Member of the show "Voice" Timofey Kopilov about Russian rock, looks for life and bad habits. Timofey Kopylov: Is there any life after "Voice Timofey Kopylov in a voice
He was born and grew up in Vladimir, studied at the 36th school and Vladimir Pedabit. As many young people of the 90s, created their own rock band. Having matured, got a business, but did not throw music. In 2013, I composed Hit "Lada Sedan". But truly famous he became, coming to the top in the megapopular television show "Voice". Today in the "Person" heading - a silver medalist of "Voices" Timofey Kopylov.
Began to give more interviews. And that's it. But the goal of participating in the show and was just this - to draw attention to the group "Record Orchestra", to our songs. While the group does not have media support, our new songs do not appear on the air. This task is in the solution stage. Sin was not to take advantage of the opportunity to popularize our creativity. Although not immediately all the way. I sent an application for the third, fourth, fifth seasons. And only the sixth answered.
If I had not answered, I would send it to the seventh. Just during these attempts, my priorities changed. If the third "voice" wanted to show how cool you can sing, climb into the transcendental heights in terms of tonalities - was a sporting such interest. Then by the time everything happened, it was a desire to simply fulfill vivid emotional and memorable numbers.
Leonid Agutin listened to all of our repertoire. He said that there are several lumps. His perception is common. We have the bulk of songs - candid satire. The fact that they forced him to smile and even frankly laugh, this is the highest praise. But any TV show is about views, and not about the opening of new stars or expanding the music horizons of the public. If you are singing a song, absolutely no one is known, there is a very big risk that the viewer will simply switch the channel. Therefore, the bet is made on turbohite. It decides not artist. Only one song, which I burned before this show was performed on the "voice" scene. All other numbers are a fruit fruit or challenge like a "cuckoo". In the show "Voice" 95% of success is a choice of song. And we must give Leonid Agutin due, he never worked through his knee. If the song does not like, it will not work. With the song Human so it was. I tried to storm it, but in the end two days before the draft rehearsal, they refused it. I sang Million ReaSons Lady Gaga.
- How can I prepare a number in two days?
Like this. Sit down at night and you are just doing. And how in the final? You went to the final on Friday. You have a day to decide what three songs you will execute. On Tuesday, the arrangements should already be prepared for the phonograph orchestra to disassemble them. And on Wednesday, the draft rehearsal. And on Thursday, the rehearsal is already on the stage when the light is put, sound, stage movement. Made a run of the entire transfer. That is, the preparation of three rooms is the same two days.
- Plowing I had to be healthy! Vladimir did not come to Vladimir?
Between the semifinal and the final, we still gave the concert in Vladimir, because the group needs to live on something. And so December flew out. And we have not received prizes yet. This show will not earn money. "Voice" - it hurts for the future.
- In general, the music, creativity is fed? Or is it necessary for the modern musician in order for something else for the soul?
Well, it feeds. Mikhail Circle when he was asked why he had a sawmill, said: "It is still unknown, the muse will come or will not come, and the sawmill saws and saws." Business is already part of my life since 1997. This disciplines: in the morning you need to get up, go to solve pressing problems and get from this buzz, so simple, human. For example, nothing was, and you repaired the room where people who feed their families now work. These are fundamental things. When a person in life is not, he begins to go from unrealizations. Because the fruits of creative labor can not be fascinated with their hands. And it seems to me that the traction for production is initially laid in man. When a person fails to implement this production creative instinct, a person breaks like a person. He turns into some animal with endless search for himself. And what to look for yourself? Go to the barn, take a shovel and corop! This is (the business in the former Bus Park "Inturista". - Approx. Auto) - My shed.
- That is, you share life and creative goals?
No, I want to leave some trace that will be a kind word to remember: good songs, firmly folded shed, house and so on.
- Tell me about your childhood, youth, about people who influence your formation.
I studied in 36 school. Dad - Engineer, Mom - Accountant. Parents are musical "well-read" people. From the mid-1970s, they listened to the rock, "hipped". BLACK SABBATH and PINK Floyd in our family sounded constantly. Father still sang in the choir of Vladimir Zavazali "Vladimir singing", thanks to which I had communication in musical circles. When in 15 years I was pulling me to the electric guitar, I could not find in our city like-minded people. And then he left for Germany as a student-Guest of Waldorf school, and there he saw that the guys of my age are played at a very high professional level. They have a rock club infrastructure for this, equipment in free sale. We in the 90s got it through acquaintances. Then, when I entered Vladimir Pedagogical University, I met local rock musicians. Not to say that I went into the rock-party, but I found like-minded people. And in the deep my school childhood, the guys were little interested in music. Everyone was engaged in sports, oriental martial arts. In our company, it was generally believed that music was only for girls. But this time itself is unforgettable, it still pops up in the head.
