The tragic fate of Katerina. The tragic confluence of the circumstances, which led Katerina to the death of the Piece of Thunderstorm (Ostrovsky A

The drama "Thunderstorm" is the top of the creativity of Ostrovsky. In its work, the writer shows the imperfection of the patriarchal world, the influence of the building on the morals of people, he reveals the society with all its vices and disadvantages, and at the same time he introduces the hero in the drama, different from this community, alien to her, reveals the influence of society on this a person, how the character is included in the circle of these people. In the "thunderstorm" by this new, different from other hero, the "Light Light" becomes Katerina. It belongs to the old patriarchal world,

But at the same time enters the irreconcilable conflict with him. On her example, the writer shows how terrible to be in the "kingdom of despots and self-making" a person with such a clean soul like Katerina. A woman enters the conflict with this society, and, along with external problems, in the soul of Katerina, internal contradictions are brewing, which in aggregate with fatal circumstances lead to Katerina to suicide.
Katerina - a woman with a strong character, but meanwhile, even she cannot withstand the "kingdom of self-made and despots."
Mother-in-law (Kabaniha) - a rough, powerful, despotic, ignorant, it is closed for the whole beautiful. Of all the actors, Marfa Ignatievna has the strongest pressure on Katerina. The heroine itself is admitted: "Kaba is not a mother-in-law! .. she crushed me ... From her I and the house was pushed: the walls are even disgusting." Kabaniha constantly blames Katerina almost in all mortal sins, reproaches and picks up for her about and without reason. But Kabaniha does not have a moral right to mock and condemn Katerina, because the internal qualities of his son's wife in their depth and purity can not be compared with the freezing, worn, low soul Marta Ignatievna, and meanwhile Kabaniha is one of those whose fault Katerina comes to Thoughts about suicide. After the death of the main character, Kuligin says: "... the soul is no longer yours: she is before the judge who is merciful than you." Katerina cannot accept the oppressive, gone atmosphere, which prevails in Kalinov. Her soul is committed to freedom of any price, she says, "What I want, and I will do," "I will leave, and it was like that." With a marriage, the life of Katerina turned into a daytime hell, this existence in which there is no joyful moments, and even love for Boris does not save it from longing.
In this "dark kingdom" everything is alien to her, everything oppresses her. She, according to the customs of that time, married not by his will and for the unworn man, whom she never would love. Katerina Nicely understood how west and pity her spouse, he himself cannot confront his mother, boa, and, naturally, is not able to protect Katerina from permanent lows from the mother-in-law. The main character is trying to convince himself and Varvaru is that she loves her husband, but still later confesses her husband's sister: "I feel sorry for him very much." Pity is the only feeling that she is experiencing to her husband. Katerina itself perfectly realizes that she never love her husband, and the words spoken by her at the departure of the spouse ("as if I loved you"), are words of despair. Katerina has already seen another feeling - love for Boris, and an attempt to grab her husband to prevent trouble, thunderstorm, the approach of which she feels is futile and useless. It's not chosen to her, he stands next to his wife, but in his dreams already far away from her - his thoughts about the boots and the walk for the limit of Kalinov, he himself says to his wife: "I do not figure you out, Katya!" Yes, where he "disassemble" her! The inner world of Katerina is too complicated and incomprehensible to people like Kabanov. Not only Tikhon, but also his sister says Katerina: "I do not understand what you are saying."
In the "Dark Kingdom" there is not a single person whose spiritual qualities would be equal to Katerinina, and even Boris - a hero, highlighted by a woman from the whole crowd, unwinted Katerina. Her love is a stormy river, his own - a small river, which is about to dry up. Boris is going to just walk with Katerina during the departure of Tikhon, and then ... then it will be seen. It does not care too much than the passion for Katerina will turn, Boris does not even stop the warning of Kudryash: "You want to completely ruin it." On the last date, he says to Katerina: "Whoever knew it that we were for our love to suffer with you," because at the first meeting, the woman told him: "Spaded, ruined, ruined."
The reasons that prompted Katerina to suicide are hidden not only (and even not so much) in society surrounding it, but in it itself. Her soul is a gem, and the invasion of the foreign particles is impossible. She can't, like Barbar, act according to the principle "If all it was still awesome yes, it could not live, keeping such a terrible secret, and even recognition before everyone does not bring her relief, she understands that he never will be inevit ourselves, and can not accept it. She rose on the path of sin, but will not exacerbate him, licking himself and everyone, and understands that the only getting rid of her spiritual flour is death. Katerina asks Boris to take it to Siberia, but even if she runs out of this society, she is not destined to hide from himself, from a remorse of conscience. To some extent, it may understand and Boris and says that "only one and you have to ask God to die as soon as possible for her to suffer long!" One of the problems of Katerina is that "she does not know how to deceive, it cannot be hidden." Neither deceive nor hide from themselves, nor the more from the other it can not. Katerina constantly suffers from the consciousness of his sinfulness.
Translated from the Greek, the name of Catherine means "always clean", and our heroine is definitely always striving for spiritual purity. She is alien to all sorts of false and not true, even hitting such a lowered society, it does not change its inner ideal, she does not want to become the same as many people of that circle. Katerina does not absorb dirt, it can be compared with the lotus flower, which grows on the swamp, but, in spite of everything, flourishes unique snow-white flowers. Katerina does not live to lush flowering, her semi-resistant flower brought, but no poisoning substances penetrated it, he died innocent.

