Marvin singer. Marvin Gay - Retro Music

According to the Rolling Stone magazine, this musician occupied the 6th place in the "The Greatest Singers of All Time" list and the 18th - in "100 Greatest Artists of All Time". Marvin Pentz Gay Jr. was born in Washington on April 2, 1939. His father served as a priest, and therefore it is not surprising that the boy began his career in church choir. Pretty quickly, Marvin entrusted the solicing parties, and a few later at home he mastered the piano and drums. After graduating from school and served in the air forces, Gay returned to the American capital, where he began to perform with street do-op groups. When Marvin worked as part of the "The Rainbows", Bo Diddley organized guys issue a single, and this in turn led to the fact that the singer Harvey Fouquaw's singer, known at that time, ensemble. Renamed to "The Moonglow", the team moved to Chicago, where he recorded the wheels for the company "Chess", and when the group was on tour in Detroit, Gay's graceful tenor and his three-fiber range was marked by local impresario Berry Gordi, which pushed the musician to "Motown ".

At first, in this office, Marvina had to work as a session drummer, and his first singles had fallen safely. Only with the fourth attempt (Minion "Stubborn Kind of Felow") Gay managed to pay attention, but in 1963 two of his dance numbers, "Hitch hike" and "CAN I GET A WITNESS", broke into the TOP 30. A little later Marvin struck and the hot ten ("Pride and Joy"), but at the same time striving to execute the romantic ballad singer discovered that in "Motown", contrary to his desires, they want to make a car in the production of hives.

Since then, the confrontation of the creative ambitions of the artist and the requirements of the label gradually increased, but it did not prevent further conquest of charts. Especially Gay managed the duets, and the albums recorded with Mary Wells and Tammy Terrell were beneficial, enjoyed in great demand. Repeated Singles Marvin (both solo and joint) turned out to be at the best ten, and about 40 Motaunovsky minions got into the top 40. If the end of the 60s passed for the singer very well, the coming of the 70s brought Gay serious problems - at first he was shocked by the death of his partner terrell, and then began to flour his family life on the seams. For some time, Marvin disappeared from sight, and then, revising his glances to music, returned with the conceptual self-made album "What" S Going ON ". The traditional soul was combined with the elements of funk, classics and jazz, and texts written from The faces of the participant of the Vietnamese War affected the problems of drug addiction, poverty, corruption and other burning issues.

Three accompanying singles, including the title track, found themselves in the TOP 10, and this gave the artist long-awaited creative freedom. Having worked on the soundtrack to the movie "Trouble Man" and sent the same song in the hottest ten, Gay after a while submitted to the public the program "Let" S GET IN ON. "This album became the most commercially successful in Marvin's career, and the capital The song ascended to the very top of the "Billboard".

In the same 1973, Gay released his last duet plate (this time with Diaan Ross), and after three years his solo sweened Longplay "I Want You" came out. Unfortunately, the creative success of the singer was undermined by divorce with the sister Berry, Anna, as a result of which Marvin began to spend more time in courts than in the studio. In 1978, Gay released the twin "Here, My Dear", which described the relationship with the ex-spouse, but intimate details, pulled out to the world led to new claims, as a result of which the artist was on the verge of bankruptcy. In an attempt to avoid visits to tax authorities, Marvin was hidden in Hawaii, and then it was not at all in Europe. Axis in the old world, the singer prepared the philosophical record "In Our Lifetime", with which its cooperation with "Motown" ended.

At that time, Gui had already been tightly sitting on cocaine, but he found the strength in himself and, having enlisted with the support of "Columbia Records", returned his name to the hit parade with the work of "Midnight Love". Unfortunately, the return of success did not remove drug attachment, and in order to get rid of his demons, Marvin came to his parents. However, this step only aggravated the problem, and after one of the family-friendly Gay, the junior was shot by his father. In 1985 and 1997, several posthumous plates came out, and in 1987, Marvin's name was listed in the "Rock and Roll Fame Hall".

