Venetian painting. Presentation "The Art of Renaissance" Masters of Venetian Painting Presentation MHC
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Abstract.
The purpose of the lesson: To trace how the images and artistic means of their embodiment are changing in connection with the change in the picture of the world when moving from high rebirth to late.
During the classes:
Slide 1. Record the topic of the lesson in the notebook.
Slide 2. Acquaintance of students with the objectives of the lesson.
Love painting, poets!
Only to her, the only thing, given
Souls changeable signs
To transfer to the canvas.
N. Zabolotsky
It was the artists of the Venetian school that managed to achieve maximum expressiveness in painting.
Slide 3. Plan:
Characteristic of the Venetian school.
Painting Titian is the "Golden Age" of the Venetian school.
The role of polyphony in the development of secular and religious musical genres.
Slide 4. The legacy of the Venetian scenic school is one of the brightest pages in the history of Italian revival. The "Pearl of Adriatic" - the fancy-picturesque city with channels and marble palaces, spread out on 119 islands among the Waters of the Venice Gulf, was the capital of the powerful trading republic held all the trade between Europe and the countries of the East in his hands. This was the basis of prosperity and political influence of Venice, which included part of the Northern Italy, the Adriatic Coast of the Balkan Peninsula, Overseas Territories. She was one of the leading centers of Italian culture, typography, humanistic education.
Slide 5. Unlike the art of medium Italy, where painting developed in close connection with architecture and sculpture, in VeniceXIV. century dominated painting. In the work of Georgeon and Titian there was a transition to easel painting.
Stankovaya painting - one of the birth of painting Which works are independent and perceived regardless of the environment. Literallypainting created on the machine (Molbert).
Slide 6. Causes of transition to machine painting:
Fresco was poorly preserved in the humid climate of Venice
Growth of secular theme and expansion of the circle of objects in painting
Result:
Strengthening the diversity of genres - mythological plots, portraits, compositions on biblical stories
Slide 7.
Interest primarily to man.Preferences Figure, expressive plastics.
Beauty ideal - David
Interest in man, his surroundings, to the world of nature, glorifying the joy of being:
Bright color, multicolored
Element of feelings and emotions
Luxury forms, wealth of interiors
Graduation of black and white transitions
Harmony
Mastering oil painting
The ideal of beauty - Venus - an antique goddess of love and beauty.
Slide 8. 2. Painting Titian - the "Golden Age" of the Venetian school.
Spanish artist XVII century. Diego Velasquez wrote: "In Venice - all the perfection of beauty! I give the first place of painting, whose knowledge is Titian. "
Titian Vechevers (1476 / 77-1576) from the town of Kador in the foothills of Dolomites Alps. Artist studied Giovanni Bellini. In 1507
Titian entered the workshop of Georgeon, who instructed Titian the completion of his works. After the death of Georgeon Titian finished some of his work and accepted a number of his orders, opened his workshop.
Slide 9. Titian at this time loves healthy, sensual images, uses sonorous, deep paints. Titian is developing painting reform, the beginning of which put Georgeon: the artist gives preference to large canvases allowing the wide and free overlap of the paints. At the initial layer, immediately in its drying, it imposed more or less dense, but flowing strokes, mixed with transparent and shiny varnishes, ending the picture with the enhancement of the brightest tones and shadows of smears, acquiring almost corpus. The sketch corresponded to general emotional training, but by itself was completed. At this time, in a number of portraits, among which "Salome", "lady behind the toilet" and "Flora", he embodies his idea of \u200b\u200bbeauty.
Slide 10.Titian. Love heaven and love earth, ok. 1514. The plot of the paintings is of great interest. Until now, disputes among art historians. The paintings had different names: "Beauty is embellished and unwritten", "three types of love", "Divine and secular women", and, in the end, "Love Heaven and Love earthly." How do you think what kind of name more corresponds to?
slide 11. "Love earth and heavenly" is one of the first works of Titian, in which the originality of the artist is brightly revealed. The intention of Titian is to transfer a certain mental state.
