The literary type to which Grigory Pechorin belongs. Characteristics of the hero Pecherin, the hero of our time, Lermontov

The literary type to which Grigory Pechorin belongs. Characteristics of the hero Pecherin, the hero of our time, Lermontov
The literary type to which Grigory Pechorin belongs. Characteristics of the hero Pecherin, the hero of our time, Lermontov

The novel "Hero of our time" M. Yu. Lermontov can be attributed to the first socio-psychological and philosophical work in prose. In this novel, the author tried to display the vices of all generation in one person, create a multifaceted portrait.

Pechorin is a complex and controversial person. The novel includes several leaders, and in each of them the hero opens in front of the reader from the new side.

Image of Pechorina in the chapter "Bal"

In the chapter "Bal" opens with the reader from the words of another Hero of the novel - Maxim Maxim. This chapter describes the vital circumstances of Pechorin, its upbringing and education. Here, the portrait of the main character is also revealed for the first time.

Reading the first chapter, we can conclude that Grigory Aleksandrovich is a young officer, has an attractive appearance, at first glance a pleasant in any way, he has a good taste and a brilliant mind, an excellent education. He is an aristocrat, an esthete, can be said, a star of secular society.

Pechorin - the hero of our time, with the words of Maxim Maxim

Elderly headquarters Captain Maxim Maximach - a man soft and good-natured. He describes Pechorin is rather strange, unpredictable, not similar to other people. Already from the first words of the headquarters, the internal contradictions of the main character can be noticed. He can be a whole day in the rain and feel great, and another time you freeze from a warm breeze, it can be afraid of cotton windows, but it's not afraid to go to the boar one on one, he can be silent for a long time, and at some point a lot talk and joke.

The characteristic of Pecherin in the chapter "Bal" has practically no psychological analysis. The narrator does not analyze, does not appreciate and does not even condemn Grigory, he simply transmits many facts from his life.

Tragic story about Bale

When Maxim Maksimach tells the wandering officer to the sad story, which happened in his eyes, the reader meets the incredible cruel egoism Grigory Pechorin. By virtue of his whim, the main character steals the girl Baul from her home home, without thinking about her further life, about the time when she finally bored him. Later, Bal suffers because of the coldness of Grigory, but nothing can do with it. Notes, as Bal suffers, the headquarters-captain is trying to talk to the people, but the answer Gregory causes only misunderstanding from Maxim. He does not fit in his head as a young man who has everything is quite safe, may also complain about life. Everything ends with the death of a girl. Unhappy kills Kazbich, who previously destroyed her father. Loved Balu as a native daughter, Maxim Maximych is amazed by that coldness and the indifference with which Pechorin suffered this death.

Pechorin through the eyes of a wandering officer

The characteristic of Pecherin in the chapter "Bal" is significantly different from the same image in other chapters. In the chapter "Maxim Maximach", Pechorin is described by the eyes of a wandering officer who was able to notice and evaluate the complexity of the nature of the chief hero. The behavior and appearance of Pechorin already attract attention. For example, his gait was lazy and careless, but at the same time he walked, without waving his hands, which is a sign of a certain secretion in character.

The spiritual storms were experienced by the Pechist, he says its appearance. Gregory looked older than his years. In the portrait of the main character there are ambiguity and inconsistency, he has tender skin, a children's smile, and at the same time he has deep blond hair, but a black mustache and eyebrows. But the difficulty of nature of the hero is most emphasized by his eyes, which never laugh and seem to shout about some hidden soul tragedy.

Diary

Pechorina arises by himself after the reader faces the thoughts of the hero himself, which he recorded in his personal diary. In the chapter "Princess Meri" Grigory, having a cold calculation, falls in love with the young princess. For the development of events, he destroys the pears at first morally, and after - and physically. All this Pechorin records in the diary, each step, every idea, accurately and rightly assessing himself.

Pechorin in the chapter "Princess Mary"

The characteristic of Pechorin in the chapter "Bal" and in the chapter "Princess Mary" amazes with its contrast, as in the second mentioned chapter there is a faith that has become the only woman who managed to understand Pechorin to truly. It was her Pechistan who loved. His feeling towards her was unusually trembling and gentle. But ultimately Grigory loses this woman.

