What year is a big theater. History of the building of the State Academic Bolshoi Theater (Gabt)

The Bolshoi Theater is one of the basic symbols of the culture of our state.

It was on the stage of the Bolshoi Theater that the first Russian operas and ballets were delivered. Thanks to the production of the Bolshoi Theater, Russian vocal and ballet schools have earned recognition worldwide.

The year of the theater is considered to be 1776, when Peter Urusov received the resolution of Catherine II "contain him theatrical all kinds of submission, as well as concerts, vocals and masquerades, and in addition to his nobody, there are no such pleasures in all the time appointed in privileges in order to undermine It was". The construction of the Bolshoi Theater was started three years later on Pokrovka Street. But this project was not destined to be implemented, even before the construction was completed, the building burned down. The construction of the theater continued the companion of Urusov. But this building also burned down during the seizure of Moscow by Napoleon in 1812.

The new building of the Bolshoi Theater, erected in 1825 on the project of architects O. Bov and A. Mikhailov, became one of the most beautiful theatrical buildings in the world. However, the fire did not spare this building. In the 1850s, the architect Kavos made significant changes in the building.

Now this is a magnificent eight-colon building, over the portico of which is the sculpture of the chariot of God Apollo. From the inside the room is decorated in red and gold tones, it gives the theater special splendor and solemnity. The auditorium is designed for 2155 seats.

In the Bolshoi Theater passed world premieres of famous operas: P.I. Tchaikovsky "Voevoda", "Mazepa"; S.V. Rachmaninova "Aleko", "Surround Knight"; S.P. Prokofiev "Player" and many other composers. In the modern repertoire of the Bolshoi Theater Classic masterpieces of world art. A large theater, designed to make serious operas and ballets, does not forget about small fans.

This is how the Bolshoi Ballet's Balloons are about Chipollino Ballet: "More than a quarter of a century has passed since the day, a cheerful bully family was settled on the Moscow scene, Jianny Rodari's fairy tales. An innocent fairy tale about the struggle of the garden people with fruit oppressors in everything is similar to a real adult ballet. The performance consists of two actions. The classic dance is cleared of convention and "arranged" to modern way. There is no teaching explanation in the language of gestures - the action is rapidly flies forward, and each hero is endowed with its unique choreographic language. Probably, that is why the most famous masters of the Bolshoi Theater did not refuse from the Matrennik. "

With the Bolshoi Theater there is a children's choir. It is accepted by gifted children over five years old, listens.

The Big Theater in Moscow, located in the center of the capital, on theatrical square, is one of the symbol of Russia, brilliant skill of her artists. His talented performers: vocalists and ballet artists, composers and conductors, balletmisters are known all over the world. More than 800 works were put on its scene. These are the first Russian operas and the opera of celebrities such as Verdi and Wagner, Bellini and Donizetti, Berlioz and Ravel and other composers. The world premieres of Tchaikovsky and Rakhmaninov, Prokofiev and Arensky were held here. Here he conducted the Great Rachmaninov.

Big Theater in Moscow - History

In March 1736, the provincial prosecutor, Prince Peter Vasilyevich Urusov began the construction of theatrical building on the right bank of the Neglinka River, on the corner of Petrovka. Then he became called Petrovsky. But the construction of Peter Urusov could not be completed. The building burned down. After the fire, it was completed by the construction of the theater building of his companion, an English entrepreneur Michael Medox. It was the first professional theater. In his repertoire there were dramatic, opera and ballet performances. Singers and dramatic actors took part in the opera performances. Petrovsky Theater was opened on December 30, 1780. On this day, the ballet pantomime "Magic shop" was shown in the production of Ya. Paradise. Naturally popular with viewers used ballets with national flavor, such as rustic simplicity, Gypsy ballet and shoaling. Basically, the ballet troupe was formed by the pupils of the ballet school of the Moscow educational house and the fortress actors of the troupe E. Golovnoy. This building served 25 years. In a fire of 1805, it died. A new building, built under the leadership of K. Rossi in Arbat Square, also burned down in 1812.

According to the project A. Mikhailov in 1821-1825. A new theater building is built in the same place. Supervised the construction architect O. Beauvais. In size, it was significantly increased. Therefore, at that time it gets the name of a large theater. On January 6, 1825, the "Celebration of Mus" was given here. After the fire in March 1853, the building was restored for three years. The work was led by architect A. Kavos. As contemporaries wrote, the view of the building "captured the eye in the proportionality of parts, in which the ease of combined with the greatness." So it came to the present day. In 1937 and in 1976 Theater was awarded the Order of Lenin. During the Great Patriotic War, he was evacuated to the city of Kuibyshev. On November 29, 2002, the premiere of the Opera Roman-Korsakov "Snow Maiden" opened a new scene.