- It turns out, did you study music already in adulthood?
I did not study.
- Nugget?
I walked to Irina Vasilyeva. She taught me to melting, because I used to break the voice on the second third song. She taught me to warm up before the speech, to live at least to the bisov. I still help the guys from the Vladimir Regional Philharmonic - the soloists of the Russian orchestra. And I grab some vocal chips just at the level of communication with colleagues in the workshop.
I am a child of Gorbachev anti-alcohol propaganda. Since 1984, television has begun to show children of alcoholics with deformities. It was an indelible impression on me, so I did not try alcohol in my life. I do not want to condemn anyone from people who cripple their life with drugs and alcohol, leaving reality. But the system plays on this very inhuman way. People are offered a psychological pattern on television, in the family: the problem is to drink. But the problem from this does not become less. A person simply comes into an alcoholic corkscrew and lowers and lower and lower. The social consequences of the use of these things are terrible. In our country, where 80% of prisoners are sitting for crimes committed in a state of intoxication, show the scenes of drinking alcohol, joke about it - just the top of idiocy.
- Can you decipher your image? Beard, rosary - is it all religious nature?
Rings, hats, rosary are just gifts. Plus it is a means of producing a show. If the song requires all this tinsel, the sin does not use it. But I remove it all when it is not necessary, as in the song "Ring", for example. I have no image, it's just a scenic costume for some roles.
You said that Lada Sedan was born on Sakko and Vanzetti, where many street traders are fruit. Is there any "Power Places" in Vladimir, which you inspire you?
- "Lada Sedan" was born in his head. Most often the songs come when you are alone with yourself, outside gadgets, out of communication. Then your internal dialogue begins. Selfolation helps, no matter where you are at this time. Most of all behind the wheel and in the soul comes rhymes personally. And the places that are emotionally support are the places where you grew up with the memories, feelings. I am good.
- You are not close in Vladimir now?
I am generally a buzz. I sat down sweetly. Here you can safely engage in creativity. In Moscow, of course, more opportunities to participate in various shows. But honestly, I do not really believe that the repertoire "Orchestra Record" would glow on federal TV channels. This is a bit of different categories of concept. Rock-party, concerts, yes, a little lacks. But, on the other hand, two hours drive to Moscow ... The whole essence is in your activity.
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Vladimir's finalist show "Voice" - Frontmer Group "Record Orchestra" Timofey Kopylov - spoke about impressions from participation in the project. " The program is minimum to go through blind listening and, maybe to reach the quarterfinal"The second place in the largest musical competition of the country has become a surprise even for Timothy himself. And this despite the very impressive stage experience: as part of the Blackmailer Blues Band, in the "Record of the Orchestra" who came to replace him and even despite the successful participation in the project "Home Scene" on the channel "Russia".
After the sixth "voice", Timofey Kopylov became known to the whole country. Although he himself emphasizes that both in the "main stage", and in the show on the first channel, first of all "Orchestra's record" participated. Most arrangements for speech in the "Voice" "Orchestrants" did themselves. Alexey Baryshev, one of the founders of the group, was invariably attended the scene.
« Could not show your author's material"Timofey Copyl complains. But it turned out to be "disturbed" from those songs with which today the "Record Orchestra" is associated today (apparently, it is understood by the All-Russian popularity of Lada Sedan).
"Plus, there was still a desire to get out of a certain zone of comfort, which we somehow did for themselves and then the team did not go to us, did not grow, did not move. And it is necessary to periodically, as a creative person, and any person, to give himself some kind of shake, put some tasks for yourself that you would never put in general. Do something beyond. And in this regard, thanks to Leonid Nikolayevich for the offer of songs. Not everyone was peculiar to me and perceived by me with a bang. But the main mass of songs - I just did not take it in mind the greatness of these songs, - told Timofey Kopylov.
On blind auditions in the show "Voice", season 6, sang the Gypsy song "Shucaria". The mentors were confident that a foreigner appears on the stage. As a result, Timothy turned only Leonid Agutin, who offered him: "Timofey, you will have to go to me. Hoping, no one turned more. And it's good what I did. " However, in response, Kopylov admitted that he initially wanted to get into the Agutin team. The correspondent "Around the TV" talked with Kopyl immediately after the final of the 6th season of the show "Voice" asked about the mentor, friendship with other project participants and plans for the future.
