Ten characteristic signs of an excellent piano game. Margherit Long

Recognize the only world of the best modern pianist is an unbearable task. For each criticism and listener, idols will be various masters. And this is the strength of mankind: the world has a considerable number of decent and talented pianist musicians.

Agrerych Marta Arkerich

The pianist was born in the Argentine city of Buenos Aires in 1941. For the tool of the village already at a three-year-old age, and at eight years her public debut took place, on which she performed the concert of Mozart himself.

The future star-virtuoso studied in such teachers as Friedrich Guld, Arturo Ashkenazi and Stefan Miklangegeli - one of the most outstanding pianists of the 20th century performing the classics.

Since 1957, Argerich began to participate in competitive activities and won the first large victories: 1 place in the contest of pianists in Geneva and the international competition named after Buzoni.

However, the real stupid success in March came at the moment when she at the age of 24 could win the Schopin International Level Competition in the city of Warsaw.

In 2005, she became the Grammy Higher Prize laureate for the execution of chamber writings of Prokofiev composers and Ravel, and in 2006 - for execution along with the orchestra, the works of Beethoven.

Also in 2005, the pianist was awarded the Imperial Japanese Prize.

Its cramped game and amazing technical data, with the help of which it virtuoso performs the works of Russian composers Rakhmaninov and Prokofiev, cannot leave anyone indifferent.

One of the most famous modern pianists of Russia is the musician Kisin Evgeny Igorevich.

He was born on October 10, 1971 in Moscow, at the age of six, he entered the music school named after Gnesini. The first and only teacher for him for him became Kantor Anna Pavlovna.

Since 1985, Kisin has begun to demonstrate his talent abroad. In 1987 she debuts in Western Europe.

After 3 years, he conquers the United States, where he performs the 1st and 2nd concerts of Chopin with the Philharmonic Orchestra of New York, and in a week performs in solo format.

Another of the most prominent modern Russian pianist-virtuosos is the famous Denis Matsuev.

Denis was born in the city of Irkutsk in 1975 in the family of musicians. Parents from an early age committed a child to art. The first teacher of the boy became his grandmother Vera Ramamul.

In 1993, Matsuev enters the State Conservatory of Moscow, and after 2 years already becomes the leading soloist of the Moscow State Philharmonic.

Worldwide fame acquired after the victory at the Tchaikovsky International Competition in 1998, when he was only 23 years old.

He prefers to combine his innovative approach to the game with the traditions of the Russian School of Piano.

Since 2004, he holds a series of concerts called "Soloist Denis Matsuev", inviting to cooperate with him domestic and foreign leading orchestras.

Christian Zimmerman

Christian Zimmerman (born in 1956) is the famous modern pianist of Polish origin. In addition to the operation of the instrumentalist, is also a conductor.

The initial music classes taught him the Father - a pianist-amateur. Then Christian continued his studies at the teacher Angea Yasinsky in a private format, and then moved to the conservatory of the city of Katowice.

The first concerts began to give at the age of 6 and in 1975 won the Chopin pianist contest, thereby becoming the most young winner in history. Over the next year, he honed piano skills from the famous Polish Pianist Arthur Rubinstein.

Christian Zimmerman is considered a brilliant performer of Chopin's creativity. In his discography, there are records of all piano concerts Ravel, Beethoven, Brahms and, of course, their main idol - Chopin, as well as writing the writings of sheets, strauss and respios.

Since 1996, he has lessons in the Basel Music School. Got a bonus of the Kiji Academy and Leoni Sonning.

In 1999, he created the Polish festival orchestra.

Wang Yujia is a Chinese representative of piano art. Fame acquired thanks to his virtuoso and incredibly fast game, for which it was awarded with a pseudonym - "Flying Fingers".

The place of birth of the Chinese modern pianist is the city of Beijing, where she spent his childhood in the family of musicians. At the age of 6, he began his own samples on the keyboard tool, and a year later he entered the central conservatory of the capital. At the age of 11, he was credited to study to Canada and after 3 years finally moved to another country for further training.

