Imperial porcelain factory. Anna Adamovna Yatskevich - one of the outstanding artists of the Leningrad porcelain factory them cobalt grid Imperial porcelain history

A peculiar symbol of the blockade Leningrad was the legendary "cobalt grid". Sets in white-blue stylistics first appeared in 44 and became the business card of the Imperial Porcelain Factory. The pattern came up with Leningrad artist Anna Yatskevich in the years of blockade. Dmitry Kopytov will tell how the idea of \u200b\u200bthe drawing appeared.

The same simple drawing on cups, kettles and saucers Valentina Semahin has been delivered for almost 40 years. Every day manually paints 80 items from porcelain. Monotonous work of a woman is not tired at all. The painter with pride says: its sets are now decorated with kitchens around the world. The business card of the Imperial Porcelain Plant - the blue "cobalt grid" on the dishes first appeared in 1944. The service from 5 items in the cold, but attractive, the northern color painted the Leningrad artist Anna Yatskevich. The factory museum has several photos.

Alexander Kucherov, Advisor to the Director General of the Imperial Porcelain Factory: "This is a shot of 1945. Here it is already captured with two state awards: the medal "For the defense of Leningrad", which she received in 1943 and the "Order of the Red Banner", which she received in the summer of 1944. I believe that the combat order of the Red Banner is a very high assessment of her labor. "

The combat order is fragile by nature, the intelligent woman received, of course, not for a new type of china's mural. All 900 days of the blockade she spent in his native Leningrad, at the factory. Riding along with colleagues to the Urals in evacuation refused. Brought out victory. In its own way.

Alexander Kucherov, Advisor to the Director General of the Imperial Porcelain Factory: "A Martar Run" Fierce "was located on the pier next to the plant. A cable was extended to him, life was warm on it. He had to disguise. Weathered networks, spread porcelain paint, disguised him. It was closed. No projectile hit the territory of the plant. He merged with Nevskaya water. "

Scary years managed to survive only thanks to his favorite work. And books. The factory library was evacuated did not have time. The literature collected in the stacks so remained lying in the snow-covered railway wagons. Every day, Anna Yatskevich brought books back. In the 43rd, after the blockade breakthrough, the art laboratory was re-opened at the factory. And another year later, the first "cobalt grid" appeared on porcelain dishes.

Alexander Kucherov, Advisor to the Director General of the Imperial Porcelain Factory: "To say that no one is formed the basis for this picture. Perhaps it was inspired by the windows of a blockade city, because her mother lived here, her sister lived here, which in 1942 died, she buried them. It is possible that it is crossing these paper tapes. "

Windows ribbons in Leningrad stuck windows so that the glasses did not crack and did not fly away from the bombing. On the frames of the blockade chronicle it is seen: white crosses then appeared almost on all the central streets of the city on the Neva.

Dmitry Kopytov, correspondent: "The version that the famous" cobalt grid "was invented, recalling the blockade days, confirms the fact: initially painted cups and teapots of such a gray-white color, which is quite in the tonality of the Leningrad Winter."

There are other versions of the appearance of a "cobalt mesh", also associated with the blockade.

Natalia Bordee, head of the press service of the Imperial Porcelain Factory: "There is a theory that an artist Anna Yatskevich went to the blocked years on the Neva in winter to hammer the hole in the river to have water in hand in the event of a fire at the factory. From hunger, from the fatigue of cracks on ice, golden snowflakes in bright sunlight - everything in her imagination was crossed and it inspired her decor "cobalt grid".

For the first time, a similar mesh on kettles and cups of the plant appeared in Empress Elizabeth Petrovna. The ornament was created by Master Dmitry Vinogradov. But the stripes were then pink. For a "cobalt grid", a porcelain plant received several prestigious medals. Now in white-blue stylistics here more than a hundred species of dishes are made here. Since the 70s, the whole world has learned about the unusual Russian ornament. At the Russian Embassy in Paris still treats guests from the mesh dishes. Cobalt acquires its usual blue color after firing at a temperature of more than a thousand degrees. After the first, the so-called gold flies are applied. True, it starts to glisten it.

Alexandra Gorokhov, painter-stamperman of the imperial porcelain factory: "This black puddle is a gold-flow drug, a 12% gold. After firing, it starts to sparkle, before the roasting appearance unsightly ".