Against the background of a sensual landscape, on a beautiful summer evening, the well, whose water is a little Cupid Mutit Hero, two women are sitting against each other. One, very young, with dreamy eyes, with the head, tended to the shoulder, as if he would be given to the kisses of the sky, anticipating love. Another, beautifully dressed beauty, calm and confident, holds a hand on the bowl cover. Cupid lowered a plump handle to the fountain sarcophagus, turning dead water alive.
How many women are shown on the canvas?
The artist suggests - to choose from - two ways to live: to be cut or calmly possessed. Two love: Heaven and Earth. This picture of Titian will write immediately after the tragic death of Georgeon. He has ahead of him - another 70 years of life, which he (judging by the biography) will live in a calm possession.
Slide 12. Known to you the plot in the work of other masters -Petaine is the mourning of Christ. This artist's creation is the deepest and thought. This work remained unfinished. Already completed her student Titian Palma younger.
What distinguishes, in your opinion, this picture? Is it possible to apply the statement of Leonardo da Vinci: "Painting in an instant must invest all its content in the consciousness of the audience" against this web? (Discussion of the impressions of students from the picture).
Slide 13. Summing up the analysis of the creativity of Titian I want to bring the words of Julio Argan, the Italian historian of art and the political figure of the XX in:"The root cause of its success is in the novelty of artistic thinking. Titian reforms the typology of the altar image, historical and religious composition, paintings on the mythological or allegorical theme, portrait. It updates the structure of the artistic image, seeking a visual impression to amaze, like lightning. "
Slide 14. Aesthetic features of revival music. The 1st part of the Mass Pope Marcello is sounded by the Italian composer Giovanni da Palestrina.
Periodization and Evolution of Revival Music
Most musical historians believe that the evolution of Renaissance music covers the period in 200 years. Traditionally, it is divided into:
music of the early Renaissance period, from 1400 to 1467th years;
music of the middle period of the Renaissance, from July 146 to 1534;
music of late (or high) Renaissance, from 1534 to the 1600s.
Such periodization in turn is associated with the flourishing and dominance of various composer schools in Western Europe. Stylistic characteristics that determine the music of the Renaissance is a polyphonic texture that obeys the laws of counterpoint and regulated inherited from the Middle Ages by the modal system of Gregorian Khorala.
Slide 15. The musical culture of revival is sometimes positioned as the "golden age of choral music." In fact, the horizons of music were significantly expanded.
If, during the Middle Ages, composers and musicians worked mainly to the church, then due to the religious and secular split, which occurred in Western Europe in the Renaissance Epoch, the music found several patrons: Catholic and Protestant churches, royal yards, rich aristocrats, a new bourgeois class. All of them have become sources of income for composers, including, of course, and Melnotype: The Renaissance Musical Culture is closely related to the new technologies (invention of the typography of moving lines of Johann Guttenberg).
Slide 16.
Like other types of art, the music was largely influenced by the development of humanistic thought, restoring the Greco-Roman classic heritage.
In ancient Greek culture, all arts and science were considered interrelated, and the humanists of the Renaissance era were separated, highlighting and studying their individual qualities. Music was considered as an expressive art that could affect emotions and feelings, what was unheard of medieval time.
Efforts to organize musical knowledge included the ordering of the skewness so that the relationship between notes and human emotions can be established.
Slide 17. Madrigal Love sounds J. Da Palestrien.
More renaissance music was still spiritual, but the "Humanis-tichetic" changes affected it more pronounced expressiveness - to achieve perfection. In the light of religious reformations, new types of spiritual music emerged, secular music was gaining strength - Madrigal. From the second half of the 16th century of unsurpassed mastery in music art, Italian composers seek. Among the iconic figures - Giovanni da Palestrina.
Slide 18. Despite the fact that the music over the era preferably depended on vocals, the tools are increasingly used. Performers on the tools sometimes accompanied the singers, from time to time they replaced some voices.
The tools ranged from large, such as body and harpsichine, Viola de Gamba, to a small - harp (later lute), recorder (blockball). Gradually, composers begin to write works only for tools without vocalists.