Extraordinary career Marvina Gay ( Marvin Gaye.) It corresponded to its extraordinary life, a mixture of goods and misfortunes, excellent success and incomprehensible pain. Its biography and discography are double reflections of the same duality: artistic and personal struggle to eliminate the split between head and heart, flesh and spirit, ego and God. Meanwhile, music exists for the pleasure of contemplation of her beauty and a miracle, who was Marvin's voice.
The work of Marvin is divided into several decades - the sixties when he reached the glory of several recalcitrant artists, a brilliant product of the Motown assembly line; The seventies, when he was ripe as an independent force, a nugget film director who took the challenge, and fell before the temptations of his time; And the beginning of the eighties, when, for a short moment in time he climbed the stage for the final, tragic act of his exciting drama.
Seeds of his discontent were sown in childhood. He was born on April 2, 1939 in Washington, District Columbia. Marvin Pentz Gaye (Marvin Pentz Gaye) The younger was the oldest son of the charismatic preacher. The church was in joy, playing holy intoxicating music; But the church was and serious and adhered to her purely business strict instructions, without dances, without the subject and other things. The church was also an eccentric - a small Christian subculture, which celebrated Jewish great church holidays.
The hero of this story left high school before her ending and joined the army of the air forces, only to be freed from obligations. After working with the original rocker Bo Didley (Bo Diddley), he joined the Moonglows, the most harmonant of the existing group. It was the end of the fifties and the impressions of Marvin from the flourishing golden century dido-wop - with his magnificent romanticism, his other-sided halo, his idealization of women and pure melodic beauty - will be strong and permanent.
Harvey Fuqua founded and advanced MOONGLOWS. Excellent author and musician, he became acting as Father-Guru Marvin. When the group broke up, the fickey brought Gayy in the newly formed Detroit Motown Records Berry Gordy. Marvin wanted to be in the studio, and in the family of Goi. Gay got what he wanted to marry the sister Berry Anna (Anna), a woman who was older than him for 17 years, and writing the initial series of their works, which quickly spread against the ideas of Goji about the sale of "black" dance music with white teenagers.
Marvin dreamed of becoming a pop singer in the "silky-smooth" style of Nat Cole, like Frank Sinatra and Perry Como (Perry Como). Shy, but ambitious, mature, but fearful, thoughtfully serious, singer wanted to sit on a chair, smoking a cigarette, slowly pulling Martini and interpret Gershivna ballads and port (Gershwin, Porter). Godi fused Marvin fantasies, even having producing many of his early creativity attempts. But Marvin and Motown were unable to hack an adult market. The fate of Gay was the top ten.
Watching his colleagues - Mary Wells (Mary Wells), Marvelettes, Miracles, - Gay entered the game with "Stubborn Kind of Felow", written by them part of the autobiography, which established his ability to play young America's rhythms. The song became a hit in 1962 as well as a number of others - "PRIDE AND JOY", "CAN I GET A WITNESS?", "I" LL BE DOGGONE "," AIN "T THAT PECULIAR". As the author, Marvin contributed to the promotion of the song "Dancing in the Street", which became the secret revolutionary anthem of Martha Reeves and Vandellas.
Not only did Gay showed himself a solo artist, but he was able to prove that he was an impeccable partner for a duet. "What" Sue Matter With You, Baby "with Mary Wells," It Takes Two "with Danyan Ross (Diana Ross), was widely popular. But it was the combination of his talent with Tammi Terman Tarrel (Tammi Terrel) created a number of classical works - "You", "AIN" T NOTHING LIKE THE REAL THING "," YOU AIN "T LIVIN" TILL YOU "RE LOVIN" "," GOOD LOVIN "AIN" T EASY TO COME BY " - Noteworthy for their library.
