History of creating a picture of the Holy Family of Rafael. Rafael in Hermitage
Hermitage has two works Raphael (Rafaello Santi, 1483-1520), one of them is "Madonna Concreate" - it is written, most likely, in 1504, another - "Holy Family" - about 1506.
"Madonna Concreate" (the name conditioned and, as well as in the works of Leonardo, is due to the name of the former owner) - a picture of a small format (17.5 x 18 cm), a little less than a sheet of a student notebook, solved in the form of TDUDO. Interestingly, Raphael begins with such almost miniature things ("Madonna Concatented" is not an exception; close to it "Sleep Knight" - London, National Gallery; "Three Graces" - Shantilia, Conde Museum, etc.), and after all It was Rafael who was to become one of the founders of the monumental style of the Roman School of Painting.
The traditional topic is interpreted very simple. Young mother holds in the hands of a baby. Views of Mary and Christ focused on a book. The artist brought the group to the first plan, a landscape gave as a wide panorama. The landscape clearly affects the impressions of Raphael from their native places - this is Umbria with a soft line of hills, a relaxed glazing of lakes and distant snow-covered vertices. Thin slender trees pull up, they are not covered with leaves branches with an intricate pattern on a blue sky. Spring awakening nature is perceived by the accompaniment of the image of Madonna, young and clean, as the world around it.
In this picture, Raphael still follows the artists of early rebirth, writing the details - a boat floating on the lake, people walking along the coast, some buildings away.
The picture framed an elegant gold-plated frame. Her juicy grotesque ornament is perfectly complemented by miniature-thorough painting. Initially, the frame was a single whole with a wooden pattern of the picture and, obviously, was performed according to the drawing of Rafael himself.
According to legend, the artist wrote in Perugia "Madonna with a book" for Alfaio Diamantha, who traveled the work to his heirs. In the XVIII century, the genus Alfano received the title of Counts della Staffa. In the same century, "Madonna with a book" passed into the hands of relatives Della Staffa, who became known as the graphs of the deedabil of Della Staffa. Bought from this family in 1871 "Madonna with a book" arrived in St. Petersburg. But during the trip from Italy, cracks on a wooden basis increased to Russia. Assembled a special commission to solve the issue of how to preserve the "new" Rafael, and decided to replace the foundation of the base of canvas. For this purpose, the picture was cut out of the frame, the cracks glued so that they practically became unnoticed. From the front side, the fabric pasted the fabric and attached it to the marble board. On the reverse side began to remove the tree, and when his layer was removed behind the layer, then the original drawing of Raphael was found from the turn: the baby held a grenade in his hand. Then the colorful layer was strengthened on a new canvas, and a sticker was cleaned from the front side. Thus, the picture was translated into canvas.
Why, during the work of Rafael, refused to fetus, replacing his book, is unknown. But the meaning of the work has not changed. The subject plays Rafael even a more formal role than, for example, Leonardo da Vinci in Madonne Benua. With all the composite proximity of the "Madonna Concreatement" of Umbrian images, Rafael has that brilliant "slightly", which allows him to achieve crystal clarity of the image and composition. In search of conformity between the circle and concluded in it, it gently repeats the Abris TDUDO in the slope of Mary's head, in the line of the raincoat covering the left shoulder. But, unlike later works of the Master, the plane of the first plan remains decisive.
In 1504, Rafael moved from his native places to Florence, where he spent four years. This period became very important in his life, as in Florence, the young artist met the most advanced art of his time and, first of all, with the art of Leonardo, who had a noticeable influence.
During his stay on the banks of Arno, Rafael wrote a "Holy Family" or, as elsewhere called this picture, "Madonna with Bezboro Joseph".
The assumption that Rafael fulfilled the picture for Gwidobaldo de Montefeltro, is based on the words of Georgeo Vazari: ".. added for Gwidobaldo Montefeltro, then Captain Florentinians, two pictures with the image of Madonna, small, Io excellent, in his second manner" (speaking of the second The manner, vazari means the Florentine period).
The picture replaced a lot of owners in his century, until he fell into the famous groza collection. As part of this collection, she was acquired for the Hermitage in 1772. In 1827 she was transferred to the canvas.