In 1998, she receives a prize of the international competition of young pianists in the city of Ettlingen, and in 2001, in addition to the above-described award, the judiciary gives Wang award, awarded to the pianists up to 20 years, in the amount of 500,000 yen (in rubles - 300,000).

The pianist and Russian composers play with success: has the second and third concert of Rachmaninov, as well as the second concert of Prokofiev.

Fazil Sai - Turkish modern pianist and composer, born in 1970. He studied at the Ankara Conservatory, and then in the cities of Germany - Berlin and Dusseldorf.

It is worth noting, in addition to piano activities, and its composer qualities: in 1987, the writing of the "black hymns" pianist was performed in honor of the 750th anniversary of the city.

In 2006, the premiere of his ballet "Patara" took place in the city of Vienna, written on the basis of the topics of Mozart, but already piano sonata.

In the performing piano repertoire of Saya, two composers occupy an important place: Music Titans Bach and Mozart. At concerts, he alternates classic essays with his own.

In 2000, he made an unusual experiment, risking to write the ballet "Spring sacred" for two pianos, performing both parties personally.

In 2013, he fell under a criminal case for statements in the social network regarding the topic of Islam. The court of Istanbul came to the conclusion that the words of the musician were directed against Muslim religion and sentenced the Saya phase to 10 years of convention.

In the same year, the composer filed a petition for a re-consideration of the case, whose verdict in September was confirmed again.

Others

In one article, you just have no opportunity to tell about all modern pianists. Therefore, we will list more of those whose names are today significant classical music in the world:

• Daniel Barenboim from Israel;
• YUNDI Li from China;
• from Russia;
• Murray Penia from the United States of America;
• Mitsuko teaching from Japan;
• From Russia and many other masters.

Technology, Development " www.method PABINET.RF

Iovenko Yulia Evgenievna, Piano Lecturer Mauk Doda Children's Music School Komsomolsk-on-Amur Khabarovsk Territory

My projectit concerns the problems of interpretation of piano music.

I'm a little tough The topic of the story of piano performing arts, as well as touched on the issue of trends in modern executive pianism, I will tell you about some pianists of our time, which in my opinion are the best interpreters of one or another composer.

Music in a row of arts occupies a special place in its specificity. Objectively existing in the form of a note record, music needs an act of re-creation by the performer, his artistic interpretation. In the very nature of music, the dialectical unity of the musical work and execution is laid.

Music performance There is always modern creativity, the work of this era, even when the work itself is separated from it with a large period of time.

Depending on the era of the development of piano music, pianists were formed a certain style of execution, a certain game manner.

Local period is for prehistory piano actuation. At this time, the type of musician is the practice, "playing composer". The basis of performing skills is creative improvisation. The virtuosity of such a musician was reduced not so much to technical excellence as to the ability to "speak" with an audience with the help of the tool.

New important stage of musical execution comes by the end of the 18th century with the extension of a new solo tool - a hammer piano. The complication of musical content caused the need for an accurate note, as well as fixing special performing instructions.

Piano execution acquires emotional saturation, dynamism.

By the end of the 18th century, a new form of musitizing is a public, paid concert. The labor division of the composer and the artist is.

In early 19th century A new type of musician is formed - "Composing Virtuoso". New spatially - acoustic conditions (great concert halls) demanded that performers of greater sound. In order to enhance the psychological impact, elements of spectacle are made. "Game" of persons and hands becomes a means of spatial "modeling" of a musical image. The public is affected by the virtuoso scope of the game, brave flight of fantasy, colorful gamut emotional shades.

Finally by the middle of the 19th century and a musician interpreter is formed, an interpreter of someone else's composer creativity. In the interpreter, an exceptionally subjective nature of execution is inferior to the place of interpretation, which places objective artistic tasks, disclosure, interpretation and transmission of the figurative building of the musical work and the idea of \u200b\u200bits author.

