

For the first time, the image of a man in a coat and in the kitel appears in the "reflections of a lonely passerby" in 1926, it is later repeated in the picture "Meaning of Nights". In the 1950s Magritte again returns to this image. His famous "Horconda" symbolizes a one-grade crowd and loneliness in her separate person. "The man in the kitel" and the "Son of Man" continues to reflect on the loss of the individuality of the modern person.

The person's face in the picture closes the apple - one of the most ancient and multivalued symbols in art. In the Bible, an apple is the fruit of the telescope of the knowledge of good and evil, a symbol of the sin of man. In folklore, this image was often used as a symbol of fertility and health. In Heraldry, the apple symbolizes the world, power and power. But Magritte, apparently, appeals to the initial meaning, using this image as a symbol of temptations pursuing a person. In the mad rhythm of modern life, a person loses individuality, merges with the crowd, but can not get rid of temptations, blunting, like an apple in the picture, the real world.

Variations on the topic * Human Son * | Photo: Liveinternet.ru.

Nowadays, the "Son of Man's" Magritte became an artifact of mass culture, this image is infinitely replicated, paroded, transformed in advertising and media. In painting, the work of Magritt found a lot of followers:

Alogis, absurd, combination of incompatible, paradoxical visual variability of images and figures is the basis of the foundations of surrealism. The founder of this direction is considered that the termination of the theory of the subconscious of Sigmund Freud has seen at the heart of Surrealism. It is based on this that many representatives of the direction created masterpieces that do not reflect objective reality, but were only an embodiment of individual images inspired by the subconscious. The canvas written by surrealists could not be a generation of neither good nor evil. They all caused various emotions from different people. Therefore, it is safe to say that this direction of modernism is contradictory enough, which contributed to its rapid spread in painting and literature.

Surrealism as illusory and literature of the 20th century

Salvador Dali, Paul Delvo, Rena Magritt, Jean Arp, Max Ernst, Georgho de Kiriko, Yves Tangi, Michael Paris and Dorothy Tanning - These are the pillars of surrealism arising in France in the 20s of the last century. This direction was geographically not limited to France, spreading to other countries and continents. Surrealism greatly facilitated the perception of cubism and abstractionism.

One of the main postulates of surrealists was the identification of the Energy of Creators with a subconscious of a person, which manifests itself in a dream, under hypnosis, in delight during illness or random creative insights.

Distinctive characteristics of surrealism

Surrealism is a complex direction in painting, which many artists understood and understood in their own way. Therefore, it is not surprising that surrealism developed in two conceptually different directions. To the first branch, we can safely attribute Miro, Max Ernsta, Jean Arpa and Andre Mason, in the works of which the main place was occupied by images, smoothly passing into the abstraction. The second branch undertakes the embodiment of the irreal image generated by the subconsciousness of a person with illusory accuracy. In this direction, Salvador Dali worked, which is an ideal representative of academic painting. It is his works inherent in the exact transmission of lighting and a thorough manner of writing - dense items have tangible transparency, solid spreads, massive and volumetric figures acquire lightness and weightlessness, and incompatible can be combined together.

Biography Rena Magritta

On a par with the works of Salvador, the work of Rena Magritt was given - the famous Belgian artist who was born in the city of Lesin in 1898. In the family, except Rene. There were two more children, and in 1912 the misfortune happened, which influenced the life and creativity of the future artist - Mother died. This affected the picture of Rena Magritte "Memory of Mac Saintnet", which was written in 1936. The artist himself argued that the circumstances did not affect his life and creativity.

In 1916, René Magritte entered the Brussels Academy of Arts, where he met his future muse and wife George Berger. After graduating from the Academy, Rene worked on the creation of promotional materials, and referred to this quite dismissive. Futurism, cubism and Dadaism had a huge impact on the artist, but in 1923 René Magritte first saw the work of Georio de Kiriko "Song of Love". It was this moment that became a starting point for the development of the surrealist Rene Magritt. At the same time, the formation of a flow in Brussels began, the representative of which became Rena Magritt on a par with Marseille Lekamt, Andre Suri, a field of Naju and Kamil Gemaese.

Creativity Rena Magritt.

The work of this artist has always been ambiguous and attracted a lot of attention.

