The tragic fate of the Moon Night on the Dnieper. Moonlight on the Dnieper A

"Moonlight Night on the Dnieper" (1880) - one of the most famous pictures Archka Quinji. This work was produced by a real Furior and acquired mystical glory. Many did not believe that the light of the moon can be transmitted only by artistic means, and looked at the canvas, looking for a lamp. Many silently stood for hours in front of the picture, and then leaving in tears. The Grand Duke Konstantin Konstantinovich bought Lunar Night for the personal collection and drove it everywhere with himself, which had sad consequences.

Above this picture, the artist worked in the summer and in the fall of 1880. Even before the start of the exhibition, rumors spread that Quinji is preparing something completely incredible. Curious found so much that on Sundays the painter opened the doors of his workshop and let all those who wish. Even before the start of the exhibition, the Great Prince Konstantin Konstantinovich bought the picture.

Queenji has always been very zealous to exposure to its paintings, but this time he surpassed himself. It was a personal exhibition, and only one work was shown on it - "Moonlight Night on the Dnieper". The artist ordered to drag all the windows and illuminated with a canvas directed by the beam of electric light - with daylight lighting, the lunar radiance looked not so impressive. Visitors were part of the Dark Hall and, as if under hypnosis, were silent before this magical picture.

Before the name of the Society for the promotion of artists in St. Petersburg, where the exhibition was held, there was a turn for all day. The public had to put in the room with groups to avoid the crown. About the incredible effect of the painting went legends. The shine of the lunar light was so fantastic that the artist was suspected to use some unusual pearl paints brought from Japan or China, and even accused of connections with unclean power. And the skeptical spectators tried to find the hidden lamps on the reverse side of the canvas.

Of course, the whole secret was in the extraordinary artistic skill of Queenji, in the skillful construction of the composition and such a combination of paints, which created the effect of radiance and caused the illusion of shimmering light. Warm reddish tone of the Earth contrasted with cold silver shades, due to which the space was deepened. However, one skill, even professionals could not explain the magical impression that the picture produced at the audience - many left the exhibition in tears.

I. Repin said that the audience was frozen in front of the picture "in prayer silence": "So there were poetic spells of the artist on selected believers, and those lived on such minutes with the best feelings of the soul and enjoyed the heavenly bliss of painting art." Poet Ya. Polonsky was surprised: "I don't remember positively that before some picture for so long formed ... What is it? Picture or reality? ". And the poet K. Fofanov under the impression of this cloth wrote a poem "Night on the Dnieper", which was later laid on the music.

I. Kramskaya foresaw the fate of the canvas: "Perhaps, Quendji connected together such paints, which are in natural antagonism among themselves and after the expiry of a well-known time or will be ground, or change and decompose before the descendants will immediately catch the shoulders in bewilderment: what they came from Delight good viewers? But in order to avoid such an unfair relationship in the future, I would not mind to make up, so to speak, the protocol that his "night on the Dnieper" is all filled with real light and air, and the sky is real, bottomless, deep. "

Unfortunately, our contemporaries cannot fully estimate the initial effect of the picture, as before our time it reached a distorted form. And the wines of everything is a special attitude to the canvas of its owner, the Grand Duke Constantine. He was so tied to this painting that he took her with him in a world journey. Having learned about this, I. Turgenev came terrified: "There is no doubt that the picture will return completely destroyed, thanks to the salted air evaporation." He even tried to persuade the prince to leave the picture for a while in Paris, but he was adamant.

Unfortunately, the writer was right: soaked in salt sea air and high humidity were degraded to the composition of the paints, and they began to darken. Therefore, now the "Moonlight Night on the Dnieper" looks completely different. Although the lunar radiance and today acts on the audience Magically, but causes constant interest.

Plot

Before us landscape. The artist chose a point of view from the top, leaving most of the canvas for the sky. The shining moon stains the contours of the clouds in the cold tone. Light hesitates on the dark waters of the river, which, according to the remark of Kramsky, "commits its majestically."

