Literature lesson Novella Proster Merim "Matteo Falcone". "Mateo Falcone" (writing-review on Novella n
Writing text:
To begin with, we note that the name of Proster Merima rightfully occupies its place in the brilliant Pleiad of French realists of the second half of the XIX century. Creativity of Standal, Balzak and their younger contemporary Merim became the top of the French national culture of the post-revolutionary period.
The writer wanted to give an idea of \u200b\u200bthe cruel nrules of the XIV century, without violating historical accuracy.
In 1829, P. Merime began writing the novel "Matteo Falcone". Members Merim are striking with their emotional expressiveness and conciseness. In the novels of the Writer entails an exotic topic. The cruel life of modernity forced him to turn to the image of passions, which became a sign of human uncomplication.
It is worth saying that the central event of Novella - the murder of his son for betrayal - organizes the entire plot material. A short exposition not only explains the origin of Macs, but also characterizes Corsican morals, local hospitality and willingness to come to the aid to the persecution. "In the event that you killed a man, run in Popo-Vecchio Maki ... The shepherds will give you milk, cheese and chestnuts, and you have nothing to fear justice ..."
Matteo Folcon - a man brave and dangerous, famous for the extraordinary art of shooting, he is faithful in friendship, dangerous in the hostility. The traits of his character are due to the laws of Corsican life.
The author shakes the attention that two years after the death of his son Matteo remained the same, apparently, the murder of his son did not affect him.
In the scene of the betrayal of Fortunato, the weight of almost every word, as well as the symbolism of the boy name, allowing to imagine how much father was waiting for him. In his ten years, the boy "filed great hopes", for which the father was proud of his son. This is evidence of intelligence and courage with which he conducted a deal first with Giannetto, and then with Gamba.
In my opinion, Sergeant Gamba played the role of the fatal seducer, he is also a Corsican, even a distant relative of Matteo, although it has completely different personal qualities. It represents the world in which the benefit and calculation suppress all natural motives. The silver clock with a blue dial with a steel chain with a steel chain. This little thing deprived the lives of two people. In the death of Fortunato boldly, you can declare Sergeant Gamba guilty. The specifics of Corsian life, as well as the internal tragedy of events disclose a stingy dialogue and concise expressiveness of action. Matteo, his wife Giuseppa, gangster Dzhanneto Sampierro, the shepherd from Macs - the people of one world living in their internal laws. This world is opposed to Sergeant Gamba, his voltizers with yellow collars - the sign of their wondens, the half-phth and almighty "Uncle Capral", whose son already has a clock and which, as Fortunatto thinks, maybe everything. The spatial boundary of the two of these worlds is running between the poppies and the field, the moral border can be overcome by the price of betrayal of the moral laws of their world, which is trying to make Fokenato.
It seems to me that his act can be regarded differently. On the one hand, he betrayed Corsican laws, violated moral norms; And on the other hand, it is easy to understand: he is still a child, he really liked the clock, and the zealous feeling of envy appeared, because the son of "Uncle Capral" has such a watch, although he and the younger fortuna. In addition, Gamba climbed the boy that "Uncle Capral" will send him a good gift in a reward.
Matteo punishes the Son for such an act of death. The fact that the verdict made by Father's father was not the result of the personal exaggerated representations of Matteo about the honor of the genus, but expressed moral attitude towards the betrayal of the entire people, testifies to the behavior of Giuseppe, with all his grief consciousness of Matteo.
Reference material for a schoolboy:
Prospere Merima is a famous French writer.
Years of life: 1803-1870.