Fake the technology is difficult, although craftsmen from China tried several times. The secret is that the painting is undergraduate, handmade. At her author, Anna Yatskevich, after the war he was not left of heirs at all. The niece, which also worked on a porcelain factory, died shortly after the artist itself. But their business still lives. And thousands of owners of legendary setting with a cobalt mesh considered and consider this dishes a kind of symbol of the Leningrad Victory.

Correspondent

Dmitry Kopytov

February 3rd, 2018, 12:23 am

Thin and ringing china, from which this cup, whiseline, translucent bones, is produced in Russia only at the Imperial Porcelain Plant, former Lomonosovsky, the former Imperial. Bone it is because almost half consists of bone flour, which makes it so easy, thin and white. A drawing on a cup is the most famous, the most recognizable painting of the St. Petersburg plant - "cobalt grid", ornament from crossed missing dark blue lines with golden asterisks in the places of their intersection.

The famous pattern was invented by the artist Anna Yatskevich. True, at first he was not cobalt, but gold. Services with such a pattern on the LFZ began to produce immediately after the war, in 1945. And a year later, Yatskevich interpreted his pattern and created the most famous cobalt from the golden mesh. She first signed a tea service for the "Tulip" forms of Seraphim Yakovleva.

Porcelain Coffee Service, Tulip form, Figure "Cobalt grid",
Imperial porcelain factory.

In 1958, the "cobalt grid" is a simple and elegant pattern, conquered the world. In that year, the World Exhibition in Brussels took place, where the Lomonosov porcelain plant presented his best creatures, including items decorated with this painting. The service with the "cobalt mesh" was not specifically prepared for the exhibition, he simply entered the assortment of the plant, and the unexpectedly it became for the LFZ award - for the pattern and the form of the service got a gold medal.

Artist GFZ named after Lomonosov A. A. Yatskevich signs the service "Moscow Metro".
Photo by N. Cokka October 1936.

Anna Adamovna Yatskevich graduated from the Leningrad Art and Industrial Technical School and from 1932 to his very death in 1952 worked on the LFZ artist on china painting. But to find out what a huge success will fall into a share of her painting, Yatskevich did not have time: when the "cobalt grid" unexpectedly received the highest world award, Anna Adamovna was no longer alive. She was only 48 years old and she left and not learning that her drawing became a symbol of Russian porcelain ...

Artist GFZ named after Lomonosova A. A. Yatskevich paints Vazi to the XVIII Congress of WCP (b).
Photo P. Mashkovtsev March 3, 1939.

But now, everyone who drinks coffee from a cup with such a pattern, he himself is not knowing, gives tribute to the artist and tragedy - personal and the whole country.

How did the cobalt grid pattern originate?

There is a version that the famous Patter Yatskevich inspired the service "Own", which was still made in the middle of the XVIII century for the Empress of Elizabeth Petrovna Dmitry Vinogradov, the creator of the porcelain in Russia. Also, one of the festive setting of IFS, which supplied china to the Imperial Court of Nicholas I was a "cobalt service". This service was the repetition of its predecessor with the same name. His at one time was manufactured at the Vienna Manufactory on a special order of the Austrian Emperor Joseph II. Such a gift to the monarch decided to present to the Russian emperor Pavel Petrovich and his wife Great Princess Mary Fedorovna, who gave to him.

To arrange the heir to the Russian throne of Joseph II and decided to present a luxurious porcelain service as a present. The sample, according to which the "cobalt service" was created at the Vienna Manufactory, became another service - the work of the Sevra Manufactory, which in 1768, Louis XV presented the Danish king Christian VII. The Vienna service was decorated with a gold openwork painting "Cailloute" (Franz. - Bridge with a cobblestone) in a cobalt background, bouquets of polychrome colors in reserves framed by gold rociles.

Paul I appreciated the luxurious gift of Joseph II, as he says what goes to the war with Sweden, he bequeathed his mother-in-law.

Plate from the service "Own" Empress Elizabeth Petrovna, 1756-1762
Production of the Nevskaya Purplenica Manufactory (from 1765 - Imperial Porcelain Factory).

However, with the war, the emperor returned to the good health and continued the ownership of a "cobalt service." In the 1840s, the "cobalt service" was located in Gatchina, in the Priorat Palace, and it was then that he was replenished with IFS.