Slide 19. The music has greatly influenced both court dances, introducing a wide range of tools for their maintenance.
The tools were used in the church, during the festive and public events, in theatrical productions, in private homes.
Slide 20. Homework: § 5
Mini project* "Venus of Titian."(Slide film, Sinwen)
Essay * "In color, he has no equal ... He keeps up with the nature itself. In his paintings, the color competes and plays with shadows, as it happens in the very nature of "L. Dolce.
Prepare for testing.
Slide 21. Sources:
Musical fragments
Illustrations for slides.
Studying 10 Class S.Monko
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Features of the art of the Renaissance Presentation performed a student of 10th grade MOU SOSH No. 2 Moniko Stanislav
The Renaissance Epoch (Renaissance) Renaissance - from the French "revival" the revival of the antiquity of the era of intellectual and artistic heyday, which began in Italy in the 14th century, reaching a peak in the 16th century
The ideas of the Renaissance: Humanism (humanistic identity ideal of a free, developed, capable of self-improvement) The idea of \u200b\u200bNational Art of Utopia (image of the perfect world)
The great antique experience of philosophy and art was revived, and first of all, the idea that "a person is a measure of all things." Epoch Revival Literature Painting Architecture
Reviews of the Renaissance Chief Representatives of the Renaissance Epoch in Literature: Dante Aligiery Francesco Petrack William Shakespeare Miguel de Cervantes
The development of genres in the Renaissance Epoch is early: Average: Later: Sonnet Roman Essa Novel Drama
Dante Aligieri (1265 - 1321) Italian poet, creator of the Italian literary language. Dante's creativity top - Poem "Divine Comedy" (published in 1472) in three parts ("hell", "purgatory", "paradise")
Francesco Petrack (1304 - 1374) Italian poet, Humanist, an antiquity researcher. Petraka is the attitude of the Humanistic culture of the Renaissance, along with Dante, the creator of the Italian literary language. Francesco Petrarch is the creator of sonnets.
Aphorisms and quotes Francesco Petrarch can be able to express how much you love, it means little to love. Who has many defects, so many lords. To seek power for calm and security means climbing the volcano in order to hide from the storm.
William Shakespeare (1564 - 1616) English playwright, the poet of the Renaissance.
Shakespeare's works: Chronicles ("Richard II") comedy ("Taming of the Shrew") tragedy ("Romeo and Juliet") tragicomedia ("Pericles, Prince Tir")
Miguel de Servantes (1547- 1616) The greatest writer of Spain. The author of one of the first novels in the modern sense of "Chernya Hidalgo Don Quixote Laman"
Painting of the Renaissance Main Representatives of the Renaissance Epoch: Leonardo da Vinci Tempelio Titian Albrecht Durer
Leonardo da Vinci (1452 - 1519) Italian painter, sculptor, scientist, engineer and architect of the Renaissance.
Famous work by Leonardo da Vinci "Joconda" "Lady with the mountain
Titian (1485 - 1576) "King's paintings and painters of kings" called Titian Veverno, one of the largest masters of world painting. His art is the brightest phenomenon of the Venetian School of Italian Renaissance.
The famous works of Titian Tempelio "Crawling Maria" Flora "Magdalene"
Albrecht Durer (1471 - 1528) German painter and schedule. The founder of the art of German Renaissance.
Famous works of Albrecht Dürer "Young Venetian" Madonna with a child "woman"
Architecture of the Renaissance
The features of the architecture of the Renaissance architecture increased in the fight against the old gothic architecture. Main principles: symmetry of plans and compositions of buildings and uniform distribution, placement at equal intervals from each other all elements of the facade. Internetressurs: 1.Vikipedia; 2. http://mallbay.ru/renessitaly.html
Presentation " Art of Venice»It will help the teacher of world artistic culture or history to illustrate the story of the work of outstanding Venetian painters: Georgeon, Titian, Veronese and Tintoreretto, which is different from art, and a special attitude towards nature and picturesque technique.