In the texts to engravings, such information was given in the texts of the Holy Family Meeting: "Mr. Baroa bought a very cheap picture that belonged to the Anguleve House. She was kept in he without much attention. Inspective some painter, wanting to rendered her and not Consider combining your work with the work of the Creator Ohoy, all of her rewrote again, so it was no longer visible in her brush Rafel. But when Mr. Barroa bought her, then Wandin, clearing her from an extraneous work, he returned her true letter to the light, which instead of damage It became much fresh; the paints superimposed on her the inexperienced painter served her with a tire and retained it from the harmful effects of air. "
This story served as a reason to create A. S. Pushkin poem "Revival":
The artist-Barbarian brush is a sleepy picture of the genius ink and his drawing challenged over it is meaninglessly draws. But the paints are alien to the summer fall of the wind scales; Creation of genius before us comes out with the former beauty.
Interesting results were obtained in the study of the "Holy Family" in the Physics and X-ray laboratory of the Hermitage. A snapshot made in infrared rays made it possible to see the initial figure made by the method, which in Russia was called the side. The artist of the needle pierced the contours of the preparatory pattern on the sheet, then it was superimposed on the primary basis of the future work - canvas or tree - and put it with coal or paint. The substance falling into the holes left on the ground the contours of the picture.
Invisible for a simple eye drawing "Holy Family" of thin and expressive. In addition, copyright corrections are clearly noticeable, - for example, the outlines of the fingers of St. Joseph, first more elongated, its face is stronger than individualized, it is almost bald, the shape of the ear is redone, etc.
The excellent drawing discovered in infrared rays serves as an indisputable proof of the belonging of the "Holy Family" of Rafael's brush, which sometimes a doubt was expressed explained by not very successful old restorations.
Compared to the Madon Concreatement, "Madonna with Bezboro Joseph" was solved monumental. The composition looks up to the elementality is simple, but simplicity is deceptive, it lies with strict thoughtfulness and the dedication of each part of the work.
Hairstyle Madonna - her hair is braided into braids, - a greenish scarf and other household details do not reduce the impression of the magnifications and solemnity of the scene.
Madonna - Typically Rafaelev's image. Subsequently, the artist will write in a letter to the famous Humanist Count Castiglion: ".. For me to write a beauty, I have to see a lot of beauties ... But because of the lack of beautiful women, I use some idea." These words are quite clearly defined by one of the characteristic features of the art of high revival masters - not just blind copying of nature, but a generalization and typing seen.
"Holy Family" - the picture is penetrating and elevated sad. The figures are depicted in the step of the steppe, but a calm landscape is visible to the right in the opening of a semicircular arch, creating an amazing impression of the depths of space. If in other, close to style and in time of creation, the paintings of Raphael Baby is given in live and fast movement ("Orleans Madonna" - Shantilia, Conde Museum; "Madonna Bridgewater" and "Madonna with Palma", both Edinburgh, National Gallery of Scotland ), In the Hermitage Work, he gently adhered to the mother's chest, thoughtfully pressed him to himself, his eyes raises to St. Joseph, which meets him a calm good look. Mary's hand was not going to touch the child, not that had just touched him. However, it is unlikely that the artist was thinking about a large emotional expressiveness of the gesture. The soft abis of the hand finds a continuation in the rounded lines of the body of the baby, in the crossed hands of Joseph. Rafael avoids sharp corners, sharp intersection of lines: "As a result of smooth contours, color spots, the location of the shapes against the steppes, a little lively by pilasters, and the impression of harmony, greatness, simplicity inherent in the works of Rafael. In them, it seems to concentrate the best human Quality, creates a new concept of beauty, a typical ideal of the Renaissance era, the master cleans his images from the whole everyday, prose, remove them to pedestal perfection.
Rafael is a complex artist. For many centuries, his authority was uninterrupted, his painting was considered almost the highest achievement of European art. In the 20th century, who survived the two world wars, Rafael seems to be too cold and calm. But the desire for harmony, which no one expressed with such skill, as Rafael, arouses the lack of interest in the artist's work and in our day.