It is at the moment when he is aware of the loss of the elect, a new Pechorin opens in front of the reader. The characteristic of the hero at this stage is desperation, he no longer builds plans, ready for stupid and fails to save lost happiness, Grigory Alexandrovich cries, as if child.

Final chapter

In the chapter "Fatalist", Pechorin is revealed on the one hand. The main character does not appreciate his life. Pechorina does not stop even the possibility of death, he perceives it as a game that helps to cope with boredom. Gregory in search of himself risks life. He is braveled and brave, he has strong nerves, and in a difficult situation he is capable of heroism. You might think that this character is capable of great deeds, having such will and such abilities, but in fact everything has come down to "sharp feelings", to the game between life and death. As a result, a strong, restless, rebellious nature of the main character brings people only unhappiness. This thought will gradually emerge and develops in the mind of the Pechistan itself.

Pechorin - the hero of our time, her hero, and any time. This is a person who knows the habits, weaknesses and to some extent he is an egoist, because he thinks only about himself and does not show care of others. But in any case, this hero is romantic, he is opposed to the world around. In this world, he has no place, the life is wasted, and the way out of this situation is death, which overtook our hero on the way to Persia.

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A man always moves the desire to learn his destination. Should I swim downstream or resist him? What position in society will be correct, whether all actions must comply with the norms of morality? These and similar questions are often becoming the main people for young people, actively comprehending the world and the human essence. Youth maximalism demands to give these problematic questions clear answers, but it does not always become possible to give an answer.

It is about such a seeker of answers to us by M.Yu. Lermontov in his novel "The Hero of Our Time". It should be noted that with writing prose Mikhail Yurevich was always on "you" and the same position was preserved until the end of his life path - all the novels started in prose were not over. Lermontov had enough spirit to bring to the logical finale deal with the "hero". Probably why the composition, the manner of the presentation of the material and the style of the narration look, against the background of other novels, is rather unusual.

"The hero of our time" is a work impregnated by the Spirit of the Epoch. Characteristic of Pechorina - Central Figure of the Roman Mikhail Lermontov - allows you to better understand the atmosphere of the 1830s - the time of writing the work. "The hero of our time" is not in vain recognized as critics the most mature and large-scale in the philosophical sense of Romanov Mikhail Lermontov.

Of great importance for understanding the novel has a historical context. In the 1830s, Russian history was distinguished by reactivity. In 1825, the Decembrists rebellion occurred, and subsequent years contributed to the development of mood of lost. Nikolaev reaction knocked out many young people from the gauge: the youth did not know which vector of behavior and life to choose how to make life meaningful.

This was the reason for the occurrence of disadvantages, unnecessary people.

Origin of Pechorina.

Basically, one hero is allocated in the novel, which is centrally in the narration. It seems that this principle was rejected by Lermontov - based on the events told by the reader, the main character is Grigory Alexandrovich Pechorin - a young man, officer. However, the story of the narrative gives the right to doubt - the position in the text of Maxim Maximovich is also quite weighty.


In fact, this is a delusion - Mikhail Yuryevich repeatedly emphasized that in his novel the main character - Pechorin, it corresponds to the main objective of the narrative - to tell about typical people of generation, point to their vices and errors.

Lermontov gives pretty poor information about childhood, the cultivation and influence of parents on the process of forming positions and preferences of Pechorin. Several fragments of his past life open this veil - we learn that Grigory Aleksandrovich was born in St. Petersburg. His parents, according to the existing orders, tried to give his son a proper education, but the young Pechorin did not feel the sciences, they "quickly bored" and he decided to devote himself to military service. Perhaps such an act is not connected with the interest in the military case, but a special location of society to military people. Mundir gave the opportunity to brighten up even the most unattractive acts and character traits, because the military loved already for what they are. In society it was difficult to find representatives who did not have a military title - the military service was considered honorable and everyone wanted to "try on" to himself along with the uniform honorable and glory.

As it turned out, the military affair did not bring proper satisfaction and Pechorin is quickly disappointed in it. Gregory Alexandrovich was sent to the Caucasus, as he was involved in a duel. Events that occurred with a young man in this area make up the basis of Roman Lermontov.

