Returning mystical show watch. Mystical Show "Return

Returning mystical show watch. Mystical Show
Returning mystical show watch. Mystical Show "Return

One of the pioneers of the genre - the American team Jorney Lab together with the Russian producer of Yesbwork in conjunction, to turn the Henrin's Piece into an immersion performance. The viewer who falls on a ticket to the old mansion receives complete freedom of movements, the ability to poke the nose where it fell and detect, for example, secret moves and rooms. Directed by Viktor Karina and Mia Zanette half a year in the mode of strict secrecy taught artists to the technicians of the immersive theater. Miguel, choreographer show "Dances" is responsible for movement and in general for the energy of the project. For the first time in local latitudes, the genre of the Promenade Theater was treated so thoroughly.

It is necessary to go

For several reasons. First, this is the first in Russia a full-fledged immersion performance in the tradition of the Punchdrunk theater group laid down by their legendary "Sleep No More." Prior to that, was Normansk in the center of them. Meyerhold, but also that few people managed to see - noar-rod in Strugatsky showed less than ten times. Secondly, the "returned" is a thing that is so high-quality, multifaceted, historically reliable and erotic, which I want to immediately bring here for the hand of all apologists of the entire "classic" together with lovers, stressed "modern". And thirdly, the performance will be shown only 50 times, and then take away into the United States.

Read the play ibsen "Ghosts"

Or her brief content. For example, . Knowledge of the plot - a serious trump card, a pre-relieving possible questions like: "Who are these people?", "What is happening?" Or "Why are these two guys call one name?" However, and without an approximate view of the plot, scattered episodes will be in puzzle. If you completely simplify, "ghosts" - a family drama of the late XIX century, the main heroine pursue phantoms from the past, radically changing the future.

Do not go to friends or couples under the handle

First, this is asked not to do the organizers. And secondly, divided, you can see a different set of episodes, the more interesting it will be compared them. If you think that you do not understand anything - remember some of your journey. With a guidebook, you probably quickly found an important museum, a palace or a skyscraper, but when you just went, where the eyes look, you probably stumbled upon an amazing courtyard, an incredible graffiti or an illegal rave - and tested no less delight.

Don't seek to follow the plot

All scenes you still won't see, and in this the essence - everything is like in life. Especially since the space of the house and its design is an absolutely self-sufficient museum of European culture and life of the late XIX century (artists Ruslan Martynov, Ivan Booth). Just like the great London "Museum-Still Life" Dennis Sivers, where everything is arranged as if the owners just gone. Buffetted with old glass Buffet and toilet tables, Tools of the valve and parafernia for smoking, lamps and wallpapers - to look at it all at least fascinating than to follow the stroke of the play.

Do not expect from the actors of the brilliant psychological game

Artists are all insanely beautiful, plastic and charismatic. From the red-made joiner, it is impossible to tear the eyes at all. And what is the flight scene in the corridor, when the actors tip under the ceiling using the climbing hooks! But do not deceive yourself: this is not a new Russian dramatic theater. To see the acting skills of the XXI century, go to the "elephant" of Brusniktrans. The team "Returned" still another supersila is the striking ability to not notice the tightly overlooking the crowd of the audience.

Wear sneakers instead of shoes, lenses instead of glasses

At the entrance you will receive a mask (very convenient, by the way). In principle, glasses can be put on top of it, it's not very comfortable. The same with shoes - prepare a lot of walking on the stairs. And in general, we advise you to get acquainted with all the likes from home.

Consign for moving characters

As for the ambulance in traffic. This is the easiest way to achieve a total immersion in the spirit of German-senior films.

Do not be afraid to stay one on one with a character


There is a chance to experience the so-called personal experience. For example, hear something in a whisper, addressed only to you. The actors lure the audience to the room selectively, the guaranteed experience is promised to those who buy VIP tickets of 30000 rubles. But this is not necessary.

Do not drink wine in the bar

For a glass will ask 680 rubles. Expensive!

Do not miss Orgiy

The main scene of the performance depicts a fellow sin. Skip it is quite difficult, as almost all characters participate in it. But this means that in one place almost all the audience are gather. To take a convenient place in advance and not to kill in the attack, we recommend sitting in advance to sit in the most spacious basement hall. Landmark - stroboscope.

Wait for Final

In one evening, there are two magnifier without stopping. After the first actors changing roles, and episodes - locations. At the end of the second, there is a large and important finals on the top floor in the attic. Volyns spectators come and leave at any time, but it is still worth seeing the final. There are indeed all the points and the deserved and delicate catharsis happens.