Almost everyone 19 century It is characterized by a powerful flourishing of piano acting. The execution becomes second creation, where the interpreter turns out to be equal with the composer. The main figure in the performing sphere becomes a wonderful virtuoso in all its varieties - from the "acrobats" of the piano to the performers of propagandists. In the activities of Chopin, Sheet, the Rubinstein brothers dominates the idea of \u200b\u200bthe unity of art and technical began, on the other hand, Calcbrenner and Lizgan put the main goal to raise a virtuoso student. The style of many masters of the 19th century was filled with such a performers that we would consider it 100% tasteless and unacceptable.

XX century You can safely be called the century of great pianists: so much in one period of time, it seems, they never happened. Padhevsky, Hoffman, Rakhmaninov, Snabel- at the beginning of the century, Richter, Gileels, Kempff- in the second half. The list can be complemented infinitely ...

At the turn of the XX - X I. centuries A variety of interpretations is so great that it is sometimes not easy to figure it out. Our time is the protesting manner.

Modern art playing piano. What it is? What happens in it, which dies and what is born?

In general, the trend of piano performing arts today, in contrast, say that it was even 50 years ago - this is the priority of details over the overall concept. It is in a different reading of micro-parts that modern performers want to find their individuality.

Also, this is the existence of a secret rule of execution: "There is no homophone. All piano texture and always through polyphonic, and even stereo. The fundamental principle is associated with this: each finger is a separate and lively and specific tool responsible for the duration and quality of the sound "(quote from the lecture - the lesson of Mikhail Arkadyev).

The transition period to a new time is due to the acute need of society in art reflecting friendly communication, freedom from false. The need for domestic art increases. Democratization of art on one side revived musical life. But against the background of this revival, the phenomenon of transitional culture is pronounced - the adoption of pop culture, as a unique phenomenon, and the unique works of classics adoption for the art of stereotype. The educational function of music and highly artistic goal were changed to entertainment function and orientation on the tastes of the listener. The philharmonic system also fully lost the need for educational activities. Cash orientation, on profits that are proportional to the success at the sometimes not developed listener, and generates the development of the tastes of the population in the wrong direction. The media carrying the enlightenment function completely remove us from the traditions of academic music. You can meet the TV shows that promote the historical portraits of composers, announcements of speeches, or simply broadcasting the opera, in the total flow. Speeches of the best pianists are on the air on some channels period from 1.00-3.00 nights. What kind of viewer are these broadcasts are calculated on? Of the 47 television channels of the analog broadcasting 1 is given to promote culture in the mass. The avant-garde reflection of reality is very far from the ideological content of the academic repertoire, and the art height of the classical repertoire sets too high the plank of modern ordinary. In this regard, there is a very large gap in the understanding of art, in the trends of its development and meaning. Best of all about the situation in modern executing, the world was expressed by the world of Evtich: "Excellent pianists play around the world very quickly and very loudly, they are all titled and deserved, but they do not have a personal charisma, examination and personal quality." Also notable words M. Pletnev: "No longer heard representatives of the old Russian school. I hear such a school that can be called "post-Russian" or "post-Soviet". It originated from the need to receive the first places in various contests. Athletic game. I'm not a fan of such a game. But to get, you need to take just such a game. I see that people who play more intelligently do nothing. The career makes those who play loudly and fast ... "sports and competitive time led to the appearance of performers similar to each other. The professional level of the artist does not go beyond the correct and clean game. The performers are in line with their interpreter "I". The path of the pianist on the concert stage lies through the competitive competition. Only sports oriented pianists win. Because of this, artistic culture comes along the path of spiritual decline. Statistics fixes the fall of the fill in concert halls. Professionally oriented art people in Russia are mainly not financially visiting concert speeches. They are increasingly turning to the records, Radio "Orpheus" or the Internet. The issues of execution and interpretation are gradually remaining in the XX century. The concept of "virtuoso" changes its noble meaning of the "musician, masters of his business, a stunning hall." Increasingly, the virtuoso is called masters of technology that is distinguished by brilliant fluency, ease of performance of difficult passages, octaves and other technically difficult places.