Characteristics of the actions and actions of Pechorin

The first impressions of the main hero of Roman Lermontov reader receives, having acquainted with Maxim Maxim. The man served with the peopling in the Caucasus, in the fortress. It was the story of the girl named Bal. Pechorin came with Baba badly: from boredom, having fun, young man stole a girl-Cherkhenka. Bal - Beauty, at first cold with the people. Gradually, the young man burns in the heart of Bale's flame of love for him, but as soon as Cherkhenka loved Pecherin, he immediately lost interest to her.


Pechorin ruins the fate of other people, makes the surrounding, but remain indifferent to the consequences of their actions. Bal and father girls die. Pechorin remembers the girl, regrets Balu, the past responds in the soul of the hero bitterness, but does not cause repentance from Pechorina Rowing. While Bal was alive, Grigory spoke to a friend that she still loves the girl, feels gratitude to her, but boredom remains the same, and it is boredom that decides everything.

An attempt to find satisfaction, happiness pushes a young man on experiments that the hero puts on the living people. Psychological games, meanwhile, are useless: in the soul of the hero, the same emptiness remains. The same motives accompany the exposure of "honest smugglers" by Pechorin: the degree of the hero does not bring good results, only leaving the blind guy and the old woman on the verge of survival.

Love wild Caucasian beauty or nobility - it does not matter for Pechorin. The next time for the experiment, the hero chooses an aristocrat - Princess Mary. Handsome Gregory plays with a girl, causing Mary love for him in the soul, but after leaves the princess, breaking her heart.


On the situation with Prince Mary and with smugglers, the reader finds out of the diary, who started the main character, wanting to understand himself. In the end, even the diary boring Pechorin: any occupation ends boredom. Gregory Aleksandrovich does not bring anything to the end, without making suffering from loss of interest in the subject of the past passion. Pechistan records accumulate in the suitcase, which falls into the hands of Maxim Maxim. A man is experiencing a strange attachment to Pechorin, perceiving the young man as a friend. Maxim Maximich keeps the notebook and the diaries of Grigory, hoping to give a suitcase to a friend. But the young man is indifferent than glory, fame, Pechorin does not want to publish records, so the diaries are unnecessary waste paper. In this secular disinterest of Pechorina - the peculiarity and value of the hero of Lermontov.

Pechorin has one important feature - sincerity in relation to itself. The actions of the hero cause an antipathy from the reader and even condemnation, but one thing is required to admit: Pechorin is open and honest, and damage to the vice - from the weakness of the will and the impossibility of influencing the influence of society.

Pechorin and Onegin

After the first publications of Roman Lermontov and readers, and literary critics began to compare Pechorin from Roman Lermontov and Onegin from the work of Pushkin. Both heroes relate similar features of character, certain actions. According to researchers, and Pechorin, and Onegin was named according to the same principle. The surname of the Heroes is based on the name of the river - Onega and Pechora, respectively. But on this symbolism does not end.

Pechora - the river of the Northern part of Russia (modern Republic of Komi and Netnets Autonomous District), in its nature it is a typical mountain river. Onega - is located in the modern Arkhangelsk region and more calm. The nature of the flow has the relationship with the characters of the heroes, named after them. Pechistan's life is full of doubt and active search for its place in society, he, like a rapid flow, sweeps everything without a trace on his way. Onegin is deprived of such a scale of destructive strength, difficulty and inability to implement themselves cause a condition of sad longing.

Bayronism and "extra person"

In order to holistically perceive the image of Pechorin, understand its character, motifs and actions, it is necessary to have knowledge about the bayronic and superfluous hero.

The first concept came to Russian literature from England. J. Baints in his poem "Pilgrimage Child-Kharlda" created a unique image endowed with the desire to actively search for its destination, characteristics of egocentrism, dissatisfaction and desire for change.

The second is the phenomenon that arose by the Russian literature itself and denotes a person who outlined his time and therefore alien and incomprehensible others. Either this, which is based on his knowledge and understanding of everyday truths, is above the development of the rest and, as a result, he is not accepted by society. Such characters are the cause of the suffering of female representatives who have loved them.



Gregory Aleksandrovich Pechorin is a classic representative of romanticism, which combined the concepts of bayronism and an excess person. Ugly, boredom and splin - here is a product of such a combination.