Norman Witfield became the main factor in Morvin's motivation in the second half of the sixties. Their relationship was difficult. Two stubborners who almost got up, they created sounds that combine passionate longing and restless anger. Witfield songs, turning to Gay, became a reflection of Marvin and Anna's problems. The most significant fruit of their cooperation, "I Heard It Through The Grapevine," expressed torment, who had never sounded in Marvin's voice.
At the beginning of the new decade and with new sales of their records, Marvin clearly formulated his declaration of independence of 1971. Now he becomes producer himself, singing his own songs, establishing his own agenda. The result was the turn to world popularity with "What" S Going ON ", a stunningly complex design and one of the first conceptual albums in which Gay sophisticated musical methods expressed his views on Vietnam, ecology, racism and religion.
He loved shocked; He enjoyed surprises. Who else would have met the work of high social significance for the celebration of wild eroticism? The change from "What" S Going On "to" Let "S GET IT ON" in 1973 admired the fans of Gayia and strengthened his image and as an unpredictable rebel, and as a mysterious man of love. While he created "Let" S Get It On ", 33-year-old Marvin met Janis Hunter, which in the 16th will be the second big love in his life. (Marvin and Anna adopted one boy, Marvin III ; Before divorcing Anna, Marvin and Jenis have already appeared two children, Frankie and Nona (Frankie and Nona), the current singers).
In 1976, Gay continued to explore the concepts of sexuality with "I Want You", a lump of overwhelming sensual energy. A year later, he again struck everyone with the "Got to Give It Up", a seductive domestic dance hit, which became successful in discordes of those years. Oddly enough, the song speaks about Marvin's shyness and his obsessed fear of dancing.
His obsessive idea - autobiography with "Here, My Dear" of 1978 - an elegant epic document of the decay of his marriage with Anna. His topic "WHEN DID YOU STOP LOVING ME, WHEN DID I STOP LOVING YOU" was especially acute; By the time of his album, the second marriage of Marvin also collapsed, accelerating the collapse in his soul and career.
And in the head, and in the heart of Marvin raged wars. He spoke of abandoning music and become a monk. He spoke that he was even a larger sex symbol than Elvis Presley. He poured his desperate conflicts to his final album for Motown in 1981 called "In Our Lifetime". His salvation, only temporary, came with moving to Ostend (Ostend), Belgium, where he and I, based on the track Odell Brown, wrote a lyrics to the song "Sexual Healing". As the author of his biography, it was my way to offer what I believed, he needed a reconciliation of an irreconcilable, originally from childhood, between pleasure and pain.
With the signing of a new contract in 1982 with CBS "Sexual Healing" headed the charts, and Marvin finished three years of his expulsion. His return was triumphant, but quickly became tragic. Its dependence on drugs intensified, its emotional stability was destroyed, his humor and a slight charm gave way to paranas and fear.
On April 1, 1984, Marvin attacked his father at his parents in Los Angeles for the fact that he insulted his mother. Father answered, shining his son - using the weapon, which Marvin himself gave him four months before this ill-fated day.
Since then, the power and reach of Marvin's music increased. His position of the artistic rebel and sensual romance is strong. His songs are loved all over the world, the loss and feeding of younger generations that feel the sincerity of his struggle and the joy of his spirit. Marvin Gay is still alive in our hearts.