"Moonlight Night on the Dnieper." (Wikipedia.org)

As in most other works, Quinji wanted to convey the phenomena of nature, who are not amenable to long-term Scripture from nature. The artist had unique vision - he remembered the colors, due to which he imprinted on the ages of those moments that in nature last minutes.

"After the rain", 1879. (Wikipedia.org)

"The illusion of the world was His God, and there was no artist equal to him in achieving this miracle of painting," his friend and mentor Ilya Repin wrote about the Quinji.

Context

Especially for the "Lunar Night on the Dnieper", Queenji organized an exhibition of one picture - the first of its kind in Russia. Even before her in St. Petersburg, rumors were walked about an unprecedented painting picture, which Quinji writes. Under the windows of the artist gathered wishing to see the canvas. Every sunday, he las in all curious workshops for two hours.

For a larger effect of the window in the hall were curtained, the ray of light fell only on the canvas. When visitors entered the parulfary hall, they could not believe their eyes - a greenish moonlight poured the entire room.

"Sea. Crimea ", 1890s. (Wikipedia.org)

People did not understand why such an unusual light comes from the picture. It seemed that only with the help of oil could not create such an effect. Some even tried to look at the picture - there is no lamp there. What only rumors did not go through Petersburg! What Quanji draws "magic lunar" paints from Japan. Someone even remembered unclean. Noise has risen such that the artist decided to go to the gate for 20 years.

In fact, the secret was simple - for many years of work. Queenji was a passionate experimenter. He mixed not only paints, but also added chemical elements to them. It was not here without hand the Chemist of All Russia Dmitry Mendeleev.

The picture bought the Grand Duke Konstantin. He was so fascinated by the cloth, which even took him with him in a world journey.

Fate artist

Queenji was born in the family of a poor shoemaker. A small archup, early lost parents, studied from the hands badly. He liked to draw anymore, so everything that seemed to him suitable for this was dressed up with drawings.

The boy lived in great poverty, so from early childhood hired to work - Pace Gusey, led the record of bricks at the construction site, helped in a bakery. Once he was advised to go to the Crimea to Ivan Aivazovsky - learn to draw. What was his disappointment, when Aivazovsky allowed him only to push the paint and paint the fence.

Archka Queenji. Portrait of work V. M. Vasnetsova, 1869. (Wikipedia.org)

The next 10 years, Quinji retouted photography, until once decided to keep the exam in the St. Petersburg Academy of Arts. It turned out only with the third time. At the Academy, the archup met the Movies, under the influence of which he wrote the first successful, according to academicians, canvas.

Glory came to him with the "lunar night on the Dnieper." After putting after it a few more paintings, Quinji unexpectedly went to the gate. "... the artist needs to perform at exhibitions while he has, like a singer, there is a voice. And as soon as the voice subsides - it is necessary to leave, not to appear, so as not to be ridiculous. "," Said Quanji.

He wrote the next 20 years, but did not show his work to anyone. Queenji came out of the navel in 1901. In November of the same year, the last public exhibition of the painter works was arranged, after which no one had seen new pictures before his death in 1910. All that I had, Kindji handed over to the society of artists, which organized shortly before the death.

(1841-1910) - Great Russian artist of Greek origin. He is an unsurpassed landscape system, whose paintings are in the most famous museums and are truly invaluable. One of the most famous Kindji paintings is the "Moonlight Night on the Dnieper".

Picture " Moonlight on the Dnieper"Was written in 1880, canvas, oil. 105 × 144 cm. Currently is located in the State Russian Museum in St. Petersburg. In 1880, after the completion of work in the picture, the archite Quenji organized an exhibition, and this picture was the only exhibit of this exhibition. The picture was exhibited at a large sea in St. Petersburg, in the Society for the Promotion of Artists. Despite the fact that the exhibition consisted of everything from one web, the whole queues were built out of those who wish to see the new work of the Great Artist, which has an amazing effect on strength. The event has become a real sensation. To avoid the index, people in the hall were launched by groups.