Mikhail Lermontov considered the history of a separate personality more interesting than the history of the people. "Excellent man" Pechorin make circumstances. The hero is talented and intelligent, but the tragedy of Gregory Alexandrovich is in the absence of a goal, in the inability to adapt herself, his taming to this world, in the overall integrity of the person. In this personality of Pechorin is an example of a typical decadener.

The forces of a young man do not care about the search for a goal, not on the realization of themselves, but on the adventure. Sometimes, literary critics compare the images of Pushkin Evgeny Onegin and Lermontovsky Grigory Pechorin: Onegin is characteristic of boredom, and Pechorina is suffering.

After the Decembrists were exiled, advanced trends and trends also succumbed to persecution. For Pechorin, a person progressively thinking, this meant the occurrence of the period of stagnation. Onegin has all the opportunities to speak on the side of the folk case, but refrain from it. Pechorin, having a desire to reform society, turns out to be devoid of such an opportunity. The richness of the spiritual forces of Grigory Aleksandrovich rude to the little things: hurts to girls, because of the hero, faith and Princess Mary suffer, Bal dies ...

Pechorin ruined society and circumstances. The hero leads a diary, where notes that, as a child, he said only the truth, but adults did not believe in the words of the boy.

Then Grigory was disappointed in life and former ideals: the place of truth began to lie. Youth, Pechorin sincerely loved the world. The society laughed at him and this love - the kindness of Grigory turned the wink.

The secular environment, the literature quickly bored the hero. Hobbies were replaced by other passions. Only journeys save boredom and disappointment. Mikhail Lermontov turns on the pages of the novel to the whole evolution of the personality of the main character: the peculiar characteristics is revealed by the reader with all the central episodes of the formation of the personality of the hero.

The character of Gregory Alexandrovich is accompanied by actions, behavior, solutions, more fully revealing the features of the personality of the character. Also, Pechorin is assessed by other heroes of Roman Lermontov, for example, Maxim Maximić, which displays the inconsistency of Gregory. Pechorin is a strong, strong body of a young man, but sometimes the hero is overwhelming a strange physical weakness. Gregory Alexandrovich was kicked for 30 years, but the face of the hero is full of children's features, and in the appearance of the hero - no more than 23 years. The hero laughs, but in the eyes of Pechorin, sadness can be seen. Opinions about Pechorin, expressed by different characteristics of the novel, allow readers to look at the hero, respectively, from different positions.

The death of Pechorina expresses the idea of \u200b\u200bMikhail Lermontov: a person who has not found the goal remains superfluous, unnecessary for the environment. Such a person cannot serve for the benefit of mankind, does not represent values \u200b\u200bfor society and the Fatherland.

In the "Hero of Our Time" writer described all the generation of contemporaries - young people who have lost the goal and the meaning of life. As a generation of Hemingway is considered lost, so the generation of Lermontov is considered lost, superfluous, uncountable. These young people are subject to boredom, which turns around by vice in the context of the development of the market society.

Appearance and age of Pechorin

At the time of the beginning of the story, Gregory Alexandrovich Pechorin 25 years. It looks very good, well maintained, so in some points it seems that it is much younger than it really is. There was nothing unusual in his growth and the set: an average height, a strong athletic physique. He was a man with pleasant features of the face. As the author notes, he had a "unique face", such that insensually like women. Light hair curly hair, "a little rolled" nose, snow-white teeth and in a cute children's smile - it all complements his appearance.

His eyes, karelo, seemed to live in a separate life - they never laughed when their owner laughed. Lermontov calls two reasons for such a phenomenon - either we have an evil person in front of us, or in a state of deep depression. What exactly the explanation (or both at once) apply to the hero of Lermontov direct response does not give - the reader will have to analyze these facts themselves.

The expression of his face is also not able to express any emotions. Pechorin does not restrain himself - it is simply deprived of empathy.

Finally lubricates this look a heavy, unpleasant look.

As you can see, Gregory Aleksandrovich looks like a porcelain doll - his cute face with children's features seems to be a frozen mask, not a person's face.

Pechistan's clothing is always neat and chista is one of those principles with which Grigory Aleksandrovich should be immaculate - the aristocrat cannot be untidy spine.