The most famous works and works:
1829 - Tamango (Tamango), Novella
1829 - "Taking a Randut" (L'ENLèVEMENT DE LA RedOUTE), story
1829 - Matteo Falcone (Mateo Falcone), Novella
1830 - "Etruscan Vase" (Le Vase étrusque), Novella
1830 - "Partie in Trick-TRAC" (La Partie de Tric-Trac), Novella
1833 - "Double Error" (La Double Méprise), Novella
1834 - "Purgatory Souls" (Les âmes du Purgatoire), Novella
1837 - Illy Venus (La Vénus d'Ille), Novella
1840 - "Colomba" (Colomba), story
1844 - Arsen Gulo (Arsène Guillot), Novella
1845 - "Carmen" (CARMEN), story
1869 - "Lokis" (Lokis), story
"Djuman" (Djouman), Novella
"Blue Room" (Chambre Bleue), Novella
1825 - Clara Gazul Theater (Théâtre de Clara Gazul), Collection of Pieces
1828 - Jacqueria (La Jacquerie), historical drama chronicle
1830 - "Unhappy" (Les Mécontents), Piece
1850 - "Two inheritance or Don Quixote" (Les Deux Héritages OU DON Quichotte), Comedy
1827 - "Gusli" (Guzla)
1829 - "Chronicle of the Kingdom of Karl IX" (Chronique Du Règne de Charles IX)
1835 - "Note on the south of France" (Notes d'Un Voyage Dans Le Midi de France)
1837 - "Etude about religious architecture" (Essai Sur L'Architecture Religieuse)
1863 - Essay "Bogdan Khmielnicki" (Bogdan Chmielnicki)
What complex and ambiguous feelings caused me a story P. Merim "Mateo Falcone"! Following the harsh codes of honor of Corsica, the main character of the work of the job of his ten-year-old son who committed his own betrayal.
Mateo Falcone handsome: He has black as a quarrel chicken hair, a huge nose, thin lips, a face of oak-flashed skin and big living eyes. This man asked himself with his accuracy and strong incremental character-rum. His name was famous on Corsica, and Mateo Fal-Kone was considered "as a good friend as a dangerous enemy."
Son Mateo Falcone, Fortunato, just ten years old, but he is intelligent, smart and attentive boy, "Hope of the family and the heir of the name". He is still small, but you can already leave the house.
One day, when the parents were not at home, Fortunato face to face met with a fugitive, who was pursued by voltizers. The fugitive was wounded and decided to turn to the good name of the Falcone in the hope that it was helping him in a danger. For the Fortunato fee hid this person in a haystack.
Quietly, coldly and mockingly meets the form-tunato pursuing the violator of the shooters led by a thunderstorm Sergeant Gamba - a distant relative of the Fal-Kone. Confident that the glorious name will protect him, Mal-Chick is trying for a long time to convince the soldiers that did not see anyone. However, many facts issue a sergeant that fugitive is hidden nearby, somewhere here, and he seduces Ma Lena Fortunato for hours. The boy, without preparing the claim, gives the refuge hidden by them fugitive.
Parents Fortunato - proud Mateo with his wife - appeared when the fugitive is already connected and disarmed. COG-YES SERZHAN explains Mateo that a little fortunato very much helped them in the capture of a "large PH-PC", Mateo understands that the son made a betrayal. His glorious name and reputation are disgraced; The contempt is full of the word of the prisoner, abandoned over his shoulder: "Traitor's house!" Mateo understands that soon everyone will know about this event, besides, a sergeant promises to mention the name of Falcone in Ra Port. A burning shame and indignation cover the heart of Mateo when looking at her son.
Fortunato already understood his mistake, but the father is not-alend. Without listening to explanations and without accepting excuses, Mateo with a charged gun leads her to death of a frightened son in Maki - dense thickets of shrubs.
The junction of the novels is cruel and unexpected, although it could be foreseen. Mateo Falcone, waiting until the boy reads all the prayers known to him, kills him. Material from site.
Sigor laws taught Mateo that only one - death can be paid for prevailing, even if it is only a misdemeanor. Making a crime in the head of the Father, the boy was deprived of the right to correct the mistakes. And the thing is not the fact that Mateo Falcone is an evil or bad father, but that our concepts about love and hate, honor and dishonor, justice and the crime of sly-koms are different.
I am not approved by the act of Fortunato, but the perturbance and the uncompromising actions of the actions of his father Pu-gaut.
In Novella P. Merim, there is no definitely positive or uniquely negative heroes. The author tells us that life is difficult and multicolored, teaches us a vision of not only results, but also the causes of accomplishment.
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- matteo Falcon Analysis
- very short retelling m. Falcon
- material about n Merim
- Rasputin Falcone
Realistic Novella P Merim had a number of interesting compositional and stylistic features. Merim - Master of Psychological Novella, in the Center for His attention - the inner world of man, showing her inner struggle, evolution, or on the contrary degradation. The internal struggle of the hero in the writer has always been determined by clashes of a person with society, the medium, formed its character. The dramas of the main characters of Novella (Saint-Clera, Juli, Arsena, etc.) were born from the opposition of the surrounding reality. From here, the interesting feature of themenestika Merim was imposed: the events were given great importance, one way or another, the internal conflict of the hero was determined.