In the Hermitage there are no originals of the Roman period of creativity of Rafael - the highest stage of the activities of the Master, which began from 1508, when he moved from Florence to Rome, and continued until his death.
In Rome, the Master created such software works as painting in the front halls of the Vatican Palace, "Sikstinskaya Madonna" and others.
In part, the idea of \u200b\u200bthe activities of Raphael in the Eternal City can give a copy of the Vatican gallery, the so-called Loggia Raphael *, painted by the plan of the Great Urbin, his students in 1518-1519.
* (Loggia - Gallery, open on one side by arched openings, was reproduced in the 1980s of the XVIII century by the architect of the Kurengy, which built the Hermita Theater. A group of artists under the leadership of X. Unterberger copied in Rome in the gallery of the Vatican Palace of the frescoes on canvases, then in St. Petersburg they were mounted in the walls. Reliefs available in the Vatican are transferred to painting.)
The copy does not in any way replaces the original, and yet it is of great importance as the only reproduction of the interior of the Renaissance in the walls of the Hermitage.
The solutions of the gallery built by the architect Bramte in Rome, determines the rhythmic alternation of the arches that divide the gallery for thirteen pieces; Each of them is completed with a cross-bearing arch, in which, in turn, four plot compositions are located. They are included in the ornamental framing. Pictures on the ceiling were called "Bible Raphael". The artist stopped fifty-two most important biblical plots, starting from the time of separation by the God of Light from Darkness, ending the secret evening.
The main impression obtained by the audience from the loggia is the harmonic clarity of the entire structure; The design of the gallery can be traced in the ratio of carriers and irregular parts. Painting is strictly agreed with architectural design.
The Decor Rafael created a free variation on the theme of antique paintings, so-called grotescas. A similar ornament was distributed after at the end of the XV century, the ruins of the "Golden House" were found in Rome, the construction of the time of Emperor Nero, which burned in 64. The found ruins of the "Gold House" began to call due to the similarities with the caves - grottoes and, accordingly, the ornament, adorned them, - grotescas.
Vazari gave grotescas such a definition: "Grotesca called a variety of painting, free and fun, who the ancient was decorated with a simplest, where in some places they did not fit anything other than the objects soaring in the air, and therefore they portrayed all sorts of ridiculous monsters generated by the quietities of nature and fantasy And the whims of artists who do not comply with these things: they hung on the finest thread of the load, which she cannot withstand, attached horses legs in the form of leaves, and man craving legs, and without the end of all sorts of funny checks, and the one who invented Something wwelled, he was considered to be worthy. Later there was order in them, and they began to be very beautifully removed on friezes and fillets, and stucco alternated with picturesque. "
The grotesque ornament received very widespread in Italy, especially after the work of Raphael in the Vatican.
With an extraordinary grace, with truly Renaissance freedom, with the richest fantasy Rafael connects the ancient gods, satriots, nymph with motifs taken from wildlife, introduces whole landscapes, creates garlands of vegetables, fruits, colors, musical instruments. The murals are drawn along the plane of pilasters, obediently invas the easier-rounded ceiling, which opens the balustrade in the blue (picturesque) sky, then like a fashioned elegant mosaic.
Here among the leaves - fantastic and real - squirrels skap, slide lizards, mouses make their way, crawling beetles, and every time the artist avoids symmetry, giving animals to various movements, placing different leaves on the twigs, replacing one form of another. None of the motives are repeated for sure, you can not be tired to consider one item after another, all the time discovering something new.
In their painting of the loggia in his philosophical, the world is comprehended, its beauty and diversity is transmitted in a laconic and concentrated form. The dimensions of the gallery are well correlated with a human figure. Elegant, spacious, air-powered and light, gallery - the true brainchild of the Renaissance architecture and painting. The man, according to the artist, should be aware of himself the center of the world, light and clear, and his mind will easily comprehend the laws of the universe.
The activities of Raphael and his students in Rome can also be judged by nine frescoes in the Hermitage.