While in the Caucasus, Pechorin can easily leave his usual outfit in the closet and goes to the national male dress of Circassians. Many have noted that this clothing makes it look like a true Kabardian - sometimes people belonging to this nationality do not look so impressive. Pechorin looks more like a cabardium than the Kabardians themselves. But in this dress, he is dandy - the length of fur, decoration, color and size of clothing - everything is selected with extraordinary thoroughness.

Characteristics of characteristics of character

Pechorin is a classic representative of the aristocracy. He himself comes from a noble family who received decent education and education (knows French, dances well). He lived all his life in prosperity, this fact allowed him to start his way of looking for his destination and such a classes that would not let him be bored.

At first, the attention provided by him by women, I pleasantly stolen Gregory Alexandrovich, but soon, he was able to study the behavior of all women and therefore communication with the ladies was boring and predictable for him. He is alien to the impulse of the creation of his own family, and as soon as it comes to hints of a wedding, his dust to the girl MiG will volatile.

Pechorin is not amplifying - science and reading on it are still bigger than the secular society, Handru. A rare exception in this regard is provided by the works of Walter Scott.

When the secular life has become too painful for him, and traveling, literary activities and science did not bring the desired result, Pechorin decides to start a military career. He, as accepted by the aristocracy, serves in the St. Petersburg guard. But it does not stand here for a long time - participation in the duel change dramatically his life - for this misconduct it is referring to the service in the Caucasus.

If Pechorin had been the hero of the folk epic, then his constant epithet would be the word "strange." All heroes find something unusual in it other than other people. This fact is not associated with habits, mental or psychological development - here the case is just in the ability to express their emotions, adhere to the same position - sometimes Gregory Aleksandrovich is very controversial.

He likes to deliver pain and suffering to others, he realizes it and understands what behavior does not paint not only specifically, but also any person. And yet does not try to keep herself. Pechorin, compares himself with a vampire - awareness of the fact that someone will spend the night in spiritual flour, it is incredibly flattered.

Pechorin persistent and stubborn, it creates a lot of problems for him, because of this, he often falls into not the most pleasant situations, but courage and decisiveness come to revenue here.

Grigori Aleksandrovich is the cause of the destruction of life paths of many people. According to his grace, the blind boy and the old woman remain abandoned to the arbitrariness of fate (episode with smugglers), Vulich, Bella and her father die, friend Pechorin dies on duels from the hands of Pechorin himself, Azamat becomes a criminal. This list can still be replenished with many names of the people who inflicted insult, became a reason for the resentment and depression. Does anyone know the consequences of his actions Pechorin? It is quite, but this fact does not care - he does not value that and his life, not that the fates of other people.

Thus, the image of the peopinger is controversial and ambiguous. On the one hand, it can easily find positive features of character, but on the other hand, worn and selfishness confidently reduce all its positive achievements on "no" - Grigory Aleksandrovich destroys his recklessness and his fate and fate of the people around him. He is a destructive force, which is difficult to resist.

Psychological portrait of Grigory Pechorin

Lermontov Character Character Damage Helps appeal to the appearance and sobs of the hero. For example, Pechorin is distinguished by a lazy and negligent gait, but at the same time the hero gestures do not say that Pechorin is a secretive person. The forehead of a young man was silent with wrinkles, and when Gregory Alexandrovich sat, the impression was created that the hero was tired. When Pecherin's lips laughed, the eyes remained immobile, sad.


Sauskin's fatigue was manifested in the fact that the passion of the hero was not delayed for a long time or a person. Gregory Aleksandrovich said that in life is guided not by the valets of the heart, but the orders of the head. This is a coldness, rationality, periodically interrupted by the short-term violence of feelings. Pechorine is characteristic of the trait called fatality. The young man is not afraid to go to the boar, looking for adventures and risk, as if experiencing fate.

Contradictions in the characteristic of Pechorin are manifested in the fact that when the courage described above, the hero frightens the slightest crackling of the window styles or the sound of the rain. Pechorin - fatalist, but at the same time convinced of the force of the will of the will of a person. In life there is some predestination, expressing at least that a person does not avoid death, so why then are afraid to die. In the end, Pechorin wants to help society, to be useful, saving people from the killer-Cossack.