Art of Venice
Presentation dedicated venice art, Contains about eighty slides and is designed to use individual parts. Each of these parts is devoted to the work of one of the outstanding Venetian painters. I do not accidentally call these artists with painters. The main thing that I would like to emphasize is the special attitude of the artists of the Venetian Renaissance to painting. Unlike Leonardo, Raphael and Michelangelo, Venetian artists practically abandoned the drawing as the basics of the work and paint steel for them the main means of creating an image. Non-light, namely, different colors shades create volume on their canvases.
Georgeon
Venetian painters also distinguishes a special relationship to naturewhich ceases to be only the background. The landscape plays a special, very important role in most of their creations. In confirmation, you can bring one of the most mysterious and still not read the picturesque works of Georgeon "Thunderstorm". The main character of this canvase can be bolded to call exactly nature.
"The" Thunderstorm "space is no less deeply than the prospect of Rafael, but its development is not affected by the" history "depicted in it, but is given in its entirety and simulation. Such a moment is here a flash of lightning preceding thunderstorms, and, although the picture is written on the biblical and philosophical theme ..., its leitmotif is the nature of. ... Without these two figures, the landscape would have hurt, lost his importance ... For nature reveals its secrets only in the process of accumulating experience and his interpretation by man. It is this deep, vital, irrational connection between nature and humanity and constitutes the poetics of Georgeon ... "
Julio Carlo Argan. History of Italian art
Titian
It was interesting to read the description of the work of work on picturesque creation Titianwhich leads Dmitrieva N.A. In the "Brief History of Arts". Pupils of the artist remember how the master does not use the submarine, superimposed the thick layer of paint and strong blows of the brush created the relief of future figures. Paint was likened to plastic clay. Titian "Lepil" shape color. The last strokes wizard put on with light blows of the fingers, rubbing one tone to another.
Veronese
The most typical artist of festive Venice can be called Veronese.
"He was a painter, and only a painter, but there was a painter to the brain of bones, the lion of painting, the rapidly talented and innocent in his art, the magnificent simplicity, which always captives and can redeem much missing"
N. A. Dmitriev. Brief Art History "
Veronese created huge canvas with hundreds of elegantly dressed, funny venetians. According to his paintings, the fashion trends of Venice of the 16th century can be studied. The heroes of the biblical and ancient myths of Veronese dressed in the luxurious outfits, in which he saw his contemporaries. It is interesting to compare the "secret evening" Leonardo da Vinci and Pier in the house of Levi, "(who was also called the" secret evening "). After a serious "conversation" with the Inquisitors, the artist changed the name of his creation, without wishing to make any changes in the content of the painting.
Tintoretto
The last great artist of the Italian Renaissance was Tintoretto. His works anticipate the work of the Baroque masters. They are filled with expression and dynamism. His heroes are in a rapid movement, the figures are written in amazing angles. The composition is often built diagonally, which always creates the effect of motion. Pavel Muratov in the "images of Italy" devotes a tintoretto of a special chapter, in which he recognizes in love for the artist and to his creations.
- Argan J.K. The history of Italian art. - M.: OJSC Publisher "Raduga", 2000
- Beckett B. History of painting. - M.: LLC "Publishing Astrel": LLC "Publishing AST", 2003
- Vipper B.R. Italian Renaissance 13 - 16th century. - M.: Art, 1977
- Dmitrieva N.A. Brief history of arts. From ancient times for the 16th century. Essays. - M.: Art, 1988
- Muratov P.P. Images of Italy. - M.: Republic, 1994
- SAMIN DK One hundred great artists. - M.: Veva, 2004
Complete the conversation about Italian revival I want an interesting video. Wendy Beckett has its original look at the art of painting.