The drama "Thunderstorm" is the top of the creativity of Ostrovsky. In his work, the writer shows the imperfection of the patriarchal world, the impact of the building on the morals of people, he reveals the society in front of us with all its vices and disadvantages, and together with that he introduces a hero in the drama, other than this community, alien to her, reveals the influence of society on this a person, how the character is included in the circle of these people. In the "thunderstorm" by this new, different from other hero, the "Light Light" becomes Katerina. It belongs to the old patriarchal world, but according to the unambiguous conflict with him. On her example, the writer shows how terrible to be in the "kingdom of despots and self-making" a person with such a clean soul like Katerina. A woman enters the conflict with this society, and, along with external problems, in the soul of Katerina, internal contradictions are brewing, which in aggregate with fatal circumstances lead to Katerina to suicide.

Katerina - Lady with a strong character, but meanwhile she cannot withstand the "kingdom of self-rigs and despots."
Mother-in-law (Kabaniha) - a rough, powerful, despotic, ignorant, it is closed for the whole beautiful. Of all the actors, Marfa Ignatievna has the strongest pressure on Katerina. The heroine itself admits: "Kaba is not a mother-in-law! .. she crushed me ... From her and the house was frowned: the walls are more so otherwise." Kabaniha constantly blames Katerina almost in all mortal sins, reproaches and picks up for her about and without reason. But Kabaniha does not have a moral right to mock and condemn Katerina, because the internal qualities of his son's wife in their depth and purity can not be compared with the freezing, worn, low soul Marta Ignatievna, and meanwhile Kabaniha is one of those whose fault Katerina comes to Thoughts about suicide. After the death of the main character, Kuligin says: "... the soul is no longer yours: she is before the judge who is merciful than you." Katerina cannot accept the oppressive, gone atmosphere, which prevails in Kalinov. Her person is striving for freedom of any price, she says, "What I want, I will do," "I will leave, and it was like that." With marriage, the life of Katerina turned into a daytime hell, this existence in which there is no joyful moments, and moreover, love for Boris does not save it from longing.