In 1890, the "cobolt service" with the brand of Vienna manufactory in full set was sent to the Winter Palace. In the Gatchina Palace, a part of the service remained, the one that was performed on the IFS. Today from the famous service made in Vienna to our time, 73 subjects have been preserved.

Comparing the "cobalt grid" Yatskevich and the painting of the service "Own", experts consider similarity very remote - the grid of the artist is more intricate, performed by under-cordical cobalt. In places intersection of blue lines, the mesh is decorated with asterisks of 22 carat gold, which gives painting even greater nobility and elegance. The service "own", in the nodes of the golden mesh, small pink flowers are written.

Anna Adamovna herself talked about creating a "cobalt mesh" otherwise. In addition to the profession of the artist in the Farfora, Yatskevich had a qualification of the designer of books and posters. Internship took place in the city of Volkhov. Then she was sent to the Leningrad plant, where at the time organized the artistic laboratory. When the war began, Anna Adamovna did not take the opportunity to evacuate. Neborn Leningradka, she spent 900 blockage days in his hometown. A young woman who buried his sister and mother who died dead from hunger (her father died long before the war), lived on the fountain embankment. And the blockade worked on her favorite factory. With the help of ordinary paints on the china, remaining in stock at the plant, engaged in camouflage ships.

And the line of the pattern of the most famous and recognizable painting of the St. Petersburg plant - "cobalt grid", an ornament from crossed missing dark blue lines with golden asterisks in places of intersection was inspired by their author with oblique lines of spotlights, stating the sky in search of German bombers and paper ribbons pasted on Window glasses so as not to be broken from the blast wave.

There is another interesting point in the history of the creation of this decor, it is associated with a pencil, which artist Anna Yatskevich inflicted his famous pattern to china. In those days, the idea of \u200b\u200busing the so-called cobalt pencil appeared on the LFZ. Of course, the pencil was the usual, made at the Saacco and Vanzetti factory, but the porcelain paint was the rod. I did not like the artists of the plant, only Anna Yatskevich decided to try a novelty and soles themselves with the first instance of the service "Cobalt grid". So it is or not, but this instance of the service is now in the exposition of the Russian Museum.

Tea set "Cobalt mesh". Author and artist Mural A.A. Yatskevich, November 1944.
Form "Tulip", author S.E. Yakovleva, 1936. Porcelain, porzurn painting with cobalt, painting gold, chilling.
From the meeting of the State Hermitage.
Reproduction of the author's facsimile at the kettle.

"Cobalt grid," as experts believe very winning looked at the service of the forms of the "Tulip", she successfully beat him and gave him solemnity.

Subsequently, this painting began to decorate on the LFZ (IFS) and other products: coffee and dining rooms, cups, vases and souvenirs. By the way, Anna Yatskevich belongs to another contribution to the development of the porcelain plant - it is the author of the famous LFZ logo (1936), which is depicted on all products of the enterprise.

The "cobalt grid" pattern is famous and recognizable around the world. This is an exquisite combination of deep blue and snow-white use for settings, lunch sets. The dishes decorated with a cobalt mesh suitable for serving tables at the most solemn events.

The embodiment of simplicity, elegance and some unobtrusive, but unconditional solemnity - the main distinguishing features of the ornament. It looks truly stylish and expensive.

History

For the first time this painting appeared on china in 1945. Today, she is a signature sign by the masters of whom was invented and created. The author of the pattern "Cobalt grid" is an artist Anna Yatskevich. Services with such painting on the LFZ began to be issued immediately after the victory in the war. The first sample was in another color, but after a year Yatskevich beat his pattern in a new way, creating that the most cobalt painting. Tea set "Tulip" became the first in the series. Experts today are confident that the white-cobalt ornament and the sophisticated shape of the tulip make up the union-striking union.

The artist inspired the dishes of the imperial courtyard, painted by the exquisite cobaltovy. Although there are evidence that it later became the famous service was initially gold. The service "Own", made in the middle of the 18th century, made in the middle of the XVIII century for the Empress of Elizabeth Petrovna Master Dmitry Vinogradov - the founder of the Russian School of Porcelain.

Cobalt pencil

Once unusual pencils of the production of the Saacco and Vanzetti factory were brought to the LFZ. The pencil rod was paint for china mural.

Factory artists tried, but did not appreciate the novelty. And only Anne Yatskevich liked the new pencil. She decided to master the technology and soles themselves their first service "Cobalt grid". Today, not all researchers believe in this version, but that instance of the service is still kept in the exposition of the Russian Museum.