The picture presents a wide space with the river and the moon. The plain crosses the river tape, which looks greenish from the phosphoresis light of the moon. The moon in the picture radiates fascinating and mysterious light.

In the time of Queenji, he was suspected of using some unusual paints, and sometimes in relationships with unclean power, which helps him create something that no one has ever managed. However, the secret of the Great Artist is looking for such a composition that would allow the most realistic to express light, as well as in the careful selection of the slightest changes in color and light ratios. And in this case, there are simply no kindji.

Glory about the "Lunar Night on the Dnieper" was separated in Moscow before the end of work on the picture. Every Sunday, for two hours, Quinji opened the doors of his workshop, so that everyone could see the canvas, which was not over yet. To make sure that one picture is enough for the exhibition, Queenji invited friends to his workshop, among whom were Ivan Sergeevich Turgenev, Yakov Polonsky, Ivan Kramskaya, Dmitry Ivanovich Mendeleev, as well as correspondents in which he checked the effect of the impact of the Moon Night On the Dnieper. "

The picture looks truly charmingly and unusually realistic. It is noted that some viewers, without believing their gases, looked at the picture to make sure that there is no lamp that creates so believable light. Success was huge, and after that, Queenji decided to make two copies of the canvas. The first copy is located in the State Tretyakov Gallery in Moscow, and the second copy is in the Livadia Palace in Yalta. Original before its first show was sold to the Grand Duke Konstantin Konstantinovich (1858-1915).

"Moonlight Night on the Dnieper" (1880) is one of the most famous paintings by the Archproun. This work was produced by a real Furior and acquired mystical glory. Many did not believe that the light of the moon can be transmitted only by artistic means, and looked at the canvas, looking for a lamp. Many silently stood for hours in front of the picture, and then leaving in tears. The Grand Duke Konstantin Konstantinovich bought Lunar Night for the personal collection and drove it everywhere with himself, which had sad consequences.

What kind? Here we are now goingive ...

In the summer and in the fall of 1880, during a gap with the headings, A.I.Kyujji worked on a new picture. On the Russian capital, rumors about the enchanting beauty of the "Lunar Night on the Dnieper" were separated. For two hours on Sundays, the artist opened the wishing door to his workshop, and the Petersburg public began to deposit her long before the completion of the work. This picture gained truly legendary glory. In the workshop of A.I.Kuinji, I.S.Turgenov and Ya. Polonsky, I. Kramskaya and P. Chistykov, D.I. Madevelev, accounted for the famous publisher and collector K.T.Soldatenkov. Right out of the workshop, even before the exhibition, the "Moonlight on the Dnieper" for the huge money was bought by the Grand Duke Konstantin Konstantinovich. And then the picture was exhibited in St. Petersburg. It was the first exhibition of one picture in Russia.

House in St. Petersburg, in which the Kindji apartment is often called the "house of artists", as many Russian painters lived here: A. Besgrov, E. Volkov, M. Klodt, I. Kramskaya, Cernetsov brothers.

The work was exhibited in a separate room for the promotion of artists on a large marine. The hall was not covered, only a bright electric beam fell on the picture. The image from this is even more "deepened", and the Moonlight became just a dazzling. And after decades, the witnesses of this triumph continued to remember the shock, which the audience was tested, "inequate" to the painting. It was "presented" - at the exhibition days the big marine was tightly clogged with regions, and the longest queue was built to the door to the building and people waited for hours to see this extraordinary work. To avoid the pressure, the public was allowed in the hall groups.

Grand Duke Konstantin Konstantinovich

Roerich still found a living minister of Maxim, who received rubles (!) From those who tried to get to the picture out of turn. The performance of the artist with a personal exhibition, and even consisting of just one small picture, was an event unusual. Moreover, this picture interpreted not any unusual historical plot, but a very modest landscape. But A.I.Kuinji knew how to win. Success exceeded all expectations and turned into a real sensation.