Marvin Gay was born in 1939 in Washington in the family of Christians. From three years he sang in the church church, then the teenager studied to play the organ. By 15 years, mastered the keyboards and drums and performed with various street-negative groups, including "The Rainbows" and "Moonglows", playing in the style of Rhythm and Blues. In 1957, he joined the group "Marquees", which performed romantic jazz ballads and even released one album. In 1961, Marvina Zakri Berry Gordy, the founder of the recording label Motown Records, who struck his beautiful young voice in three octaves, and offered a contract.

From 1962 to 1965, Marvin Gay continued to work mainly in the Rhythm end-blues style, its most famous compositions were "CAN I GET A WITNESS" (1963) and "Stubborn Kind of Fellow", which was included in the Top10 Rab. Then, the idea of \u200b\u200bproducers Motown Marvin begins to record a duet with such famous performers as Mary Wells (Kim Weston) and Tammy Terrell (Tammi Terrell). Among his compositions were mostly romantic blues and rhythmic dance jazz suits, including the famous "Baby Don't Do It" (1967). In 1970, after the tragic death of his last partner Tammy Tarrell from a stroke right on stage, Marvin sharply changes his style. His new album "What's Going On" (1971), which was a mixture of jazz, funk and classics, touched upon many serious problems, such as racism and drug addiction. Despite the fears of Motown Records, this album had enormous success. Especially enjoyed the popular fan composition "Mercy, Mercy Me". Thanks to the release of this album, Marvin Gay gradually achieves creative and financial independence from Motown. And the next album "Let's Get It ON" (1973) becomes its most successful work.

Marwin Gay paved the road to the scene by many talented funk performers. It was he who brought to the scene of the young Stevie Wander, and in 1973 he came out his joint album with Diayan Ross.

Unfortunately, the evil, with whom Marvin struggled in his songs, did not go around himself. His recordings of the end of the 70s issue a little bit destroying his addiction to cocaine. Favorite from tax problems, in 1980, Marvin moves to Europe, where one of its last lifetime concert albums "In Our Lifetime" is coming soon.

His album "Midnight Love" (1982) and the "Sexual Healing" composition from it were awarded Grammy Awards in the category "The best male vocals in Rhythm & Blues".

Father Marvina, priest, believing that the profession of singer shame for his family, in one of the quarrels behind the family table ... shot Marvin. April 1, 1984.

In 2008, the American music journal Rolling Stone assigned Marvin 6th place in the list of the greatest singers of all time, and the 18th of the 100 greatest artists of all time.

As it sounds

Almost all the songs of "Motaun" of the 1960s, recorded by black performers from Detroit, always sounded the same: about 1965, these were recorded R'n'B-hits, driven by repeated guitar or piano chords, after - richly arranged high pop music With mandatory string and wind. Even moreover, according to the external signs of Hits, Gea are indistinguishable from all the rest of the label material, it is he who seems to be the most strange performer of the entire hitter "Motaun" of that time. The reason for this is its unique, completely unsightened voice. Gay from the very beginning did not fit into the framework of the characteristic (emphasis on the second syllable) of the voice, in search of which the Chief "Motauna" Berry Gordy was infinite. He could never give a high melodrama Diaan Ross from The Supremes, the street audacity of David Raffin from The Temptations, the deep sensuality of Left Stubbs from Four Tops and even more so - refined teenage tenderness at first Stevie Wonder, and then Michael Jackson. The Gay had passed through the church choirs and Du-UAP, a special Maneru - a wild, changing along the same song from Bariton on tenor, very gospen. From the singers of similar rank from the 1960s, it can only be compared with Wilson Pyettom - but if he sounded like a Neanderthal, who came to the microphone, Gay was more like a person who had fallen from endless life problems. Actually, many early hits - just about such problems: gay goes in search of the girls who escaped from him ("Hitch hike", his guitar rhythm influenced on everyone - from Lu Reed to Johnny Marra), learns from unfamiliar people About treason ("I Heard It Through The Grapevine", almost the best song of all times and peoples), trying to get along with thoughts about parting ("CAN I Get A Witness", definitely the wildest song in the early "Motaun"). Even in lyric or relatively calm things in which Gay speaks about a single and indivisible love, in his voice, the notes of internal dissatisfaction and the lack of reconciliation with themselves are still heard.

Place in history

It is Gay, along with Smoky Robinson, was the first superstar "Motauna" - and largely formed the famous label's sound, at the beginning of its history of produced and comic records, and lounge jazz, and country, and a lot more, and raised his inner plan for Heights. Released in the 1970s "Super Hits" - Until now, the best collection of his hits. Albums at the "Motaun" those years were traditionally weak, although - justice for the sake of the sake of Berry Gordi once did not try to make a gee of album artist (see Moods of Marvin Gaye or "M.P.P.").