Prestigious victory

In 1958, the "cobalt grid" was awarded a high award. A tea service was presented at the World Exhibition in Brussels. It is noteworthy that it was not specifically manufactured for the international presentation, and he entered the assortment of the plant, which attributed it not to exclusive things, but to public consumption goods. But the more valuable his victory is the Gold Medal. By that time, Anna Yatskevich was no longer alive. She did not recognize his creation about the triumph.

Pattern "cobalt grid" in contemporary art

The ornament does not lose relevance and nowadays. Exclusive rights to it has an LFZ plant. Today the personification of the exquisite Russian porcelain is the "cobalt grid" pattern. Tableware for tea drinking and solemn dinners, vases and souvenirs, cups with sophisticated painting are famous for the whole world.

Anna Adamovna Yatskevich (July 31, 1904-1952), graduate of the Leningrad Art and Industrial Technical School (1930). In addition, in the same technical school graduated from three-year learning for the art of books and posters. At the end of the technical school, on July 10, 1930, it was aimed at an internship at the Red Porcelaist plant in the city of Volkhov. On January 15, 1932, Rosfarfor's trust was seconded to work on the GFZ named after Lomonosov by the artist in the artistic laboratory that worked at the factory, where he worked for 20 years - until his death on May 13, 1952. In the prewar years, A. A. Yatskevich worked a lot and fruitfully - Vases were created, including with portraits of Stalin and other politicians, sets "KOMSOD", "MOSCOW METRO" and OTHER, Various cups with saucers, jubilee foots, bottles And other products. In 1936, A. A. Yatskevich created the "LFZ" logo, which has become a brand name and applied at the bottom of the items all over 2006. A. A. Yatskevich constantly participated in the exhibitions of artists of the city and the country. The "Excellent Socialist Competition Competition Competition Competition Competition", monetary premiums of the Plant and People's Commissariat of the Plant and People's Competition.

Artist GFZ named after Lomonosova A. A. Yatskevich paints Vazi to the XVIII Congress of WCP (b). Photo P. Mashkovtsev March 3, 1939. With the beginning of the Great Patriotic War, the Museum Collection and part of the staff were evacuated from Leningrad to distant Irbit. Some factory artists remained in a blockade city. T. N. Bespalova-Mikhalev wrote: "A. A. Yatskevich remained at the barrage at the empty porcelain factory, where the director at this time was the former accountant of the plant A. M. Bogdanov. Somehow late in the fall of 1941, I and the artist L. K. Blax decided to visit our factory. The workshop of the artistic laboratory was walked by the wind, the placed sheets of old library books abandoned in disarray on the will of fate. Anna Adamovna told us that camouflages ships, pressed against the Nevsky Embankment from the plant, the margin of porcelain paints. It was cold, deserted, sad ... "Personal merit A. A. Yatskevich - Salvation of the unique library of the plant. Somehow she noted that the soldiers of the military unit, located near the plant, view various pictures clearly extended from some books. Looking at her in amazement learned in these pictures illustrations from books of the factory library. It began to understand and found out - a collection of porcelain and glass of the factory museum, together with the equipment and workers, managed to take the city of Irbit on the railway. And the car in which there were books from the factory library, for some reason did not have time to send and he remained standing, hitting the station's dead end. It was from him soldiers and got the factory library books and pulled out beautiful pictures. A. A. Yatskevich decides to save the book and on sledding gradually transports the entire remaining library to the plant. In his autobiography, A. A. Yatskevich writes "Mother Anastasia Yakovlevna and Sith Sofia killed in the difficult days of the blockade of Leningrad in 1942." On July 27, 1943, A. A. Yatskevich was awarded the medal "For the defense of Leningrad." In the fall of 1943, under the leadership of N. M., the artistic laboratory of the plant gradually began to resume its work. In the summer of 1944, it was planned to celebrate the 200th anniversary of the founding of the plant and N. M. Suetin appealed to artists with the call to create works to this significant event. On June 26, 1944, by Decree of the Presidium of the Supreme Soviet of the USSR, the State Porcelain Plant named after Lomonosov was awarded the Order of the Labor Red Banner, 64 employees - orders and medals of the USSR. Anna Adamovna Yatskevich was awarded the Order of the Red Star. In November 1944, A. A. Yatskevich finished work on the service "Cobalt mesh" on the shape of the sculptor S. E. Yakovlev "Tulip". Under the direction of N. M. Suetin A. A. Yatskevich, together with artists A. A. Skvortsov, L. V. Protopopova and L. I. Lebedinskaya worked in 1945-1946 over the creation of a monumental vase "Victory" to the first anniversary of the victory of the USSR In the Great Patriotic War. On March 18, 1946, A. A. Yatskevich was awarded the medal "For valiant work in the Great Patriotic War of 1941-1945."