A.I.Kyujji has always been very closely exposed to its paintings, placed them so that they were well covered so that they do not interfere with the neighboring canvas. This time, the "Moonlight Night on the Dnieper" hung on the wall alone. Knowing that the effect of lunar radiance will be fully manifested with artificial lighting, the artist ordered to drag the windows in the hall and illuminate the picture focused on it the beam of electric light. Visitors entered the adolescent hall and, fascinated, stopped before the cold radiance of the lunar light. In front of the audience, a wide, leaving the distance of the space was revealed; Plain, crossed by greenish ribbon of a quiet river, almost merges from the horizon with a dark sky, covered with rows of light clouds. In the embroidery, they had a little diverged, and the moon looked into the resulting window, refreshing the Dnieper, Hacks and the web of the paths in the near shore.

And everything in nature has gotten, the wonderful radiance of the sky and the Dnieper waters. Summer silver-greenish disk of the moon poured his mysterious phosphorescent light immersed in the night of the night. He was so strong that some of the audience tried to look at the picture to find a lantern or lamp. But the lamps did not turn out to be, and the moon continued to radiate his fascinating, mysterious light. The drill mirror reflects this light of the water of the Dnieper, from the velvety blue of the night the walls of the Ukrainian Hut. This majestic spectacle still plunges the audience in thought about eternity and the irreversive beauty of the world. So before A.I.Kyujji sang about nature only the great N.V.Gogol. The number of sincere talent admirers A.I.Kyujji grew, a rare person could remain indifferent to this picture, which seemed by witchcraft.

The heavenly sphere A.I.Kyujji depicts the majestic and eternal, hitting the audience with the power of the Universe, its immensity and solemnity. The numerous attributes of the landscape are sharpened by Khtka Kosoyar, bushy trees, the coronal stems of the Tatakar - absorbed in darkness, the color is dissolved by the brown tone. Jar silver moon light shaded in blue depth. Its phosphoresia, he turns the traditional motive with the moon in so rare, meaningful, attractive and mysterious, which is transformed into poetic-agitated delight. Even the assumptions about some unusual paints and even about strange artistic techniques that the artist allegedly used was expressed. Rumors about the secret of the art method of A.I.Kyujji, about the secret of his paints, in the life of the artist, some tried to catch it in focus, even in connection with the unclean power. Maybe it happened because A.I.Kyujji focused his Efforts on the illusory transmission of the real lighting effect, in search of such a pattern of a picture that would allow you to significantly express the feeling of wide spatial.



Famous artist Archka Quinji, 1907

And with these tasks, he coped brilliantly. In addition, the artist won everyone in distinguishing the slightest changes in color and light ratios (for example, even with experiments with a special device that were produced by D.Indelleev, etc.). Some argued the use of chemical compounds based on phosphorus. However, this is not entirely true. A decisive role in creating an impression plays an unusual color construction of the canvas. Applying additional colors in the picture, reinforcing each other, the artist achieves an incredible effect of the moon color. True, it is known that experiments were still. Queenji intensively used bitumen paints, but did not use phosphorus. Unfortunately, due to the careless mixing of chemically incompatible paints, the canvas very darkened.

Creating this canvas, A.I.Kyujji applied a complex pictorial reception. For example, a warm reddish tone of the Earth, he contrasted with cold-silver shades and thereby deepened the space, and the small dark strokes in the illuminated places created a feeling of vibrating light. All newspapers and magazines, the reproductions of the "Moon Night on the Dnieper" reproduce the reproductions of the Lunar Night on the Dnieper, responded with thousands of copies across Russia. Poet Y. Polonsky, friend A.I.Kyujji, wrote then: "I don't remember positively that before any picture for so long formed ... What is it? Picture or reality? We saw this month in the gold frame or in the open window, these clouds, this dark distance, these "trembling lights of sad villages" and these are overflows of light, is it a silver reflection of the month in the jets of the Dnieper, the dal, this poetic, quiet, majestic night? " Poet K. Fofanov wrote the poem "Night on the Dnieper", which was then laid on the music.