Example

"I HEARD IT Through The Grapevine"

Compilation of the best Duets Marvin Gay and Tammy Terrell - the greatest of the star tandems "Motauna" of the sixties

As it sounds

Marvin Gay was not only an important solo artist for the "Motauna", but also the most suitable of all those present in the Roster singer for the recording of different duets - popular in the sixties segment of pop music. Back in 1964, his joint songs with Mary Wells "Once Upon A Time" and "What's The Matter With You Baby" became all-American hits. Two years later, thanks to the hard R'n'B "IT Takes Two", Gay repeated success already in a pair with Kim Weston, and in 1967 finally found a permanent partner - not a very successful solo singer Tammy Terrell, the girl David Raffin from The Temptations. Gay and Terrell wrote their duets separately from each other - which heard on not the most successful mixes of the songs themselves, "but it didn't bother one hundred percent chemistry in their voices in their voices (there were constant rumors about their novels immediately after the first hits of the couple). Most of the duet material was, however, the second freshness, but at least "AINT NO MOUNTAIN HIGH ENOUGH" and "AIN'T NOTHING LIKE THE REAL THING" - CLASSICS OF DUETS SO Heslwood and Nancy Sinatra or "Je T'aime ... Moi Non Plus" Hesbura and Birkin.

Place in history

"Greatest Hits" gives a better idea of \u200b\u200ba gay career as a duet member - career important, but short and tragic. In Terrell, to which Gay, in memories of Motaun workers, was treated as his own sister, back in 1967, at twenty-two years old, found brain cancer - which by the end of the decade turned it into a blind and deaf challenge A woman, and in a year and killed. The disease of his partner Gay took perceived very hard - he left one and a half year depression, from which, however, came out by a completely different person.

Example

"AIN'T NO MOUNTAIN HIGH ENOUGH"

One of the greatest albums of all time - nine unusual and not outdated for a second chamber soul songs

As it sounds

In the middle of 1969, when terrell was already very sick, Berry Gordi persuaded Gai to record with her another joint album - published in September of that year "Easy". It was the record of this record that became the starting point for Gay in his crusade against the "Motauna" policy, which actually controlled the life of label artists. At first he simply stopped communicating with Gordy (the chief "Motauna" did not even help the fact that the wife of Gay was Anna Gordi - sister Berry), and then said at all that he leaves music. In the spring of 1970, he spent, training with the team of the National Football League "Detroit Lyons" and thinking about the career in sports, - but it turned out to be too old for the workouts and weak for the career of the American football player, which, according to all biographers Gaya, became very serious blow. At about the same time, the apolitical before that gay began to closely follow the political events within the United States - according to Anna Gordy, this interest was explained by the singer's meeting with his native brother, who returned at the time from Vietnam. In the summer, being in a completely deafening depression, he recorded "What's Going On" - a sad piano soul song about uncertainty inside the country, between the rows of which it was easy to read and the drama of the uncertainty of the life of the gay itself. Berry Gordy refused to produce a song in the form of a single - and there was nothing guea, how to declare a boycott label. What's Going On Market came to the market only in early 1971 - and became the most-selling song "Motaun" in the entire history of its existence. The progress of the song Gordi injured for Gay Studio and - for the first time in history, always relying on the company's full-time producers - issued a full map-blanche to the musician.

According to the title "What's Going On", the state is easily guessed, in which the gay was during the recording: the songs here seem to be in raffle. In each of them - a melody, inherited all signs of Hits "Motaun" of the 1960s, but it is not always heard for unusual, atypical for any soul album of those years of arrangements: instead of funk, bass, flirting with psychedelic coil - here are rare and tale Chords piano, muted sound percussion, lightweight and lyrical saxophone. Strengthens the raffle and voice of Gai, first, who sent much softer than on its previous hits, and secondly, in the course of the record, several times spent into extensive semiconductive monologues.