Most of them come from the Villa Palatina, according to legend belonging to Rafael. Then Villa visited the hands of different owners, until she became the property of the satersaliza, who adapted it to the monastery. However, the secular nature of the painting - they are devoted to the history of the Goddess of Love, Venus, - at all did not fit for the new appointment of the building, and the nuns, according to the then director of the Hermitage Gedeonov, "perturbed by the liberty of the plots, in 1856 they rather have been presented than sold the Markiza Campana, which was sold Hurried to translate painting on canvas. "
Translation for canvas and subsequent not very successful restorations led to the fact that already upon admission to the Hermitage in 1861, the frescoes were in very bad safety.
As a result of the restoration conducted in the museum in recent years, painting has strengthened, but it is no longer possible to return her initial freshness.
Five frescoes repeat in an enlarged scale of adorable paintings created by Raphael and his students in 1516 in the stuffeure (bathroom) Cardinal Bibien in the Vatican.
For the era, striving to reconcile paganism with Christianity, it is significant that the spiritual person orders the painting artist with the image of the Gods of Olympus.
In the Villa Palatina Repetition Compositions Studethe acquired a new sound, and not only because of the large sizes, but also because on the villa they decorated the portico, and not a closed room, and thus were associated with open surrounding space.
Antiquity is perceived by the artist as the golden age of mankind. The world, which brings, is magnificently beautiful and harmonious, and its inhabitants, loving and suffering, do not lose their physical and spiritual perfection.
The plots of a series of scenes are inspired very famous at that time "Metamorphoses" of the Roman poet I century Ovidi. One of the episodes reproduces the moment when Cupid, kissing his mother to Venus, accidentally wounded it into the chest with the arrow's tip, who aroused the love of adonis in it.
Mother once kissed the boy, groaning tool, and spoke to her inadvertently chest boots. Ranted, son hand removed the goddess ...
Nagging the goddess is sitting under the tree, touching the wounded chest, near her Amur. The beauty of the human body for Raphael, as well as for the ancients, is in full compliance with the beauty of the inner. Every time has its ideal. If in this regard, compare the representations of the quatrocheto and the Ginkovento, then you can use the comparison of the bud with a blossomed flower. Raphael, who fully expressed in the art of the aesthetic norms of the era, preferred the forms of the body, reaching a complete heyday and nothing in common with an angular, sometimes fragile nagging figures in the painting of the XV century.
In the "Venus, putting on the sandal" the main theme of the frescoes becomes a smooth gesture of the goddess, graceful and strong at the same time. Movement does not lose softness even when it is designed to be rapid, for example, in the scene "Venus with Amur on Dolphins", where the goddess and her son rushes on the sea donkey on dolphins. Then rejection again comes: in another fresco, "Venus and Adonis", a goddess, tired by hunting, resting with his beloved, "leaning against him, on his chest head resting."
It was not by chance that the Palatine frescoes in one of the compositions of the XIX century it was said: "Beautiful, like Pupyan painting."
Indeed, in painting, conceived by Raphael and the students implemented by his students, causing such peculiar antiquity to the life and admiration of the beauty of man.
Despite the poor safety, the frescoes expand our idea of \u200b\u200bthe monumental-decorative art of high revival.
The first Florentine period of Raphael (1504-1508)
Picture of Raphael "Holy Family, or Madonna with Bezboro Joseph" (1506), stored in the Hermitage, belongs to the early, Florentine, artist's creativity period. Joseph, Maria and the Baby form a surprisingly simple, natural group.
Religious mood, not yet alien "Madonna Concreate" (1504), gives way to a purely human feeling.
Depicting Maria, Baby of Christ and St. Joseph, Rafael clears his images from the whole everyday life, discarded random features and household details, eating them to the pedestal of perfection. Current and smooth lines of contours, color spots, thoughtful location of the figures give birth to the feeling of harmony, greatness and simplicity inherent in the works of Rafael. The artist retreats from the traditional iconography of Joseph, depicting it without a beard - hence the second name of the picture.
Before us, the idyllic scene of family life. A minute of quiet silence, inexpressible poetic inner experiences. These feelings are so perfectly clean, so poetically express the holy warmth of motherhood, that if Madonna Raphael is no longer praying, then in these bright images, inhale the mood of divine purity and a light world.