I. Kramskaya foresaw the fate of the canvas: "Perhaps, Quendji connected together such paints, which are in natural antagonism among themselves and after the expiry of a well-known time or will be ground, or change and decompose before the descendants will immediately catch the shoulders in bewilderment: what they came from Delight good viewers? But in order to avoid such an unfair relationship in the future, I would not mind to make up, so to speak, the protocol that his "night on the Dnieper" is all filled with real light and air, and the sky is real, bottomless, deep. "

Unfortunately, our contemporaries cannot fully estimate the initial effect of the picture, as before our time it reached a distorted form. And the wines of everything is a special attitude to the canvas of its owner, the Grand Duke Constantine.




Grand Duke Konstantin Konstantinovich, who bought a picture, did not want to part with the cannut, even going into the world journey. I.S.Turgenov, who was at this time in Paris (in January 1881), came terrified from this thought, as indignantly wrote to the writer D.V. Grigorovich: "There is no doubt that the picture ... will be completely destroyed , thanks to salted air evaporation, etc.. " He even visited the Grand Duke in Paris, while his frigate stood in the port of Sherburg, and persuaded to send the picture for a short time in Paris.

I.Sturgenhev hoped that he would manage to persuade him to leave a picture at the exhibition in the Gallery of the Waiterier, but to persuade the prince failed. Wet, soaked in salt, the sea air, of course, has adversely affected the composition of the paints, and the landscape began to darken. But the lunar ripple on the river and the radiance of the moon itself was transferred to the genius A.I.Kyuji with such a force that, looking at the picture even now, the audience immediately fall under the authority of the eternal and divine.