Place in history

Now "What's Going On" sounds like a forerunner of different things - from introspective albums Stevie Wander in the mid-1970s to the soft black radium music of the late 1980s - early 1990s; In 1971, he sounded as the most avant-garde pop music in the world. However, it is worth only to hear three singles from this plate - the title thing, "Mercy Mercy Me (The Ecology)" and "Inner City Blues)" - to understand that this is the avant-garde, which in no case It does not run from the listener, but on the contrary, stretches to him. The "What's Going On" gay does not voicate anything important - most of his texts are devoted to the former in the early 1970s the common place of peaceful political protest, ecology and the difficult life of African Americans of light classes - but it utters all this more convincing and more sensitive.

Example

"What's going on"

Soundtrack to Blaxpotsee Aivan Dixon "Man with troubles" - made on the success of the music of Aizek Hayca music to "Shaft" and Curtis Mefield to "Superflaw" and almost completely instrumental

As it sounds

"Trouble Man" is quite the workshop made, but absolutely typical Soundtrack for your time to a niche film for African Americans. A welded bass, sharp escaledo, unpacked atmosphere of heavy night fatigue present in the music - everything here was made based on the same "Shaft". The only exception is the broken blues "Trouble Man", which gay performs with the impeccable persuasiveness of a person with trouble.

Place in history

You do not need to be surprised that in the dishography of Gai, this album is present. First, such was the era. Secondly, Gay himself started in the "Motaun" as an instrumentalist (mainly drummer), the arranger and producer - and "Trouble Man" gives a complete picture of these talents.

Example

The sexiest soul album in history

As it sounds

Best of all, this record will say a quote from her booklet written by the gay himself: "There is nothing wrong with mutual agreement. I think we treat it too strictly. Genitals - just a part of the striking human body. Sex has sex, and love is love. Taken together, they complement each other. But sex and love are two completely different human necessities, and we must think about them that way. " "Let's Get It ON" is a really album not about love, but about sex, about desire, about bodily traction. Slow, Balladny, driven by very typical guitar exconse, it is pretty similar to "What's Going On" in terms of his little ghostly sound, but is maximally distinguished from its predecessor by mood, texture and form. Melodies here are much more tangible, Grub - much more sensual, in texts - not a drop of topicality, care or finding truth, but an exceptional hedonism. The key thing is "Distant Lover", just the slowest and attractive, most suitable music in the world is not to the sex itself, but to those caresses that happen after it.

Place in history

"Let's Get It ON" is important for the contextual understanding of the gay as a person. Grown in an extremely religious environment, as a child, Gay perceived any thoughts about bodily love as exclusively sinful - as a result of which in adult age suffered from problems with potency and indecision in relations with women. This plate is also important for the gay itself an attempt to overcome their own complexes. Intimenny - Nowhere.

Example

"Let's Get IT ON"

Album Duets Gay with Diaan Ross, another super suite "Motanya"

As it sounds

After the death of Tammy Terrell Gay, he could never write down the duets anymore - but on the wave of the sudden success "What's Going ON" and under the influence of Anna Gordi somewhat revised their views. The record of duets with Diaan Ross, created by the old good principle of the factory "Motauna" - other people's songs, third-party producers, control over each performer's step, - looked for him from the side as a quick way to expand even more audience and not strain. With the second, it turned out not very much - although behind the shoulders and Ross, and the gay had a tremendous experience in the Motaun system, the album sessions turned out to be aware of them for them both, who were at the verification of completely different people. With the first one came out better - the record was really separated by a millionth edition, and Berry Gordy was very pleased. Now "Diana & Marvin" can not be listened to no other way as an attempt to quickly work out. The song material here is quite weak, the arrangements are striving towards the music of the lowest category for housewives, and there are no chemistry between the performers themselves - for some reason all the time yells, and pregnant during the Ross recording is preparing for motherhood and sings lullaby.

Place in history

Despite its rather low quality, this is still the only joint plate of two legends of pop music - and this is not enough cultural interest.