Prosaika novels are usually very dramatic. From any of its work you can make drama. The event, which is put by the author in the center of the novel, most often had the character of the catastrophe - this is a murder, suicide, blood revenge, the death of the hero, changing his life. Saint-Claire (Hero "Etruscan Vase") killed for duels, Carmen (the heroine "Carmen") killed by Don Jose. In the novel "Lokis" committed a killing of his young wife. In the novel "Mateo Falcone" there is a blood killing - Son Father.
This is a peculiar reception of defaults about the most important and significant, described in the work. For this default, the author's real emotion was hidden, a sense of horror, his evaluation of what happened. What is shown in themella "Carmen", "Lokis" or "Etruscan Vase" always deeply worried the reader. The author usually hid his own evaluation of events so that this is not to reduce the impression of readers. Sharply switching attention to another, side, he forced it better to think about what happened. As a result, the event itself became more tangible for the reader.
Dynamism, dramatic and strength of action in themelles Merim has identified another peculiar feature. This is the scarcity of the description, especially the descriptions of nature. Novelist is very stingy on the description, because in the center of his attention is always action, drama, growing dramatic conflict. Description Played only a secondary role. In this regard, a particular importance in the works of Merim acquired the detail - a separate small barcode, which often replaced the lengthy descriptions and characteristics.
Artistic features Novel Prosper Merim:
The spotlight of the writer is the inner world of man, showing her inner struggle;
The event determined the internal conflict of the hero;
A combination of psychologist and making of silence;
Dynamism, dramatic and strength of action;
- "misfortune" of nature descriptions;
The use of artistic part;
Hero with a strong character;
The image was revealed through their own actions, events, without author's assessment; -Karakter and human psychology appeared as a result of certain conditions of existence; -elipse (two century) Composition of Novella - story in the story; -tharya to exotic descriptions;
The introduction of a narrator who was the second "I" of the author himself; - murder, duel, torture, temptations, jealousy.
Prosper Merim repeatedly said that the key to the success of the writer was in the ability to choose from the whole set of the phenomena of being for some one, extraordinary. Novella "Mateo Falcone" - The first of the published novel, which was the reproduction of such an extraordinary "find".
House Mateo Falcone was not far from Macs (burned part of the forest under the field). He was a rich man, because he lived with profits from herd sheep, which shepherd-nomads were distilled from place to place. He was no more than 50 years old. He skillfully owned weapons, was a good friend, dangerous enemy. He was married to a woman Giuseppe, who gave him the 3d daughters first and, finally, the son he gave the name of Fortunato, - the hope of the family and the successor of the family. The daughters came out successfully, and his son was only 10 years old.
Once in the morning, Mateo and his wife went to look at her herd. Fortunato, who wanted to go with them, left to dereged a house.
The guy lay in the sun when he heard shots. He saw a man in rags, with a beard, barely moved, because it was injured in the thigh. It was the robber of Jahanta Sanpero. He asked Fortunato to hide him. The guy asked, would you give that something in return? The gangster pulled out five franc coins. Fortunato hid it in a heine. A few minutes later, six shooters appeared, which was headed by the relative of the kid - Theodoro Gamba. He asked the guy, he did not see Janett. The guy did not say that he saw, and it was annoying the shooters. They even searched the house of Mateo, but did not find anyone. Then Gamba showed a guy silver clock and said that if he pointed out where the gangster would give a clock. The guy began to hesitate, his eyes caught fire, and then pointed to the hay. The Sagittarius began to dig a shop, and Fortunato received hours. Bandita tied up, but here the Mateo with his wife appeared on the road, they returned home. Gamba told them about how they detained the bandit, about what the Son did. Mateo looked at the gangster, who called his house "home traitors."
The image of the hero of Novels Mateo Falcone became the beginning of a long random writer over the nature of the human person, which would seem to be incompatible. Few, but truthful features depict the portrait and character of the Mateo - direct, courageous man who is not used to hesitate when performing what he considered his duty. He embodied in himself a certain Corsican ideal of honor, where treason is the longest resentment: "Only a person who is doomed to death could decide to call Mateo by the traitor. He would immediately dismiss for such an insult to the blow of the dagger, and the hit would not have to repeat." It was the fact that his son, "the successor of the kind," on whom Mateo has put all his hopes, became the first in their family a traitor, and led to a terrible act.