In Madonna with Bezboro Joseph, the figures fill almost the entire surface of the picture and, as it were, are deployed in the relief plane. Baby head in the center of the composition. Clearly acts as a triangle diagram in the images of Madonna and the Baby. The plasticity of forms, contrasts of lines, their slopes are felt next to the verticals of the pilasters and the staff of Joseph.
His figure finally completes the group, leading it to consent to the rectangular picture of the picture and putting forward its main images. Rounded head lines, shoulders and halo are found their last harmonic response in the rhythmic bend Arch over the light scenery. So the internal expression of the world, clear peace is responsible in combination of all forms and lines and light airiness of the landscape. How thinly thought out and weighed in creative work every feature of this enlightened visibility!
Already in the earliest works of Raphael, uniquely individual features are obvious. A young artist seeks a vital concreteness. To the greatest extent, this refers to the image of an old Joseph, which traditionally depicted with a big beard, emphasizing his age. Rafael depicted an old man without fability. This item turned out to be so characteristic that the picture of Rafael was called "Madonna with Bezboro Joseph". Less vividly, but quite definitely individualized Maria and baby Jesus.
The figure of the baby artist gives in difficult reversal, which undoubtedly affects the influence of Leonardo. But at the same time Rafael is striving for the greatest simplicity and harmonicity of the image. Three figures, the artist unites into a relaxed, but inextricably linked group. The composition of the picture is built on repeating and echoing circle motifs and a semicircular arch.
This technique gives the composition amazing musicality, integrity and stability. No disturbed calm, although she was overwhelmed with light sadness, dominates in the picture. Barely catchy seal dissolves in bright, gentle color consonents. Rafael reaches such a colorful subtlety here, which has not always succeeded in later works.
Alexander Sergeevich Pushkin wrote an elegue "Revival", inspired by the "Madonnaya with a faboride Joseph", exhibited in the Hermitage after the restoration that returned a genuine letter of Raphael.
Revival
A.S. Pushkin
The artist-barbarian brush Sleepy
Picture of genius ink
And your drawing flawless
Above it is meaninglessly draws.
But paints are alien, with years,
Drop scales fall;
Create a genius before us
It comes out of the same beauty.
So disappear to the misfortune
From my exhausted soul,
And the visions arise in it
Initial, clean days.
The picture "Holy Family" presented Marina Ageev, Director of the Nizhny Tagil Museum of Fine Arts. More precisely not the picture itself, but a kind of video report on how the work was restored Rafael Santia.
"Found the picture in Nizhny Tagil in the attic of the Lord's house owned Demidov, she told. - In 1924, this building was transferred to the Tagilstroy Treststroy, and, when patched, the new owners found a picture and did not immediately realize that they were kept in their hands. She was in poor condition. The board is broken in half, the colorful layer is lost and there were numerous chips on it. Igor GrabarThe artist restorer described that even traces of wrought-iron boots were discovered on it. Perhaps she fell and just went, not even suspecting that this is not a simple board. "
Another option "Holy Family (Madonna with Bezboro Joseph)", attributed to Rafael Santi. Photo: Commons.Wikimedia.org.
Long years passed before after the restoration, she returned to the gallery. I can not even believe that this canvas is more than 500 years old. She has a detective story. Art historians and historians found that at first she was in the Church of Santa Maria Del Popolo, so she has a second name - "Madonna Del Popolo." She was popular, so in the 40s of the 16th century, it was abducted, but soon the canvas returned. In the 17th century, it seized CardinalSFFRUTI. And after his death, the picture was not discovered. She disappeared, and then appeared in the Church of Santa Kaza (translated - the Holy Hut) in the small town of Loreto (Italy). According to legend there was bornMaria - Mother Jesus Christ. Masters of that century said that instead of the picture there was a copy. It may have been exported or hidden.
This picture claimed himself Napoleon. In 1797, he demanded the contribution - hundred paintings and other works of art. "Holy Family" was acquired by him as a private transaction. Mostow went to France. He went for three months, and a whole month stayed in the castle of the dukes Orleans.