The entrance to the theater is strictly 18+ and is possible only upon presentation of the passport. Barcode on the ticket can be submitted from a mobile device or from a printed ticket. The exact time input is on the ticket. The entrance to the show is carried out by several groups, each of which is included in its time. This is due to strict rules and instructions.

Special offer:
Tickets for the entrance at 20:00 at a price of 3,500 rubles (differ in the input time on the show).

VIP ticket

The owner of one of the 6 VIP tickets will be able to see an extended version of the show, guaranteed personal theatrical experience with the heroes of the performance, as well as access to the personal bar in the secret office of the captain alving.

Group Ticket

Designed for a group of 4 people with the ability to save 15% *.

In order to order a group ticket, you need to send us a letter to the following information:

  • Date of show and login time ( only 19:00)
  • Number of Tickets
  • contact number
  • Email

* The discount applies to the input tickets at 19:00.

Table Jacoba

You can book one of the 4 tables for two in the Ibsen Bar zone. The price of armor includes a privileged place and deposit on the bar menu. Booking acts from 18:30 until the end of the time of the bar. Book table is not a ticket for a show.

Open date ticket

You can buy a ticket now and decide on the date of visits later. It can be an ideal gift solution. To buy a ticket
Tickets with an open date in gift wrapping.
You can buy a ticket from an open date in gift packaging with free shipping in Moscow within the Moscow Ring Road. Take a purchase, and we will contact you to clarify the details of the delivery.

Before starting, the audience falls into the waiting area where there is a real bar, there you can drink and eat before a hard journey, which threatens with an emotional shock. After that, they are given masks and conduct a detailed instruction: the masks do not remove, silence, do not touch anyone, but be prepared that they will touch you. "Returning" is a disticted immersion theater. So now in Russia it is customary to call all fashionable interactive productions. But in its pure form, such an "immeractivity", that is, the immersion and involvement of the audience in what is happening, as they conceived in America in the past century, we have probably did not show it. That is, there were successful experiments, but here all the laws of the genre are observed almost for the first time with accuracy to the details, as in New York, exemplary for the kind of performances, setting Sleep No more from the famous British group Punchdrunk.

Producers of our show Vyacheslav Dusmukhametov and choreographer Miguel decided to invite the performance of foreigners too. The director "returned" - the Americans who spent half a year in Moscow, were committed to our actors, and then we, the audience, to the new one for our country as theater. For this, the mansion in the center of Moscow, where the bank with plasteron was located before was completely freed and led to historical appearance, that is, they recreated the situation of the mysterious house of the end of the beginning of the century, where bad things are happening on different floors. Spectators in masks and are invited to walk along these living rooms, rooms, Chulanam, laundry and mysterious premises, they must investigate the space themselves. And in this and the same ideal immersivity appears when no one leads the audience for the audience, they themselves decide where to go, for what scene line to follow, to which hero to join. That is, complete freedom is provided, from which many viewer may become even inconvenient and unpleasant, because in the psychology of our people it is laid in order to be kept somewhere and someone. And here will have to be true, real democracy.

Inside the house for three hours, different scenes occur, the characters of the play ibsen wander around the rooms, then connected at one point, for example, in the dining room, where the main action occurs, as in this Psychological theater. At the same time, the viewer can simply wander, there are even a lot of hidden rooms and labyrinths. You can find something interesting for yourself, watching the heroes, alive and dead, to watch pretty frank scenes, for example, for young people who indulge in orgy in the laundry (all this is a spectacular choreographic scene, which can remind the erotic scene from the "Titanic" Thanks to the winding windows). But you have to be prepared, because someone may unexpectedly grab you by the hand, to take it somewhere in a separate place, tie my eyes .... But I will not give all the secrets of this mansion, with me this interaction, for example, happened, and it was very unusual, which I wish.

The most rational stroke for the viewer is to choose any character and walk behind it. Behind the late captain alving, the owner of the house of Fru Alving, or from Paris, their son Oswald, or the servant Regina, which turns out to be a noble lady and the extramarital daughter of that very rapid captain, which was not pious at all, but quite a dubious man. But personally, the figure of a rather slutful pastor Manders is most interesting for me, which is experiencing his sinful very emotionally, which is one scene of his sexual act with a picture on which a naked woman is depicted. In general, this story about lust and morality, about the fact that Ibsen wrote. This is a performance about skeletons in the closet that do not give rest about the secrets of the past, which are poured into hereditary sins, suffering and illness. About the fact that nothing passes without a trace. Just about these ghosts and returned families of the family correctly speaks in one key monologue: "This is something tapering, like the ghosts, from which I can't get rid of ... all sorts of old talked concepts, beliefs and the like. All this no longer lives in us, but still sitting still so hard, which is not separated from him. " And, indeed, for everything will have to answer. And the vice here is near, and who has no such? And each viewer should be sure to feel it.