Good luck!
put forward among the most important
Cultural centers in Europe. Georgeon
(1476-1510)
34 years
George
Barbarelli Yes
Castelfranco
Rodonaster
Art
High
Renaissance. Georgeon reformed
Venetian school is similar to
How did Leonardo da Vinci did in
Medium Italy. In Venice ON.
came as an innovative who did not
predecessors. Unlike
masters of the 15th century worked
mainly by the orders of the Church,
writes exclusively paintings on
Mythological and literary
Topics, portraits, put in painting
Landscape and image of nude
Body. From all means of expression available in
the disposal of painting he gave
Color preference. In transmission
space he relied not so much on
linear how much to air
perspective fixing thin transitions
colors as the viewer removed from the eye, and
in the image of volumetric forms I was looking for
Color relations between lit
and shaded parts.
Thanks to this, his paintings create
Aerial feeling,
enveloping and uniting all
objects, and in the image of nude
the body he knows how to catch his trepacy and
Warm. "Judith" 1504 -
The only one
located in Russia
Picture of Georgeon.
Stored
in state
Hermitage. To the number of early artist paintings
refers "Judith". In contrast to the masters
Florence Georgeon decides this topic not
in heroic, and in a lyrical plan. IN
His Judith, he embodied the ideal of clean and
Beautiful woman. He portrayed her
at the moment of action, but then when the feat
Already perfect and it costs, immersed in
thoughtfully leaning on
Glamoring sword. For creating
Mood artist finely uses
Emotional expressiveness of color.
Warm tones of clothes and bodies Yudifi
stands out against the background of the blue sky and
cold green grass shades and
The chopped head of Ooloferne. "Sleeping Venus" 1510
Picture of the Venetian artist Georgeon,
Written to them shortly before death. Chaste and beautiful antique image
Goddess love and beauty. Tenderness of ovala
Persons, striking purity and smoothness
lines, subtlety color relations,
Warm Tones Built on Resistance
bodies, blue shades of sheets,
dense wine-red fabric
headboard contrasting with greens
herbs and trees - everything was new in this
Picture first in a large row of such
Images in European art.
The picture was completed by Titian, which
Added a landscape, and also portrayed at the feet
Venus Cupid, subsequently disappeared
During the restoration of the picture. Titian 1477-1576
99 years old
Titian Veverielio
After death
Georgeon
Lead
master
Venetian
Schools
becomes
Titian. If Georgeon marked the beginning of art
High rebirth in Venice, then
The heyday reaches in the work of Titian.
In many respects he is
The successor of Georgeon. So, in creativity
It was developed by the introduced Georgeon
Plots borrowed from literature and
Mythology, as well as landscapes and portraits. how
and Georgeon, he wrote a lot of naked body,
In an effort to convey its trepacy and warmth.
Nevertheless, the nature of the art of Titian is different.
Peculiar to the works of Georgeon
Romantic and dreamability replaced
He has more earthly, full
Cheerful feeling. Compositions of it richer and
diverse in his mature
The works sounds great
Paphos art high
Renaissance. In even greater
degree than Georgeon he does
The color is the main organiser
start in the picture, and in mature
works comes to a new
Understanding the form under construction
shovels, and on color
Relationships. "Love earth and love of heaven" (1514)
This is the most famous and refined from
romantic scenes written by young
Titian.
The plot of the canvas allows many interpretations. On the
Picture two unusually similar to each other
Women (one dressed, and the other is naked) sit on the edges
Carved stone fountain. The background serves calm
scenery. One version: coat of arms in the center of the fountain
(right above the pipe from which water pours)
Belongs to the famous official
Niccolo Aurelio. The picture is written to his
Wedding with Laura Bargotto. Female
Left, dressed in a white dress
symbolizes the bride and nude
The heroine is the goddess of Love Venus. Goddess
appeals to the laure as if wishing
Defend her in the secrets of love.
But whatever the idea of \u200b\u200bTitian, he
managed to create a work,
strikes harmony composition
radiating warm color and
Amazing contrasts. Vakh and Ariadne 1520-1523 God Vakh (in the ancient Greek mythology of Dionysis)
Appears on the right. Falling in love with Ariadna from the first
View, he comes out of chariot with two chepads.
Ariadne was just thrown by Greek
Hero Teshem on the island of Naxos - His ship is still
Seen away. On the canvas captured the moment
Frightess Ariadna from the sudden appearance of God. By
The legend of Vakh later got her to heaven and turned into
Coron's constellation, which is symbolically depicted
In the picture (in the sky above Ariad).