- expected to come to the final?
- Not. I still thought on blind auditions that if no one will turn to me on the first purchase for me, then on this my show "voice" will end. But the verse ended, the chorus began and Leonid Nikolaevich (Agutin. - Approx. ed.) turned. God forbid him health.
- And with the mentor managed to work closely on the project?
- First of all, inspiration, as well as ideas, which songs to perform, proceeded from Leonid Nikolayevich. I especially remember the work on the "cuckoo". Along with the mentor, we made an arrangement. I did a verse - he sent him, then the second, the third ... It was very cool. The chief council, who gave Leonid Nikolaevich, is not mistaken. That's what you want, so understand.
- And you initially wanted to him in the team?
- Yes, and since that time when I looked at the second season of the show "Voice" and decided to send an application for participation in the third. My first promise was in space: Leonid Agutin. I got only in the sixth season. And when Agutin turned to me, I realized that the universe I heard me.
– Worried before each new stage?
– I was worried that cure from the project with the "tastelessly played" number. And if the number turned out to be cool, let's call this conditionally "swan song", then here and fly not sin. There was no fear. I did not worry about what I could fly away, and I was more worried about the number: it will work out - it will not work out. And there already - as God gives.
– What participants consider the most strong on the project?
– We have a very strong team: both Misha Grirshunov, and David Tokaou, and Gabriel Kupaatadze. We also had a powerful girl: Schaleyan Dina and Olik Gromova. And this is not just some of the words of patriotism, "Agutism" and so on. This confirms the fact that almost the whole team except for my partner Dasha Vinokurova was saved at the stage of fights. And about Victoria Olisma, I was told: here, Timokhina death came, because of her, he will take away from the project.
– And friends on the project acquired?
– I am constantly in a close cybernetic connection - as a person lives far away - with Phil Balsano. And, in general, we all communicate. And friends acquired not only among the participants, as well as among the employees of the scene ... with a sound engineer a close relationship with us. Very much. Well, all is well. Thank God, all is well.
– What would the million be spent if he had won?
– I do not know ... I would have bought, probably, the field and sowed the corn. And communism will return to the country (laughs.). In fact, I know that the winner will spend this million. But I will not tell you. Perhaps, perhaps. I am so much too much spent in all interviews. And in general there is such a proverb: "God gave, God took."
– Did you dream about your own touring tour in Russia?
– I constantly have one big tour with my musical team since 2001. The only thing, I had to be interrupted in connection with my participation in the "Voice". Musicians of my team look at me beasts due to the fact that the whole December is the most fat for the musicians the season, and we sat without corporate events and without concerts. And in January already there to collect? Everyone comes yesterday's Olivier and bouffroom overheated exhausted lemonade.
– Do you come any interesting offers? Here, Yang GE, for example, is filmed in films ...
– Friendly fraternal relationship. I will not say that there was a strong confrontation. What you do here: Brendon defeated the audience voting, and this is, in principle, logical. He is really a professional. Brendon has both wonderful vocal data, and acting skills. He is an artist, gets in a role with each song. He also has a huge luggage of musical education - what is missing here. And somewhere in some kind of apferactions, some fragments, beads with a mirror to entertain the audience.
Everyone has different tastes. Leonid Nikolaevich in Instagram wrote that he tried to guess. He says like both were roads, but still on this show you have to choose. It would give 50 to 50 - they say, the audience decide. But he could not do so under the terms of the competition. And I know that for Leonid Nikolayevich it was a big pain. As he says, the only criterion is the desire to guess the finalists. And so did not guessed. With such a customer was in the final. It seems to me that Brandon in the final would be much more organic with the material that I performed. Although God knows him! Still waters run deep. But all that I performed in the final is definitely the brandon horse. I'm in the final from my horse the trip to someone else's ...
In general, the final for me was not a relief when you leave with your "crowns", namely the peak of the voltage - when the concentration and brains and voices are needed, and everything else. This is Challenge, the competition for which I subscribed. No one said that it would be easy, but it is cool. And it's not even in some vocal singing: here the composition that you would never have taken to do, you will have to miss through yourself. And this is already acting skills. That's what I worried about it most.
– Can you wish anything your fans and our readers for the new year?