Mateo could not forgive betrayal. And here Falcone strong and loyal. The murder of the only son was not in a state of affect, but strictly, calmly, convinced: "Fortunato made a desperate effort to get up and fall to the legs, but did not have time. Mateo fired and Fortunato fell dead. Even without looking at the body, Mateo moved the path again To the house, "To take a shovel." This majestic peace was even more struck by the reader. Merime did not express his relationship in Novel and therefore it was often reproached to indifference to the events described, in a conscious desire to remove him from their heroes. But in fact it's not indifference The author is his position.
Features of the novel "Mateo Falcone":
o focusing on exceptional bright events;
o Heroes are distinguished by a strong character;
o using artistic part;
o An unexpected junction provides a new rhythm of all action.
The image of Mateo has not completed the artistic quest Merim. These searches continued and found their expression in the same unsurpassed Novella P. Merim - "Federico". The plot is very simple and interesting. There was once a young nobleman Federico, beautiful, slender, he loved the game, wine and women, especially the game. The hero has never been confessed. Once, Federico won in 12 young men from rich families, but quickly lowered his winnings, and he had only one castle behind Caucasian slopes. There he lived lonely 3 years: during the day he was engaged in hunting, and in the evening he played gambling.
One day, Jesus Christ with 12 apostles asked for the night. Federico accepted them, but apologized, did not hide them properly. He ordered the tenant to overtake the last goat and roar her.
This is a fantastic novel, which is built on a fabulous folk basis, and reflected the desire of Merime to seek the meaning of being outside the bourgeois conventionality. Scenic, with a characteristic accelerator of action, the novel was perceived as a people's fabulous story as a lively spoken form.
Train of the writer to the heroic beginning, strong characters tangible in the novel Tamango, Where the author criticized such a shameful phenomenon as a slave trade, opposed slavery at all. However, the main theme of the work is not exposing the slave trade, but the disclosure of Tamango.
In this image, further reflections were reflected in Merim over human nature, and especially the conflict of high, heroic and low-lying. Good and evil qualities of the hero here are hidden, but clearly naked. He is powerful, cruel, ferocious and despotic. Tamango traded his tribesmen. But it is also inherent in the essential human traits, which were in an insurmountable desire of the hero to freedom, his pride and excerpt, which he showed during testing.
An ignorable mind of the savage was capable of quick and correct decisions, on a subtle settlement when Tamango raised the riot on the ship. The evil Dikar usually did not drag in it of a real sense of love when he, forgetting about caution, overtakes the ship, who took his wife, or when, almost dying in a boat from hunger, shared with a woman last cracker. So, in the wildness of Tamango - some ominous energy, courage, freedom and dexterity, and even self-denial.
Merima Showing his heroes in such life clasions when they had to solve for themselves the question of tremendous importance - or to preserve life, showing conscience, honor, personal moral principles, or remain faithful to these principles, but to die. The heroic beginning in strong characters, which attracted a writer, consisted that the victory remained behind the moral principles.
Questions for self-control
1. Expand the genre diversity and the main theme of the works of realist writers.
2. Due to what creative discovery P. Merim became the classic of French realism?
3. In which areas is the connection of the connection of P. Merim with Ukraine?
4. Why are P. Merim called the Master of Psychological Novels? What is his skill?
Written in 1829 Novella has the form of a flat, progressive narrative, which opens the exposition, in which the author introduces the reader with a place of action - Corsican poppies and the main character - the rich owner of the sheep's herd, Matteo Falcon. Prospere Merima introduces the image of the author-taller who met with Gordy Corsican two years after the story happened, for a more complete disclosure of the nature of the latter.
Matteo Falcone is drawn by a man who does not look at her age, still a good friend and hazardous enemy in the district. The tragedy hero occurred in the life, if he has affected him, then not apparently for others: there are still no gray hair on his head, his eyes have not lost sharpness. Matteo Falcone - Father, who killed his ten-year-old son for betrayal - a true Corsican, who became the honor above all, was able to find the strength to live further precisely because he did not come with his internal principles and punished the traitor to his family.