The piano execution itself ceased to unanimously bear the educational function, educational, and is no longer a reflection of the mental mood of the people. The piano ceases to be a central tool, and Klaviraband is replaced by prefabricated concerts or sound recordings. Sound recording that appeared at the end of the 19th century, on the one hand, giving a massive impetus to the development of piano art, displaced the genre of homemade musitization, limiting the listener with low quality transmission of piano works. The piano at the beginning of the XXI century is replaced by electronic small-sized synthesizers, and the public visits solo piano concerts, preferred with bright symphony concerts or festivals, where you can hear a large number of diverse music in various designs in one evening. Does the future piano piano become a museum exhibit, and the piano performance will completely disappear?

To preserve the performing arts and rebirth, you need to go closely with bold large-scale ideas and with the desire for their embodiment. Original original thinking determines the movement and new ways to develop art. It is necessary to raise your audience and force it to rise above its artistic level. In the upbringing of students, it is important to instill the skill of knowledge, independent expansion of the horizon. Modern execution is represented by many pianists. Their names we most often learn after the contest PI Tchaikovsky. This competition brought celebrity to such pianists as

Wang Klibern, Vladimir Ashkenazi, Eleiso Virsaladze, Vladimir Krain, Mikhail Plenev, Grigory Sokolov, Boris Berezovsky, Denis Matsuev and many others. International competitions, festivals contribute to globalization of piano art. Piano schools gradually cease to have identified features as in the 20th century. Asian pianists come to study in Russia, Russians - travel to be internship and move to the West, and then returned to the concert to Russia again. The style of modern execution reflects the philosophy of pluralism. The multiplicity of interpretations, performing directions, the construction of programs today is equivalent and permissible. On the one hand, it provides the road tasteless and illiterate to lovers, but at the same time it is a chance for professionals to maintain executive art and look for new ways of development. This path seen in the 20th century still Glen Guld. Experimenting with the recording sometimes even opposite interpretations in one day (for example, Beethoven Sonata Op.57 "Appasionate"), he proves his reform about the correctness of any interpretation in its validity and persuasiveness. Modern directions of piano art can be defined as expressiveand fine. So in the piano works, the perforous directions performer express the idea of \u200b\u200bthe composer across the prism of his spiritual world, attitudes towards the work, making a search for her in the historical and philosophical panorama. And the pianists of the "fine direction" show us the idea of \u200b\u200bthe work, its meaning in the context of his personal professional opportunities, drawing the image. Modern execution can usually be characterized by pianists, the creative principles of which have already developed, and the future is young pianists who are still on the threshold of great achievements.

Gregory Sokolov, Mikhail Plenev, Boris Berezovsky, Evgeny Kisin, Ivo Pogorelich, Marta Agrih, Alfred Brendel, Eleiso Virusladze - Pianists, whose names in our modern day. Their performing principles have already developed during the creative career and mainly they continue the best traditions of the pianism, which established in the 20th century. In their memory, they are still fresher in the instructions of the best teachers and live performances of pianists, such as S. Richter, E. Gileels, Vl Horovitz, Ar.Rubinshtein .. Our age provides us with an amazing opportunity to listen to their recording. We can appreciate their technical capabilities, compare interpretations, trace the evolution of artist's creativity at any time convenient for us. But we will never be available to the magical world of creation, the Sacred Aura of Colorful Sound, the power of influence on the listener, that agent of energy, which is capable of shaping the worldview of the performer, to raise his taste and direct his work in the direction, which will retain the artistic plan for height. Alas. The predictions of these quantities of piano performances are not always comforting, but they are trying to preserve and convey to their activities and transfer what grain gathered in the entire history of piano executing. Conducting festivals, invitation of world stars of piano art, price availability when buying subscriptions to concerts, grants for supporting young tags are the first steps to stop the irreversible process of the disappearance of piano acts. We give the hope for the future, we give young talents, the search for which is continuous. One of the recently conquered the whole world of pianists - Daniel Trifonov. Brilliant young pianist, with a musical position formed. Music gifts in its performance combined with a flame heart and attitude to music. "First of all, the music should enter my heart, only then I start working on the work." - says Daniel. His performing style can be considered a worthy continuation of the Russian piano school. His aspiration that can be heard in any interpretation - get closer to the composer idea, but with era and time. For example, the first piano concert P.I. Tchaikovsky in his performance is filled with breathing and very melodic. And the fulfillment of the concert for №1 F.Shopen - in the best traditions of the first winners of Commerce Chopin - L. Oborin and I.Zak. filled with male sentimentality and sincerity. From the first sound captures the hearts of the listeners - Alexander Lubanesev. A pianist, who has passed a large number of contests, is striking with its interpretations. Despite not always positive feedback on his performance, it can be said that he goes on the right path - not to copy the existing interpretations, but spreads the framework in search of its individual style and in building new work readings. For him, the works are an inexhaustible source for search, and his motto "will master the road going." His execution could not leave anyone indifferent. The kellands of Lubanesev does not have empty places. Interpretation is the second life of music and such a large artist to her - will definitely inhale a new life in performing art. Unforgettable impression Leave concerts