– In the new year I wish everyone to work more. Right here to have a complete loading. A little rest to relax, and then work. Because most importantly for a person is to be demanded. No matter who you are a manual worker, creative intelligentsia or technical ... Value is the most important thing. Well, naturally, health - in the old Russian tradition. In general, of course, it must be desired first. And the rest everyone is sold - and, if that, I know where.
Timofey Kopylov
When the journalist is going to an interview to a fairly popular artist, it is worried more than usual. But in this case there was a feeling that you just have to chat with a friend. So it turned out. Timofey treated coffee, and we disappeared for an hour and a half in conversations about the "voice" show, about the new plans of the group and about interesting acquaintances. Seen in it our Vladimir soul! For simplicity, justice and good music you, Timofey, thank you so much. And we present all the latest news about our countryman of the first mouth to the reader.
Family "voice"
"Voice" - I will say absolutely without any pathos - this is a family ... In my teams, we were extremely close, worried, sore, built and discussed relations with the mentor and the phonograph orchestra. Orchestra - almost the main component of the show. The main work with him remains behind the scenes, but how clearly the artist and phonograph have played at rehearsals, enormously affects the audience perception of the artist as a whole. At the same time, 95% of success depends on the choice of the song, and this is always a compromise between your desire, the vision of the mentor and the show philosophy plus the channel itself. It seems that there are no fundamental prohibitions, but it is necessary to understand that this is still a show and the selection of the composition - the first thing. For example, several songs were considered in the semi-finals stage, until they came to a general decision - to sing the song "Ringing" of the Resurrection Group. And in mind, the arrangement of the arrangement had to be done on the night before the general rehearsal.
Also, the mentors themselves and the TV channel are perfectly understood what song will be rating, and what is not. As it seemed to me, show business and the whole story "sharpened" under the views. Therefore, no one will be choosing conditionally "not hit" or "something unknown", and will not allow. Too high risk that the average viewer, having heard, for example, "industrial Korean jazz", simply switch the channel. But this is the tragedy. Therefore, alas, not before experiment. Although sometimes I really wanted.
About working with Leonid Agutin
So it happened on the project historically (as far as I managed to understand it) - Immediately after blind listening, all the "Agutinians" coming together to meet each other and with a tutor in karaoke. Leonid Nikolaevich asked everyone to bring a couple of their "coronal" things ... I, if honestly, practically didn't sing in karaoke, and indeed I rarely sing outside the "Orchestra's Record" - I was content with the fact that it was in the "Menu" of the institution. The guys brought their offers, arrangements. Speaking easier, this is one of the most important stages, for almost the entire repertoire for the current season is solved there. Alas, you failed to play your own songs.
But in any case, thank you so much, Leonid Agutina for sawing in me it was the rock musician from the very beginning, despite the fact that the room on the blind auditions was the utterness, as he said, the attraction. Honestly, one of the reasons for my "campaign" to the "voice" was the desire to reveal the rock component of the team. And it seems to me, managed. Leonid Nikolayevich did not simply hung the circus label, but sent us exactly the way, where we, in essence, always with the group and went.
About "cuckoo"
The idea to execute the "cuckoo" of Tsoi fell entirely from Leonid. Of course, it was risky in the sense that we got a bucket of the "manure" in the comments and in messages for making a million times the back of the song. But, honestly, do not care. This is my favorite song, mentor and group itself. Plus, I personally had something to say from it from myself. We managed with the guys from "Records" to make the author, nor not like the arrangement.
At first, one verse Leonid was sent - he approved, the second - approved, the third - approved. And they are all different in tempo! And how to combine them together - unknown. As a result, the song came out in three moods, which cannot be submitted under the general denominator of the metronome.
For me, Tsoi was always distinguished by a strong, eastern even hieroglyphic imagery, so the desire to resolve this song - in this "Eastern" key. Gennady Lavreshev - Tablet and violinist, who has been trained in musical higher education institutions, in East and India, helped with this.
About haters and criticism
I often receive messages like: "Dashka Stavrovich dares to speak with his song, and you have been drunk." First, many write a similar one, absolutely not knowing what the shouted show. Perhaps I would also, if I didn't write, but I would criticize the choice of songs - for sure. It is unpleasant, but good comments are still more.
Haters - a spoonful of the fly, which in any case will have to feel. And I just stopped reading all this. Plus reading comments take a lot of time. It seems to me, it is better to write a couple of new songs than to spend it on communication with "dissatisfied" or in swimming in the rays of glory. The viewer is more interesting than new.
There are, of course, people who want to listen. For example, media individuals or people, on whose music I grew up. Someone writes positively, someone is not very. For me it is a litmus paper, creative benchmarks. They, as a rule, in view of their education and experience are objective, and I listen to them.