Example

"My Mistake (Was To Love You)"

Best Concert Album Discography Gai

As it sounds

It is not easy to believe, but gay, one of the most charismatic black singers of the sixties, into bending the regular artist of Roster "Motaun" was not particularly good as a concert performer. There are two fundamental documentary evidence of this: the 1963 Concert Album "Marvin Gaye Recorded Live On Stage" and the record of his concert at the Copakabana club, made in 1966, but released only forty years later. Both of these plates, to put it mildly, not "Live at the Harlem Square Club" Sam Cook or "In Person At The Whisky A Go Go" Otis Redding: An incredible introvert Gay was obviously afraid of a large audience and a large scene and wound a long time to suppress These phobias in themselves. "Live!" Recorded during the tour in support of "Let's Get It On", represents us already a Mother Gay - besides the protruding in the most part of the black audience in Auckland. Such gay is also far from the perfect concert performer (in particular, through a nine-per-minute Popourry obviously unloved by the old Motaunov hits themselves, he makes his way with the ease of man who put debt obligations imposed by the court), but at least already able to forget about the public and sing as if only for herself . Proof - the chic version of the "Distant Lover", fought with the topic from TRUBLE MAN and is no longer as a suggestive ballad, but as a real church anthem.

Place in history

Gay later came out another concert album - "Live At The London Palladium", traditionally considered better "Live!". This, however, is not the undisputed point of view: first, the classic "Motauna" on it is even greater than on "Live!", - In addition to the nine-minute solo Popourry, it also has eleven-minute (!) Patrick duets, both of which Gay performed on a clear autopilot - and secondly, the song material on it is clearly weaker that is presented to "Live!".

"Distant Lover"

Another album Marvin Gaya about sex, this time - about sex by love: During the recording "I Want You", Gay was literally obsessed with a woman named Janis Hunter

As it sounds

How much more welded and powerful version of "Let's Get It ON" with one big exception is almost the absence of really outstanding songs. If you deduct the contagious capital track and the instrumental version of the song "After the Dance" (strikingly similar to the music of Alexander Zatsepina to the "Secret of the Third Planet"), in the dry residue on "I Want You" found deeply sentimental and not to the end of the structured songs that sometimes In the most unexpected moments and in a bad sense, devoid of all shame. Several times along the plate, the listener is offered a record of a certain orgazmey woman - a cheap move, which would come up for anonymous soundtracks to the porn films of the seventies, but here it impresses the calculated and clisited focus, too pedaling the conceptual side of the plate.

Place in history

Leaving aside a subjective view of the author of this "textbook" on "I Want You", it is impossible not to mention that the plate is actually considered an absolutely classic one - along with "What's Going On" and "Let's Get It ON". At least therefore it is worth listening - it is possible that the author's heart is simply deaf to the drive alloy and tenderness, which in "I Want You" is accepted.

Example

As it sounds

Devastated by an explicit lack of finances that arose because of the habit of spending a good and serious addiction to cocaine, gay considered work on "Here, My Dear" as a quick way to make money, which he had to his first wife after divorce - it was assumed that the record will be released Short and will consist mainly from various kinds of pop standards. However, it was worth the sessions to the albus just to begin, as the musician suddenly fascinated the work - and he began to compose something completely different. The result was a double album by half simpriced songs in the format of diary records - with the texts, openly told about domestic and marital problems of Gaia. Naturally, "Here, My Dear" fell with a crash. Naturally, it is adored critics - and the author of these rows including. Even more spontaneous than "What's Going ON", even less structured than "I Want You", a narcissistic and outstanding selfatase pity of the singer to myself "Here, My Dear" is the concentration of all lack of music Gai of the seventies - and brings They are up to the point of non-return, turning in dignity. The key, repeated in different versions of Already three times the song on "Here, My Dear" is called "When did you stop loving me? When did I stop love you? " - And the music of the record as if unsuccessfully looking for an answer to this eternal question. Although the foundation of the album is a classic light funk, Gay in different moments breaks into do-UAP, quotes his old songs, appeals to the cosmic motifs explicitly borrowed from George Clinton, leaves the listener one on one with multi-day Saxophone Solo. The whole kaleidoscope of light styles is accompanied by an obviously painted gay on the move in the texts about the full collapse and disappointment in life, which anenimate love cannot prevent ("Falling in Love Again"), - as a result, it turns out not the record even, and the monodrama of unheard of power.