The name of the archite Ivanovich Kindji has become famous immediately as soon as the public saw his paintings "after the rain" and "Birch Grove". But at the eighth exhibition of artists-mobile works of the work of A.I.Kyuji, and it was immediately noticed by the audience. P.M.Trevyakov wrote I. Kramsky from Moscow, that even those few who had not very warmly belonged to the works of the artist on this occasion.
In the summer and in the fall of 1880, during a gap with the headings, A.I.Kyujji worked on a new picture. On the Russian capital, rumors about the enchanting beauty of the "Lunar Night on the Dnieper" were separated. For two hours on Sundays, the artist opened the wishing door to his workshop, and the Petersburg audience began to deposit her long before the completion of the work.
This picture gained truly legendary glory. In the workshop of A.I.Kuinji, I.S.Turgenov and Ya. Polonsky, I. Kramskaya and P. Chistykov, D.I. Madevelev, accounted for the famous publisher and collector K.T.Soldatenkov. Straight from the workshop, even before the exhibition, the "Moonlight on the Dnieper" for the huge money was bought by the Grand Duke Konstantin Konstantinovich.
In his book about the artist O.P. Voronova describes the purchase of a picture: "" Lunar night on the Dnieper "wanted to buy soldiers, but it turned out that she no longer belonged to the archite Ivanovich. It was sold still smelling fresh paint, right in the workshop. In one of the resurrection about its price, some kind of marine officer was inquired. "Why do you need? - Shchainji shrugged. "After all, don't buy anyway: she is expensive." - "Is it all the same?" - "Yes, thousand five," the Archkin Ivanovich called the incredible at that time, almost a fantastic amount. And unexpectedly heard in response: "Good. Leave for yourself. " And only after the care of the officer, the artist found out that he visited the Grand Duke Konstantin. "
And then the picture was exhibited at a large sea street in St. Petersburg, in the Hall of Society for the Promotion of Artists. The performance of the artist with a personal exhibition, and even consisting of just one small picture, was an event unusual. Moreover, this picture interpreted not some unusual historical plot, but was quite modest in size. But A.I.Kuinji knew how to win. Success exceeded all expectations and turned into a real sensation. Petersburg was full of rumors, they say, for huge money by the artist Quinji from Japan or China, brought special paints with a mother of pearl and now his picture light radiates.
Long line lined up on a big sea street, and people waited for hours to see this extraordinary work. To avoid the pressure, the public was allowed in the hall groups.
A.I.Kyujji has always been very closely exposed to its paintings, placed them so that they were well covered so that they do not interfere with the neighboring canvas. This time, the "Moonlight Night on the Dnieper" hung on the wall alone. Knowing that the effect of lunar radiance will be fully manifested with artificial lighting, the artist ordered to drag the windows in the hall and illuminate the picture focused on it the beam of electric light.
Visitors entered the adolescent hall and, fascinated, stopped before the cold radiance of the lunar light. The effect of the picture was awesome. Even artists were lost, not understanding how he was written by the moon and shine on the water. It seemed to everyone that the moon shone his real light. I.N. Kramskaya, recognized in artistic circles authority, did not hide emotions: "What a storm of enthusiasm lifted the Queenji! A kind of well done - charm. "
Ivan Bunin.
My night will come ...
My night will come, the night is long, dumb,
Then the Lord, creating wonders,
Luminous to go to heaven .-
Siai, Siai, Moon, raising more
Your, the sun given a leak.
Yes, there will be the world of news,
That my day was doing, but my mark
In the world - there.
In front of the audience, a wide, leaving the distance of the space was revealed; Plain, crossed by greenish ribbon of a quiet river, almost merges from the horizon with a dark sky, covered with rows of light clouds. In the embroidery, they had a little diverged, and the moon looked into the resulting window, refreshing the Dnieper, Hacks and the web of the paths in the near shore. And everything in nature has gotten, the wonderful radiance of the sky and the Dnieper waters.
The sparkling silver-greenish disk of the moon poured his mysterious phosphorescent light immersed in the night of the night. He was so strong that some of the audience tried to look at the picture to find a lantern or lamp. But the lamps did not turn out to be, and the moon continued to radiate his fascinating, mysterious light.
The smooth mirror reflects the water light of the Dnieper, from the velvety blue of the night whiten of the walls of the Ukrainian Hut. This majestic spectacle still plunges the audience in thought about eternity and the irreversive beauty of the world. So before A.I.Kyujji sang about nature only the great N.V.Gogol.
The number of sincere talent admirers A.I.Kyujji grew, a rare person could remain indifferent to this picture, which seemed by witchcraft. The heavenly sphere A.I.Kyujji depicts the majestic and eternal, hitting the audience with the power of the Universe, its immensity and solemnity. Numerous attributes of the scenery - sharpening in the Koishoch of Huts, bushy trees, the coronal stems of the Tatarn - absorbed in darkness, the color is dissolved with a brown tone.
Bright silver moon light shaded in blue depth. Its phosphoresia, he turns the traditional motive with the moon in so rare, meaningful, attractive and mysterious, which is transformed into poetic-agitated delight. Even the assumptions about some unusual paints and even about strange artistic techniques that the artist allegedly used was expressed. Rumors about the secret of the art method A.I.Kyujji, about the secret of his paints, in the life of the artist, some tried to catch it in focus, even in connection with the unclean force.