Big Theater - Architecture

The building that we can now admire is one of the best samples of Russian classical architecture. It was built in 1856 under the leadership of the architect Albert Kavos. During the restoration after a fire, the building was completely rebuilt and decorated with a white-stone portico with eight columns. The architect has replaced the four-tie coating with a bounce with the frontones, repeating on the main facade the shape of the front of the portico and removing the arched niche. The ionic order of the portico was replaced by complex. All the details of the outer decoration were changed. Some architects believe that Cavos changes have reduced the artistic advantages of the originally created building. The building is crowned on the whole world bronze quadrig apollo works by Peter Klodt. We see a two-wheel chariot with four harnessed horses, jumping around the sky and God of Apollo, who manages them. At the front of the building there was a gypsum double-headed eagle - the state coat of arms of Russia. At the pilophon of the auditorium, nine Muses with Apollo led are placed. Thanks to the work of Albert Kavos, the building fits perfectly into the architectural buildings around him.

Five yaruses of the auditorium accommodate more than 2,200 spectators. According to its acoustic properties, it is considered one of the best in the world. The length of the hall from the orchestra to the rear wall is 25 meters, the width is 26.3 meters, the height is 21 meters. The scene portal is 20.5 by 17.8 meters, the scene depth is 23.5 meters. This is one of the excellent architectural structures of the capital. He was called "a packer of sunlight, gold, purple and snow." The building also hosts important state and public celebrations.

Reconstruction of the Big Theater

In 2005, the reconstruction of the theater began and after 6 years of colossal work on October 28, 2011, the opening of the country's main scene was held. The Square of the Bolshoi Theater increased twice and amounted to 80 thousand square meters, an underground part appeared and a unique acoustic hall was restored. The scene now has a six-story house, all processes in which are computerized. Painted paintings in the White Foyer. Jacquard fabrics and tapestries in the circular hall and the imperial lobby were restored for 5 years manually, restoring each centimeter. 156 Masters from all over Russia were engaged in the gilding of interiors with a thickness of 5 microns with an area of \u200b\u200b981 square meters, which was gone by 4.5 kg of gold.

There are 17 elevators with the floors buttons from the 10th to the 4th and additionally 2 below the floor are occupied by mechanics. The auditorium accommodates 1768 people, until reconstruction - 2100. Theatrical buffet moved to 4 floor and this is the only room where the windows are located on both sides. Interestingly, the tile in the central foyer is made at the same factory as in the 19th century. Especially beautiful chandelier with a diameter of more than 6 meters with gold-plated suspensions. Two-headed eagle and the word Russia were embroidered on the new curtain.

The modern large theater includes the opera and ballet troupe, the scene-overall orchestra and the Bolshoi Theater Orchestra. The names of the opera and ballet school are the property of all Russia and the entire theatrical world. More than 80 artists were awarded the title of folk artists of the USSR in the Soviet period. The title of the Hero of Socialist Labor received eight masters of the scene - I. Arkhipov and Yu. Grigorovich, I. Kozlovsky and E. Nesterenko, E. Svetlanov, as well as Ballerina known to the world - Ulanova, M. Plisetskaya and M. Semosov. Many artists are the people's artists of the Russian Federation.

The large theater in Moscow represents one of the main world theatrical scenes. He played an outstanding role in the formation of the Russian Music and Scenic School and in the formation of Russian national arts, including the famous Russian ballet.

Big Theater, and to be accurate, then the State Academic Opera and Ballet Theater of Russia is one of the largest institutions of such a kind. Located in the very center of the capital - on theatrical square. It is considered one of the greatest cultural doors of the city of Moscow, the Russian Federation and all mankind.

Patron Apollo

The Big Theater is the most famous in the world among Russian theatrical institutions. His portico was crowned by the patron of art with Apollo in the quadriga - the chariot, harvested by the four rigorous horses. This composition is familiar with all lovers of classical musical art and our country, and far beyond. All shapes on portica are hollow and made of sheet copper. The composition of the XVIII century talented Russian masters under the guidance of the Pimenova sculptor is made.