Miroslav Kultyshev. The performing style of this pianist is very romantic, touching, delicate, like the image of the pianist itself. The absence of bright expressiveness and sorrows raid gives its extensity and does not impose his opinion and interpretation to the listener. There is a backlash for imagination and fantasy listener. It leaves some inaccessibility that leaves the impression that the pianist will still "reveal" and something else "will show." But this is such an exotic fancy style. Its especially successfully execution of works by M. Ravel "Reflection" or "Night Gaspar". The fulfillment of concert No. 2 S. Rakhmaninov is filled with sincerity, and its sound fills the entire hall of the aura of the sacred. Its repertoire is less than classic works. This pianist speaks in one of the interviews:

"The Vienna Classic caused me a significant difficulty because of its greater organization and classicalness, if you compare it with music of romanticism. I have since childhood with a romantic repertoire, playing a lot of romantic music. As I played, I do not undertake to judge, but in any case, in this choice, my inner inclination and need was manifested. " His approach to the work, the search for the author's plan, the study of the musical and theoretical base, teaching activities affect the executive evolution. His perfect execution acquires depth and philosophy. Perhaps in the future, this feature will reflect on the repertoire of this pianist, and we will hear the perfect interpretations of classical samples of academic music in its performance. The above pianists, as well as - Nikita Mdiumz, Vadim Khollenko, Andrei Gugnin, Arseny Tarasevich-Nikolaev is our future. These are pianists with bright individuality and their vision to performing art. Many of these pianists represent the type of artist - "Composing Virtuoso", as popular in the second half of the 19th century. The multi-faceted of their talent is expanding to read the works, and adds their activities creative appearance. On bis, they fulfill their own essays, their own cadents compose to concerts, make up reviews on their colleagues, promote a rarely executed repertoire, fulfill academic music on a par with modern. The method of expanding the musical specialization with the restoration of performing traditions and the objective awareness of modernity gives the hope that the pianistic art is located as in the time of A. Rubinstein, at dawn and she has one and a half centuries of brilliant history until the next update.

"You have played so vividly"

Ivan Bessonov became the winner of the international competition of young musicians Eurovision. A ticket to the capital of Scotland Ivan received on the project "Blue Bird".

Ivan Bessonov was born in St. Petersburg. At six years he began to study the piano. And for 10 years, he became the winner of the Grand Prix of the International Youth Competition named after F. Chopin, received the premiums of the "Young Gangways of Russia", Astana Piano Passion and the Competition named after A. G. Rubinstein "Miniature in Russian Music". The virtuoso became the laureate of the international competition Grand Piano Competition in Moscow and the Government Prize of the Saint Petersburg "Young Dating".

Pianist Denis Matsuev told the "360" that he first learned about Bessonov at the Blue Bird Competition. The boy conquered him his freedom, interpretation and talent.