The plot taught falls at a meeting of the Ten-year-old son Matteo Falcone - Fortunato with a gangster who surprisingly from the soldier - Jansnetto Sanpero, during which the boy will not easily agree to help the wounded. In the reluctance of the child, his character is also found to help guests, and its further tragic fate. Fortunato meeting with Uncle - Sergeant Theodoro Gamba at the dialogue level repeats a conversation with Jansnetto Sanpero: At the beginning of Fortunato, it does not want to help a relative in capturing a fugitive (parallel with how the boy refuses to help the bandit), then protects against threats to his address The name of the father, after which the temptation and sells his help for chest silver watches, which are clearly more than one five-minute coin given to him, Jansnetto.
In the artistic form of Fortunato, the features of Matteo Falcone are visible - faintiness, awareness of their belonging to an ancient genus, trick and quiet (episode with how the boy hid a gangster - in the Xena Copley, covering it from top of a cat with kittens). The tendency to betrayal, trading and sales is his personal features caused by both small age and new trends who came to Corsican society. They are still barely catchy, but are already traced in children's rivalry (the son of Uncle Fortunato, who henger, has a clock, and the boy does not have) and in adult offers of Jansnetto and Theodoro (it is interesting that the gangster and the minister of justice act equally When they want to achieve their own). The mother of the boy - Giuseppa - in character, something among his husband, and son: she is hard to do, but still makes a husband's decision, get rid of the traitor, even if they are the desired son, who was waiting for three daughters for so long; As in Fortunato - there is love for material things in it: having learned the kidnapper in Jannetto, she rejoices His catchment, while Matteo sympathizes the hungry bandit.
The culmination of the novels, expressed in the stage of issuing Jannetto Sanpero Fortunato, turns into the junction gradually: at the beginning, we see Matteo Falcone who happened in his house, then we obtain an assessment of the taking place from Giannetto, spiting on the threshold "of the traitor", after which we see fearing Futured anger Fortunato, who decided to correct the position of the Misk with milk, then the story focuses on the image of the gangster, which rejects the satisfying gift, turns his face to the arrest of his soldier, calls him his companion and asks to give water to get drunk. Observing for what is happening, Matteo Falcone remains silent. He does not help Giannetto, since he did not take responsibility for his fate, but also tolerate in his family the traitor also does not intend. While the soldiers associate the arrested and put it on stretcher, Matteo Falcone does nothing and does not show anything: perhaps he is going with thoughts, perhaps waiting when the witnesses of the future murder deletes. True Corsican is not justified before Jannetto, but also does not help his relative - Theodoro Gamba. The inner excitement of the hero is visible only by the fact that he does not say goodbye to the last when he leaves.
Matteo Falcone remains a little to the end of the tragic junction. He does not give in to his wife's persuasion, writing to his father's feelings, (the persuasions are also not too obsessive, as Juseppa understands the essence of what is happening and partly agree with her), does not allow her heart to soften from the tears of his son to pardon him. All he can do for his child is to give him the opportunity to pray before death in order to leave the life of Christian. Those who read two prayers of Fortunato asks the Father not to kill him, saying, like all the children, that "he will fix", and, as an adult, trying to find a reasonable decision to improve the situation (ask the Uncle Croal to pardon Jannetto), but Matteo Falcone remains adamant. He gives his son another two prayers, one of which is Litania - it turns out to be long and heavy for both participants of the unfolding tragedy, after which it shoots in Fortunato. Matteo kills the boy in a ravine with loose land, in which it will be easy to dig a grave. Such prudency indicates that the decision taken by the main character is definitively and irrevocable.
Giuseppa, as a real Corsican woman, is humbled with a husband's decision that has the full right to dispose of the life of members of his family. The heroine understands that the stacked honor can only be washed off with blood. She is trying to save the life of the Son, but she has no arguments against the terrible words of Matteo: "I am his father!" Realizing that the tragic outcome is inevitable, Juseppa rushes on his knees in front of the way the Mother of God and begins to pray. It resorts to the ravine on the sound of a shot in the hope of seeing a different junction, but faces the "perfect justice". Matteo Falcone immediately gives his wife instructions on how to live on: serve Panhid on Fortunato and invite one of the competition to the house.