Composition:

Hero of our time

Pechorin Grigory Aleksandrovich is the protagonist of the novel. It was his Lermontov that calls "the hero of our time." The author himself notices the following: "The hero of our time ... Exactly a portrait, but not one person: this is a portrait made up of the vices of all our generation in full development." This character cannot be called positive or negative. He, rather, a typical representative of his time.

P. Im, wellded. He feels in his soul a big strength that spent back. "In this vain struggle, I exhausted and the heat of the soul, and the constancy of the will, necessary for real life; I entered into this life, having survived it already mentally, and I became boring and gadko, how to someone who reads a bad imitation of the famous book." . The internal qualities of the hero author expresses through his appearance. The aristocracy of P. is shown through the hood of his pale fingers. When walking, he does not swing his hands - the secretive of his nature is expressed. P.'s eyes did not laugh when he laughed. This can be called a sign of a constant soul drama. Internal thumbnails of the hero were particularly bright in his respect to women. He paints the young Cherkushka Bal from the parent home, some time enjoys her love, but after she bored him. Bal dies. He long and methodically attracts the attention of Princess Mary. They are moving only the desire to fully enjoy someone else's soul. When the hero achieves her love, says he is not going to marry her. On the mineral waters of P. meets faith, a woman who loved him for many years. We learn that he protruded all her soul. P. sincerely fonders, but extremely quickly becomes boring, and he throws people as a flower on the road. This is the deep tragedy of the hero. Finally realizing that no one and nothing can make the meaning of his life, P. is waiting for death. He found her on the road, on returning from Persia.

Pechorin - the hero of his time. In the 30s, such a person does not find a place where you can make your strength, and therefore is doomed to loneliness. The tragedy of this person, is doomed to inaction and loneliness, and there is the main ideological meaning of the novel "Hero of our time". Truthfully, convincingly draws the Lermontov of his contemporary Grigory Alexandrovich Pechorin. Pechorin received secular education, first chasing the secular entertainment, but then it is waiting for disappointment, attempts to engage in science and cooling to it. He is bored indifferently refers to the light and is experiencing deep dissatisfaction with his life. Pechorin is a deep character. The "sharp chilled mind" is combined with him, with thirst for activity and with the power of will. He feels the immense forces, but she crashes them into little things, for love adventures, without doing anything useful. Pechorin makes unhappy people who surround it. So he interferes into the life of smugglers, takes away to everyone without disaster, plays the fate of Bala, love of faith. He wins over the Huschnitsky in the duel and becomes the hero of that society that despises. Over the environment, the smart is educated. But internally devastated, disappointed. He lives "out of curiosity", on the one hand, and on the other hand he has a destructive thirst for life. The character of Pechorin is very contradictory. He says: "I have long lived for a long time, but my head." At the same time, having received a letter of faith, Pechorin as a mad, rushing to Pyatigorsk, hoping at least once again see it. He painfully looking for a way out, thinks about the role of fate, looking for an understanding among people of another circle. And it does not find a sphere of activity, applying their forces. The complex sides of the spiritual life of the hero are interested in the author. It helps us understand the ideological and spiritual life of Russian society of the 30s of the last century. This affected the skill of Lermontov, the creator of the first psychological novel. Tragedy of Pechorin is the tragedy of many of his contemporaries, similar to him in the image of thoughts, according to the situation in society.

Pechorin Grigory Aleksandrovich, the main character of the novel, in its type associated with the characters of psychological novels R.Shatobrian, B. Konstan (the origin of the sovereign name from the name of the Pechoras River, as well as the names of Onegin, from the name of the Ongi River, noted by V. G. Belinsky The story of his soul is the content of the work. This task is directly defined in "Preface" to "Pechorin magazine". The story of a disappointed and dying peopling soul is set forth in the student notes of the hero with all the merciless of self-analysis; Being at the same time by the author, and the hero of the "magazine", P. fearlessly speaks of his ideal gusts, and the dark sides of his soul, and the contradictions of consciousness. But this is not enough to create a surround image; Lermontov introduces to the narration of other narrator, not the "Pechorinsky" type - Maxim Maximich, a wandering officer. Finally, there are other reviews about it in Pechorin's diary: Faiths, Princess Meri, Grushnitsky, Dr. Werner. All descriptions of the appearance of the hero are also died to display the soul (through the face, eyes, shape and details of the clothing). Lermontov refers to her hero is not ironically; But the type of Pechorinsky personality itself, which arose at a certain time and in certain circumstances is ironic. So the distance is set between the author and hero; Pechorin is by no means alter ego Lermontov.