Anna Adamovna Yatskevich (1904-1952), artist GFZ named after Lomonosov (center) for creating a vase "Leningrad - Cradle of the Great October Socialist Revolution." Photo 1947 year. In the post-war years, A. A. Yatskevich created various vases "Ornamental", "Suite", "Cobalt" and others, sets for the mass production "decorative", "Summer", "Moscow", "yellow background", "festive" And a number of others, various cups with saucers. Anna Adamovna was created painted by a large vase of the sculptor E. M. Crimmer with a portrait of K. E. Voroshilov and with the picture "First Horse", the Cup of the Big Neva was painted, the service "Decorative" was scheduled on the "Lotos" form, where she showed a high class of skill Gold and bold combination of blue tone with red selenium. Anna Adamovna's skill is characterized by subtlety, jewelery, accuracy of composite constructions. It is brought up on the best traditions of the oldest porcelain factory. In March 1947, the United States of the United States of the USSR was adopted. As often happens in life, the author did not live to the well-deserved recognition of his wonderful work. In October 1951, A. A. Yatskevich left in the next vacation, went to the Caucasus, then fell ill and on May 13, 1952 on the 48th year of life died. He was buried at the theological cemetery of Leningrad. Years passed ... In 1958, the World Expo Expo "58 was held in Brussels, for the first time after the war. The USSR took part in it, occupying a whole pavilion. One of the countries of the country presented at the exhibition was the Leningrad Order of the Labor Red Banner Porcelain Organ Lomonosov, whose products caused great interest and were awarded high exhibition awards. For a harmonious combination of form and painting, a simple and shaped solution "Cobalt mesh" service was awarded the "golden medal" (author A. A. Yatskevich, posthumously).

In 2015, IPZ JSC successfully noted the 70th anniversary of the creation and the 65th anniversary of the start of the industrial production of the "Cobalt Mesh" service. Created by a talented Russian artist Anna Adamovna Yatskevich in the war-hero of Leningrad, the service "Cobalt grid" was not only a sign of the first porcelain factory in Russia, but also the symbol of our city, the personification of the classical Petersburg style. A. Kucherov, JSC "IPZ".

The service "Cobalt mesh". The author and defendant A. A. Yatskevich, November 1944. Porcelain, cobalt painted painting, supervised painting with gold, chilling. GFZ named after Lomonosov, 1944. GE collection. Reproduction of the author's facsimile at the kettle.

A cup with a saucer from the service "Golden Mesh". Author of Mural A. A. Yatskevich, 1948. The form of "Tulip", author S. Ye. Yakovlev. Porcelain, Opponent Polychromic Painting, Gilding, Circus. GFZ named after Lomonosov, 1950s.

Among the many decors of porcelain and a variety of patterns, one of the most famous and recognizable is the "cobalt mesh". This painting, which for the first time decorated porcelain in 1945, has already become a classic of decorator art and branded, distinctive sign of the Lomonosov porcelain plant (imperial porcelain factory), whose wizard was created.

The famous pattern was invented by the artist Anna Yatskevich. True, at first he was not cobalt, but gold.

Services with such a pattern on the LFZ began to produce immediately after the war, in 1945. And a year later, Yatskevich interpreted his pattern and created the most famous cobalt from the golden mesh. She first signed a tea service for the "Tulip" forms of Seraphim Yakovleva. In 1958, the "cobalt grid" is a simple and elegant pattern, conquered the world. This year, the World Exhibition in Brussels took place, where the Lomonosov porcelain plant presented his best creatures, including items decorated with this painting. The service with the "cobalt mesh" was not specifically prepared for the exhibition, he simply entered the assortment of the plant, and the unexpectedly it became for the LFZ award - for the pattern and the form of the service got a gold medal.