At the very least, the audience themselves become participants in this show, and just by these ghosts that are still looking at all this and inevitably project what is happening on their internal experiences, can even be revealed. Such a good session of psychoanalysis. Therefore, it is better to go through it all alone, from beginning to end. Only so you can feel everything to the end, may understand your ghosts. Try, experience it on yourself. "Return" in Dashkov Lane. But do not forget that this is not some attraction or simple entertainment, here everything is much emotionally and, of course, can touch for living.

The performance of the immersive theater is now started in Moscow - with the effect of involvement. The pleasure is not cheap: tickets from five to 30 thousand. Opinions are divided by one of the first spectators - the chief editor of Business FM and the general producer of radio "Chocolate"

Mystical show "Returning". Photo: press service

In Moscow, official shows began in the mansion on the "Park of Culture". In his framework lay the play of ibsen "Ghosts". Five thousand rubles tickets are repented until the end of December. A new show is either very much or resolutely not.

For those who do not know: the format suggests that the audience do not sit in chairs, but they put on masks and roam, themselves or for actors, in a huge mysterious house. People start portions. Buying a ticket, you choose at the same time and session, but it is better to go with the first stream: then you will watch the performance from the beginning, and catch the essence of the story will be easier. Although even in this case is not a fact. The chief editor of the Business FM Ilya Kophelevich managed to visit.

Ilya Kophelevich chief Editor Business FM"I managed to engage in action, catch how it happens. At some moments, you really choose, for whom to follow the heroes, because the scenes are developing in parallel. You can get all the time in the reverse order, go into the opposite and see the corners, illustrative moments and do not stumble upon the dramatic effect itself. The dramatic action was the highest acting and directorial level. I assume that the game of actors, when they are not separated from the public in general - I was next to them at a distance not that the stretched arm, and often it was just close - there was no false false in their game. Naturally, it produces a very strong purely sensual impression, no longer as the theater, not as text, but as some music. I would have people who are in general interesting and for which six to seven thousand are far from the last money, in this case, rather, would advise. There is nothing terrible, nothing mystical. You yourself must catch this action, and in order to catch it, it is better to know the general canvas in advance. "

The head of another radio station holding Ibsenovskaya Kana knew in advance, but the action did not catch. The general producer of radio "Chocolate" Ilya Efimov is divided by its impressions:

Ilya Efimov general Producer Radio "Chocolate""We drove in the car with friends, of course, the libretto of the work of Ibsen was revered. It did not help us at all. It is categorically nobody liked any of the friends. Maybe it makes sense to led from the room to the room? At least to give some kind of program, to explain some kind of libretto to read the person and step by step. It turns out that you go meaningless. Sorry, it can be seen that these are not the actors. You come, go to the bar, and go heroes, they are so not professional ... What is curious if the producer of this show Miguel is related to dancing, then why didn't they make any curious productions? At least that we go out and said: see what choreography. Choreography no! It turns out meaningless rooms with a beautiful unusual entourage. Yes, expensive, but this is not five thousand, of course. "

Despite the fact that on similar mysteries, for example, in London, the cribs distribute, here they are not provided, so in addition to the money spent on a ticket, it will have to be intellectually, otherwise you will lose not only funds, but also time: setting is about three hours.

Recently, traditional arts incessantly look for new forms to withstand rivalry with the Internet. The concept of interactivity in fashion. The viewers are trying to involve in what is happening by all available ways. In the cinema here and 360, and 3D, and virtual reality. The viewer is able to influence the development of events - for example, choose the final film. And if he did not suit the already proposed, play another into a computer game. However, Stanislavsky would know how the work of actors in the modern theater will change, he would rewrite his system.

In the new performance show "Returning", the premiere of which will be held in Moscow on December 1, the actors play, being in the midst of the audience. Made a performance American directors Viktor Karina and Mia Zaidati from the New York Theater Company Journey Lab, and the choreographer Miguel, famous for the general public at the expressive TV show "Dance", and Vyacheslav Dusmukhametov - he stands as producers and "partners" Most of the projects of the TNT television channel. After 50 ideas in the Russian capital, the production will go to New York. Is it worth going and what kind of experience, the Observer "RG" experienced.

The intrigued we were going in a batch bar. In annotations to the show, it is recommended to come in comfortable clothes and shoes and strictly punish the rules. You can not, for example, touch the actors yourself and even beat them! But the most terrible rule for a journalist is not even not removed the mask, and the fact that three hours cannot be accepted. Another difficulty is the lack of mobile phones and opportunities to do Selfie with heroes. But in the basement Bar Selfie could still be done, and only we were headed to be photographed, how a huge black man with redhead and beard approached us. "I'm joinear Jacob," he introduced himself, old-fashioned kissed my hand, and on the offer to make a joint photo answered: "I already have one photo, - here the joiner got a shabby shot of century ago - I here with my mother, with others We do not take pictures of women. "

Meanwhile, the first group was supposed to enter the mansion. As "pioneers" approved us by directors, telling that we would have to "experience everyone's own experience", trying to understand the story of "for forgiveness and love"; and choreographer Miguel.