In this "dark kingdom" everything is alien to her, everything oppresses her. She, according to the customs of that time, married not by his will and for the unworn man, whom she never would love. Katerina Nicely understood how weak and pity her spouse, he himself cannot confront his mother, Kabanchi, and, of course, is not able to do not allow Katerina offense from the permanent lows from the mother-in-law. The main character is trying to convince himself and Varvaru is that she loves her husband, but still later admits her husband's sister: "I am very fourth of him." Pity is the only feeling that she is experiencing to her husband. Katerina itself perfectly realizes that she never love her husband, and the words spoken by her at the departure of the spouse ("as if I loved you"), are words of despair. Katerina has already seen another feeling - love for Boris, and an attempt to grab her husband to prevent trouble, thunderstorm, the approach of which she feels is futile and useless. It's not chosen to her, he stands next to his wife, but in his dreams already far away from her - his thoughts about the boots and the walk for the limit of Kalinov, he himself says to his wife: "I do not figure you out, Katya!" Yes, where he "disassemble" her! The inner world of Katerina is too complicated and incomprehensible to people like Kabanov. Not only Tikhon, but also his sister says Katerina: "I do not understand what you are saying."

In the "Dark Kingdom" there is not a single person whose spiritual qualities would be equal to Katerinina, and moreover, Boris - a hero, highlighted by a woman from the whole crowd, unwinted Katerina. Her love is a stormy river, his own - a small river, which is about to dry up. Boris is going to just take a walk with Katerina at the hour of the departure of Tikhon, and then ... then it will be seen. It does not care too much than the passion for Katerina will be wrapped, Boris does not stop the warning of Kudryosha: "You want to completely ruin." On the last date, he says Katerina: "Whoever knew it that we were for our love to suffer so much with you," because at the first meeting, Lady said to him: "Spaded, ruined, ruined."

The reasons that prompted Katerina to suicide are hidden not only (yes, moreover, not so much) in society surrounding it, but in it itself. Her personality is an expensive cobblestone, and the invasion of foreign particles is impossible. She can't, like Barbar, to work on the principle "If all it was still awesome, it could not exist, keeping such a terrible secret, and moreover, recognition before everyone does not bring her relief, she understands that he never will be inevit In front of me, and can not accept it. She rose on the path of sin, but will not exacerbate him, licking himself and everyone, and understands that the only getting rid of her spiritual flour is death. Katerina asks Boris to take it to Siberia, but moreover, if she runs out of this society, she is not destined to hide from himself, from the remorse of conscience. To some extent, it may, he understands Boris and says that "only one and you have to ask God to die as soon as possible to suffer long!" One of the problems of Katerina is that "she does not know how to deceive, it cannot be hidden." NK deceive, nor hide from themselves, nor the more from the other it can not. Katerina constantly suffers from the consciousness of his sinfulness.

Translated from the Greek, the name of Catherine means "always clean", and our heroine is definitely constantly striving for spiritual purity. She is alien to all sorts of false and not true, moreover, hitting such a lowered society, it does not change their inner ideal, she does not want to become the same as many people of that circle. Katerina does not absorb the mud, it can be compared with the lotus flower, which grows in the swamp, but, in spite of everything, flourishes unique snow-white flowers. Katerina does not live up to lush flowering, her semi-resistant flower was brought, but no poisoning substances penetrated into it, he died innocent.