At first glance, the picture of Rena Magritt is filled with strange images, which are not only mysterious, but also multigid. Rena Magritte did not touch the form of the form in surrealism, he invests his vision in the meaning and value of the picture.

Many artists pay special attention to the names. Especially Rena Magritt. Pictures with the names "This is not a tube" or "Son of Man" awaken in the viewer of the thinker and philosopher. In his opinion, not only the picture should encourage the viewer to the manifestation of emotions, but the name should surprise and make it seem.
As for the descriptions, many surrealists gave a brief annotation to their canvases. No exception and rene magritte. The pictures described were always present in the advertising activity of the artist.

The artist himself called himself a "magical realist." His goal was to create a paradox, and the audience should do the conclusions. Rena Magritte in his works always clearly performed a line between a subjective manner and real reality.

Picture "Lovers"

René Magritte wrote a series of cloths "Lovers" in 1927-1928 in Paris.

The first picture shows a man and a woman who merged into a kiss. Their heads are wrapped in a white cloth. On the second canvas depicts the same man and a woman in white cloth, who look from the painting in the public.

White fabric in the artist's work causes and caused rapid discussions. There are two versions. According to the first white tissue in the works of Rena Magritt appeared in connection with the death of the mother in early childhood. His mother jumped from the bridge to the river. When her body was taken out of the water, white fabric was discovered, wrapped around the head. As for the second version, many knew that the artist was a fan of Fantomas - the hero of a popular film. Therefore, it may be that white fabric is a tribute to cinematographer.

What is this picture about? Many people think that the painting "Lovers" personifies blind love: in love, people cease to notice someone or something, except for their halves. But people remain riddles and for themselves. On the other hand, looking at the Kiss of Lovers, you can say that they lost their heads from love and passion. The picture of Rena Magritt is filled with mutual feelings and experiences.

"Son of Man"

The picture of Rena Magritte "Son of Man" has become a business card of "magical realism" and a self-portrait Rene of Magritte. It is this work that is considered one of the most controversial works of the Master.

The artist hid his face behind the apple, as if saying that everything is not as it seems, and that people constantly want to climb into the soul to man and understand the true essence of things. The picture of Rena Magritt and hides, and exposes the essence of the master himself.

René Magritte played an important role in the development of surrealism, and his work continues to disturb the consciousness of all new and new generations.

Each picture of Magritta - Rus, forcing to think over multiple hidden meanings. Their quantity depends exclusively from the imagination and erudition of the watching: a combination of images and names of paintings set up the viewer to find a solution, which can actually do not exist. As the artist himself said, his main goal is to make the audience think. Such effect is made by all his work, so Magritt called himself a "magical realist."
Magritt - a master of paradoxes, he sets the task that contradicts the logic, and to look for ways to solve them leaves the viewer. The image of a person in the bowler is one of the central in his work, he became a symbol of the artist himself. Paradoxical object in the picture - an apple, hung in the air right in the face of a person. "Son of Man" is the quintessence of the concept of "magical realism" and the top of Magritte's creativity. Everyone who looks at this picture is born very contradictory conclusions.
The painting "Son of Man" Magritt wrote in 1964 as a self-portrait. The name of the work refers to biblical images and symbols. As critics wrote, "the name of the picture is owned by the image of a modern businessman who remained the son of Adam, and an apple, symbolizing temptations that continue to pursue a person and in the modern world."
For the first time, the image of a man in a coat and in the kitel appears in the "reflections of a lonely passerby" in 1926, it is later repeated in the picture "Meaning of Nights". In the 1950s Magritte again returns to this image. His famous "Horconda" symbolizes a one-grade crowd and loneliness in her separate person. "The man in the kitel" and the "Son of Man" continues to reflect on the loss of the individuality of the modern person.

The person's face in the picture closes the apple - one of the most ancient and multivalued symbols in art. In the Bible, an apple is the fruit of the telescope of the knowledge of good and evil, a symbol of the sin of man. In folklore, this image was often used as a symbol of fertility and health. In Heraldry, the apple symbolizes the world, power and power. But Magritte, apparently, appeals to the initial meaning, using this image as a symbol of temptations pursuing a person. In the mad rhythm of modern life, a person loses individuality, merges with the crowd, but can not get rid of temptations, blunting, like an apple in the picture, the real world.