The composition is divided diagonally into two
Triangle: One - still blue sky, for
which Titian used expensive Lyapis-azure, with
Two lovers and the second - full movement
Landscape in green and brown tones with
Characters accompanying Vakha. Interesting,
that among the figures accompanying the chariot
One is allocated, obviously inspired
Sculpture Laocoon and his sons found
Shortly before writing a picture in 1506. "Caesar Denarium"
1516
At the end of the 15th century
Leonardo
Contacts B.
His mystery
in the evening of human
E nobility I.
Human
Lowness. Titian
Outly felt
His time, could not
Do not notice these
Contradictions. The plot of the paintings displays the moment when the Pharisees,
dissatisfied with the exposure of Christ, decided
destroy him. But frightened to kill Christ themselves, decided
Make it with the hands of the Romans. For this, the Pharisees came up with
Sly plan. They selected one of the Pharisees to Christ with
Silver coin - dynamy.
The figure of Christ is magnifier dominated in the picture, filling
The picture is almost entirely allocated on a dark background.
If the ideal-sublime prevails in the image of Christ
the beginning, then in the appearance of the Pharisea decisively underlined some
Its lowness, nothingness, full of vices. His hand smoothed
and housing, barbecue profile cutting, face wrinkle.
Topic meeting two opposite worlds, peace
sublime ideals and reality,
as if fastens and completes, it creates a certain connection,
expressive contrast of the fine of Christ, which
never touches the coins on which Christ indicates,
and powerful hand pharisay, tightly squeezing silver
Dinarium. Portrait
Pope Paul.
III S.
Alessandro
And Ottavio
Farnes
For the first time
written in
Genre
Group
Porter.
1546 Curing Maria
Magdalene 1565.
Person S.
image of Mary.
Magdalene were
Ordered Titian B.
mid 1560s.
For this painting
Artist posed
Julia Festin. When
The picture was ready,
She was
Showing duke
Gonzaga she
so liked that he
I ordered a copy. After
This Titian did
a few more copies
changing the tilt of the head and
Position of hand
Women as well
Landscape background
Pictures. Paolo Veronese
1528-1588
60 years
Paolo Veronese
Born in Verona. IN
The family was the fifth
Son. Studied u
Venetian
artist Badil,
Worked in Verona
And mantu.
In 1566 married
Daughters of their teacher
Antonio Badil. Died
Paolo Veronese Ot
Inflammation of Light B.
Venice. Was
buried in church
Saint Sebastian. Paolo Cagliari (Veronese), it was
An unusually gifted artist - in
25 years he has already become famous
painting for the Venetian Palace
Naughty. Paolo quickly conquered
Art Olympus Venice,
demonstrating in their work
Wealth and harmony of colorful
palette, impeccable drawing,
Beautiful sense of composition. how
and most artists his
time, Veronese wrote mainly
paintings on religious and
Mythological plots. "Waughs worship" 1573 Small (45x34 cm) picture is
A unique work. It can be
increase to the size of the frescoes and it
will not lose their artistic
advantages. Veronese recreated one
from the most significant moments
of the life of Christ.
It was written for the Church of Sunsilvestro in Venice and remained
There, while in the XIX century it is not
rebuilt. "Magic worship" is not an altar image, painting
Hung on the wall of the NEF near
Altar Brotherhood of St. Joseph. Three Muck East, following the guide
Star, found Maria with a baby in Bethlehem. IN
The Renaissance Epoch and Veronese in particular
Often painted the house in which the Virgin Mary gave birth. This house
Looks like a dilapidated building and symbolizes
Old Testament. Christ appeared on earth to replace him
on the new covenant. In the picture it is clear that this "house" is attached
to the ruins of the majestic building in the classic
Style with a triumphal arch in the background - an indication on
Rome. In the foreground - Magi with a retinue. In addition to
Evangelical Veronese characters, as usual, introduces
scene many other participants, turning completely
In her style, an exalted act of worshiping a baby (then
There are recognition of His Divine Nature) in a lush
festival.