Already only the building is a greater aesthetic, historical and cultural value. And the work, boiling in the walls of this temple of the art, adds him love and respect around the world and of course in Russia. The Big Theater is the national and world heritage, a symbol of Russian culture.

Troupe

The theater was born in the distance in 1776. Over the past years, he passed considerable trials: he burned several times, he was in evacuation during the war, and in the turbulent revolutionary years he was at all tried to close. But people were always in Russia, ready to support art in difficult times. Not once, the reconstruction of the building was carried out, the latter - in the 60s of the last century. As you know, everything is transparent, and music is eternal. The theater survived and with dignity was a glorious creative way.

• In the troupe more than 900 ballet artists, operas, orchestra, choir and mimeans.
• When creating a performance, representatives of another 90 professions, workers of art and production workshops and produced part are also involved.
• Over one play work to a seven person.
• There is an opera and ballet troupe, the Bolshoi Theater Orchestra and the scene-brave orchestra.

Many singers, musicians, ballerina, choreographers, conductors are dreaming of working in this troupe. But only the best of them, real professionals with a huge talent, falls such an honor.

In his entire history, the actors of the Bolshoi Theater have repeatedly honored recognition from governments, regardless of what was the political course of the state. And the gratitude and admiration of the public is what accompanied the temple of art is constantly and invariably.

It is not surprising that the Big Theater is one of the most authoritative cultural institutions not only in Russia, but also of the whole world, his troupe really has no equal to themselves.

Repertoire

For all the time in the Bolshoi Theater, more than eight hundred works were delivered, many of which were exported to international tour. Our artists had a grand success in Italy, the USA, Great Britain and many other countries.

And now there are very many classic productions of ballet and opera performances are saved.

• This is the Operas "Boris Godunov", "Carmen", "Golden Cockerel", "Peak Lady", "Eugene Onegin", "Rigoletto", "Ruslan and Lyudmila", "Wedding Figaro", "Turandot" and others.
• These are ballet "Bayaderka", "Giselle", "Carmen-Suite", "Corsair", "Swan Lake", "Spartak", "Nutcracker". And many other other time testing.

These classic things have not lost success in the audience for centuries. But the theater is striving for experiments, constantly putting opera and ballet performances that are not yet familiar with the general public. These novelties also have their fans.

All day in the building boils hard work. In the evening, the large theater is filled with elegant spectators. They admire the beauty and nobility of the building, its interior. And with the first clean sound of the living orchestra, die and plunge into a charming-beautiful world of music and dance, filled with some elusive and unique identity of Russian art.

The theater began with a small private troupe of Prince Peter Urusov. The settings of the talented team often delighted Empress Catherine II, which thanked the prince of the right to lead the capital with all the most entertainment activities. The date of the foundation of the theater is considered to be March 17, 1776 - the day when Urusov received this privilege. After six months after the will of the Empress, the prince took the wooden building of the Petrovsky Theater on the banks of the Neglinki. But, not having time to open, the theater burned down. A new building required a large cash investment, and the Urusova had a partner - the Broadcasting Englishman Medox, a successful entrepreneur and a ballet artist. The construction of the theater cost British in 130,000 rubles with silver. The new three-storey brick theater opened its doors before the public in December 1780. After a few years, due to the monetary trouble, the British had to transfer the management of the theater to the state, after which the temple of Melpomen became known as the Imperial. In 1805, the building built by Medox burned down.

For several years, theatrical troupe performed at home submits to Moscow nobility. The new building, which appeared on Arbat in 1808, designed architect Karl Ivanovich Rossi. But this theater was destroyed by a fire of 1812.

Ten years later the restoration of the theater ended in 1825 began. But, according to a sad tradition, and this building failed to avoid a fire that happened in 1853 and left behind only the outer walls. Three years lasted the revival of Big. The chief architect of the Imperial Theaters Albert Kavos, who led the restoration of the building, increased its height, added columns before the entrance and the portico, over which the bronze quadriga Apollo was the work of Peter Klodt. FRONTON was decorated with a double-headed eagle - the coat of arms of Russia.

In the early 1960s of the XIX century, the Italian Opera Truprope was leased. Italians protruded several times a week, while for Russian performances only one day remained. Competition of two theater teams has benefited to Russian vocalists, forced to hone and improve their skills, but the inattention of the administration to the National repertoire prevented Russian art to gain popularity in the audience. A few years later the Directorate had to listen to the requirements of the public and resume the Opera Ruslan and Lyudmila and Mermaid. 1969 was marked by the production of "Governor" - the first opera Peter Tchaikovsky, for which the big became the main professional platform. In 1981, the repertoire of the theater was enriched with the Opera "Eugene Onegin".