About experience
You are given only two rehearsals: on the basis of the "phonograph" and on stage. Everything. Further rehearsal in order to rebuild sound and light. For conversations, there are no time for adjustments. Every song has its own rhythm, and the visual accompaniment of the number is built under it. Therefore, at this stage, there can be no change in the pace, all adjustments for music remain at rehearsals. Fascinating action - always at the junction "Video" and "Audio".
You understand that you go to the most rating show of the country, and these three minutes are yours. There will be written your name, not the name even the mentor, an employee of the canal. All claims on the number are for you. As far as you competently, diplomatically, sometimes severely proved its position, the number on the air will sound so correctly. And tough conversations on the show were a lot. This is a special buzz for me. Fair.
There are real professionals working with their opinions. And may sometimes happen any personal insults - everyone found the strength to shove them where deepened and work together. For this I imbued even greater respect for everyone who does this is the best musical show of the country. And this tremendous experience in interaction, according to the search for compromises, for work in such an environment is expensive.
What after "voice"?
For the "Orchestra Record" in terms of the number of concerts, little has changed. Somewhere on the stage of the semifinals, I already understood that the desire to raise their quantity thanks to the show "Voice" was a certain unjustified illusion. But there is a huge plus that we already had a number of fans. For them, we arranged such a media attraction. New subscribers were added - also a great acquisition for the team.
Now the most important thing is to write your songs. What we actively and do. Tours are painted already until April. December we missed in mind the employment on the "voice." And all this work, despite the missed bread for all artists, was quite good for the future. But I walked to the "voice" exclusively for the "Record of the Orchestra". There is no such solo artist "Kopylov Timofey".
After the project, I had many interesting acquaintances to this day. These are the people with whom I would be afraid to speak in view of the highest "orbits of their flight", and now I have the opportunity to exchange information, emotions. Many guys who are engaged in music, secretly or clearly dream about it. And I have it. Thank God ... The main thing is not to forget that all this is temporary. And then the "cuckoo" will go on that day when the copper pipes will be released.
In the semifinals of the show "Voice" remained very strong rivals. Timofey Kopylov, ward from Leonid Agutin, admitted that he considers Brendon Stone to be a competitor, but it is ready to fight. The musician independently studied music, so does not exclude that competitors are much stronger than him.
"I understand that I miss some musical, academic base. Never took lessons. I just sing. I presented myself sometimes almost Thomas Anders, when was small. I am a koss for him. I am now supported by the guys from the group "Record Orchestra", family, children ... "- noted Timofey.
From the early years of Kopylov grew in Russian rock. He believes that this genre still has development. According to him, many teams give concerts, protruding and collect halls. "After all, this is a music coming from the heart. Now they gave a green road on federal channels to many non-standard performers, "the artist explained.
Timofey follows modern trends and believes that rap is real art where rhymes and rhythm are felt. "Music is a hobby until you start to make a profit of concerts. First you work in the name and equipment, only then the performances bring income. Each artist has its own material, but it is not allowed to sing on the air. At semi-finalists a very interesting material. Nastya Zorina also made a lot of noise with his solo number, but unfortunately, did not go further, "the cops shared.
In addition to music, Timofey controls the enterprise that is engaged in the construction of offices.
"We rent buildings. And so I'm lazy, sometimes I love to lie on the sofa. I am inert: at first it is hard to dig, and then stop. I sometimes better work with my hands, "the artist noted.
He remembered the story that many people worked by their hands, because they did not hoped for their vocal data. According to Timothy, many show-business figures could replace labor in enterprises.
"But many cosmic artists who exist as if in parallel worlds. Sometimes it seems to me that I will be taken away by aliens, they will give me the cosmic mace and send to the ground to craw out sinners. I believe in God, I usually ask him help. I think that people who do not have, otherwise think, "said Kopylov.
The musician believes that it is always necessary to be grateful as for criticism and positive feedback. However, with a negative situation, he does not want close attention.
"I share emotions in songs, on speeches, I do not like to talk about personal and invite people to visit. It is better to meet in public cafes and restaurants. I rest when I change the activity, "said the artist.
Unlike other people of his age, Timofey never considered it necessary to use various stimulants for inspiration.
"I never drank. I am the child of the Anti-Alcoholic Company Gorbachev. It seems to me that drug addiction and alcoholism are social consequences. Rock is a movement in contrast to what is, "the cops explained.