The history of the soul P. does not set out consistently chronologically (the chronology is just fundamentally shifted), and is revealed through the chain of episodes, adventures; Roman is built as a cycle of the ART. The plot is closed by a ring composition: the action begins in the fortress (Bale), and the fortress ends (fatalist). A similar composition is characteristic of a romantic poem: the reader's attention is focused not on the external dynamics of events, but on the character of the hero, which does not find a worthy goal in life, returning to the original point of its moral quest. Symbolically - from the fortress in the fortress.

The nature of P. is set from the very beginning and remains unchanged; He does not grow spiritually, but from the episode to episode, the reader is increasing deeper into the psychology of the hero, whose inner appearance seems to have no bottom, fundamentally inexhaustible. This is the history of the Pechorin Soul, her mystery, oddity and attractiveness. Equal to itself, the soul is not measurable, does not know the limits of self-reduction and does not have the prospects for development. Therefore, P. constantly experiencing "boredom", dissatisfaction, feels the impersonal power of fate, which puts the limit of his mental activity, leads it from a catastrophe to a catastrophe, threatening both the hero (Taman) and other characters.

M.Yu. Lermontov called his work "Hero of Our Time". In the title, the word "hero" is used in the meaning of the "typical representative". This author wanted to say that Pechorin had imagined the features of young people of that time.

The thirties of the nineteenth century historians call the time of "stagnation". Then many talented people became inert, without finding themselves worthy of use. Pechorin himself says about himself: "I was ready to love the whole world, - no one understood me: and I learned to hate." That is the reason for the generation of his soul. Two people live in it: one lives feelings, and the other judges him. This inconsistency and does not allow Pechorin to live full life. With bitter feeling, he assesses himself as a "moral cripping", which "dried, evaporated, died" the best half of the soul.

The image of the peopinger, to some extent, is the repetition of the image of Onegin. Even their names formed from the name of two original Russian rivers are consonant. And Onegin, and Pechorin - real "time heroes". They are very similar to each other, similar to their tragedies. In general, there is no shelter for them, they are destined to suffer and look for peace. Belinsky noticed: "This is Onegin of our time, the hero of our time. Nightness between them is much less than the distance between Onega and Pechor.

Pechorin embodies the typical features of many people of time when Roman was written: disappointed, lack of demand, loneliness.


Speaking surname Pechorina.

Surname Pechorina - Speaking, she clearly indicates his similarity with the hero of Alexander Sergeevich Pushkin Evgeny Onegin. Their names are formed in the same way: the names of the rivers (Onega and Pechora) are used as a root, and the surname of Pechorin in this case hints that these characters are similar in nature, Pechorin, like Onegin, can be called a "extensive person."

Appearance of Pechorina.

Gregory Aleksandrovich Pechorin - a young officer of 25 years, the protagonist of Roman Mikhail Yurevich "Hero of Our Time".

The appearance of Pechorina says that it is a favorite of women: attractive, slim, but with broad shoulders, blond hair and black mustache.

Origin, character, image of Pechorina

The character of Pecherin is very controversial: immoral, daring, but smart, bold and persistent, he understands that he often behaves wrong, although it does not want to change. Pechorin takes place from the rich noble family, it serves in St. Petersburg, but after one case with a duel, it is transferred to the Caucasus. He lived in a secular society most of his life, but sincerely hates him, including women from this society, which literally sees through. Pechistan is well educated, knows French, but practically does not read books. He is a secretive person who is well versed in humans, but few people open. He is selfish, decisive and believes that he has no friends, only buddies. He is strongly spoiled by his wealth and therefore does not value his life at all, he does not make it happy and almost nothing interests. He dies in 30 years on the road from Persia to Russia.

Updated: 2018-03-03

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Belinsky very accurately described the identity of Pechorin, calling him the hero of our time, a kind of Onegin. And they are so similar that the distance between the Pechoro Rivers and there is much more than the difference in their characters. With Belinsky Solidarity and Herzen, who believes Pechistan younger brother Onegin. And if you think, it is not difficult to guess that they are really very close. Both heroes are typical representatives of secular society.