In 1895, a major overhaul was carried out in the theater, the end of which was marked by such productions as "Boris Godunov" Mussorgsky and Pskovtyanka Roman Corsakov with Fedor Shalyapin as Ivan Grozny.

At the end of the 19th century and at the beginning of the 20th century, the formation of great as one of the leading centers of theatrical and musical world culture occurs. In the repertoire of the theater - the best world works ("Valkyrie", "Tangayizer", "Breaks", "Bohemia") and outstanding Russian operas ("Sadko", "Golden Cockerel", "Stone Guest", "Tale of the Invisible Grade Kitezh" ). The Great Russian singers and singers are shining on the stage of the theater: Shalyapin, Sobinov, Rodzunov, Savran, Nezhdanov, Balanovskaya, AZNER; The famous Russian artists Vasnetsov, Korovin and Golovin, work on the scenery.

Big managed to fully maintain his troupe during revolutionary events and civil war. During the season of 1917-1918, the audience saw 170 opera and ballet performances. And in 1919 the theater was awarded the title "Academic".

The 20s and 30s of the last century are the time of the emergence and development of Soviet opera arts. For the first time, "love for three oranges", "Trillby", Ivan-Soldier, Katerina Ismailovich Shostakovich, "Pokhiy Don", "Pottemkin's" battleship ", are put on the scene.

During the Great Patriotic War, part of the troupe was largely evacuated in Kuibyshev, where new performances continued to be created. Many theater artists leveled with concerts to the front. The post-war years is marked by the talented productions of the outstanding balletmaster Yuri Grigorovich, each performance was a notable event in the cultural life of the country.

From 2005 to 2011, a grand reconstruction was carried out in the theater, thanks to which a new foundation appeared under the building, legendary historical interiors were recreated, the technical equipment of the theater was significantly improved, the rehearsal base increased.

On the stage, more than 800 performances were born on the stage, the theater was held the premieres operas Rakhmaninov, Prokofiev, Arensky, Tchaikovsky. Ballet troupe has always been and remains a welcome guest in any country. Artists, directors, artists and conduits of a lot many times honored the most prestigious state and international awards.

Description

In the Bolshoi Theater for the public there are three visual halls:

• Historical (basic) scene accompanying 2500 people;
• The new scene, open in 2002 and calculated on 1000 spectators;
• The Beethoven Hall for 320 seats, famous for its unique acoustics.

The historical scene appears before visitors as it was in the second half of the last century and is a semicircular room with four tiers, decorated with gold and red velvet. Over the heads of the audience - the legendary chandelier with 26,000 lens, which appeared in the theater in 1863 and illuminating the hall 120 lamps.

The new scene is open at the address: Large Dimitrovka Street, House 4, Building 2. During a large-scale reconstruction, all repertoire performances have been large here, and there are currently touring of foreign and Russian theaters on the new scene.

The Beethoven Hall was opened in 1921. Viewers leads to admiration for its interior in the style of Louis XV: walls, covered with silk, magnificent crystal chandeliers, Italian stucco, nut floors. The hall is designed for chamber and solo concerts.

Each spring in front of the theater building bloom the tulips of two varieties - a rich-pink "Galina Ulanna" and a bright red "Big Theater", derived by the Dutch breeder with Lefebere. At the beginning of the last century, the flower descend saw Ulanna on the stage of Big. Lefebere was so impressed with the talent of Russian ballerina, which is specifically in honor of her and theater in which she shone, brought new grades of tulips. The image of the building of the Bolshoi Theater can be seen on many postage stamps and on stores of storuba dignity.

Information for visitors

Theater address: Theater Square, 1. To get to the large one, by passing the theatrical pass from the station "Theatrical" and "Okhotny row" metro station. From the station "Square of the Revolution" to the big you will reach, while moving the same area. From the Station "Kuznetsky Bridge" you need to walk on the street Kuznetsky Bridge, and then turn on the theater area.

You can purchase tickets for the production of Large as on the theater website - www.bolshoi.ru and at the box office opened in an administrative building (every day from 11.00 to 19.00, break from 15.00 to 16.00); in the building of the historical scene (every day from 12.00 to 20.00, break from 16.00 to 18.00); In the building of the new scene (daily from 11.00 to 19.00, break from 14.00 to 15.00).

