In the Voronezh theater of the young spectator failed "the leader of the Redheads. In the Voronezh theater of the young spectator failed "The leader of the red-born Tys

The famous story O. Henry Many know by heart, even children who are addressed by the performance. And most viewers are monitored by what is happening, but by how it is done. But with this big problems.

For some reason, there is an opinion that critics like to write spreads. In fact, praise is always more pleasant. But there are cases when, after Lvi-Nikolayevich, it is impossible to silent. Moreover, when the performance program also introduces a misleading, where the children and adults are also immodently written: "The pleasure of this performance also receive children, and adults!". In fact, it would be necessary to write "... Neither children nor adults receive."

The first impression of the decorations form the scenery of Valery Messenkova - dull, inexpressive, inorganized and optional. A set of ladders-stepladder and a box with the inscription DINAMITE - all cheap, gray and somehow itatrally. This space actors never manage to do neither to come down nor fill, even though they are trying very hard - they dirty, the cords of the faces are worn along the scene, they speak bad voices. But when there is neither actions nor the interaction, you can jump out from the pants - the result will be zero.

The performance begins with a strange interactive when Bill (Alexander Novikov) and Sam (Andrei Lunuel) appeal to the hall and tell almost the entire history, a priori depriving her even a trace of intrigue. Intrigue in the performance is not. Amazingly in the performance of I.O. The main director is not the fact that it is the essence of the theater - the ultra-fold, the development of characters, compositions ... But most importantly - there is no soul in it.

But there is a dubious episode with the American flag in the form of family panties, which Bill removes from the pants and raises above the scene on an improvised flagpole. Souls from this scene still one. If we want our state symbols to respect all over the world, probably, it is also necessary to relate to others.

There is a mention of poop, which, apparently, should vividly respond to the young audience, but there is no shadow of the high mission of the theater, especially children's. Its educational, the refining effect is determinedly ignored in this formulation. Obviously, the director focused on the entertainment component, but he did not succeed in this! After the first five minutes, when it became clear that the performance would not be further developed, nor will be surprised, the children were covered in the hall, looked hurt, and adults began to look at the clock more often. The final squeezing of the applause looked especially sorry.

I did not please and Yaroslav Kozlov as Johnny. The actor was on the scene "Wooden" and monotonous. He did not succeed in creating the image of a living ten-year-old Round. But a powerful jet flowed into the hall the notorious "cheese". This is when the roles of boys are perfectly and is playing the forty-male women or thirty-year-old men.

"The leader of red-beds" in the Tyuze is a real attraction substitution. Just as the hero O. Henry issued the excrement of oxidation for a valuable medicine, in this case for theatrical art give out professional helplessness, desiccine and boredom. Such an "grafting of the beautiful" is capable of repeating interest in the theater for a long time.

Our TYUZ has developed a sad and paradoxical situation when a person who has a diploma diploma, but is not a director who is not the director, because it did not confirm this title, not a truly well made performance. At the same time, in the theater there is a truly talented director who still will not receive the cherished "crusts", but the performances he puts the excellent. They are already celebrated at the All-Russian level. And they willingly go to them, because they are real, alive.

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It is unlikely that, by and large, it is possible to name the story of the "Leader of the Redheads" O'Nenry is childhood, for in fact he differs little from other funny stories of the writer about Zhulikov. And of course, the least in this work is so favorite school teachers of the so-called pedagogical effect. There is not a single formally positive or at least a repentable character (two criminals, minor hooligan and dad only for money agreed to refund your own child), there is even a hint of a reasonable, kind and eternal in the morality. Nevertheless, familiarity with the work of O'Henry Many parents offer their children to start with this story, and theatrical and film director put children's performances on him and shoot movies, trying to do not just make a fun comedy with a fruit, and something deeper What can be demonstrated by the younger generation for educational purposes. On the same way, the author of the Voronezh play "Leader of Redheads", the main director of the Tyuza Vadim Krivosheev, went on the same way. Immediately I can report that from my point of view, the performance is very successful and will undoubtedly become a repertoire hit. There are only three actors in the play - the Honored Artist of Russia Alexander Novikov, Andrei Lunev and Yaroslav Kozlov, but despite the little smallness, the acting ensemble turned out to be a vision, the performers receive explicit pleasure from joint existence on the stage, Drive still. Mount Kidneppers Bill and Sam we will see the first time on stage at the moment when they stop to translate the spirit after an almost marathon race. They, surprising from the vortex little tormentor, did not stop from the moment they crossed the American-Canadian border, and then fear and fast legs listed the scammers not anywhere, but to Russia. However, I will not disclose all the directorial notes, I will only say that all the plot lines, where a little fortune, referring to happiness who fell on him, does not give rest to the robbers with funny fun like beaten by stones, removing the scalp and shocking hot objects for a collar, in the play - And they are very comical. Bandits are pretty quickly understood that they have slept, and they will not wait to get rid of the little monster. In general, before a certain pore everything goes on the book. Closer to the end of the performance it becomes clear that the director director decided to introduce into his performance in some family values. In his reading, the boy Johnny turns out to be not just a desperate tiphel, but a very wounded lone-man who causes the behavior of which is only a protective reaction to the lack of parental love. Scenic robberies and viewers have to go through an understanding of this moment and sympathize with the child. However, I think that the usual Tyudovskaya public, for the most part and consisting of Johnny's age boys will respond to a spectacle somewhat differently - albeit without sorts, and the most johnny from the audience will start having fun, laugh and scream from the places. Of course, the greatest success in young spectators will be used by the scenes with the desperate tricks of the vortex leader, and the centimes inserted into the performance about the loneliness of the little son of a soulless millionaire are unlikely to cause peace of mind with seven-twelve-year-old boys. They are simply so arranged at this age, and sentimentality will come to them in twenty years. In the meantime, it feels adults who led their children to the performance. And it is right.

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