In his youth, they both tried to get everything from life, read books and were fond of science, but then they walked to knowledge. They were completely boredom. At the same time, the heroes are thinking critical, they are better and smarter than many others.

However, everyone has a spiritual life. Onegin belongs to the era of socio-political reforms and the time preceding the Decembrist uprising. Pechorin lives during the rampant reaction, when the uprising was put an end. Onegin, if desired, could join the movement of the Decembrists, and Pechorin is deprived of all possible opportunities, so it suffers greatly. In many ways, his suffering is due to the depth and genuineness of nature.

Indeed, from the first pages, readers understand that in front of them is an extraordinary character with an inflexible will and non-lightable mind, beaten by passions and emotions. Pechorin with amazing insight understands people and critically refers to themselves. He unmistakably guess the character and inclination of others. Externally, he is calm, but feels strong and deep. In addition to its inner strength, Pechorin also break through the thirst.

However, he calls himself no other than the "moral cripple", because all his actions are illogical and contradictory.

This inconsistency is visible in his appearance, and in manners. Lermontov himself does not get tired to emphasize the oddity of the hero nature. For example, when Pechorin laughs, his eyes are cold, which serves as a sign or anger or permanent stay in the longing. His view is a quick, but heavy and even daring, though, Pechorin is very calm and indifferent. The hero is hidden, although some laziness and negligence are guessed in his gait. He is strong, and weak at the same time. He is already about 30 years old, but his smile is still visible.

Maxim Maximach also noticed Pecherin's features, telling that everything can be tired on the hunt, and Pechorin did not respond to fatigue, or she assures that she was withered, pale and tremble.

On the example of Pechorina Lermontov shows the "disease" of all generation of that time. Pechistan himself says that his whole life consists of a row of unsuccessful and dreary events contrary to common sense and heart. How does this manifest?

First of all, it concerns his relationship to life. Pechistan does not hide that it is skeptical and in life completely disappointed, continuing to live only from curiosity. On the other hand, it is noticeable that he craves to act.

Moreover, there is a continuous struggle of feelings and mind. Pechorin admits what he thinks only head, and all his passions and emotions assesses from the point of view of reason. However, the hero has a hot and understanding heart, capable of love. Particularly not indifferent Pecherin to nature: In contact with it, all anxiety dissipates, longing to go out, and it becomes easy to do.

In relations with women, Pechorina is also not easy. He gives back to its ambitious gusts and seeks to achieve women's love. He dreams of submitting all his will, conquer love and devotion to others.

But Pechorina can not be called an egoist, since the great love is not alien to him. His attitude to faith visually demonstrates it. When the hero got her last letter, he immediately jumped on his horse and rushed to Pyatigorsk to see his beloved and say goodbye to her. Pechorin realized that faith was very expensive for him, more important than life, happiness and honor. In the steppe, he was left without a horse and I was crying from powerlessness, falling on the wet grass.

All these contradictions interfere with Pechorin to live full life. He sincerely believes that the best part of his soul died.

On the eve of the prescribed Duel Pechorin thinks over his life, and reflects whether there is a goal in it. He responds to his question in the diary, swinging that he feels enormous forces, and that the goal probably existed. But the problem lies in the fact that activities that would be worthy of, he could not find. He spends all his strength to small and unworthy actions, for example, abducts Bal, plays Mary with love, destroys the Being of smugglers, kills the Pereshnitsky. Not wanting himself, he always carries perfection: Bal and Grushnitsky dying, faith and merry are doomed to suffering, Maxim Maximych, who began to doubt the possibility of the existence of friendship and sincerity between people.

Thus, the most terrible thing in the life of Pechorin is the inconsistency of the immense spiritual forces and the petty deeds of the hero. This contradiction is detrimental for everyone.

So whose wine is that Pechorin has become superfluous in his own life? Pechorin admits that his soul was prettyly spoiled by the secular society, with whom he could not break the connection. All young years he spent on a fruitless struggle with the highest light and with him. He deeply sought and almost destroyed all the best feelings, misunderstanding and ridicule.

But not only the noble society is obviously in the difficult fate of Pechorin, because the Decembrists came out of this society. Thus, Pechorin is a classic hero of the time of the 30s.