Accompanying fed, poured and provided all sorts of attention. That's how little sign appeared in the picture - the coat of arms of the duke Orleans - With three lilies. When there was a traffic to France, and opened the boxes, instead of the original, there was a pathetic copy, on which even paint did not dry.
The most famous "holy family of Falkoniery", Rafael Santi, 1507. Fragment. Photo: Public Domain
It is known that "Holy Family" was in the collectionNikolai Demidov. He acquired a canvas incognito. A few years ago found a note of the noteNikolai Demidovin which he told that forRaphael They asked 6 thousand gini. Perhaps he or his children brought a picture to Russia, in Nizhny Tagil. Eyewitnesses told that some Italian icons were in a family cryptDemidov.
A unique work in the city called Tagil Madonna. A year and a half ago an agreement was concluded with Yuzhno-Sakhalin about the demonstration of the painting on the island of Sakhalin. Primorye also expressed the desire to show the canvas to residents of the edge.
Public Domain.
"It is taken out once a year at a special invitation, but since we drove so far to the East, they agreed that in Vladivostok she visited, but not a month, but as many as two, continuedMarina Vladimirovna. - I used to work at the Museum of the Main Guardian. For me, all things were relatives. We were worried about them, as for children: what kind of safety is here, whether the climate is arranged as they will live here. Indeed, in the very museum Madonna is located in a separate room, where there are chairs, so that you can sit and think about art.
IN the very museum of attempts was not on her. Eupy Lord! I read the detective author Markov. We from the exposition in 1993 were stolen two small etudes LevitanAs a result, a detective appeared. I read it, and suddenly I find the string, they say "what's there Levitanthey have there Raphael hanging. " With this detective, I came to the city administration. She demanded to organize the country's property protection. So thanks Markov We were replaced by all the technical equipment of the gallery. "
"Holy Far Falkoniery", Rafael Santi, 1507 year. Fragment. Photo: Public Domain
In the seaside art gallery already prepared the hall in which the exhibition of one picture will be demonstrated. BlightsRafael Santia It will be a gift in the year of culture for the Primorye.
"Madonna with baby and saints Jerome and Francis" (Madonna Col Bambino Tra I Santi Girlamo E Francesco), 1499-1504. Now the picture is located in the Berlin art gallery.
"Madonna Solly" (Madonna Solly) is named because it belonged to the British collector Edward Solly. The picture is dated 1500-1504 years. Now the picture is located in the Berlin art gallery.
Madonna Pasadena (Madonna Di Pasadena) was named at its current location - the city of Pasadin in the United States. Picture dated 1503 year.
"Madonna with a baby on the throne and saints" (Madonna Col Bambino in Trono E Cinque Santi) dated 1503-1505 years. The picture shows Virgo Maria with the infant Christ, the young John the Baptist, as well as the Apostle Peter, the Apostle Paul, Holy Catherine and the Holy Cecilia. The picture is located in the Metropolitan Museum in New York (USA).
Madonna Diotallevi (Madonna Diotallevi) is named according to the original owner - dotallevi di Rimini. Now the picture is located in the Berlin art gallery. "Madonna dotallion" dated 1504 year. The picture shows Mary Mary with a baby Jesus on his hands, which blesses John the Baptist. John folded his hands on his chest as a sign of humility. In this picture, as in all previous ones, the effect of Perugino - Teachers of Rafael is felt.
"Madonna Connestabile" (Madonna Connestabile) was written in 1504 and later named by the owner of the painting of the Count Concreate. The picture was acquired by the Russian Emperor Alexander II. Now "Madonna Concreate" is located in the Hermitage (St. Petersburg). "
Madonna Contesta "is considered the last work created by Raphael in Umbria, before moving to Florence.
Madonna Granduk (Madonna Del Granduca) was written in 1504-1505. In this picture, Leonardo da Vinci is felt. The picture was written by Raphael in Florence and to this day is located in this city.
"Malaya Madonna Cowper" (Piccola Madonna Cowper) was written in 1504-1505. The picture was named after its owner of Lord Cooois. Now the picture is in Washington (National Art Gallery).
Madonna Terranuova (Madonna Terranuova) was written in 1504-1505. The name of the picture received one of the owners - Italian Duke of Terranwa. Now the picture is located in the Berlin art gallery.