For the year he made a big jump both in the repertoire, and in his game. After the victory in Eurovision, Ivan is not relaxing, today in the morning he went to do. There is no time to relax. I will wait for him in Irkutsk at myself at the festival

Denis Matsuevpianist virtuoso.

It was Matsuev that advised to send a boy to Eurovision. Denis Leonidovich admitted that Ivan's speech was watched and proud of them.

At the contest of Bessonov, Ovation was torn: he applauded the entire hall with the orchestra. Immediately after the speech, he praised the chief director of the Scottish Symphony Orchestra "BBC" Thomas Daison. "Fiction! Just amazing! You played so live! " He exclaimed.

When the winner declared, Ivan did not believe. On the way to the scene, he asked several times, whether he was intended for the reward.

The pianist told "360", which did not expect victory. Preparing as always: the focus was made to music, tried to gather it inside - this is the main one.

"Literally a week later I'm going to the Matsueva Festival" Stars on Baikal ", I will perform with the orchestra. Immediately after I am going to Vladivostok, then I have several serious performances. There are platforms, there is a place for self-improvement. I hear about the cash probe for the first time, it's honestly, so I do not know how to dispose. The speech with the orchestra is something, a conductor, all this is great, "Shared impressions of Bessons.

According to the young musician, close to always demand more from him. He himself believes that there should always be a "chair with nails".

I sometimes disappear incentive, my parents return it. Competition did not feel, I am very good for everyone and all these people are musicians. I do not see myself in the role of a competitor absolutely. We seem to talk from kindergarten

Ivan Bessonovpianist.

Couplings highlights talents in Russia

Pianist Nikolai Lugansk shared with "360" impressions of the young artist. "I am insanely glad. His teacher is my very close friend and creative partner Vladimir Rudenko. I heard him, but very little. This is a very talented person. Now I do not say that there are many such talents, but several people are exactly. My feeling that there are fewer talent pianists, "said Lugansky.

Pianist Ivan Rudin knows Bessonov as a scholarship of the Spivakov Foundation. According to Maestro, the boy is very gifted. "Now the main thing is that after good luck at this competition he confirmed its work. Success does not come without difficulty, even very gifted children and guys, "Rudin told" 360 ".

According to the musician, there are many talented children in Russia. "Unfortunately, our specificity is that we pay attention to interesting people only when attention is raised somewhere far away abroad. This is another reminder: let's pay attention to Russian children. We must believe that we can do a lot and that this is exactly the case, "Rudin called.

Denis Matsuev said that Bessons only at the beginning of the creative path.

"This is one of the first chambers to the big scene. There are many talents in Russia. Our contests argue that there is a big team of young gifted musicians. 12- and 15-year-old children are ready to glorify our school. We appear from small towns unique nuggets, which we have to help, "concluded a pianist virtuoso.

man shared articles

When Elisha Mysin sits down for the piano and, from under his fingers, music begins to streamline, it is difficult to believe that he is five years old. He does not yet get his legs to the piano pedals, and the height of the chair for it has to be increased with the help of the pillow. However, talent and hardworking has already helped the Stavropol Wunderkind to win a high assessment of professionals and the love of the public from different parts of the country.

Once, on the air of one of the Russian TV channels, Elisha performed the first part of the F-Minor Johanna Sebastian Bach for Piano with Orchestra, the famous virtuoso Denis Matsuev played his author's football play "Tornado" and invited a little musician in the summer creative school of the Foundation "New names" in Suzdal. And the audience voted for him was provided by a pianist a ticket to the final of the All-Russian competition of young talents "Blue Bird".

In the lobby of the Children's Music School N 1 of Stavropol, where Elisha Myshin is learned on the preparatory department, there is a big banner with his photo. Here the blond boy has long been nicknamed with a little Mozart. And no accident - like the Great Austrian composer, he began to get involved in music three years after his older sister.