The cost of tickets varies from 100 to 10,000 rubles, depending on the performance, presentation time and place in the auditorium.

In the Bolshoi Theater, a comprehensive security system is functioning, which includes video surveillance and mandatory passage of all visitors through the metal detector. Do not take with you stuck and sharp items - they will not be missed with them to the theater building.

Children are allowed for evening performances from 10 years. Up to this age, the child can attend morning performances on a separate ticket. Children under 5 years old are not allowed.

In the historic building of the theater on Mondays, Wednesdays and Fridays are excursions, talking about the architecture of the big and his past.

For those who wish to acquire something in memory of the Bolshoi Theater daily, from 11.00 to 17.00, a souvenir shop is open. To get into it, you need to enter the theater through the entrance number 9a. Visitors who came to the presentation can go to the store directly from the building of the Big before the start of the performance or after it. Landmark: The left wing of the theater, the ground floor, next to the "Beethoven" hall.

Photo and video in the theater are not allowed.

Going to a large theater, count your time - after the third call you will not be able to go to the hall!

185 years ago a large theater was solemnly opened.

The foundation date of the Bolshoi Theater is considered March 28 (March 17) of 1776, when the famous patron Moskovsky Prosecutor Prince Peter Urusov received the highest permission to "contain ... Theatrical all kinds of presentation." Urusov and his companion Mikhail Medox in Moscow created the first permanent troupe. It was organized from the actors of the previously existing Moscow theater troupe, pupils of Moscow University and from newly accepted fortress actors.
The theater originally did not have an independent building, so the performances were put in the private house Vorontsov on the street Zamenka. But in 1780 the theater switched to a stone theatrical building on the site of the modern Bolshoi Theater on the site of the modern Bolshoi Theater. To build the building of the theater Medox bought a land plot at the beginning of Petrovskaya Street, who was in possession of Prince Lobanova-Rostotsky. Stone three-story, with a seal roof, the building of the so-called theater of Medox was erected in just five months.

By the name of the street, on which the theater was located, he became referred to as Petrovsky.

The repertoire of this first professional theater in Moscow was dramatic, opera and ballet performances. But operas used special attention, so Petrovsky Theater was more often called the "Opera House". The theater troupe did not share on the opera and dramatic: the same artists also performed in dramatic and opera performances.

In 1805, the building burned down, and until 1825, performances were put on various theatrical sites.

In the early 20s of the XIX century, Petrovskaya Square (now theatrical) was completely rebuilt in the style of classicism on the plan of the architect of Osip Beauva. According to this project, its currently existing composition arose, the dominant of which was the building of the Bolshoi Theater. The building was built on the project of Osip Bow in 1824 on the site of the former Petrovsky. The new theater partially included the walls of the burnt Petrovsky Theater.

The construction of the Big Petrovsky Theater was a real event for Moscow of the beginning of the XIX century. The beautiful eight-column building in a classic style with the chariot of God Apollo above the portico, inside the decorated in red-gold tones, according to contemporaries, was the best theater in Europe and in scale only to Milan "La Scala". Its discovery took place 6 (18) January 1825. In honor of this event, the Prologue "Celebration of Muses" was given by Mikhail Dmitriev with music Alexander Alyabyev and Alexey Verst. It was allegorically portrayed as Russia's genius with the help of Muses on the ruins of Medox theater creates a new beautiful art temple - the Big Petrovsky Theater.

New building Citizens called "Colosseum". The spectacles held here were invariably had success, collecting the Great Mouth Society.

On March 11, 1853, a fire began in the theater for an unknown reason. Theatrical costumes, scenery of performances, troupe, part of the music library, rare musical instruments were killed in the fire, and the building of the theater was injured.

A competition was announced for the project to restore the theater building, which defeated the plan represented by Albert Kavos. After the fire, the walls and columns of portists are preserved. When developing a new project, Architect Alberto Kavos adopted the volume and spatial structure of the Bow theater. Kavos thoroughly approached the question of acoustics. Optimal, he believed the device of the visual hall on the principle of musical instrument: wooden was plafone deck, deck floor of the parquet, wall panels, balcony designs. Kavos acoustics was perfect. He had to withstand a lot of battles and with contemporaries-architects, and with firefighters, proving that the device of a metal ceiling (as, for example, in the Alexandrinsky Architect Theater Rossi) can be destructive for the theater acoustics.