Dominant in the painting diagonal, which forms
Pouring the flow of light with the skies with the angel figures on it,
"Reviews" the other, fixed at right angles to
This beam is from the figures of Magi. Madonna with infant
are at the intersection of lines - wonderful and
A unique composite solution. "Marriage in Cana Galilee" "Marriage in Cana Galilee" - picture
the motive of the famous gospel plot about
Transformation of water in wine with jesus.
The picture shows about 130 figures,
among which the later tradition
Highlight portraits of famous rulers
Renaissance, such as Karl
V, Francis I, Suleiman
Magnificent, Maria I, and others.
In the form of musicians in the foreground
Veronese captured famous
Venetian painters -
Titian, Tintoretto, Bassano and himself in
White clothes.
The picture was performed by
Order Benedictine San Georgeo
Maggiore in Venice for the refectory abbey. One of the best and famous
Painting works - "Triumph
Venice ", a huge picture
oval shape, which
This day decorates the ceiling
Big Hall of the Council in
Doge's Palace.
The plot of the work of Majestic
and pompous - heavenly angel
Corons Venice. Around
Main characters are located
Figures of people allegorically
Indicating everything
Veretnoe Venetian
republics that
Provide its prosperity
and glory.
Remarkable in work two
moment - angel figure,
which is depicted in very
challenged angle and color
decision. Rich color
Coloring inherent style
Veronese in general so far
Causes admiration. Tintoretto
(Yakopo
Robusti)
1519-1594
75 years old Tintoretto was the son of a dyeer
silks. He did not pass the usual
learning in the painter workshop and
was self-taught (art historians
only one name is called teacherizian, but he studied only
a few days.) Tintoretto with
great zeal studied creation
Great Renaiss Masters
(Titian and Michelangelo). Miracle of St. Mark.
1547-1548Skol Grande di San Marco, rich and powerful
Association of spice merchants, also decorated their
Rooms with scenes from the life of saints. For her
Thirty years old Tintoretto fulfilled the composition "Miracle
Saint Mark, "by saving its first unconditional success.
By the time of creating a canvas in Venetian painting
There was significant changes. Tintoretto, younger
Contemporary Georgeon, Titian and Great Masters
High revival of central Italy, not only
learned their lessons ("Figure Michelangelo, color
Titian ").
It is in the "miracle of the Holy Mark" (the apostle frees
Rab-Christian from torture) Researchers discover
The first triumphant manifestation of independent from any
Influences of tintoretto manner.
As for the features of the picturesque structure of the canvas, then
Restless game of unnatural light using
which the artist creates a wonderful atmosphere, especially
noticeable with juicy and bold costume palette
Characters. "Crucifix" (1565-1588)
Grand Raming Tintoretto
manifested itself in the ensemble of Skola di San Rocco. By
Walls and ceilings of this two-story room
Ages huge multifigure
Compositions in which genuine
The folk basis of Creativity Tintoretto. "Crucifixion" -Mumental
Composition depicting crowds
of people,
Frames
and
curious
Mournful
and
triumphant at the sight of crucifixes. W.
The foot of the Cross is a group
loved ones
Shocked
View
His suffering that has opened. And NAD
All this sea of \u200b\u200bpeople in shine
Dawn rushes cross with crucified
Christ, as if stretching
Hands covering worried
Restless peace. The origin of the Milky Way 1575-1580 Plot for her work took from Greek
Mythology. Zeus wanted to do
the immortal of his son Hercules,
Born from the earth woman. For this, ON.
Immersed his wife into a deep dream,
Goddess of Gera, and put the baby to her chest,
So that he could get a Divine
Milk giving immortality. Hercules, already
Then distinguished by incredible force, became
suck milk so vigorously what caused
Herie pain. The goddess pushed the baby, drops
milk shed at the sky and turned
in the stars, from which Milky
Way. Drops of milk fallen on the ground,
have become snow-white lily.