Katerina is one of the main characters of the play, the wife of Tikhon Kabanova. Katerina was a religious girl, kind, natural. Religiousness of Katerina confirm the lines from the play: "And I loved to go to the church to death. Exactly, I happened, I'm in the paradise) ... "The girl is not capable of lies and on deception.
N. A. Dobrolyubov in his article called Katerina "Light Light in the Dark Kingdom." He disassembled in detail the motives of the actions of Katerina, believed that she did not belong to the rusty characters, dissatisfied, loving to destroy. On the contrary, this is the character of the advantage of creating, loving, perfect. That is why she tries to make everything in their imagination. "
There is a different deal with its relationship in life. Katerina married Tikhon Kabanov not for love, but according to the concepts. The concepts in the nineteenth century were others - there was a certain difference between the concepts of "marriage" and "love". It was believed that marriage is a worthy life, and love is something sinner is not forbidden. Katya did not love Tikhon, did not experience any warm feelings to him and changed very much after marriage: she does not feel so delight from the visit of the Church, can not do their usual things. But she continues to try to be faithful to her husband even when he falls in love with Boris - a wild, man's nephew, a smart and educated, but weakly accuracy. Subsequently, she, of course, admits in love for Boris her husband.
But the life of Kati complicates the fact that Kabaniha appears in it. It can be safely called Antipode Katerina, the exact opposite. She is a strong and domineering person, does not believe in all-sucking and mercy. Kabaniha keeps the old basics of life, protests against the movement of life ahead, is a bright representative of the patriarchal lifestyle. Kabanius is very annoying Katya, and she constantly quit it, and Tikhon is not trying to prevent, saying this: "What to listen to it! After all, something needs to talk! Well, the forest says, and you pass by the ears! " But Katyusha is not the person who can ignore these attacks, "skip past the ears," because she struggled with this dark kingdom, did not want to become part of him.
But Dobrolyubov in his article just did not catch it. It did not catch the main thing - a fundamental difference between the religiousness of Kabanih and the religiosity of Katerina.
Thus, it is possible that the attacks of Kabani became the cause of the death of the girl. Also a certain role could play a failed novel with Boris. As I have already mentioned more than once - Katerina - the girl of freedom-loving, who did not want to put up with reality, and the suicide of Katerina is a kind of protest, the riot, calling for action.

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A.N. Ostrovsky entered the history of Russian culture as a great playwright, he founded Russian National Theater Ostrovsky.
The author in his plays reveals human flavors, the assisted acute public problems. One of the brightest and impressive imagination of the plays is "thunderstorm." She, right, is referred to as the "Russian tragedy".
We find ourselves in the province, on the banks of the nice River Volga. Contradictions that help us understand the promise, which we wanted to convey the author traced in the Loveline of Katerina and Boris Grigorievich. Passion

Katerina is similar to "rock", it is he who emphasizes the "tragedy" of the plays.
Katerina - young and beautiful woman. According to nature, it is strong and free, in fact, with the second, problems arise - she is the wife of Tikhon Kabakov. To the marriage, her life proceeded completely differently, she was "frisky", as the heroine itself was expressed about himself. Previously, it was surrounded only by love, attention and care. Everything turned over in the life of the girl when she came to the house of Kabakov. Everyone filled the evil and coarse kabani, and Tikhon (husband) was lost and obedient to illness. In this world, no one understands her. By the way, Barbara, from which the heroine became friends, said that the "some kind of wisdom". Katerina, being in kind of woln-loving suffers from the darkening of the "Dark Kingdom". Its character is extremely not simple, it is actually not understood in its new world. Katerina is the personification of the ideal world, the "Dark Kingdom", in turn, implies the power of demonic forces.
The girl was able to reveal the "real" only person, and it was Boris. Katerina's soul is endowed with passion, dusty. She is in the spiritual plane with God, according to his inner sensations of life.
Scene of a date with Boris Grigorievich is impregnated with sinfulness, as opposed to such sweet love. Here just a decisive character of Katerina, which throws away any doubts and goes to a deal with his own conscience and heavenly punishment. Thunderstorm is a messenger of God's wrath. And, of course, at this point, all the conventions of the worldly life are blurred before it. The heroine and herself says that if she is not afraid of sin, then she will be afraid of the "Human Court". The apogee of the play is a technological recognition in the deed, the epic moment of thunderstorms. She admitted, but did not repent. Katerina is not able to overcome the barrier - recognize your sin and renounce love.
The tragic confluence of the circumstances: the requirements of peaceful life and the controversial globility of Katerina can no longer coexist, which leads to a loss of sincere desire to live. Katerina, suddenly, comes the awareness of the non-ignority of the sin of suicide. However, even this did not affect her decision.
The death of Katerina symbolizes the impossibility of trying "earth" and "heavenly". Thus, Ostrovsky showed that such pure nature like Katerina in our "dirty" world are doomed to death.