"Madonna Anseida" (Madonna Ansidei) dated 1505-1507 and depicts the virgin Mary with the infant Christ, an adult John the Baptist and Nicholas Wonderworker. The painting is located in the London National Gallery.
Madonna Ansida. Detail
"Orleansa Madonna" (Madonna D "Orleans) was written in 1506. The picture is called Orleans, because its owner was Philip II Orleans. Now the picture is in the French city of Chanti.
The painting of Raphael "Holy Family with the Famiglia Con San Giuseppe Imberbe) was written around 1506 and is now in Hermitage (St. Petersburg).
Painting Raphael "Holy Family under Palma" (Sacra Famiglia Con Palma) dated 1506 year. As in the last picture, Virgin Mary, Jesus Christ and St. Joseph (this time with a traditional beard) are depicted here. The picture is located in the National Gallery of Scotland in Edinburgh.
Madonna in Green (Madonna del Belvedere) dated 1506. Now the picture is in Vienna (Museum of Art History). In the film, Virgo Maria holds the baby of Christ, who grabs the cross in John the Baptist.
"Madonna Del Cardellino" (Madonna del Cardellino) dated 1506 year. Now the picture is in Florence (Uffiza Gallery). The picture shows the Virgin Mary, who sits on a rock, and John the Baptist (on the left in the picture) and Jesus (right) play with a jig.
"Madonna with carnations" (Madonna Dei Garofani) dated 1506-1507 years. "Madonna with cloves", like other pictures of the Florentine period of creativity of Rafael, was written under the influence of the work of Leonardo da Vinci. "Madonna with cloves" Rafael is an option "Madonna with a flower" Leonardo da Vinci. The painting is located in the London National Gallery.
La Belle Jardiniere (La Belle Jardiniere) dated 1507 year. Picture is located in Louvre (Paris). Virgo Maria in the picture sits in the garden, holding a baby of Christ. On one knee sat John the Baptist.
The painting of Raphael "Holy Family with Agnello" (Sacra Famiglia Con L "Agnello) dated 1507 year. The picture shows Virgo Maria, Saint Joseph and baby Jesus, sitting on a lamb. The picture is currently located in the Madrid Prado Museum.
The painting "Holy Famiglia Canigiani" (Sacra Famiglia Canigiani) was written by Raphael in 1507 for Florentine Domenico Canijiani. The picture shows the saint Joseph, the Holy Elizabeth with the son of John the Baptist and Virgin Mary with the son of Jesus. The picture is located in Munich (old Pinakotek).
The painting of Raphael "Madonna Bridgewater" (Madonna Bridgewater) dated 1507 and is named because it was in the bridgewater estate in the UK. Now the picture is Edinburgh (National Gallery of Scotland).
Madonna Colonna (Madonna Colonna) dated 1507 and named by the name of the owners from the Italian column family. Now the picture is located in the Berlin art gallery.
Madonna Esterhazy (Madonna Esterhazy) dated 1508 year and named by the name of the owners from the Italian family of Esterhacia. On the picture shows Virgin Mary with a baby Jesus on his hands and sitting John the Baptist. Now the picture is in Budapest (Museum of Fine Arts).
"Great Madonna Cowper" (Grande Madonna Cowper) was written in 1508. Like the "Malaya Madonna Cupper", the picture is in Washington (National Gallery of Art).
Madonna Tempi (Madonna Tempi) was written in 1508, named by the name of the owners, the Florentine family Tempi. Now the picture is located in Munich (old Pinakotek). "Madonna Tempi" is one of the few pictagel pictures of the Florentine period, in which Leonardo da Vinci's influence does not feel.
"Madonna Della Torre" (Madonna della Torre) was written in 1509. Now the picture is located in the London National Gallery.
Madonna Aldobrandini (Madonna Aldobrandini) dated 1510 year. The picture is named by the name of the owners - the family of Aldobrandini. Now the picture is located in the London National Gallery.