Saving the planning and volume of the building, Kavos increased the height, changed the proportions and reworked the architectural decor; Slender cast iron galleries with lamps were built on the sides of the building. During the reconstruction of the visual hall, Kavos changed the form of the hall, taking it to the scene, changed the size of the auditorium, which began to accommodate up to 3 thousand spectators Alebastra group Apollo, decorated the Osipa Beaue Theater, died in a fire. To create a new Alberto, Kavos invited the famous Russian sculptor Peter Klodt, the author of the famous four-horse groups on Anichkov Bridge across the Fontanka River in St. Petersburg. Klodt created a sculptural group with Apollo now known to the whole world.

The new large theater was rebuilt for 16 months and opened on August 20, 1856 to the coronation of Alexander II.

In the Kavos Theater, there was not enough premises for storing scenery and props, and in 1859 Architect Nikitin made a project of a two-story extension to the Northern Facade, according to which all Capitals of the Northern Portication were blocked. The project was implemented in the 1870s. And in the 1890s, another floor added to the extension, thereby increasing the useful area. In this form, the Bolshoi Theater was preserved to the present day, with the exception of small internal and external rearrangements.

After the fear of the river, the simllinks into the pipe groundwater retreated, the wooden piles of the foundation fell under the influence of atmospheric air and began to rot. In 1920, the entire semi-curvy wall of the visual hall of the villagers right during the performance, the door jammed, the audience had to evacuate through the barriers of the lies. This forced the architect and engineer Ivan Reberg in the late 1920s to suspend the concrete slab on the central support, in shape resembling a mushroom. However, concrete spoiled acoustics.

By the 1990s, the building was extremely dilapidated, its wear was estimated at 60%. The theater fell into decay both in a constructive attitude and in the finishing. During the day of the theater, something endlessly attached to him, he was improved, tried to make more modern. The elements of all three theaters coexisted in the theater building. Their foundations were at different marks, and, accordingly, on the foundations, and on the walls, and then cracks began to appear on the interior decoration. The brickwork of the facades and the walls of the auditorium were in emergency. The same with the main portico. The columns deviated from the vertical to 30 cm. The tilt was recorded at the end of the XIX century, and since then everything increased. These columns from white stone blocks tried to "treat" the entire twentieth century - humidity caused visible black spots at the bottom of the columns at an altitude of up to 6 meters.

It is hopelessly behind the modern level of the technique: for example, by the end of the twentieth century, the winch was worked here for the decorations of Siemens production of 1902 (now it was passed to the Polytechnic Museum).

In 1993, the Russian government adopted a decree on the reconstruction of the complex of buildings of the Bolshoi Theater.
In 2002, with the participation of the Government of Moscow on theatrical square, a new scene of Gabta was opened. This room is two more times less than historical and is able to take only a third of the theater repertoire. Starting a new scene made it possible to start reconstructing the main building.

According to the plan, the appearance of the theater building will not change. Only the northern facade will lose their attacks, already for many years closed with storage rooms, where the scenery is stored. The building of the Bolshoi Theater will deepen in the ground for 26 meters, in the old-new building there is even a place for the huge designs of the scenery - they will be devastated to the third underground level. The chamber hall for 300 places is stamped under the ground. After reconstruction, the new and main scenes that are at a distance of 150 meters from each other, will be connected to each other and with administrative and rehearsal buildings underground transitions. Total the theater will have 6 underground tiers. The repository will be transferred under the ground, which will allow the rear facade to bring the rear facade.

Unique work is underway to strengthen the underground part of theatrical structures, with a guarantee from builders for the next 100 years, with parallel placement and modern technical equipment of parking under the main building of the complex, which will give the opportunity to unload the most complex junction of the city - theatrical area.

In the historical interior of the building will be recreated everything that was lost in Soviet times. One of the main tasks of reconstruction to restore the original, in many ways lost the legendary acoustics of the Bolshoi Theater and the most convenient to make the scenic floor coating. For the first time in the Russian theater, the floor will vary depending on the genre affiliation of the show showing. The opera will have its own floor, the ballet is yours. According to the technological equipment, the theater will become one of the best in Europe and the world.

The building of the Bolshoi Theater is a monument of history and architecture, therefore a significant part of the work is a scientific restoration. The author of the Restoration project, Honored Architect of Russia, Director of the Restoration Center "Restorer-M" Elena Stepanova.

According to the Minister of Culture of the Russian Federation, Alexander Avdeev, the reconstruction of the Bolshoi Theater will be completed by the end of 2010 - the beginning of 2011.

The material is prepared based on RIA news and open sources.