Place in history

"What's Going On" and "Let's Get It ON" - inaccessible vertices in the work of Gaya, but "Here, My Dear" is a key album to understand it as a person. The person is deeply imperfect - but, unlike many, who is not afraid to make these imperfections on the general public.

Example

"WHEN DID YOU STOP LOVING ME, WHEN DID I STOP LOVING YOU"

The disco-album, supposed as a conceptual entry of God and the world through the eyes of Marvin Gaya, remixed and converted by "Motauna" without the permission of a musician

As it sounds

Immediately after "Here, My Dear", the gay, already fully bankrupt and spent even with Janice Hunter, under the command of the army of Motanyan producers, recorded a full-fledged disco-album called "Love Man" - but managed to withdraw him at the last moment, went to London and, Armed with kilograms of cocaine, redid the record under the conceptual album on the device of all alive. Next, not very understandable things happened: somehow the whole master of the album was "Motauna", which remarks already ready-made songs, removed the "Far Cry" thing from the trackist and changed the ready-made record of the record, at the same time removing it from the planned name - "In OUR LIFETIME? " - question mark. After that, Gay finally broke with his label and stopped with him something to communicate - and the record released according to the results called "ridiculous". In 2007 "In Our Lifetime?" It was reissued on two disks, on which the initial mix of gay is found and the "Motauna" version, and the Love Man album, and even the single "Ego Tripping Out", recorded before the musician departure to London. And what's the result? First, the anger of Gay is clearly written off on his not the best well-being and addiction to drugs - if between his version "in Our Lifetime?" And the label mixes there are differences, then quite minimal. Secondly, the Love Man album is not so bad as it was possible to assume. Yes, this is a shameless attempt to drive a gay into the frame of the club disco - but, with the exception of terrible texts, an attempt, frankly, not bad; Not Donna Summer, but also not a genus Stewart. What about the "In Our Lifetime?", Then this record, even more playing music on the contrast (disco, but much less obvious and even places close to the fact that in those years, Ze Records has been released) and texts (absolutely depressive and Sometimes even frighteningly gloomy) than "Here, My Dear", it turns out to be almost the funkove itself and in good dance in the dishography of Gaya - and completely without bad songs.

Place in history

The most undervalued gay album. "IN OUR LIFETIME?" - This is not "What's Going ON", but it is not completely clear why the reputation of this record does not go beyond the entertainment casus in the career of the Great Singer.

Example

The last lifetime album of Gay, who suddenly returning him to the charts

As it sounds

After the story with "In Our Lifetime?" Gay moved to live in Belgium - where he recorded his final plate. Dedicated as in the best times, sex and rhythm "Midnight Love" - \u200b\u200bit is no longer soul, not funk, not disco, but the most real syntipop with caribbean motives. The drum machines are knocking, synthesizers sing - and extremely rapidly sound gay acts as a person, in the house of which the best party in the world will begin. At first, it produces a strange impression: it is impossible to believe that this frivolous, starred by intonation of songs to the Hollywood films of the eighties about surfing and love novels on golden beaches The album really belongs to Peru always striving for high spiritual drama gay. Then you get used to - and it turns out that the ease of "Midnight Love" goes to this record only for the benefit. It is best that this is noticeable by the main hit "Sexual Healing" - a surprisingly beautiful and personal song, without his strange arrangement would have lost their naturalness and certainly became a little more heavily.

Place in history

Two years after the release of "Midnight Love", Gay was shot by his own father - and the last disk of the singer, who survived a lot of trouble and who had ever had a lot of trouble, was ironically the most inappropriate biographies. Therefore, if what to close the story about Gee is its execution of the US Anthem on the match of all NBA stars in 1983. The execution of incredible - and well-showing, what scale it was a man.