"Madonna in Blue Diadema" (Madonna del Diadema Blu) dated 1510-1511 years. On the painting of Virgo Maria with one hand lifts the veil over the sleeping jesus, the other hand hugging John the Baptist. The picture is in Paris (Louvre).
Madonna Alba (Madonna D "Alba) dated 1511. The picture was named by the name of the owner - Duchess Alba." Madonna Alba "belonged to the Hermitage for a long time, but in 1931 it was sold abroad and now in the National Art Gallery in Washington .
"Madonna with a veil" (Madonna Del Velo) dated 1511-1512 years. The picture is located in the Konde Museum in the French city of Chanti.
Madonna from Foligno (Madonna di Foligno) dated 1511-1512 years. The picture is named by the name of the Italian city of Foligno, where she was. Now the picture is located in the Vatican Pinakotek. This picture was written by Raphael by order of Sigismo de Conti, Secretary of Pope of Roman Julia II. The customer itself is depicted in the picture on the right, he stands on his knees in front of the Virgin Maria and Christ, surrounded by angels. Next to Sigismo de Conti is holy Jerome and his manual lion. On the left of John the Baptist and the Cranked Francis of Assisi.
"Madonna with Candelabras" (Madonna dei Candelabri) dated 1513-1514 years. The picture shows Virgo Maria with a baby Christ surrounded by two angels. The picture is located in the Walters Art Museum in Baltimore (USA).
Sicstinskaya Madonna (Madonna Sistina) dated 1513-1514 years. The picture shows the Virgin Mary with a baby Christ in his arms. To the left of the Our Lady of Pope Sikst II, right - Holy Varvara. "Sicstinskaya Madonna" is located in the gallery of old masters in Dresden (Germany).
"Madonna Dell" Impannata "(Madonna Dell" (Madonna Dell "dated 1513-1514. The picture shows Mary Mary with a baby Christ in her arms. Next to them - Saint Elizabeth and Holy Catherine. Right - John the Baptist. Picture is in the Palatine Gallery in Florence .
"Madonna in a chair" (Madonna della Seggiola) dated 1513-1514 years. The picture shows the Virgin Mary with the baby Christ in her arms and John the Baptist. The painting is located in the Gallery of the Palatina in Florence.
"Madonna in Tenta" (Madonna Della Tenda) was written in 1513-1514. The name of the picture is given due to the tent, where Mary Mary with the infant is Christ and John the Baptist. The picture is located in the old Pinakotek in Munich (Germany).
"Madonna with Fish" (Madonna del Pesce) was written in 1514. The picture shows Virgo Maria with the infant Christ, Saint Jerome with a book, as well as Archangel Rafail and Tovia (Character of Tovite, who Archangel Rafail gave a wonderful fish). Painting is the Madrid Museum Prado.
"Madonna Walk" (Madonna del Passeggio) dated 1516-1518 years. The film depicted Mary Mary, Christ, John the Baptist and not far from them from St. Joseph. The picture is located in the National Gallery of Scotland (Edinburgh).
The picture of Raphael "Holy Farzisk I" (Sacra Famiglia Di Francesco I) dated 1518 year and named after the owner - the King of France Francis I, now the picture is located in Louvre. The picture shows Mary Mary with the infant Christ, Holy Joseph, Holy Elizabeth with his son - John the Baptist. Behind - the figures of two angels.
The painting of Raphael "Holy Family under Oak" (Sacra Famiglia Sotto La Quercia) dated 1518 year, on it, Mary Mary with Baby Christ, Holy Joseph and John the Baptist. The picture is located in the Madrid Museum of Prado.
Madonna with Rosa (Madonna Della Rosa) dated 1518. The picture shows the Virgin Mary with a baby Christ, who takes from John the Baptist Parchment with the inscription "Agnus Dei" (Lamb of God). Behind all - Holy Joseph. On the table is a rose, which has given a name picture. The picture is located in the Madrid Museum of Prado.
Picture "Small Holy Family" (Piccola Sacra Famiglia) dated 1518-1519 years. The picture depicting the Virgin Mary with Christ and Holy Elizabeth with John the Baptist, named the "Small Holy Family" to distinguish it from Also in the Louvre painting "Big Holy Family" ("Holy Francis I").