Novel "Matteo Falcone" is a story about the Corsican neravas, proud and harsh, holy law of hospitality (even in relation to winning criminals) and requiring its execution from all, without exception, people, regardless of age. The society in which each of his dick has at least one murder for the soul must have his immutable law. Fortunato broke it. Matteo has no other exit, except to shout a criminal.
Home\u003e LessonLiterature lesson in grade 8
Novel Proster Merima
"Matteo Falcone" (1829).
Objectives lesson:develop the concept of hero; to give a concept about the heroic character in the literature; develop the concept of genre; Call disciples for independent reflections on life, learning to analyze the text, upbringing kindness, honor. Methodological techniques:teacher's story, conversation on issues; text analysis. Equipment:books P. America, illustration "Taras kills the son of Andria", exhibition of books ("Pardon", "Black Waters" M. Karima, "Taras Bulba" N.V.Gogol, "I see the sun" N.Dadbadze, "Shot" A.S. Pushkin), world map, explanatory dictionary, cards with new words ..During the classes.
- Class organization.
(p.386), "Father in case of need count on the daggers of Ikarabina Saintings "C.382," What I thought, seeing the soldiers "few of the Corsicans, fucking well in memory, does not remember some sinner like a rifle shot, strike with stilettos or other trifles In the same way ... "p.389.) Merime uses appeal to the reader: "If you killed a man, run in Maki ..."). -- What does it mean?(He does not call the reader to kill. This ironic form is needed by Merim, so that the reader it was clear: there is no other option in the Corsican in such circumstances, the case is usual, so established in this area. The most interesting thing is that Merima is so detailed. With the knowledge of the case Describing Corsica, was not there. From the notes, we learn that for the first time the writer was on Corsica only 10 years after writing the novel.). So, What do local residents in life appreciate? What laws do they live on? (p.381, reading), ("If you killed a man, run in Poppy, from the point of view of poppies, do not kill sin, but violation of the eternal laws of justice and debt. Above all Corsicans put the debt of honor "). --What can you say about the main hero - Matteo Falcone? ("Matteo Falcone was a rather rich man", "He lived honestly" (though, Merim immediately adds: "That is, not doing anything"); "The accuracy with which he shot from the gun was extraordinary even for this edge"; "He was considered as a good friend as the dangerous enemy"; "Only a person who was doomed to death could dare to call Falcore a traitor.") - What role does the portrait characteristic play?(The portrait characterizes Matteo Falcone as a man of courageous, smart. Hardened by life difficulties close to nature, "natural". It was "small growth, but strong, with curly black, like a quantity, hair, eagle nose, thin lips, big eyes alive eyes and the face of the color of unseasoned skin. "This is a description. romantic hero. Matteo Falcone - in all respects a true Corsican. This is a straight, courageous person who is not accustomed to fluctuate in debt.) - What event underlies the story of Novella?(Killing the father of his son for betrayal). - How do you feel about the boy's act? (Act Fortunatto is a sneaky and low, traitor - first agreed for a silver coin to hide the wounded, but then, having hugged the silver clock of Sergeant, issued his guest to the pursuers. Others believe that Fortunatto was too small and did not understand what he did. Refer to the text Fortunato held confidently with Sergeant Gamba, was proud that his father was a dear man: "My father is Matteo Falcone!" But when Gamba got a silver watch, "the eyes of a little fortuneatto caught fire." "Fortunatto's face clearly reflected the struggle in his soul Between the passionate desire to receive hours and the debt of hospitality. "Fortunato did not stand the temptation.) - Who did the boy occurred Janetto?(guest). - How do Bashkira belong to the guest? How did the mistake committed Fortunato?(Violated the custom of a welcoming reception of the guest, especially wounded. After all, at all times, all the peoples are issued to the authorities of the wounded, unarmed person who asked the shelter at the host of the shelter as a betrayal. For example, in Siberia earlier, specially left for the night for fugitives). - Why did the father killed his son? Has it really right? How did Matteo Falcone reacted his wife? (Matteo Falcone came in this way because that did not want to raise the traitor in his family. From a small traitor grows big. He believed. One who once has already committed a betrayal can not count on respect for people, no matter how much he was . For Matteo Falcone, a good name and honor is more precious than the Son. Matteo made it a murder because the local customs dictated him. The situation is exceptional in nature in the image of Merima acts as a natural, natural manifestation of strong and solid natteo nature, total uklade of Corsican life. Giuseppa, wife Matteo , does not try to justify your son traitor. She cries and prays, but neither the word protest does not break away from her. She only tried to appeal to the father's feelings of her husband: "After all, this is your son!" Even in his maternal mountain, she does not encroach on the fact that, together with her husband, considers the debt by class.) - Why did father punished his son so cruelly?