The mansion was the classical music (composer - the leader Therr Maitz Anton Belyaev). The mask, which we gave us, slightly pressed on the glasses, and the head was unacted. This later I was advised to wear glasses on top of a mask - so more convenient. Stone around the empty rooms, the scenery of which looked as if someone carefully worked on the flea market, I tried to find a trick. Turning the hay, look into the closet, steer behind the handles of closed doors. The massive number clenched in his hands, as a weapon, remembering that the main thing is, if that, to restrain and not to hit them the actor. However, it was still not like a fear room. Rather, on the room, because it was possible to get off the bill, trying to determine how many of them on four levels of the old house. And new doors were opened, they closed ... Living room, dining room, bedroom, chapel, shelter, library, doctor's office ...

Meanwhile, among us there were actors. It was easy to determine them - on costumes and lack of masks. Most of all wanted them to say anything, but just started dancing. But no, the scene has already played in the living room between Pastor and Fru Alving, from which it became clear that her son Oswald returns home. So what's the case here, Herrik Isken is his play "Ghosts"! Most of the guests from our stream (just every evening there are four streams, 30-50 people who, accordingly, enter the show at 19.00, at 19.30, 20.00 and 20.30) have already ran for heroes to another room, and only a few moved in another direction - By trajectory. It must be said that before this scene it was possible to watch how the alving was dressed and combed to Fru - in the bathroom above. Touch the decorations on the table, touch her dress. Other viewers saw each of their own - 18 actors during the evening losing all scenes twice.

Actors taught how to communicate with people in ... Moscow metro

Walking around the mansion, you make your way too through the train of smells. The living room smells like cigars, in the dining room - food, in chapel - candles. But in the room where a strange orgy suddenly spiked, smelled only by smoke. I sat down on the sofa. There was a half-water actor, a young man, but already with a vicious face, a girl lay on his knees to him, her hair was stood on my skirt. Ahead another girl asked the viewer in a mask to unzip her dress. And then everything happened in the wrong light of the strobe ...

Someone from people in masks actors took the hand with someone stuck in the room. For those six months, that the rehearsals of the play, actors, and they scored them on a serious casting - a few people in place, taught to delicately interact with people in the Moscow metro. How to touch, meet a look, not to scare, understand whether a person is ready to interact, or wants to be left alone - alone with his feelings. Another casting was a task - make people go for you. So the acting work in the play show "Return" is really impressive. Not "split" no one. One can only imagine how difficult it is to keep in the image when you are among people in masks, sometimes 20 centimeters from them from them - all the boundaries of personal and personal space are broken. My own experience occurred at the level of interaction of views. Just with Fru Alving. At the very moment when in the room, where her son slept, she took a solution for himself - whether to escape, whether to poison. She looked at me for a long time, as if asked for advice, and I barely screamed my head: "No!" Then she postponed a bubble with pills of poisonous color.

With "returful" you can go out. Charter walk or from what he saw and experienced, go down to the bar. And then climb back. Tickets are from five thousand rubles, but if you are a VIP guest, then you are free of charge. Moreover, you are guaranteed an exclusive personal experience - a private game of the actor (not to be confused with a private dance). From the "returful" you can leave, but then the entrance is already prohibited. At some point I wanted to leave the mansion, and I went down to the bar and took off my mask. However, I was given to understand - the final is expected. I transferred the spirit and returned. Immediately I saw how the real theatrical final of the famous Ibsen play was played in the hall. How fantastically play the actors who are in the meter-two from me and from others. And I realized that all the same authors did correctly, not limited to choreographic numbers. Most of all bribes what the performance, contrary to the expectations of some, was without cheap attractions. It turned out to be a truly innovative way of story story. I seemed to re-read Ibsen, and, as always, in this case, it happened for myself something new in his play. And I also understood what the concept of "interactive" differs from "immersion" - namely, the new show is given.

The word immersive is hard to translate into Russian, "explained to me a creative producer of the show Anastasia Timofeyev," but it means capture, immersion, whereas Interactive is only interaction.

After the performance, a huge red-haired man appeared at the bar.

How is your name is the name, joiner? - I asked, remembering that he did not give out anything during the performance that we were already familiar.

Actor Igor Korovin, "he fully extended to me. - Nice to meet you.