Anna Adamovna Yatskevich (1904-1952), graduate of the Leningrad Art and Industrial Technical School (1930). He worked on the LFZ from 1932 to 1952. Porcelain painting artist. Glory to her, as the creator of the famous "cobalt mesh" came only after death. About the triumph of his painting in Brussels, she never learned. She, like many blocks, died shortly after the war, never learning that her drawing became a symbol of Russian porcelain.

How did the cobalt grid pattern originate?
There is a version that the famous Patter Yatskevich inspired the service "Own", which was still made in the middle of the XVIII century for the Empress of Elizabeth Petrovna Dmitry Vinogradov, the creator of the porcelain in Russia. Also, one of the festive setting of IFS, which supplied china to the Imperial Court of Nicholas I was a "cobalt service." This service was the repetition of its predecessor with the same name. His at one time was manufactured at the Vienna Manufactory on a special order of the Austrian Emperor Joseph II. Such a gift to the monarch decided to present to the Russian emperor Pavel Petrovich and his wife Great Princess Mary Fedorovna, who gave to him.

To arrange the heir to the Russian throne of Joseph II and decided to present a luxurious porcelain service as a present. The sample, according to which the "cobalt service" was created at the Vienna Manufactory, became another service - the work of the Sevra Manufactory, which in 1768, Louis XV presented the Danish king Christian VII. The Vienna service was decorated with a gold openwork painting "Cailloute" (Franz. - Bridge with a cobblestone) in a cobalt background, bouquets of polychrome colors in reserves framed by gold rociles.

Paul I appreciated the luxurious gift of Joseph II, as he says what goes to the war with Sweden, he bequeathed his mother-in-law.

However, with the war, the emperor returned to the good health and continued the ownership of a "cobalt service." In the 1840s, the "cobalt service" was located in Gatchina, in the Priorat Palace, and it was then that he was replenished with IFS.

In 1890, the "cobolt service" with the brand of Vienna manufactory in full set was sent to the Winter Palace. In the Gatchina Palace, a part of the service remained, the one that was performed on the IFS. Today from the famous service made in Vienna to our time, 73 subjects have been preserved.
Comparing the "cobalt grid" Yatskevich and the painting of the service "Own", experts consider similarity very remote - the grid of the artist is more intricate, performed by under-cordical cobalt. In places intersection of blue lines, the mesh is decorated with asterisks of 22 carat gold, which gives painting even greater nobility and elegance. The service "own", in the nodes of the golden mesh, small pink flowers are written.

This pattern appeared shortly after the discontinuation of the blockade in 1944. It was not just a geometric ornament. Anna Yatskevich, the author of the famous blue LFZ logo, painted the messenger of the seraphim sculptor of Yakovleva in memory of the missed cross, windows and cross lights of the searchlights illuminated by the sky of a blockade Leningrad.

There is another interesting point in the history of the creation of this decor, it is associated with a pencil, which artist Anna Yatskevich inflicted his famous pattern to china. In those days, the idea of \u200b\u200busing the so-called cobalt pencil appeared on the LFZ. Of course, the pencil was the usual, made at the Saacco and Vanzetti factory, but the porcelain paint was the rod. I did not like the artists of the plant, only Anna Yatskevich decided to try a novelty and soles themselves with the first instance of the service "Cobalt grid". So it is or not, but this instance of the service is now in the exposition of the Russian Museum.

"Cobalt grid," as experts believe very winning looked at the service of the forms of the "Tulip", she successfully beat him and gave him solemnity. Subsequently, this painting began to decorate on the LFZ (IFS) and other products: coffee and dining rooms, cups, vases and souvenirs. By the way, Anna Yatskevich belongs to another contribution to the development of the porcelain plant - it is the author of the famous LFZ logo (1936), which is depicted on all products of the enterprise.

Other products factory.

Mug "Milk". N. Danko form (1918) Painting A. Vorobyevsky. Exhibition. "In some kingdom ...". State Hermitage

Decorative dish "Bill I. Bilibin. Watching 1 »Author - O. Belova Weber

sculpture "Officer of the Life Guard of the Hussar Regiment of the Kingdom of Alexander I (1801)" from a series of equestrian figures of officers of the Life Guards of the horse shelf in the forms of the previous time of 1912. Model K.K. Rausha von Traubenberg, painting V. Petrov. Porcelain, Painting Opponent Polychromic, Gilding, Silvering.