Maybe it happened because A.I.Kyujji focused her efforts on the illusory transmission of the real effect of lighting, in search of such a pattern of a picture that would significantly express the feeling of wide spatial. And with these tasks, he coped brilliantly. In addition, the artist won everyone in distinguishing the slightest changes in color and light ratios (for example, even with experiments with a special device that were produced by D.Indelleev, etc.).
Creating this canvas, A.I.Kyujji applied a complex pictorial reception. For example, a warm reddish tone of the Earth, he contrasted with cold-silver shades and thereby deepened the space, and the small dark strokes in the illuminated places created a feeling of vibrating light.
All newspapers and magazines, the reproductions of the "Moon Night on the Dnieper" reproduce the reproductions of the Lunar Night on the Dnieper, responded with thousands of copies across Russia. Poet Y. Polonsky, friend A.I.Kyujji, wrote then: "I don't remember positively that before any picture for so long formed ... What is it? Picture or reality? We saw this month in the gold frame or in the open window, these clouds, this dark distance, these "trembling lights of sad villages" and these are overflows of light, is it a silver reflection of the month in the jets of the Dnieper, the dal, this poetic, quiet, majestic night? " Poet K. Fofanov wrote the poem "Night on the Dnieper", which was then laid on the music.
The picture caused an ambiguous reaction and produced a real extension among brush comrades. Repin recalled: "Dutching loudly, on all the crusts of the Queenji, the opponents could not resist imitation and hand, with Azart, tried to jump back with their fakes, issuing them for their personal paintings." I could not resist such a well-known landscape player as Lagorio. He recreated the "Kindji effect" in the landscape "Night on the Neva". But instead of glory, it was waited only that he began to point with her finger.
The audience was delighted the illusion of natural lunar light, and people, according to I.E. Pepina, in the "prayer silence" stood in front of the canvas A.I.Kyujji, left the hall with tears in her eyes: "So acting poetic spells of the artist on the chosen Believers, and those lived at such minutes with the best feelings of the soul and enjoyed the paradise of the bliss of painting art. "
F. Tyutchev
Vision
1829
There is a certain hour, in the night, world silence,
And in this hour of phenomena and miracles
Live chariot Mirozdanya
Openly rolling into the sanctuary of heaven.
Then the night hustles, like chaos on the waters,
Infembality, like the Atlas, gives sushi;
Only muse virgin soul
In the prophetic disturbing gods dreams!
A.I.Kyujji seemed to try to penetrate the world perfect, but stopped before his incomprehensibleness. Reproducing earthly visibility, the artist worked the perfect world of harmony and beauty. In such a comparison, the extension of Christian philosophy is heard, according to which the earth's life is only the lowest level of the sphere of ideal being created by the highest mind.
Quinji sought to the image of being, where the thought of man is absorbed over peaceful forces, dissolved in the philosophy of time and peace. In the representation of the artist Being immovable and majestically. Fine remedies respond to the essence of the image. Romantic works of Kindji smooth and crags, the color spreads around the canvas in a slow motion, almost phosphorious light is mysterious, the deep and spatial composition seemed to prepare the soil for the breakthrough of the imagination into other worlds.
Kramskaya was stunned, fascinated. Facean of a true artist gave an alarm in him for the fate of this extraordinary masterpiece; He wrote Stasov: "Maybe the kindji paints will be buried or changed and decompose before the descendants will immediately shrugs in beware: from what the good-natured spectators came to be delighted ..." I could not live with this Kramskaya - the picture should live in the future! He decided that it was necessary to draw up a "protocol", wherever the best modern artists confirmed that they saw their own eyes "Night on the Dnieper", which in the picture "Everything is filled with real light and air, the river really makes the magnificent course and the sky - the present bottomless and deep. " Such a "protocol" was written, but it could not be printed.
Unfortunately, the concerns of Kramsky came true much earlier than he assumed. A tragedy occurred with the picture. Grand Duke Konstantin Konstantinovich, who bought a picture, did not want to part with the cannut, even going into the world journey. I.S.Turgenov, who was at this time in Paris (in January 1881), came to the horror of this thought, as indignantly wrote to the writer D.V. Grigorovich: "There is no doubt that the picture ... will be completely destroyed, thanks to Salted air evaporation, etc.. He even visited the Grand Duke in Paris, while his frigate stood in the port of Sherburg, and persuaded to send the picture for a short time in Paris. I.Sturgenhev hoped that he would manage to persuade him to leave a picture at the exhibition in the Gallery of the Waiterier, but to persuade the prince failed.
Wet, soaked in salt, the sea air, of course, has adversely affected the composition of the paints, and the landscape began to darken. Now we cannot consider in the picture many details of the landscape. But the lunar ripple on the river and the radiance of the moon itself was transferred to the genius A.I.Kyuji with such a force that, looking at the picture even now, the audience immediately fall under the authority of the eternal and divine.