According to Mom Elisha Olga Myshina, she noticed the ability of his son before his birth. When the daughter of Lisa, who this year finishes the music school, played the piano, the baby in his stomach actively reacted into etudes and sonates, and completely differently.

And after Elisha began to reach the keys, he began to try to play himself and constantly asked his sister: Liz, do you do that? And, most interesting, he had to repeat the melody, "says Olga. - He is generally always absorbed by the music. Yesterday we, for example, flew by plane from Moscow, and he fought all the way something. And in the hotel, seeing the old piano standing there for entourage, immediately sat down. As a result, I gathered around myself almost all guests who arranged a real ovation.

On the eve of New Year, Elisha wrote another play and called it very symbolic - "Mandarin"

The boy was not three years old when the parents gave the Son to the group of the aesthetic development of the music school. At 3.5 years, he began to engage in the head of Lyudmila Tikhomirov, the head of Lyudmila Tikhomirov. The fact that it will explain from it, it was noticeable immediately, says the teacher:

Elisha has good hands - flexible, soft and wide, as well as extraordinary hearing. Pupils play, for example, "in the cave of the mountain king" Grieg, he listens, fit and picks up one finger. In addition, he is very hardworking and persistent, instantly grabs and then carefully working on each sound. And when something does not work, it is very frustrated and angry. Not at me, like many, for the fact that I put such complex tasks, and on yourself.

It was these qualities that helped a small pianist literally in three weeks with a break to a trip to another competition to learn and show the first part of the Bach concert, which is taught in the senior class of music school.

Initially, planned to perform Tchaikovsky, but after the casting they called us and said that you need another repertoire. I thought until the last thing I would not have time, but Elisha led himself as a real adult musician - while he could not have done everything right, it was impossible to drag him from the piano, - a teacher admits.

Now the young virtuoso is revealed and as a composer. Following the "Tornado" on the eve of the New Year, he wrote another play and called it very symbolic - "Mandarin".

The music lives at Elisha in the soul, - notes Lyudmila Danilovna. - And my task as a mentor is to help him continue to develop. No Star Diseases! Yes, we are very ahead of the program, but through the accumulation of the base will not jump - you need to strengthen your hands, to work out and technique, and the repertoire.

In life, a small pianist is modest and even shy. The popularity and constant requests to make selfie are very confused. But when the boy sits down for the tool and begins to sort out the keys, it is literally transformed in his eyes, becomes confident and free as a real artist. For him, there are no viewers nor judges, around - only music.

On the question about the favorite composer Elisha, I am not thinking about:

Boy plans to learn to play violin and organ. And the main dream is to have your own piano and make an orchestra at your concert.

Despite the fact that classes on the piano occupy most of the life of Stavropol Wunderkind, he has time to play football and chess, ride the courtyard on a bike and scooter, collect constructors.

Many people write me and say that Elisha probably has no normal childhood, but this is not the case, "says Olga Mysina. - We just give the child to do what he likes. And in Moscow, we went to the competition only so that professionals notice his talent and maybe they would help him grow in a good pianist. But even if he further chooses another profession, the music will surely help him become a cultural, harmonious and mental person. And this is for us - the main thing.

Meaning

The All-Russian competition of children's talents "Blue Bird", invented by the VGTRK team, was so popular that the channel decided to extend it to the second season. Along with the jury, the viewers of the whole Russia vote for the participants of the competition. "Blue bird is an atmosphere of the real festival, the atmosphere of the real family. In my schedule, which is 245 concerts for the next season, I will definitely come here, I will participate in this amazing project, because I know that the flow of applications is huge from all over the country and Absolutely from different regions, I am very inspired by me, "says Denis Matsuev, the Russian pianist virtuoso. Last season, he was leading, but in this he became a member of the jury. "We are very many things going to try, which did not do at all before on television anywhere. It all expands the idea of \u200b\u200bthe Blue Bird Competition - to inspire our viewers to look for talents in themselves, around themselves, among their friends, acquaintances, among their children," - Says Daria Zlatopolskaya, leading the All-Russian competition "Blue Bird".