(This is a natural, natural manifestation of a strong and solid nature of the Corsican, the entire defendant of Corsican life). VI. Comparison of two scenes: Andria's execution (N.V. Hogol. Taras Bulba) and the final "Matteo Falcon". - What product can you compare this scene?(Illustration - Taras and Andrey). - What killed Taras Son?(For the fact that I betrayed the deception, faith, Cossacks). - Why the heroes of these works are solved on such a terrible act - Does it are the logic of the disclosure of an artistic nature?(In both works, fathers kill their sons. Taras Bulba executed the Son, who betrayed the depression, faith. Cossacks. Son Matteo Fortunatto Also lives not by human, not according to Christian laws: he issued his guest Representative of power. To wash out a shame with a family, Matteo will assign Fortunatto in Maks, but not immediately kills him And at first orders it to pray that Fortunatto died by a Christian. At Taras Bulba were even more good reasons for the murder of a son. Fortunato issued one person, a gangster. In addition, threatening him. And Andry betrayed all the Cossacks, betrayed faith, betrayed his homeland. But betrayal is a betrayal, and judge his heroes in their laws.) VII. The results of the lesson. - What is to blame for Fortunato?(Fortunatto died of his own father's hand. He paid his life because of its egoism and crisp, led him to betrayal. Severated to this and Sergeant Gamba, bribed the boy, provoked his act. According to critics, in the tragic fate of the main heroes of the story to blame "Moral betrayal, bribing, deception, treachery, crushing a steady moral world of" uncivilized "peoples and heroes Merim.") -- Who is he, Matteo Falcone Hero or Killer ? (In Figure, Matteo Falcone detects the conflict of the heroic and treacherous sense of life. It turns out that Matteo and hero and killer. From the point of view of Christianity, from a universal point of view, he is a killerwho committed a grave sin. BUT from points of view of the incomplete laws of residents of Corsica, understanding their debt and honor, he - hero who committed justice. Need a great power of will and hardness of character to shiver your own son as an iggy punishment. It is love for his son pushing Falcone for murder. The strength of the character of Matteo Falcone is that it dubts the natural human instinct of preserving himself in children, the instinct of continuing.) VIII.. So, we were convinced that to understand the nature of literary heroes it is necessary take into account the time and the circumstancesin which he is delivered. Also, we must consider that in wild poppies begin to penetrate money relations change the morals. This is already realism. (Bind fortunate clock. Father thinks about the new heir, who is going to make a son-in-law, not having time to sowed the Son.) But despite the mitigation of laws, humanism, and today it is important to keep a sense of duty, honor, and today Believe with contempt for betrayal. What is the work that we studied, affect the same problem? ("Captain's daughter", which advises " Take care of honor".) It is the idea of \u200b\u200bhigh morality, honor, loyalty, debt, oath, human dignity that a person must bring through any tests. This proverb that has come down to us from the depths of centuries, was and remains great for every young man. Because there are concepts that are in all the centuries the most important, there are prohibitions that "cannot be broken". Reading the poem of Alexander Yashin. - Do you note the proverbs on this topic? (Wines of a child - wine of parents. Better death than dishonor.) - What other works affect this topic? ("Әә xөmө", in the Ural epic, Schulgan, who violated the ban of his parents, cumulatively sharpened; there is a curse song, where TEVKELEV, who betrayed his people, "Black Waters" M. Karima, M. Gorky "Mother and Son", Kurban-Bayram, Ie. This theme of the punishment by the father of the Son is typically in the literature.) Here we were convinced today, as to understand the nature of the literary hero, it is important to take into account time and circumstances. - Condemn or justifies the author of his hero? Never that. Matteo makes an act, which local customs dictated, his own understanding of human dignity. One great man said what The most important thing is not to condemn and not justify, but to understand why did a person succeed like that. Probably, we must understand the act of Matteo, transfer to those distant times. Estimation.